#Budget 2022 highlights

[rudrjobdesk]

Budget 2022: मनरेगा के बजट पर चली कैंची, 73,000 करोड़ रुपये आवंटित किए

Budget 2022: मनरेगा के बजट पर चली कैंची, 73,000 करोड़ रुपये आवंटित किए

केंद्र ने मंगलवार को पेश किए गए केंद्रीय बजट 2022-23 में ग्रामीण रोजगार गारंटी कार्यक्रम मनरेगा के लिये 73,000 करोड़ रुपये आवंटित किए। यह मौजूदा वित्त वर्ष के लिये संशोधित आकलन से 25.51 प्रतिशत कम… Source link

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[vaspider]

Measure 110, or the Self-Fulfilling Prophecy

So if y'all aren't local to Oregon, you may not have heard that the Oregon state legislature just voted to -- essentially -- gut Measure 110, the ballot measure which decriminalized all drug possession and use in the state. It turned all drug use into a citation instead, and the citation and fine could be waived by completing a health screening. The entire point of Measure 110 was replacing jail with health care and services to help people instead, and while I could probably write a very long side post on the imperfections of that approach, it was at the very least a move in the right direction after decades of the pathetic failure and absolutely racist mess that is the "War on Drugs."

You may hear this pointed to in coming years as a reason why we have to just throw people into jail for using drugs, because Measure 110 failed. And like... it did fail, kinda. Sorta. It failed in that it did not manage to fix everything immediately, and it created some new issues while also exposing older issues more sharply.

It also saved the state $40 million in court costs prosecuting low-level drug offenses, kept thousands of people whose literal only crime was putting a substance into the body of a consenting adult (themselves) out of jail, put at least one addiction services center in every county in the state, invested $300 million in addiction services, and an awful lot more. See the end of this post for more reading.

But where it failed, it failed because it wasn't supported. Police and advocacy groups both asked for specific tickets for this new class of offenses which had the phone number to call to go through the health screening and the information about how going through that health screening would make the ticket go away printed on it prominently - lawmakers declined to fund this. Governor Kotek budgeted $50K to train officers on how to handle these new citations and how to direct people to the treatment and housing supports, but lawmakers thought that training officers on this new law at all was a waste of money. Money moved extremely slowly out to the supports that were supposed to come into play to help people obtain treatment or get access to harm-reduction strategies. People freaked the fuck out about clean-needle outreach, fentanyl testing strip distribution, Narcan training, and other harm-reduction strategies.

And at the end of the day, Measure 110 gets called a failure because it wasn't a silver bullet. Never mind that thousands of people are not sitting in jail right now for basically no fucking reason. Never mind that people have gotten treatment, harm has been reduced, overdoses have been prevented...

So, yeah. You'll probably start hearing this trotted out as proof that, well, we triiiied decriminalizing drugs, but look what happened in Portland! Well, what happened in Oregon is that we got set up to fail, and still didn't fail, just didn't totally succeed.

Measure 110 highlights, quoted directly from Prison Policy Initiative:

The Oregon Health Authority reported a 298% increase in people seeking screening for substance use disorders.

More than 370,000 naloxone doses have been distributed since 2022, and community organizations report more than 7,500 opioid overdose reversals since 2020.

Although overdose rates have increased around the country as more fentanyl has entered the drug supply, Oregon’s increase in overdoses has been similar to other states’ and actually less than neighboring Washington’s. A peer-reviewed study comparing overdose rates in Oregon with the rest of the country after the law went into effect found no link between Measure 110 and increased overdose rates.

There is no evidence that drug use rates in Oregon have increased. A cross-sectional survey of people who use drugs across eight counties in Oregon found that most had been using drugs for years; only 1.5% reported having started after Measure 110 went into effect.

There has been no increase in 911 calls in Oregon cities after Measure 110.

Measure 110 saves Oregonians millions. Oregon is expected to save $37 million between 2023-2025 if Measure 110 continues. This is because it costs up to $35,217 to arrest, adjudicate, incarcerate, and supervise a person taken into custody for a drug misdemeanor — and upwards of $60,000 for a felony. In contrast, treatment costs an average of $9,000 per person. The money saved by Measure 110 goes directly to state funding for addiction and recovery services.

There is no evidence that Measure 110 was associated with a rise in crime. In fact, crime in Oregon was 14% lower in 2023 than it was in 2020.

Further reading/sources:

#us politics #measure 110 #oregon

[ladyluscinia]

What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

#trust me i appreciate the irony of making an extensive word of god reference when i want people to stop blindly promoting word of god #(and also when i'm currently very irritated with the creators) #and fyi showrunners talk A LOT but i was already committed so this was more work than i was expecting #i'll even use a small bit of my extra hour of destiel day to post this (most of it was assembled while watching supernatural) #our flag means death #ofmd #ofmd meta #david jenkins #word of god #ladyluscinia

[glorious-sunset]

LBFAD is the most inspiring series I have ever watched and here is why…

Although Love Between Fairy and Devil (LBFAD) only caught my eye on Netflix in December 2023, I’m so glad it did and that I didn’t miss out on this stunning and thought-provoking masterpiece. It is the most inspiring series I have ever watched for many reasons. Aesthetically, I found the beautiful 4K production quality as enjoyable as high-budget productions such as Lord of the Rings and Game of Thrones. I frequently felt the need to pause and admire the well-designed sets, and exquisitely detailed costumes of even minor characters. The acting is superb across the board, and the leads act and respond very naturally to each other. The long hair of male characters is especially well-done, falling naturally with subtle highlights and looks real. All these details breathe life into this fantasy world and make it very realistic.

Every line of each song from the phenomenal OST is brimming with hidden meanings related to the series, adding lots of additional context! The artwork created for the opening and ending sequences is also full of meaning (minor spoilers ahead). Take, for example, the last picture where the OTP are sitting on a boat in the Oblivion River, the junction between their two tribes, the male lead has removed his crown and hence his responsibilities at least for the moment, and they are watching the sunrise together for the rest of eternity after the close of the series (sigh!)

Every single character of note in the series goes through profound character growth, the only exception being the abstract ultimate villain Taisui. Even the secondary villains and dictator of Shuiyuntian have grown and changed their perceptions by the end. It made me believe that anyone is capable of opening their minds and bettering themselves. Both lead and side characters are repeatedly faced with overwhelmingly bleak choices and heartbreaking challenges, especially in the last ten episodes. Yet every time, they show courage, sacrifice and selfless love that is amazing and very inspiring.

It is rare to find this kind of poignance in any production. I used to find Game of Thrones inspiring due to Daenerys freeing the world of slavery…until Season 8 happened. LBFAD tops Game of Thrones in this regard by freeing two distinct realms from conflict. The actions of the OTP break through a hundred millenia of mutual hatred and relentless conflict between their people with no end in sight, to create a new dawn of lasting peace. LBFAD reminds me of Lord of the Rings in terms of its cinematographic beauty and themes of never losing hope and prevailing over overwhelming odds. However, the stronger focus of LBFAD on the lead couple’s development and on creating multidimensional villains and side characters made it, for me, more engaging to watch.

The world-building and depth of characters has many layers in LBFAD, to the extent that much of the context was clear to me only in retrospect on rewatching the series and on deep reflection. The fast pace of the series also means that a lot of action occurs off-screen in between scenes. There are no filler scenes, there is no room for them. Every scene adds new plot twists and depth to characters, making the series highly addictive.

