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#yang wood dragon
svandendragon · 4 months
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Chevelure 🐉
Two years ago I sketch an idea on my sketchbook. A feminine figure, her very long hair entangled, metamorphosing, on a huge noodle dragon. Recently inspiration made me want to bring colors to it. And by coincidence, it turns out to resonates pretty well with this Dragon Year : the Yang Wood Dragon. Also known as the Emerald or Thunder Dragon, is associated with the color green, rebirth, inspiration and great metamorphosis power. So, Happy Lunar Year of the Dragon! ^^
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(the original sketch)
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dragonbo · 5 months
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Chinese Animal Predictions for the Year of the Dragon 2024
Celestial Bost
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hjrosner · 3 months
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Azure dragon of the East
Black tortoise of the North Mercury/water
Vermilion bird of the South Mars /fire horse :fire
White Tiger of the West Autumn season
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ryin-silverfish · 2 months
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If let's say it is more characteristic that chinese dragons have the element of water? The fox spirits would be the fire? (once again, looking for Chinese fox spirits is difficult because sometimes I fear that the info will become more mixed with that of the Kitsune) What about tigers?
Yes, Chinese dragons are mainly associated with the Water element, and are weather deities, though Cold Dragons (freeze/chill) and Fire Dragons also exist, they are just a lot more rare.
Foxes do have association with Fire——not as strong as dragons and Water, but there are neat tidbits here and there. For example, in You Yang Za Zu, the same passage that mentioned foxes wearing human skulls on their heads in order to transform also said that, when foxes swung their tails around at night, fire comes out (夜击尾火出).
Vol. 448 of Taiping Guangji also mentioned a fox demon who had flames on its tail, "like a shooting star". In FSYY Pinghua, when Bi Gan shot an arrow at what appeared to be Daji in fox form, fire also came out when it connected.
The fox lady in the Qing dynasty 狐狸缘, while she was battling with Lv Dongbin, also spat out her "golden core" together with a stream of Samadhi Fire in an attempt to hurt him. Which is reminiscent of the more fire-like depiction of a fox's inner core.
However, there are other more obscure sources that associate foxes with the Earth element ('cause they dig holes and are yellow/orange colored?), and because Fire births Earth, you can light 1000 years old dead wood on fire, and the fire would lure the fox out and reveal its true form.
Also, one of the spells that's commonly used to subdue foxes and demons in general is the Five Thunder Arts (五雷法), where Daoists called upon the Thunder Bureau to strike their targets with fire and lightning.
I'm not as familiar with tiger yaoguais, but element-wise, the White Tiger of the West is associated with Metal, and in the Book of Mountains and Seas, Queen Mother of the West was said to have a leopard's tail + tiger's teeths, before she evolved into a more human form in later sources.
Tigers in folklore are more well-known for their ability to command ghosts, though. Specifically, ghosts of people they ate, who help lure in more preys for them, called 伥鬼.
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chinesehanfu · 4 months
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🐲WISH EVERYONE HAVE A HAPPY LONG(龍/Dragon)YEAR
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Wish everyone good luck in the year of the dragon and happy holiday!!
This is my first time to draw such big dragon, I kinda worried but surprisingly it's okay(ˊᗜˋ*)
2024 is the year of the Green Dragon(青龍) and also the year of the Wood Dragon.
※青 originally meant blue in ancient times, but in painting colors, if blue is mixed with a small amount of green, it is called cyan (one of the three subtractive primary colors), and it has multiple levels.So the dragon I drew is closer to blue><
【Historical Artifacts Reference 】:
Princess Xincheng新城公主 of the Tang Dynasty (634-663)
Princess Xincheng新城公主 was the youngest daughter of Emperor Taizong of the Tang Dynasty in China and was born to the eldest Zhangsun Empress.
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Various Hairpin were Unearthed from the Tang Dynasty Tomb of Princess Yang of Wu
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falgaia · 4 months
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Snapdragon Cultist
for Lunar Year of the Dragon
Zodiac Attunement: Yang Wood
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emporiannee · 2 days
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a xianxia au idea
buncha ideas n explanations under the cut
okay so it all started with this post i saw recently about the concept of yin eyes. it was kinda hard to look into. even if i use the chinese name, most results refer to them as yin/yang eyes and talk about them from a more modern context i think? so i'm just using it more as loose inpiration and will be referring to them as yin eyes for ease.
In this au, they'd be something one is born with and grants someone the ability to see ghosts and deities and see the presence of magic. Because it's more common for ghosts to be seen near people than deities, the general population considers the eyes to be cursed. However, they're seen more neutrally as a tool to people who are familiar with cultivation bc of it's ability to see through magic or identify ghosts in hiding.
Izuna
born with yin eyes. they're not hereditary like the sharingan tho. I think the uchiha in this au would be a clan known for having many great generals, heroes, ascended immortals, etc in their history and madara and izuna are expected to follow in those footsteps. I think it'd be fun to play around with how important auspiciousness/divination can be in xianxia and maybe madara was believed to be blessed since birth but izuna gets more mixed reactions, esp with his eyes.
izuna escapes from that environment by leaving for his cultivation but really he just doesn't want to be there and has complicated feelings about ascending in the first place.
his base robes should probably be a little ostentatious and gilded. His traveling robes and hat are more homely but gold embroidery and accessories are still visible and basically anyone can still tell he's some young lord from a rich family lol
Tobirama
his design was hard. I just ended up changing his hair bc his canon hairstyle was too uncanny when i tried to imagine him in a xianxia setting....
he's the second prince from the east sea palace. So he's a dragon. I think the water association and the treasury mentioned in Journey to the West suit tobirama well while the east being associated with the wood element suits hashirama/the senju well.
he goes out into the world to learn more about the humans and dresses himelf as a taoist with simpler robes and horsetail whisk.
i thought this might be funny bc according to cursory research, taoists monks would use the whisk to shoo away evil thoughts or the temptation to return to secular life. Tobirama would do this to people who annoyed him.
