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#yes i wrote something
inkskinned · 10 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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sleepshade · 1 year
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Guys I wrote a Stardew Valley fanfic.
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https://archiveofourown.org/works/46294888%22%3E
(:
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(source, 11/30/22)
KING
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radioroxx · 4 months
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ok posting some silly. martlet from that one sketch but i coloured her 👍 and bonus doodle cuz. i need yall to. i need yall to see the vision ok. do do you see it do you
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eyrieofsynapses · 5 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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ash-arts-but-sinful · 8 months
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Whoa sudden thought, Pinocchio being jealous because of Carlo.
No wait think about it, Carlo is confident, outgoing, but above all he’s human. Human like you. Why would you bother staying with a puppet if you could have somebody who is not only human, but looks almost exactly like Pinocchio himself.
Carlo would be well aware of the jealousy too and he’d take full advantage of it to get under his counterparts metaphorical skin. Despite the strong emotions Pinocchio may feel and how far he’s come with his adventures through Krat he still isn’t fully human, but OH can he feel those emotions and he didn’t know how strong jealousy could be.
So taking every chance he could, Carlo would throw flirtations your way. Every pick up line, any chance to touch you, every wink, every smirk, but only when Pinocchio was within sight. The annoyance on his face would be clear instantly, his eye would twitch. He’d scrunch up his face, the furrow of his brow and scrunch of nose clear along with the slightest hint of his lip curling. The worst tell would be the twitch in his legion arm would return full force.
Of course, Carlo would tell Romeo all about it, delighting in how HILARIOUS he found it and, of course again, Romeo would advise him against it. He’s seen first hand what Pinocchio is capable of and maybe pushing his buttons would get him sent through a wall at worst, getting him punched in the face at best. He’d reassure his concerned… ‘friend’, that whenever you’d reject his advances Pinocchio would calm down almost instantly.
Romeo was right though because one day he pushes it a bit too far, hand on the wall beside your head, his other hand on your chin as he gazes down at you, smirk plastered on his face. Your annoyance would be clear, but that doesn’t stop a metal hand firmly landing on Carlo’s shoulder before it’s jerking him around.
At least Pinocchio was nice enough not to use his legion arm to give him a bloody nose.
Romeo got to say ‘I told you so’ (yet again) that day.
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calmbigdipper · 3 months
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What you mean to me
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shanastoryteller · 7 months
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*gestures helplessly* i. don't even know
i hope you like it?
TAKE A LONG LINE
Summary:
Steve knows that Tony Stark is going to be a problem from the first line in his file.
Designation: Alpha
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raineandsky · 30 days
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#112
Villainy is at an all time low. It’s practically non-existent, and with it, the villains.
Heroes have tried hunting them down. Searched every corner of the city, every abandoned building, every dark alleyway. Something’s going on.
The agency is humming with nervous energy. Something’s happening. This is on purpose. The villains are in hiding because they’re planning something big. Where are they all? We have to stop them. They have to be somewhere.
The villains are gone for so long, the agency strung so high, the place practically explodes when a pair of heroes happen across one on their usual jaunt around the city.
The hero is in the midst of buying a coffee when they come through the doors with bright smiles and cheers of victory. The villain flails between them, screaming bloody murder, as other heroes crowd around with questions and praises. You found one? Where were they? What’s going on? Have they said anything? This is a good sign. Good job, guys. The start of the end.
The heroes continue through with their prize, others following them like a cape of praise and cheers, and the hero gets a chance to glance at the villain. A familiar face. One of the ones the hero saw frequently in the field, one they’re well acquainted with. Of course.
The superhero throws them into an interrogation room not even fifteen minutes later. The hero’s coffee is still half-full. Might as well play the optimist, considering the situation.
One of the same heroes as before brings the villain in. The villain is, to put it lightly, rabid. The hero can see the scratches on the other hero’s arms, though he doesn’t seem to mind. He’s still too busy basking in everyone’s praise to care.
“Be careful,” he says cheerfully as he wrestles the villain into the chair opposite. “This one goes for the eyes.”
The villain’s never done that to the hero on the streets. Something’s going on, they can agree with that, but something’s changed.
The other hero steps back with a grin as the villain snaps at him, teeth bared like an animal, and with a quick thumbs up to the hero he turns on his heel and leaves them alone with the villain.
Rage is not an emotion the villain has ever expressed outwardly. Anger, sure, but not quite this raw. They yank their hands desperately to try and free themselves, the chair they were put in already tipped over. The table jolts with the force, and the hero’s half-full coffee tips over and onto the floor.
The hero can only think to watch. They’re not going to get anything out of them like this. They’ll wait for the villain for them to tire themself out.