I am not a native mandarin speaker, and came to realise how beautiful the language is only on encountering LBFAD and its OST. It inspired me to learn mandarin, which makes rewatching the series highly enjoyable as I am able to pick up new nuances. I’m embarrassed to be late to watch LBFAD after its release in August 2022, but have thoroughly enjoyed the posts on Tumblr from fellow fans, including enthralling artwork, meta and links to fanfiction. It has encouraged me to post on Tumblr myself. I have started to post my interpretations of artwork, mandarin names, xianxia concepts, and story-format reflections on each episode. I am thrilled to be a part of this wonderful community!

Links to some of my other LBFAD articles:

Character Names in LBFAD - Meaning and Significance

Location Names in LBFAD - Meaning and Significance

LBFAD Opening Artwork - Hidden Meanings

Here is a link to my episode 1 review (contains spoilers). All of my LBFAD articles and episode reviews can be viewed with the tag #lbfad reflections (hyperlinked) and the table of contents to these is here.

#lbfad #love between fairy and devil #canglan jue #clj #dongfang qingcang #dfqc #xiao lanhua #xlh #cdrama #cang lan jue #lbfad meta #lbfd #cdramasource #asiandramasource #asiandramanet #dylan wang #wang hedi #yu shuxin #esther yu #lbfad reflections

[booktomoviebrawl]

We are not judging how bad the movie is, we are judging which adapted the book the worst. There are good movies that are bad adaptions.

Propaganda below the cut (spoilers may apply)

Persuasion:

They massacred my girl!! That is not Anne Elliot!! The whole point is that she's beaten down and thinks she's missed her chance at happiness and is bullied by her family, not making mean and snarky nods to the camera :( They completely missed the whole point of the dynamic and it's SICKENING! They also cut Mrs Smith who is arguably one of the most important characters as she highlights Anne's lack of focus on title and rank and her family's comparative obsession with it + it's only through her that Anne learns about Mr Elliot's true nasty nature. Also they cut the 'I am half agony, half hope' line from Wentworth's letter at the end so what's even the POINT of adapting it if you don't have that!! Oh my god!! My poor favourite Austen novel :( (I do want to make it very very clear that my issues with the movie come from the writing and adaptation and not in any way from the race blind casting. The casting is superb and I'm genuinely so disappointed that they got such a bad adaptation bc so many of the cast are literally perfect)

Where do I even start? They tried to 'modernize' both the protagonist and the love story and managed to take out everything that made it good in the first place. Anne Elliot in the novel is quiet and good and helpful, full of regret. In the movie, she constantly turns to the audience to mock everyone around her, feeling so much better than everyone, to the point where nobody understands why Captain Wentworth would still be in love with her, or have fallen in love with her in the first place. Eight years before the plot starts, she broker her engagement to him because she was persuaded by a family friend that it was a bad idea. No way would movie!Anne have let herself be persuaded. They just tried to do a Fleabag/Emma type of thing without understanding what made either the novel or those two things work and thereby ruined it completely

Whoever made this didn't understand the point of the novel at all. They completely screwed up the character of Anne Elliot (the protagonist), which in turn screws the rest of the movie, as the original story only works because Anne is the way she is. Also, it's a period piece but the characters are talking in modern slang the entire time. And not in a clever way but in a very cringey one. If Jane Austen knew, she'd probably turn in her grave, and rightfully so.

Maximum Ride:

The storyline makes absolutely no sense, and the movie is nothing like the book. You could've given the movie an entirely different name and and keep the plot I wouldn't bat an eye

the movie's just bad mate

Horrendous low budget netflix movie with effects so bad they make me feel physically ill and acting so wooden the cast is in danger of being attacked by lumberjacks. The story already wasn't the best and the film somehow made it worst. I came in with nostalgia for my dear kids with bird wings and left never to be the same again.

Miss Peregrine's Home for Peculiar Children:

While Miss Peregrine was one of my favorite books as a kid and incredibly unique in the way the story is written (The author basically took a box of weird antique photographs and created an underlying story behind a handful of them) the movie is incredibly boring. Like seriously I can't remember a single goddamn thing about the movie besides my extreme disappointment with it after leaving the theatres. It's probably because the original is a trilogy but they didn't want to make it a trilogy for the movie so they just scrapped the ending of the first book and rewrote a shitty climax where they threw snowballs at the nightmare child eating creatures or something. I remember THAT scene perfectly because it was so, so dumb. It was so stupid oh my God- ALSO, thank God I have a copy of the book from before the film came out because new copies don't have one of the photographs that the actual book uses as a base anymore and instead have the shitty movie poster! We truly do live in a society.

Changed way too much so it doesn't feel like the same thing. The main characters are these kids with different abilities (called peculiarities) and the movie switches around their powers and changes almost everyone's age. Emma and Olive switch powers so that Emma now floats (they also added that she can kind of control air to some extent) when she's supposed to have fire powers to match her fiery personality. Olive can make fire now and she's also aged up from an eight year old to a teenager and put her in this weird romance with Enoch. Enoch is also aged up from a grumpy thirteen year old to around the same age as Olive. Bronwyn, one of the older kids in the book and sort of a motherly figure to the younger kids, is now one of the youngest kids. Hugh and Fiona are aged down and basically have no interaction at all in the movie, even when their book counterparts had such a good relationship. The only one they didn't really change was Horace and Jacob. They also added these gorgon twins that do like two things. The antagonist in the movie is Mr. Barron who honestly isn't super memorable and isn't in the books whatsoever. The ending of the movie is weird too because they manage to turn back time somehow so Jacob's grandfather isn't dead and then he hops through loops so he can be with Emma and the other peculiars. I guess the problem of wights and hollowgasts is magically eliminated and we do not have to deal with the consequences. It took six books to fix everything. I appreciate that the movie engaged me enough to read the series but once I did, I could not believe they did my kids that dirty.

Yikes where to start. The 3 girl characters are all mixed up. There are 2 teens, one who's super strong and has a brother (I'll get back to him) and one who controls fire and is the love interest named Emma. The third girl is a child called Olive who floats. She's lighter than air.

In the movie, strong girl is the child, olive is now the fire girl and is for some reason super introverted, and Emma the love interest floats and gets given a super breath??? Power?? Like she rises a sunken ship by blowing in and keeps a man blown against a wall by blowing air at him. He makes a remark that she'll run out of breath eventually, which happens here because plot convenience, but not when she's blowing in the sunken ship.

The enemies in the book are terrifying Hollows. Creatures who have lost themselves and devour souls of those with powers... The movie decides they eat eyes now. And turn human again. And get busted up in a fair for the final act of the movie. Ugh.

The movie also decides randomly that time travelling through the loops is a thing; a loop being a pocket of time that replays the same day over and over. But apparently this means Main Character can travel back in time and stop his grandfather dying??? What?? His grandfathers death is the whole start of the movie and motivation for the character.

The movie undermines many of things that made the book amazing and even decides it's not a trilogy anymore!! Fuck the other 2 books, right?!

Tldr; it is terribly hollywood-ised and t tim Burton ruined a franchise by trying too hard to make it quirky and fun when the books already had a brilliant sombre and interesting tone to them.

#tournament poll #persuasion 2022 #persuasion #maximum ride #miss peregrines home for peculiar children

[decolonize-the-left]

Was looking up updates on Tyre Nichols and decided to click on the link for his lawyer, just wanted to see other cases he had and judge whether or not he'd be helpful or harmful.

And was linked to another case from last June with an update from this month that also deserves attention.

