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#BUT ANYWAY THIS IS ABOUT POPPY!
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what was frank and wally's reaction to poppy waking up in the lights out au :3
i've been imagining that she wakes up While wally is bringing everyone back to the storeroom after a play. i bet there was a long moment of shocked staring before poppy started panicking...
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critter-covenant · 25 days
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BOOM frowning critters yuri be upon ye
Catfeine and Dogpressed by @/eggritos!! :D
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notllorstel · 4 months
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making the eldest trolls siblings interact
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comradekatara · 16 days
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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33
YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?
toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.
it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.
toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.
that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.
so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.
toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.
however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.
toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.
toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.
femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)
i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.
toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.
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zetadraconis11 · 4 months
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HL Incorrect Quote #45
*walking around Hogwarts*
MC: Revelio!
Sebastian: That's the fifth time you've done that, why-?
MC: Shhh! I heard a ding! There's something nearby to find...
The group: *watches MC cast Revelio again*
Natty: I'm starting to get concerned...
Ominis: You're only now concerned about the mental well-being of MC?
Poppy: MC, what are you trying to find?
Amit: Yes, maybe we can help!
MC, too concentrated to listen: I keep HEARING THAT LITTLE BELL. WHERE ARE YOU, YOU BLOODY PAGE?
The group:
Ominis: I think we need to find a professor for help-
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citnamora · 2 months
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Happy Arospec Awareness Week! 🔆
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rrylies · 5 months
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altan isn't a violent person at his core it was just what other people have always seen him as because he's speerly, and for some reason the speerlies have a savage connotation when we have no proof that they were actually animals in the sense that other people keep describing them as. im sure that we only get the savage speerly stereotype because as a people, they were fundamentally different from the nikara and the mugenese. and since they were all (mostly) dead at the start of book one, who was going to negate all of these stereotypes? no one. (i could go on about how altan was slapped with the "last speerly" moniker when in reality he probably remembers very little about his culture and what speer was like before all of the war and the death but that's for another time <3)
even back in his days of sinegard altan isnt depicted as a particularly violent person, though he's placed in violent events. like in the fighting pits at night altan is pitted up against his peers who want to fight him at a chance at victory, to prove that they've won a battle against the last speerly and we have no idea if altan actually wants to fight them or if he's forced to (iirc it's highly suggested that irjah baits him into fighting by promising him opium if he wins, and he will, because he always does) (although that could've just been nezha being a dick) and even though altan shows no signs of violence or aggression (he's always depicted as calm, stoic, etc) he's always painted as something less than human, an animal simply because ??? he wins their fights? as if that's not something he's expected to do in the first place. ("how did he do that? isn't he human?" "he isn't, he's speerly" this quote. ARGHARAGH RABAN ILY BUT SHUT UPPP)
and back to the stereotypes of speerlies and why they're painted as rabid animals even though there's no proof that they are. the main thing i can think of rn is how the federation (+ the mugenese) think of them simultaneously as something divine and to be studied but also as these rabid beasts at the same time. like the federation soldiers are clearly afraid of fire / the speerlies (i have a separate hc that their culture has something to do with this but that is also for another time <3) shiro mentions how precious and important the speerlies are (and yet his people bombed altan's? ://) while taking every opportunity he can to pick altan apart. then people wonder why altan's vicious towards the federation and hates them with every fiber of his being and why he has so much pent-up anger within him and it's like, hello?? they took him captive when he was a child, and sent him to the laboratory with shiro where he would spend half of his life being cut open and dissected, injected with opium time and time again, forced to watch his people die off one by one without the knowledge that he was the last until after he'd been rescued. (this still gets me btw no im not in tears) and then even when he's out, his suffering isn't over, (it's never over lets be real) because he's shipped off to sinegard academy where he'll be surrounded by so many different conflicting stereotypes (the nikara think he's an animal because he's speerly but shiro thought he was amazing because he was speerly, because of his connection to the phoenix) and really, he's not violent, not at his core, but i cant imagine the inner turmoil altan went through his first few years out of the lab + his first year at sinegard where he was the only one who was different (and also fighting an opium addiction at the same time and people belittle him over this when it literally wasn't his fault)
like altan was not violent. he was calm and he had his moments of peace, but ultimately because of everything that had happened to him (cough. shiro u motherfucker), the violence was forced out of him and became all he knew ("chaghan said they trained you like a dog at the academy" ://) and he literally didn't know any better, he was failed by every single person who should have helped him. (never getting over this btw)
yin riga, a man who he trusted, sent him away to shiro. (will never not think of how much little five year old altan trusted riga and then. well.) jiang, who was supposed to help him with his connection to the phoenix, shunned him. irjah, who was his supposed caretaker, who only fed his opium addiction in order to control him, just like how shiro did, just like how the nikara did to the speerlies (parallels. yaaay.)
in the end altan trengsin wasn't a violent person, but it was all anyone wanted to see. it was all anyone would remember him by.