After ten long minutes, it’s clear that isn't an option. Where are they getting all this energy from? They’ve been in the agency before, back when they were amateur enough to get caught, and they were never this frantic. They sat quietly, answered the questions the hero threw at them, and casually broke themself out that same night.
“[Villain]—”
“Let go of me!”
The villain’s breath is haggard, their arms shaking with the effort, but they haven’t stopped. The hero’s confusion is turning into worry incredibly fast.
“[Villain],” they try, carefully, tentatively. “Where is everyone?”
The villain’s eyes snap up to them like they’re seeing them for the first time. The first thing the hero notices is that it’s not rage in their face—it’s terror.
The hero holds their hands out pacifically. “You’re okay,” they continue. “I’m not going to hurt you.”
The fear gets quickly masked by a layer of hatred. “Let go of me.”
The words come out calmer, quieter—seething. The villain looks like they’d break the hero in half given the opportunity. “Let go of me,” they repeat—and then, a little softer, “you have to.”
The hero’s heart pulls. A hint. Something to go off.
“Why would I do that?”
The villain’s pulling has slowed, their entire body leaning back against their cuffs. They sag slightly, exhausted, their eyes dropped to the table. “You have to.”
Less helpful a second time. The hero gets to their feet, glancing at the mirror to the side of the room. “I’m going to take them back,” they tell it, to the superhero inevitably on the other side. “We’re not getting anything out of them today.”
“No!” The villain cringes away when the hero reaches for them like they’re coming at them with a knife, and they almost throw themself back to their frenzy. “Don’t touch me!”
The villain kicks a foot out and misses, thankfully, as the hero cautiously edges into their space. The hero reaches forwards to detach the villain’s cuffs from the table, and as if the action makes something crack, the villain lets out a grief-stricken sob.
The hero steps back before they can stop themself, alarmed. The villain turns their face away with another choke of a cry, pushing themself as far away from the hero as the table will allow. “Let go of me,” they say again, but it’s not angry anymore. It sounds defeated. Scared.
The hero moves past them and they lurch back like they're contagious, watching nervously as the hero carefully sets the chair back upright. “Sit down,” the hero says gently.
They nudge the chair towards the villain. The villain stares at it for a moment, letting the first streaks of tears paint their face, before they give in and sit. The single motion is laboured, tired—how long have they been fighting back for?
“If you tell me what’s going on,” the hero prompts carefully, “we might be able to think about letting you go.”
“N– No, I have to go now. Before it’s too late.” Another hint, another step in the right direction. The hero glances at the mirror.
“That isn’t an option, [Villain], you know that.” The hero settles back in their own chair. “If you tell us what’s happening, though, we might be able to help you.”
The villain shakes their head shortly. “I can’t,” they mumble, and it comes out entirely heartbroken.
“Well,” the hero starts slowly, “let’s start with what you can tell us.”
The villain hesitates, but after a moment they nod, slight, barely perceivable. The hero nods too—a step in the right direction. The first hint in the giant puzzle that is everything.
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type-3blade · 4 months
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and when you really go, you will really know you were never meant for earth. what's it worth? if we're gonna break it down with any logic it's absurd
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mishapen-moth · 8 months
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hey folks is it gay to turn you and your transitive best friend invisible and take her for a lil fly over the nightmare forest to try and get some info on it during the absolute rager of a party your friends are throwing (that she started so you would stay) and then kiss in a tree before she skateboards away?
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💛💛💛💛
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hcdragonwrites · 10 months
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Good Memories
(a @semisolidmind Twice as Bad Au Fic)
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Ok I wrote another one. This one I focused more on Wukongs perspective ! A happier memory, a happier moment- even in this twisted and messed up bad ending. Because there has to be some sweet moments … right ?
Inspired by this ask!
The noise of the stone corridor was quiet. The silence was a peaceful breath of welcome here where Peaches hardly got a moment of true peace. The roar of the waterfall drowned much conversation here so the foot traffic of the mountains subjects was lessened. Except for the patrols of troops, the top ranking officials and guards, the eyes here were light.
A chance to escape had come. Of course escape wasn’t to leave the mountain. Peaches had learned that long ago. To attempt to get down the mountain- to get to the sea that kissed the beaches below- was foolhardy. She had tired once. Once in that far away time when the trauma of abduction has been fresh, when the desire to be anywhere but here drover her to staying awake at night and planning.
Now, years later, the escape was not to leave Flower Fruit Mountain. Though she desperately longed to do such a thing. Hope though was a hard bird to kill even when caged and clipped. So, to circumvent the need to escape- to release some of the pent up agitation- she had found another way to escape.
