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#ALSO I SEE YOU KERI
khattikeri · 16 days
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drives me nuts when people treat jin guangyao or wei wuxian like they're socialist revolutionaries like no! they're not!! in fact their respective roles in society and complacency regarding its hierarchies is why ANY of the story even happens to begin with!!!
jin guangyao doesn't hold bitterness just because he was born lower class. he is bitter because others deride him and his prostitute mother in spite of both their intelligence, skills, and efforts to climb the ladder.
why do you think we were shown scenes of other prostitutes in the brothel deriding meng shi for being literate, for "trying" so hard? why do you think we were shown scenes of anxin taunting meng yao and throwing shit at him because he was trying to learn cultivation at his mother's behest?
why do you think jin guangyao arranged for the arson of that brothel, burned to the ground with everyone except sisi inside? that's not the behavior of someone who believes in true equality and the inherent worth of sex workers as human beings!
that's the behavior of someone who thinks he's better than them. the behavior of a man who already came up on top through political games and war crimes, backstabbing and spying for the sake of the "greater good".
i won't rehash his argument to nie mingjue that he didn't have a choice-- he had some choice, but no matter what he does his class will come up and people will always assume the worst and try to hurt him for it, which forces his hand to do whatever will protect him best (hence 'no choice').
jin guangyao did everything he could to secure his own safety and a place among those already higher up. and by that point, he'd won it.
the fact that the temple rebuilt on the brothel site is to guanyin, the goddess of mercy, is even more ironic! the fact that jin guangyao has the goddess's statue carved to look like his own mother is proof that he viewed both her and himself as higher than them. more worthy than them.
of course he cared about the general welfare of others (read: the watchtowers). but consider also that there is no watchtower near yi city, which ended up being one of xue yang's playgrounds. jin guangyao can and will turn a blind eye to certain sufferings if it is convenient to him.
sure, jin guangyao made undeniable contributions to cultivation society and accessibility, but he is not at any point trying to topple existing class structures. his adherence to them is in fact integral to his own downfall in the end.
it brings with it the inevitability of society conveniently ignoring his triumphs and genuine moments of humanity to deride him once more as an evil, disgusting son of a whore once his crimes come to light.
now for wei wuxian. he's the righteous protagonist of the story and he doesn't give a fuck what society thinks, yes, but he wasn't out there trying to cause an uprising so that all the poor servant classes and lower could become cultivators. he wasn't trying to redistribute wealth or insinuate that those who are lower deserve to be viewed as equal to the gentry.
the most critical and non-explicitly stated fact of mo dao zu shi is that wei wuxian has always been resigned to his position in the social hierarchy.
his unreliable narration, especially regarding his own past and thoughts, is so damn important. he doesn't EVER tell the reader directly that people treated him any which way at their leisure because of his parents' differing social classes.
no. instead we are shown how much prestige he is afforded as cangse-sanren's son-- reputation as a talented and charming young cultivator, made head disciple of Yunmeng Jiang-- and how little respect he is given in the same breath, as the son of servant wei changze.
the way he is treated by others is as fickle as the wind. if he obeys and does as told, there is no reward. of course he did that, that was the expectation to start with! if he does anything even slightly inconvenient, there is a punishment. of course he has no manners, what else would you expect from an ungrateful son of a servant?
wei wuxian's righteousness is not a matter of adhering to principles he was explicitly taught, the way nie mingjue values honor or the way jiang cheng always tries to prove himself. wei wuxian does the right thing regardless of what the consequences are to him because his good deeds are always downplayed and his bad deeds are always singled out, no matter who or how many people were doing it with him.
he has faced this double standard since childhood. there are points in the novel where it's clear that this sticks out to wei wuxian, but does he ever fight back against that view of himself? does he EVER, at any point in the story, explain his actions and choices to jianghu society and try to debate or appeal to their sense of reason?
no. because he knows, at his very core, that any explicit deviation from their interests whatsoever will be punished.
slaughtering thousands of people is fine when they want him to do it, and when the alternative is unjust torture, re-education camps, and encroachment upon other sects' lands.
slaughtering thousands of people who are trying to paint him as evil for not going along with their genocidal plans, however, is punished.
wei wuxian knows his acceptance among the higher classes is superficial and unsteady. from the age of 10, when jiang fengmian took him in, he knew subconsciously that he could be kicked out at any time.
he knows that cultivation society doesn't care about war crimes and concentration camps and mistreatment of the remaining wen survivors of the sunshot campaign. but the right thing to do now that they aren't at wartime is to help them, plus they'd punish him either way for it, so he will.
in this regard wei wuxian is more self-aware of his position than jin guangyao. he does care about common people and he does try his best to help them as an individual. even if that ends up with him disabled, arrested, targeted in sieges, or dead.
but is he revolutionary? in the full equality, fight the establishment, rewrite laws, change social structures and people's perceptions of class sense?
no. no. he isn't.
now my knowledge of chinese society and history is fairly limited to my hindu diaspora upbringing and our shared cultural similarities ... but speaking to what i absolutely know us true, adherence to one's social class is expected.
this is rigid. efforts and merits might bring you some level of mobility, but in the end, the circumstances of your birth will always be scrutinized first, and your behavior compared to the stereotypes of where and how you originate.
mdzs is not about revolution, and none of its characters are able to truly change its society. there is no grand "maybe cutsleeves aren't inherently bad" or "i'm sorry for persecuting you and believing hearsay, you were truly a good person all along!" at the finale.
people ignore history and repeat it again with the next batch of ugly gossip and rumors.
wei wuxian, lan wangji, and luo qingyang find peace only by distancing themselves from cultivation society and its opinions.
jin guangyao and wei wuxian both cannot ever escape from others' perception of their origins and actions. regardless of their personal beliefs, they are not revolutionaries.
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frecklystars · 2 months
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I am finally watching The Nice Guys for the first time ever now ✨✨
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pithyorangecurd · 2 years
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Keri really is my favorite artist. Like. In general I think.
She does so many things with her shapes and her styles and its always so fun and eye catching it tells a story without regimenting that it has to be possible. She colors everything so beautifully she has so many brilliant beautiful ideas in her head she's so so so talented and I love her like. So much.
Its always so nice and happy and fun being with her and she's got an astounding life and joy and love in her and it shows. Being around Keri for her art is an experience bc. It's always growing and alive. Seeing her passion and pleasure in her art, and she's so funny and talented. And she's my world.
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blackdragoness · 1 year
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⛽GASING YOU UP, BABY⛽
YALL NOT READY FOR ALL DIS' GASSSSS. Lemme gasssss yo lil fat head up, okayyyy. This PICK-A-PILE is for you!
"somebody call 911, shawty fiyah burnin' on da dance floor." -sean kingston
Pile 1 -
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Pile 2 -
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Pile 3 -
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Pile 1: Show Stunnah 🌻
Overall Tarot Card: The Devil 😈
Channelled Song: Pretty Girl Rock by Keri Hilson
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⛽ The gasssss on you is....⛽
🚨🚨ALARMS GOING OFF. YOU SHUTTING THIS SHIT DOWNNNN. LESSSGOOOO 🚨🚨
First of all, you muthafucka's is FINE as hell! I'm talking about FOIIINNEEEE as hell. Body on fleek, face card never declines. As soon as you walk into the room, all eyes are on you and all your competition starts to die a little inside 😂 You are the talk of the town, the talk of every circle, babbyyy 🤤 But y'all been knew dat, 😏
"BEEN that bitch, still that bitch" - Megan The Stallion
Natural beauty with the confidence to match
Confidence of a lion(ess)
Honestly, physically, you got it muthafuckin' going on dawg, what the fuckkkkk. Out of all the piles, this one wins in the Looks Department LOL sorry to the other piles
I'm seeing a face that is so fucking beautiful and angelic. Forever youthful.
Your beauty never dies and it never ages.
I have this huge urge to gasp in awe! You make people gasp with your beauty, ermagerrrdddd this is too cute! I feel like I'm melting in your presence 🫠. It's like everytime people see you in person, you take their breathe away and all they can do is gasp in awe at your undeniable beauty 😂😂😂 it's so fucking corny bro, but damn. That was a channelled message for someone's fine ass out there. You got it like that Mami/Papi, *snap snap snap*
A literal fucking goddess/god. Like you make men want to turn all romantic and old school, writing poems and singing outside your window in the middle of a full moon & shiiit. Or for my men, you make a girl wanna break all her rules and go buck wild for you!!! Like this shit crazzzyyy!! But this is what you be doing to these people lmaoooo!
I'm sure you're a great person on the inside and all, but there is so much emphasis on your physique that I apologize if you feel exploited right now 😂😂 and tbh, you might know the effects your body causes on people so you might be a person with strong boundaries. But damn Papi, what dat body do? 😏
With the devil card crowning your reading, people are OBSESSED WITH YOU!!! Bitch, who tf are you? Why is everyone so fucking obsessed with yo ass!? Lmao
"I can do bad all by myself." You're very independent but you may have many friends too.
Imma just say it flat out: YOU GOT THAT GOOD WAP BABYYYYYY. THAT GOOD WOOD, ya know what I'm sayin' 😂 rumor has it, you can fucking werkkkk it. You got people THIRSTY AF out here, mayneee. Chilllllllll.
You got this hella chill vibe to you though. Like laid-back. Relaxed. Not about the shits or the drama. People can try to ruffle your feathers to get any type of reaction out of you but you stay unbothered AF and that's what draws them nearer to you.
You have a gift for social interactions. Most people have social anxiety but you maneuver and work the room with ease and calmness. It's very admirable.
So many people want to marry you dude, I'm not even kidding. But I'm sensing that you are just focused on yourself and your goals. Relationship isn't a priority in your life right now. But that also is what turns the thirst factor UP when it comes to you.
SEXY, SEXY, SEXY, SEXY, SEXXXXX-Y.
Rich girl, city girl, material gworl vibes
"You always got dem eyes on you" - people love to watch you and stare at you. Sometimes people zone out in conversation with you because your beauty distracts them 😂 you could be talking to them in perfect pronunciation and speed but they won't hear a damn thing you said lol I guess your beauty is deafening too 😂
As beautiful and as sexy as you are, you also have a tender kindness when you interact with anybody. Your beauty shines both inside and out and that's why you are the mf GOAT.
You turn heads every where you go. You got bitches jealous wishing they was you. Ermahgerrrddd, I'm getting a rush of energy from tons of people who fantasize about what it would be like if they had your life. Honestly, that sounds like I'm over hyping y'all, but it's the truth lol. Maybe knowing this information will help you see the beauty of your own life and appreciate it for what it is. Because from folks looking on the outside into your life, they would literally trade spots with you in a heartbeat. Heck, they are already doing it in their daydreams. Recognize that YOU ARE THAT BITCH.
You may come from a great family life. Or people think you come from a super good looking family judging based off of your looks alone lol
A lot of people want to be tied to you in some way. People feel that being connected to you gives them "brownie points" in popularity 😂😂 some people may try to befriend you for clout. I'm not even getting social media vibes, although y'all may be big on social media too. But I'm sensing like real life clout, which is ten times better than social media clout, ya feel me. It's almost like knowing you in real life makes people feel more important in real life.