“People from my community have been coming to us for years talking about how they torture people in the back of paddy wagons,” said Scot Esdaile, according to the Associated Press. “They put people in the back of the paddy wagon; they go real fast and then they slam on the brakes.”

Mr Crump has similarly raised allegations that the driver could perhaps be more culpable than the force is letting on, saying he suspects speeding or texting while driving could’ve been a factor, and is thus demanding that the police department be transparent in the investigation.

The Independent has reached out to the New Haven Police Department for comment on the investigation.

Writing on Twitter on the Fourth of July holiday, Mr Crump highlighted how Mr Cox – an otherwise healthy young man – went from being able to step into the back of the police car on his own to now needing full support to breathe and eat with little hope that he’ll be able to walk again.

x

And there was an update recently......Just 4 days after Tyre's murder in fact.

The officers -- Sgt. Betsy Segui and officers Oscar Diaz, Ronald Pressley, Jocelyn Lavandier and Luis Rivera -- were each charged in November 2022 with one count of second-degree reckless endangerment and one count of cruelty to persons

Both charges are misdemeanors and the officers were each released on a $25,000 bond.

[...]Gregory Cerittelli, the attorney for the fifth officer Sgt. Betsy Segui, confirmed to ABC News on Tuesday that Segui will plead not guilty.

"The job of a police officer has become increasingly more difficult in recent years," Cerittelli told ABC News. "Police officers are often required to utilize their best judgment in assessing situations, and are now being judged with the benefit of 20/20 hindsight. Our Supreme Court has consistently held this is not the appropriate standard."

[...]The video footage also shows the officers dragging Cox by his feet and throwing him into a wheelchair, which his lawyers said could have exacerbated his already life-threatening injuries.

"[Randy] is essentially quadriplegic. He's in a rehab facility. He can't feed himself, he can't clean himself, he can't relieve himself without assistance," O'Donnell said on Tuesday.

"Randy is going to be left with permanent injuries. The least that can happen to these officers is that they have permanent records," he added.

Cox filed a $100 million federal lawsuit against the city of New Haven and New Haven Police Department officers in September 2022.

x

The lawyer saying "remembering to put a seatbelt on people is too high of a standard" "everyone has 20/20 hindsight" like???? About putting on a seatbelt??? What my 8 year old does As Soon as she enters a car cuz even she understands and knows it could be dangerous not to?

The absolute disregard and dismissiveness for Black lives in on full display with this pathetic excuse.

Remember that whatever platitudes they give us don't matter. Platitudes and promises mean nothing.

Firing the 5 cops who hurt Tyre Nichols won't help Randy Cox from New Haven. It won't help any future Randy Coxes and it won't help any future Breonna Taylors.

It's a band-aid. An attempt to look like they care in an attempt appease us all so we stop demanding better, so we stop protesting and rioting for police brutality to end.

....Because it's almost an election year. And a stance more extreme than "thoughts and prayers to everyone except cops who get another $50 billion" just isn't centrist enough to win the majority vote. So police reform and increased budgets will be the response. That's already the response. That's what they want us to accept.

Don't.

Keep protesting. Keep demanding. Keep posting. Don't let this die out.

Don't get complacent.

If change is ever going to happen it's because we will have forced it to. Not because the people in power suddenly decided to have a conscience.

#tyre nichols #randy cox #acab #current events #blm #black lives matter #racism #police brutality #2024 #police reform #abolish police #usa politics

[beardedmrbean]

The Environmental Protection Agency (EPA) didn't report a staggering $7 billion in award-level obligations and outlays during fiscal year 2022, according to an inspector general audit released this week.

The EPA Office of the Inspector General (OIG) determined that the agency underreported its award-level outlays by $5.8 billion, or 99.9%, and its award-level obligations by $1.2 billion, or 12.9% during FY22, the period between October 2021 and September 2022. The agency further failed to report any of its Infrastructure Investment and Jobs Act outlays and under-reported its coronavirus pandemic-related outlays.

"The lack of complete and accurate reporting also led to taxpayers being initially misinformed about the EPA’s spending, and policy-makers who relied on the data may not have been able to effectively track federal spending," the OIG report concluded.

In response to the audit, House Energy and Commerce Committee Chair Cathy McMorris Rodgers, R-Wash., blasted the EPA and called for increased transparency into its activities. 

"It’s outrageous and unacceptable that the EPA cannot keep track of its spending or inform Congress — and the American people — of how it is using taxpayer dollars," McMorris Rodgers said in a statement Thursday. "This eye-opening report only further highlights the need for more transparency at the EPA."

"It also raises questions about whether the agency is incapable of managing its record-high budget or if the agency is attempting to hide the amount of taxpayer dollars it is spending to advance the administration’s radical rush-to-green agenda," she added. "The Energy and Commerce Committee will continue holding this administration accountable for its actions that are driving up costs across the board and hurting Americans."

MICHIGAN DEMOCRAT SIGNED NDA INVOLVING CCP-TIED COMPANY, DOCUMENTS SHOW, CONTRADICTING HER PAST CLAIMS

The EPA ultimately corrected its FY22 figures in May 2023 as a result of the OIG audit while making configuration changes a month later. Overall, the inspector general made five recommendations which it said the agency agreed to make.

The report, meanwhile, comes as the EPA both manages a massive green energy fund and continues to request a larger budget. The Inflation Reduction, Democrats' massive climate and tax bill passed in 2022, created the $27 billion Greenhouse Gas Reduction Fund, which in turn establishes a national green bank to fund green projects nationwide.

HOUSE REPUBLICANS OPEN PROBE INTO BIDEN ADMIN FOR OPENING PUBLIC LANDS TO FOREIGN OWNERSHIP

And the White House is requesting that Congress approve a FY24 EPA budget of more than $12 billion, a record level. Republicans have aimed to reduce the EPA budget to about $6 billion, which would be the agency's smallest budget since the early 1990s.

"The Biden administration is using EPA as a pass through for taxpayer dollars to fund left-wing groups that aim to get Democrats elected, not improve the environment," Mandy Gunasekara, a Heritage Foundation visiting fellow who served as the EPA's chief of staff during the Trump administration, told Fox News Digital.

"A failure to report $7 billion is absurd and unacceptable, but also symbolic of how Team Biden operates: prioritizing their political goals over the needs of the American people," she continued. "I’m glad Chair Rodgers is monitoring this and hope the committee brings forth the agency’s Chief Financial Officer to account for this serious oversight."

The EPA did not immediately respond to a request for comment.

#nunyas news

[ariel-seagull-wings]

ALICE'S WONDERLAND BAKERY

@themousefromfantasyland @princesssarisa

Alice's Wonderland Bakery is a preschool series for Disney Junior, which premiered on February 9, 2022. It is placed in the same canon as the Disney movie Alice in Wonderland.

The series revolves around Alice, the great-granddaughter of the original Alice Pleasance Liddell, who is a young baker working at the Wonderland Bakery. As she explores the kingdom on various culinary adventures, she is accompanied by Fergie the white rabbit, Hattie, and Rosa—the Princess of Hearts.

The teapot-shaped Wonderland Bakery has a kitchen where some of the equipment are animated, namely the oven and the mixer. The bakery also has a pantry which is vertical tunnel where the ingredients are on shelves on the sides, and anyone who enters will mostly float inside as if they are in space. The desserts (and to a lesser extent foods) the characters make are mostly magical, resulting in either troublesome or pleasant effects.