The patrol passed the alcove Peaches had huddled herself into without a look. She waited. One. Two. Three. Once they rounded the bend she made her move. Peaches snuck out of one of the many side entrances of Water Curtain Cave. She slunked from shadow to tree, avoiding the eyes as best she could. Once beyond the courtyard, beyond the orchards she felt her spirit take wing. It was the bubble of freedom that she had to take as medicine for the true longing she couldn’t - wouldn’t- ever feel.
Not as long as she had her husbands about.
Like a horse turned to pasture, Peaches kicked up her own heels and ran. She ran for the joy of it and for the enjoyment of it. She let herself believe that she was back in the village. That she was back in her home, beneath its peach trees and with its terribly creaking timbers. That this was only a jaunt out to the woods to enjoy the day foraging and finding morsels.
It was a delusion but it was like a balm to her soul. Too much time inside the mountain and among the talks of conquests and bloodshed dampened her. Her husbands never demanded that she attend councils between other Immortals or Demons but Peaches knew when she attended there was far less work for the servants to do. For one, there was less blood to be cleaned from the stone floors. Of course it would take some of her own energy to be apart of these conversations.
Peaches would dress in the courtly and lordly garments bestowed upon her by The Monkey King and The Six Eared Macaque. Gifts they called them. Blood gifts, Peaches knew. Dressing the part as Queen always put the two demonic monkeys into better moods. Of course, whenever she was present it also became a game of keeping.
This game all depended upon the placement of the two heads of Flower Fruit Mountain. They always were placed in strategic spots- to better intimidate or to better please whatever guest they were entertaining. If there was a demon of hungry standing there was always roasted meat and wine a plenty to drink upon. These times, Sun Wukong would be seated closest to the doors. If she entered the room he would catch her wrists, her hand, her waist. Those claws would grip and tug, and she would be in his lap. Wukong would keep her there. If the King was in the middle of a conversation he would simply stop and lavish compliments upon her. Wukong was more of a earnest love then his darker counterpart. She would be forced to stay in his lap, feeling his hands and the soft admonishments if she tried to move, as the conversation continued.
Peaches wished she could have said it was always unpleasant. In the years of captivity, in the moments of stuck between hope and despair, she had come to find a balance of some sort. After so long being molded and worn down by their attentions, Peaches had begun to tolerate the attention. Wukongs attentions helped establish her as something of importance and a person not to be touched. It helped when those demons had an inclination for human flesh.
Too many times she had been told not to touch the food, the meat, when it was presented on the council table.
If the sworn brothers were entertaining an immortal being with no bloodlust for humans the positioning was different. More lax in some ways but no less imposing. Sometimes Peaches would be able to actually sit in a seat beside or between the monkeys. Other times, Wukong would claim her to his lap and tug and tease at her, a game to turn her to blushing of what things he would whisper into her ear. And, in those moments when Wukong did not claim her it was Macaque who stole her into his seat. He was more touching, less outwardly loud praise. But still enough to burn her cheeks, to make her wish to dissolve.
Water Curtain Cave fell behind her as Peaches rushed forward into the woods and away from her husbands. Macaque was away, on some errand or other again. Wukong would be occupied until late into the evening. A conglomerate of would be allies wished to pledge themselves to the King today, and it would take much of her rowdy husbands time and energy to entertain. It would also boost his ego and, with no worry of bloodshed (unless someone was foolish enough to insult) Peaches had taken her leave.
She rarely got moments alone and she laughed, some of the tension sloughing off like snow in a spring melt.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Sun Wukong rarely had patience with beings that held incompetence. He was seated in his spot in the council room, upon his golden gilded throne. The warlord was in full regalia, armour polished to a blinding sheen and staff set beside him. However all the splendour about Wukong couldn’t distract from the loathsome thing huddled at the foot of his dais, blubbering and sniffling like a slug.
The demonic monkey felt his teeth grind and clip in his mouth as the weakling worm of a dragon sniffled and bowed its head in a kowtow. Disgusting. This beast had come asking him to slay his brothers and sisters in the western sea so he could be appointed heir. Wukong raked his eyes over the diminutive fellow, taking stock.
Scales as thin as moonbeams. Teeth as square as a cows. Mane bedraggled and unclean. How filthy. This little worm couldn’t even clean himself before grovelling for my help.
A poor ally if he choose to anger dragons in an ocean a world away. Weak of claw and fang.
“It’s obvious you cannot even keep yourself fit let alone keep a kingdom if I gave it to you.”Wukong waved his hand, bored. “Leave my sight. Maybe once you’ve actually wet your muzzle and had a scrap or two I’ll consider. Get out.”
