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#. connection . › daniel diaz .
silvrunnr · 1 year
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tag dump .
. connection . › esteban diaz .
. connection . › daniel diaz .
. connection . › karen reynolds .
. connection . › claire reynolds .
. connection . › stephen reynolds .
. connection . › lyla park .
. connection . › jenn murphy .
. connection . › cassidy jones .
. connection . › finn mcnamara .
. connection . › brody holloway .
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stagefoureddiediaz · 4 months
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Ok so we get this
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and this
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And I proceed to spiral about colour theory and costume theory and end up writing and expansion to this post I made about Buck in yellow ochre!!! Sorry y'all, you know what that means - my unhinged colour theory and costume meta's are Back!!!
Lets start by revisiting all of Bucks previous yellow ochre wearing shenanigans!
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3x06 the yellow ochre sweater he wears when he gets sent home by Bobby - this does after we see Buck and Eddie making up with each other - a moment when we see Buck learning more about himself and growing (read becoming less self-centred and understanding the concept of being part of a team and recognising that he needs to be better about stepping in with Eddie!)
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4x02 - Yellow ochre jumper - first in a video chat with Maddie, Chim and Albert, but then more importantly, when he is in his therapy session with dr Copeland - the whole ‘I hide my true feelings from others’ moment - yet another moment of Buck recognising something about himself. I think this is the most key scene in Bucks yellow ochre wearing - more on that in a bit.
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4x03 Bucks yellow ochre t-shirt - a t-shirt that matches the shade of the jumper from above, and a moment when Buck confesses to Maddie that he’s in therapy - about being sad and lonely and wanting to be ‘finer’ 
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4x04 - the yellow knit sweater from 3x06 is back (yes it is the same sweater) and this is when Buck has his entire life upended and he finds out about Daniel (kicking us into Buck begins)
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4x11 - Buck talks to Maddie and Josh about Sue’s hit and run, then talks to Taylor about Sue. This one is a much brighter yellow than the ochres we’ve seen up to now, but I’m including it because I think its relevant to Bucks arc here (also because it connects into the next time we see Buck wearing yellow - the will scene) the concept of being hit with information that leads to Bucks growth and the nature of most hit and runs not being solved, the perpetrator never being caught and therefore not getting closure on something (this is super relevant I promise!)
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Then we have 4x14 and two yellow ochre tops - the first is the sweater, this one is trending more towards orange brown, but its still in the ochre wheelhouse! this oe is all about communication - mostly at Buck - Taylor telling him how stupid he was for climbing the crane, receiving a phonemail from Ana to tell him Eddie is awake, facilitating communication between Eddie and Chris and then Buck communication himself - thinking it would’ve been better if he had been shot. Directly communicating to the audience (as much as Eddie) the inner monologue of Bucks own opinion of the point of his existence.
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Then we get the beloved will scene and Buck wearing a yellow ochre shirt, still lighter than the other yellow ochre we’d seen up to this point, with the exception of the previous one which is brighter still. again this is mostly about people communicating at Buck rather than him being the communicator - much like with the previous Jumper. It somewhat plays into the concept of Buck being a passive part of his life rather than actively living it - Kinda hard to explain at this point without the context of the costumes from s5&6. I also want to point out Taylor is in that dark green again here - in the scene when Buck opens the door to the Diaz house.
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5x03 gives us Buck in that same shade of yellow ochre (bear in mind we haven’t seen him in any other colour between the will reveal and this scene (beyond uniform!) and here we have Buck pushing Eddie and communicating without actually giving much of himself away - yes he uses himself as an example, but he doesn’t actually open up about himself all that much (this is important - its not the time for that and it provides space for Buck to continue his internal monologue about his self worth) after this he goes home to his loft and we get him communication to a Taylor who isn’t actually present in the space - a symbolic scene that shows that he gets just as much from her absence as her presence (a play on the idea that Buck can communicate better with her when she isn’t actually present compared with when she is - its a juxtaposition of the scene from earlier when they were in bed together and she didn’t listen to anything he was saying, or his wants/needs)
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5x04 a scene at the Buckley-Han apartment where Buck isn’t communicating with Chim - Chim is very much communication with Buck about his despair over Maddie leaving - Buck obviously knows where Maddie is at this point, but he diocesan’t take the opportunity to communicate effectively with Chim. so This is yet another example of Buck failing to communicate, while some one around him is clearly communicating and this scene has the addition of secrecy thrown into the mix.
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Then we have 5x14 - this one is a bit less obvious - its the yellow ochre and black plaid jacket - its an outlier in that its not solid yellow ochre, but it is again a scene where we get communication - this time BUck is actually the one to do some communicating, but like pretty much always, we don’t get him pushing too much and we see him continuing to deflect from making things about himself - he’s desperate to talk about the shooting and its impact on him, but Eddie resists and Buck backs off. the check here is a nice addition because it shows the concept of cross purposes, but also there is less yellow than in other outfits - the black seems to be ‘devouring’ the yellow - almost like a play on the idea that this was Bucks one big chance to communicate, but he doesn’t take it.
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That is the last time we see Buck wearing yellow ochre until the end of season 6 - 6x15 and his date with Natalia to be precise! we’re back to that same shade of yellow ochre and once again we have Buck communicating - but its very much playing into what Natalia what to hear. I don’t doubt that BUck wants to talk about his death and resurrection, but we don’t actually see the conversation beyond the superficial overtures Buck makes. This plays into the suggestion that its about him trying to impress Natalia rather than actually about what Buck needs or wants to say. Its once again Buck communicating without actually communicating. something Eddie picks up on in the later graveyard scene and tries to provide the space for him to open up - which Buck doesn’t take.
