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standreamy · 9 months

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Miraculous The Movie Review: An admirable, imperfect attempt

PREMISE

It's not a masterpiece, it's not groundbreaking and it has flaws that limited the result quite a lot, which I'll point out. Yet it's also a very good product that I think should be praised for its efforts.

I watched this movie both with people who have followed the whole series, and with those who have seen it partially. I also watched it by myself and with people who have never seen the series and knew nothing about it.

I have therefore tried to keep my view as unbiased and objective as possible.

I will divide this analysis/review into various sections. I tried to leave comparisons with the series only in the last one, though inevitably, it wasn’t possible to never mention the differences. For this reason, I decided to leave a final vote that will be split into what I grade the movie by itself and what I grade it as part of the Miraculous brand.

However, I want to clarify that with this post I do not intend to discredit those who prefer the show, nor do I intend to encourage those who prefer the movie to behave arrogantly and attack Astruc.

The final part is where I will directly compare movie and show and where I will explain my preferences. You are perfectly free to skip, as it’s the last part before my grades.

With that said, let's get started!

ANIMATION

I've seen little contrast of opinion on this topic. Indeed, it is undeniable that it is of the highest quality. I'm a big fan of 2D, and as for animation I prefer it to 3D by a long mile, but the choice of quality for the movie is impressive. You can’t just help but admire and it surely deserved a worldwide release in theaters.

The backgrounds, the characters, the details, the textures and the focus on expressions… Nowadays, Disney movies spend almost double the budget and offer equal or almost inferior graphic quality.

I also want to clarify that the focus on expressions is very important because by following the "show and don't tell" rule, it allows you to receive information on what the characters are feeling and therefore enriches their profile. You never see a stiff character, even in the background or from a distance there are characters expressing emotions or doing something, which is actually stunning for the eyes. One of the best 3D graphics I’ve seen personally.

MUSIC

The number of songs is a judgment that can only be subjective, as not everyone likes musicals. But for being a musical indeed, I personally find the number acceptable, especially for the role that the songs played.

I find that composition wise (I study music professionally) they are all very high quality. The harmonies chosen, the orchestration that Zag has composed are of a very high standard not generally seen often in modern animated movies.

This can also be seen in the background music, which is extremely impactful and recognizable. None goes unnoticed, embrace the scenes in harmony. The soundtrack in a movie is fundamental, it enriches the feeling that the scene can evoke. It is after all not an unknown factor that, for example, by removing the soundtrack of a horror movie, you remove much of the effect of fear and unsettlement it creates.

Returning to the songs, however, I particularly appreciated their usefulness for the plot and the characters. I have seen very opposite opinions on this matter, from people praising them and people thinking they were totally unrelated or repetitive. Personally, I think every single song expressed a well-defined concept that carried forward the intended messages.

Speaking from a purely personal point of view, on a melodic and interpretative level my favorite songs were "Courage in me" and "Stronger Together". However, I find the most important to be “If I believed in me”, “Chaos will reign today” and “Alone again”. A song for each of the film's main characters; Marinette, Adrien and Hawkmoth.

And I also found the most well executed “Reaching out”.

But for this analysis, I'm going to touch on each song.

“If I believed in me” This song is the perfect introduction and presentation of the character. It tells us all the key details to know about Marinette at first glance. She is very shy, awkward and introverted to the point of having social anxiety. This has led her to willingly shut people out, even though people who know her a bit more seem to like her, and even if deep down inside she wants to fit in and her creativity is a way for her to channel that. She has a dream as a fashion designer and takes all the inspiration from the world around her. However, this inner conflict leads her to self-sabotage and behave in a bizarre way. This is a classic and basic step that most of the best musical animated movies follow and in this one it was quite appropriate. Putting a song right at the start may seem unsettling for people who dislike musicals or found it unnecessary, however, it was a very right and basic rule to follow.

“Alone Again” Another very important song that expresses not only Adrien's pain for the loss of his mother, but also for his father's neglect. The text is universal enough to show that Adrien may want to reconnect with both Emilie and Gabriel. Not having enough minutes in the movie to properly focus on the Agreste family dynamic, this was key to fix that. Because of this, I think that removing it in non-French versions was a very big mistake.

"You are Ladybug" While it’s not one of the most fundamental, it’s a song very well handled, because it not only explains part of the lore, but actually shows that in this movie the Kwami are much more sentient. Tikki demonstrates her knowledge of years of experience. She knows how it works, she knows which carriers are best for her and she also knows it might help Marinette to improve her confidence as she outright states while singing. On a musical level, the use of the show's original opening is also very effective. It's not easy to readapt a motif several times without getting bored of it, even building a new song on top of it, and in this case Zag did an excellent job.

"Ma Lady" Similar to "Alone Again", this song is also very important to show one of the new motivations for Adrien to open up. Chat Noir is Adrien's way of bringing out his inner self, and even though it didn't do it the best way at first because of his attitude, this is the beginning of his change. It’s a crucial song to a crucial improvement.

“Chaos will reign today” This song has a strong Disney villain vibe that fits very well with the model they followed for Hawk Moth in this movie. Another classic to express the desire of the villains is to convey it with a song that gives the right tone to the character, who can be more or less evil. In the case of Gabriel it is very smart to show him with a theater man attitude, given that his wife performed in the theater in the world of the movie. It fits well with the character they chose for Gabriel. This song is also the very moment Gabriel is sure about his path and finally decides to go on being a villain.