Y'all are the IT GIRL/ IT BOY. Everyone wanna be you, do the things you do, talk like you, walk like you, fucking everyfannnggg!!! I cannot with y'all. You guys are unreal but thats why we are so fucking obsessed with you, booo. Keep doing you and keep being you 🌻
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Pile 2 - Cutie Pie 🥧
Overall Tarot Card: Ace of Cups
Channelled Song: My Bestie by Lloyd ft Sevyn
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⛽ The gasssss on you is.....⛽
🍯🍯CUTENESS OVERLOAD!!!!!!! YOU ARE THE CUTEST FUCKING THING EVER 🍯🍯
Everyone wants to hug you, squeeze you, love on you. Stick you in their pocket and take you home. This vibe is so mushy and gooey!
Everybody's little sister. You provoke a very protective spirit in those around you and those close to you. You are looked at as something that needs to be protected at all costs.
I dunno what it is about you but people will go to bat for you no matter the situation or the time. If ever you are in trouble, you have a whole gang of people who you can count on to drop what they are doing and prioritize you. Even if they are pissed off at you, they would lay their differences to the side and come to your rescue.
You make people feel very emotional when it comes to even just the thought of you. You are so special to people I don't think you realize that!
You are that person in people's lives that they cannot imagine ever losing. Like an angel in disguise who needs to be protected from this cruel world.
You attract friends like flies!!!!! This pile is SOOOOOOO popular and you don't even have to try. You could actually be a more introverted and reserved person but constantly have a crowd of people with you.
Sooooo warm and soft. Feels like I'm sinking in an ocean of really warm honey. That's how you make people feel.
People LOVE hugging you, cuddling you, and feeling you. Your presence is very calming and motherly.
You have great motherly instincts and people trust you with their children and animals. Kids might naturally flock to you and easily trust you because of your kind nature.
You may only consider a small group of people as friends but there are so many people who consider you as one of their best friends. You may make some friends jealous because they envisioned some type of exclusive friendship with you. However, a lot of people need you in their life and so that's something they need to come to terms with.
A lot of people feel like they can confide in you with confidential matters, knowing it will be kept safe. You also give really great advice that helps people progress further on their life path.
You are a very necessary presence in many peoples life stories. If every human soul had a book about their life, there would be at least one chapter about you in multiple life books. While most people are only focused on writing their own book, they are scarcely mentioned in other stories. But you, you are very necessary in the development of other people's life journeys. Like you make an impact on their story for the better. Wowwwww. I can only imagine that this role comes with a lot of positive karma for you and your generations to come.
You beautify every place you enter, every floor you walk on, and every person you meet. You are a contagious ray of light that shines everywhere you go even in the darkest of places.
You very rarely compete or get jealous of people and that's why many consider you to be their best friend. They feel completely free to be themselves around you with no judgement, guilt or shame.
You are unapologetically yourself and it's a big turn on for the opposite sex.
Many people wish they could possess your unapologetic nature but they are realizing it is a lot harder to mimic than they thought.
"I walk like this cuz I can back it up. I got a big ego" -Beyonce
You been through a lot and it shows through how sweet and caring you are. And because you put out that energy, people wanna love you the same way in return.
You really tug at people's heart strings when they think of you. I'm hearing "a heart of gold and titanium". So valuable and indestructible.
You have been placed on this throne by a lot of people. Very very respected and admired. I'm hearing you proved yourself. Your true colors shown and they worked in your favor.
An example for others to follow
A true royal
SELF-CONTROL, SELF-CONTROL, SELF-CONTROL. You have so much self control and people are both envious and admiring that trait of yours. "The one with the most control over themselves is the one with the most power in the room."
You might be a very adaptable person. You literally can chop it up with anybody you want! No personality is too hard for you to adapt to.
You have such a knack for resolving conflict. You can de-escalate any situation with your soft spoken voice and level-headedness. Things always run smoother when you are around.
People take you seriously and really listen when you speak. You may not vocalize your opinions as often as others, but when you finally do, it shocks people, so they listen.
A deep well of wisdom.
Honorable. Highly respected. Highly trusted.
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Pile 3 - LEGEND ⚜️
Overall Tarot Card: 8 of Pentacles
Channelled Song: One Call Away by Bina Butta
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⛽ The gasssss on you is.....⛽
🥶🥶 YOU OUT HERE GIVING US THE SHIVERS WITH YO ICY FINE ASS 🥶🥶
BOSS BITCHHHHH. I see you focused on that bag and getting that bag!!! If you chose this pile, YOU LOOK LIKE MONEY, HUNNY 🤑
"came through drippin *drip drip*"
You are a hard ass worker. I'm getting strong energy coming from the workplace you work at. You got a lot of people dumbfounded at your work ethic. For some reason, I'm getting that they didn't think you were going to be the type of worker that you are.
You may be known as someone who bosses up every time you experience a hardship in life. It's actually pretty phenomenal to watch.
Phoenix rising from the ashes.
You are that one character in a movie story that never dies 😂 it's like no matter how many battles you fight, you never fucking die lol it's annoying to your haters but so inspiring to those who witness this inner strength of yours.
You are a LEGEND! Some people think that your life experiences are too good to be true. But they just ain't ever met nobody like you before thats why. I'm hearing that behind your back people try to investigate the validity of your story just to be humbled when they find witnesses who retell the same story.
People want to know the depths of your life experience. I'm getting that people view you kind of like Indiana Jones who is well travelled with many stories and adventures to tell for many days.
You inspire people to think outside of the box. To want more for themselves and be open to newer opportunities that can make them feel free and alive again. You make them want to explore life again.
You walk around like a large ball of life force energy. Anything within a 5 foot radius of you starts to be influenced by your vibration.
A lot of people speak about you!!! A lot of people have your name in their mouth. It's very positive though. I'm hearing a lot of praise, chanting your name. Celebrating you!
I sense you might be hermit mode or really just focusing on yourself. People can see the changes that are happening through your physical appearance . Your hardwork and focus shines through your countenance.
You have a lot more people who support and love you. Im feeling that for this pile, the support isn't as apparent as it was for Group 2. I'm feeling like this pile stands alone with lots of silent supporters. Something about you being very intimidating or being closed off to a connection is what's blocking people from showing their support but it's like they understand why you are closed off and respect your boundaries.
People feel like you are going very far in life and will hit it big in the future. They want to see you win and are silently watching until then.
The way you carry yourself is top notch alpha type vibes. Specifically for my feminines, this is so sexy about you. You carry this masculine energy in such a sexy feminine way it intimidates and submits even the strongest of men. Very BAWS BOSS like.
RAWRRRRRRRRRRRRRRRRRR 🦁
BOSS, BOSS, BOSS, BAWSSSYYYYYY
"Dat ass, dat ass, dat ass, dat ass" 🤨🤨okaaayyyy, someone clearly has a nice juicy ass that needs to be pointed out 🤷🏾‍♀️
You must have a very strong presence in your work place because the energy keeps taking me to a work environment. Either that or you think about work all the time 😂 you really are such an independent woman. Some may call it hyper independent but do you honey. Set the standard as high as you want. Don't let their intimidated ass opinion shrink you 😉
Maybe you own a lot of businesses or aspire to own your own business. People see the potential for you. But I'm getting indecisive energy. You are probably really talented at SOOO many things and are weighing out your options. However, you know that once you have made your decision, there is no stopping you from reaching the top. Everyone else knows it too and that's why they are silently watching you.
You are a rare human. You have an imagination that is so active. Anything you imagine, you create in this world. You were probably a very imaginative kid and highly active. With how hard you work coupled with your crazy active imagination, you actually have the power to manifest whatever you want into existence. Maybe you are aware of that. Maybe you aren't. But channelling this energy feels very magnetic and strong. Keep your imaginations alive. Keep your dreams alive. Chase them.
People wonder how you gained such a bright imagination. They wish they could have that light that you have. You heal a lot of people's inner child by giving them experiences to exercise their imagination. Maybe you enjoy conversations about the trendy things from people's childhoods or you like to talk about the future a lot. You spark creativity and imagination for people and it gives them motivation for life again.
You lead by example. Lots of people are out here running they mouth but you stay steady on your grind proving your worth through your life.
You have silent supporters because you are a silent leader. You don't do much talking. You just do the damn thing and later on people find out what you did and are completely shocked.
You are a bombshell. Not only do you look great but you're like a ticking time bomb in people's minds. You constantly have people stewing over you and then boom, you do something that blows everybody's minds lol. I like this vibe. Very spontaneous and fun to be around
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asoulwithadream · 8 months
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EXCLUSIVE FALL PREVIEWS
Mates. LADS. BRETHEREN.
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I think I'm going to die now. AAAAAAAAAAAAH—
BUT OF COURSE WHAT WOULD BE THE SENSE OF MY EXISTENCE IF I DIDN'T SHARE MY OWN PERSONAL THOUGHTS ON THESE BEAUTIFUL THINGS BEFORE THE MEDICINE KICKS IN.
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The Crew — I think this is where they see LUCIUS!!!! I'm so very convinced this is where they meet Lucius. As we can see, they're all in the same clothing as the Vanity Fair first looks, where Black Pete is visibly overjoyed. But can't you see that he is missing from this shot? Probably snogging Lucius' face off or hugging him or doing something as such.
Lucius probably popped around the corner in the Vanity Fair one, and now they're sharing an intimate moment (keeping it PG) on deck while the rest of the happy crew watches on (as visible from Roach's, Oluwande's, and Wee John's faces). Of course, Buttons has no interest in human adoration, and instead looks on towards his own lover, the sea.
Stede is looking quite perplexed, or maybe contemplatively—perhaps as a result of Lucius telling Stede what happened to him. He doesn't look directly all that happy, does he?
(OMG OMG OMG WHY DO THEY ALL LOOK SO HAPPY EXCEPT STEDE BUT OLU YOU DEAREST MAN AND THEY'RE LOOKING SNAZZY AND I LOVE THEIR SOCKS I'M AHHAHASIJDHKAE)
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Stede — That's the floor of the Revenge guys. I know it well since the last time Stede was pushed onto it. (Solidarity for the harm that the foot touch caused in these trying times) He is wearing what looks to be ye olde fencing gloves, and this means that was just handling a sword. (Though, he could have been using the cannons; we all know Stede would probably confuse fencing gloves for heavy artillery)
There are a few scenarios I can find at the top of my head: he's either training with Izzy (though would that explain his terrified expression? maybe)—we also see the lack of the red ribbon, which I think he removed when he teams up with Izzy, for whatever reason—or he's been duelling with someone else, someone who is extremely better at swordsmanship, someone we know to have been excellent at both maiming and receiving stab wounds. Has he been fighting with Edward?
I think it's the former, but who knows? The best part of theorising is being wrong, after all. I guess we can just gang up and say "calm down mr wavey blade" to whoever is behind this. Plus, do I see traced of some fuzz on his chin? Confirmed baby steard, guys???
(He's such an ICON I WANT TO BREATHE HIS HAIR AND SEE IT BEHIND MY EYELIDS. In the wise words of Rhys Darby, "I wish I had his hair". BUT LIKE HONESTLY WHAT'S GOING ON HERE WHY DOES HE LOOK LIKE HE'S SEEN A GHOST)
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Frenchie and Ed — This has me on actual alarm bells mode. I can't tell whether or not this is Blackbeard or post-Blackbeard era—he's not wearing any dark chunky make-up, and has his hair up in his classic, beautiful half-up half-down, and we finally get a more close-up and clear shot of his earring, which we first spotted from the Vanity Fair first looks?
