okay, fuck it. I made this post while ago and i haven't been able to stop thinking about it. i am going to be coherent in any way? Not really, some of them feel very deliberate, while some of them dont make much sense to me, maybe im reaching with this but what fun is in being normal about a show??? also i poses no brain cells so dont expect some deep shit from me (expect some shitty screenshot tho)
So we start with this:
"monster" hanging above the city, nice neutral backround as we just got introduced to the story and the characters, we have very little information overall but it hangs above menacingly ready to land on our first candidate.
We find our first monster (expectedly) in Lee Dongsik
Epiodes 2,3 and 4 greet us with these (very pretty) title cards and of course its Lee Dongsik. Playing the role of monster for us and also for Han Juwon (and rest of manyang) is essential to his character and the story. He was the one the say "If you want to get the monster, you should become one." On subsequent rewatch these feel somehow flippant, like a part of the play he keeps up. He welcomes the label, he often meets it head on like he is aware it's there. They also feel very different to another title card we get with Dongsik.
Episode 7 flashes the title across Dongsik with the sound of gunshot, and it feels very accusatory, like the show itself pointing it's finger at him "see? he is a monster after all, look at what he does." This isn't part of the play, this is just him exposed and vulnerable. Then we get the scene where he smashes that guys head on the pavement. This is also last time he is branded as such.
As we go further along and we uncover (at least partial) truth we get another monster branded.
Episode 6 gives us this duh! kinda moment you can see from miles away but nonetheless its very satisfing to see it. True monster is finally exposed and identified. But then we get episode 8 and it kinda boggles my mind.
Feeling like for sure i have been thinking too much into the whole thing, because this doesnt make much sense. Han Juwon is next to be marked as a monster as he's leaving right after arresting Kang Jin Mook. Looking back at Dongsik who is kneeling in front of body of Kang Min Jung quoting his earlier words "No one is going to die from today." And maybe this is a brand he puts on himself, maybe he thinks of Lee Geum Hwa and maybe he thinks about how he treated Dongsik, maybe its a reminder for the audience that he is not without fault here.
Nontheless the killer is found, the case is closed, we can start with a clean slate:
Title card for episode 9 and 11 is the same and they kinda represent the lull in the investigation, no new leads, no new characters to be accused, starting from zero so to say. What's interesting to me that in between these, in episode 8 we get this:
This is actually my favourite, it feels like a callback to the whole "if you want to catch a monster you have to become one". Han Juwon just had THAT conversation with Kwon Hyeok about how he, a sheltered boy can never catch Lee Dongsik. His response - "i have to be reborn". I have to become someone like him, i have to play by his rules.
Episodes 12, 13 and 16 are pretty straigtforward, as we learn more, we get more suspects. I really like that mother of Park Jung Je is in that frame with him, holding him. That last episode really driving it home for me that these have meaning.
on the other hand there are episodes 14 and 15. Mother of Han Juwon being dragged away, Han Kihwan saying "now our lives will be perfect" and little Han Juwon standing on the balcony watching the whole thing.
and again Han Juwon walking away after listening to the whole confession of his father, what he is capable of sacrificing for perfection, what he already destroyed in his pursuit of perfection.
If i had to reach and i probably was this whole time, i think that in every instance Han Juwon puts that label on himself. Eveytime we see that word flash across him he bears it with guilt. It feels like his internal struggle with things he considers he did wrong made visible. He never bears it like other characters, its thing of shame and sin. He never meets it head on, even in that instance when he wants to be reborn, because thats just not who he is. He can never use it as just a label that can have its own uses, not like Lee Dongsik did.
Also i really like that in case of Han Kihwan, Lee Chang Jin and Kang Jin Mook, our "true" monsters, just as they are branded we get to look them in the eyes. It feels very matter of fact, they know it and they dont care. There is no regret, no remorse. (In the very begging Lee Dongsik also looks us in the eyes, he bacame what he had to, to do what he has to.)
Overall, its interesting how the show uses it, its like this multipurpose tool for the characters, the show itself and the audience.
