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#(And is totally the one recording this)
xshinina · 1 year
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*Married life playing in the background
This idea was probably funnier in my head
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xxcherrycherixx · 6 months
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cupid's gals meet
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turtleblogatlast · 4 months
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Leo’s natural intuition and perceptiveness are so good and subtle but seen throughout the whole show many, many times. And it’s interesting to see how these natural characteristics of his give way to other traits of his as well.
Like, him loving twists and betrayals and surprises goes hand in hand with him being so naturally intuitive.
Canonically, he knows his fam so well he can predict how they’re going to react (knowing what state his fam would be in during the base Shredder fight, being able to trick everyone in Lair Games, knowing Splinter would fall asleep after milk and cake, etc etc etc etc), and he also knows how to predict and manipulate his enemies as well (the “salami paper”, everything with Big Mama, etc etc etc etc).
This intuition comes off as very natural, so it makes so much sense that anything that throws that off would be fun for him to encounter! Provided that the “surprise” isn’t, y’know, world ending.
Moreover, this intuition and perceptiveness also goes hand in hand with how he’s secretly more responsible than he lets on, having to remind his brothers to be aware of how they appear or what may be too much for them or who they may hurt if they’re not careful.
Lastly, and this one is obvious, but these traits are also what fuel Leo’s sense of strategy, which is displayed not only with his actions on the battlefield, but every conversation he has outside of it. After all, it’s a long game to play, to appear a certain way. The Face Man is just another strategy.
So yeah, he knows people. He knows people very, very well.
And he tries very hard to make sure no one knows him.
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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angelxd-3303 · 10 months
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reddieswift · 3 months
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besties :,)
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theminecraftbee · 8 months
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i think my biggest decked out 2 meta thought is that the hermits are currently seriously undervaluing the ethereal cards on account of them losing them in the future, and in general undervaluing the entire crowns shop in favor of the frozen shards.
the thing is, they're right about moment of clarity; building up your permanent deck is more important than that temporary boost, and moment of clarity just doesn't do enough for any given run to be worth it if it's anything other than 'the only thing left you can afford'. they're right about that specific ethereal card.
the PROBLEM is that they're extending that calculus to the crowns shop. but that's not the same trade-off in the crowns shop! literally every item in the crowns shop is one-time use! so the ACTUAL trade-off there is "will this item i buy help me enough to make up for the number of dungeon runs it took to buy it". when you look at it like that, it becomes clear that frozen shards are probably a little overpriced if you're just going to run easy or medium, and are ESPECIALLY overpriced if you're not sure you can reliably win that run. eight crowns, especially early game, seems to currently take three or four runs to build up, and that's if you're lucky with treasure on all of them and win all of them!
meanwhile, three crowns is one or two runs - one if you're lucky, two if you're not, from what i've seen. for those three crowns, though, you can get one of the ethereal cards, which will then help ensure you win your next run, getting you to another permanent card. for a little more, you could get something like tango as the dungeon lackey, and REALLY amp up your ability to make sure you win a run.
now, later on in the game when treasure is more reliable and runs are more valuable, this calculus probably changes; suddenly, one extra run is worth a lot more than it currently is. it's just that one run RIGHT NOW is worth like, one common card and a crown, unless you add something to it to make it worth more, whereas a copy of like, pay to win, could bump a run up to an uncommon card, and that's way more valuable than an additional run, i think.
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Porcelain Steve - Part 7
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
((TW for this part; period typical slurs and internalized homophobia. Read the tags before clicking readmore if you want the details))
Steve has been a porcelain doll for seven weeks when disaster strikes.
"What is that," Jeff says, because even though the words are in an order which would suggest that it's a question, the tone of voice Jeff uses decidedly is not questioning.
"What is whaaa-AH! Nothing! It's nothing!" Eddie, who was torso deep into his closet throwing things around to find his backup amp cord, turns to look at what Jeff was talking about, and is now launching himself across his room to stand between Jeff and Porcelain Steve. Porcelain Steve, who Eddie had lain on his bed, propped slightly on a pillow, headphones carefully perched on his little head, hooked to a cassette player currently playing the first hour of last week's Top 40 countdown that Eddie had taped for him (all three hours of it, leaving out the chatter of the radio show host. He'd had to use two tapes to get it all).
"Nothing sure looks a lot like a doll in headphones, Munson," Jeff has an amazing poker face but Eddie's certain he can see a bit of judgement underneath the carefully blank expression Jeff is wearing.