A detail I spotted for Frenchie's new goth uniform, which he is still wearing in this shot (further confusing me on the timeline of this image)—I think that his jacket is the very same from the "The Best Revenge Is Dressing Well" episode, which is so incredibly sweet and a beautiful little detail to connect back to season 1. I'd like to think he customised it himself, since we know Frenchie can "sew like the wind."
That's also still the Revenge, in fact the very spot where Lucius was about to get his finger cut off in "The Art of F**kery". But what intent Ed has with this confrontation with Frenchie, who seemingly looks like perhaps he wasn't even doing anything wrong, escapes the depth of my theoretical mind. What contributes even less to this is that Ed is smiling? Rather maniacal, might I add.
(WHAT. THE. FUCK. help me why is this happening. I LIKE AM SO ANGRY AND SO HAPPY AT THE SAME TIME THAT I CAN'T FIGURE ANYTHING OUT FROM THIS PICTURE. NOT EVEN WHAT STAGE OF GRIEF ED IS IN. HELP ME)
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Edward — That chair looks like it's from Stede's room, from one of the desk-like tables in the corner next to his bed, and perhaps even the only chair which Ed kept in the room after his rather ill-tasted renovations. What's he doing there without his make-up on? Perhaps this is still during the early stages of new Blackbeard, and he's just in the transit period between washing and re-application.
BUT, if we look at the background, does that look like the Revenge? Not really... There is what seems like a fireplace or some sort of stone plate in the background, with a painting on it with a man on the left side of the composition, who seemingly looks to have lighter coloured hair. So what I may be thinking, is that Edward is visiting MARY ALLAMBY! The painting in the background may be the one from Stede and Mary's wedding, and Mary might have kept it as memorabilia in ode of her now good friend. (Stede is on the left in that painting). Plus, where else would Stede get his furniture and taste for his bedroom than his own former house, which Mary currently lives at?
Even though I think David Jenkins said that Mary wouldn't be present in the season, do I believe him? No. I think I have the right for me to be delusional without external interference at this point.
(Please let me be right please let me be right I NEED A MARY / ED INTERACTION AT SOME POINT TO HEAL MY HEART. I need Mary to realise that fucking Blackbeard is the Ed that Stede was talking about, I NEED ED TO THINK THAT STEDE DIED, FOR EVEN A MOMENT. I think my brain has stopped receiving oxygen.)
Send hopes and prayers
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scintillyyy · 5 months
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actually there is another super interesting way in which you can tell dixon is trying to narratively reward steph for her perserverence (aside from writing her to fit his sexist worldview and rewarding her for that) & almost the... "pick oneself up by their bootstraps and succeed no matter your circumstances and what barriers there may be" narrative he kind of has for her and that is with the evolving nature of her social class through her appearances while he writes her imo (the ultimate bootstraps story that conservatives love) (which also contributes to the vast difference of interpretations of steph's economic status)
so honestly, in her first appearance in detective comics #647-649 she is very much coded as coming from a background of lower class/working poor/welfare stereotypes with a criminal father and an addict mother.
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their house is visibly run down & not taken care of. crystal is emaciated and wears a robe all day/doesn't bother to get dressed, doctor shops for pills, and is whiny about how she'll get sicker without the prescription pills she's addicted to (you know nothing about crystal's initial aesthetics screams welfare queen imagery to me, tbh. they certainly don't seem to be implied to be "scamming the system just to live it up on steaks and lobster" and dixon would be way more overt about welfare fraud. i would call this more "white trash poor person" imagery as i imagine he sees it.).
interestingly though is the framing of steph by dixon as incredibly positive in comparison to her surroundings. in a way she's conceived as someone who is fighting against the poor circumstances that she was born into--she's going to be spoiler and rise above her criminal father and compared to her mother who can't be bothered to get dressed because she's always high, steph's going to dress nicely. those jeans she's wearing? that back pattern pocket is pretty iconically calvin klein. those were like. status symbol jeans of the 90s. now i'm not here to argue about affordability indicating she's way richer than she actually is here, because this was the 90s and steph very much could have afforded nice clothes and a vespa for herself on her summer/part-time job (in fact the clothes she wears on her vespa are pretty implied to be some sort of part-time job uniform), but it's a very interesting contrast that dixon draws, especially considering his biases. like you can tell he thinks that steph is in no way responsible for her circumstances (it's not her fault that her dad is a criminal and her mom is an addict) & and that being born into her circumstances don't mean she's doomed to end up like them--as long as she works hard and does the right thing, she'll be rewarded. in this case, she'll present herself as higher class/act classier than her unfortunate surroundings (via her external presentation of herself--she'll work hard and get the things she deserves for her hard work and effort) & resoundingly reject following her criminal father's footsteps by becoming the spoiler in order to cement herself as Not Like That. like he went out of his way to make her circumstances be more stereotypically poor and then show her as being above all that. she's the noble poor to her unfortunate white trash circumstances. (which is in line with dixon's classism and conservative viewpoint that it's okay to be poor, as long as you're white and don't act like those people do and hate your circumstances/are motivated to rise above them).
and this thread of how crystal is/stephanie's circumstances continues through crysal's next two appearances in robin #3 and showcase '95 #5 (though this was was written by keri kowalski, not dixon). she's still presented with very stereotypical aesthetics: she's never dressed, at this point, it's not implied she works...
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and again, you can tell that dixon likes steph despite the fact that he wrote her as poor in her initial appearances because he often writes her as though he considers her above her circumstances (because those aren't her fault and she's working hard to not be like that).
the interesting thing is how this evolves once crystal kicks her addiction. which. frankly, i don't believe we ever see exactly when this happens? she's still an addict in showcase '95, but by her next appearance in robin #43 in 1997, she seems to. certainly be different than she was portrayed in her few initial appearances and appears to probably be sober at this point.
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she's well put together and clearly employed, a far cry from the initial imagery dixon initially used for her. now it doesn't say she's a nurse here, just that she works at the hospital, but the white shoes and dress are an imagery giveaway. and now making steph's mom a nurse is actually kind of a soft retcon of her previously implied situation and a pretty interesting one at that because nursing--nursing and teaching occupations back in the 80s and 90s (and even today for nursing) iirc were considered good jobs to the middle class, on account of them being professional and steady jobs that required a degree of some sort that couldn't be automated or sent overseas (and there's a shortage, they need nurses!), like other jobs that were being lost at the time. so by making her mom a nurse, dixon was explicitly cementing their family circumstances as middle class as opposed to implied poor like their very initial appearances (or even what might've been considered "working class" at the time by certain economic theories, given that nursing isn't necessarily considered an "unskilled" job and does require college + it may be considered a pink collar job but in general there's good job security so it's such a gray area) (forgive my use of quotations here, i don't personally believe that jobs are unskilled and that the working class is a nebulous term that is illdefined and covers many different jobs with vastly different potential salary opportunities. a union working class electrician could very well be upper middle class based on salary, low cost of living, and lack of debt compared to someone who works at minimum wage, lives in a HCOL area, and has 75k in college loans but both are considered working class because they provide labor for wages) (i'm thinking of a 90s working class that was viewed between the middle class and the poor that consisted of a lot of what people considered blue collar or routizined work, but again, that means almost nothing in terms of salary potential and economic opportunity. plumber and warehouse worker are both considered blue collar, but their economic circumstances can vastly differ, but i digress-)
which is actually a pretty interesting evolution to her initial implied socioeconomic circumstances. because if her mom is a nurse & has a middle class job, then their economic issues previously weren't necessarily just that they were poor. it's that they were middle class fallen on hard times. which also coincides with the shift in the 90s where people were starting to be frightened of the middle class getting ravaged by the opioid/drug crisis. so now crystal isn't a stereotypical poor white trash addict, she's a middle-class worker who fell on hard times. and if they were struggling with finances, it wasn't that they were poor, it was more to do with struggling on account of crystal's addictions and having to deal with steph's dad/pay for him/he used their money and house for his villainy. and you end up because of this retcon having this issue where yea, she was initially presented as poor. but for the vast majority of her appearances, when she more consistently started to have a presence, she's written as middle class fallen on hard times. and you get this dissonance in her reading where it's like, yea, at the beginning, she was poor (and in far more stereotypical circumstances), so you can't say she never struggled financially. but also to claim she's just poor is to go against a lot of imagery that indicates more of a lower middle class (middle class, but struggling/tighter finances/no significant wiggle room), such as having a mom who's a nurse, having a home computer, etc. and in this case i really don't think this was just a case of dixon not knowing how to write a poor person (though that's definitely somewhat involved, this is dixon after all), because the choice of profession for her mother and giving her access to a home computer in the 90s and the overall improvement of her perceived home environment as the series progressed do seem like a deliberate choice on dixon's part. he probably would have known that nursing was considered a "good, steady" job to have.
anyways, i don't necessarily think this retcon is. necessarily worst thing in the world. it's much less stereotypical than poor/bad people are in poor/bad situations because of their choices and it acknowledges that people in all socioeconomic tiers can struggle with issues like crime and addiction.
alright, continuing on. there's an interesting thread in the steph pregnancy arc that has crystal ruminate on how steph ended up that way because crystal was a bad influence for marrying arthur and the pills. but because chuck has decided that the browns are more lower middle class than straight lower class there's a bit of a redemption/reimagining of his initial poor view of crystal once she gets sober and a marked improvement in the appearance of their socioecomonic status. take robin #58 for example.
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crystal gets to support and affirm steph, be present (unlike her initial appearances). and in robin #84 after she's aware of steph's going out as spoiler after having recently found the spoiler costume (and trying to put her down about it--compared to when steph was doing spoiler stuff in the kitchen and her mom didn't even notice because she was high) and the visual design of the inside of their their house has definitely improved from run down to standard middle class, fairly nice looking.
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which again feels fairly deliberate to me. because it doesn't just seem like dixon not understanding what it means to be poor, there's a deliberate moving of steph's socioeconomic status up more towards middle class once her mom gets sober which i feel like aligns nicely with chuck's viewpoint that if you're poor, you're poor because of bad choices and once you make good choices you can settle back into relative comfort.
and notably he gives even bigger reward to crystal for kicking her habit and make better choices and renouncing her husband's criminal ways (when she found out steph was spoiler and turned him in she was like "hah, serves him right"--compare this to when she was implied to be visiting him in steph's first appearance and she was being presented poorly): she, like steph, will now get sympathy for being put in a situation out of her control and the hard times that have fallen upon them. in robin #93 and #94 arthur comes home and parks himself there and nobody likes it.