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okay, shipping brainrot from my last post aside, i'm still thinking about the shapeshifter arc. the other sites i use don't have inline posting or do but it's clunky, so i guess i'm theorizing here. some of this may seem obvious; bear with me, i'm not trying to be patronizing, just working through things. this will probably be long.
(edit: i've since learned there's canon explanations for all of this. regrettably i don't like them. enjoy my ideas of what would be better maybe? but keep in mind i wrote this before i knew it had been explained anywhere else.)
laios reveals what he knows of shapeshifters, and that they function on memory:
no one ever really suggests in chapters 39 or 40 who thought of which fake except in the case of which ones laios must have thought of, but i want to posit who i think each one came from, and what it means narratively if i'm right. so, mostly a thought experiment/character study that i could be wrong about or that was never meant to be clearly defined in the first place. but maybe fun to think about? (i'm sure other people have done this before too, but i think it'll be fun to write up.)
from the outset, i think it's worth mentioning that chilchuck knows all three laios fakes are, in fact, fakes. two chilchucks say this, but the one on the right is the real one. senshi and marcille immediately corroborate this, though we can't tell which of them it is except that it's not any of the really obvious fakes.
what i think this suggests is that, brought to the surface, the warped perceptions of the rest of the party that chilchuck, senshi, and marcille have can be easily discerned when compared with the real thing. each of these laioses is from one of them, but they immediately figure out none of them are right with the real laios right there in the room. this is important.
as for who's who...
i think it's fair to assume that giant laios is from chilchuck. laios is the tallest member of their party, at six feet; while chilchuck sees marcille and senshi as their correct heights, laios is a giant to him, and his bulky armor doesn't help. that's why, even if this is his perception, it's glaringly obvious that it's wrong as soon as it's made physical. it's the only big one, and easily falls into the camp of "doesn't seem to know much about monsters" that the others also do.
stupid laios is, i think, from marcille. because the giant one is so likely chilchuck's and i don't think senshi sees laios as someone who stupidly wants to eat everything (even if senshi's opinion of him isn't stellar right now, "i have to eat it" wouldn't be paired with being an idiot to senshi), it tracks that marcille would be the one to remember him this way. to someone who doesn't appreciate their monster eating and otherwise thinks he's an idiot just as much as the others do, dumbly muttering about eating things seems like a reasonable portrayal of laios.
feminine laios, then, is from senshi. i think his physical perception of the other party members is the most off-base; this is likely because he's known them for the least amount of time, and his idea of what they look like is based more on their races than anything else. i think the resemblance to falin might not be intentional--someone suggested to me the other day that the dwarf perception of tall-men is probably more feminine in contrast to how Macho dwarfs are. i think that makes sense (if it ever comes up canonically, i haven't seen it yet). laios and falin do just... look like gender-swapped versions of each other, also. so if senshi sees laios as a feminine person, well... that just winds up looking like falin.
so this leaves us with only the real laios. confronted with their perceptions of him, his friends can immediately tell all three are incorrect.
moving on, we eliminate the three most obvious fakes from the rest of the party, starting with marcille:
if we take into account what i just said about senshi, i think this is his. racial stereotypes about elves being what they are, him not knowing the party as well as the other members do... she stands out, and that's why.
now this is where things start to get interesting.
the next two fakes to be eliminated aren't so blatantly incorrect that they can be struck right out at a glance, but it's not hard to notice the flaws when you look closer, and chilchucks A and B are the ones to point it out. chilchuck is naturally observant; most of his fakes seem to emulate this. (the one who addresses the fakes is A, the real one, but B is proving himself able to pick up on the things A notices. this is important.)
notably, chilchuck and senshi assume these must be laios's versions of them.
we can assume this is correct, if we want to. we can take the framing of this as being an intentional reflection of the truth.