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zhi-liet · 1 year
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"Nezha had everything she used to want. He was aristocracy, beauty and elegance.
Nezha was the north.”
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playdaze · 2 months
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I think she likes the wuggies
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there is something so so so Appealing about angry/irritated Barnaby. it scratches an itch in my brain. somethin somethin comic relief characters getting to break their mold and be outwardly unhappy
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teaandduckss · 27 days
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Broppy as Ineffable Juniors :3
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way2gosuperrstarr · 1 month
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some traditional stuff i forgot to post a bit ago! i couldnt post one of them, because of the mobile image limit, but it wasnt finished anyway so 🫠
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a couple closeups under the cut ^_^
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l0ganberry · 2 months
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👀👀👀
you will have no idea on how fast I was to jump in on drawing this suggestion.....
I enjoyed it too well....
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If I was gonna test on adding sharp teeth to Dogday.... I gotta add broad shoulders right?? That makes sense. But I really did enjoyed this a lot.
Even if I rather prefer him without teeth. With teeth makes him more....... like an actual dog to me. I really like it but I still gotta love the innocent "no teeth" look.
Thank you @shiorimia for this awesome suggestion that quickly drew my attention. I hope you really like my drawings!
For the rest of you, I still haven't forgotten. I'm just taking my time and balancing with the outside world things. Like family, school, etc.
But I am most certainly drawing the rest that are in this >post<
(You may add more suggestions if you like. Just be patient since I'm not usually a fast artist. I realize that.......)
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daneesoro · 6 months
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guy who takes friendly responses as flirting
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thatthirstyweirdo · 10 months
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JULIE JOYFUL RWAAAAAA
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Finally I drew Julie, my baby!! I enjoy her quite a lot and these are the outfits I think she’ll be performing in my au. I mentioned it before in a post that she’s in a band “Joyous!” with her siblings. Might as well say a bit about the lore, basically everyone from the “Welcome Home” cast left Home and ventured into the Real World. Kinda similar to how Barbie leaves her toy world in the movie. So yeah pretty much everyone started their own music career, but Eddie and Frank started a talk show together.
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thenewrises · 2 months
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a welcome home prattle from my mind
so I've been on the Welcome Home train since last year but I never delved into theories about the website. mostly I've just searched from the side, talked to friends who also enjoyed it, and watched videos on it such as Night Mind. but! with the recent updates, I have to say I have sooooo many thoughts and ideas about it. with horror being my favorite genre and loving when I have the ability to research a website full of secrets, it was only a matter of time before I dived in.
so! if you're interested, here are some thoughts I have about the update and maybe some interesting theories.
also! some of these ideas are thanks to the many theories I've read here on tumblr as well as watched when Night Mind released his vod. also including findings as well!
Welcome Home belongs to the lovely @partycoffin! if you are new to this site, please read the credits page where you can find warnings!
stick around and get comfy, this is a long one.
so there is no perfect order this will all go in, so I will label what I will discuss in bold and then go from there.
Voice Warps
something that we are not strangers to is many audio recordings and their voice warps. from the last update, anytime someone tried talking to or about Wally, their voice would contort and the tape would end. this time, we received more vocal content (shoutout to the VAs they are incredible) and there was one in particular that me and many others caught on. Wally is known not to know much about emotions or how to express them. from my knowledge after many hours perusing Clown's blog, Wally is somewhat of a blank slate. learning as the show moves.
in the audio recording "Homewarming Storybook Record", during the end of this tape in the last two or so minutes, Wally says that he's sad and doesn't know why.
starting at 18:16, after Barnaby explains why he may be sad, Wally gets... frustrated. upset. he says in a clearly perturbed voice "...how can that be?" the audio warps during this time, almost as if his entire environment around him changed just by his own emotions.
why is this? we know Wally is somewhat the center of this puppet universe, and the moment he expresses a negative emotion, it's almost like the worlds stability was tilted.
as long as he is his normal and happy self, the world seems fine and at peace. yet, the moment he expresses his despair, it's like a switch flipped. it's only when Barnaby explains what the meaning of Housewarming is, which reassures Wally, that he returns to his happy and now relieved self.