"I don't know what you're talking abo- hey! Hey, no, no, don't!" Eddie tries to bodily block Jeff when he moves forward and the two end up wrestling, a match that Eddie almost wins, if not for the hazard that is his messy room. He gets Jeff walked almost to the door before he steps wrong on something, ankle rolling and sending him down sideways. He clutches at Jeff but can't make purchase and Jeff, the bastard, does fuck-all to try and catch him. Instead, Jeff leaps out of arm's length, then lunges onto the bed as Eddie collapses to his floor.
Eddie frantically tries to stand and, in his haste, ends up with his feet tangled in a pile of dirty laundry and that sends him crashing down again, this time forward onto his hands and knees, so he gives up on standing and crawls the few short feet to the bed, finally looking up to see that the damage has been done.
Jeff has picked up Steve, holding him inches from his own face, eyes squinted in suspicion. Eddie is frozen, horrified and afraid, and can't bring himself to do anything as Jeff examines Steve closely, turning him around, poking his torso, flipping him upside down to examine his shoes more thoroughly. It's only when Jeff reached for the shirt, pinching the hem of it between two fingers that Eddie kicks back into action.
He lunges up, one knee on the bed, leaning over to grab Steve and yank him from Jeff's grip. His first instinct is to throw Steve over his shoulder, out of sight out of mind mentality, but as soon as he does, he realizes his mistake and twists, lunging to catch Steve in midair. He does manage to catch Steve, but it sends him bouncing off his dresser and almost back to the floor before he manager to regain his balance, where he proceeds to cradle Steve to his chest, which is heaving from the adrenaline, wrestling match, and subsequent dive after Steve.
Jeff is giving him a concerned look but something else piques his interest; Jeff reaches over and picks up the headphones, holding them up to one ear. His face goes through every emotion a human could possibly experience in less than fifteen seconds as he listens to whatever track was at the forty-ish minute mark on the Top 40 countdown.
Slowly, Jeff lowers the headphones, letting them drop to the bed before he gives Eddie a new, more judgmental, yet infinitely more concerned, look. "Eddie. What. The fuck."
Honestly, he's not sure there's anything he can say in response.
"Why- I don't... are you okay, man?" Jeff sounds both scared for Eddie, and scared of him, at the same time.
"I'm fine," Eddie manages to squeak out.
"Eddie," Jeff says seriously, "this is not fine. This is- this is insane behavior. You know that, right?"
"I've no idea what you mean," Eddie doesn't even know what he's defending himself from but his default response to anything is to defend himself. He grips Steve tightly around the torso with one hand and then moves both his hands to be behind his back so Jeff will stop staring at Steve.
"I mean this fuckin' insane shrine you have dedicated to Steve fucking Harrington. How did you even get a doll that looks like him. Did you- did you make that?"
Fuck. Holy fuck. What can he say to defend himself here? Is there a single way for him to come out of this not sounding deranged? If he agrees, let's Jeff's drawn conclusion be the truth, then that's all but confirmation to Steve about his big fat crush, so when Steve's back to being Steve he'll never look at Eddie again. Jeff might think he needs mental help, but he'll be here for Eddie. If he tries to deny the accusation, then he'll need an explanation. He'll have to tell Jeff something that make him seem less like a creepy stalker, but what? He can't tell the truth, not without letting everyone know he's going to tell Jeff. There's a whole other secret he'd have to let out to even have a chance of Jeff believing him.
Jeff must take his silence for acceptance or guilt, because he's speaking again. "I.... man, this is not healthy. Please tell me you aren't, like, hoarding a lock of his hair or his clothes or something."
Involuntarily, damningly, his eyes dart to the closet, where several of Steve's sweaters hang from when he'd borrowed them and never returned them. And it's not like Steve doesn't have several of Eddie's own articles of clothing, like his battle vest and a few shirts. But Jeff doesn't know they easily, willingly, swap clothes, so his eyes go wide and dart towards the closet, as if he can pick out which pieces belong to Steve on sight.
Actually, he probably can.
"This really isn't what it looks like," Eddie says because he has to say something. Being silent is too incriminating.
"I don't think you're aware of what this looks like," Jeff says, wiggling himself off of Eddie's bed to stand at the foot of it. "Of all the boys in Hawkins.... I knew you liked Steve but this is.... creepy. That doll looks so much like him that I recognized it. Does Steve know you're in love with him, or is this like a way to process your crush without having to-"
"Jeff!" Eddie yells, mortified. He can feel his whole face heat up, knows he must be bright red. Because Jeff just said, out loud and for Steve to hear, the thing that Eddie very much hasn't even said out loud to himself, even if he knows how he feels deep down.