or... or... we can look a little deeper. we can wonder if, perhaps, this isn't a reflection of laios, but a reflection of his friends and what they think of him. laios may not immediately notice the problems, but i don't think it's because he doesn't remember these details. i don't think laios sees much of anything in vague terms; he's observant in his own right, but in ways he doesn't really recognize, nor does anyone else. i think he was so focused on their faces and mannerisms that he didn't notice the bigger picture, glossing over something because so many other factors are at play.
senshi and chilchuck think laios doesn't take notice of things, but the vast majority of the shapeshifter arc is about them and marcille not trusting laios's judgement as it is, given how things went recently. is it possible there's more to their assumptions here than what the text explicitly says? i think so!
so then who do these two belong to? marcille, i think.
if we assume dumb laios is hers, then we can also assume her perceptions of the others are kind of broad and vague. she doesn't think poorly of them, necessarily (at least not in as obvious a way as she does with laios, who, i'll remind you, she's currently upset with), but she doesn't commit unimportant details to memory, like chilchuck's neck band or the damage to senshi's helmet.
we've got three more "obvious" fakes to get through, and laios offers another lore tidbit on how the shapeshifters work:
anyway, the first of the next round is marcille again, setting the stage for how these three next fakes are eliminated.
marcille changes her hairstyle all the time, so this isn't a surprise. the last one pictured here winds up being our next fake, as indicated by her grimoire:
so the fake marcille in this section is the one with the most visibly different hair texture (who even draws attention to this), and the spellbook that's woefully incompetent. i think she's from chilchuck.
he's observant, as i said before; even if he didn't commit her hair to memory, he did remember the stuff she's said about how important hair is to magic. maybe that's why the texture is so striking. more importantly, chilchuck isn't wary of magic quite the way senshi is, but he also doesn't understand it. the general tone of the low-quality grimoire also just... sounds like the way he'd frame something like that. (plus, the "how to turn back time" bit is a thing he specifically called her on when she suggested it a few chapters ago.)
so the next fake chilchuck and senshi are revealed via their tools:
i think the chubby-cheeked chilchuck with the simple lockpicks is from senshi, and i think the ordinary-looking senshi with the simple cookware is from chilchuck. the former speaks for itself--senshi sees chilchuck as a child, and knows absolutely nothing about picking locks. as for the fake senshi, chilchuck has a decent mental image of him but knows nothing about cookware.
so now we're down to the final three fakes, and there's only one person left who they could be from: laios. nobody thinks this, not even laios himself, but i want to explore the concept because i think it has extreme merit. the three remaining fakes have some key similarities between them, namely in that they're all close enough interpretations that making a distinction is difficult. they look a tiny bit different, but both the real people and their fakes make plausible cases for why they're the actual person. i want to talk about why i think laios is the one who made that so, and what that means about him.
chapter 39 ends with all his companions--real and fake--doubting his skills. seeing a pattern?
chapter 40 opens with laios determined to regain his friends' trust in him...
...while his friends (and their fakes) talk about how he's liable to like the fakes more, because they're monsters.
this is a needlessly cruel interpretation of laios, but after how things went post-falin-rescue, it's not a surprise. they see him as reckless and single-minded, more interested in the things he's weird about than in the people around him.
laios is really bad at talking about what he's thinking--not because he's hiding it, but because it doesn't occur to him that it's important. meeting the lunatic magician in the paintings is a prime example of this, but he does it a lot. they likely have no idea why he told toshiro about falin and the black magic; to them, laios was being flippant with sensitive information, not worrying about their safety. to laios? he was trying to get help. he trusted toshiro, and his perception of their friendship made him think the information would help them gain an ally who cared about falin as much as they do. he wasn't trying to put falin or marcille in danger--far from it, in fact. but he didn't tell his friends about his thought process. he didn't think it was important to share.