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The theme continues with the the next Buck/Natalia date in 6x17 - yellow ochre once again, this time an open shirt - again its that same shade, and we see a continuation of the Buck communicate via deflection technique he employs - this scene, like his previous date with Natalia, is more about her and the writers showing us her hang ups/ insecurities than it is about Bucks - beyond showing us that they aren’t actually all that compatible - its kind of framed in the same way as his previous relationships (especially Taylor) - Buck playing into what he thinks someone wants him to be rather than being who he actually is. 
This concept is something we see in pretty much all of the previous scenes where Buck is wearing Yellow ochre, this desire to be what people need him to be rather than who he actually is. there are a couple of exceptions - the first time we see Buck in yellow ochre is probably the only instance where we see Buck being somewhat honest with himself - there is an element of him playing the role he needs to to win back Eddies friendship, but I think its coming from a genuine place and is born out of a real desire to be better - he really did learn his lesson. The fact that the next time we see the yellow ochre used is in his therapy session scene where he literally states that he hides his true feelings from others is a big giant yellow ochre flag waving around telling us that when we see Buck in yellow ochre he will be playing into that idea - and that’s then how it transpires in every subsequent scene where he is in yellow ochre.
Which brings me to this new still
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no one can tell me there isn’t an air of conflict about that scene - the dark cool tone of the image suggests a coolness to the room - that idea of the cold shoulder or the temperature dropping when there is conflict between two people. their body language is also adding to that vibe - Chris turned in on himself, not sat with Buck, the space between them.
Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself.
I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) becasue we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow
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There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))
Anyone want to play a game of whose shirt does this look like??!!!
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Oh you do! well what if I leave these two pictures just here...
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yes, yes that is a Chris sized version of that shirt - you know the one Buck was wearing when he and Taylor talked about complicated family dynamics and about telling 'other peoples stories because I hate telling my own' you know that scene about playing a part and not being yourself around people you're supposedly close to! Yes That scene - or how about the scene which happens to be the last time we saw Buck in Chris's bedroom, where Buck talks to Eddie about complicated family dynamics, about needing to have the right outfit on for the occasion, the scene where they talk about retirement, oil and Buck is playing with a dinosaur! yeah see where I'm going with this! Chris wearing a grey shirt that similar to Bucks is Paralleling those scenes - so playing into the idea of history or of thing being outdated and needing to change, of dressing for the occasion (an allegory for playing a role - to fit in to whatever environment you're in rather than being your true self) and most importantly of complicated family dynamics - suggesting that there may have been some change in the dyamics - perhaps this will play into the will (also colour paralleling the will scene as Buck is in yellow ochre and the breaking point scene with Eddie in a yellowish colour and Chris in grey) and perhaps Chris discovering Buck would be his guardian in the event Eddie isn't around. I mean we'll have to wait and see for the actual context, but I will eat my hat if the season 7 scene isn't playing into Buckley-Diaz family dynamics in some way!
Back to this still
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I keep flip flopping on if its Buck or Bobby, but right now the lack of grey hair is making me lean towards it being Buck.
This is a still of the back of Bucks head from his coma dream for comparison (blurry as hell as he's not in focus but it looks enought like the same shape of hairline and of Olivers ear for me to feel like its more Buck than Bobby!
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I think the shirt is what is throwing me off though because its just so not a typical Buck shirt (excepting coma dream Bucks!).
I've gone back through my notes and I just can't find any examples of Buck wearing this kind of patterning or shirt before, the closest we get is that hideous shirt he is wearing at the hospital after Kameron has given birth
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The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!)
Some other things about that shirt - I've brightened it up in the picture below - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)
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Then there is the burgundy stripe in combination with Eddies hand placement and the fact Eddie is wearing a denim shirt - its very Tsunami call back (even the white plays into this as well as Buck was in white when he saved Chris) -
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I'm quite probably clowning hard at this point, but the fact we've got Eddie in denim again (not something he wears all that often) in a scene where he puts his hand on Bucks shoulder in that way and with his Christopher watch so very prominent - we'll I might be feeling a certain way about it.
It would make sense to play into that story arc - after all - the opening of season 7 is very much centred around a big water based disaster - its got to bring up a few things for the two of them. If it is related, Eddies Denim being darker at this point would be a nice play on things - the idea that there is more deepness - more depth to his relationship with Buck than there was in early season 3 (it even calls back to flash back Eddie in 3x16 - he is wearing dark denim when him and Shannon fight and Chris wakes up)
Ok thats enough rambling from me! Hopefully i have made a tiny bit of sense! of to go back to screaming in the void now!!
tagging a few people who might be interested! @extasiswings @copyninjabuckley @oneawkwardcookie @spotsandsocks @mandzuking17 @xxfiction-is-my-realityxx @theladyyavilee @mistmarauder
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tawaifeddiediaz · 4 months
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banke main rahoon, teri parchayi aayi aayi aayi i want to stay with you, as your shadow
[Image ID: 2 gifs of Evan Buckley and Eddie Diaz.