“Courage in me” This song, in addition to having excellent musicality and a change of tone that is always and gradually more triumphant, is very well represented. It begins with Marinette grappling with anxiety and her instincts and desperation growing stronger until they become a call to the mission. Marinette embraces her role after much hesitation and from this moment a change begins for her as well as for Chat in "Ma Lady". From here on Marinette will try to open up slowly and improve.

“Miraculous theme remix” Nothing in particular to say about this. It's a pretty good adaptation and perfect for a montage, even if I'll explain later on why I would have substituted it with something else (“The wall between us”).

“Stronger together” Perhaps the most representative song of the movie. In addition to the impressive presentation, the portrayal of the relationship of the two protagonists under these forms is enhanced to the max. Both open their hearts, finding the pinnacle of their relationship and communicating it openly. Especially for Chat Noir, this is the quintessential moment where he finally opens up and reaches out to someone. He makes himself vulnerable for the first time in a long while, demonstrating the improvement in him as a person. Sadly, it doesn't end the way he hoped.

“Reaching out” Perhaps one of the best-performing songs in the movie. Marinette, similar to Chat, has improved and opened up, hoping to be able to find a mutual feeling that however, apparently, wasn’t reciprocated. This moment naturally creates a lot of doubt and insecurity in her and the song represents this difficulty and duality. By now she's grown up, she's learned to be herself and she can't just go back to zero point, however now her doubts and insecurity are growing because her efforts didn’t seem to work.

"Now I see" The song played during the end credits. An alternative version to "Stronger Together", with the same main melody, but different words, much more appropriate for the resolution of the movie and the now realized reveal. Their feelings were revealed in totality and they managed to connect. Their eyes and hearts can finally see.

"Careless Whisper" Yes. I will put it in the list because while its purpose is silly, it has one. Putting it in the moment Chat falls for Ladybug makes sense because those feelings are still incomplete and needs to grow and mature. It's understandable to make it a comedic moment. Just like it was a good idea to use it again later on as it's a break up song.

PLOT

Simple but functional plot, which follows a perhaps predictable path but also manages to exploit as much as possible in such a small time frame.

Compared to the series, at least the arc of Hawk Moth, everything is very simplified, but I think it's a good choice.

Not having too complex bases and having to fix everything in a limited time, but also needing to address important themes, the movie was able to focus better on the chosen details.

There are some cuts that unfortunately, however necessary, demonstrate that the movie’s potential would have been better expressed in a trilogy totally focused on Gabriel, rather than with a change of villain, thus allowing for more in-depth development.

However, it is understandable that with the Covid crisis and with the movie's few certainties of success a few years ago, Zag chose a safer path for the first and possible only installment, given the great uncertainty of possible sequels. The only thing that can be blamed then, is the possible fear of daring.

Beyond these elements, the film is certainly well studied in its three acts. Reinterpreting an existing story that spans several seasons and containing it in a movie is not for everyone and I find that as much as possible has been done and that it achieves the goal.

I also appreciated that many aspects of the PV have been restored for this version.

STRUCTURE AND RHYTHM

One of the main flaws of this movie, maybe the most critical, is the pacing.

Given the large number of characters, messages and plot twists, as well as the necessary gradual developments to be made and the relationships to be highlighted, everything happened very quickly and sometimes felt rushed. From the second act, it gallops towards the finale.

At my first viewing in French, this feeling was clear as water, but it improved on subsequent viewings in other languages as well.

It was an aspect I find impossible to prevent, but perhaps could have been lessed in some ways.

This problem goes hand in hand with the impetuous scene changes, even if mostly softened in the Italian version I watched afterwards.

Often there are sharp cuts that can be noticed between one scene and another, given the many perspectives to follow. It is clear that the time frame was limited and this detail would have been significantly improved with just a few more minutes.

In its favor it can be said that despite the short time frame, the many things to say and the too fast pace, the substance is clear. Characters are defined in who they are and what they want. The story is too, touching all the stages and completing itself, but still leaving room for the sequel. All reading levels are readable despite the flaws.

It’s a real shame though, that many aspects had to be rushed where instead they could have hugely benefited with more playing time or even splitting this arc into 3 movies.

DIALOGUES

Another mixed point of this movie are the dialogues. In some moments, for example the beginning with the conversation between Marinette and her mother Sabine, they fall into unnaturalness. They feel a bit out of place.

However, there are many other dialogues that are opposite to this; they are well thought out and excellent for explaining messages that cannot always be shown for playing time.

One such example is the dialogues between Tikki and Marinette when they get to know each other. “Exciting! You discovered electricity!”, “Girls can wear pants? Finally!”: these are dialogues that together with Tikki’s sung story not only make us understand the authority of the Kwami but also the historical context of the story and guess the time that has passed since there was enough chaos to call the Miraculous into action.

Also much of the characters' banter and comedic gags (with the exception of Plagg farting, which I find unnecessary as that kind of humor nowadays can be considered "outdated" for children and as the movie already had other comic reliefs) help to define the various contexts. Nothing the characters do or say really seems pointless.

DUBBING

On this aspect, I decided not to focus much because for each language there are positive and negative aspects. I have seen the movie in French, English and Italian (my native language) numerous times. In French and English, the known problem is that Marinette's voice is too deep in the singing and I agree that at least in English they should have let Cristina Vee sing. However, even here I don't feel like judging enormously because I also watched the movie in Italian and there these problems are completely absent. Indeed, the Italian version is probably the best in my opinion. Excellent acting and intonation, Marinette's chosen singing voice is very similar to speech as well as impressive in the expressiveness, and Adrien's is the same in both speaking and singing and is intoned and expressive.

