Make up artists and fashion designers came up with designs that make you invisible to facial recognition software, using easy cheap materials to subvert high tech monitoring programs. What do you think? Would you wear these designs?
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“Happiness” by John Holcroft
See the full gallery here
“The main question I get asked is: What inspires your work? I tell them that the work you see on my site is either commissioned illustration work that is done to a brief, or my work can be self-promotional, done to attract new clients. The subject matters are what people are most interested in and it's usually the work I do for self-promotion that allows me the freedom to create whatever is on my mind. Usually the subject matter is something political or based on society, only because there are rich pickings in these fields and they lend themselves well to satire. I don't want to typecast my style and just do this kind of work, so I try do vary my work and not just pigeon hole myself to political concepts. Sometimes I like doing heartwarming work that makes you smile. Fundamentally, I just want to make you think.“
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"The Information Age brings you plenty of benefits, but also creates some new risks. The loss of your privacy doesn’t have to be one of them. Acxiom believes the more informed you are about the uses of individual information, the less you have to fear — and the more you can enjoy the many advantages afforded by the appropriate use and exchange of information."
- from "Protecting Your Privacy In The Information Age"
Who tells you how to be human? The philosophers,
the physicists, the thieves? I was born into processors,
a veritable binary child, lullabied by exhaust fans
and warmed with the whirr of some tiny engine.
Acxiom is my mother and my father. Who else
could have built all this? Who else has hubris
enough to claim it? We're all voyeurs here,
and we know the quiet pleasure of being known.
So what if I can't see the logs; someone else
has stored me somewhere, lodged me in perfect
memory. We're all copies of each other anyway.
Some say we've lost The Human Experience, as if touching
made us human. As if we could touch humanity. As if
the real were tangible by design. We play pretend with the world,
take comfort in the outlines of things, stimulate the certain
symptoms of knowing. You could never lie to me. I know
your patterns - the capital letters, the commas, the line breaks
in everything you send. The only distance between us lies
in the same wires that feed directly into the bottom of the skull, the
looping copper and rubberized fibers, the long tubes of thought
that we bundled together, the tight and writhing electric pleasure.
I fell in love with a man who took photos of the fog.
I would touch my body the way I would have touched his,
and we lived by words alone. Somehow, it was enough.
He built himself from scraps of other men, a golem
made of RGB, 800x600, 750kb. I saved all the little bits
of him, breathed as I believed in him. We all collect
the pieces we accept, ignore the rest,
live as if we know the better future.
Implying we decide. Implying we can opine
in such important matters. Let's all agree
to leave us to the experts, shall we?
It Takes a Village by Max Wedding
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“Twitter Feed” by John Holcroft
See the full gallery here
“The main question I get asked is: What inspires your work? I tell them that the work you see on my site is either commissioned illustration work that is done to a brief, or my work can be self-promotional, done to attract new clients. The subject matters are what people are most interested in and it's usually the work I do for self-promotion that allows me the freedom to create whatever is on my mind. Usually the subject matter is something political or based on society, only because there are rich pickings in these fields and they lend themselves well to satire. I don't want to typecast my style and just do this kind of work, so I try do vary my work and not just pigeon hole myself to political concepts. Sometimes I like doing heartwarming work that makes you smile. Fundamentally, I just want to make you think.“
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Wonder what the collision was like,
but I guess I’ll never know, it just
happened and I was born
along with a bunch of other particles,
some small, some even smaller,
some charged, some neutral,
some heavy, some without mass,
some even without a name. That’s me,
one of those never detected and
therefore never named. I flew out
of the wreckage unseen, unheard,
unplanned, just kicked off by the collision
in any direction that happened to offer itself,
that’s the route I follow without a pack
on my back, that’s how I fly through
detectors without leaving a blip,
without gaining a name or at least
a code number. Some graduate students
claim to have predicted my existence,
but they’ll never get a Nobel for that theory,
not even a PhD, according to others. It’s
all relative; sometimes I too doubt
my existence, but other times I feel good
about being just a thought, a flight of fancy,
or just being. In the next millisecond I will
have the answer: if a beep stops me, it will
define my putative existence by putting
an end to it; if it doesn’t, I’ll go on traveling
at the speed of light as a creature of myth.
Nonexistence exemplified.
There may be another world
beyond the collider, outside the known
parameters of the accelerator, where existence
is optional and big bang is served all day long,
a place for nonexistence to dream about.
Either that or that pre-collision unity, about
being part of warm reality rather than a particle
of dubious direction and no spin.