“But -“
Was this Dragon also weak of hearing? Was it slow of wit? He had dismissed the stupid beast. His eyes flashed.
“Get. Out.”
The thing moved now, scattering loose scales in its speed to escape. They fell like toenail clippings and Wukong hissed in disgust. He rubbed at the bridge of his nose and felt the patience in his body diminish. The king raised a bell and gave it a ring, summoning several servants - not monkeys these creatures were those foolish demons that had imposed themselves in the paths of Flower Fruit Mountains conquests- to clean up the mess of scales.
Wukong had a full itinerary for the day. He had already met with his southern vassals and those positioned in the East. They were reporting movement from a would be upstart exorcist, one that deemed himself a demon slayer. A blood hungry pup. If it was blood he craved then Wukong would deliver it to him. He had set Macaque to the East, tasking him with bringing the man to heel. He had given his brother free reign. If the six eared demon wanted, Wukong wouldn’t stop him from making the exorcist into a gift - of flesh. Maybe I should have sent this whining worm to the East. Macaque would have shown him the ropes of turning an enemy into a boon.
“Foolish idiots.” Wukong grumbled, irritated. The other appointments had been his people which he took gladly. His own residents of the mountain were precious to him. They only asked for the numbers to help in the forest grove harvest. It was apple harvesting time and some of the trees were showing signs of damage from the deer and other beasts. The other group had been some now turned immortals begging for teaching in the east of shape changing. Wukong had dispatched them with ease, tossing their heads to the sea. He would send their corpses off to the visiting Swallow Heart- an upstart creature with a good three hundred beastly birds- as a peace offering.
His mood would have been better if his Wife had attended his talks. Wukong had kept glancing to the side, looking to the opulent doors and hoping they would open. Or her scent would waft in from the corridor, announcing her approach. Wukong felt his mouth salivate a bit at the thought of her. Oh he was lucky. His little Peach. Wukong and Macaques of course. Not just his morsel. Though today… with Macaque away. ..
She was all his to adore and hold and to make squirm with his praises and his demands.
“Trouble my King?”
An attendant asked of him, waking him from his daydreams. The monkey was by his side, face curled in worry. Wukong let the thinly held patience fall away as he gave into rubbing his head. Too much courtly affairs. He usually didn’t mind the task. In fact, he enjoyed pitting his mind against that of the estate he ran, the duty he held. Wukong had an iron will for ruling. He enjoyed the fruits of that labour, the rewards of conquest. One of the best rewards was here in the caves, walking the halls all alone …
“Trouble that can be easily cast off.”
Thoughts of his Peaches, and the irritation of his last meeting, decided it for him. Wukong rose out of his throne and stretched. Though he was a monkey originally of stone it didn’t mean he didn’t get sore in his throne. Popping his back, Wukong motioned to the door. “Walk with me.”
“Yes my King.” The servant walked beside Wukong as he stalked down the Halls. His people dipped and bowed. The servants who had been brought to the mountain and had been forced to serve kept their eyes downcast. Wukong paid them no heed. He had one goal.
“Peaches!” Wukong sang through the palace. He looked in her usual haunts. She had a tendency to stick to habit and Wukong made it his goal to know all of his little sweets habits and places of hiding. The kitchens, the scroll rooms, the bedroom and other such places deep beneath the mountains stone.
“Peaches?” Wukong now questioned. Usually she was so near he could hear and track her just from knowledge of her habitual motions. But there was a lack of her today in Water Curtain Cave.
“Where has my wife gotten to?” He mused aloud. Wukong would have been more worried in the early days of her life on the mountain. Peaches had a tendency back then to plot and scheme and attempt every sort of trickery to escape the brothers. She had tried tricking (Macaque had been present for that one where he had kept her trapped in a riddle game for hours), sneaking (again a foolish thing due to the number of ears between her husbands numbered eight), drugging (Wukong had thought it cute to see her try and ply him with so much wine he became inebriated. That had led to … other things however.) and finally just running.
Running had led to chasing. Wukong had tried to terrorize her just a small bit to discourage the action. Having her run off while he was in the middle of meeting and for him to rise and say “Excuse me gentlemen” and then rush off had first been an inconvenience. He would never punish his Peaches. No, never. When he talked of the terror it had been more to scare her of what could snatch her up. Tigers, leopards, wolves and their ilk. Taking her back to their rooms and tucking her in and locking the door was the most he did. If he had time, if he could ignore the work of the day he would wear her out in other ways. It would either be both or one and the other who would keep her attention. Wukong was a King but he wasn’t a tyrant.