The only voice that is out of place in Italian in the singing is Tikki, the same as in speech, a little out of rhythm and intonation.

However, I appreciated the different depth given to the characters compared to the show. Deeper and more expressive.

LORE

Starting from a purely introductory point of view, we can say that we have had a fairly complete one that immediately informs us of the basics; The miraculous of the cat and the ladybug contain enormous power and are balanced, they are called only in times of chaos and that of the butterfly is the most dangerous in case of incorrect use.

We are then informed in the movie that the Miraculous have been used since ancient times, that the Kwami are related to jewels and bestow powers but that they are also wise and skillful in their choices. They probably go dormiant when use is not needed.

We still don't know how the Miraculous were created, how Fu lost them (if he lost them in this version in the first place) and how much the Kwami have to obey their bearers. Furthermore, perhaps one of the defects is the absence of an explanation on how actually the Miraculous of Ladybug and Chat Noir could help Emilie. Would they bring her back to life? Would there be a sacrifice to be made?

Another aspect that I would have introduced in advance is the explanation of the powers of the Cataclysm and the Cure.

From a usage point of view, I think an excellent job has been done. Great idea to leave them at only the last drastic case, also for a matter of scenic effect. The idea of eliminating all of Ladybug's other powers to truly balance the two heroes is also excellent. Destruction and creation, Ladybug forced only to use her wits with what she has around, without extra help, and Chat engaged in a more physical role.

In this aspect, I think the movie did a better job of never making Ladybug and her Miraculous feel more important than her counterpart ever.

However, as mentioned, the lack of an explanation of these powers and introduction is a shortcoming of the film.

Even a mention of their danger and the fear of using them in any casual fight would have been of great help to better serve the surprise effect. Or propose that you need to reach a certain level of maturity or experience to unlock certain powers, even just inner acceptance.

The transformation limits have been removed, as well as that of only one Akuma at a time and a self-akumization of Hawk Moth while he was still transformed. All these changes in my opinion are not harmful and with the time limit it is a more than necessary cut.

It is also implied that the incorrect use of the miraculous can have negative effects on the bearer, as seen by Gabriel, increasingly destroyed and unkempt, as well as victim of fainting episodes. I found it a very ingenious choice, like making the enhancement of the powers of the two main miraculous literal when coordinated.

CHARACTERS

There are characters more or less different from the series, but regardless of whether they are good changes or not, the fact that they exist is not a mistake. It's a reboot, the characters don't have to be the same as their counterparts. They do not have the same roles, priorities or main characteristics. They are not supposed to be anything the show portrays them as.

The most remarkable thing is throughout the duration of the film the two protagonists have balanced roles.

Marinette/Ladybug

In this version, Marinette is a very different character from the series. Introverted and shy, and it is precisely this factor that makes her clumsy and awkward, even going as far as to assume bizarre attitudes in public, withdrawing into herself (as demonstrated with the teens who had tried to greet her and with Alya, whom she advises to stay away) and making mistakes that she apparently wouldn't make with more confidence in herself.

This leads not only others to avoid and mock her, but also to increase her anxiety.

A fairly predictable path for a protagonist where the superhero theme is concerned, but functional and excellent for counterbalancing Chat Noir and his readiness for the role.

From these points of view, Marinette is a character who is a victim of the situation, but also a victim of herself. She is flawed on purpose in the right ways. Her attitudes have a clear cause understood from setting, but realistically it’s still an unhealthy behavior for herself (hiding behind a car on first greeting, risking getting hurt repeatedly, loneliness).

Marinette is "chosen" by Master Fu and Tikki, for her instinctive and rapid heroic gesture, which almost failed. She doesn't hesitate for a moment to risk her life and almost throw it away, there are zero second thoughts. However, Tikki also chooses her because of her experience with past wearers of hers. Indeed, the call to become a hero, a very common theme in the stories of superheroes who are called to service in case they have the opportunity to help, even if perhaps they don’t wish to or never had an option to choose.

It can be said that Marinette is actually "the exception" for a girl of her age. Many would jump at the opportunity to have superpowers, like Adrien.

Indeed, Marinette keeps doubting clearly until "Courage in me", where fear is transformed into the need to act. Marinette has no choice, but she embraces the task and from that moment she begins to change.

She will begin to open up more to Chat's company, she will begin to open up to her friends and Adrien, to communicate with him, to get to know him.

And we see her blossoming into the same but also a new person, which leads her to a better life. However, the message given isn't that you have to change yourself to be accepted. But that effort must start from you. If you harm yourself and wait for others to step forward (even if the help of others is useful, as demonstrated in the movie) you will not be able to get back on your feet.

Marinette finds the confidence not to change herself, but to BE herself. To open up, to try courageously and relax, arriving at beneficial results for herself and this consequently leads to acceptance by others.

Marinette is already a fantastic person, but she has to let others see it and her experience as Ladybug, then leading to opening up first with Chat, with Alya and then with Nino and Adrien allows her to reflect what she has inside.

After rejecting Chat Noir with regret and inner doubts and after the rejection by Adrien, Marinette doubts again. After all, she made the effort, she got better… and it wasn't enough.

She doesn't know if it was worth it or not... yet she proves that the Marinette she once was is now different. She rushes into action to help when Hawk Moth strikes and after a moment of crisis she remembers the words from Chat and Tikki, during the very moment she hits rock bottom. She gets up in the form she believed most vulnerable, which she had already exposed once failing, she throws herself forwards and saves Chat Noir.