This is also purely self-indulgent and bc i've been reading tgcf but i think he should be able to transform not just from dragon -> somewhat draconic state -> human but also between genders for disguises. There is very little difference tho.
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i have some ideas for madara too and i think hikaku n mito would fit well into this au as diviners/astrologists or smth. will prob stew on it for a while ^^
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yoga-onion · 4 months
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Legends of the humanoids
Reptilian humanoids (5)
Wuxing – the connections between the Five Dragon Kings (Ref) and the Five Elements philosophy 
To better understand the origins of the Five Dragon Kings and the ancient Chinese legend, it is worth mentioning the wuxing of natural philosophy, which states that all things are composed of five elements: fire, water, wood, metal and earth.
The underlying idea is that the five elements 'influence each other, and that through their birth and death, heaven and earth change and circulate'.  
The five elements are described as followed:
Wood/Spring: a period of growth, which generates abundant vitality, movement and wind.
Fire/Summer: a period of swelling, flowering, expanding with heat.
Earth is associated with ripening of grains in the yellow fields of late summer.
Metal/Autumn: a period of harvesting, collecting and dryness.
Water/Winter: a period of retreat, stillness, contracting and coolness.
The wuxing system, in use since the Han dynasty (2nd century BCE), appears in many seemingly disparate fields of early Chinese thought, including music, feng shui, alchemy, astrology, martial arts, military strategy, I Ching divination, and traditional medicine, serving as a metaphysics based on cosmic analogy.
The wuxing originally referred to the five major planets (Jupiter, Saturn, Mercury, Mars and Venus), which were thought of as the five forces that create life on earth. Wu Xing litterally means moving star and describes the five types of Qi (all the vital substances) cycles through various stages of transformation. As yin and yang continuously adjust to one another and transform into one another in a never-ending dance of harmony, they tend to do so in a predictable pattern.
The lists of correlations for the five elements are diverse, but there are two cycles explaining the major interaction. The yin-yang interaction, which by increasing or decreasing the qualities and functions associated with a particular phase, it may either nourish a phase that is in deficiency or drain a phase that is in excess or restrain a phase that is exerting too much influence (see below):
The Creation Cycle (Yang)
Wood feeds Fire
Fire creates Earth (ash)
Earth bears Metal
Metal collects Water
Water nourishes Wood
The Destruction Cycle (Yin)
Wood parts Earth 
Earth dams (or absorbs) Water
Water extinguishes Fire
Fire melts Metal
Metal chops Wood
The Huainanzi (2nd BCE) describes the five colored dragons (azure/green, red, white, black, yellow) and their associations (Chapter 4: Terrestrial Forms), as well as the placement of sacred beasts in the five directions (the Four Symbols beasts, dragon, tiger, bird, tortoise in the four cardinal directions and the yellow dragon.
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伝説のヒューマノイドたち
ヒト型爬虫類 (5)
五方龍王(参照)と五行思想の関連性 
ここで、五方龍王の起源、そして古代中国の伝説をよく理解するために、万物は火・水・木・金・土の5種類の元素からなる、という自然哲学の五行思想について触れておきましょう。 5種類の元素は「互いに影響を与え合い、その生滅盛衰によって天地万物が変化し、循環する」という考えが根底に存在する。 
五行は次のように説明されている:
木は、春の豊かな生命力、動き、風を生み出す成長期。
火は、夏の太陽の暖かさの下で行われる成熟の過程、熱で膨張する時期。
土は、晩夏の黄色い野原での穀物の成熟に関連している。
金は、秋の収穫、収集、乾燥の時期。
水は、冬の雪に覆われた暗い大地の中に潜む新しい生命の可能性と静寂の時期。 漢の時代 (紀元前2世紀頃) から使用されてきた五行説は、音楽、風水、錬金術、占星術、武術、軍事戦略、易経、伝統医学など、中国初期の思想の一見バラバラに見える多くの分野に登場し、宇宙の類推に基づく形而上学として機能している。 
五行とは文字通り「動く星」を意味し、五種類の気(生命維持に必要なすべての物質)が様々な変容の段階を経て循環することを表している。陰と陽は絶え間なく互いに調整し合い、調和の終わりのないダンスで互いに変化していくため、予測可能なパターンで変化する傾向がある。
五行の相関関係は多様だが、主要な相互作用を説明する2つのサイクルがある。陰陽の相互作用は、特定の相に関連する資質や機能を増減させることで、不足している相に栄養を与えたり、過剰な相を排出したり、影響力を及ぼしすぎている相を抑制したりする (以下参照):
相生(陽)のサイクル
木は燃えて火を生む
火が土 (灰) をつくる
土は金属を産出する
金属は表面に水を集める
水は木を育てる
相克(陰)のサイクル
木は大地を構成する
土は水を堰き止める
水は火を消す
火は金属を溶かす
金属が木を切る
『淮南子』(紀元前2世紀)には、五色の龍(紺碧・緑、赤、白、黒、黄)とその関連性 (第4章: 地の形)、五方位への聖獣の配置(四枢の四象徴獣、龍、虎、鳥、亀、黄龍)が記述されている。
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talonabraxas · 3 months
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Green Wood Dragon 🐉 Talon Abraxas Dragons represent nature’s forces in Buddhism
Dragons are directly associated with nature. Oceans, rivers and the heavens are often dragon deities in Buddhism. Since nature remains a vital part of Mahayana Buddhist spiritual paths, dragons have a pride of place as sovereign “elements of nature” — typically associated with the East, spring, and growth (Green Dragon), but also with fall and harvest (Brown or Yellow Dragon).
Prior to the Middle Ages, however, dragons in the West were mostly positive (or neutral) natural forces. Later, as non-nature oriented spirituality came to dominate Europe, Dragons began to be re-cast as “evil” or monsters. Saints, knights and heroes would “slay the dragon,” in part to symbolize man’s dominance over nature. In Eastern traditions, Dragons retain — to this day — their positive, nature-oriented personas.