This didn’t deter his little wife. She seemed … more determined, however, to attempt it. Peaches had learned over the years that running away was useless but that didn’t stop her from taking to flights of fancy. Which lead to a different kind of chasing. A pursuit that called to the raging hunger inside him, to that predator. Peaches had given him and Macaque a new game- a game he craved almost as much as he craved her scent in his nose and her body in his arms.
After opening their closet and seeing the small little nest she kept in there empty as well, Wukong felt his tail give an excited lash. The fur on his spine began to rise up in anticipation. It practically shook through his blood. Made his mouth grin and his body begin to buzz as if drunk upon fruit wine.
“A game is afoot. A game all for myself~” Usually these games of hide and seek with their wife became a race between him and his sworn brother. Macaque would enjoy the competition as he had a unfair disadvantage. His keen hearing compounded on his shadow ability let him take a lead that Wukong wouldn’t be able to close normally. But with his brother away from the mountain… Wukong laughed to himself, beginning to shed his courtly attire.
“Do you require anything, my king?” The servant asked from his shoulder. Wukong passed the servant his crown and those few glittery vestments he bore to impress the lesser demons who came to grovel for his power.
“Clear the rest of my meetings for the evening.” Wukong commanded. Where could my sweet have gone off to? To the grove? The stream? Did she perchance head to the woods? The thought of the hunt was already consuming his mind.
“My King that would mean dismissing the Swallow Heart Demon and his Entourage.” The servant set the items delicately on Peaches armoire, being careful to not tip any of the bottles, brushes or powders there. Macaque had sent for that armoire for their Wife. It had cost a pretty penny to have it brought in with the paints and brushes.
It was a warm memory in Wukongs mind, seeing the pure delight in her eyes. That night had been filled with the boys teaching her how to use the more expensive bits of makeup and had led to her learning to paint war paint upon their faces. The warm memory set a second shiver up his spine. When he caught Peaches he wouldn’t let her go- he would let her know how much he cherished her. The happy memories of her face were becoming more numerous now. It set his tail to swaying like a cat who had caught a canary.
“They are birds yes? Tell them to find another place to roost for the evening.” Wukong stretched his legs one at a time. He waved one hand to the servant, trying to rush the discussion along. He had a wife to find.
“I will meet them in the morning when my mood returns to better and more … harmonious thoughts.” All he could see in his head was her. Her skin shining in the light, her hair in his hands so soft. The rush of feeling hit him low in the gut. Was it love ? Was it possessiveness ? Was it possession? He didn’t know but it had his heart thundering. To think a mortal women could bring such a change through him so rapidly…
“I will see it done sir.” The servant bowed.
“Good.” Wukong stretched his arms, pulled his back straight. He had removed all but the trousers he wore. The glory of Sun Wukong had been set aside. Armour wouldn’t slow him- he was the Sage that had rebelled against Heaven. Had almost won. Armour was little hinderance in his silence or his ability to move. It would however limit him to capturing his intended target. Peaches was soft, pliable and would not like a tackle from her husband if he was wrapped all in his battle regalia.
He bounced on his heels. The excited energy wanted to be unleashed, to be set free. Wukong left the servant in their rooms, swiftly walking to the entrance of Water Curtain Cave. His generals saw him and bowed, continuing their rounds. Smaller monkeys, the children of his people came and clambered for his attention. He smiled at them and turned them back to their mothers promising attention later.
The waterfall came into sight and Wukong grinned. Just like he had when he first had been crowned King, the monkey lord bent low a palm pressed to the floor and launched himself through the torrent of water. He was out on the other side in a spray of water. Once on the ground again he looked, listened, smelled.
Wukong was an expert tracker. He could read the signs of his mountainous home. He knew every blade of grass every bend of the leaf in the trees above. Wukong looked for the signs, the telltale notes his wife would leave so lovingly in nature for him to find. There ,beneath the shadow of a tree. Wukong moved swiftly and lightly, faster then the long spotted cats to the far west. The press of foot too large to be a monkey, to heavy to be a cat.
I got you~
Wukong followed her path, enjoying the exertion and the feel of the sun on his fur.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Peaches had found herself a nice little patch in the wood, a small trickle of a stream ran through a copse of tightly packed willows. It had a few gooseberry bushes in its shade and she plucked them eagerly.
She had brought her small bit of knitting, a book, and a change of clothing if she wanted to take a dip in the water. The gooseberry’s were a plus, having been ripened and their red flesh sweet. Peaches didn’t have a snack- running into the kitchens would have alerted the staff she was going out and she did not want a retinue of guards on her tail. It was nice and pleasant to be alone. Hearing the soft babble of the water over the stones, the wind sighing in the leaves. It was peaceful. She could fall asleep. In fact a nap didn’t sound bad—
Snap.