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and yea, they're shown to be struggling--crystal doesn't have extra money laying around to hire a lawyer to kick our her husband--a long, arduous, expensive process (+in robin #94 she's shown as being fed up with the court process as well). but rather than her being treated bad by narrative for not having money, she's presented quite sympathetically. she doesn't want them there or have anything to do with them. she's a hardworking, middle class woman who maybe fell on hard times because of her past addictions and having a criminal husband, but because she did the right thing and got clean and renounced those ways. she's not being seen as culpable to the situation--she's being seen as a victim of it this time. anyways, dixon eventually resolves the situation by sending dinah over to kick out the villains inhabiting her home, which shows that he thinks that they're (crystal and steph) deserving of being saved from the circumstances that keep them down (because they're hardworking people who are actively trying to get out of their situation and better themselves). and it aligns quite nicely with his conservative view of the world, that people who work hard get rewarded for their hard work and good things happen to them.
like i'm not going to pretend that the browns are rich by any means. they're clearly not. but there's an interesting way in which dixon improves steph's class as a reward for her perserverence. the last mention we get of any potential class by dixon is her conversation with tim in robin #100 where tim is catastrophizing about the loss of his money (which i know is nagl), but it also doesn't exactly imply she's poor and she's not exactly mad at him for being tone-deaf. she's just matter of fact about not understanding the big deal--just that she fights crime on a budget. so it's more her way of telling tim that he doesn't have to worry about the money thing/going down to middle class when it comes to being robin--after all, she's done just fine as spoiler by being smart with her money. which is actually fairly in line with dixon's viewpoint that if you make good decisions with your money, you'll do just fine and can/should afford to do what you want.
his biases and politics are sooo obvious with the browns tbh. all in all, the way he writes the browns (crystal & stephanie) wrt class i get a lot of flavors of that stupid fucking hillbilly elegy book. they're not poor welfare recipients because they're the true, hardworking people who deserve to be middle class. they were down on their luck and made bad decisions and had unfortunate things happen to them (arthur, crystal's addiction), but they overcame that like good hardworking americans (became spoiler, got sober) and as a result their economic situation improves as god intended. anyways, like i said before. it makes it so hard to be like "yea, steph was poor!" without leaning into dixon's stereotypes of poor people (addiction, criminality) and when he does write them as poor/struggling he writes them as the "true poor" "the good poor people who would never depend on aid, they just work hard to reject their circumstances and elevate themselves as they should". but it's also hard to uncomplicatedly say she was middle class, because despite being presented as lower middle class for a lot of her appearances, it's also another part of dixon's classism that has him improving their economic class over time because it's an improvement inexorably linked to his belief that hardworking americans can just pull themselves up by their bootstraps because he shows steph and crystal doing just that.
& i think of how it was initially dixon's idea to maybe make steph robin in a storyline & i can't help but feel that's almost a continuation/conclusion of the bootstraps narrative he has for steph.
idk it's just hard for me to say that dixon looked down on steph for being poor/being lower middle class because her story of self-improvement is so tied to the conservative belief of upward mobility with hard work. it's extremely classist. and yet it's still there. on the paper.
bonus, just to prove he sees them (the browns) as a lower middle class family who wouldn't be struggling so much if the government would just stop taking all their money in taxes:
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peachesofteal · 9 months
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Do you have any COD x reader blogs/fics that you really like or recommend?
Of course I do:
Cuckoo's Civilian Asset is pure magic. All of @cuckoo-on-a-string's writing is transcendent, but Civilian Asset feels really special whenever I (frequently) reread it. (Also if you're only going to read one Sandman/reader fic ever, it should be Younger Gods. Which is also Cuckoo's.)
@yeyinde There's writing, and then there's this, which is hard to explain. Poetry, maybe? I don't know. Incredible though, run don't walk. Try 'Sea Swallow Me' for Simon, or Wicker Pyre for Price.
@lethalchiralium writes Happiness which is a must for soft dad Simon, but there's also Diamondback, which I salivate over. Keri's writing just feels like a true indulgence to me.
@as-is-above-so-below has an amazing series called 'The Captain' which features one of my fav reader characters in the fandom and dad!Simon. I love it so much. It's not a 'you' read, but don't skip it!
@halfmoth-halfman's a designer dress from heaven and your dirty wedding ring' is so wildly good. I hang on every word. There's also, of course, 'The Little Things' and it's following works, which are great. Like all of Moth's work, you pretty much feel like you're there. 10/10.
I've very lightly dabbled in/read omegaverse... and I tend to stray away from it BUT Hummingbird by @omeganixtra is so fucking good, I binged most of it in one go.
@halcyone-of-the-sea always hits, you pretty much can't go wrong. Personal favorites: 'None Lacking Sins' and 'See no Evil'.
@writeforfandoms's The Hanging Tree is one of my fav Johnny fics. Also, 'Listening In' is Ghost/Soap/reader and it's SO fun.
I think that's it. I honestly read more fic on AO3 than I do on Tumblr, and haven't really had much time for it lately but these are a few great ones!
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mississpissi · 9 months
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i was talking to keri the other day and i realized that the way carlos defined his intentions for being in night vale is very specific. 
in the very first episode, cecil reports: “Carlos told us that we are, by far, the most scientifically interesting community in the US, and he had come to study just what is going on around here.”
(this gets really out of hand so be warned)
i thought it was interesting that carlos highlighted that what was scientifically interesting was the community of night vale. that he came to study what is going on in night vale. i thought maybe this could just be weird wording, so i. i did read through every mention of carlos in the transcripts from episode 1 up to the most recent episode. 
the next time we hear about carlos’ reason for being in night vale is in episode 25, when cecil says, “[Carlos] came to us to investigate our town, because he said it was scientifically extraordinary, and downright bizarre.”
interesting that carlos is investigating the town, and that he finds the town extraordinary and bizarre. it is repeated multiple times that night vale is the most scientifically interesting community. “Community” is the word used every time.
also of note is how carlos describes the desert otherworld. he calls it “the most scientifically interesting place in the otherworld” (58). he also says that his time there is “the most scientific. I don’t think I’ve ever been more scientific, and you know how much I love science.” (59). 
i point this out because carlos calls the otherworld the most scientifically interesting place, not community. part of this could be that there wasn’t much of a community in the dow at this time, but there were still people out there with him, but i think this wording is intentional. he even corrects kevin on this later: “Kevin: I think you once called this desert otherworld ‘the most scientifically interesting community in the U.S.’ Carlos: Well…no, my exact words were–” (70a). 
i also point out that carlos emphasizes how scientific his time in the dow is because it seems as if it is a significant difference from what he had been doing in night vale- almost as if the nature of his research had changed from studying a community to a place.
later, when reflecting on his arrival in night vale, carlos says, “When I came here, I understood this town as scientifically fascinating” (111). again, the emphasis is that the town is what’s fascinating. the community.
in this most previous arc, we get even more insight into this idea. carlos has come to define for night vale what science looks like (which i could and will go on and on about at a later date). this is widely acknowledged- carlos is repeatedly referred to as the towns leading scientist, as the scientist (which, i know, its by cecil, not a reliable narrator, but thats the narrator we got and im taking his word as bible). when the uowii comes in and starts doing science differently, cecil contrasts their work with that of the night vale community college, saying, “See, this is what real science is all about. Dangerous, frightening experiments conducted on an unknowing populace with a vague aim and no clear end date” (223). and, yeah, this def sounds like a cecil/night vale little quirk, seeing that cecil is. intimately familiar with how the. top scientist does his work (sorry), i think it’s worth noting that he sees science as something done to a populace. i might be stretching with that one but i dont care.
then, when lubelle is directly addressing carlos, she says, “​​I knew you when you got it in your head that there was somewhere in the great deserts of the United States a town that was the most scientifically interesting community in the country. Oh the attention you got for this so called discovery, nonsense though it was. You got headlines, you got grants, an entire research team for this fully funded expedition” (230). she says again, community. he got grants and attention and headlines for discovering this community (which does make me wonder what he was putting out there to get headlines and attention. or how he found night vale to be credited with discovering it. again, a post for a later date). 
now to what im trying to get at.
i do think it matters that carlos is coming to study the community of night vale. when lubelle gets to town, she jumps right into trying to find the most interesting thing, the biggest scientific breakthrough. when carlos gets to town, one of the first things he does is call a town meeting. he tells the town why he’s there. he warns the town of things that might harm them, investigates that which is actively affecting the community. 
i think of the anthropological nature of that idea- of studying a community. of entering a community you find interesting, declaring your intent, and trying to learn what you can about how the community works. to learn about the culture. to be curious about how things move in that world.
i think about carlos trying to distance himself from marine biology, from the phantom ocean, and deciding that studying a community of people in the middle of the desert just might be different enough for him to reignite his passion for science and research.
i think that its really interesting how actively carlos resisted becoming personally entangled with anyone in town, with cecil especially. we know carlos liked cecil fairly quickly, but didn’t move as fast as cecil hoped. i think it’s really interesting that carlos defines home as “a grouping of objects connected by a shared personal experience of time” and a town as “a collection of objects and people, no more meaningful than any other” (100, 210). those definitions seem very distant to me. i think it’s really interesting that carlos was so resistant to the idea of calling night vale his home town.
i think, if someone had come to a town intending to study the community, they would be very wary of becoming too involved in the community, of putting their results at risk. studying strange phenomena would be excusable, especially for someone who deeply believes “science is a tool, helpful and dangerous, but we will use it only for our fellow humans, with the benefit of the least of us always in mind” (230). but becoming involved personally, allowing personal biases to sully the objectivity of the research, tainting the data with something as unscientific as feelings- this would be unacceptable to someone who saw science as the ultimate motivation.
i just think it matters that this wording is repeated. i think it matters that carlos spent years terrified of calling night vale his community, because it was one he was only ever meant to research. one he was only ever meant to report on. like. a certain someone who has also had to shift the nature of his work because of a man he fell in love with.
i think it matters that carlos recognizes when he has let his scientific integrity slip, when he calls himself “complacent” for “no longer see[ing] the strangeness, but only [his] home” (111). i think it matters that carlos comes to realize that sometimes, an explanation takes away the fun of things (it devours), that even if the sun doesn’t set at the right time, “the sunset was really beautiful, so at least there’s that” (111). that a magic trick doesn’t need to be explained (222), that every mystery of the strange community he is studying doesn’t need an explanation. that his focus was not on tearing apart the community in the search of truth, but “the science of discovery, of research, of humility, of using these tools to make our lives better” (230).
i think it matters that, even as carlos did become irrevocably involved in the community he was meant to study, he always made sure to keep “most of its mysteries… intact” (212). he still maintained that level of scientific integrity, and pushed to reinforce this when people threatened to do otherwise. 
i think it matters that carlos, when faced with someone from his past, someone who knew exactly why he was there and exactly what he had left and exactly what the correct scientific procedure is, says, “I speak now not to my adversary, but to my community” (230). his community. yes, the most scientifically interesting community in the united states. yes, the community he had come to study. yes, the community he had, somewhere along the way, become a part of. and yes, his community. 
i think this is such a cool example of character development, and maybe i just couldn’t fully appreciate or understand the importance of him saying “community” every time without what was revealed in this last arc, but i really like considering this angle. i love thinking of carlos trying to remain distant before realizing his community, his love, his family had all become one, and he could still find wonder and make scientifically interesting discoveries from within the community. i love that he found a home, one much more personal than simply a grouping of objects and people, but a community that is his.
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larkral · 8 months
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Hello!! Thanks for the tags @hushed-chorus, @bookish-bogwitch, @cosmicalart, @j-nipper-95, @forabeatofadrum, @orange-peony, @ileadacharmedlife and @aroace-genderfluid-sheep! So fun to see what everyone is working on!
I've been doing some tests for audio for my @caught-on-tape-fest, which has been difficult because my children have been home sick almost every day this week. Anyway, got a first roll of a fic and learned a lot, like: I'm definitely not going to be trying a British accent (comes out half-Australian, I blame Bluey), I need a working doc so that I can highlight different characters dialogue in different colors to allow for different pacing and emphasis, and I need to talk slower. 
That said, I am excited and it's fun. Haven't yet done any editing but I have done that before and I feel pretty sure I'll be able to manage. 