“Unlike its demonic European counterpart, the Tibetan dragon is a creature of great creative power; a positive icon, representing the strong male yang principle of heaven, change, energy, wealth and creativity. Dragons are shape shifters, able to transform at will, from as small as the silkworm to a giant that fills the entire sky. Dragons are depicted in one of two colors, green or brown. The green, or azure dragon of Buddhism ascends into the sky at the spring equinox; it represents the light’s increasing power in springtime and the easterly direction of the sunrise. The brown dragon is the autumn equinox, when it descends into a deep pool, encasing itself in mud until the next spring, but its spirit is still with the practitioner bringing wealth and health. The pearls, or jewels clutched in the claws of the dragon represent wisdom and health. The dragon can control the weather by squeezing the jewels to produce dew, rain or even downpours when clutched tightly. The dragon is the vehicle of Vairochana, the white Buddha of the center or the east.”
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shadowjackery · 11 months
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The Gladdest Thing Under the Sun
I honestly thought we were supposed to wait a couple of days after the zine’s release, but, heck, everyone else is doing it, so here we are: My contribution to @gensokyozine​ . I’ve wanted to do this story for a while, so I hope you enjoy!
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Descriptive text for the visually impaired or for easy quotation:
PAGE 1
Title: "Shadowjack presents: The Gladdest Thing under the Sun"
Yuuka Kazami, a youkai woman, climbs the cracked stone steps to the ramshackle Hakurei Shrine. She carries a parasol. Up the wooded hill, through the pines, stand the shrine gate and two guardian komainu -- one of whom, Aunn, is alive and waving cheerfully, tail wagging. The plum and cherry trees atop the hill are in bloom. Dandelions sprout as Yuuka passes.
PAGE 2, PANEL 1
Title: "Yuuka Kazami, Flower Mistress of the Four Seasons"
Yuuka wears a summer outfit that evokes the mid-20th century: a vest over a short-sleeved blouse with a necktie, a knee-length pencil skirt, hose and heels, a handkerchief neatly folded in her vest pocket. She also wears glossy leather gauntlets and tight sleeve garters. Her hair is bobbed and curled in 1930s fashion. Her eyes are slitted, like a snake's.
She rests her head on her hand and gazes up at Reimu, rapt. A cat with black and white fur, spotted something like a yin-yang ball, lies nearby, watching her carefully.
PAGE 2, PANEL 2
Title: "Reimu Hakurei, Mysterious Shrine Maiden of Paradise"
Reimu, a human woman with a long ponytail, looks down at Yuuka, sweating slightly. She says, "Um... you know..."
PAGE 2, PANEL 3
Reimu wears her usual red-white shrine maiden robes and ribbons, much patched and threadbare. She is barefoot on the porch, holding a broom.
Reimu: "When you look at me like that, I get the feeling I'm about to be CUT and PRESSED."
Yuuka is shocked. "Oh, my! I would NEVER. A wild flower is best viewed in its natural habitat, always!"
PAGE 2, PANEL 4
Reimu, smiling: "I'm a wildflower?"
Yuuka, grinning: "One of the best!"
PAGE 3, PANEL 1
Reimu greets Yuuka at the entrance to her residence. Yuuka bows formally. She has brought a package, wrapped in cloth with a floral pattern.
Yuuka: "Ojama shimasu."
Reimu: "Hai, hai."
Reimu: "Everything is flowers with you, isn't it?"
Yuuka: "It could hardly be otherwise, dear! I am what I am."
PAGE 3, PANEL 2
Yuuka takes off her shoes, while Reimu places the parasol on the weapons rack by the door. The top shelf holds scrolls, boxes labelled "needles" and "seals", and one Mk 2 hand grenade.
A large sign by the rack says in printed text, "Check ALL weapons before coming in! Including but not limited to: Swords, Axes, Bows, Spears, Guns, Wands, Staffs, Parasols, Lasers, Bombs, Poisons, Curses," and so on.
A handwritten post-it note has been tacked to it, saying, "SEIJA -- Do NOT obey this!"
Another, ripped and faded sign has been taped by the list, adding, "MARISA -- Whatever it is now: NO. I mean it."
There is a bullethole next to the sign.
A different yin-yang cat watches Yuuka.
Reimu says, "So what kind of flower is Marisa?"
Yuuka: "She reminds me of pampas grass."
Reimu: "?"
Yuuka: "One of a few varieties of cortaderia, somewhat resembling susuki."
PAGE 3, PANEL 3
The two women go inside where there's more shade.
Yuuka: "It's a fast-growing, invasive species that can contribute to rat infestations and dangerous wildfires."
Reimu, laughing: "A WEED!"
Yuuka: "But charming in its way."
PAGE 3, PANEL 4, OFFSET
Somewhere, Marisa sneezes.
PAGE 4, PANEL 1
In Reimu's kitchen, the two together prepare afternoon tea, while two different cats beg at their feet. Reimu pours hot water from a large kettle into a cast-iron teapot. Yuuka takes down bowls and cups, and opens up the Japanese-style lunchboxes she brought.
Yuuka has put on an apron that parodies the "piyo piyo apron" worn by Kyoko in the manga "Maison Ikkoku", but instead of a drawing of a baby chick on the chest, it has a drawing of a Dragon Quest slime, saying "suu suu".
Reimu: "You aren't bothered she stole the Master Spark from you?"
Yuuka: "Oh, Marisa didn't steal it from me! She bargained for it fairly."
Reimu stops what she's doing to turn toward Yuuka. "Bullshit."
Yuuka: "It's true! I was curious to learn a little magic, and in exchange for lessons I agreed to trade her a cutting."
Reimu: "Huh!"
Yuuka: "I don't mind helping another gardener to improve their art. She makes it bloom well, doesn't she?"
PAGE 4, PANEL 2
Yuuka carries a tray of sandwiches and snacks out of the kitchen.
Yuuka: "Besides... to cast it ONCE, she needs a device."
A surprise second Yuuka, with long hair, and wearing trousers instead of a skirt, whisks the teapot and cups from Reimu's hands, leaving Reimu with nothing to do.