GIF 1: 2 blended gifs, Buck smiling with relief as he sees Eddie awake, blended with Eddie nodding once, saying "Hey Buck" with a tired smile. The gif is colored purple on the edges. In the bottom left corner, in pink neon script, reads, "Neend mein bhi." A line connects the Urdu to the English translation in the top-right corner, reading "Even in sleep."
GIF 2: 2 blended gifs, Eddie nodding towards Chim as he watches Buck climb the ladder, blended with a confused Buck laying in a hospital bed, telling Daniel off-screen that he did have someone watching his back. The gif is colored pink on the edges. In the bottom right corner, in purple neon script, reads "Labon pe naam tera." A line connects the Urdu to the English translation in the top-left corner, reading, "Your name rests on my lips."
/end ID]
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warpedpuppeteer · 4 months
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My fave headcanon is that if Buddie get married Buck will keep his last name and they will hyphenate because he might have shit parents but he loves Maddie and Jee-Yun and wants to be connected to them (he also wants Daniel to live through their names even if he never knew him). Eddie agrees easily because he tells Buck he wants him to create his own happy family and associate happiness with the name Buckley. And Buck can't help the way his heart feels like exploding every time he sees "Christopher Buckley-Diaz" on anything.
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talonabraxas · 10 months
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"Eight Octaves of Gravity" uses eight gravitational scales to depict the universe, from subatomic particles to galaxies. It combines unseen dark matter, cosmic background radiation echoes, large galaxy clusters, and mysterious dark energy, showcasing the intimate connection between the smallest and largest cosmic elements within a gravitational context.
Daniel Martin Diaz
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chewing chewing chewing on. diaz brothers and hair. the way it changes over time in-game like it never really does for other lis protagonists. they've got similar lengths in ep1, short and neatly cut, and it grows out until we've got those magnificent mullets or whatever in ep 3, because of how long they've been living in the wild. then Sean can either get it cut or take the opportunity to work shit out with his brother; if he chooses the former he's literally letting a piece of the connection he shares with his brother get sliced away.
but either way they both have their hair forcibly cut in ep 4, Daniel by Lisbeth and Sean at the hospital, something about haircuts as a traditional tool of forced assimilation or prisoners getting shaved heads, and that's when their connection is at its weakest. only for them to find each other again, and for their hair to grow back out in ep 5 until it's a length resembling ep 1, but a little bit wilder, more ragged at the edges, the way they are. and lone wolf Daniel's hair being blonde, something someone said about him maybe dying it because he doesn't want to look like Sean, trying to bleach his brother out while also building a shrine to him, the conflict buzzing there.
just like. um. hair as kinship and memory and marker and inheritance and the literal dead cells haunting us and the living truths we braid into it and locks of loved ones that we keep. also we deserve fan art where they get a change to grow it to their waists or smth because I really think that would fix me.
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tapesfrom1980 · 11 months
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more sean stuff? i loved it sm <3
ofc 💗💗this is just 4 u anonymous thank u so much
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beach day , sean diaz
PUBERTO LOBOS, MEXICO
as the sun began its descent, casting a warm golden glow across the sandy shores, sean diaz and y/n found themselves at their favorite spot on the beach. the rhythmic crashing of waves against the shore created a soothing sound as they strolled hand in hand along the water's edge, the warm sand squished between their feet, creating a carefree atmosphere. they laughed and joked around, enjoying each other's company.
sean's eyes sparkled with mischief. taking one glance at y/n, he started to splash her with a handful of water.
“sean!” she opened her mouth in shock and laughter. she retaliated, and soon they were having a water fight, their laughter mixing with the sound of crashing waves.
after a good couple of minutes of completely drenching each other in sea water, they found a spot to rest, laying a towel on the sand. sean stretched out beside y/n and they gazed up at the sky. it was around 6 pm, and the sun was slowly setting. pointing out shapes in the clouds, their fingers intertwined naturally, a comfortable connection between them.
as they basked in the sun's warmth and the summer breeze, sean turned to y/n with a small smile. he reached out to brush a stray strand of hair away from her face, his touch gentle and reassuring. they shared a quiet moment, lost in the tranquility of the beach.
a gentle breeze swept through, causing y/n’s hair to dance in the wind. she huffed as the wind messed up her hair but sean couldn't help but be captivated by her, his admiration evident in his eyes. they leaned in, sharing a sweet and innocent kiss.
they continued to walk along the shore, occasionally pausing to pick up seashells or to dip their toes in the cool water. sean’s carefree spirit shone through as he skipped stones across the water, his infectious laughter filling the air. y/n simply smiled at him as the setting sun left its kiss on sean’s beautiful tan skin.
sean wrapped his arm around y/n’s shoulders. they sat together, watching the breathtaking scene unfold before them. the sky was blending from pink, to orange, to yellow. the waves whispered a calming melody, creating a serene backdrop to their intimate moment.
they sat in comfortable silence, their hearts beating in sync with the rhythm of the ocean. it was in these quiet moments that their connection felt the strongest, a shared understanding of each other's presence.
sean and y/n had gone through so much that moments like this made them realize how beautiful life is and how lucky they are to be at this point and have each other.
about 20 feet from them, was a 15 year old daniel diaz in a beach chair with a can of coke in hand. he was smiling at the couple from afar. he was so grateful he had been in this long and difficult journey with sean and y/n. he was so grateful they were given a happy ending.
as the last rays of sunlight disappeared beyond the horizon, y/n turned to sean with a small whisper "i’m grateful to have you in my life, sean. this feels like a dream." y/n smiled, her heart full of affection for the boy beside her.
hand in hand, they walked back along the beach, their footprints marking their journey. it was a simple day at the beach, but it held a world of meaning for sean and y/n. it was a reminder of the love and happiness they found in each other's company, a memory they would cherish for years to come.