Also this week I wrote some Simon's Two Mums and some of one of my CORB pieces. Sentences from both below!
My CORB piece, draft titled mechanic!Simon:
One of my foster families had three cars up on blocks in the backgarden. Kitty said she collected kids and Jules collected cars. It worked for them. Worked for me too. Kitty wasn't my biggest fan, but Jules didn't mind a quiet pair of eyes watching him, tools being passed his way when he reached for them. He didn't talk a lot either, but when he bought the Mini ('74) he patted the hood and said, "Happy Birthday, Simon."
Simon's two mums (draft titled normal!Simon even though he's reallllly not) also this is 8 sentences. Ah well:
Baz uses words like purview. I can barely get my lips around them. Why the crucible thought that he and I would be good as roommates, I don't know.  But I do like him. And he likes Penny. And Penny likes me. So it works out, even if it does kind of suck to be the in-between friend.  Not that Keris and Penny are better suited as roommates than Baz and me.
One thing that's helping me to work on these two pieces in tandem is that they're both stories where the WOM timeline doesn't happen the way it does in canon, so I get to be really generative in thinking about what the actual universe of CO is like, and what the social and political dynamics would be like if the events that happen canonically hadn't happened. Fun! Difficult! My jam.
Tag/hellos under the cut. :)
Tagging @stitchyqueer @thewholelemon @confused-bi-queer @raenestee @facewithoutheart @cutestkilla @sillyunicorn @you-remind-me-of-the-babe @basiltonbutliketheherb @asocialpessimist @aristocratic-otter @captain-aralias @petedavidsonscock @takitalks @artsyunderstudy @yeonjunenby @carryonvisinata @takenabackbytuesdays @martsonmars @nausikaaa @nightimedreamersghost @chen-chen-chen-again-chen @ionlydrinkhotwater @shrekgogurt @palimpsessed @fatalfangirl​ @blackberrysummerblog​ @valeffelees @imagineacoolusername @whogaveyoupermission @wellbelesbian @rimeswithpurple
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bulkhummus · 1 year
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keris post made me think about how carlos is the thing that grounds cecil but whats the thing that grounds carlos? ive joked about carlos having an identity crisis if his status as a scientist, hero, good neighbor and husband, is being threatened but— hear me out
part of the episode with donnie kevin and charles is charles making it clear that donnie is a part of his life, and therefore he is going to influence it and kevin has to be okay with that in order for them to work…… and thats such a different dynamic to a couple who decide to have a child together after being married, but the point is that children take up space in your life, and they change who you are just be existing….. carlos is no longer just defined by being a scientist, cecil is no longer just defined by being a radio host. they’re parents, fathers. that will always be who they are because this is a choice they have made, and their child will influence their life and choices for the rest of their lives. they can’t run away. they cant move on. they cant go somewhere and decide they like it better (looks at carlos) they cant pretend that their child doesn’t exist to absolve themselves of responsibility (looks at cecils mother😒) so despite the love and care and utter adoration, a child is also a commitment that is to seriously be considered
the adults have all fucked everything up, and they cant see past the despair they’ve been so thoroughly steeped in….. but children are so new to the game, so hopeful, stronger than they realize…… insightful because they’re applying their own logic that is less influenced/curated by the world they’re navigating ( a world, canonically, that is trapped in a time loop where adults literally cant escape the hand they’re been dealt) so what is it time to do? seriously consider the children.
i hope that esteban is the thing that grounds carlos! physically in night vale, but also in who he is as a person, and what he gets up for every single day. Cecil too for that matter— if his station or voice is taken from him— Because how lovely would a story be if it were to be a fathers love of their child trumping all else, for a child’s mere existence and joy and wonder of the world to soothe away the pain of abandonment and loss of direction?
huntokars love of her town became the very thing that destroyed it, but a fathers love for their child can be the very thing to save it!
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nightwolf and hanzo unexpectedly bonding over being indigenous 😭🙌
oooooooooo dude, I love that
Just, as a disclaimer, I am not indigenous nor do I know enough about indigenous issues either in the states or in Japan to speak on them at any level, so I will not try to and please take this snippet with a grain of salt and please let me know if I miss anything or say anything incorrect or offensive so that I can fix it
Nightwolf, gesturing at Hanzo's shoes: What are those?
Hanzo: Cep Keri, salmon leather shoes
Nightwolf: Oh, I didn't realize you could use salmon for leather, are they common in Japan? They look quite comfortable.
Hanzo: Not....not really, no. I am Ainu, and Cep Keri are a traditional form of footwear.
Nightwolf: I see, it would seem we have something in common then.
Hanzo: Hm?
Nightwolf, shrugs: I have heard of the Ainu, your people and mine share a similar history
Hanzo: I suppose we do. Does that make us cousins, of a sort?
Nightwolf: Perhaps
(Source for the Cep Keri: https://www.ff-ainu.or.jp/web/english/details/post-8.html)
After that they start teaching each other bits of their people's languages and greeting each other in them. For Nightwolf's birthday, Hanzo gives him a pair of Cep Keri of his own.
I wanna say that Nightwolf gives him a similar gift for Hanzo's birthday but I can't get a clear read on which nation Nightwolf is supposed to be from. I see Matoka most often (which afaik NRS made up) but I've also seen people say he's Apache, Lakota (no specifics on which band), Nez Perce so I'm kinda at a loss there.
If anybody has an answer on that pls lemme know!
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frecklystars · 8 months
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i havent seen the movie yet but i knowwww im gonna die for ana de armas w/ her pretty blue hair and soulless eyes. when i go into the gosling tags i keep seeing gifsets of her saying "you look lonely. i can fix that" YES PLEASE MA'AM I'M APPLYING MY SPARKLE LIP GLOSS RIGHT NOW
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tessa-quayle · 11 months
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FanFiction Recommendations
before I disclose my favorite Pedro Pascal character-related fan fiction here, a few caveats and disclosed biases: I’m a woman of a certain age.  I was your average English lit major.  I’m the dork who - upon listening to Jewel’s debut album and hearing the lyric “you can be Henry Miller and I’ll be Anais Nin” in the mid 1990s  - legit hauled my ass to the local public library and looked up Anais Nin - using the Dewey Decimal system - to read her elevated smut.  Right now I’m a content but exhausted, ragey American woman in a mid-life crisis.  I hate bullshit, I have an ok attention span, I scroll/read after the family’s gone to bed.  
if you look at my semi-neglected Tumblr page, you’ll see I’m relatively new to the Pedro fandom.  What a privilege to dive into really superb writing.  This is clearly not an exhaustive list and reflects my tastes (and to each her/his/their own)!  But if you’re an exhausted parent in a mid-life crisis and have no time, this may be for you! 
in no particular order...
@fuckyeahdindjarin - masterlist - Cee describes herself as a writer who pens romantic comedies - and she does a stellar job with them - but she sells herself short and fails to mention the sex scenes she writes are hot.  especially love the consent series (dieter bravo), the grays 2-part series (frankie morales), and of course, the ongoing joel miller/pin series.  a delightful mix of angst, sweetness, spice.  and a thoughtful writer with an inclusive mindset. 
@absurdthirst - masterlist - if you told me Keri has a few stories published in several “best of erotica” anthologies, I’d believe you.  good smut is fucking hard to write.  this is great smut.  this is smut you read and then take a cold shower afterwards or do whatever it is you like to do to get yourself off.  it’s smut that even as a non-smoker and knowing all the terrible health risks you may think goddamn I need a cigarette.  I'm partial to a few Javier Pena and Agent Whiskey pieces, but you’d be satisfied reading any of her stories.
@something-tofightfor - masterlist - Rachael should give a master class on how to write the best slow burn.  Her Joel Miller stories stand out for several reasons including - 1) she thoughtfully incorporates elements of the original canon/game into her fanfic which is uncommon in the PP fandom (from what I’ve seen/read at least), 2) every Joel story/chapter is compelling and well imagined.  Her current series on Tim Rockford has me on the edge of my seat and I'm eagerly awaiting the next installment.  And judging from the titles of her stories, we have similar music tastes (ha!). 
@disgruntledspacedad - this writer hasn’t updated in several months, but their Javier Pena multi-chapter fic (and folks, there are MANY out there) called Better Love is the one that kept me going and going and wanting to read more (see mention of short attention span in a tired mama above).  being in the healthcare field, I also arch my eyebrows out of curiosity when someone weaves medical stuff into their writing and wonder what line of work they do.  (yes I'm a terribly biased nerd, I’m a sucker for when someone puts a f!physician reader into their PP-character related drabble).
@jomiddlemarch - she is a great friend and a gifted, amazing writer who always makes me wonder “how does she do this and how does she do this so well and so quickly while the rest of us plebes are just getting through our day.”  she writes for MULTIPLE fandoms (and judging from the notes on her posts, I think her readership is more into those than Pedro and the Last of Us but it’s ok!), and started writing Joel Miller and an OFC (she created!) named Grace Yang (NOT ME - but maybe there’s a chance she created this OFC to shut me up since I’ve been rambling on and on about how besotted I am with Pedro 😂).  If you’re into OFCs, read her stuff.  Check out the (ongoing) entire series on her AO3 here.  Here’s one story that you can find on her Tumblr.  Two of the five stories are Ted Lasso crossovers - all her stories are written so richly and so layered - she’s the star in your writing workshop who’s showing and not telling - I’m still thinking about how there’s so much to unpack in the latest one. :) 
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wardenparker · 1 year
Text
Down the Rabbit Hole - ch 1
Jack ‘Whiskey’ Daniels x female reader Co-written with @absurdthirst​
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When Jack accidentally shoots a civilian on a mission he takes on not only the guilt of the man’s death, but inherits his soulmate as well. To you, it’s a dream job with more perks than you can imagine - but for Jack it’s a nightmarish complication. Even more so when he starts to develop feelings.  
Rating: Mature Word Count: 6.6k Warnings: *Blanket warnings - mentions of deceased spouse, a lot of food and alcohol consumption, family recipes, age gap, cursing.* Canon typical violence, death, gun use, angst. Jack has a temper and Tequila has a dumb first name.  Summary: A mission gone wrong ends with disastrous consequences for Jack, but Champ has a plan. A plan to change your life forever. Notes: Welcome to soulmate story number six, everyone! I’m so, so excited to dive in here because I adore Jack. Keri and I are moving ahead with full steam on this story and we can’t wait to see what you all think of it!
Ch 1 ~ Ch 2 ~ Ch 3 ~ Ch 4 ~ Ch 5 ~ Ch 6 ~ Ch 7 ~ Ch 8 ~ Ch 9 ~ Ch 10 ~ Ch 11 ~ Ch 12 ~ Ch 13 ~ Ch 14 ~ Ch 15 ~ Epilogue
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Statesman, the independent intelligence agency, probably has some of the most up-to-date intel that anyone could ever want. Most times. Right now, that isn't the case. Ducking down behind a flipped over table, Jack – Agent Whiskey – rips off the broken frames of the glasses that not only fed him information but also scanned anyone for weapons and allowed his oversight team to see what he was seeing. A little bit of 'through the looking glass' magic.
"Now, damnit Ginger, I'm not trying to be difficult, but I need to know how the fuck to get out of here." Jack growls into the minuscule microphone that is imbedded into the earpiece that allowed her to talk directly into his ear. He glances at a body that is laying nearby, limbs sprawled with his eyes open and lifeless. The target that he had been after but someone else had started shooting up the place before he could reach him.