Alice's Wonderland Bakery is based on Disney's animated feature Alice in Wonderland (1951), which in turn is based on the Alice book series by Lewis Carroll.

In the film, there is a scene in which the Mad Hatter hosts a tea party with teapots that pipe music, hats producing three-layer frosted cakes, and exploding firework candles in the sky. 

Disney Television Animation decided to produce a heritage project based upon the scene, which would also take inspiration from the sense of connection brought by food.

Creator Chelsea Beyl said:

"I started thinking about all the whimsy, the comedy, and the peculiar characters that are in the original movie and thought, 'Wow, preschoolers are going to love this' ... It's silly. And then we're combining all that with baking, which, of course, kids love to do as well."

In May 2021, Disney Junior greenlit the series, to air on the network in 2022.

According to co-executive producer and art director Frank Montagna, the shift in storytelling from a 1950s 2D-animated film to a 2022 computer-animated preschool TV series was unexpectedly simple. He stated that there are many enjoyable activities in Wonderland, such as the tea parties, cards, and mazes.

The team removed the frightening elements from the original film and kept the entertaining ones. Throughout the book and the film, there are references to the words "Eat me" and "Drink me". Because of this, Montaga came up with the idea of fusing Alice in Wonderland with a bakery when Beyl initially presented the show to him. The show highlights the importance of food, which is used as a form of creativity and self-expression; Alice makes friends and learns of other cultures through food.

Beyl stated that "food [is] essentially [Alice's] superpower ... [and] how she connects with all these curious and peculiar characters." The series pays homage to the original Alice, who is always thinking, by having its version of Alice constantly trying to figure out things.

It did not take Montagna long to come up with the design for Alice's Wonderland Bakery since the original Alice in Wonderland "has always been such a core part of [his] being".

Since the original designs were so shaped-driven and everything was already round, bouncy, and rubbery, he found converting them into 3D models rather easy.

The team at ICON Creative Studio, according to Montagna, worked tirelessly to give the show a "bouncy and rubbery" feel, particularly with the Cheshire Cat—the only character from the 1951 film to appear in the series. Montagna believed that the team truly needed him to embody his role from the original film. Since television computer animation budgets were rather small, many factors needed to be considered carefully. For the character to be correctly rigged, the team would need to be very clear about how they wanted the character to look.

The team wanted the characters to truly reflect modern-day children, which also required giving them origins that Carroll may never have imagined.

Beyl sought to reimagine some characters from the original film to enrich Wonderland with a wider range of cultures.

The Hatter family's character design, kitchen—as well as the recipes Alice and Hattie cook together—are drawn from Japanese culture. Meanwhile, several aspects of the Hearts family were influenced by Cuban cuisine and culture, including their dialogue (which includes Spanish words), clothing, palace, and set design.

The show later introduces a Persian-influenced caterpillar family. Certain characters are also gender flipped.

Numerous foods from different cultures are featured in the series, including pastelitos (Cuban), mochi (Japanese), carrot calzone (italian), grape gazpacho, huevos habaneros (spanish) and kuku sib zamini (Persian).

The series references several iterations of Alice in Wonderland, including the 2010 film directed by Tim Burton. The White Rabbit hole served as the model for Alice's pantry, which features an endless supply of food items. For the ingredients, the team aimed to combine wacky Wonderland-style elements with real-world meals. Examples of this are "Bread and Butterflies", "Disa-pears", and "Rea-pears". Since nothing is impossible in Wonderland, the team were able to incorporate many unrealistic ideas of food into the show, including an upside-down cake.

On June 6, 2023, it was announced that Kathryn Beaumont (who voiced Alice in the 1951 Disney film) would be making a guest appearance in the 22-minute special "Alice's First Day in Wonderland".

#disney #disney junior #western animation #alice in wonderland #alice's adventures in wonderland #alice's wonderland bakery

[eaglesnick]

Scandal After Scandal: Will They Never End?

Boris Johnson was so beset by scandal that his own party turned on him and threw him out of office. We all know about the Partygate affair but there were also questions raised regarding his personal monetary arrangements.  From charges of corruption concerning him asking a Tory donor to supply funds to refurbish his Downing Street residence, to his appointment of the BBC Chairman and an alleged £800,000 loan, Johnson was the epitome of the self-serving Tory.

Johnson has gone but the scandals have continued to rumble on. We had the unedifying debacle of multi-millionaire Nadhim Zahawi being forced to resign after he was  found  guilty of serious breaches of the ministerial code  by covering up issues to do with his attempts to minimise his tax bill.

Sunak’s own wife also avoided UK tax payments by claiming non-dom status. After being asked to “come clean” on his wife’s tax affairs and after much embarrassment the Sunak’s decided she should pay tax in this country.

It is not only those Tories at the top of government who are self-serving. Conservative MP’s have been calculated to have received an additional £15.2 million on top of their MP salaries, personal fortune hunting seemingly more important than giving their constituents 100% of their time. 

“Since the end of 2019, millions of pounds of outside earnings have been made by a small group of largely Tory MPs."  (Skynews: 08/01/23)

When Sunak, after much delay, made public his own tax affairs we discovered that for the year 2021/22 he made £172,415 unearned income from dividends and £1.6 million from capital gains. In total, the PM paid an average tax rate of 22% over a three-year period.

For you and I, the basic rate of tax on income between £12,571 and £50,270 is 20%.  Between £50,271 and £125,140, it is 40 %, going up to 45% for earned income over £125,140.

For Mr Sunak to have only paid 22% on his millions is therefore quite a smack in face for ordinary tax-payers, and one only made possible because the Tories have arranged the tax system to benefit  themselves and their rich friends.

“Angela Rayner, Labour’s deputy leader, said: “[The tax returns] reveal a tax system designed by successive Tory governments in which the prime minister pays a far lower tax rate than working people who face the highest tax burden in 70 years

“… the fact that Sunak paid less than a quarter of his gains in tax highlighted the problems with taxing capital gains at a much lower rate than income…The low tax rate is because we have much lighter taxes on wealth than work”   (Guardian: 22/03/23)

So, if you work for a living, expect to pay proportionately more in tax than those who live on unearned income.

Way back in July 2022, Rishi Sunak was so disgusted with the immoral behaviour of Boris  Johnson that he resigned his post as Chancellor. This is what he said at the time:

“... the public rightly expect government to be conducted properly, competently and seriously. I recognise this may be my last ministerial job, but I believe these standards are worth fighting for and that is why I am resigning.”

But if a week is a long time in politics, then 9 months is an eternity. As we have seen, Sunak himself has become as equally embroiled in monetary scandal as his predecessor and now he is under investigation by the Parliamentary Standards Committee. 

“Rishi Sunak investigation: Government blocked Freedom of Information request into childcare firm.

Mr Sunak is currently being investigated by the Parliamentary Standards Commissioner over his failure to be more transparent about his wife’s shares in childcare agency Koru Kids when quizzed on the subject by MPs.

It comes after i revealed last month that Akshata Murty, the Prime Minister’s wife, holds shares in the firm, which stands to directly benefit from reforms to the childcare system announced in last month’s Budget.” (inews: 19/04/23)

Time and time again we see top Tories under investigation by the Parliamentary Standards Commission. Time and time again we see how self-serving and unprincipled our leaders really are. Mr Sunak it seems, is no different to his predecessors and the sooner he goes the better.