Frank and Julie (TW: Homophobia)
this will be a much more sensitive topic to discuss, and as someone who is LGBT+ myself, it is not always a fun thing to research. but, I think this plays a super important role in the overall story of Welcome Home and my theories for the future.
another new edit I discovered, as well as something I've learned reading on the site and listening to audios, is the push for Frank to play a straight role. of course, this is the 70s we're talking about. the Stonewall Riots had only just happened in 1969, and homosexuality was still noted as a mental disorder. when the DSM-I was released, homosexuality was labelled as a sociopathic disorder until 1974. the idea of an LGBT+ relationship in a children's show would be unheard of.
with us knowing Eddie and Frank are romantically involved, that makes this all the more heartbreaking to know. Frank playing off his feelings by calling Eddie "Mr. Dear." Frank playing all the straight male roles alongside Julie. Sally calling Julie and Frank's costumes "a couples costume."
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I find this such an interesting thing to include because not only is it eerily accurate to the timeframe, it also makes me think.
these are puppets. fictional and unthinking puppets. costumes you could even say. a person who creates the so-called fictional world of Welcome Home can control the narrative however they please because these aren't real people! of course they can be whatever you want! so... why did they create this relationship for Eddie and Frank? could it be someone within the Playfellow studio wanted to bring more positive awareness to the topic? were the actors who voiced (in this fictional world) the characters romantically involved?
or... are these puppets alive? they have their own emotions, thoughts, opinions. we know Wally is a sentient being, I mean, he literally would talk to us through the website. he reaches out to us through links, videos, audios, and even phone calls. so, does that mean EVERYONE is sentient?
in the audio "Eddie's Big Lift Storybook Record", we even hear Frank say to Eddie, "you always did work so hard." so, did they know each other in a past life? is this representative of the real life in story (fictional) voice actors?
we'll discuss this more later.
Sally Knows Something Is Out There
this is not new, as this was from the Halloween update but I wanted to include it because I feel like it's a look into the horrors of the world.
in the audio "Happy Haunting to Boo and Yours! Storybook Record", the transcript down not catch this, but Sally goes on to explain that out in the night, something lurks and waits for prey. it crawls around at night, up walls, scratching and screeching. Sally made sure to mention to ask, "why don't we go out at night?"
with her being a star from the sky, I sometimes wonders if before coming to the neighborhood she had seen it. and if not that, she mentioned if you stay quiet and stick close to the windows you can hear it. it cannot enter homes, it eats bugs if it's starving. it seems to have eaten other "neighbors." what could "it" be? some kind of creature in the night? why is it hunting them down?
Away From Prying Eyes
from all the symbols scattered on the website and with the help of the decoder in the Merchandise tab, we end up unscrambling an address.
we discover the website https://www.awayfrompryingeyes.net/ . in this site, we get to peruse "W" and their findings. now I think I can speak for a lot of people that my initial reaction was this was Wally. of course, this was dismissed rather swiftly after realizing that 1. this person was contacted by Wally and 2. they work for the project.
one thing that caught my eye quickly was the fact that the curator of the initial website became "unwell" and no one knew why. they claimed they did not know what caused them to be so unwell, or why they "created that page."
my guess is they mean the new (or in general) Welcome Home website. the curator created the new one because of Wally's interaction with it. they are trying to keep him silent, push away any suspicion. just who might this curator be?
W explains how they became Paranoid (with a capital P) once they discovered the collection of crude drawings, texts, and videos. seems to show that they are understanding that this has gone from a simple project to a unnatural phenomena.
the phone call from Wally is him talking to You (the collective You he knows) and he seems to express loneliness. "everyone is so busy during Homewarming", and he explains how quiet it is. I think he finds You to be a way to not feel so alone, as he seems to be the only sentient puppet of the crew.
well... he used to be the only one.
Commercials For Cigarettes and Pills
in the commercials, we get an array of holiday-themed music and advertisements. of course, we'll talk about the Eddie snippets, but I found a lot of disturbance with some of these. Welcome Home is a children's show, and many of the advertisements reflect that! products like cereal, music, Wally Ball and Cup, and Mama Beagle's Barnyard Eggnog. and then it gets... odd.
adults of course can enjoy this show, but it targets a young demographic. we get a commercial for Hooplah, a cigarette brand. then a commercial for Remderem, a sleeping pill.
now, this is the 70s, so maybe this could be a poor judgement marketing goal. I would not be surprised if it was a ploy for more money, but I still just find it so interesting that a children's show would advertise these. even in the merchandise tab of the project website, there's a fake pipe that blows bubbles. it all feels highly inappropriate for a child to intake this kind of material.
well, who said Playfellow was a moral brand?