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variousqueerthings · 9 months
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actually if i may be so bold, in some ways sam/tory makes me more [insert some kinda bites things feeling here] than lawrusso or cobra husbands, not because they don't all compliment each other wonderfully (as, for that matter, does danzen in my humble opinion) but because if you were gonna make an explicitly queer couple, it probably was never going to be legacy characters, it wasn't going to be the mendudeguys that the mendudeguys who are writing it are also writing it for, but if they were thinking about nextgen, really thinking
like the excellent casting of miguel diaz, off the back of daniel larusso being italian american right on the cusp of the time in which that was still considered something lesser and often mistaken (by people watching) for a latino lad, so taking that to the next step and actually saying who today would be that kid, where would he be from, what would he look like and it's obviously miguel diaz, spot on!
similarly maybe it should have been obvious to make sam and tory gay for each other if you were really trying to also appeal to the diverse youths that are seemingly being catered to via the younger contingent, and yeah it might (it would) lend more fuel to the fire of connecting that very deliberately lawrusso 2.0 dynamic to the OG dynamic, however they could have just presented it as-is, they didn't need to do anything to say that these things are Connected, we ship anyway, we ship with no text at times
like
sure I like to say that the first gen have queer subtext, but the younger gen are playing with a whole new set of cards that you didn't have in the 1980s, when you couldn't just release a mainstreamish movie for the kids in which boys kiss
they could've had the girls kiss is what I'm saying here, they really coulda (and like, look, they're not gonna, but if I had to tread carefully lest I got cancelled and then discovered I had one season left, I would make the girls kiss)
(alas)
(but they should)
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cinematicnomad · 3 months
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not to expound on the tags in my last reblog re:buckley v diaz parents, but i am going to do just that lol
when i look at the buckley parents i see a pair of people who were traumatized by the death of their child and their reaction to that trauma was actively harmful. they were emotionally negligent of maddie and buck, they parentified maddie and left it to her to raise buck, and they tried to bury the existence of daniel because they were so unequipped to deal with their grief and a byproduct of that was further traumatizing maddie, who had no outlet for her grief and was taught to hide it instead, and harmed buck by creating this giant gulf in his own family narrative by which he fundamentally could not connect with his parents or understand their actions.
things i saw in the other tags and posts that i disagree with: i don't think they blamed buck for failing to save daniel—that is not something we see them doing nor is it something we hear maddie and/or buck accusing them of. buck certainly FEELS like he's at fault when he finds out the truth, but that's because of the fact that it was hidden from him for so long. if anything, you could argue that part of their faulty rationalization when hiding daniel's existence was to protect buck from that feeling. i am not arguing that that logic is sound or defensible, just merely stating a position that would imply they are not blaming buck.
i also, just, don't blame them for having buck to save daniel? there are certainly ethical quandaries to be had about parents having a savior baby and all that entails. but i also don't fault a set of parents for doing whatever was necessary and grabbing at every opportunity to try and save their son's life even if, yes, it meant having another child. now, CLEARLY they weren't mentally or emotionally equipped to raise that child after daniel died, and it's obvious that they did not consider this outcome when they decided to have buck because of the actions they eventually take, but i also don't fault them for the initial decision.
the other thing i would argue about is in regards to if the buckley parents love their children. i think we can answer that based on what we see of them in canon. we learn that the whole reason buck developed a reckless streak was because it was learned behavior as a child. he realized that when he put himself in danger, or injured himself, or was sick, he received the love and affection he craved from his parents. that is MONUMENTALLY fucked up. they SHOULD have been able to show him that love at all times. they caused him lifelong emotional damage that he needs to heal on his own because they could not access their own emotions except for in situations of extreme fear and concern. was it enough? no. does the fact that they showed him love and care in these moments make up for the times they withheld it from him? of course not. but i think it's evidence that the love was, fundamentally, still there. similarly, in regards to maddie, their concern about her relationship with doug was telling.
it's obvious to me, at least, that for the buckley's they’re so emotionally numbed that the only times their emotions are actually let out is when triggered by extreme fear for their children's safety. that is not healthy. that is not okay. but it is informed by their trauma surrounding daniel's death, and it is something i can understand even if i find it harmful.
basically, i really do think that canon got it right when maddie said they were good people but bad parents. i think it's generalizing it a bit, but fundamentally i think that's a pretty insightful read on them. they are people who underwent an extreme trauma and it changed them for the rest of their life to the point that they could not parent their children and that is not okay. but when i look at the two sets of parents discussed in the post, i can understand the reasons for one's actions, and i cannot understand the others.
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ebdaydreamer · 1 year
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it should be him
9-1-1 - 882 words
6x10 spec: Something icy settles in Bobby’s chest. Chris. It’s not often Eddie is in the hospital overnight, but every time he has been, it was Buck letting Christopher know. Buck was the one that would stay with him. Buck was the one that would bring him to the hospital if they could.
[AO3]
Despite being clearly reluctant to let go, Eddie hands off Buck to the doctors with relative ease. Bobby’s pretty sure it’s the shock. The fight comes in when Hen tries to guide him to a bed in the ER to get checked out himself.