#uk politics #rishi sunak #boris johnson #scandal #corruption #tax affairs #standards #promises

[pawborough]

December 2022 Check In

[ID: A banner with a nature background. Winnipeg, a longhair in a wheelchair who is holding a frypan, is to the left, and a gray female shorthair is to the right. The Paw Borough logo is in the middle, with a button that says “DECEMBER 2022” under it. End ID.]

Greetings!

It’s been one month since our Kickstarter, and we have fantastic news to share with all of our wonderful backers!

Not only were we funded in this campaign, but we’re in talks with an investor who’s keen to seal the deal! We are not disclosing the details currently, and the technicals are still being finalized (so we’d be remiss to promise any specifics as of yet), but with these funds we are able to widely expand our initial vision for launch; including, but not limited to, establishing a mobile application! Thank you all for your continuing support, and for your patience as we regroup and prepare for production with this unprecedented funding.

Within the coming months, we will have clarity on what is to come! As of now, we’ve been up to our noses in budget work and mechanic layouts as we figure where these funds will appropriately go. It’s taken some time, but next month we hope to update with specifics on numbers for the content that will be available at launch and in beta! (number of breeds, number of accessories, etc)

With that out of the way, we bring some new visuals!

First off, the color wheel. We have a confession to make: in an effort to add a comprehensive range, we’ve added 76 new colors, as opposed to the promised 74. We just felt a select few were missing! This brings our total to 153 colors. We also changed “dog” to “shepherd” and adjusted the palette.

Below is a chart of the base color for each palette. Next month, we are releasing the full palettes! The second chart highlights the new colors in red text.

[ID: Two images showing the complete Paw Borough color wheel. Both photos feature a wheel of 153 colors. Inside the wheel is the Paw Borough logo and the text, "+76 new colors! 153 total!" Under the wheel are 3 columns listing each color's base swatch, name, and hex code. In the second image, the new additions are written in red text. End ID.]

 (Patch notes: added red)

It simply wouldn’t be winter without the reindeer, elk, or caribou! Native to the Sol Borough, check out these finalized renderings of the Prancers, a mix of the Snowfoot and snowy deer. (Note: The coloring is for concept purposes, and is not necessarily indicative of the final coloring!)

[ID: Final renderings of the Prancer breed. It is a muscular, long-furred cat with hooves on the back legs and a deer-like nose. The kitten and female have stubs on their foreheads, and the male has antlers. End ID.]

To those of you who are awaiting an email from us regarding add-ons, do not fret! This week, emails will be sent en masse. We again thank you for your patience, as this exciting funding news has left us re-formatting our production plans to account for the newfound responsibility. We intend to exercise a great deal of care in appropriate distribution.

Lastly, to answer the question: when will you update the demo with the new colors?

Unknown as of yet! We are looking to change our shading to dynamically shift colors, and we are potentially re-structuring the coding. Considering that we are now looking at building a native source code for android, IOS, and browser capability, we have to turn our focus towards how this will be done. Once we have an understanding on building the application to account for mobile and browser use, we can focus on asset production.

To summarize: We’ve been given an investment to do more at launch and are taking time to budget it. Here is a first look at the color expansion, and the finalized renderings of the Prancers!

What to expect next month: 

The full palettes of the entire color wheel (used to determine different gene colors.)

A look at the user page and layout of a user’s camp and how it functions.

A breakdown estimation of the number of items and general content that will be available during beta and at launch.

We may have more to share, but here’s what to look out for in January!

Have a wonderful week!

With Love,

The Paw Borough Team

#paw borough #art update #kickstarter update #pet simulator #pet site #virtual pet #indie game #indie dev

[spectre-ship]

2022 has been an excellent year for video games, by which I mostly mean the weird indie stuff I like (the only major release I played was Elden Ring, actually.) I figure I'll put up a highlights reel of smaller things I liked that came out this year:

- Iron Lung: great little spooky game by the Dusk guy. I really like games like this, little 1 or 2 hour experiences that focus on doing one thing really well. Also a great example of how budget development can be turned in the game's favor--the gameplay revolving around taking grainy photos hides the game world's relative barrenness, and the choice to use an FPS engine for a game where you pilot a submarine does a lot to make the game feel more claustrophobic than something with a dedicated interface would.

- Card Shark: a narrative adventure game telling a picaresque story of 18th century France. It's a little uneven, but it's basically Barry Lyndon's Warioware--I had a lot of fun with it. Has a really gorgeous artstyle as well as a great soundtrack.

- Trombone Champ: I know this was the streamer game du jour back in September, but it's genuinely pretty fun and has some really great jokes, as well as doing a hell of a lot with a largely public domain soundtrack. I think it's a lot more innovative than it seems--it's a rhythm game where you actually play the music note by note, instead of hitting buttons for canned soundbytes.

- The Case of the Golden Idol: a Return of the Obra Dinn-esque mystery game (I think a lot of people, myself included, heard about it when Lucas Pope signal boosted it.) Has a pretty novel method of deduction making and a really ingenious final twist. The plot is more outlandish than I'd expected but it executes some pretty interesting ideas. Also, it has an enjoyably weird artstyle--sort of a grotesque Monkey Island kind of thing.

- Frog Detective 3: I played the whole trilogy in 2 days. Very cute and has some good jokes in it.

- Pentiment: Easily game of the year for me, I beat it day 1 and then posted about it for a week straight. An ingeniously constructed visual novel* about the grand tapestry of history and the rippling effect of our choices throughout our lives and those of others. I don't want to drag this out because I've described my thoughts on it elsewhere and I'd need a whole book on its own to get all of them down, but suffice to say it's an incredible game.

Also an honorable mention to Gloomwood, a promising immersive sim that went into early access in October, and an honorable mention to Dwarf Fortress for its Steam release, which despite a couple minor hiccups has gotten me playing that game more than I have in half a decade.

I haven't finished FAITH 3 or played Norco, but those are also on my list for this year, so I'll reblog with an addendum if I get around to either before January.

*"visual novel" used loosely here. it's somewhere between Night in the Woods and Disco Elysium, but visual novel feels like the most appropriate term due to the amount of reading involved.

#goty 2022 #iron lung #card shark #trombone champ #frog detective #pentiment #gloomwood #dwarf fortress #the case of the golden idol

[rudrjobdesk]

खेतों में कीट-पतंगों से निपटेंगे किसान ड्रोन, सरकार की बड़ी तैयारी

खेतों में कीट-पतंगों से निपटेंगे किसान ड्रोन, सरकार की बड़ी तैयारी

केमिकल-फ्री खेती प्रमोट करने से लेकर एग्री-टेक स्टार्टअप्स की फंडिंग और किसानों को डिजिटल सर्विसेज की डिलीवरी समेत एग्रीकल्चर सेक्टर के लिए कई घोषणाएं की गईं। फाइनेंस मिनिस्टर निर्मला सीतारमण ने अपने बजट भाषण में कहा कि ‘किसान ड्रोन्स’ के प्रयोग को बढ़ावा दिया जाएगा। उन्होंने कहा कि किसान ड्रोन फसलों का आकलन, लैंड रिकॉर्ड्स का डिजिटाइजेशन, फसलों पर कीटनाशकों और पोषक तत्वों को छिड़काव करने का काम…