Yuuka, the second: "But I by myself can cast it TWICE."
PAGE 5, PANEL 1
Only one Yuuka again. Yuuka and Reimu kneel on the veranda to take their tea. One yin-yang cat nearby sprawls asleep in the sun, an orange tabby circles curiously, and a third cat sulks by Reimu.
Reimu: "Okay, then how about... Alice?"
Yuuka: "Ohhh... Alice is special. With her pride and ingenuity, she bears the seed of great potential for power."
PAGE 5, PANEL 2
Yuuka beams with enthusiasm. She says, "Why, if one could but prune away a few of her mortal failings -- such as 'restraint' or 'mercy' -- she could make a truly MARVELLOUS youkai!"
We can now observe that Yuuka's necktie is not knotted, but instead held by a silver woggle marked with a "lily of the valley" emblem.
PAGE 5, PANEL 3
Yuuka blushes happily. "She might even be stronger than I. Wouldn't that be an interesting day?" A heart floats in her words.
Reimu tries to hide her concern. She thinks, "Ganbatte, Alice-san..." But only says out loud, "...er, uh... and Yukari?"
PAGE 6, PANEL 1
Yuuka grins wolfishly. "Yukari and I have an arrangement: She doesn't meddle in my garden, and I don't BURN DOWN hers."
Reimu: "Isn't it weird that a youkai of FLOWERS is so good at fighting?"
Yuuka: "I'm surprised to hear that from a Japanese!"
Reimu: "You say that like you're not."
PAGE 6, PANEL 2
Yuuka: "I am known in many lands, by many names, wherever flowers grow."
Yuuka narrates the scene from the foreground, wearing a woman's kimono and lacquered okobo sandals. She carries now a Japanese-style paper parasol. Her hair is tied up in a bun with a cherry-blossom kanzashi, and she wears a sunflower hair ornament. She is surrounded by flowers: chrysanthemum, hollyhock, and birthwort, and above her spreads blooming sakura.
Yuuka: "Did not your own samurai describe themselves as cherry blossoms, and fight for emperor and shogun under the banners of the chrysanthemum and hollyhock?"
In the midground, two armored samurai clash. The lower-status one has fallen to the ground; the richer has a bloody slash across his left eye. He swings his sword and chops the grounded man's spear in two, but the other is undaunted.
In the background, an army of horse and foot mounts the top of the hill, banners billowing.
PAGE 7, PANEL 1
Now Yuuka narrates wearing a huipil dress with embroidered shawl, and simple leather slippers. Her hair is done in buns, with a Mexican sunflower by her ear. A hummingbird flies near her. Growing around her are Aztec marigold, dahlias, banana yucca, and Mexican hat flowers.
Yuuka: "Across the sea to your east, the mighty Mexica gathered their 'hummingbird' soldiers to send to the 'Flower Wars' (they named them) to gather honor, blood, and sacrifices."
In the midground, the fighters are now two Nahuatl, one poor, one rich with a slashed left eye. The poorer one wears only a loincloth, and has a shield slung over his shoulder. His shield is painted with a hummingbird design, and from it hang a few feathers. The richer soldier wears a full-body jaguar costume, and wields a macuahuitl war-club. The poor soldier leaps to his feet and tackles his enemy, disarming him.
In the background, an army of Aztecs battle below a stepped pyramid and high mountains.
PAGE 7, PANEL 2
Now Yuuka narrates wearing men's doublet and hose, embroidered with fleur-de-lis and tulips, along with knee-high riding boots and gauntlets. Around her neck is a sunflower pendant. On her shoulder perches a falcon. About her feet, and entangling the narration boxes, are red, white, and yellow roses.
Yuuka: "And to the far west, the lords of the English struggled for a choice of kingly roses, red Lancaster or snowy York."
In the midground, the fighters are now two Englishmen, again one poorer, the other richer with the eye injury. The poorer soldier has some mail pieces and a simple brimmed helmet; the richer has plate armor, a full helm, and a shield. The rich fighter is overthrown, his foe about to stab him through the visor with his own arming sword.
In the background, mounted knights charge a line of archers behind wooden stakes. A church or fort stands on hills in the far distance.
Yuuka: "Flowers and War have always been intertwined."
PAGE 7, PANEL 3
We return to Reimu's veranda and cherry trees.
Reimu: "You've seen so many strange places... Do you have a favorite?"
Yuuka: "...it was in the west, in Flanders, perhaps a hundred years ago."
PAGE 8, PANEL 1
Yuuka invisibly narrates: "Such a war, Reimu! The men burrowed like moles, or took to the air like kites."
Above barbed wire, two airplanes spit tracers at each other. It is World War One.
PAGE 8, PANEL 2
Yuuka: "They plowed the earth with cannon, night and day."
Shirtless German artillerymen fire their gun amid sandbags. Something explodes close by.
PAGE 8, PANEL 3
Yuuka: "They slew by shot and poison, fire and blade."
A gasmasked French soldier, armed with pistol and entrenching tool, cautiously moves down a trench. An unseen enemy waits around the corner with rifle and bayonet.
PAGE 8, PANEL 4
Yuuka: "And for no purpose that I could see, no treasure nor slave."
Barbed wire and ruined buildings.
PAGE 8, PANEL 5
Yuuka, narrating: "The destruction was so maniacal it seemed no tree, no blade of grass, would ever grow there again. I thought you humans had gone absolutely mad!"
Yuuka, wearing colorful hat, coat, and umbrella, stands on a windy no-man's land, surrounded by dull mud and broken pieces. Tracer fire crosses the sky, coming from a distant machine-gun nest. She notices, but does not bother to avoid, the few bullets that land near her.
Yuuka, narrating: "But it was I who did not understand your passion. When I learned your true intentions, I was deeply humbled."
PAGE 8, PANEL 6
Yuuka, narrating: "Did you know, Reimu? You can find graves in the wild by how the flowers grow. (Bone meal makes such good fertilizer.)"