Her head snapped up, eyes widening. That had been too loud to be a simple little bird or just the sound of a branch falling from the wind. She felt her calm wash away in a rush of icy fear. Though Flower Fruit Mountain was possibly the safest place in the world, it did still have the occasional predator. Bear or tiger were the largest creatures to have been spotted on the mountain. Wukong and Macaque assured that the worst of those beasts kept to the lower plains of the mountain.
But what if— what if I went too low?
Her ears strained, her eyes blown wide to see. Nothing revealed itself from the emerald green foliage or the berry bushes. Her hair stood on end as something shuffled in the undergrowth. Behind her. Peaches spun, holding a knitting needle out—
To air.
Another brushing sound, like that of claws across wood. Peaches took a step back, away from the sound. Her heart was in her throat and all the peace of the day was gone in the rush of animal instinct that screamed in her mind.
Freeze of Fly?
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Sun Wukong followed her trail easily to the copse of trees. His Peaches had much to learn if she wished to our pace him in his tracking ability. The path she took was such a massive trail he could see it from miles away. The demonic monkey crouched low, keeping close to the earth.
She was sitting next to the little stream at the foot of a great willow. His Peaches. Her fingers were red with gooseberry juice, her hair down in the heat. She was the picture of peaceful, the very image of serenity. Wukong felt a desire to grab her to hold her close, to take the juice of the berries off her fingers and hear her laughter and voice.
Gods he craved her.
He held off leaping, held off and observed. Magic would make it easier to drop in on her but he liked the challenge of keeping his current shape. So Wukong lay low, watching. The brothers had a practice of watching their Peaches when she thought she was alone. It was in those moments they learned the most about their mortal heart. How she would sigh, how she always got itchy if she wore too much of the powder upon her face. It was how Wukong learned Peaches preferred bangles over rings. How Macaque gleaned that her favourite foods involved a doughy treat called cinnamon rolls. Little things. Silly things. Treasured things that the brothers would go over and strategize on how to make their precious fruit the most comfortable. To win her favour. Her love. Her attention.
Sometimes she would cry in these moments and the game would have to be put on hold as they made themselves known beyond her field of vision. Wukong hated when she was upset. He knew, somewhere in his twisted heart, that he had caused these tears. That he was to blame for the sorrow that weighed heavy on her.
I can make her happy. No one else saw her sparkle like we did. She’s ours. Forever if I have my way.
But right now he had a game he was in the middle of. The immortal peach he was keeping for her would have to wait. Wukong stalked forward, through the brush. Peaches had laid herself back, body flat to earth and completely relaxed.
Wukong took a branch in his hands and snapped it.
His Peaches lifted herself up and whipped her head in the direction. Wukong had already moved, speed on his side as he circled beyond and behind her. The terror on her face made something stir in him, a protective urge. He would sooth her worry when he caught her. He would pet her hair, hold her close and tell her how foolish she was to leave his safe embrace. She had nothing to fear from him. Only his little sweet fruit didn’t know it was him. Not yet at least.
Wukong let his tail tussle the dead leaves beside him then darted off. He raked his claws over a bit of bark and then zagged back to a new hiding spot. Peaches turned like a doe, alert and eyes wide. Her face was full of fear, full of such open prey-like terror that Wukong couldn’t resist anymore. He rumbled, mimicking the sound of a big cat. Sweet Peaches stared right at the spot he was hiding.
Run little wife, he urged. Come on. Run for me.
At his second snarl, she obliged him. She spun her back to him and took several vain attempts to run. Wukong smirked. And leapt.
He caught her in several bounds barreling full into her body and taking her off her feet. His hand had her by the back of the neck, the other about her middle. They rolled in the air but Wukong angled himself, curling her into him and taking most of the fall. Peaches cry rang in the trees and sent the birds flying. Wukongs laughter was loud and shook through his body as he landed with her. The demon caged her in, setting her hips between his legs so he straddled her. One hand had both her wrists held above her head. The other angled her face to him, the eyes firmly shut.
“Caught you~” He purred.
“WUKONG!” Peaches gasped, opening her eyes to stare right into his face. Wukong felt his heart give a squeeze as the fear melted into ease. Ease with him. It sent a trill of joy up his spine. “You gave me a heart attack. I thought you were some tiger.”
“No love.” Wukong mentally took note of her. No scrapes from their tumble, no bruises. A perfect capture. “A tiger wouldn’t have toyed with you like I did.” Here he stretched his free hand, claws on display.