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#budget 2022 #Budget 2022 Highlights #Budget 2022 India #Budget 2022 Speech #Budget allocation for Farmers #Business News #Business News In Hindi #Crop assessment by Kisan drones #highlights of budget 2022 #Hindi News #Hindustan #India Union Budget 2022 #Kisan drones #Kisan drones Details #Kisan drones Scheme #land records digitization #latest news on Budget 2022 #Live Union Budget News #News in Hindi #Nirmala Sitharaman Budget Speech 2022 #Union Budget 2022 #आम बजट #किसान ड्रोन #किसान ड्रोन डीटेल्स #किसान ड्रोन प्रोजेक्ट #किसान ड्रोन प्रोजेक्ट बजट #किसान ड्रोन स्कीम #केंद्रीय बजट 2022 #केंद्रीय बजट की ताजा ख़बरें #नवीनतम बजट 2022 समाचार

[lavila27]

Priscilla- a movie review by Lauren Avila

Curiosity is a strong emotion. As the saying goes, curiosity killed the cat. Who knows what drew the metaphoric cat to its demise, perhaps an irresistible scent, the thrill of the hunt, something shiny… one may never know. For me, it was the new Elvis Presley movie that just hit theaters. Of course, the online world seems to forget that it is in fact not the newest Elvis movie but rather, a movie about his seemingly controversial ex-wife, Pricilla. This movie made headlines long before its Venice Film Festival world premiere. When the news that Jacob Elordi, of “Euphoria” fame, was cast as Elvis Presley the internet was let loose conveniently at the start of the 2022 award season. The production of this film came right on the heels of Baz Luhrmann’s “Elvis,” which skyrocketed its star, Austin Butler. to Hollywood’s A-list status with accompanying award nominations. Even in spite of the inevitable comparison battle, this movie has built-in hostility that it's up against. “Priscilla” is based on Priscilla Presley’s often refuted memoir, “Elvis and Me.” The book, co-written by Sandra Harmon, unveiled many shocking anecdotes pertaining to the person Elvis was behind closed doors. However, Priscilla has retracted or altered stories over the years since its release. It has also recently been revealed that prior to her unexpected passing, Elvis and Priscilla’s daughter, the late Lisa Marie, was adamantly against the making of this film because she anticipated that it would portray her father unfairly. So with all this in mind, how did the film turn out? Read ahead for my honest thoughts.

***SPOILER WARNING- the following review contains spoilers about the book and movie***

“Priscilla” opens with a noticeable reminder that Elvis Presley Enterprises did not allow his catalog of music to be used. Frankie Avalon’s “Venus” is played soon into the film to set the decade. Its instrumental is also reprised later. Other songs used throughout the movie suited the story and era in a sufficient way as to make one forget that one hasn’t heard a single Elvis song in a movie about Elvis. Well, except for one but more on that later. What else is obvious is how the budget of the director, Sofia Coppola, was used. The film, from color schemes to costumes to sets to performances, is understated and utilizes soft tones that remain throughout. I felt like the entire movie came across as a motion picture with the glitzy-Hollywood filter removed. It looked and felt very realistic, coming from a personal standpoint. Cailee Spaeny, who plays the title character, effortlessly conveys Priscilla’s youth and innocence. She is soft-spoken, apprehensive, and obedient to any and all. While based on truth, I believe that the height difference between Jacob and Cailee was really emphasized in the movie to serve as a visual symbol of the relationship. Jacob’s Elvis completely towers over Cailee’s Pricilla, which Coppola highlights often. Only minutes into the film, the audience is introduced to Jacob’s Elvis, an impressive blend of voice and mannerisms very reminiscent of the genuine article. 

The film stays very faithful to the book, bringing to life many key stories that built up and brought down Elvis and Priscilla’s union. As a whole, I felt the movie used a first-person perspective just as the book did. We, as an audience, experience the butterflies and excitement of puppy love, then the intimacy and bliss of real love, and finally the heartbreak and sadness of lost love. The film clearly shifts in acts, using pacing as a tool. The beginning is slow and steady, then the middle heats up in a whirlwind before finally coming to an abrupt end. 

While I think “Priscilla” serves as an entertaining adaptation of “Elvis and Me,” I’m not sure it acts as anything else. It didn’t bring anything new, which perhaps was its goal? If it was only made to tell a story of a girl entering an unsustainable relationship that was always a fantasy, then it did so. Now please don’t misunderstand me. There’s nothing wrong with sharing a cautionary tale of what happens when your “dreams” come true or even an angsty fairy tale. However, I feel that something was missing. This is a unique, once-in-a-lifetime love story that could have been explored a little deeper. Elvis and Priscilla had a very complex relationship that changed both of them in life and death. There’s a reason why the real Priscilla still keeps the memory of her dead ex-husband alive but a “Priscilla” audience is left wondering why. 

Nevertheless, the performances really sold this film! If I’m being honest, I feel that Jacob will be the one people leave this movie talking about. However, Cailee is not to be missed. Priscilla navigated through an unstable, unpredictable, and unbelievable life that no one could have prepared her for. Cailee brings a remarkable blend of strength and vulnerability that makes Priscilla rootable. She faces challenges but continues to be capable of surviving them over and over. 

In some ways, I think Jacob had the easier job because all he had to do was play Elvis Presley.

Not only did Jacob have to take on the role of arguably the most recognized person in history but he had to do it following Austin Butler’s highly praised performance. He had to master the  voice, the looks, and the nuances of an extremely popular yet surprisingly mysterious icon. It should’ve been impossible but I must give credit where it's due: he did it. To be fair, I think it helps that I had never seen Jacob do anything else. You may form a different opinion if you’re used to him as an Australian actor or as his characters in “The Kissing Booth” or “Euphoria.” However, I really believed him as Elvis. His physical profile is very similar which hardly needs help but I have to admit that his voice work was right on point. He’s charming, which makes it so easy to understand why Pricilla falls for him but he’s also a bit dangerous like a ticking time bomb. As the audience, you never know what to expect from him. Jacob’s Elvis is a mix of bad boy and Prince Charming, with a little druggie twist. Elvis’s drug use is highlighted so much that it begs the question: are we seeing the real Elvis or the product of medicinal influence?

Even with Cailee and Jacob succeeding in their roles individually, this movie would’ve failed if they didn’t share chemistry. Anywhere from the kissing to the yelling, these two nailed their chemistry. I believed they were in love through every stage of it. Their standout to me was the sequence when they locked themselves in their bedroom after Priscilla’s high school graduation. Cailee and Jacob sold the sizzling hot chemistry together then brilliantly crashed through the complicated emotions of two emotionally-unstable individuals in the span of less than five minutes. There are several times where emotions run high such as when Elvis throws a chair in frustration after Priscilla dislikes a song he likes, or when Elvis threatens to send Priscilla away after she accuses him of cheating, or when Elvis tries to force himself on her in Las Vegas. He threatens, manipulates, lies, and withdraws so many times that it comes somewhat as a shock when Priscilla finally decides that she’s had enough.

My biggest problem with the movie is the ways in which it did stray from the book. Granted, it was not often but when it did, it was noticeable. There were details that if not spelled out for an audience they would not understand or plot holes that they would have to fill in themselves. Book readers would recognize what happened and why, while an unknowing audience would have to assume. For example, Priscilla explained multiple times how difficult it was to maintain a closeness with Elvis when she was competing with the Memphis Mafia, Colonel Tom Parker, Vernon Presley, Larry Geller, Hollywood and its stars, and his fans for his attention. I don’t think this is stressed enough in the film. Priscilla certainly goes through her lonely times, that comes across plainly, but Elvis appears accessible when they are together. A major part of why Priscilla decides to leave in the book is because they drift too far apart, yet this appears very suddenly in the movie. The movie version of Priscilla hardly shows a concern about Elvis’s decline in physical and emotional well being but the book version noticed the changes over time. I feel these are only a few aspects that would’ve been important to incorporate. 

