June Jordan, Apologies to All the People in Lebanon (Dedicated to the 600,000 Palestinian men, women, and children who lived in Lebanon from 1948-1983), in Living Room. New Poems, Thunder's Mouth Press, New York, NY, and Chicago, IL, 1985, pp. 104-106 (plus Aja Monet Reads Apologies to All The People in Lebanon, 2017)
- Aja Monet is an incredible poet. I'm thinking of a better way to put it, but just go listen to this entire piece-set from her and see for yaself. "when the poems do what they do".
years of a sun loving us, solitude is
in the wrist of a magnolia tree, hung or lynched
in a rose-throated croon of liberty and justice for all
except blues people living in the smoke
at a crossroads, what really happened that day
robert johnson brought his guitar
to meet an evil of all hues
play with magic
and be ready for it
to play with you
some folks fear death
others know better
fear the devil
don't tell no soul
to spite dying
we all have to go
someday or another
death is a family member
you hear of but never met
until y'all meet
some things is meant for tellin
other things just is what they was
i have faced worse things than being forgotten
tho you call me woman whom you do not know
i am a daughter of sisters
of pillaged offerings
an afterlife of secrets
scores of lustering light
i summon you bravely beside me
marching onward
move not for reasons
but love
any law that deviates from this is as cruel
as it is ancient
let your words be soothing terrors
never mind what was written
we will rewrite it
an idea of freedom is all we know
our inheritance is to lift one another
we shift into a gust
or bristles between strands of hair
ashes of breath raging in quiet
what land is ours to toss and turn over
if not our bodies, the dunes across chests
the legs all roads,
arms a meadow of marigolds
we survive and regret surviving
we are descendants of the end
we see the end
fences, barbed wire, stone walls, and iron gates
do not impede truth.
nations can not foresee our being
here in this vessel of marrow and sweat
having made it across
the bayous of a dark mother's womb
and all that tried her
pushing through treacherous attempts at our lives
fear not what of me resides in you
a shawl of waiting hankering to be felt
what ails is what ails
wild visions leave doors unlocked
dazed veterans returned from combat,
injured arms slung close to chest,
loyal to a beat or nub.
i am a country within a country
retire rest a while
woke and whirring, my beloved
we take to the streets as a sort of rain
descending atop roofs of all those who make
laws to define the absence between us
peculiar spirit who aspires for such things, to possess a people
what sin hunts hearts?
the birds, the fish, the cattle
the islands of what is kept sacred.
to nurture is to resist. in all forms we heal.
we must work the land before we make claims to it
what endures the body is the body
when we left our mother's belly
we did not take any land
only thing we took was the weapon of her smile
and the elixir of her love.
aja monet - when the poems do what they do - the poetry hits, the jazz backing from top players is a bonus
aja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.
In when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.
aja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.
When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.
I'm always late to the party but I get there in the end. Just discovered Aja Monet and the album "When the Poems Do What They Do".
Here she is performing The Devil You Know last November at the Lodge Room in Los Angeles.
“The Devil you know, taxes the air we breathe, privatizes the water, profits off homelessness, strangles the land and injects hormones in animals, rapes the people and rewards the rich”
Now this is good stuff but check out the short film on You Tube and you will be even more blown away.
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I am a big Gil Scott Heron fan and when I first saw her Jazz is Dead performance I immediately thought of him. So it is reassuring to see him referenced in the film.
Here he is performing Whitey on the Moon and you can see that The Devil You Know takes up many of the same societal issues. Not a lot has changed in America in the last 50 years. In fact the possibility of a more equal society seems even more distant in 2024 than perhaps it did in 1970 when Whitey was released.
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The radio station KCRW included the album in their 23 best albums of 2023 saying it is a refuge from the endless scroll of mindless content. A deep dive into an ocean of feeling. Monet wields words like a weapon, igniting passion that moves the listener to new levels of understanding.
The album is also is nominated for a Grammy in the Best Spoken Word Poetry Album at this years ceremony on 4th February 2024.