“You got thrown off the ladder, Eddie,” she says sternly but not unkind. “Don’t waste time arguing with me.”
Thankfully, the man’s concussion isn’t so bad that he’s lost all sense to start a fight with Hen, but he definitely does have a concussion and along with a few other bumps and bruises. The doctors want to keep him overnight. Eddie tries to put up a fight, which Bobby almost laughs at, considering he would be spending all night in this hospital standing vigil for Buck otherwise.
“Chris…” he tries to argue.
And something icy settles in Bobby’s chest. Chris. It’s not often Eddie is in the hospital overnight, but every time he has been, it was Buck letting Christopher know. Buck was the one that would stay with him. Buck was the one that would bring him to the hospital if they could.
“Don’t grab your phone. I’ll call Carla, have her bring him, if you want?”
Eddie nods and finally seems to settle somewhat at that.
Bobby leaves Hen with him and moves out into the waiting room to make the call. Maddie has finally arrived, curled up in Chimney’s arms. He knows the Buckleys are in town - he got several stressed-out rants from Chimney - but no sign of them. Of course not. Buck had told him how they weren’t good with their kids in hospitals after Daniel.
At least not all of your kids are dead, he thinks. At least Buck made it to the hospital.
He almost didn’t. He flatlined before they got him to the ambulance. But Buck made it further than Bobby Jr and Brooke got, so Bobby would take that as a blessing.
Chimney’s eyes found his as the call connected. He explains in vague terms to Carla, leaving out why it’s him that’s calling.
“God, that kid has gone through so much,” comments Chimney once he’s hung up.
“Well, he’s not lost anyone else yet.”
The two wander in about an hour later - quite frankly a miracle with the weather. Bobby hopes it’s not the last one they’ll get today.
“Hey, Chris.” Bobby kneels in front of him.
The boy looks tired, and Bobby has a feeling that’s not because of the late hour. “Hey, Cap. What happened to Dad?”
“He had a fall. He’s going to be perfectly fine, the doctors just want to keep an eye on him for the night.”
Chris nods, but his eyes are distant. He bites on his bottom lip before asking in the softest voice Bobby’s ever heard from the kid, “Where’s Buck?”
Because he’s used to Buck being the one here when his Dad is hurt. Because Buck is his family. Yes, all of the 118 are family, but not in the way Buck is to this kid. Because whilst it should be Buck telling Chris his Dad is hurt, it should also be Eddie telling him that Buck is hurt.
Because when one parent is hurt, they let the other parent break the news.
Bobby tries to keep his tone steady - the one he uses for families at a scene. “He also had a fall. He’s in surgery right now.”
“It’s bad, isn’t it?”
Bobby manages to choke out, “We’re gonna find out.”
He leads the pair to Eddie’s room. Hen has stepped out, leaving Eddie hunching over on the bed. His head is in his hands, and his shoulders are shaking.
“Dad!”
Eddie looks up and frantically wipes at his eyes. “Hey, buddy.”
Chris looks terrified, and it briefly occurs to Bobby that the last time he probably saw Eddie cry like this was the night of his breakdown.
And the last time he saw Buck like this was when Eddie got shot.
Chris almost trips over a chair in his haste to reach his Dad. The two Diaz boys embrace each other, and Bobby can’t help but think about the missing piece of their family.
Bobby goes to give them some privacy, to let Eddie answer Chris’ questions, when Eddie calls out his name.
He turns back around and puts on his best smile.
“The second you hear anything? OK?” His grip on his son tightens. “I don’t care what time or if I’m asleep. You tell me, and you take me to him, alright?”
Like Bobby could stop him if he tried.
Marcy, Athena… he knows all too well what it was like when the person you love, your partner, is clinging to life. He remembers the importance of their pulse beneath his fingertips, their breath in his ears, to be there when their eyes opened.
“Of course. The second we hear a thing.”
Bobby isn’t sure if he knows (or if even Maddie knows), but Buck made Eddie his first emergency contact after the shooting. He’s already let the nurses know, so chances are Eddie will be the first to know anyway.
Because the three of them? They’re a family. And the two of them? Well, only time will tell.
Bobby just hopes they get that chance.
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toughpaperround · 10 months
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911 Cast Bios
Here's a list of them in one place, in order of appearance in 9-1-1 (fox, later abc). I choose them based on characters I enjoy, or where there are interesting connections / factoids to be found in their bios.