Eddie Becomes Fully Sentient
we watch in real time the moment that Eddie realizes who he is.
during the commercials video, we find Eddie Dear preparing for the holidays. he starts off with a conversation with Poppy, which moved into her saying he works too much. throughout the video, we have snippets of real-life felt puppet Eddie decorating a tree, wrapping gifts, and at one point he plays multiple solo rounds of Tik-Tac-Toe.
he is wondering why no one has come to him about delivering gifts. why has no one visited him? he gets so distressed that he even slams his felt hands on the table. why has no one come to see him?
Sally resolves this by saying they did it to give him a break (which is interesting to me seeing as she tends to not give him the time of day), and she brings him to the Homewarming party. so he's surrounded by the neighbors, and in a big chair (Wally's chair, in fact) with a single pea on a plate.
and then things get weird.
Eddie starts sweating, derealization sets in. he's shown alone, single pea on a plate in hand. Home is staring back at him, and a heartbeat can be heard along with Eddie's staggered breathing. is that Eddie's heart or... Home's?
everyone's voices are disappearing in the background, Eddie is in a panic. and then things get even weirder.
Eddie looks at his arms, and they're made of felt. he taps his fingers on the arm of chair, then grips it in fear.
then the frame switches, Sally brought Frank over (was she worried about him?) to let him know that yes, she watched Eddie in the Post Office all day. Eddie is looking at his hands and legs, which are no longer felt but illustrated again. Frank calls out for him, even by his first name, and Eddie didn't even know where he was. but finally just wanted to go home.
this was the moment, that I believe Eddie discovered that he was a puppet. and he was being watched.
I find the single pea on a plate so interesting as this is the description:
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"take care not to place them too close together"
why is Eddie being singled out? he was left out of many advertisements during this update, thought everyone forgot about him, and was even left out of the Homewarming story with Wally and Barnaby. they had stated they met every neighbor, but why not Eddie?
Will Eddie Be Removed?
unfortunate news seeing as he is my favorite character in the entire story (Wally and Sally a close second). I adore him, and I want nothing more than for him to remain. but I have a bad feeling he may be our first victim. he's being isolated, becoming paranoid, showing emotions that may not be seen as "neighborly."
I don't think it's any coincidence that this was an early drawing we received:
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I believe Playfellow is removing Eddie, or attempting to. but for what reason? because of him and Frank? because he's not needed? that's what I'm hoping to learn more about in the next updates. because let's be frank (ha, get it?), it's not looking good for our favorite country mailman.
Ghost Thoughts and Theories
now it's time for me to ramble and yap your ear off because WOW this update was my favorite by far. I think this will happen every update honestly, but I thought it would be hard to beat the last update. this was incredible, from the animation, to the voice acting, to the crafts it was all wonderfully well done. I want every characters special item from the Homewarming wishlist!.
but now, what do I think could be happening? I have two very shaky ideas. I say shaky because these could be proven wrong easily, but if one or both is not then I can continue to build on it.
1. These friendly fellas reflect reality
so one thing I thought of is that maybe they are somehow reflecting reality. I mentioned before that maybe Eddie and Frank are their fictional voice actors (not the actual ones here in our reality!) who may be in a secret relationship. could those actors reflect their characters? are they getting rid of Eddie to represent them being torn apart?
but, this is a very meh theory. reason being that we have seen these puppets are capable of sentience. they may have their own souls, thoughts, and feeling that don't reflect a real life alive person from the 70s. but, wouldn't that be interesting?
2. Eddie's sentience was real, and his soul is about to be ripped away
there's an ongoing theory I've always juggled with in my head, the idea that these puppets have souls and a conscience. I'm genuinely led to believe this because of Wally himself. he has connected with us directly from his world. some kind of alternate reality away from hours. haunting that show.
would that mean the puppets were all real and alive people at one point? or are they completely new people all together? whatever the case, they are alive but not all of them may be aware they are in a show.
well, now Eddie is and he's in trouble.
although we aren't sure if Home truly is the villain in the story, we know that Home knows Eddie has "woken up." and he does not seem happy about it. if these puppets are alive, I fear that Eddie may be erased if he can't keep quiet. taken from the narrative for not playing his part. all he had to do was be the happy and clumsy mailman, but he had to go fall for Frank. he went and started to get frustrated and negative. he's never supposed to be the angry type, he's off script.
disfunctional.
so what's next for him?
if you made it to the end, I'm glad I could keep you around! I think this update really gets the brain gears going, lots of questions we'll get answered in the future. this story is getting better by the day, and I'm thrilled to see everything that happens in the future. and I'll get to write more posts like this!
I found everything so endearing as I do every episode, and this will be a groovy ride.
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