Hi!
First of all, I love your art and especially your character design skills. Have you ever considered doing a progress video (if you have already done so, sorry, I couldn't find it) for one of your models? I think it would be fascinating to see how you construct some of the more intricate pieces, like the knights.
I can't stress this enough, there is no site that will allow a modeling process video of mine to be shown in good faith. Trust me, i tried that, multiple times, the verdict is that the content produced by recording me at work is too gratuitous to be displayed publicly. And i am NOT kidding about that.
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(it's a continuation of previous posts about the calendar)
For March Lance voted to do some tree hugging and grass touching in a constantly busy world of trying to pass exams and earn money and they had a picnic for an entire day. Keith wholeheartedly agreed, but also felt like it’s way too cheesy. Still, Lance didn’t even have to win him over with sushi. Sushi was just a nice surprise. When Lance reports back to Hunk how his Saturday went using the phrase "dancing underneath the moonlight", Hunk opts out of the details. Lance tries to explain it’s not an euphemism, but Hunk just politely reminds him he can keep speaking just. No. Details. (he does that a lot when Lance starts gushing about Keith)
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“Oh fuck it these can’t all be clever” my girl. My beloved Guide. My sweetest blorbo who did absolutely 100% all of the crimes, who did so in the most elaborate dramatic way possible, who literally put on such an unnecessarily extensive show for…I can only assume the documentary crew and her own enjoyment and satisfaction?? Who sat kicking her legs, head propped up in her hands asking Laszlo if he’s *suuuurre* he doesn’t want any help??? Who came to see them all in their cages and LITERALLY said *teehee 😁* . Babygirl really said I am going to snap so goddamn fucking hard and completely, but I am going to do it with SHOWMANSHIP and PIZAZZ, she made SUCH a good murderboard (that says *OUCHY!* on it!!!) and then after all that just went….oopsie!! My bad!! Truly my hero you GO babe you’re doing GREAT please please never change
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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