(he's autistic but we all know this. moving on)
so, we have laios's plan: the pairs cook together, while he watches for behavioral differences to discern who's who. it doesn't occur to him, or anyone else, that the people he's watching for mistakes are his own perceptions of his friends. and now we get into the meat of why i wanted to write this post.
assuming i'm correct... let's talk about laios's view of his friends, and how he challenges those perceptions.
starting with my favorite, chilchuck:
chilchuck A, of course, is in fact the real one. this is a pretty significant character moment for him too, in my opinion; we know he has difficulty expressing his emotions, and that a lot of his conflicts so far have stemmed from that. the fact that "chilchuck B asked for help with a menial task" is a gotcha moment to him is... telling. not only because it's so obvious to him, but because it's not obvious to any of his companions. he thinks they know this about him, but he's never openly expressed anything to make them think this is an issue he'd have, in addition to having sought help in the past.
his "convictions and pride and all that" seems to them like someone trying to convince them of something, not someone reminding them of facts he assumes they know.
anyway, back to laios. if we accept that chilchuck B is made from his memories, this suggests several things. first of all, chilchuck B is, despite his softer eyes and willingness to ask for help, still a fairly accurate portrayal of chilchuck. he's easily annoyed and he's observant, two traits chilchuck is known for. i think the reason chilchuck B has the kinder eyes and the more gentle disposition is because to laios, those things are indicative of someone being a good person, and he very much thinks chilchuck is a good person.
we know laios isn't especially good at reading people in general. thus, his idea of who his friends are is skewed in broad strokes, but not in the ways they think. he knows who chilchuck is, but he also associates chilchuck with his own ideas of what makes someone "good", which results in a chilchuck who's less rough around the edges. confronted with this--the real chilchuck asking him if he can tell--laios compares the two and thinks, reasonably speaking, the nicer one who trusts him has to be the friend he respects so much.
senshi and marcille also want to accept this chilchuck, likely for similar reasons. they also respect and care for him; they've seen him go through a lot. laios's ideal of him is just that, ideal. in a roundabout way, it's only their deep fondness for who chilchuck really is that makes them want to see him this way.
next up, we have marcille.
the fake, marcille A, is a radical departure from what makes chilchuck B a fake. laios notes that the real marcille is exactly the same as she always is. the reason, then, that marcille A confuses him--and the others--is that after everything they've been through, their perception of her has changed radically.
if we look back to senshi and chilchuck's marcilles, it's readily apparent when they're eliminated that both interpretations hinge on the knowledge that she performs black magic. senshi's tries to use it to prove herself; chilchuck's has a grimoire loudly proclaiming it's what she does. contrast this to marcille A: she doesn't mention black magic at all, and her grimoire looks strikingly similar to the real one.
that's because laios doesn't think her performing black magic changes anything about who she is. her doing so proved her to be just as dedicated to falin as he himself is, and the knowledge that her goals involve it doesn't faze him. (additionally, marcille has been teaching him magic, and falin had tried in the past. though his image of a grimoire is flawed to someone experienced, to anyone else it looks fine.) thus, marcille A isn't a flagrant black magic wielder; she's someone who's been fundamentally changed by what they--and falin--went through.
let's go back to chapter 27:
chilchuck and senshi are appalled, and will continue to be. while they ultimately don't prevent marcille from doing this, and care enough about both her and laios (and in chilchuck's case, falin as well) to be in tentative support, this changes their view of her in a negative way. she's dangerous now, in a way she wasn't before, but she's still marcille--goofy and a little reckless. thus, their views of her, and the illusions that result.
laios's opinion of her changes for the better.
she is, all at once, both competent and loyally dedicated. she will stop at nothing to help falin. whatever goofiness she exhibited before now is gone, replaced by the cold demeanor of someone who is doing something extremely dangerous for reasons that are inherently selfish, but ultimately too important to reject.
thus, we return to marcille A: cold, sharp, dedicated. not reckless or goofy, but methodical and haunted. she may have returned to "normal" since they left the castle town, but laios's opinion of her, and understanding of her love for falin, has been forever changed.
so faced with the real marcille--still silly, still whining, still frequently annoyed with him--he's confused, because that's deeply familiar, but it doesn't line up with what he knows about her now.
the truth, of course, is nuanced--these things are true about marcille, but only under duress; it's similar to how laios becomes a competent leader when the going gets tough. she has this within her, but it's not her default state of being. still, the shapeshifter picks up on the strongest memories laios has of her, this new interpretation of someone he thought he knew.