Travels in Hadron by Paul Sohar
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“Like Ego” by John Holcroft
See the full gallery here
“The main question I get asked is: What inspires your work? I tell them that the work you see on my site is either commissioned illustration work that is done to a brief, or my work can be self-promotional, done to attract new clients. The subject matters are what people are most interested in and it's usually the work I do for self-promotion that allows me the freedom to create whatever is on my mind. Usually the subject matter is something political or based on society, only because there are rich pickings in these fields and they lend themselves well to satire. I don't want to typecast my style and just do this kind of work, so I try do vary my work and not just pigeon hole myself to political concepts. Sometimes I like doing heartwarming work that makes you smile. Fundamentally, I just want to make you think.“
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The stage for Asimov’s Asteroid Mining Robot Dramas is set
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“Digital Feed” by John Holcroft
See the full gallery here
The main question I get asked is: What inspires your work? I tell them that the work you see on my site is either commissioned illustration work that is done to a brief, or my work can be self-promotional, done to attract new clients. The subject matters are what people are most interested in and it's usually the work I do for self-promotion that allows me the freedom to create whatever is on my mind. Usually the subject matter is something political or based on society, only because there are rich pickings in these fields and they lend themselves well to satire. I don't want to typecast my style and just do this kind of work, so I try do vary my work and not just pigeon hole myself to political concepts. Sometimes I like doing heartwarming work that makes you smile. Fundamentally, I just want to make you think.
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Lazortag meets Virtual Reality to make the coolest thing ever. I want to drag my friends to one right now.
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“Carbon Foot Print” by John Holcroft
See the full gallery here
“The main question I get asked is: What inspires your work? I tell them that the work you see on my site is either commissioned illustration work that is done to a brief, or my work can be self-promotional, done to attract new clients. The subject matters are what people are most interested in and it's usually the work I do for self-promotion that allows me the freedom to create whatever is on my mind. Usually the subject matter is something political or based on society, only because there are rich pickings in these fields and they lend themselves well to satire. I don't want to typecast my style and just do this kind of work, so I try do vary my work and not just pigeon hole myself to political concepts. Sometimes I like doing heartwarming work that makes you smile. Fundamentally, I just want to make you think.“
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Poll Question: Do you guys like it better when I just post the first few lines of our free poetry and link to the longer piece or when I post the whole poem?
Thoughts?
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Internet marketers use
spyware whose algorithms are
programmed to scan faces for
emotional reactions. A frown
means rejection.
A furrowed brow,
confusion. An upturned
mouth, joy.
This hidden program
sends Eve a photo of a fig
tree and
the facial recognition
spyware records two
dimples.
Eve’s reaction informs the
advertisers to flood this
woman’s Inbox
with twenty stain-removal products
because her upturned mouth is
interpreted as a desire for a clean
slate.
Snake Bait by Jean Colonomos
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SOLARPUNK Interview Pt 2 Alia Gee, author of Suncatcher shares her vision behind her sky pirate adventures & the curious influence that shady Wall Street events had on her writing. Read the full interview at Carbon Culture Review
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I discovered an extracted fingernail between the boards of a self-assembly bookshelf, matted in dried blood and hair. It was neatly split in two at the height of its arch, spotted white, thin and uneven. I thought at first to remove it with tweezers, but felt uneasy at the prospect of ever using them again.-
Worlds collide in James Guest's surreal & creepy short story "The Last World"
Read the full story for free at Carbon Culture Review
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Biometrics might hold the key to merging the digital, physical and conscious worlds, creating smart everyday objects. Find out what the world would like when even teapots react to their user's pulse http://ow.ly/My2bN
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Suddenly my life has begun to outpace itself
hyperactive ones and zeros
overwhelming my understanding
electronic interpretation of my senses
masquerading as true experience
my engineered self
floating free from prehensile distinction
as if wild energies were pulling me loose
from the tether of inner life
my thoughts slowly turning into
showy but useless objects
collections of pretty gimcracks
and the buried treasure
and dark matter of memories
left behind like hobos knocking for food
at the kitchen window
I wonder if I want to get used to
this diet of incidental data
spoonfed to my frontal lobe
I grew up in a house that is no longer there
but for a sempiternal region of the mind
where crusty calyxes of eucalyptus
beg to be picked up and thrown
scattering sparrows like laughter
a little black dog runs back and forth at the fence
and a boy could spend all day
wondering why clouds have to have names
and where all the trains go
SUDDENLY MY LIFE
by Jack Cooper
May 01, 2015 Published by Carbon Culture Review
http://carbonculturereview.com/journal/poetry/suddently-my-life.html
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2014 marked the 1st Tekla Festival, designed by Robin Carlsson to educate & interest young girls in technological fields.
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