The corpse of a soldier lies upon the ruined earth. But near his outstretched arm, a single bluebell, and a few patches of grass, have sprouted.
PAGE 8, PANEL 7
Now there are no bodies, but grass and wildflowers and bumblebees cover the ground. A shattered helmet has a flower growing through the holes.
Yuuka, narrating: "I tell you that after this great war, those fields FLUORISHED with color. Rainbows spilled on seas of green grass!"
PAGE 9
Yuuka, narrating: "And ever after, all through those lands, the people wore blood-red poppies, to remember and give thanks to their kindred who slept below, for this sight they had worked so hard to create."
Yuuka wears early-20th century men's hunting clothes: a sturdy jacket and breeches with knee-high boots and gloves. Her curled hair is in a loose pompadour. As ever, she has a parasol. The sun shines warmly. The hill Yuuka walks down is covered in grass and bright red poppy flowers, stretching on forever. The plants almost completely cover a few remaining pieces of military hardware: a broken machine-gun, a lost helmet, a twist of barbed wire. Yuuka smiles.
Yuuka, narrating: "Tens of thousands of men willingly buried themselves for nothing better than the GLORY of FLOWERS!"
PAGE 9, PANEL 2, INSET
We return to Reimu's veranda. Yuuka clutches a handkerchief, almost overcome with romantic tears.
Yuuka: "It was the most beautiful thing that I have ever seen!"
Reimu stares at her and says nothing.
PAGE 10, PANEL 1
Yuuka says, "Excuse me!", wipes her tears, and takes out her compact to redo her makeup.
Reimu thinks, "Yuuka is one of my oldest friends, but she really is a monster, isn't she? I don't even know how to BEGIN to explain the truth to her... or if I even should."
PAGE 10, PANEL 2
Title: "FLOWERS appearing in this story."
Many cut flowers are arranged on a wooden surface, with identifying captions. In no particular order, they are: primrose, fleur-de-lis (yellow iris), common sunflower, anemone, dandelion, Mexican sunflower, tulip, rose, cempoalxóchitl (Aztec marigold), dahlia, banana yucca, Mexican hat flower, pineapple sage, bee orchid, celandine, Flanders poppy, lily-of-the-valley, bluebell, daffodil, kiku (chrysanthemum), aoi (birthwort), hollyhock, ume (Japanese plum), and sakura (Japanese cherry).
PAGE 10, PANEL 3
In a simplified art style:
Reimu pats Alice on the shoulder and says, "Alice, we sure attract some weird ones, don't we?"
Alice wears her usual workdress and hairband, but also has sturdy explosive ordnance disposal goggles and gloves. She is inserting a stick of dynamite into the back of a Hatsune Miku doll. Other dolls and marionettes (and one teddy bear) fill the room, all with visible dynamite fuzes sticking out of their heads, and all with glowing eyes.
Alice says, "Don't disturb me when I'm setting the explosive charges! If they went off, they could hurt the dolls."
Reimu: "...This is why she likes you, you know."
Alice: "?"
END
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santoschristos · 4 months
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Yin Yang Dragon 2024 Year of the Wood Dragon
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arc-misadventures · 11 months
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Dragon Faunus AU: We see that Jaune has fire breath. But could we see something where after he learned how to use aura, maybe get something akin to aura breath? That or some godzilla traits and have him glow when he uses it now.
Gorjia eh?
~~~
Who Will Know?
The log was ripped to shreds as, Jaune’s razor sharp talons tore through the hunk of would like paper. Ripped apart wood chips, and torn up metal plates littered the floor as a result of, Dr. Oobaleck’s rampant testing of his abilities.
Oobaleck: Excellent! Well done, Mr Arc. These test will prove highly valuable at testing the limits of your faunas abilities.
Jaune: Thanks for helping me with this Dr. I’m sure my friends could have help, but I’m not so sure about the whole data collecting aspect of it all.
Jaune, and his team, along with team RWBY made their way to the, Emerald Falls in order to run a series of test to determine, Jaune’s faunas ability. Considering his rather unique nature as a faunas, tests needed to be done. The only reason they were doing it outside was to be away from prying eyes.
And, potential property damage.
Oobaleck: Think nothing of it ! Why, this research opportunity is unlike any other I have been tasked to do. I relish the opportunity!
Jaune: Well, glad someone enjoying themselves, bar Nora…
As if on cue, Nora slammed another log before him with her usual wild eyed maniac gaze within her eyes.
Nora: Again!
Jaune: Must I? I mean, I’ve already shredded an entire tree. Possibly more than that.
Oobaleck: No, we have gained enough research on your talons, now it is time to test you ability to breath fire!
Yang: Whoo!
Ruby: Yes!
Nora: FINALLY!
His friends suddenly drew out sticks with marshmallows at the end of them, Jaune couldn’t help, but stare at his friends dumbfounded.
Jaune: Serious?! Is that the whole reason you’re here; For smores?!
Yang: Yes.
Ruby: Absolutely.
Nora: Hell yeah!
Jaune sighed as he turned his head as he looked towards the rest of his team.
Jaune: Can you believe…?
Jaune saw something that surprised him, but really shouldn’t have surprised him. The rest of his friends with marshmallows on sticks. What surprised him the most however was that, Weiss had several of them on the end of her rapier.
Jaune: Really? And, seriously, Weiss? I thought you would find smores too pedestrian for your refined pallet?
Weiss: I thought so too, then, Ruby shoved one in my mouth, and I became hooked to the taste of it! Now, less talking, more smore making!
Jaune: Oh gods…
Oobaleck: Now, now students! There will be time later for smores, class is still in session!
NPRRWBY: Naww…
Jaune: Yay!
Oobaleck: Now then, since we already know the much control you have on your flame. Lets see what happens when you let loose with your fire breath.
Jaune: Uhh…?
Jaune nervously looked around him, before addressing his teacher again.
Jaune: You want me to let loose with my fire breath…
Oobaleck: Yes.
Jaune: In the middle of a flammable forest?