And finally, with the herself that she built, she rebuilds the city and steps forward to connect to Chat/Adrien. Difficult step because there will always be the slightest doubt of being rejected, but she embraces it and this time it brings her to a happy ending.

She no longer has to worry about having her parents drive her to school, she no longer has to worry about being watched, because now she can let her inner light shine and she knows that if she falls, she will rise again.

Adrien/Chat Noir

In this version the male protagonist is much more introverted as a civilian. Similarly to Marinette, he too has difficulty opening up and from a certain point of view he too by personal choice. Also demonstrated by the symbolism of the earbuds that he always wears in moments of insecurity. Indeed, in his case it is mainly a self-isolation that is imposed due to the trauma suffered by the death of the mother and the distancing that the father has placed in the relationship with his son.

Unlike the Adrien of the show, this Adrien grew up without particular restrictions, he can go where he wants and also had a good relationship with his father, who was present and affectionate. It's not hard to think that in this version Adrien was even encouraged by his father to go to school as a way to push him away, given Gabriel's confirmation in the finale that he couldn't bring himself to see his son's sad gaze.

As a consequence of this, we see an Adrien who, while kind and helpful, is not the same ray of sunshine of the show, whose main trait is kindness. But in this case, it doesn't HAVE to be.

This Adrien has trouble opening up and is afraid of becoming attached, which is why despite going along with Nino proposals of hanging out and helping out Marinette, he doesn't feel like being around them too much.

On the other hand, as Chat Noir, he is extremely stuck up and arrogant, proving that Chat is really an escape for the boy, who however exaggerates in letting this side out and ends up behaving in a quite negative way (albeit in moderation). A guy who probably really took on a few traits of the snotty rich kid.

This reading shows us a clearly flawed Chat Noir.

We don't see his meeting with Plagg or transformation, but from the get-go Chat is the one willing to wear the role, so while it would have been nice to see it, I don’t blame the cut. It was Marinette the one that needed more focus in this case.

Chat's attitude changes from the moment the boy develops a crush on Ladybug. This drives him to improve and gradually moderate his attitudes. Unlike the show's Chat he doesn't flirt and while it’s gradual, his banter with Ladybug becomes more playful and affectionate in nature and starts trusting her capacities. He becomes more humble and approachable, admitting that he doesn't see himself as the boss of the duo and offering to play sidekick. He collaborates with the girl during the fights, listens to her, begins to see her merits... and in civilian life he begins to go out with Nino, Alya and Marinette, to the point of opening up about his mother with the latter, an extremely personal topic for him. He no longer wears earbuds, no longer isolates himself from the outside world.

We see him again in class finally, when he didn't show up at the other lessons and we see him go back to a normal life.

His feelings for Ladybug in this case have improved him and come to a head when he also confides in Ladybug about his mother in his special place, confessing his feelings in a song and showing his vulnerability. Unfortunately, it does not end up as he would like and it leads him in the same situation Marinette will be into shortly after, doubting how good it was opening up. At the proposal to go to the gala with his friend, he will reject her with regret and what appears to be repentance and guilt.

This passage can be read both as insecurity about his feelings towards Marinette, and as insecurity about him opening up to others, given the hard blow immediately after finally opening up for the first time.

But even Adrien can't go back to zero point, and after a momentary moment of grudge, once he realizes that Ladybug is in danger, he runs to help.

Adrien throws himself into the fight against his father, which lands him in trouble. Thanks to his father's guilt, the villain stops and the two talk. Here Adrien's growth finally shines, who finally incites his father to let Emilie go, which he too had to learn to do and did, and forgives him.

That is a moment of acceptance and unfortunately, however, it is also a probable farewell, with the father who has presumably ended up in prison. Adrien thus remains alone and returns to isolate himself again due to the new trauma, even if not completely (he went to the dance, he doesn’t wear earbuds and Nino says he will join them). It's hard for him to go back to normal and heal, but he's learned and the step Marinette takes to reach his heart finally pays off and Adrien can start healing.

Gabriel/Hawk Moth

Perhaps the most human character in the movie. Gabriel, contrary to the show, is a man who shows constant crisis towards the loss of his wife. In the presence of others he proves to be composed, engaged in his working life (which we finally see more of), but in the private sphere he does not hesitate to show us all his desperation, also visible in his appearance which becomes increasingly scruffy as he continues with his hunt for the Miraculous.

We arrive at the end of the fight that he is a man destroyed by pain, by his own obsession that has taken over and by repentance.

As a character, although he comes across as cold and distant, he doesn't seem to abuse his son. Rather than an abusive parent, he is very neglectful and he pushes Adrien away for a matter of grief, not for his own standards of the family. He doesn't harshly reject Nathalie's proposal to eat with Adrien because he really doesn’t find it necessary, rather the reminder seems to hurt him because he knows he is wrong to not want his son around, which is why he acts so stern right after.

Thanks to the song and the revelation of his role, we discover that he is slowly descending further and further into madness, overwhelmed by his feelings. His own song, while not excusing his actions, treats him almost sympathetically and is the very moment he made the choice for his path. Up until then he was unsure which way to go, but the more his desperation and impatience grew, the more he lost control. And as Adrien freed himself from the chains of mourning, Gabriel became more and more engulfed in them.

Gabriel shows us that he cares about his son, while trying to detach himself emotionally to the point of believing he no longer has "Nothing to lose". To the point of believing that their relationship cannot be saved and that really the only way is to return Emilie to Adrien, even if that could mean losing his son's affection.