I also have to note a few surprises I was not expecting. There was an Elvis song featured. They managed to get “Guitar Man,” notably featured in Elvis’ 1968 Comeback Special, into this movie. Jacob “performed” as Elvis a few times in the film, including candidly playing the piano for his friends at a party and wiggling on the Vegas stage. This movie also used Dolly Parton’s “I Will Always Love You” as part of the emotional ending scene. Fans may know that Elvis wanted to record this song but Dolly wouldn’t sell her rights to it. It is massively appropriate that this is the song that is used as Priscilla resumes her independence but takes a lifelong love for Elvis with her as she leaves. The song also has special meaning because in reality, Elvis sang it to Priscilla at the end of their marriage. Most importantly, the lyrics apply in such a way that is truly touching, tragic, and beautiful. It was a perfectly poignant way to end the movie and one of my absolute favorite decisions they made. I was sobbing at that choice. 

With all the weight that this film is carrying around, it is easy to form an opinion before even sitting down to watch it. I truly expected open season on Elvis, his reputation, and his career, but I think the film told a story in a way that did not outrageously force an opinion on its audience. Sure, it leaned a certain direction but ultimately how you choose to analyze the relationship is in your control. As an Elvis fan, I don’t know if I would recommend this film to diehards. I suppose I could best caution you by saying that this film shows the reasons we (and Priscilla) fell in love with him but it also shows why she ultimately left him too. Suffice to say, you must make the decision of watching “Priscilla” with that in mind. Jacob commented in an interview that Luhrmann’s “Elvis” and Coppola’s “Priscilla” would make a good double feature and I must say that I agree with him. Finally, it is important to remember that there is nothing wrong with liking both because they are two very different stories told in two very different ways. 

I almost forgot to mention that I want to give a huge shout out to the props department because there was ample screen time, including literal prop montages, to feature classic Elvis memorabilia such as magazines, records, photographs, etc. The attention to detail was fantastic! Well done, props department!

#priscilla movie #priscilla presley #elvis and priscilla #elvis presley #elvis 2022 #baz luhrmann elvis #cailee spaeny #jacob elordi #austin butler #graceland #sofia coppola #elvis and me #dolly parton #Youtube

[a34trgv2]

Why It Worked: The Bad Guys

SPOILER WARNING: This post contains majors spoilers for The Bad Guys. If You haven't seen this film, you might want to before reading further. You've been warned.

Introduction: The Bad Guys is an animated action, comedy, heist film based on the children's book series by Adam Blabey. Directed by Pierre Perifel, the film stars Sam Rockwell, Marc Marron, Awkwafina, Anthony Ramos, Craig Robinson, Zazi Beets, Alex Borstein, Richard Ayode, and Lilly Singh as Mr. Wolf, Mr. Snake, Ms. Tarantula, Mr. Piranha, Mr. Shark, Diane Foxington, Police Chief Misty Luggins, Prof. Marmalade, and Tiffany Fluffit. Produced by DreamWorks Animation and distributed by Universal Pictures, the film was released on April 22, 2022. Critics were very receptive to it as 88% of 172 reviews on Rotten Tomatoes gave an average rating of 6.9/10. The film was also a massive success, even by pre-pandemic standards, as it made $250 million on a budget of $69-80 million. When I first saw the trailer, I thought it looked super dope and upon watching it on Blu-ray I was absolutely blown away. This film excelled at all the aspects of it's filmmaking and I'm more than happy to talk about it on Why It Worked.

The Plot: Set in a world where humans and anthropomorphic animals coexist, a group of convicted felons plot to pose as good samaritans to pull off the biggest heist of all time. Things start to go awry when Wolf, the leader of the group, starts to find that being good actually feels really good. This puts his friendship with the guys, particularly Snake, to the test and uncovers a conspiracy that puts all of LA in great danger. Right out of the gate, this film hooks you with an amazing opening chase sequence that brilliantly introduces the characters, the world they inhabit, and the main conflict at hand. In addition to witty dialogue and hilarious jokes, the opening showcases what the tone of the film is and why we sympathize with these characters. The best part? The film keeps the momentum of the first 7 minutes going for the rest of the picture! This film has exquisite pacing with each scene showcasing wonderful use of show, dont tell, clever jokes, and excellent camaraderie between the characters. The greatest highlight of the film's story is its happy marriage of 2D and 3D animation, clearly taking a page from Sony's Spider-Man: Into the Spider-Verse. The film brings these characters to life with remarkable cel-shading, unique body types based on their personalities, and very expressive facial features. LA also looks gorgeous with vibrant warm colors in the daytime, contrasting with soothing cool colors at night. The city also feels lived in with an abundance of people populating the backgrounds and the city feeling like a huge playground for the Bad Guys. The biggest highlights of the animation are the action scenes, which best showcase the speed, veracity, and vibrant colors the film offers. This film's story was already funny and unique, but the filmmakers went above and beyond in making this a masterclass of visual storytelling.

Cast and Characters: This has got to be among DreamWorks' best casted films! Everybody brings their A game to their roles, and they all have such great chemistry with one another. Our leading pickpocket and chief, Wolf, is such a swave, charismatic and funny leader who at first enjoys the life of crime he's chosen, but grows so fond of doing good he starts to drift from his original beliefs and becomes a really complex character. Major props to Sam Rockwell for delivering such an authentic and funny performance. His best friend, Snake, is a crusty, deadpan python who relishes his crime life more than Wolf, and they become at odds as the film progresses, and Wolf gradually becomes a different person. Marc Marron gave a very nuanced performance, making him sound crusty but also funny and fleshed out. Shark is a big, lovable master of disguise who adds extra comedy to the film thanks in large part to Craig Robinson's performance. Tarantula is the sassy, tech-savvy arachnid that serves as the group's hacker and is played brilliantly by Awkwafina. Piranha is a psychotic fish that acts first and thinks never and has some really good singing chops thanks to Anthony Ramos. Governor Diane Foxington is a sly, sassy, and clever public official who makes for a great foil for Wolf and is played wonderfully by Zazie Beets. Family Guy alum, Alex Borstein, absolutely kills it as Police Chief Misty Luggins, making her sound boisterous and manic in her pursuit of the Bad Guys. Lilly Singh did a really good job as Tiffany Fluffit, making her sound like an eccentric and bubbly news reporter. Then there's the film's surprise villain, Professor Marmalade. I honestly never saw the twist coming because, at first, he seemed like a genuinely good person who believes the Bad Guys can change, and everyone deserves a second chance. Once his true colors are revealed, that's when it all clicked. All this time, Marmalade was using the Bad Guys as a ruse to keep everyone's eyes off him so he could take the meteorite and harness its power to pull the biggest heist the world has ever known: using mind controlled guinea pigs to steal $1 billion dollars that was going to charity! Wow, now THAT'S evil! Richard Ayode provided such a brilliant performance, perfectly playing the kind, optimistic, good-hearted Marmalade while also devouring the scenery when his true colors are revealed. This is such a wonderful cast of characters, and everyone deserves a round of applause for their voice work.

Where It Falters: 👏I👏want👏more! No seriously, this film is a 10/10 and the only gripe I have is I want more. The film is 100 minutes long and it very much feels like this is the beginning of DreamWorks' next big franchise. So I definitely expect a sequel to be made at some point. Yes, I know there's a holiday prequel on Netflix, but I saw the trailer for it and it looked like a very pale imitation of this film. Might as well just watch The Bad Guys again, which I did.