Gavin Stenhouse (The Priest)
Mariette Hartley (Patricia Clark, Abby's mother)
Claudia Christian (LAFD Capt. Maynard)
Debra Christofferson (Sue, Dispatcher)
Grasie Mercedes (Beth, in prenatal yoga class, 1x07)
Rebecca Wisocky (Marjorie, in lift crash, 1x09)
Connor Trinneer (bomb squad, 2x01)
Romi Dias (Chief Miranda Williams)
Ana Mercedes (Abuela Isabel)
Terri Hoyos (Aunt Pepa)
Christine Estabrook (Gloria, Dispatcher)
Devin Kelley (Shannon Diaz)
Wes Brown (Mounted Police Officer)
Rick Chambers (Dwight, newsreader)
Tara Karsian (Ruth)
Lawrence Pressman and Francis X. McCarthy (Mitchell & Thomas)
Romy Rosemont & Daniel Roebuck (Lola & Norman Peterson)
Brian Thompson (Capt. Gerrard)
Lou Ferrigno Jr (firefighter Tommy)
Brian Hallisay (Doug Kendall)
Julie Oullette (Blair, Elf Helper)
Marsha Warfield (Toni Wilson)
Danny Nucci (LAPD detective)
Sasha Roiz (LAPD Det. Ransone)
Paula Marshall (Helena Diaz)
George DelHoyo (Ramon Diaz)
Pepi Sonuga (Athena Carter, flashback in 3x07)
Eddie McGee (Frank the therapist)
Jack McGee (Red the retired firefighter, 3x16)
Deborah May (Cindy, 3x16)
Dee Wallace (Mrs Margaret Buckley)
Gregory Harrison (Mr Phillip Buckley)
Aaron Staton (Daniel Buckley)
Laith Wallschleger (133 medic, 6x15)
Mark Lawson (pilot, 7x01)
Kathryn Boswell & Chris Gartin (hot-tub couple, 7x01)
Rick Cosnett (cruise crew, 7x01-3)
Eddie Jemison (cruise ship doc, 7x02-3)
Jesse Palmer & Joey Graziadei (7x04)
Exie Booker (Carl, 7x06)
Malcolm-Jamal Warner (Amir, s7)
John Brotherton (Tim Nash, 7x08)
Tony Amendola (Herman, 7x08)
In draft ofc. Do check the updated OG post if you're looking at a reblog:
Bryan Safi (Josh Russo, dispatcher)
Brooke Shields (counsellor)
Rumer Willis
Anthony Carvello (cruise crew)
Kelvin Han Yee
Main resource is IMDb, with extra material from Wikipedia, podcasts or youtube on occasion. Where I use 911 images they are screengrabs I edited. Other images generally from imdb.
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madneywedding · 8 days
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k but if/when Buck has a kid, with eddie or whoever, if not adopting I'm v curious what he'd name them. Like, would he name his daughter Bobby? tbh not sure any other ppl he knows that he'd want to name a kid after? doubt he'd go anywhere near daniel/danielle etc oof.
Maybe he'd just ask Christopher to name them lol
definitely agree he wouldn't touch daniel/danielle. i get the sense that buck feels like daniel's loss wasn't his to grieve, because he didn't know him while he was alive — maddie remembers him, his parents remember him, but all buck has is an old photograph that looks eerily similar to his own face and the twisted mirror that his brain used to punish himself. this is getting slightly off topic but i think buck isn't quite at the point where he feels like he's......'allowed' to grieve daniel that way and i don't think he'd feel okay with naming a child after him.
anyway. i think he would definitely ask chris for help!! i have this adorable mental image of buck and eddie gently handing their baby daughter to chris asking him what he thinks — maybe they'd name her after one of eddie's family members, like his abuela — or maybe (this is my personal favorite hc) they'd choose a name that starts with 'C' to match her big brother. the idea of baby girl buckley diaz having a name that connects her to christopher from the second she first meets him makes me so emotional ☹️
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stagefoureddiediaz · 2 years
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Ok lets try this again - Buck bts mini meta!
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So we have the above jumper which I've already written a little bit about how its similar in chunkiness to a couple of others, this one from season 3 - adaptive skateboarding with Chris
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and this one from season 4 - games night at the Diaz house
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but there is something else I remembered. the colour and waffly-ness actually ties into this jumper from 3x06
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and the very same jumper from 4x04/5 when Buck finds out about Daniel.
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I've never really connected these two scenes before, but actually it makes totally sense when you think about it - a woman driving around completely oblivious to this person stuck in her windshield - just like Buck - completely oblivious to this massive secret in his life - until the baby box reveals it.
Then there is this new bts
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which has me all kinds of 👀👀👀 because this is so not a Buck costume - trust me as someone who has spent far far to long staring at the clothes worn on this show, I can assure you we've never ever seen Buck in anything thats even close to this outfit and thats why I'm fairly convinced that this is for an AU scene(s) of some kind because there is a very specific reason that you’d change Bucks style in this way.
there's been the arguement floating around that this is just Buck dressing up because his parents are in town, but he didn't dress as preppy Buck the last time they were in town
We had this dark grey shirt - very in keeping with Bucks costumes
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and this dark purple (almost black) sweater - again in keeping with his other costumes
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and then the only other interaction we have is when he's in uniform. Even flashback Buck's outfits are in keeping with present Buck outfits, so this preppy Buck outfit is standing out because it is so different from his usual choices.
I wouldn't normally comment on trousers - its hit and miss as to whether they'll be seen on screen, so while a costume designer will make sure they're in keeping with a character, its not the part of the outfit you generally choose to relay information to the audience - that isn't to say it doesn't happen (we've seen it with Hen a few times) but its less common.
Unless you go very out of character with them - then it becomes intentional and that is what we have going on here. Buck tends to wear either navy, black or grey trousers, but we've only seen him in a colour outside of those 3 colours a handful of times - some olive khaki ones (1x05, 1x07 2x06 2x07 2x17) and then some tan ones in season 2 (2x08). we saw him in some teal green shorts in 5x09 but thats it and all of those trousers are muted in tone. So these bright yellow ochre trousers (which I think are corduroy) are very very loud!
The striped shirt is fitting in to to theory I have about when we see Buck in vertical stripes and it representing Buck being emotionally compromised in some way - if this outfit does sit within an AU of some description, it still maintains that theory - because who is to say how Buck would’ve been treated if Daniel did live - because although it would have meant he was a different person - it doesn’t necessarily follow that that alternate version of Buck wouldn’t still have parental issues!