now then--onto senshi, the punchline of this particular joke about the differences between the copies. i still think it says a lot.
i think this one speaks for itself, though i find chilchuck's agreement interesting. senshi is the newest member of the team; little is known about him. laios happily notes that senshi "always looks cool" while chilchuck says he looks normal (and chilchuck B insults the real one). laios sees senshi this way because he thinks senshi is cool as hell, and this manifests in an idealized version of a face he's not as familiar with as he is with chilchuck and marcille.
this is clearly comedy, but it also speaks to the same desire to see the best in the rest of the party. marcille is the only one who notices likely because her opinion of senshi isn't so romanticized. chilchuck's senshi, of note, wasn't a perfect replica: we don't see much of him after the obvious fakes are hauled off, but he's a little squashed (he's the top one):
which indicates that chilchuck's visual memory of senshi is already flawed. if we compare this to giant laios and the marcille with the unique hair texture, it tells us chilchuck's attention to detail is more specific than the others'; he can remember the hole in the helmet, the importance of hair, but he doesn't quite see the bigger picture. giant laios is also surprisingly... rugged? which i imagine has to do with chilchuck's perception of him as a tall-man. (or maybe how he clearly has trouble seeing laios's face half the time, lmao...)
anyway. laios thinks senshi is super cool and chilchuck has an imperfect idea of what senshi look like as it is. (i wonder if chilchuck is some degree of faceblind? not enough to not recognize someone at all, but can't pinpoint specifics.)
and so, we arrive at the moment of truth.
so let's go over what i'm theorizing here... all the remaining fakes are illusions based on how laios sees his friends. the illusions manage to make mistakes that reveal the truth to him, but i think the reason for that harkens back to what laios said earlier... the illusions are being updated over time.
laios isn't considering any of the things that give the fakes away until this moment. if it had taken a little longer to resolve things, maybe they'd have started course-correcting, but they aren't given the chance. laios makes sure they aren't--he acts very quickly. even as he presents the three pairs with his findings, he's aware that everything will fall apart as soon as he does... and he's banking on that. while the shapeshifter illusions defend themselves from being killed, he gets right to the heart of the matter in the only way he knows how: confronting the actual monster involved.
when all's said and done, laios reveals how he figured it out:
potentially of note, all of these details happened before the red dragon fight. chilchuck fighting a mimic and revealing his history with them, senshi gushing about the dungeon's ecosystem, and marcille being attacked by the undine weren't super recent memories. when laios brought them forth in his mind, he had a delay before the shapeshifter updated its illusions.
well... except with marcille. marcille A actually didn't show her hand so easily; it was the real marcille's carelessness that proved her identity.
but what this suggests is that, when confronted with the realities of marcille versus his idealized version of her, laios had to make a choice: did it make more sense for her to have been radically changed by the revival and subsequent loss of falin, or was the presence of a marcille he knew so well proof of an illusion? she was the one who was the most different, and as such, the contrast was the same one that eliminated all three laioses at the start: with the real thing in the room, the fake became apparent.
so, to reach a conclusion: one again, laios has proven he's not as scatterbrained as his companions think, but this time he did so on a more personal level than usual. to them, he reveals that he knows their quirks enough to define them by such when they're otherwise faced with convincing copies. to us, the readers, if we accept what i've suggested here... he's revealed a lot more. he respects, admires, and idolizes his friends, all out of fondness: he wants to see them in an ideal way, whatever that means for each of them as individuals.