Still, Gabriel worries about his son's health and safety at all times, between making sure he's not at the scene of his attacks and wondering where he's been during the night. All this, while we see him more and more unkempt.

Gabriel, however, has been a loving man in the past and has all the bases for a possible redemption. It is precisely so that when he recognizes his son in Chat he decides to stop, realizing how far he has gone.

It doesn't excuse him from his actions, for which he will likely pay, but it does make him a villain we can sympathize with. He finally lets go of his wife, accepts the pain, and receives acceptance from his son who acknowledges that Gabriel too needed help. And then he hugs Adrien for the last time, in what seems like a desperate gesture that he's wanted to do for a long time. Heal the wounds of loss with the love of the one he still had, but who probably couldn't raise anymore.

However, a negative detail of Hawk Moth, perhaps the only one, is the fact that his costume does not fit with the character. In the series, his mask is understandable because at the beginning you don't want to immediately reveal his identity. However, this element is not introduced in the movie, so a redesign would have been appropriate.

For the post-credits scene, it is very unlikely that Gabriel left to Nathalie the duty of carrying on the plan, especially AFTER he surrendered, evidenced by the dialogue she recalls, implying that at the time of the confession no one else knew of his identity. After his surrender, all Paris was aware and it would have made no sense to talk about it as if it were a secret (although Emilie's body still was). Nor would the authorities let Gabriel loose after his surrender.

The kwamis

In this version we generally know little about the origins of the Kwamis as we do in the show. However we are aware of how much more sentient they are. Their authority is significantly greater and they are more difficult to manage. Theirs is not an attitude of chaotic innocence, but rather a "We do as we want because we have the right to", because they have enough years and experience behind them to be able to decide for themselves.

They impose themselves on their bearers and although they act as advisors, especially Tikki, they do not hesitate to reiterate several times that they are very expert beings in their job, to the point that they know how to recognize a pattern in all their bearers and also use it for choosing them. They are Gods, and as Zag wanted, they manage to prove it despite their cuteness.

We also know that Tikki and Plagg don't get along very well, but having not seen them interact we cannot yet define their relationship. Let's hope that in the sequel we’ll see this element, given the new relationship of their carriers.

Tikki is much more in-depth than Plagg in terms of screentime. Often advising Marinette to follow her feelings but also advising against it if needed, always following her own experience and gut.

Plagg on the other hand, unfortunately has much less screentime and another weak point of the movie is the fact that he was into the comic relief, in a somewhat avoidable way. Too bad, because despite his tough exterior he hides a soft heart, as demonstrated when he consoles Adrien over Ladybug's rejection.

Master Fu

Master Fu in this version appears more like a real guardian than a mentor. A person who looks at the Kwamis and makes sure they don't take too many liberties and then takes care of choosing new bearers together with their approval.

He does not approach the two heroes to instruct them except at the beginning, approaching both of them and at the end to recover the miraculous of the butterfly.

More than his absence as a master, the lack of his backstory and the missing miraculous can be seen as a flaw, although it is possible that it will be addressed as a theme in the sequels.

Fu in the movie is much weirder, ending up taking on a secondary comic relief role which in my opinion would have worked a lot more in this case, rather than on Plagg.

Secondary characters

Given the short time, many of them could not receive much space, but they were still able to show their usefulness.

First, Alya. The girl has a very charismatic personality and this leads her to approach Marinette and be the perfect person to match the girl, given the social problems she has and her tendency to push others away. This is one of the elements that helps Marinette open up, leading her from being drawn into a friendship to making friends of her own free will. Very important is that we are told early on about her dream of being a reporter and that it is used to motivate her attitude, which is never explicitly said on the show, even though it is part of her character.

Another character that I would like to mention is Chloé. The girl, contrary to the show, falls more into the kind of bully that cares about their reputation. She doesn't want to be seen doing bad things to Marinette, as shown more than once, especially in the scene where Alya purposely starts filming her to make her stop. She is bratty and bad-mannered, yet her refusal to be caught mistreating others is a sign that she recognizes her actions as wrong, which is a huge differentiator from the show. While it doesn't excuse her, this sets the stage for possible redemption in the sequels.

I also find the use of Nino and Marinette's parents positive, who are an excellent side element and help the characters move through the plot and in their development.

The akumatized

For a short movie, the handling of the akumatized people was excellent. The first showed us how transformation and its lore works in this universe, also showing us that a negative feeling is not just simple anger and sadness, but even intentions alone count.

The first clash serves us as an introduction and unleashes the story from every point of view, both for the roles and relationship of the protagonists, and for Gabriel's journey and the reaction of civilians. Each clash changes things and a notable contribution is made by the second. The two heroes learn to work together and are finally seen in a positive light by the still hesitant civilians.

The second clash also shows us action scenes during which Chat Noir and Ladybug strengthen their relationship, their powers and show the basis of their individual qualities, or the physical clash for one and creativity for the other.

Then we have a montage of villains, which saves minutes and despite everything allows the collaboration of the two heroes and the opinion of civilians to flourish.

The background characters/Civilians

Another element already mentioned are civilians. As I already talked about in the animation section, one notable aspect is how no character is standing still and everyone has their own reaction. I really appreciated the naturalness with which we see them trying to control the anxiety on a roller coaster, despair despite the worst was over after the final showdown and the slow acceptance towards the new heroes.

An aspect often overlooked in the series is the perception of civilians towards the heroes, almost completely enthusiastic right from the start if not for the competent authorities.