Peaches laughed. A laugh for him. His tail was swaying, his face inching closer to hers. “I’m glad I’m not getting devoured then.” She said, breath still catching up with her shock.
“Oh my Peaches, I may not be a tiger but I’m going to devour you all the same~” he let the words sink into her, enjoying the blush that coloured her face before he bent down and kissed her. She tasted of gooseberries, of laughter and the earth and ever of peaches. Her lips were soft against his. Wukong moved away from her mouth, wanting to taste her throat, her cheeks, her nose. Kisses he planted along her most ticklish spot on her neck, eliciting giggles and cries of mercy.
The Monkey King felt like he was drinking wine, head getting lighter and lighter while his body relaxed over hers. Only with Peaches had he felt so at peace, so blissful. It’s why he could never let her go. To rob himself of this? Never. She was his and he was hers and that was it.
Peaches pressed a kiss to his nose and he swooped back down to capture her lips. How could someone so soft and small consume me so? He felt starved. He felt parched. Here Peaches was, a bountiful feast and and overflowing cup. He couldn’t get enough of her.
Wukong nipped her neck, tugging her into his teeth to elicit a squeal. She laughed and tried to worm her way out of his grip. “Wukong please! Let me up, let me up!”
“Only when you tell me how well I caught you. Lavish praises on me.” He grumbled. He didn’t want to let her out of his arms. If he could he would keep her here and live in this bubble of joy forever. Peaches blew hair out of her face.
“You’ve got to be kidding me…”
“I assure you I’m not. So tell me.”
“Wukong your pride is insufferable.”
“And your beauty is unconquerable.” He countered and was rewarded with a scarlet Peach. “Now tell me.”
“Ugh. You caught me. You startled me so badly I thought I had gone too low on the mountain.” That had Wukong grinning wide as he now rolled over taking her onto his chest.
“Go on~”
A snort. Peaches was open in only the brief times when his and Macaques earnest attentions had worn down her barriers and aversions to nothing. Here was his adoring and adorable wife. One he wanted to bring treasures and conquer worlds for. I would burn this whole place to the ground to please you.
They spent a time there, the two of them in that grove of trees. Wukong kissed the gooseberry juice from her fingers and Peaches tried to see the good in this moment. Wukong was, a murderer. He was a monster who had taken her from her village. He had killed the villagers. Laying on his arm, feeling his voice and laughter in her body, seeing the tender way he held and touched her…
His love was hard to deny. To match up to the truth she knew so well. He was a murder. The soft glow as his eyes alighted when a butterfly landed on his hand. Wukong would kill again. He set the butterfly on her hand and they both marveled at the changing colors.
Peaches felt a bit more of her resolve break. Wukong and Macaques love was an ocean slamming into her. It was eroding the coastal cliffs she had within her. It had been a constant, driving force these years. She didn’t … she couldn’t remain so indifferent in the wake of such attention. Of such open love. She would never fully be at peace here. However … she was finding a balance.
Maybe that was the closest she would be to the love she originally had showered them both in. Or maybe she would fall head first into that roaring surface and loose herself in their love.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Wukong tugged the brush through Peaches hair, listening to her sing softly in the night air of their bedroom.
Suddenly- the ground became black and Peaches squealed as she disappeared into the earth—
—and popped up in Macaques arms.
“Save some of her for me, Wukong.” Macaque drawled, hands wrapped around her middle in a possessive gesture. They were back in their room, the night air wafting cool tonight. Wukong and Peaches had spent the rest of the day in that copse of trees and upon the mountain. They had walked hand in hand, visited the monkeys and the new babies that had been born to the family’s farthest from the caves.
It had been a day of sweet gestures and, whenever Peaches had turned eyes inward or far off, he had pressed her with tender affection. Drawing her back to the present. If Wukong had learned anything over the decade it was to keep his Peaches in the present, to keep her away from the drifting worry of the past.
They had returned home only when the first stars had begun to spark in the dark sky. Wukong had carried his tired wife all the way back to Water Curtain Cave. He whispered how he would make a necklace of the stars and give them to her and teased out of her sleepy laughs.
Maybe tomorrow will be full of hardships. Maybe she will hate me for what I did. This though- I would kill a thousand villages if I could get a single day of joy like this.
Macaque had returned shortly after dinner, coming into their room to Wukong holding Peaches in his arms and biting more of her neck between brushes. Of course Mac had wanted a bit of her to himself after being gone for a day. Wukong obliged, not bothered one bit.