Oobaleck: Worry not, Mr. Arc, Ms. Schnee’s surplus of, Dust should prevent any accidents from happening.
Jaune: Will it?
Weiss: Depends on how strong the fire is.
Jaune: Oh… Okay… Haa… Let’s do this then.
Oobaleck: Direct your fire to the tree in front of you. This one is relatively father away from the rest. This will prevent the fire from spread. Hopefully.
Jaune: I heard that.
Nora: Lest talking, more fire!
Jaune: Haa… Okay, let’s do this…
Jaune turned towards the tree, and took a deep breath, opened his mouth, and a torrent of fire erupted from his mouth. Growing bigger, and bigger as it drew farther away from, Jaune. A huge cloud of fire engulfed the tree, lighting it ablaze in seconds. Jaune held his flame for a few seconds, until he stopped admiring his handy work in a stunned, but an oddly thrilled feeling.
Yang: Whoa… That was intense…
Blake: That trees still green; ‘green’ trees are harder to burn, and yet this ones going up in smoke…
Ruby: You think we should have done this inside?
Pyrrha: Well, the fire alarms would have been triggered because of all the smoke so…?
Nora: Yes. Burn. Burn the trees, burn the city, burn the world… BURN…
Ren: Okay, semblance time for you.
As, Ren said that he channeled his semblance into, Nora, removing her maniacal smile as she fantasied about the world being engulfed in flame. Ren, then turned to, Weiss giving her a pointed look.
Ren: Weiss?
Weiss: Huw, what?
Ren: The fire?
Weiss: Oh yes, the fire!
With a few flicks of her wrist a glyph appeared above the tree, before dumping gallons of water atop the tree, instantly putting the fire out leaving them to watch a cloud of steam rise up from the trees charred remains.
Jaune: Whoa… Did I do that…?
Oobaleck: That is quite impressive; Your ability to produce a controlled jet of fire is akin to a flamethrower. Though naturally produced in your body it behaves like most like natural fuels used in modern flamethrowers. While testing your abilities we have determined that you can control it like a blow torch, with same fine percussion, and intensity required to melt metal plates. Here when you ‘let loose’ the flame will burn at a high heat, a high rate of intensity, and seemingly sticks to the target’s surface. Even though you were breathing fire for a few moments, you managed to go a few cm’s deep into the wood. This is quite the impressive natural weapon you posse, Mr. Arc.
Jaune: And, deadly… I should probably refrain from using this in training bouts, and matches.
Oobaleck: I agree; While running some tests on human, or faunas opponents would be advisable to understand the extents of your fire’s effects. I will ask you to refrain from doing so, because of the unknown potential affects of said fire.
Weiss: Wouldn’t, Jaune’s fire behave like the, Fire Dust I use in training matches?
Oobaleck: The effects of, Mr. Arc’s fire is similar, but acts differently to the effects of your, Dust, Ms. Schnee.
Weiss: How so?
Oobaleck: While you’re aura would act as a protective blanket preventing the fire from burning you, the fire will slowly be chipped away as you are bathed in fire. You therefore could easily avoid your aura from braking by moving out of the fire. However, even if it’s only a glancing blast of, Mr. Arc’s fire, it would not only take off a substantial chunk of your aura. What’s worse, the fire would stick to you until it is set out.
Yang: Meaning if my aura broke, and he bathed me in his fire, it would still be on me, then I would get set on fire?!
Oobaleck: Correct. The results of which would be quite… severe.
Pyrrha: Uhh… Save the fire for the, Grimm then, Jaune.
Jaune: Will the fire go out with the, Grimm though?
Blake: You will have to test that out, Jaune.
Jaune: Should I?
Ruby: Carry some, Water Dust on you incase there’s a fire.
Jaune: That could work, so long as I don’t eat them when I get thirsty again.
Weiss: Wait, did you say you eat dust?
Oobaleck: On to the next test! Mr. Arc, I want you to breath fire until you run out!
Jaune: Testing my capacity?
Oobaleck: Exactly! Begin when you are ready, Mr. Arc.
Jaune: Okay…
Jaune opened his mouth again, and a torrent of fire erupted from his his mouth settling the tree ablaze in seconds.
The others watched in stunned amazement as his fire burrowed deeper into the tree, creating a hole of fire from the shear ferocity of the fire.
Yang: Okay… I think the passing glance would incinerate you.
Blake: Least it would be quick.
Pyrrha: I don’t think that’s a comforting thought.
Nora: BURN!
Ruby: Uhh… Ren, she’s doing it again…
Ren: On it.
Weiss: Is he opening his mouth wider?
Pyrrha: Yeah, I can see his fangs.
Jaune’s mouth had indeed widened, and his fangs popping upward as the force that he was breathing fire seemed to intensify. Causing the fire to burn hotter, and harder, reducing the tree to ashes in seconds.
Pyrrha: Hmm… His stance is becoming more rigid, and he seems to be flexing his muscles to maintain his posture.
Yang: Not to mention his flame is growing stronger since he started doing that.
Blake: How intense is his flame going to get…?
Nora: Oh cool! Jaune’s hair is glowing!
Pyrrha: Wait, what?!
As, Jaune’s fire breath was intensifying in it’s rampant destruction, his hair started to glow to a golden white hue that shined like a flashlight in the darkness. They watched that while his hair started to glow brighter, the blue flames erupting from his mouth started to narrow in its wide berth, but strengthen even more in its intensity until…
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A narrow beam of golden white fire erupted from his mouth, blasting through a dozen trees within fractions of a second. They watched in what could only be stunned horror as, Jaune’s head moved side to side, cutting a large swath of the forest in seconds.
Jaune continue to breath fire until his head suddenly shot up, and his mouth snapped shut. His fire was extinguished as steam seeming rising out from his mouth as his lips devolved into a deep snarl. The glow of his hair slowly faded as a deep guttural growl echoed deep from within his mouth as he servied the destruction he wrought upon the forest.
Jaune: Haaa…
Jaune: …
Jaune: Well… Ain’t that something?