In the movie, we see them hesitant and intrigued, slowly in the process of opening up and trusting the two vigilantes, always not completely sure, given their mysteriousness. Contrary to the series, the two heroes seem much more unreachable at the beginning and it is visible and understandable that the inhabitants of Paris do not know whether to trust two strangers that hold powers as strange as those who started to haunt them.

RELATIONSHIPS

One of the obviously most important sides to analyze is the relationship aspect, especially the main couple… (as I already talked a lot already about Gabriel and Adrien’s relationship in the characters analysis, I will focus more on the romantic aspect in this section)

From a lovesquare point of view, it can be said that this movie has a total absence of Ladrien and almost total absence of Marichat, leaving room for a parallel path with the Adrienette and the Ladynoir. However, it is also clearly visible that the movie's main couple is Ladynoir.

Starting back…

Marinette and Adrien in this reboot are two characters both very introverted in civilian life, opposite to the show. The two have a similar problem of mostly self-imposed isolation, which is broken when wearing the mask, which seems to improve them and allow them to let go more of their inner self. From this point of view, the lack of the Adrienette seems less problematic, as their deepest parts come to the surface with the masks and they are shown to fall in love with them.

However, it remains a pity the little playing time given to the development of Adrien's feelings towards Marinette.

While it is made clear that Marinette is undecided between Chat Noir and Adrien, on the other hand, Adrien's indecision between Ladybug and Marinette is very hidden.

It is not totally absent of course, we can clearly see the regret mixed with guilt and frustration when he is forced to refuse Marinette's invitation to the gala. He seems mortified, at the verge of tears. And you can see it also in the happiness and simplicity with which he accepts Marinette after she reveals herself, as if it made perfect sense and reassured him.

We also see him open up to the girl about his mother, which is extremely personal, and we see him support her in the montage. All of this would have been better exalted if spoken dialogue had been kept in the definitive version (for example, in the book version of the movie Adrien loses his locket and Marinette helps search and finds it), or, if there had been the inclusion of "The wall between us" .

Unfortunately, this is one of the points on which I have to dwell in a negative way. The removal of this song was probably the movie's biggest mistake. Just replacing the remix theme song with this song, which accompanies the scenes and shows us Adrien's conflicting feelings, would have greatly improved the situation.

Like all the other songs in the movie, which have a very specific purpose, "The wall between us" also had one, perhaps one of the most important ones that would have balanced "Stronger Together". They are songs to pair, not replace on with each other, and the removal of one has affected the entire movie.

I want to say again that I don't think there is a total absence of Adrien's feelings towards Marinette, underneath, and that the damage doesn't mar the movie enormously, but it is still one of the major flaws, which could easily have been fixed with an extra song or a simple replacement.

I also found out that in the book version of the movie Adrien was indeed showing thoughts of being conflicted between Marinette and Ladybug and before the ball he retrieved the papillon she made for him, besides refusing to dance with Chloé because he only wanted to dance with Marinette.

Sooo yeah, I wonder if the timespan of the movie was really such a big issue, as they cut something important that they still had pretty much figured out.

Speaking on the other hand from the point of view of analyzing the feelings themselves, let’s first focus on Marinette.

Marinette's feelings for Adrien blossom when he helps her up and worries about her, which has never happened to her before. Sure, Alya had rescued her and was her first friend, but it was a different attitude. Adrien worried about her several times and patiently helped her and that gesture, for her who was always teased or ignored, was fundamental. Her slow realization and her desire to get to know him better slowly pushed her to solidify that feeling and to be able to develop their friendship, although this element unfortunately had little space.

The depiction of Marinette's feelings was excellent despite everything, starting from a gradual shy crush, growing towards friendship and then becoming a conflict with the feeling directed towards two different boys.

As for Adrien's feelings, as already mentioned, we're sadly pretty short on the Adrienette front from his perspective. However, we can still note that although he finds Marinette "strange" for her behavior, he does not make fun of her in her face or behind her back with other people. He is not saying it with ill intentions, it’s just a very true observation. He helps her gently and slowly opens up, supporting her in her needs and allowing her to support him back.

On the Chat Noir front, again as already mentioned, we can clearly see that his feelings for Ladybug were born as a crush, almost comically, just when the girl saved him. Initially, his feelings are quite confused, guided by the idea he has of her. However, already from the second mission, their attitude towards each other changes and Chat begins to discover the most creative sides of the partner. The boy is aware of Ladybug's fears, because she herself tells him about it and we can see in the timeskip that they have fought together for a long time and have also dedicated time simply to get to know each other. He knows she is scared but she is still trying and his feelings grow. Ladybug too clearly starts falling for him.

We can say the partnership of the two heroes in this version is very interesting, because it doesn't start in a positive way at all. The two argue, as their Kwamis apparently do. They are really in conflict, because they are opposites. However, their bickering slowly turns thanks to the acceptance into affectionate banter and retort, no offense.

Their partnership throughout the film demonstrates the need for a balance, between a Chat expert in physical combat that shows him easily beating Ladybug, and a more creative and flexible Ladybug in exchanging strategy.

We see them engaged in fighting schemes, in coordination, to the point where it is no longer just a saying "stronger together" but a real rule. Their miraculous actually strengthen when they are in sync, like the Ying and Yang, two figures that complement each other.

And the sidekick figure that switches from Ladybug to Chat, then disappears. Their simple partnership, their collaboration and support in an unknown situation, leads them to improve their character from every point of view, to the point of reflecting on their lives as civilians.

For the timeframe available, an excellent job has been done on these aspects.

The only flaw remains Adrien's conflict and the consequent lack of "The Wall Between Us".