His brother in arms was still dressed in armour meaning he had probably just arrived back from the East. Not a speck of blood was on his clothing. Wukong would ask him later about how the trip went, when Peaches was asleep. This moment was meant to be a memory of joy. He would not drag kingly duties into this moment.
“I caught her fair and square.” Wukong sniffed, growing a bit jealous at Macaque. He had stolen his prize from beneath his nose- right when he was getting to Peaches too, in her sleepy state. Macaque blinked then stared between the two, his purple eyes flashing.
“You played the game without me?” Wukong heard the bit of hurt and, though he was sure part of it was drummed up for sympathy, felt a bit of guilt. Only a splinter of it. He didn’t regret acting on his own. The game was his to play when he was away. However it had the desired effect on their Wife.
“Oh Mac- no I didn’t know Wukong would be coming after me.” Peaches was so easily guilt tripped. She kissed the darker demons cheek. The sudden flash of confusion and delight passed over Macaque features. His eyes stole towards Wukong, questioning.
Is she happy? Is she giving without teasing? Wukong nodded, the smile on his face like the soft warm dawn. Peaches was happy and that’s all that mattered. She was happy and would give to them.
“He did have a full schedule of meetings.” She bemused. “What.. happened to them?”
“I cleared my evening.”
“Of course you did.” Macaque snorted, half heartedly irritated. His fingers were already brushing through Peaches hair, grooming.
“Nothing was getting done beyond my latest meeting.” At the raised eyebrow of his six eared brother, Wukong waved a hand. “I’ll tell you later but for now- why don’t we have another game of tag.”
“A-another one?” Peaches sat up a bit, looking outside to the dark and moonlight beyond.
“Well you owe Macaque a chance to catch you. And I want to compete again. We will give you … thirty minutes.” Wukong grinned. “No going outside. Just find one of your hidey holes in the Palace, Love.”
“What if I’m too tired for this game?” She pouted and Wukong smirked. Seeing her pout brought the urge to tug her close and erase that pout from her lips all the stronger. He had been hoping she would say it. It’s why he had one of his chefs cooking a very special sweet treat.
“If you play you’ll get a reward~” Wukong crooned.
“That sounds ominous.”
“It’s innocent. I have some delicious sweets being made as a treat. Just a few short rounds and all of them can be yours.”
“Are they …. Cinnamon rolls?”
The Monkey King felt like he had caught her all over again. “Yes”
“… two games. Then no more. I’m tired..”
Macaque kissed her temple and set her free. “Go on darling. When I find you first I will tell you of the sights I saw.”
“You have to get to her first brother.” Wukong challenged. When he got to Peaches he would make her laugh again, demand kisses and more.
“And I will!” The six eared demon grinned eyes flashing. Peaches stood a bit uncertainly until Macaque leaned forward and gave a kiss to her temple.
“Go Peaches. And don’t stop running till you are in one or both of our arms.”
Peaches ran.
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albaqae · 10 months
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Ppl: what’s that little white hippo
Me: just moomin! :)
Me in my head: the Moomins was a series of characters created by tove jansson sometime in the duration of WWII as a way to cope with the world’s lack for childlike wonder, it then surpassed multiple interpretations and adaptations, starting with the original books, then some animated series(part of these being the 90s moomins), there was also the felt Moomins and the stop motion Moomins at this time. Later on tove jansson did weekly comics starring the Moomins for a few years to support herself, because although the Moomins caught popularity, her income wasn’t stable, however after a about three years burnout caught up and she did a last Moomin book, which curiously omits the presence of the Moomin family! Instead they’re referenced through the perspective of surrounding characters trying to find solutions to their problems. The Moomins franchise has been most popular in Japanese and Finnish populations, however around 2020 it caught onto the western scene, most likely because of the pandemic causing a bigger need for comfort. Curiously, the Moomins is consistently compared to Ghibli movies, most likely because of it’s themes, how magic works, soothing soundtracks, character dynamics and overall wholesomeness met with intriguing plots. To this day a Moomin series continues, although currently hard to access from the U.S., it’s popularity hasn’t at all suffered. Many queer audiences also relate to the Moomins, as many characters tend to have queer subplots, many believe it could have been very much intended, considering Tove herself was a lesbian, or as she called it “full spook side”. Examples of this can be found on how all hemulen use dresses no matter their gender and moomin’s friendship with snufkin. It’s also connected with many neurodiverse individuals who find themselves kinning the most recent version of the snork, as well as the nature of Hemulens following a very similar script of a ‘special interest’. Overall, no matter where you are from and who you are, there’s bound to be a character that makes you feel seen.
In this essay I will
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rustedrocket · 4 months
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thinkin about these dudes as teens.. what're they up to, y'know? what're those kooky kids doin
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