“You’ve been made, Whiskey, you need to get out of there.” It might be a little bit of stating the obvious, but Ginger’s even tone comes through his ear piece loud and clear. “What’s your clearest exit?”
"Does it look like I know?" Jack huffs, rolling his eyes even though the Statesman tech couldn't see him as he takes a chance and sticks his head up to scan the area for the nearest exit. The rapid burst of gunfire makes him duck back down, wood from the table splintering above his Stetson. "Southeast corner."
“Get out through the kitchen.” Ginger orders, clicking through floor plans and security cameras at her desk at lightning speed. “Through the kitchen, out the delivery bay doors, and left when you hit the alley. That will put you in the parking lot. Grab a car and get to the hell back to the Silver Pony.” The end of this mission has gotten messier than Champ will like, and extraction is their best option until a new strategy can be decided on. It’s ugly, but it happens sometimes. That’s one of the hazards of their line of work.
"Copy." Jack hunches down a little more when another barge of gunfire erupts, this time he feels the tug of a bullet as it tears through the wood and punches a hole through his hat. "Didn't think y'all'd give me a second." He grumbles, reaching for the pair of pearl handled .44 revolvers that are tucked into his holsters. Flipping them easily by the trigger guards as more of a habit than anything else, the weight of them is familiar and steady in his hands.
"Gonna hit the sprinklers and fire alarms in five seconds, Jack." The warning is the best Ginger can do for him, knowing that the ensuing chaos will confuse and disorient the enemies shooting at Jack and give him just a few seconds to get across the room while they adjust to something new happening around them. "Five...four...three...two...one!"
The distraction is just the window that he needs. Springing out from behind the compromised cover to start shooting. Jack's aim is true, taking down two of the people shooting at him with quick pulls of the triggers under his fingers. Three pounds of pressure to pull the hammer back and fire, custom designed for him for better rate of fire in a pinch. Those targets down, Jack starts to dash through the spraying water, the alarms starting to blare out to warn of a fire that isn't there but the system thinks it is.
The double doors into the hotel kitchen slam open, expelling Jack into the crowded, overheated room full of clamoring cooks getting ready for dinner service. A radio blaring in one corner and more than a dozen people shouting to each other had covered most of the noise of gunshots, but there's no mistaking their surprise when the mustachioed cowboy falls through the doors into their domain.
Jack’s eyes are darting around the room, seeking out a potential threat and when he doesn’t find one, he starts running for the door on the opposite side of the long galley.
Most people jump out of the way, some brandishing the knives in their hands as defensive weapons and others hide behind prep tables. The blaring alarm has now made its way to the kitchen, and everyone not cowering or weakly defending themselves is now trying to cover the food they have been cooking from being destroyed by the water splashing down from the ceiling. There is shouting and chaos, but no one dares to stop the cowboy running at full speed down the length of the kitchen.
“Ginger!” Jack shouts, even though he doesn’t have to as he pushes out of the doors that lead to the dock and loading bay. “Where to—” His words break off as he sees the glint of a gun out of the corner of his eye, reacting without even hesitating. Twirling around and his weapons fire on instinct.
"Jack?" Ginger's voice echoes in his ear as the man whirls around to see two bodies drop to the pavement behind him. One had a gun outstretched, the crisp lines of his suit wrinkled under the force of the shot that sent him falling backward. The other pitched into the wall before he fell – chef's jacket stained crimson with his own blood. "Jack! Are you hit?" She asks, voice more determined and edging on nervous.
Jack’s blood rushes to his ears, making Ginger sound like she is underwater. Or maybe it’s him that is drowning. It’s suddenly hard to breath, the seeming sucked from his lungs as he sways on his feet for a heart stopping moment. The impact of what he has just done crashing over him.
“Jack? Jack!” Ginger’s voice in his ear makes his vision sharpen from where it had gone fuzzy, bringing him back to the moment.
“Ginger Ale.” Jack chokes out. “I—shit, I just shot a civilian.”
"Shit." For a woman who rarely ever curses, the impact of it doubles coming from Ginger. "Get out of there, Jack. I'll send in Gamma Team to clean up. But I don't want you being part of the cleanup. You hear me?"
A civilian. Shit. Champ is going to be furious.
******
“Jason Howe, 36, born in Northwood, New Hampshire on April 4th.”
Jack winces and curls his hand into a fist as he stands in front of the conference room table. Not having been invited to sit, nor to have the glass of ‘67 Statesman Reserve that Champ has sitting in a glass at his elbow. A drink that Jack desperately needs. “Champ, there was a gun.” Jack defends, although he knows it’s a weak excuse. Statesmen take out the bad guys, not hurt the innocent. And Jack’s killed a bystander who had nothing to do with anything.
"You've been off since Cambodia, Jack." And although Champ knows exactly why, it can't be considered an excuse. He looks back down at the file on the conference table and frowns, then keeps reading. "Two siblings. Parents both living. Soulmate so far unknown." The older man looks up, locking his eyes on Jack. "We're tracking her down."
“Why?” Jack demands, frowning at the mere idea. Statesman had never tracked down a soulmate of anyone before, why start now? “We don’t know who it is, or if they care.” He scoffs. “Better to let sleepin’ dogs lie.”
“I don’t blame you for not noticing.” Champ sighs and shakes his head before finally motioning for Jack to sit. The man is his best senior agent, his quickest set of reflexes, and his closest friend. Frankly, Champ is worried about the upheaval in Jack’s life lately. It’s affecting his perception on a base level, not to mention his work. “You didn’t come out of that fire fight unscathed, and your adrenaline was too damn high for the pain to get through to you.” Running one hand down his face, Champ huffs slightly as he sips from his own whiskey glass but still doesn’t offer Jack any. “The back of your right arm. Just above your elbow. You have a new mark, Jack.”
“Bullshit.” Jack spits, furious at the implication of what Champ is saying. “My soulmate is dead.” He reminds the older man, as if he wasn’t well aware. Hell, Champ was the one who had recruited Jack to Statesman, so he was well aquatinted with his backstory. Until this moment, he would have called the man a friend. Maybe his best friend, even though Tequila likes to claim that’s his title. “Been dead and gone for years. So there ain’t no marks on my body.”
“I don’t mean to say anything against her memory.” Champ holds up one hand in a defensive posture. With the other, he gestures to the large mirror on the conference room wall. “Roll up your sleeve and take a look for yourself. Ginger noted the appearance of scars from minor cuts and bruises and a small tattoo on your arm. None of these marks were found on the civilian that was killed or any of the other dead men that Gamma Team cleaned from the scene. Following protocols, we’re now tracking down any and all soulmates and searching databases for your exact set of new marks.” He knows it isn’t good news. It isn’t good for the agency, and it isn’t good for Jack. But, despite it being a long shot, it is now more likely than not that someone out there shares these marks with him. And that makes her both a liability and a potential target. Whoever she is.
Fuck.” Jack hisses bitterly, his shoulders jerking as he shuffles out of his sports coat and tosses it down so he can start rolling up his sleeve. “Can’t Ginger remove it?” He demands, not wanting marks on his body. He hasn’t had any since the day Abigail died and he doesn’t want some other woman’s scars or tattoos on his skin either. He doesn’t have a soulmate and he doesn’t want one.
“Soulmate scars don’t work like that.” He knows Jack knows it, but he also understands the younger man’s distress as he tears his sleeve back to inspect his skin. “As far as Ginger’s nanites are concerned, that’s just your skin. No imperfections about it.”
“Who gets a goddamn tattoo on the back of their elbow?” Jack growls, twisting his arm around before he catches sight of the ink. “I don’t want another soulmate. This needs to be broken.” Tattoos and scars were things that could get an agent killed. Identifying marks, things that nanites fixed to conceal their real identities. Even agent’s soulmates had their scars removed if they were together.
“How exactly do you propose to do that?” Champ asks, raising one incredulous eyebrow at his friend. “Soulmate bonds are only broken by death, Jack. You know that as well as anyone. So unless you’re intendin’ on killing this girl just for existing, I’m afraid you’re shit out of luck.”
For one horrifying split second, Jack considers it. In his grief and rage at having his original soulmate, his wife, he thinks about killing another innocent person. “Jesus Christ.” He manages, body sagging and slumping in disgust at himself and overwhelming sadness. “I— I can’t—” Looking helplessly up at Champ, his eyes are filled with pain. “I can’t be someone else’s soulmate.”
“No one’s askin’ you to drop everything and bring whoever this woman is back to the ranch and start your life over.” At this, and Jack’s defeated shoulders, Champ finally pours two fingers of ‘67 Reserve into a clean glass and slides it across the table to Jack. “We’re gonna find her, and she’s gonna be under Statesman protection. That’s how we’re gonna handle this to start out with. Until we know more about her, the best thing we can do for your safety and hers is keep her close.”
“Why the fuck was this Jason Howe outside?” Jack snatched up the glass, pissed that because of one cook’s inability to be in the damn kitchen where he belonged, he’s burdened with a soulmate he doesn’t want. Is he victim blaming and deflecting? Yes, he is. But he doesn’t care right now. The whiskey burns on the way down and Jack sighs in appreciation of that fact.
“Smoke break.” Champ shrugs, knowing that why doesn’t really matter. “Gamma found his DNA on two cigarette butts nearby.”
There’s a sarcastic comment about how smoking kills somewhere rattling around in his brain, but Jack can’t bring himself to voice it. Not when he knows he is to blame, he had reacted and didn’t take a split second to make sure it wasn’t someone innocent nearby. He had done this and it weighs heavily. Nearly as heavy as his wife’s death and he hadn’t been directly responsible for that - though he felt guilty.
Shifting back in his chair, Champ surveys the agent in front of him as an agent rather than his friend, and he drains the rest of his glass in one go. “You have to come out of the field for a while,” he tells Jack firmly. There’s no room for debate here. “Psych eval, incident investigation, and that mark on your arm all have to be addressed before we can get you back out.”
Jack’s jaw rocks, immediately wanting to argue but he knows Champ. There’s no getting around this. He’ll be out of the field until the man gives his stamp of approval and not a moment before. “Had no problem throwing out the Golden Circle but now this is a problem?” He growls, stomping around the table to snatch a bottle of Statesman ‘72 off the bar cart. “Let me know when I gotta talk to the head doctors. Until then, I’m drinkin’.”
“I can’t get you out of this one because I threw my weight around on the Golden Circle case.” Champ huffs, not wanting to cause a fight but ready to have this conversation if need be. “I’m not worried ‘bout you passing, Jack. It’s just gotta get done.” The real concern is the black ink on the back of his arm – a hearts playing card with a teacup where the ace would be and the words ‘Curioser and curioser’ encircling it. While he carries that mark, he’s a danger in the field.
Snorting, Jack turns on his heel, grabbing his jacket off the chair and flicking a mocking two finger salute at Champ. “Sure thing, Champagne,” he huffs, knowing how much the full code name chosen for him irritates him. “I’m on desk duty.”
Champ huffs again, annoyed at Jack for being seemingly even less mature than Tequila in realizing that this isn’t a punishment, it’s caution. “And you’ll stay that way,” he grumbles as the door slams shut behind Whiskey’s retreating figure. “Goddamn stubborn donkey’s ass.”
Jack’s boots slap against the floors as he stomps down the hall. Several agents sidestep and move on the other side, warily eyeing the fierce scowl on his face.