It was also excellent how the natural conflict was moved to Ladynoir and all the relationships were treated in a very natural and realistic way. Adrien and Marinette’s initial conflict in the series lasted very short and was quite forced, while Ladynoir has all the reasons to have it for how their personalities were presented and for their roles. Them growing in their civilians and heroic parts was done very beautifully.

Speaking less of objectivity and more of personal taste, I would have liked them to use the Marichat route more than the parallel love of Adrinette and Ladynoir, always insertable.

Furthermore, I would have appreciated that the reveal came more for the fulfillment of the heart and less for events that forced it. That is, that falling in love led the heart to understand that the two loved ones were the same person.

However, these elements are pure personal taste, and I don't find their absence a real fault of the movie.

Another element that I greatly appreciated is the fact that we saw a montage of Alya, Nino, Marinette and Adrien coming out as friends and forming a tight group.

It is a very important detail for the development of the characters.

COMPARISON TO THE SERIES

*CRACKS KNUCKLES*

Ok, as said at the beginning of this post, you are free to skip this part. If you decide to read it, know that I don't expect you to agree with me or that I’m not judging who didn't like the movie and who loves the series more.

This is just my personal opinion and I apologize if at times it can come across as quite intense. That is totally not my intention!

It is no surprise that I liked the movie and that I enjoyed it more than the series.

I am aware that one is a movie, with limited time, and one is a series. And I am also aware that they are products written in different conditions.

However, with one being the original source, I feel it is impossible to avoid a comparison.

One thing I'd also like to point out is that it's not about what I like best as a trope. Because if that were the case, I wouldn't have liked the movie at all; Marichat is my favorite ship as a concept and I think it's the best development for the story, and as you well know it's totally absent from the movie and with the reveal already done there can't be any pre-reveal development in the sequel.

I also like the idea that they realize their identities with their hearts after they meet.

The show has tropes that I might like, some even more than the movie. However, it was the way things were handled that led me to the conclusion that the movie did a better job in the writing.

It's a common thing I've heard in the fandom that the movie in an hour and a half has done more than the series in 5 seasons.

And well, I think that's true, although I also think it's crucial to explain why and what was done better.

First of all…

I don't think a more confident Marinette is a problem. What I think has been the mistake in the way she's been handled on the show is to have her act so… extreme. Her weird behavior is a manageable element, but it's one thing to be weird cute that can embarrass you, it's another to make it so over the top that it becomes all of her character, especially while implying that those attitudes are a normal thing. Especially if when she makes a mistake she either doesn’t pay for it, or she does but goes back to stage 0 from the following episode. Or even if it’s portrayed as nothing is wrong at all.

I don't think it's a good move to have her act like this for 4 out of 5 seasons of the first arc, rendering her unable to hold a conversation with Adrien and form a natural friendship with him BEFORE entering a relationship with him.

We barely saw the group of friends (Alya, Nino, Mari and Adrien) hang out, perhaps justifiable by Gabriel’s choice to keep Adrien locked up. But there was never an attempt to get around it and still allow the characters to interact for an adequate period of time except in very rare cases that lasted very little, when the series had all the time to do it.

Most of Adrien and Marinette's conversations were cut short and we can count on our fingers how many times the two had a heart-to-heart before getting together. It got to the point that Marinette admitted that she didn't know Adrien at all at the beginning of the fifth season and not recognizing Chat in Adrien in the fourth, which is very grave.

The movie, with its limited time frame, not only managed, albeit largely in a montage, to show us the group of friends that was forming, but also showed how Marinette attempted to get closer to her crush, to get to know him, and have formed a real bond of friendship!

I don't think adding trauma last minute in season 5 to explain Marinette's behavior fixes that. It doesn't work, as she's never had those problems in alternate realities or with other guys she had crushes on and her attitude has never been portrayed as a bad thing.

I much prefer the movie's approach to her feelings and her character, because from the beginning we know that she has problems, we know that what she does is not healthy for herself, but it gets better with time.

Just as I appreciate, as already mentioned, the removal of the initial conflict between Adrien and Marinette, as it was one-sided and basically short-lived. I think the intention of the series was to show that Marinette didn't fall in love at first sight with a pretty face or the boy's fame. However, for 4 seasons it never came out why Marinette liked Adrien, nor were those feelings deepened by the characters as they got to know each other more and more. Marinette has portrayed Adrien as the perfect boyfriend material for a long time in the series, which contradicts the purpose of their initial conflict.

Same goes for Show!Adrien, that barely shows his personal interests and thoughts that aren't Ladybug related (first) or Marinette (later).

The conflict in the movie however was given to Ladynoir, which makes a lot of sense as they are opposites anyway who have to learn to work together. It also brings a whole new development to their relationship which I appreciate.

Chat Noir and Ladybug are treated as equals in a way the series never has. Their powers are balanced, so are their roles in the story, screentime and in combat. Their relationship is never “subordinate and leader” and we watched them explore this aspect until they came to the conclusion that they were equal partners. Even Fu approaches them together Tikki calls them "guardians".

The series dealt with the topic by always leaving Chat Noir in the dark and creating an entire subplot that was never resolved and just showed us a still insistent Chat Noir and a Ladybug who treated her partner badly, with no guilt on the way and with no final apology.

Using misunderstanding tropes is good if you can handle them.

If we are to believe that Chat and Ladybug are partners, that the characters are equal in roles and relationships, it is not only necessary to say it, but to prove it.

And surely the season 5 finale didn't help in that aspect…

I have delved into these topics in other analyzes that I have done. You can find the analysis of the Ladynoir subplot here.