Jeff must know he's overstepped some invisible boundary he wasn't even aware of because his face immediately shows regret. He takes a step forward and Eddie takes a step back.
Immediately, Jeff stops his forward momentum. "Shit, I'm sorry, Eddie. I'm sorry."
When Eddie answers, his voice sounds like he's been eating gravel, "Just, can you go wait in the living room? I'll be right out, and we can talk, or whatever, but can you just..."
A nod, and then Jeff is gone, closing the door behind him.
With shaking hands, Eddie brings Steve back to the front of him. Looks down at him. He's not even aware he's crying until he watches his tears mark Steve's tiny polo. He can't keep holding Steve. Can't keep looking at him. Not when- not when his best friend just outed him in the worst way possible. And Eddie can't even be upset or hurt about it because Jeff didn't know. He's teased Eddie about his crushes before, and in the safety of his own room, there was no reason for Jeff to have to watch what he was saying.
Even knowing that Steve is okay with Robin, loves her anyway, without the ability to confirm that Steve doesn't hate him right now, Eddie's going to freak out. But he can't. Jeff is waiting in the living room, and the band is waiting back at Gareth's. This was just- they were supposed to just grab the amp cable and get back, a fifteen-minute job at most, and now.
Now Eddie is staring down at Steve, willing himself to not have a panic attack.
"I'm sorry, Steve. I'm so sorry. You shouldn't have heard it like that, it s-should have come from me. It should- you-I'm sorry," Eddie gently underhand throws Steve onto the center of the bed. He lands face up and Eddie sinks to the floor because he can't stand anymore, and he can't really breath.
Steve knows Eddie's a fucking faggot now, and that he wants Steve, and there's no way he'll get to keep the friendship they had before this. There's no universe in which Steve isn't creeped out by this information. There has never been an instance where a straight boy found out about his crush on them and didn't abandon him. Not always cruelly, he'll admit. He's had friends that learned and just... slid from his life with no words and no fuss. Eddie just never spoke to them again because they never came back around, but they also never outed him.
That's what will happen with him and Steve. He'll quit inviting Eddie around, or calling when he's bored, and eventually it will get to the point that Eddie only sees him at BBQ's that Joyce drags him to.
Fuck. FUCK!
He's not sure how long he's on the floor but eventually, he finds the will to get back up and resume digging through his closet to find the amp cord. It doesn't take long, he was ridiculously close to finding it earlier, it seems.
Before leaving his room, he picks back up the cassette player and headphones. Silence comes from them, so he pops the tape out before flipping it to the B side and popping it back in. He puts the headphones around Steve's head again and presses play, doing his best to not actually look at Steve. He'll just have another breakdown if he does.
He trudges out of his room, closing the door behind himself before taking the short walk to the living room, where Jeff waiting on the couch, elbows on his knees, fingers steepled under his chin, eyes faraway as he stares towards the wall in front of him.
"Hey," Eddie says, to get his attention.
"Hey," Jeff says, sitting up straight and turning towards Eddie. "I'm sorry. Whatever I did, I'm sorry."
"Why are you apologizing? I'm the fucking psycho here," he sighs, leaning sideways against the kitchen counter, arms folded across his chest, hand clutching at the amp cord just for something to ground him.
"Forget that, whatever I did, or said, or whatever, you were- when you yelled my name. You looked terrified. Of me," Jeff almost whispers the last sentence, and if not for the stark silence in the trailer, Eddie wouldn't have heard.
"Not of you, Jeff," Eddie whispers back, but his voice doesn't stay quiet because 'quiet' isn't a thing Eddie does easily or often. "Of... of myself, and these- of how I feel- I'm a goddamned faggot and now that Ste- when Steve finds out I'll lose him! Like I've lost every fucking person who ever even suspected I was a fuckin' queer!"
Silence stretches between them, enough to make Eddie fidget, dropping his crossed arms to twist the amp cord about anxiously with both his hands.
"Look, man, I don't know what's, like, the appropriate thing to say so I'm just going for the honest thing. You got me. You'll never lose me. And all those other assholes that you think you lost? You're wrong. They lost you. And if Steve Harrington is gonna be another one of those, then you aren't losing him. 'Cause he was never really in your corner to begin with."