Jaune turned to look at his friends, teammates, and teachers, all of whom seemed to look on in stunned horror at the raw destruction, Jaune had wrought upon a whole forest in a matter of seconds. Even, Dr. Oobaleck looked on in shear shock for a few minutes before he managed to collect himself, and continue on with the test.
Oobaleck: That was quite… Impressive, Mr. Arc, I did not expect your fire to… evolve as it did, and cause such rampant destruction within a few seconds.
Jaune: That’s putting it lightly…
Oobaleck: Indeed. Stay where you are, Mr. Arc, I need to add additional tests considering these new developments. Ms. Rose would you be so kind to measure the distance from, Mr. Arc to the end of his beam of fire? Ms. Rose?
Ruby, just like everyone else couldn’t help but stare on dumbstruck at the shear chaos, Jaune had inflicted on the forest.
Oobaleck: Ms. Rose!
Ruby: Huw?! What? Yes?!
Oobaleck: Could you measure the distance from, Mr. Arc to the end of the blast radius?
Ruby: Oh yeah, sure, on it!
Ruby placed the beacon at, Jaune’s feet, before exploding into a cloud of rose petals darting to the end. She was gone for nearly two minutes before, Ruby darted back with her head covered in a sheen of sweat.
Ruby: Whoa… It’s really hot over there…
Oobaleck: That is to be expected; The shear amount of damage, and the speed of which he did so shows the shear amount of heat was capable of producing. Now then; What was the measured distance you acquired, Ms. Rose?
Ruby: It was… 1.3 kms.
Jaune: Seriously?!
Ruby: Yeah… I checked it twice just to be sure.
Jaune: Okay, no letting lose with my fire then.
Weiss: Yeah, I think that would be a good I…? Hey… Have your horns grown bigger?
Jaune: Huw?
Jaune’s hands reached up to his head, and touched the bumps where his horns were only to feel two long bone’s extruding from the top of his head. They were two inches long, and one, and a half inches wide. They curved along the top of his head before moving upward to a peak of a crown at the end.
Jaune: Okay… That is an unexpected development… Do they… do they look good?
Blake: They look… great really.
Ruby: Yeah! They’re white with golden tips.
Pyrrha: It looks like you’re growing a crown.
Jaune: A crown? A natural crown… Sounds cool.
Oobaleck: And, yet they have grown at such an exceptional rate. It should have taken at least a month for them to reach this stage in their development. Perhaps it was due to the serge of power you were displaying during your blast.
Ren: Perhaps it was happening while his hair was glowing.
Jaune: My hair was glowing?
Pyrrha: A bright white! It was quite pretty really…
Jaune: Huw… We’ll have to check the film later then.
Oobaleck: Indeed we will. But, we are not done yet! We still have one more test left to do!
Jaune: We have more test to complete?! What’s left?
Oobaleck: To test your capacity to withstand fire.
Jaune: My capacity to do what?!
Oobaleck: Ms. Schnee, at your nearest convenience.
Weiss: Sorry, Jaune. But, it has to be done.
Weiss spun the revolver on her weapon as she activated the fire dust, then she pointed at, Jaune and a glyph appeared under his feet, and his eyes went wide in shock, and fear. He held out his hand as panic flooded his face.
Jaune: NONONONONO WAIT!
An exsplosion of fire erupted underneath, Jaune burning the ground beneath his feet. The blast last only half a minute, but the flame burned at a such a high temperature that when it stopped they were faced with three very prominent facts:
1: Jaune was indeed fire proof.
2: Jaune was absolutely furious.
And, 3: He was naked.
Ruby: EEP?!!
Ren: Uh oh…
Weiss: Ahh! Put that away!
Blake: Holy hell…
Nora: Hehe! Told you he had a zweihänder~!
Yang: Damn!!! You had that inside you?!
Pyrrha: Ha! Wait until you see it when it’s hard~!
Oobaleck: Impressive, Mr. Arc! You are capable of withstanding several hundred degrees! It may have only been a few seconds, but I hypothesize you could endure for several minutes, maybe even our since the fire had no affects upon your body!
Jaune: That’s… Nice…?!
Weiss: I-I-I’m so sorry, J-Jaune I didn’t mean to… Uhh…?! H-Help?!
Jaune snarled as a deep growl escaped his lips, he was furious, absolutely furious. He reached down and grabbed the chest piece, the straps burning off in the intense heat with the rest of his clothes. With this one piece from his armour, he coupd at least give himself a sense of dignity as he stared them down.
Yang: Uhhh… J-Jaune… E-Everything okay…?
Jaune: You ever… Any of you! Ever do that to me again; I will burn you… Okay…?
Ruby: N-Noted!
Weiss: S-Sorry, I just… Uhh…?!
Jaune: Now if you’ll excuse me… I need to… Redress myself… When my armour cooled, can you bring it to my room?
Nora: Can do fearless leader!
Jaune: Thank you!
Pyrrha: I-I-I’ll come with you, Jaune!
And, with that, the two members of, Team JNPR, leaving the others to deal with the aftermath of the tests. The other were left standing their many of the females of the group with a deep blush across their faces. For all, but one however; for, Dr. Oobaleck was having the time of his life with all the new found information he had gathered on, Jaune.
Oobaleck: Well, that was a resounding success! Wouldn’t you say so students? Students?
///
The inspirational music for this particular prompt.
It’s a great song.
Till later then.