The green jumper is very interesting as well- its tonally in the same range as the mint green shirt from 6x07 and these two greens sit separate from all the other greens we’ve seen Buck in - those have either been jewel toned or olive toned. What I’m going to be interested in seeing between now and when this outfit appears is if we get a steady darkening of the greens Buck wears. The mint green is very very light - its almost white, while this one is much brighter and subsequently darker and my feeling is that we’ll get to see Bucks growth manifest in a darkening of the green he wears - the concept of which makes my colour theory loving heart sing - because green means growth and watching a character grow as the greens darken - chefs kiss 😎
Then there is the preppy nature of this outfit - which I have to say - really doesn’t fit Buck at all - the shirt and jumper combo - again not something we’ve seen on Buck before - shirt and jacket, yes, jumper and jacket, yes, but shirt and jumper - well this will be the first time (Unless we see one between now and this one being on our screens. I also want to add a little aside about the fact that Buck is wearing his watch - in the past when we’ve seen Buck in long sleeves outside of work, he hasn’t tended to be wearing his watch - I’ve said before how his watch wearing outside of work is sporadic and doesn’t seem to fit into a specific pattern - unlike Eddie’s watch wearing. Well this season Buck has worn his watch ALL. THE. TIME!! and it appears this is carrying on into 6b and its clearly intentional - almost like the Eddie and time metaphor has been transfered onto Buck - which is a whole other post!!!
Ok I’d typed up all of the above before 6x08 aired - I just hadn’t posted it because I finished writing it just before the episode went out and I didn’t want this to get lost in the tsunami of live blogging etc! I’m adding this in because my little thing above about the green shirts getting darker - we actually saw it start to happen last night!!!! that shirt in the return to the ren faire scene with Hen - same tone but a darker shade!! I love you Kenni Wallace you are making this costume and colour nerd very very happy right now!
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pcguelife · 17 days
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adding : adriana diaz , twenty four , becky g
adriana is the daughter of emma martin ( @lupaeus ) and sean diaz ( @thwolvss ) . she leans more kook than her sister , but has no ill feelings toward the pogues . heavily affiliated with / connected to sean diaz and daniel diaz ( @arcadieas )
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toonabby · 4 months
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Happy (late) 35th birthday, Naomi Oozora
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Characters pictured above from left to right: (BOLD text means Star-Making Role)
Satanichia "Satania" McDowell Kurumizawa from Gabriel Dropout
Hana Uzaki (Monica Rial) from Uzaki-chan Wants to Hang Out!
Jahy (Lisette Monique Diaz) from The Great Jahy Will Not Be Defeated!
Kiriha (Sarah Wiedenheft) from Tsugumomo
Ruti (Tia Ballard) from Banished from the Hero's Party
Samidare Asahina (Ariel Graham) from Lucifer and the Biscuit Hammer
Chio Miyamo (Mikaela Krantz) from Chio's School Road
Inari from Inari, Konkon, Koi Iroha
Midori Kohakobe (Emily Neves) from Call of the Night
Susanna "Sue" Hopkins from Genshiken: Second Generation (Replacing Yuuko Gotou)
Keiko Tomioka (Rachel Michelle Thompson) from Remake Our Life!
Kanon Konomori from Wataten!
Chieri Ogata from THE iDOLM@STER Cinderella Girls
Tamamo Cross from Uma Musume Pretty Derby
Perseus from Azur Lane
Patricia Abelheim from Atelier Ryza
Characters not pictured (in order of the work's release year):
Duvalie (Eden Riegel) from The Legend of Heroes series
Yuragi Hakoniwa from Noucome
Jessica Shannon (Danielle Judovits) from Marvel Disk Wars
Karen Bombardier (Molly Searcy) from Chaika: The Coffin Princess
SG-1000 II from Sega Hard Girls
Bal-chan from Robot Girls Z+
Noriko Mizuyama from Momokuri
Tellu (Laura Post) from Sailor Moon Crystal III (Replacing Chieko Honda)
Falcon and QJY-88 from Girls' Frontline
Yuma Kusanagi from Matoi the Sacred Slayer
Black-Tailed Prairie Dog (Sarah Wiedenheft) from Kemono Friends
Ylgr (Megan Hollingshead) and Lethe (Kristen Day) (from Path of Radiance) from Fire Emblem Heroes
Charlotte Anana (Madeleine Morris) from One Piece(*)
Yuki from PriConne (Princess Connect! Re:Dive)
Nikola Graf (Kate Higgins) from Valkyrie Chronicles 4
Michi Edogawabashi from Pastel Memories
Pan Dina (Nadine Russell) from Kandagawa Jet Girls
Marisa Kirisame from Touhou Spell Bubble
Mafuyu Kogarashi (Madeline Dorroh) from Maesetsu!
