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#*chanting* both both both both
buckttommy · 24 days
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a new (returning) character being added to 9-1-1's roster means that at some point, buck has to scream tommy's name in terror. he just has to. like. can you imagine how much differently that would hit? we saw the members of the 118 give buck the grieving spouse treatment when they all thought eddie was dead in a well. but if buck's boyfriend—as in, his actual, honest to god, officially recognized boyfriend—was in literal danger somewhere? jesus. i just got chills. i need it like oxygen.
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pyrotf2 · 2 months
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grizzly condi and bizly when vex and viv fail their courage rolls
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drewpicturesani · 3 months
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The Traveller
So Chants of Sennaar is a good game-
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fukiana · 10 months
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BALDUR'S GATE 3 (dev. Larian Studios) "Ill? You killed me!"
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hayden-christensen · 2 years
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EWAN MCGREGOR & HAYDEN CHRISTENSEN feeling all the love from the fans on Star Wars Celebration Live! Anaheim 2022  | May 26, 2022
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catradoraism · 1 year
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and i hope you die. i hope we both die
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babacontainsmultitudes · 11 months
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Having so many feelings about them.
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braisedhoney · 7 months
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some tragic love stories be like: if i could bottle the galaxy, i would pour it into a cup so it would be easier for you to drink. do you want them? do you want the stars? or do they suit you better as adornments for your eyes than glitter on your lips?
but they don’t want the stars. they don’t want the galaxy. but how can they not? is that not enough? (it’s too much, that’s the problem. it’s too much.)
#ney's idle chatter (random textposts)#me trying and failing to capture why hadestown has embodied Love in a way i don’t think i’m really capable of comprehending fr#but also this can be about whatever blorbo you want#when i think about that one line in chant#when hades says ‘brighter than the light of day’#‘look. look at what i can make for you—see?’#meanwhile the last thing persephone wants is to be reminded of this hollow echo of what their love is in her memories#when i think about that scene when eurydice tells orpheus they need to get food#but he’s working on his song and she makes the choice to trust him and go#to work harder and longer and search for things to feed them and trust he’ll bring spring back#THE WAY PERSEPHONE TRIES TO KISS HADES GOODBYE AT THE START WHEN SHE COMES BACK FOR SUMMER#AND HOW IT PARALLELS EURYDICE KISSING ORPHEUS GOODBYE WHEN SHE GOES TO LOOK FOR FOOD#and hades pulls away. because she’s leaving him and he’s terrified. he’s terrified and turns it into anger because otherwise he’s helpless.#and orpheus doesn’t respond when eurydice leaves because he’s working—he’s working and he’s going to give her what he promised.#but she needs his help. she needs his help now—she needs his support and he isn’t there.#thinking about the moment she takes the ticket from hades and#it almost implies she starves. that she dies. that she starves to death trying to find food for them both#i promise you however unhinged i seem about this musical i am being purposefully restrained so i don’t spam you all too much orz#holy SHIT these tags are LONG#even for me this is ridiculous there’s a whole other post down here#high five to you for reading it ig damn#hadestown
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i think jo should've gotten to stab dean. as if they both wouldn't enjoy it
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grumpyfaceurn · 4 months
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So Chants of Sennaar was great and of course the comparison with Heaven's Vault is obvious but I'm also reminded of other games that sucked me in for a very short, intense experience, like Outer Wilds and Return of the Obra Dinn.
I guess the common theme here is a puzzle mechanic that slowly reveals an intriguing story, coupled with beautiful/unique graphics.
So yeah anyone got something that scratches that same itch?
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theparallaxview · 2 years
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chronomally · 7 months
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Another fun thing about Chants of Sennaar is that the different languages have different grammatical structures. An annoying thing about the Chants of Sennaar is that the different languages have different grammatical structures
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One of my favorite things in crossovers is when something that's a Huge Deal in one setting is barely noteworthy in the other. A character is freaking out worrying that their new friends will judge them over their Obvious Freakishness and when they finally work up the nerve to say something one of their new friends just goes "Oh? Same." and moves on like it's nothing. The villain in one setting gets their hands on Ultimate Power and it's a thing people in the other setting use all the time and consider totally mundane.
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mobydyke · 2 years
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comrade rose tyler..... travelling space and time with her IWW card checking in with workers of all types asking what are your pronouns, how are you being treated, have you ever considered organizing your workplace? i just know she hands out copies of kropotkin and marx everywhere she goes before she realizes they're too earth-centric so she puts together an interplanetary team and they rewrite the bread book to have more universal relevance. she goes down as one of the greatest union organizers and leftist theorists in history but because her direct influence spans tens of thousands of years, she's heavily mythologized as well. she becomes an icon. in heavily policed workplaces, asking someone if they know rose tyler is asking if they're union-friendly. union leaders begin to use flowers as secret codenames to protect their identities and families from retaliatory action. rose tyler physically does not exist in this universe anymore but her legacy is bigger than she'll ever know
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hext00ns · 9 months
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Lassie, infodumping for like an hour about history:
Shawn, listening: so like have you ever been tested for autism?
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kaus-quietis · 10 months
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Lav's All-smiles Problem-solving Roooooundtable ch108 edition!
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Welcome, welcome! To Lav's BSD ch108 discussion! Delivered to you via my funky dove Eliott, acting as my mystic messenger. These are random thoughts I had after reading this brilliant chapter, which, writing-wise, made the best possible use of Fedya's character, expanding it even more without even betraying his backstory. Maybe a backstory isn't needed after all, just look at how much FUN he is right now. I am in BLISS
Putting aside the fact that he is literally carrying the plot at this point, come sit with me, I make you a delicious Chinese black tea with rose petals and casually share my thoughts. Hello there, dearest Kat, yes, "where is Lav when you need her?", I am here, I offer you a hug, and to all my friends here who share the sentiment, I hug you too.