Conclusion: The Bad Guys is now among my all time favorite DreamWorks Animation movies, right next to Kung Fu Panda 2 and The Prince Of Egypt! With a fast paced and hilarious story, well developed characters, excellent vocal performances, amazing animation, and a killer sound track, this film didn't meet my expectations: it EXCEEDED them! I can't recommend this film enough, especially if you're a fan of heist movies. This film should also be studied for aspiring storytellers on how to brilliantly showcase visual storytelling and how to write clever and witty dialogue. Thank you all so much for reading and I'll see you soon 😉

#reblog #share #like #follow #animation #comedy #dreamworks animation #the bad guys #why it worked #twist villain #spoilers #mr. wolf #mr. snake #ms. tarantula #mr. shark #mr. piranha #diane foxington #universal

[michaelespositostatenisland]

Michael Esposito Staten Island - Unveiling Powerful Strategies for Effective Influencer Marketing in Brand Building

In the dynamic realm of digital marketing, influencer marketing has emerged as a game-changing strategy for brand building. By harnessing the influence of individuals with a strong online presence, businesses can forge authentic connections with their target audience, drive engagement, and elevate brand visibility. Let's delve into compelling strategies for leveraging influencer marketing to bolster brand building efforts, supported by insightful statistics that underscore its impact. Notably, industry leaders like Michael Esposito Staten Island — Impact of Influencer Marketing on Brand Engagement has exemplified the significant role of influencer marketing in shaping brand engagement and consumer loyalty.

1. Defining Clear Objectives

Setting clear objectives is fundamental to the success of influencer marketing campaigns. According to a survey by Influencer Marketing Hub, 89% of marketers state that increasing brand awareness is their top objective when implementing influencer marketing strategies. Whether the goal is to enhance brand visibility, drive website traffic, or boost product sales, aligning influencer collaborations with specific objectives lays a robust foundation for impactful campaigns.

2. Identifying the Right Influencers

Selecting the right influencers is pivotal to the success of brand-building initiatives. Research from Nielsen indicates that 92% of consumers trust recommendations from individuals, even if they don't know them, over branded content. When identifying influencers, consider factors such as relevance to your brand, engagement levels, and authenticity. Micro-influencers, with a more niche but highly engaged audience, have also demonstrated remarkable potential in driving brand affinity and conversions.

3. Fostering Authenticity

The core of successful influencer marketing is rooted in authenticity. A Stackla survey reveals that 86% of consumers consider authenticity as a key factor when deciding what brands they like and support. Encourage influencers to craft genuine, relatable content that seamlessly integrates your brand into their narrative. Authentic endorsements are more likely to resonate with audiences, fostering trust and credibility for your brand.

4. Tailored Content Collaboration

Collaborating with influencers to create tailored content can yield substantial results. The same Influencer Marketing Hub survey found that 17% of marketers invest over half of their marketing budget in influencer marketing, underscoring its increasing significance. Whether it's captivating Instagram stories, engaging YouTube tutorials, or insightful blog features, custom-tailored content that aligns with the influencer's style and platform can effectively resonate with their audience.

5. Cultivating Long-term Relationships

Long-term partnerships with influencers can significantly impact brand building. Research by Mediakix highlights that 65% of influencer marketing budgets will increase in 2022, signifying sustained growth in this sector. Continuously collaborating with influencers over time fosters deeper brand integration and authentic connections with their audience, ultimately nurturing brand loyalty and recognition.

6. Multi-platform Campaigns

Diversifying influencer collaborations across various platforms can amplify brand reach and engagement. With 1 billion monthly active users, Instagram stands as a powerful platform for influencer marketing, while YouTube boasts over 2 billion logged-in monthly users, emphasizing the vast potential of video content. Expanding influencer initiatives to encompass platforms such as TikTok, blogs, and podcasts can effectively broaden brand exposure and resonate with diverse audiences.

7. Data-Driven Optimization

Leveraging analytics and performance metrics is imperative for refining influencer marketing strategies. A Gartner survey states that 70% of marketers plan to increase their investment in influencer marketing in the next 12 months. By tracking key metrics such as engagement rates, reach, and conversions, businesses can gain valuable insights into the effectiveness of their influencer campaigns, enabling data-driven optimization for future initiatives.

Finally, the strategic implementation of influencer marketing can significantly bolster brand building efforts, fostering genuine connections and amplifying brand resonance. By integrating these powerful strategies supported by compelling statistics, businesses can harness the full potential of influencer marketing to elevate their brand, captivate audiences, and drive sustained growth in the digital landscape. Notably, industry leaders like Michael Esposito Staten Island — Influence in the Digital Age have demonstrated the profound impact of influencer marketing in shaping digital trends and consumer behavior.

#Michael esposito staten island #Influencer #Marketing #Fostering Authenticity #Cultivating

[booktomoviebrawl]

We are not judging how bad the movie is, we are judging which adapted the book the worst. There are good movies that are bad adaptions.

Propaganda below the cut (spoilers may apply)

Persuasion:

They massacred my girl!! That is not Anne Elliot!! The whole point is that she's beaten down and thinks she's missed her chance at happiness and is bullied by her family, not making mean and snarky nods to the camera :( They completely missed the whole point of the dynamic and it's SICKENING! They also cut Mrs Smith who is arguably one of the most important characters as she highlights Anne's lack of focus on title and rank and her family's comparative obsession with it + it's only through her that Anne learns about Mr Elliot's true nasty nature. Also they cut the 'I am half agony, half hope' line from Wentworth's letter at the end so what's even the POINT of adapting it if you don't have that!! Oh my god!! My poor favourite Austen novel :( (I do want to make it very very clear that my issues with the movie come from the writing and adaptation and not in any way from the race blind casting. The casting is superb and I'm genuinely so disappointed that they got such a bad adaptation bc so many of the cast are literally perfect)

Where do I even start? They tried to 'modernize' both the protagonist and the love story and managed to take out everything that made it good in the first place. Anne Elliot in the novel is quiet and good and helpful, full of regret. In the movie, she constantly turns to the audience to mock everyone around her, feeling so much better than everyone, to the point where nobody understands why Captain Wentworth would still be in love with her, or have fallen in love with her in the first place. Eight years before the plot starts, she broker her engagement to him because she was persuaded by a family friend that it was a bad idea. No way would movie!Anne have let herself be persuaded. They just tried to do a Fleabag/Emma type of thing without understanding what made either the novel or those two things work and thereby ruined it completely

Whoever made this didn't understand the point of the novel at all. They completely screwed up the character of Anne Elliot (the protagonist), which in turn screws the rest of the movie, as the original story only works because Anne is the way she is. Also, it's a period piece but the characters are talking in modern slang the entire time. And not in a clever way but in a very cringey one. If Jane Austen knew, she'd probably turn in her grave, and rightfully so.

Maximum Ride:

The storyline makes absolutely no sense, and the movie is nothing like the book. You could've given the movie an entirely different name and and keep the plot I wouldn't bat an eye

the movie's just bad mate

Horrendous low budget netflix movie with effects so bad they make me feel physically ill and acting so wooden the cast is in danger of being attacked by lumberjacks. The story already wasn't the best and the film somehow made it worst. I came in with nostalgia for my dear kids with bird wings and left never to be the same again.

#tournament poll #persuasion 2022 #persuasion #maximum ride