Ok, so I’m googling Brazilian dragons cuz I’m making a Brazilian half-dragon OC, and I don’t want THIS dragon parent to be pulled out my ass.
So, if I got this right, I found the boi-tatá, which is a big snake that murders people and eats the corpses’ eyeballs as its food, and it has fire for eyes (like Percy Jackson’s Ares, apparently). It is basically blind during the day, but has OP night vision.
I think it’d be funny if they got to a “human fucks a dragon” story because the human is blind, so there’s no point in eating the eyeballs except for habit, since there’s no eyesight to steal in the first place. And so it falls in love with this exception. And then the offspring is similarly blind.
There’s apparently this repel spell where you stay still to ward it off, close your eyes so it won’t eat your eyeballs?
But we can keep that, and it’s a condition to keep your eyes closed, if you’re a seeing person, when you’re in close contact in them so they don’t eat your eyeballs (and of course the option of blindfolds)
We can keep the murder, have the humans be morally grey/dark by ok-ing the murder and mutilation that isn’t them.
Is that an ok way to spin this, or is there a different way to spin the beast, or is there another, better candidate for dragon(-ish) parent?
Can somebody who actually knows Brazilian mythology fact-check me?
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I feel like I've discovered something dangerous.
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oh boy. hope we find him soon.
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thinking about Deimos being moved from Martian orbit to Titanean orbit in 40k
like
do you think Deimian tech-priests will occasionally dig up old thrusters inlaid in the surface? do they look up at the sickly-yellow methane world their home revolves around, and think fondly of the rusty red marble that used to hang in the sky? the chaos of living deep in Saturn's rings tolling over the old, peaceful skies under Mars?
also, whoever the hell did the orbital calculations for that deserves the Star of Terra, holy hell
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When I was a kid, there were a number of "games" people would sometimes play that purely existed as an excuse to try and slap your friends hand as hard as you possibly could.
At the Citadel, the young apprentices refer to these games as "The Wizard Smarts" (as in "ouch that smarts"). There are several variants of the game - ones where you lose if don't avoid getting hit, and ones where the first person to flinch/give up loses. In either case, the loser gets the title of The Wizard Smarts until they can beat someone else at the game.
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Why the manga Mairimashita! Iruma-kun is a masterpiece, part # (idk at this point)
Spoilers for the latest M!IK chapter (332) under the cut ♡
Okay, I was loving this art-focused arc already, as someone who after... several years (hi I'm old)... decided to learn illustration for good.
But unholy shit I wasn't expecting an actual storytelling lesson from Nishi-sensei!!! I'm specifically referring to these two pages:
..........do you see what Nishi did?????
See, I always found the characters in M!IK to be exceptionally alive, as if they had independent lives outside the pages we can read.
Basically all named characters are consistent and three-dimentional, even if they appeared for a couple of chapters at most. And there are LOTS of them, I tried to compile a spreadsheet for personal use and we are well beyond 100 at this point (I'm not done yet).
This is most likely Nishi's writing method. It fits: "when it comes to terror designing characters, what's important is the foundation. When, where, from whom, and from what was that terror were that character's motivations born? Without that, art doesn't live". See all the crumbs of information Nishi left along the chapters, in text or drawings, or in the Q&As. M!IK's characters are alive, like the Bowing Palome.
Clearly this is not new when it comes to storytelling in general, and to manga specifically. As an example, there's a whole chapter dedicated to character design in Hirohiko Araki's Manga in Theory and Practice, The Craft of Creating Manga (most recommended read btw), that goes over the data to collect even before drawing a character. I imagine that's among a mangaka's best practices. But that's the point, Nishi actually follows the rules of the Golden Way*, and created a work which is nearly perfect from any point of view: the four fundamentals (characters, story, setting, and themes), and even rhythm, art, comedy... I'm in awe. I know I sound like a smitten fan, and I am at this point, but seriously, this manga is qualitatively great, and it's a pity it's so underrated.
*The set of rules/tips Araki compiled, which if followed would lead to a manga being successful, according to him. I guess there are other sources as well out there, like illustration schools? But this what I can tell you, as an outsider :D
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one of the best things about eiffel is that he manages to be a guy whose personality revolves around 80s / 90s pop culture without being even a little elitist or gatekeep-y about it. genuinely delightful. but you must never forget that he does fantasize about being in a ready player one scenario where trivia that amounts to "hey, remember the 80s?" and acting out movie scenes from memory will make everyone think he's soo cool and awesome and get him laid.
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