Sakuna (Laura Post) from Sakuna: Of Rice and Ruin
Fenneca (Carling Doubt) (yes THAT'S her name) from Bakugan: Geogan Rising
Amanozako (Deva Marie Gregory) from Shin Megami Tensei V
Mogumogu Chō Higashisakura from Hanabi-chan Is Often Late
Lopomon from Digimon Survive
Ripple from Reborn to Master the Blade
Sayuri Osanada from Rokudo's Bad Girls
Panda Yanagiba from World Dai Star
Shizuka Futari (Robin Clayton) from Sasaki and Peeps
(*) = Debut episode
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A Poem of Woe: A Literary Analysis on the Anthology, ”Lockdown Litanies: Countless Untold Stories” a Paper by Alessandra Micaella Diaz
While reading the poems, It is evidence that, despite the fact that everything in the world is beautiful, we sometimes find beauty to be heartbreaking. This is similar to how this poem is a masterpiece, but it still saddens me. I'm reminded of a few things after reading it. A flawless sand structure will be swept away by the currents in a minute or two, regardless of how long I observe it. A sunset that is so flawless it overflows into the sky. Or a classical picture, languishing in a museum like a lonely prisoner, can never be finished no matter how long you stare at it. But maybe being fragile is part of being beautiful. Perhaps there is always room for improvement in the arts, whether through erasure or transformation.
I realized as I was reading Dear Diary that nothing, not even you, is ever genuinely eternal. It makes me sad to think that it will always remain a part of us despite our best efforts. The only option left to us is to try our best to cope. Because of this line in the poem, "Meeting strangers for warmth and solace, wanting for more but all was left in me, I ended up alone," the first song that came to mind was I'm With You - Avril Lavigne (Lyrics) 🎵. Her song is about trying to distract herself from loneliness by meeting strangers and figuring out her life. It shows that everything will change, so prepare for it.
One of my favorite poems was the second one. It makes me think of the 2022 election, especially with regard to Leni Robredo, our former vice president. I'll never forget how she raised our hopes for a better presidency, but, as in the poem, she lost. Furthermore, we see how she gets up and continues to think of ways to help us, exactly like in the poem. When you read the poem and the song ROSAS (OFFICIAL MUSIC VIDEO) simultaneously, the music hits differently.
This poem makes me feel as though I could write someone using the most complex adjectives from my vocabulary, write them on aromatic paper, and send them white roses as a gesture of appreciation. However, despite the years passing, I have yet to come up with a different way to quit writing for you. It is as if I wrote everything for the men who crossed my path while still thinking of you. It has some connection to Joji - Glimpse of Us Like Yayi felt between her husband and Dante, the lyrics that truly got to me were "Why then, if she is so perfect, do I still wish that it was you?"
Two Red Lace on the Wonderwall is comparable to meeting someone who then introduces you to an entirely new realm that you had no idea existed. A setting where you can be who you are, even when you're with that person. A world where you can finally hold someone in reality—someone who tells you what you want to hear and listens to what you want to say—and where you can stop visualizing yourself in a make-believe setting. Someone who gives meaning to love songs once more. A person who seems too good to be true but is in fact true. Because of how she describes the man, and if you read the poem again, it states there that she already tried it with several men, it's similar to the line from the song "If Life Is a Movie Then You're the Best Part" Daniel Caesar & H.E.R - Best Part (Lyrics)
It is about a child who values his mother as well as the mother who represents how wonderful ladies can be. Tragically, life keeps us from living in a way that is empty of pain. The poem makes me think of a line from Ariana Grande - God is a woman (Lyric Video): "You, you love it how I move you. You love it how I touch you." The line may not make sense to other people, but it makes me think of a child appreciating and adoring his mother for taking wonderful care of him.
Callousness is shown in the poem RE: Paper (I'm Red, IMRaD)*. There is absolutely nothing wrong with aiming for a greater state of education, but a lack of capabilities can crush the dreams of young people who had high hopes of finishing their studies early to enable them to bring food for their family, to help the parents who has to carry out two jobs to pay for tuition. I am sure that those decisions were carefully considered, but there were numerous students and families who had hardships concerning that statement.The song "Shawn Desman - Difference (Philippine Poverty)" comes to mind when I read this.
It's difficult to forget that everything has an end because of the cruelty of this world, but it must be remembered. Our daily burdens might be small or so heavy that we are no longer able to shoulder them. If we don't correctly employ our thoughts, it will poison us. It creates scenes and motion pictures that could exist inside of us. Just terrible that some people allowed it to enter their minds. The poem gave me a glimpse into the mind of a self-murderer. $uicideBoy$ – ...And To Those I Love, Thanks For Sticking Around (Lyric Video) is the poem that goes with it.
Our wellbeing is impacted by certain people's viewpoints, which can make us feel alone, unheard, and kept in the dark. The poem My Frail Lady struck me for how inviting and soothing it is to read while still invoking powerful emotion. It shows a young woman who committed suicide after searching for serenity and discovering it. The way they made her dying lovely was so well done.Taylor Swift – peace (Official Lyric Video) comes to mind since all she ever wanted was for there to be peace.
It's wonderful to have loved ones that help, support, believe in, and try to comprehend us during times when we don't know what we're all about. In the poem, the fortune teller is the one who makes an effort to comprehend the speaker, acting as though they were giving a friend who needed some guidance, I may connect this poem to Umbrella - Rihanna (Lyrics) 🎵, whose line "You can stand under my umbrella" is equivalent to the phrase "I got your back, dude!"
Last but not least, it is not our fault that we are simply frail, prone to error. Our shortcomings are not our fault. It has been easier for me to grasp how our experiences have influenced both our lives and those around us since this anthology has made me aware of people's diverse personalities and aspects. It gave me a fresh viewpoint on how someone might maintain hope in the midst of tragedy. It shows that even if everything in the world is beautiful, we typically find beauty to be painful.
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