anyway thanks for coming to my TED talk
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bliss redesign based off one I made in my teens
thought process + various other bits and bobs under the cut
I was 15 and annoyed by everything that moved when this character first came out, so in my own head I was very much making a Point with this redesign. Hence, I made very minimal changes. I wanted to work with what was already there and basically just make the existing design more thought-through. Little breakdown ahead (keeping in mind i myself am very much An Amateur who doesn’t know shit and am just ranting about my opinions and i also haven’t seen a single second of the 2016 reboot so i don’t know much about Bliss to begin with)
1. one of my Biggest pet peeves with Bliss is that the powerpuff girls each have bangs that are simple, memorable, and iconic while also being unique from each other and being reminiscent of irl little girls hairstyles. It’s very neat and clever and I like it a lot
and then Bliss has this confusing jumble of shapes that looks like it changes in style halfway across her forehead
i have absolutely no idea what the intent is here. My only guess is maybe it’s meant to look weird on purpose like she was trying to cut it herself or something (I suspect it’s something like that since she seems to have normal looking bangs as a little kid from what I can see) but it doesn’t really come off that way if that’s the case. It just looks like baby’s first PPG OC where you Understand that it’s meant to be hair and that it is made out of shapes but have 0 understanding of hairstyle or character design in general. Heck I might have put this exact hairline on a character in the past at the age of like 8
So in my redesign she’s got 5 even notches across her bangs, not thee most exciting change but it does the job I think. It is pretty reminiscent of Blossom but they look different enough from each other that I wasn’t too worried about it
2. low-hanging fruit time, Bliss’s hair color is horrible on the eyes. I’m bewildered at the decision to do this, especially since there is just so much of it, I struggle to think of how she could exist in any scene without hogging all the viewer’s attention constantly. That said, I understand they wanted her to have an unnatural hair color to really signal that she is a Fresh new Teen character from the late 2010’s, which is. Whatever, that’s fine, so she gets purple hair now. I kept the streak for the same reason, especially since she’s got a lot of hair, so no harm in a little extra interest in there.
I also learned recently that her hair glows sometimes? which i did Not know when first drawing her but well i think the darker color helps anyway. It adds some contrast for when she’s normal vs when she’s glowing and makes the latter appear more,, idk threatening or powerful or whatever the mood generally is when she’s doing that.
I did re-add that toothpaste blue to her eyelids though. I like to think it’s also the color of her lasers. It’s a cute color, just not as like 70% of this character’s palette
3. real talk I was drawing this from memory and didn’t mean to change the way her hair flares out from her head. realistically I think the original is fine, maybe just a little boring but fine, so that part of the redesign was an accident. Only thing is, it’s in the exact same position in every screenshot I’ve seen? It doesn’t seem to whip around when she’s flying or anything which looks weird and probably looks weirder in motion, especially since it takes up so much space onscreen. Idk it’s a strange decision, esp since the original show liked to use the ppg’s hair to emphasize their movement, so I’d just bring more movement into her hair. I mean if nothing else it’d make her look cooler.
very very rough little visual of what I mean
I also ended up making it shorter in my redesign—again, not really intentional, but I think it’s better that it eats up a little less of her silhouette
4. Her headband is largely the same, I didn’t hate the idea of her having an accessory, so I just toned down the colors. I’m not personally a fan of the powder blue and that pink heart is very bright and just doesn’t go with the rest of her (once again the color of her hair is doing it no favors). I also moved the heart over. Not necessarily needed I think, but I feel like it reads quicker as a headband and not a weird crown that way+introduces some asymmetry into her design that I think is nice.
5. my biggest gripe other than her bangs are her hips. I’m not against adding anatomy to this character design to make her read visually as older than the girls, but it’s so awkwardly done and distracting. I feel like it even interferes with her line of action more often than not (which is not helped by her unmoving hair).
Part of the issue is she still has the teeny tiny torso, just… with those square-ish hips slapped on, which makes her legs look all gangly and stretched out. I tried to balance out the proportions more in my redesign, as well as change the hips to a flared skirt. I think it helps differentiate her from the girls and still implies hips underneath, it just also functions as a less clunky transition from her torso to her legs.
Lengthening her torso also allows the stripe to look more like a belt above the skirt, which I think helps to sell her as “similar, but not the same” from the ppg
6. Her leggings(? Idk Im not a fashion person) aren’t a bad idea I think. like a more mature version of the girls’ stockings, but I think the white makes them look really distracting. It would help to make them a darker color I think, but since I wanted to keep them reminiscent of the girls’ socks I kept them white and just shortened them.