While here you can find the analysis of the season 5 finale.

Characters with flaws are important, but these aspects must be addressed as such and corrected in an adequate amount of time.

While not as much as Marinette towards Adrien, Chat has also been too insistent on his feelings for too long and I appreciate that with his character change in the movie, we had a natural conflict that turned into respect later on.

Just like I appreciate that their relationship improves in the long run and gives them the courage to improve themselves.

As for the change of personalities itself, I think it's pretty subjective here. It's not wrong to choose a more open Marinette and the same goes for a sunny and innocent Adrien.

These are different interpretations of the characters. I just think with what it has at hand, the movie has managed its version with more skill.

I also much prefer the approach to the character of Gabriel, because while I like the abusive parent road to the core more, I also think it's something to be treated with a lot of care, which is not the case in the show. Gabriel in the movie is a very human character, who, although in conflict, never contradicts himself, unlike Gabriel in the show.

One thing I immediately explained about the movie is that the pacing is poorly managed. True, this is a big flaw. But it's also understandable given the playing time available and the amount of information and relationships they had to readjust.

The series has terrible pacing too. And it has had plenty of time to deal with its elements and most of the changes have occurred in the last season of the first arc, with more elements being dragged further and further and most of which have not been resolved.

It's even missing a lot of lore, when there was so much time to put it in! Even to delve into it in detail.

Or the management of the secondary characters, rightly cut a lot in the movie with limited playing time, but completely incorrect in the series which has every opportunity to make them stand out.

Marinette's falling in love with Chat lasted for a few episodes where she was constantly being told that she was just projecting her crush on Adrien. Adrien falling for Marinette only happened in the last season and that becoming again all he thinks about.

There isn't enough attention to the characters' passions, their lifestyles and they often don't react naturally to things that happen to them. They don't ask themselves out loud things they would naturally think in their situation. The characters don't get to know each other, they don't spend time together normally even just like anime would in their fillers.

This is something we lack in both what they say and what they do.

I would also like to mention that it doesn't matter how many seasons they add. The fact remains that we have had 5 seasons already badly managed. You can add as many seasons as you like afterwards, but you can't fix the issues you've had over 100 episodes with them.

The path is as important, if not more important than the final goal.

In the movie, however, we saw the characters open up about personal issues that they could reveal without worry, even with the masks. We've seen the characters spend time together, have natural conflicts due to their personalities and conditions then resolve still in a natural way. We have always seen a sometimes comical but realistic representation of the feelings of the characters.

What was cut and simplified, allowed for better management of what they had in their hands. That these elements correspond to the vision of many fans is no surprise because Miraculous in its structure is a very predictable series. A series that can have thousands of different developments, but all of which can be foreseen in a certain sense, at least the basic ones.

This however is not a bad thing. The use of clichés or predictable structure is not wrong if well managed. It is much better than the constant pretense of unpredictability which however leads to the distortion of the entire product, making it unnatural and giving unclear or negative messages.

If the movie was just fanservice, we would have had Marichat, the fan-favorite ship.

We would have had the most thorough Adrienette.

In the time available, the movie has proposed a development of relationships and characters that are not perfect, they are flawed but healthier.

We had a semi-conclusion which, however, leaves room for further development into the sequels, for example for the post-reveal relationship of the protagonists.

One never expects the perfect relationship, or the perfect character, but something coherent in its construction and treated for what it is and not pretending it managed something it never really had done.

The movie managed to make the heroes lose but also to make them win, to make love win, which was the message of the film.

Whether it's a non-abusive Gabriel who ends up face to face with his son, whether it's a Chloé with a chance of redemption, whether it's a reveal… all these elements have also been set up in a different way.

Chloé does not go beyond certain limits, the characters got to know each other enough to instantly accept each other at the reveal and react with extreme joy to the point of crying, Gabriel has always shown that he loves his son…

Choosing that Chloé doesn't redeem itself is fine, but it's how it was introduced, managed and set up that is wrong. Gabriel remaining bad through and until the end is fine, as long as the purpose of the villain fathering the male protagonist holds a sense writing wise, confrontations are allowed and no wrong messages are passed across.

Choosing to set character crushes as unhealthy in the beginning is fine, as long as getting to know each other leads them to develop those feelings in a more positive way.

Adding love rivals is fine, if they’re properly handled and they have a purpose that leads the character to learn something and then to a better endgame.

Adding new villains is okay too if they’re realistic enough to not go outside the suspension of disbelief and they are slowly and constantly built up. Adding conflict and angst is fine, as long as it's natural, leads to an equally good resolution, and has a purpose.

A movie with so many limitations and with its visible flaws, has succeeded in an impressive feat and served up a great product.

Yes, it would have been better if it was the start of a trilogy for the first arc as a whole. It would have been better if it hadn't cut “The Wall Between Us”. It would have been better with a slower pace. It would have been better without the fart jokes!

This movie had the potential to do even more, to be something spectacular.

It did not make it.

But it still managed to be a great movie.

The movie has accomplished a lot in a sea of restrictions.

The series has accomplished very little in a sea of opportunities.

FINAL VOTE

Movie as a product by itself: 8- / 10

Great messages, great developments and comedy often well managed. High level animations and music. Extremely poor pace management.

Movie as a product of Miraculous: 9.5 / 10

Clearly more successful than the series, although it has strong limitations due to the vast content and the limited playing time. Aspects much better managed from every point of view. The only flaw is the Adrienette content they cut out or the lack of "The wall Between Us"

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