If this were anyone else, with the exception of his uncle, he would be able to hold it together better. But it's Jeff. His best friend. Who never believed Eddie committed unspeakable horrors over Spring Break last year. Who didn't question the strange, new friends he suddenly had afterwards; who accepted as the only explanation a softly spoken 'they saved me' and that was enough. Who had said 'ok, cool' in response to Eddie telling him he was gay, years ago now, and continued trying to find out if Eddie had a secret relationship, switching girlfriend for boyfriend like it wasn't a big deal (Eddie did not have a secret relationship; his good mood that week was the result of snooping for his birthday present and finding the guitar hidden under his uncle bed).
It's Jeff. So, Eddie does the most metal, manly thing he can and bursts into tears, blindly reaching for Jeff and pulling him off the couch so he can bear hug him and sob into his shirt.
"There, there, you big baby," Jeff rubs his back soothingly, "let it out. Then pull your sorry ass together, because Gareth and Brian are going to think we died in a car crash on the way here if we take much longer."
"Ah, fuck," Eddie manager to say around the sniffling he's trying to get control of, "you're right."
"You good, though?"
"Uh, I will be."
Jeff nods and steps back. "How about this. We go to practice, and then you can come to my place tonight and we can like, hangout and talk. If that's what you want."
He's already nodding as he says, "yeah. That would be good. I- uh, I have something to do after practice, but yeah, after that I'll come over."
Eddie tosses the amp cable to Jeff after they climb into the van and head off.
Halfway there, Jeff says, "you know Gareth and Brian are in your corner, too. If you ever feel like telling them one day."
"One day," Eddie agrees, "but today has already been... a lot."
Practice goes well, with some ribbing for their tardiness allowed. If Gareth and Brian notice Eddie's been crying recently, they keep it to themselves. Which is good, because Eddie cannot handle one more thing today.
A promise to meet up with Jeff later and Eddie's back home.
Back to where he left Steve, who will be laying in silence on his bed because it's been well over two hours since he and Jeff left, and the tape only held an hours' worth of music on each side. Back to the nightmare of not knowing if Steve hates him now, or if Eddie's, and this is the most likely scenario, being a bit overdramatic.
His uncle is home, so he greets him, asks after his day, gets told dinner is Fend For Yourself Night (which just means leftovers or a TV dinner), and gets asked about Steve. Because of course he does.
"You sure he went on a vacation willingly with those parents of his, and he ain't actually kidnapped and trapped somewhere?"
That's a little bit too true. If only Wayne knew. "Well, no. I'm not sure. All I know is what he said when he left."
Wayne gives him a look. One Eddie is used to seeing, that says 'I know more than you think but I'm waiting for you to tell me' and Eddie's a little afraid of what Wayne thinks he knows. So, instead of prying that box open, Eddie just says he's tired and goes to his room.
Steve is exactly where Eddie left him.
Suddenly, without reason or logic, Eddie is angry. He's so pissed at Steve for being gone for this long. For having transformed in the first place. For not being able to assure him they'll still be friends, regardless of Eddie's stupid crush.
He snatches Steve off the bed, hand clamping around one of Steve's arms and his torso so he can hold him up with one hand. Steve's face, permanently stuck into a blank expression, looks back. Even knowing that Steve sees and hears through this thing, Eddie's so angry at the doll. If Steve hadn't been turned into this stupid thing, if Eddie wasn't so helplessly in love with him, this wouldn't have happened. Eddie could have taken his own time telling Steve, instead of hearing his deepest secret spilled easily from Jeff's lips. Instead of this not knowing what Steve is thinking, or how he feels. Is he recoiling in disgust at the fact Eddie's making him look at his face? Or is Eddie being awarded the same kindness as Robin, a quiet acceptance that won't change their friendship?
Eddie doesn't know that answer and he hates it.
He's so angry with himself because he should know better. He's forcing his own insecurities onto Steve, about acceptance and caring, when nothing Steve's done since they've become friends is prove that he'll always be Eddie's friend and not even the apocalypse could change that.
"I'm going to hang out with Jeff, so you're gonna be alone a bit longer. Or maybe I should drop you off at Robin's when I go," Eddie goes to toss Steve back on the bed when something pinches his palm. It's a startling sharp pain, quick to fade, but it's surprising enough for Eddie to let go.
Eddie watches, horrified, as he falls to the floor. He twists in the air, landing with a dull thump and cracking sound on his left arm before falling onto his back.
"Shit. Shit! Fuck, Steve, I'm so sorry, I didn't mean to," Eddie is crouched, already in the process of reaching for Steve when he freezes.
There is a crack on Steve's left arm, a line that starts above his elbow on the inside of his arm and runs down and across his arm to his hand, where Steve's pinky finger is gone. Looking slightly to the side, Eddie can see the small porcelain piece that Steve is missing laying on the ground next to him. Eddie's own hand is hovering in the air above Steve, shaking.