7. Not really sure what Bliss is wearing on her feet. I think they’re Mary Janes, but they’re drawn a bit different from the girls’ and I honestly think it’s too babyish a shoe for her to wear. I’m not sure what she’s actually wearing in my redesign either honestly, but the goal was just to make them look like the girls’ Mary Janes while clearly being something different.
8. Uh her signature color is something I’ve contemplated changing a lot but to be real I think it’s fine. I feel it was a very bad idea from a marketing standpoint because people were hype about Bunny and would obviously be mad they didn’t get her once the character actually dropped (and in the long-run she would just end up being overshadowed by the character everyone has already assigned that color to) but I’m personally not bugged by her being purple beyond that. If I were to draw them together though I think Bunny would have a more pinky shade of purple and Bliss leans more blue.
Loosely on the same topic, because of Bliss I’ve had a running headcanon that “only child” types of powerpuffs tend to come out purple. Kind of like how trios tend to have a red, blue, and green. It’s a fun little piece of fake lore to rotate around in my brain
Anyway with all that out of the way, here’s some redesigns I decided to have some fun with. Wasn’t being too precious about recognizability or simplicity or anything like that, but I did run out of steam partway through. There’s also one based off Whoopass Bell bc idk, why not
Finally, here’s some OCs I only ever drew once before out of a desire to give Bliss her own teen girl archetypes to form a team with. This is Bee and Beetle, who I’ll probably definitely forget about again immediately after posting this
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I need your Sampard headcanons, if you have none that’s cool ignore this ask, BUT IF YOU DO LEGALLY YOU HAVE TO SHARE THEM
anon- i don't think you know what you've signed up for with this ask
my headcanons are all incomprehensible to myself so o7
this is brain rot at its full saturation..........
gepard being honest to a fault and that flustering tf out of sampo..., , , , 🥺
like,, sampo will jokingly make a silly comment about gepard liking him and gepard will respond with something like "of course i do? why wouldn't i??"
it's a constant cycle: sampo joking -> gepard responding honestly -> sampo getting flustered -> it hits gepard after some confusion that it was in fact a joke -> and they're both useless and flustered together, absolute losers <3 -> repeat
anyone being genuine and nice to sampo would destroy him
he'd crumble
like- he'd collapse like a house of cards in a gust of wind
they're both touch starved and clingy but really awkward about it
"i need to cuddle so bad!! but i would sooner die than be the one to suggest it!!!!!!"
they get over it once they realize it's a mutual feeling
then it's just collapsing on eachother whenever
i kinda just want them to cry and have a breakdown together, cry and hug it out and just like talk
they both need a good cry,,, 🙏
gepard. yotasuke takahashi. just saying things that sound so romantic without so much as a glance at the other person,,, like:
sampo asks serval to please talk to her brother about thinking before speaking, she leaves him on read
idk what to tell you, they're just losers
they're that "relationships should be 50/50, he cooks us dinner and i sit on the kitchen counter and look pretty" post
sampo entering the kitchen: what's cookin', good-lookin'
sampo gets gepard one of those "kiss the cook" aprons
they're the kind of couple where they're seeing eachother through a shoujo romance lens but to outsiders they're just so unbelievably unbearable
can't flirt to save their lives.
i really just imagine them to be the biggest losers together, they're made for eachother, they're pathetic, they're disasters
them:
gepard runs cold!! sampo can't stand it!!!
who's the big spoon and little spoon? yes
pet names? pet names.
sampo uses them obnoxiously and calls gepard everything he can come up with
darling, babe, baby, sweetie, cutie pie, angel, my little captain, hotstuff, handsome, my one and only, knight in shining armor, prince,,, etc
gepard just defaults to calling him honey or something
gepard names one of his plants koski
sampo is very honored
but also so worried, considering gepard's track record with the lifespan of his plants
he makes it his mission to keep koski alive
sampo loves pulling on gepard's cheeks
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