A. Before you say ANYTHING about "oh but? maybe Fedya is telling the half-truth? or a half-lie? what if his ability really is the evil one?", my brothers and sisters in Christ, listen to yourself. This man functions almost on a meta-level of character consciousness: he changed his facial expression and aura so convincingly, his tone, his speech, his posture, even the shade of his eyes, fooling not only Sigma, but the readers as well. We are used to characters changing the shade of their eyes when they change mental states or have certain (new) decisions in mind, we as a community are so used to this, all it took was one panel from the Conjurer doing this trick for so many of us to actually believe him and start, yet again, to spiral down the "what if he is good but his ability is evil? what if he is two entities? what if?" rollercoaster. This is so amusing to me, and in a meta-sense must be amusing to Fedya too. While speculation can bloom again based on this, I wouldn't be putting too much effort into reading into his lines here. I take it as a trick. It worked splendidly, almost like it attacked the fandom's major concerns and theories about his character and weaponized them against everyone. That's a meta-kind of tomfoolery. Trolling, if you will. I LOVE that Asagiri made him bamboozle every reader like this. His character so far goes into the best direction, it cultivates and expands his traits and skills in the best way. But let's pretend Fedya really is telling a half-truth there, which is there being an opposition between him and his ability. I talked about this in my essay (see pinned post), there really seems to be a divergence at the core of his character, but it manifests subtly, not like what we saw in ch108. Then again, not even on that can we arrive at any conclusive statements, because if we remember that, of course, "crime and punishment are close friends", it could well be that he and his ability are partners, and you bet I imagine they would BOTH indulge in peak tomfoolery like this together, if that meant one of them switching in and the other out for a sec. Remember, dear souls: aside from his "higher mission", abstract as it still is lore-wise, Fedya's keyword is "fun" or "entertainment", repeatedly. And oh he himself is even more fun now~
B. if Fedya would have wanted to mortally wound Sigma, he'd have chosen a more suitable place to stab him; it looks like a abdominal, lower quadrant, lateral stab, a deliberate choice, I would say, that technically avoids critical, most vascular organs (kidney and spleen for example) and main veins/arteries. I am no doctor, but from what I gathered, Sigma won't bleed out fast at all, and if untreated might get a deadly infection in a longer time (not counting the possibility of septic shock if we assume the knife penetrated and heavily opened an intestine). Sigma needs a medic asap (our queen Yosano when?), but will likely be conscious and quite able to move around and whatnot. Like I argued in my essay, Fedya most likely does not want to kill Sigma, or anybody for that matter, because keeping everyone alive to fulfill various roles and see how their will tosses them in all kinds of directions is more fun for him, more entertaining, but also more useful. He is a long-term strategist, like Dazai. "Our beloved monsters" ❤
C. Fedya evidently exerts some serious mental torment on Sigma, by making him stand by his choices, his will, just like he always desired. The flip side is that Fedya takes his time, or should I say gifts Sigma his time, in which he teaches him the full lesson of what Sigma wants. The responsibility that comes with acting on your own, the terror of facing the consequences when choosing on your own: right now, to Sigma, this freedom is terror. But Fedya is never a one-dimensional character. It's most probable he calculated and devised strategies for both possibilities (a. Sigma with rekindled determination touches him; b. Sigma backpedals on what he decided and does not touch him). The irony is that both scenarios are an affirmation of Sigma's will, because, while the first decision can be seen like foolish bravery, the second one can also be seen as wise self-preservation, if the circumstances so demand it. BSD is not a black-and-white series, diving head-first into danger is not its definition of bravery or heroism. BSD was always about measured decisions, ones the characters take upon themselves willingly. It may be time Sigma does that too, in his own way, and Fedya wants to see that. Why? Well, my guess is because it's fascinating to watch humans grow, and Fedya lives for the entertainment that comes with it. It is actually more interesting if we remember his line from ch42 (“People can be so simple… They truly believe they are thinking for themselves. (…) They don’t want to think they’re being led by the nose”): the pattern is, Fedya puts others under harsh circumstances, and then, under pressure, lets go of them, waiting for their free decision, the true test and expression of their hearts, so to say (which could make a superb discussion if we make a parallel between Kunikida and Sigma, since essentially what happened to Kunikida is happening now to Sigma, except Kunikida did indeed break down, but thanks to healthy support from his comrades he slowly regained his sense of self, and stronger than ever at that time, however… Sigma is alone, isn't he? but what if he needs to be in order to finally get a hold of his own self?). Anyway, how much of that expression is free, or how much is guided or manipulated, is a debate in itself, since it implies relating the freedom to the individual vs relating the freedom to the external factors and possibilites.
D. I do need to underline, just like Fedya also underlined it: Sigma already made his decision, right there when he still tried to get the gun before getting kicked in the face. Fedya moved on to the next step: testing how strong Sigma's will is when an actual chance to act appears. Sigma already accepted the physical pain, but how will he face the mental anguish? That is more Fedya's territory, a "specialist" of breaking people by simply knowing them thoroughly and choosing the right words. But now we gained new info: even in close combat, apparently, Fedya is not to be underestimated. That was a rather strong kick, anyway. But more importantly, he completely turned the tables in a situation where he would be in a total disadvantage. * chef's kiss * that was very bungou stray dogs of him.
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