The sound is unmistakable, and Tequila has been waiting to hear it since Jack had reported to Champ a half hour ago. He situated himself in Jack’s office almost immediately after, not really knowing what would happen but figuring that his friend might want to rant about something or go for a drink after. Civilians don’t exactly get caught in the crossfire every day – and Jack takes that kind of thing personally.
The door swings open and Jack pins Tequila with a hard stare. “Get out.” He huffs, striding over to the desk and slamming the bottle down on the hundred year old oak before he turns around to his own wet bar to get a glass.
“Guessin’ Champ ain’t too happy?” Tequila stands from the chair he had been occupying but makes no movement to leave. He’s known Whiskey too long and thinks too well of him to just up and abandon the man.
Jack doesn’t answer, grabbing the cut crystal glass and setting it down a little too forcefully before he picks up the bottle to pull the cork out and pours himself a double.
“Takin’ that as a ‘no, he ain’t’.” Stretching awkwardly, Tequila crosses his arms and watches Jack for a few seconds before he tries again. “There’s a couple of new girls leading tours who’ve been hinting at wanting dates,” he offers, knowing that that usually perks the older agent up a little. “We could blow off some steam tonight?” Mostly he’s just not sure that leaving Jack alone is going to be good in any way.
“Not interested.” Jack grunts, stomach rolling with guilt and anger. “God damnit!” He slams the glass down on the desk and his hand shoots out to sweep the neatly stacked files off the desk to scatter across the floor. Not like he wouldn’t have time to reorganize them anyway.
“Shit, Jack. What the fuck did Champ say?” Whiskey might have a temper, sure, but he usually just blows off his steam at the firing range or with a one-night stand. He’s not the type to go destroying things for fun or catharsis. Tequila steps forward warily, like he’s dealing with a spooked horse instead of his upset friend. “You know you can tell me. We can figure shit out.”
“There’s no ‘figuring it out’, Tex.” Jack snarls, well aware of the fact that Tequila hates his given name and prefers to go by his code name. “Apparently I inherited the civilian’s soulmate.”
“Fuuuck…” Tequila’s jaw drops so hard that his ass ends up back in the chair he has been sitting in only a minute ago. “How the hell does that happen?”
“Fuck if I know.” Jack blows out, reaching up to start unbuttoning his shirt. He needs to examine himself to see what other fucking marks this mystery woman has ‘gifted’ him with.
“Second soulmates are supposed to be a myth…” Anybody who knows a single thing about Jack Daniels knows about Abigail, and the fact that he lost her more than twenty years ago. A bit like anyone who knows him knows he was a rodeo man.
“Second soulmates are lies you tell the poor son of a bitch who’s burying his sweetheart.” Jack spits bitterly, remembering the bullshit people had spouted at him in the name of making him ‘feel better’. It hadn’t worked. “Not needed or wanted.”
“Looks like they ain’t lies at all.” Tequila hunches forward in his seat when Jack peels away his shirt and makes a noncommittal sound at the black-inked image on the back of his arm. “Weird place for it,” he comments, inching closer to get a better look.
“Fucking stupid is what it is.” Had Jack been admiring the tattoo on a woman, one he had in bed or aiming to get into bed, his opinion would have been different. But this was ink on his body. Even the tattoo he had gotten after Abigail and Tim died had to be removed when he joined Statesman.
Tequila squints a second before letting out a half-hearted chuckle. “It’s Alice in Wonderland,” he informs the other man once he remembered what the damn quote was all about. “Guess she likes to read.”
“Champ wants to find this woman.” Jack huffs, rolling his eyes and looking towards the mirror that is attached to the bathroom door. Looking for anything else.
“You don’t?” He probably sounds more surprised than he is, but if it were him - Tequila would sure as hell want to find the woman the universe says he’s supposed to love and cherish for the rest of his life. Even if all he had was a platonic soulmate, he would still want to know them. To have that connection and closeness. A friend that means so much they become his family. “Not sayin’ you hafta marry her, Jack, but damn. I mean…she’s got a target painted on her now if anyone ever finds out. Shouldn’t Statesman keep her safe?”
If it was anyone else, Jack would say that the protection of Statesman was necessary, but he can’t bring himself to say it. He knows that Champ and Tequila are right, this person – whoever she is – deserves to be safe because of who he is. Instead of answering, Jack pours himself another drink.
“Right.” Nodding at Jack’s silence, Tequila adjusts his Stetson and raps his knuckles once on the large oak desk. “I’ll see you in the morning, then?” It’s the end of the day and he’s presuming that Jack will be drinking his supper tonight. Which is a fair bet, all things considered.
There’s defeat in Jack’s stance, unable to gather his thoughts properly. Work was easy, it didn’t involve his heart and this was everything to do with it. When Jack still says nothing, Tequila stands and turns to move towards the door. “What does it say?” Jack asks quietly, staring down at the empty glass and wishing he was already wasted. “That I’ve got marks on my body again? What does it say about my love for my wife?”
“I don’t know what it says about her,” Tequila admits, turning again to face his friend. “But I think it says that you deserve a chance to be happy again. And from everything you’ve ever told me about Abigail?” He shrugs slightly, glancing down at the framed photograph of the two of them that he knows Jack keeps in pristine condition on his desk at all times. “Seems to me she’d be more upset at you closin’ yourself off than at the universe givin’ you an ass kicking.”
Shame fills Jack, knowing that Tequila had hit the nail on the head. Abby woulda torn into his hide for the thoughts he had about this new soulmate without ever meetin her. Or setting his beautiful, fiery wife up on a pedestal.
“You don’t have to do anything about it.” Tequila says again, knowing that most people in the world see their soulmate as their mandatory partner. Their person as ordained by the universe. Jack had already had that, and it’s not hard to see that he doesn’t find a repeat experience to be necessary. “But at least let Champ protect her. She didn’t ask for this anymore than you did.”
“It’s my fault.” Jack murmurs already pouring another three fingers of whiskey and staring at it for a moment before he takes another swallow. “I killed her soulmate, so the universe is punishing me. Punishing us both.”
“It ain’t a punishment necessarily.” Sensing the tide turning in the conversation, Tequila drops his hat on the side of Jack’s desk and grabs himself a glass before sitting down again. “Not all soulmates are romantic, and not all soulmates are perfect. Maybe you inherited her marks so you can protect her? Who knows.”
There it is. The crux of the problem. “Can’t protect her. Don’t even know her.” Jack huffs. “Couldn’t protect the woman I loved. The woman I would die for. Shoulda died for.” He would have traded places with her in an instant if it meant Abby and Sam were safe and still roaming the earth. It would have been the easiest decision he’s ever made.
“Then stay away.” The younger man suggests instead. Pouring himself a short drink and sitting back, he offers Jack a shrug. “Let Champ protect her once he finds her, and don’t tell her who you are. What you are to her. Let her live her life. I don’t pretend to have the answers, man. But I can help you piece this whole thing out.”
Staying away sounds like a solid plan. “I’ll be back out in the field anyway.” He rationalizes, imagining that it will be just a week or two before Champ needs him. Who’s to say that this woman even wants a soulmate? She hadn’t found the Jason Howe fella. “Sometimes that bean between your ears actually works.” Jack grunts with a whisper of a grin.
“Don’t worry.” That gets a hearty laugh from the younger man, and Tequila raises his glass in salute before he takes a sip. “I won’t let it go to my head.”
Jack snorts and drowns the rest of his drink and pours himself another before he slides the bottle towards Tequila. “Good.” He jokes. “Otherwise your hat won’t fit.��
******
By every Monday morning you’re always dragging. The restaurant was packed with reservations all weekend long and you probably burned off another fingerprint trying to do the sugar work for the dark chocolate salted caramel tarts that chef insisting on adding to the menu ahead of the new year. They’re beautiful, and delicious, but sugar work is tricky with an overblown wind bag shouting over your shoulder all night. The house is bustling this morning, though, and you have your niece on your hip while you sip your morning coffee and your mother in the other room is singing songs with your nephew. The dog is somewhere, the cat is on the windowsill, and your sister is finally getting her morning shower in after getting up early with the kids because they wanted to see Daddy off to work. There’s enough going on that you almost didn’t even hear your cell phone ring in your pocket. Almost.
Champ taps the file that Ginger had given to him, listening to the ringing in his ear. The soulmate had been found, surprisingly quickly to his delight. While it was assumed that no one knew about the soulmate connection between this woman in the packet and his senior field agent, but never guaranteed. Now he just needs to pitch the winning game to get her to Kentucky.
You almost don't pick up - who would be calling you from Louisville, Kentucky? - but eventually decide that you're curious enough to answer. At the worst you'll have a two-minute conversation with a telemarketer. There are worse things in the world. "Hello?" You press your phone to your ear and shift your niece a little higher on your hip with your other hand.
Clearing his throat, Champ says your name jovially. “Champ Rogers here, happy to get you on the phone, how are you doing this fine morning, darlin’?” Some might take offense to the antiquated word of endearment, but he has a feeling you won’t.
"I'm doing well, thanks." The funny face you make at the one-year-old hugging your side makes it almost sound like you're laughing, the smile coming through in your voice. "I'm not sure I know who you are, though, Mr. Rogers. What can I do for you?"
“Apologies, miss.” Champ shakes his head at himself chuckles. He knows a lot more about you than you do him, although that’ll change if he can help it. “I’m lookin’ for a pastry chef and the head hunter I’ve paid more money than God handed me your resume and said you’d be a good fit.”
"Oh!" Well, that's unexpected. Your head nearly snaps up from sticking your tongue out at your favourite little girl and a frown wrinkles your forehead a second later. "And...where did you say you were calling from?" He didn't, but you don't want to be rude. If he's looking for a personal pastry chef or a one-time catering gig, then Kentucky is a little far for you to travel.
“Kentucky, ma’am.” Champ spins around in his chair and looks out from the top of the infamous bottle that houses his office down at the distillery below. “I run a little outfit called Statesman.” Technically Jack’s CEO on paper, but Champ has final say.
"Statesman like the distillery?" Like your father's favourite whiskey that he's been drinking your entire life and there's always a bottle in the house at all times? Statesman is head hunting you? "Without meaning to seem rude, why exactly would a distillery need a pastry chef?"
Smart as a whistle. Champ grins, delighted that Jack’s new soulmate seems to have a firm head on her shoulders. “Well, we have a little tour operation here. We have around one point three million folks file through our distillery, and I’ve been wantin’ to jazz it up a bit. Offer more than just peanuts with the whiskey tasters.”
"I see." Leaning back against the counter, you lean over and press a kiss to your niece's thin hair while you chew on your bottom lip. It is a hell of an offer, but it seems like it's coming out of left field. Not that you're going to complain about being sought after - that would be the epitome of looking a gift horse in the mouth - and honestly you're pretty damn curious. "What exactly did you have in mind, Mr. Rogers?"
Champ winces at the formality and the way the use of his legal title sits wrong on him, like an ill-fitting hat. “Pastries. Cakes and creams that use our whiskey. Fruit tarts and those little sandwiches. Somethin’ that’ll make the womenfolk happy and I’ve got a space that I want to have set up to make it an experience they can’t get anywhere but Statesman.”
"You want to have...boozy tea party food?" It's so hard not to sound excited when that's right up your alley with the exact kind of baking you already love to do. "Well, I certainly appreciate the call." And since you've never been head hunted before in your entire fucking life, you really don't know what could possibly come next. "And the position you're looking to fill is...an assistant? Sous chef?" There's no way one of the biggest distilleries in the entire country is calling to offer you a brand new executive chef position making your dream food. That would be insane.