This can't be- how did- Eddie wracks his brain. Was the crack there already? Did Eddie cause the crack when he bounced off his dresser earlier? When did it happen? Does that fucking matter when it's Eddie who broke a piece off him? If Steve didn't hate him before, he's got to now. Eddie doesn't have time to panic about this, he's got to- El. El can talk to Steve. Find out if he's okay. What if breaking him-
Eddie launches himself up and to his dresser, grabbing at the Walkie up there. He pulls the antenna up, clicks it on and tries not to actually shout as he says, "Code Red! Code fucking Red!" He lets off the talk button, counts to seven in his head, enough time, he reasons, for someone to respond before he repeats the process. "Code Red!! Code Red!"
He repeats this process for three minutes with no response. Where the fuck is everyone!? How is he supposed to- Oh! The phone!
He tears down the hall and to the phone. He must look a right state, because Wayne looks very concerned and is halfway to standing up when Eddie gets to the phone beside him. He yanks the phone up and dials the number for the Byers-Hopper household, holding up a shaking finger to Wayne, a silent plea to give him a moment.
It rings and rings and rings before the answering machine kicks in. Eddie presses down on the disconnect button before dialing the Wheelers' number next.
"Hello?"
"Mike! Code Red! Where the fuck is everyone and why aren't they answering!?"
"What?"
"Code Red! Where's Nancy. Put Nancy on."
"Dude, slow down, what's-"
"I broke St-it. I broke it and someone needs to get El here now. Code Red does not mean ask questions, Mike! It means Code. Fucking. Red."
"Shit, shit, right! I'll get Nancy and we'll get everyone- just- we'll be there soon."
Eddie slams the phone down and has to meet his uncle's eye now.
"Eddie. What is goin' on?"
Eddie inhales a breath and can feel his lower lip quivering. "It's- can we talk about it later? I promise I'm not the one hurt, or in trouble, or- it's not me, ok. I just-"
"Yer shakin' like a leaf boy. What's got you so spooked?"
Eddie just shakes his head and flees back to his room, slamming the door shut between him and his uncle. He can't bring himself to cross the room to Steve. He slides himself down the door to sit on the floor, pulling his knees up to hug.
"I'm so sorry, Steve. I'm sorry."
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sometimes I think I’m over twelve then I watch series 10 again and the thought of never having another episode with the coolest fucking guy to ever live playing the greatest character of all time hits me like a fecking tRUCK
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thekintsugikids · 9 months
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so much for (tour) dust, the healing tour of all time
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sexynetra · 4 months
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Y’all I went feral just over the screenshot, the full video has me actually dead on the floor 😭
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missmolsa · 19 days
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Nothing to see here, just a movie star and a newscaster hanging out and participating in legal activities.
Og illustration after the cut:
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mattodore · 1 year
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everyone say hi jordan ✌
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theflyingfeeling · 26 days
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that moment Olli had finally lost all sense of security in this game
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musette22 · 5 months
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Hi friends, just a quick message about the Seb in The Apprentice situation. I've (understandably) been getting quite a few messages about it, most of them wondering why on earth Seb had to take this role, and also expressing concerns and hurt about the whole thing. I absolutely hear all of you, and really feel for those of you who are worried and upset. I am too, to some extent, but I know it's far worse for some of you who have been directly affected by this despicable man's actions and influence. I'm so sorry this is bringing back awful memories and emotions, and that it's tainting what should be your safe space and/or escape. That genuinely sucks, to put it mildly 😔
While I always try to make sure that this blog remains a positive and safe space as much as possible, this is something that I couldn't help but express my own concerns about as well. However, I have done that now, and I feel like for the moment, that's all the attention I want to devote to it. The more we talk about it, the more negativity it seems to garner, and that's doesn't feel beneficial to anything. So for the moment, I won't be replying to any more asks about this situation, at least not until we have more substantial information about the direction this movie is taking and what its goal is. I hope that's okay. Thank you for understanding, and I'm sending lots of love and hugs to everyone who needs it ❤️
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pepperpixel · 24 days
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got to see the total eclipse in person!!! heres some art commemorating that! cuz getting to watch 2 celestial bodies make out sloppy style was inspiring what can i say, also it was just rlly beautiful and cool and amazing to get to see ghg- but also! its like?? basically the moon finally getting the suns undivided attention... and thats got some vibes to it,, some energies... that i could not ignore lol.
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