“I don’t know what a Sous chef is.” Champ huffs, his accent butchering the word. “I want someone to run the damn thing. Make up the menus to make mouths water.” He feels like your interest might not be enough to get you here. “Tell you what?” Champ grins. “How ‘bout I send the jet to pick you up and you come on over to the distillery and see what you’d be workin’ with?” He offers. “Take the tour, see the space I want to turn into a restaurant and we can see if you think it’s a good fit?”
"The j-jet?" You stutter out the word in disbelief, eyes flying up to catch your mother's as she walks into the kitchen with your nephew in tow – only to immediately give him the quiet signal a second later when she sees you on your phone. "I, uh—" Breathe, you remind yourself aggressively. "I assume you'll want to see what I can do, as well? A headhunter is all well and good, Mr. Rogers, but if you're going to show me your space, I should at least be making you a few sample recipes while I'm there." It's all so much to take in and you're nearly overwhelmed at the enormity of it. This sounds like a dream. Way, way too good to be true.
“Please, call me Champ.” He insists, almost pained at hearing the name his father had been called for years. “Tell me what you need and I’ll make it happen. I’ll send you an email, how’s that sound? When do you think you could be here? Jet can be where you are in three hours.” The mention of a private jet always impresses, and he notices it had an effect on you.
"Well...I do have some flexible time at the moment." Two days off from the restaurant in a row is what you've got, and your mind is buzzing with possibilities. "Three hours should be enough to prep a list and book a hotel in Louisville for a night." It will be the most expensive job interview you've ever taken, but really? You can't see passing this up. If nothing else, you'll get to take the distillery tour and bring a bottle back to your dad for his bar. An unexpected trip could be fun.
“Pishaw.” Champ scoffs. “No need for you to book a hotel, there’s a residence on the grounds where we can put you up. It would be yours if you accept the job.” He smirks at the idea.
"You're kidding." It escapes your lips before you can stop yourself, and you would facepalm if you had a free hand. "Out of curiosity, Champ," the informality would never fly in your restaurant kitchen, but you actually prefer it. "What exactly would this position pay?"
“Well darlin’,” Champ admires a woman who gets down to brass tacks. “Considerin’ you’d be responsible for the menu and the runnin’ of the kitchens, I was thinking that we would start you out at 90 with a guaranteed half a percent of all profits per quarter.” Champ offers off the top of his head. He’d only glanced at the baseline salary for an executive chef when he had thought of this – though it was a good idea. “How’s that sound?”
With your phone jammed between your cheek and your shoulder and reach for your mother, gripping her hand so tightly she actually flinches as your eyes nearly bug out of your head. The base line salary you were just quoted is more than twice what you're making now, and it would have profits on top of it, and it even comes with guaranteed housing. "That sounds...like a salary that comes with a lot of responsibility," you admit, when you can finally form a damn word on your own lips again. "You go ahead and send an email with the full job description and offer, and I will send you back a list of supplies to give you a fair view of what I can do. We'll see if my abilities fall in line with your vision for the next step forward at Statesman."
“That sounds like a fine plan.” Champ leans back in his chair, sure that he’s reeled you in. “I’ll be seeing you soon, ya hear?” He hangs up the phone and starts to chuckle to himself as he looks down at your picture in the file. Poor Jack is in for a rude awakening.
"Oh my god, oh my god, oh my god." The second your phone beeps and disconnects, you stare at it like a ghost has just popped out of it before looking back up at your mother in wonder. "I just...got a job offer. For the most insane job of all time." Shoving the electronic back into your pocket, you shift your niece in your arms and place a kiss on her little head before setting her down in her highchair at the kitchen table and slumping down beside her to grab your now-cold coffee. "Oh my god."
“What in the world is going on?” Moving over to the coffee maker, your mother reaches for her own cup. It’s a routine that you two have coffee while she watches the babies for your sister.
"Apparently a head hunter got a hold of my resume and passed it on to the head of the Statesman Distillery in Kentucky." It's the most unbelievable sentence you've ever said in your life, and you fall back in your chair with a dazed look on your face. "They want to expand their food offerings for tours and events, apparently? They want me to go down there and look at the facility. Mom...that phone call was offering me an executive position."
“An executive position? To do what? Run the bakery?” Your mom turns and leans against the counter so she can sip on her black coffee. “To develop recipes?”
"Develop the entire menu, run the bakery, help roll out this whole new entertaining program for the distillery." Cold coffee is still coffee, and you drink yours slowly just so you don't choke on the drink your excitement. "The job comes with on premises housing and pays more than twice what I make now." The number he quoted is enough to boggle your mind all over again. "They're sending a private jet to pick me up and bring me down there for this interview and lord I hope this is not just some weird scam."
Your mom’s eyes widen and she frowns. “I – you should call the distillery. Ask some questions to make sure. Who sends a jet for a chef?” She doesn’t mean to sound harsh, but it strikes her as extremely odd.
"It sounds too good to be true." Your shoulders drop, and your eyes track down to stare into your coffee. "He's supposed to be sending me an e-mail with flight info and the job offer. It either won't come through or it'll be fake. But at least then I'll have two days off to wallow in the amazing job I almost had."
As if to argue, your phone dings with an email notification. Your mom sighs. “Sweetie— I—I’m sorry, I didn’t mean to sound so negative. I don’t know how this works in big corporations.” She feels guilty, like she’s stolen your happiness away and you deserve all the joy you can find.
"No, you're just being realistic." Neither of your parents are particularly negative people. You'd call them realistic optimists, if you had to give it a title. They always try to look at the best parts of very practical situations. You pull your phone from your pocket and tap on the e-mail, studying it carefully for any signs of fraud or imitation. "What do you think?" You ask your mother, turning your cell around to let her read what just came through. Decades in journalism have given her a pretty good eye for detective work.
She studies the email carefully and looks up at you. “This looks legitimate.” She admits after a moment, a smile cracking her face. “Keep your phone on you, check in with us, but I think you should go for it.”
"He wants me to make four samples for the interview." Taking your phone back, you can feel the excitement rising all over again. There's nerves there, and a little bit of fear of the unknown, but mostly a giddy amount of glee rising from the tips of your toes all the way up to the top of your head. Moving a thousand miles away from your family for a job wasn't exactly a possibility on your radar, but if this job is for real? You'd be foolish not to do it. "I guess...I guess I need to figure out what I'm going to make and send off a supply list and then pack."
“You go do that.” Your mom takes your coffee cup and grins at you. Would she miss you if you took the job? Absolutely. But this is too good of a chance for you to get out of your current restaurant. “Just think— your own kitchen where no one can yell at you.”
"And if that isn't the dream, I don't know what is." With hugs and kisses for your niece and nephew, you start to hustle out of the room but stop in the living room doorway and turn back around. "What do you think about doing Grandma Jane's coconut cake as cupcakes and adding bourbon to the cream cheese frosting?" If Statesman wanted booze in their desserts, you sure as hell weren't going to pass up the chance to present it with the family's coveted cake recipe.
“If they don’t give you the job based on that alone, they are fools.” Your mother huffs, giving you an encouraging smile. “You’ll knock them dead.”
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oblesklk · 6 months
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This the first issue of The Ruthless to drop in eight years!  The issues goes on sale Friday, November 13th!
Since my hiatus in 2015, it has been a very long time since I had some Ruthless in my life.  The long running tickling torture comic book is finally back, boasting a new art style with several pages of lovely, tantalizing tickling scenes.  When we left the series, Stacia (aka the Ruthless) was seemingly lost in space.  However, her church on Earth, dubbed the Red Fang Union, is quite active, and making several enemies among religious, political, and economic institutions.  Those not bending to the will of Stacia's church are dealt with harshly, without mercy by the "Boot of the Goddess" Ariel.  We see Ariel on the cover of this issue softening up a high ranking American political figure who did not vote the way she was supposed to.
The new issue also continues Amelia's story as the church's high priestess.  We introduced Amelia in The Ruthless #17 and she has not fully realized her powers.  She trains a group of young priestesses, Keri among them.  Keri was formerly a captive of The Ruthless, and her story continues in this story arc, as well.
I am excited to bring this new beginning to all of you, and hope to continue bringing more ticklish Ruthless into all of our lives for many years to come.
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scr-ppup · 21 days
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Lurkerian — Reworked
[PT/Lurkerian — Reworked/end PT]
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[ID/A dark red line with gold lining and a repeating star and half moon pattern./end ID]
Reworking and expanding on my Lurkerian gender umbrella I made a year or so ago as a system (decided to make it into an official umbrella, don't mind that.). Wasn't really that happy with it and I wanted to remake it. So, here, enjoy?
Lurkerian is an gender umbrella that consists of apocalyptic world and ferity themes related to being a lurking creature in short; however, it's also related to...
The primal fear one gets within the darkness, not knowing or seeing what's out there.
Lurking and hunting, being a predator, to adrenaline and danger.
Being a creature of some kind, maybe something not entirely human, to nonhuman concepts.
the concepts of night, darkness, and the twilight.
Solar & lunar eclipse symbolism; new beginnings and opportunities of renewal. Solar eclipses specifically also being treated as a sign of a doomsday and at the same time as the day of renewal and new beginning for humanity and general life on earth.
The animalistic concepts, ferality in both humans and creatures, and general ferity and animality.
And the concept of doing anything for survival, to adaptive behavior and forgotten morale and ethics because they don't apply to the world around you anymore.
To injustice and anarchism, chaos within the world as everything unfolds.
to rundown cities and dystopian societies, to apocalyptic settings and worlds where the world is rundown for different reasons, including but not limited to a plague or different types of wars.
The utter madness and paranoia one may succumb to after/during extreme stress situations.
To lure prey and possible hostiles around, being a runner or lurer.
To foraging and living off the land. To simple survival. To being resourceful.
The horror and gorey themes, grotesque aesthetics and macabre themes, the slaughter of innocence and hunting of survival whether that is creatures or humans (thus could have cannibalistic themes).
To cryptology and the aesthetics of cryptidcore, apocalypses, salvagepunk, biopunk, the concept of hopepunk, visuals of grime arts, and possibly to mythpunk.
Might have a connection to some whump media themes but does not specifically need to.
This is more or less made with alterhumans in mind, but can be used in any way the user wishes.
This is an neogender umbrella, it is not specifically related to any other gender umbrellas however it may overlap with themes and such, and it could be classified under the Dystrofare umbrella but a bit to the left in some way. However, this gender umbrella is somewhat horrorgender-adjacent, and may have in common things with the Feruvel umbrella.
You can find the Lurkerian flag & symbol from this link here!(link)
masterlist list of terms underneath & relevant to this umbrella(link to be added)
Terminology
Luren-/ Lurke-: prefixes
-lur- / Keri: infix
-lerin / -erian / -lurken; suffixes
LURIN; Lurkerian-in-nature
Lure(hood); (gender) neutral/non-gendered term
Lurix(hood); woman/girl
Lutor(hood); man/boy
Trans-lure(lurinite); transneutral
Trans luter(luterine); transman/-masculine
Trans lutrix(/lutrixine); transwoman/feminine
Lurenic; Lurkerian gender alignment term, (used in the same vein as xenic, kenic etc.)
@radiomogai
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