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Sun Wukong's Final Battle
Journey to the West (Xiyouji, 西遊記, 1592) chapter 99 describes the Monkey King's final battle as a fierce, stormy confrontation against demons wishing to steal the hard-won scriptures for themselves. This takes place shortly after the pilgrims and holy texts are dumped into a river by an annoyed river turtle spirit:
Master and disciples had just climbed up the riverbank when suddenly a violent gale arose; the sky darkened immediately and both thunder and lightning began as rocks and grit flew everywhere. What they felt was One gust of wind And the whole world teetered; One clap of thunder And both mountains and streams shuddered. One flash of lightning Shot flames through the clouds; One sky of fog Enveloped this Great Earth. The wind's mighty howl; The thunder's violent roar; The lightning's scarlet streaks; The fog blanking moon and stars. The wind hurtled dust and dirt at their faces; The thunder sent tigers and leopards into hiding; The lightning raised among the fowl a ruckus; The fog made the woods and trees disappear. That wind caused waves in the Heaven-Reaching River [Tongtian he, 通天河] to toss and churn; That lightning lit up the Heaven-Reaching River down to its bottom; That thunder terrified the Heaven-Reaching River's dragons and fishes; That fog covered the shores of Heaven-Reaching River with a shroud of darkness. Marvelous wind! Mountains cracked as pines and bamboos toppled. Marvelous thunder! Its power stirred insects and injured humans. Marvelous lightning! Like a gold snake it brightened both land and sky. Marvelous fog! It surged through the air to screen the Ninefold Heaven [Jiuxiao, 九霄]. So terrified were the pilgrims that Tripitaka held firmly to the scripture wraps and Sha Monk threw himself on the poles. While Eight Rules clung to the white horse, Pilgrim twirled the iron staff to give protection left and right. That wind, fog, thunder, and lightning, you see, had been a storm brought on by demons of yin energy" [yinmo, 陰魔], who wanted to snatch away the scriptures the pilgrims had acquired. The commotion lasted all night, and only by morning did the storm subside. Soaked from top to bottom and shaking all over, the elder said, "Wukong, how did this storm come about?" "Master, you don't seem to understand," said Pilgrim, panting heavily, "that when we escorted you to acquire these scriptures, we had, in fact, robbed Heaven and Earth of their creative powers. For our success meant that we could share the age of the universe; like the light of the sun and moon, we would enjoy life everlasting for we had put on an incorruptible body. Our success, however, had also incurred the envy of Heaven and Earth, the jealousy of both demons and gods [guishen, 鬼神], who wanted to snatch away the scriptures from us. They could not do so only because the scriptures were thoroughly wet and because they had been shielded by your rectified dharma body [zhenfa shen, 正法身], which could not be harmed by thunder, lightning, or fog. Moreover, old Monkey was brandishing his iron rod to exercise the nature of pure yang energy [chunyang zhi xing, 純陽之性] and give you protection. Now that it is morning, the forces of yang are evermore in ascendancy, and the demons cannot prevail." Only then did Tripitaka, Eight Rules, and Sha Monk realize what had taken place, and they all thanked Pilgrim repeatedly (based on Wu & Yu, 2012, vol. 4, pp. 363-365).
師徒方登岸整理,忽又一陣狂風,天色昏暗,雷閃並作,走石飛沙。但見那: 一陣風,乾坤播蕩;一聲雷,振動山川。一個熌,鑽雲飛火;一天霧,大地遮漫。風氣呼號,雷聲激烈。熌掣紅銷,霧迷星月。風鼓的沙塵撲面,雷驚的虎豹藏形。熌晃的飛禽叫噪,霧漫的樹木無蹤。那風攪得個通天河波浪翻騰,那雷振得個通天河魚龍喪膽。那熌照得個通天河徹底光明,那霧蓋得個通天河岸崖昏慘。好風,���山烈石松篁倒。好雷,驚蟄傷人威勢豪。好熌,流天照野金蛇走。好霧,混混漫空蔽九霄。 諕得那三藏按住了經包,沙僧壓住了經擔,八戒牽住了白馬;行者卻雙手輪起鐵棒,左右護持。原來那風、霧、雷、熌,乃是些陰魔作號,欲奪所取之經。勞攘了一夜,直到天明,卻才止息。長老一身水衣,戰兢兢的道:「悟空,這是怎的起?」行者氣呼呼的道:「師父,你不知就裡。我等保護你取獲此經,乃是奪天地造化之功,可以與乾坤並久,日月同明,壽享長春,法身不朽。此所以為天地不容,鬼神所忌,欲來暗奪之耳。一則這經是水濕透了;二則是你的正法身壓住,雷不能轟,電不能照,霧不能迷;又是老孫輪著鐵棒,使純陽之性,護持住了;及至天明,陽氣又盛:所以不能奪去。」三藏、八戒、沙僧方才省悟,各謝不盡。
I really like the idea of a battle between a divine force of yang energy and demonic forces of yin. This is a common occurrence in Chinese Folk Religion—e.g. a Tangki spirit-medium channeling a god to exorcise evil spirits.
But the above description really sets my mind alight with images of the confrontation. Monkey peers through the pouring rain to see an unfathomably large demon army the likes of which the cosmos has never seen. It contains innumerable commanders, vanguards, and an ocean of spirit-soldiers armed to the teeth. This demonic force would be the joint effort of demon kings and jealous gods wanting immortality and salvation for themselves. [1] Monkey takes this assault on the scriptures as a personal insult given his great effort in helping procure them.
A demon commander might say something like, "Leave the scriptures and the priest if you value your life!" Then Wukong would scream:
Who said that? Who the FUCK said that? Who's the slimy, little, demonic shit, twinkle-toed, cocksucker up there, who just signed his own death warrant? [Surprised silence from the army] Nobody, huh? The fairy-fucking-godmother said it! Out-fucking-standing! [pounds chest three times in a row] I WILL BEAT YOU ALL UNTIL YOU FUCKING DIE!!!!!!!!!!!!!! (Adapted from dialogue spoken by Gunnery Sergeant Hartman from Full Metal Jacket (1987).)
In all seriousness, though, his speech should be a chilling threat similar to Subodhi from chapter 2:
[Y]ou can be assured, wretched monkey, that you'll be skinned alive. I will break all your bones and banish your soul to the Place of Ninefold Darkness, from which you will not be released even after ten thousand afflictions! (Wu & Yu, 2012, vol. 1, p. 125) ... 把你這猢猻剝皮剉骨,將神魂貶在九幽之處,教你萬劫不得翻身!
Anyway, the army commences its attack, the commanders sending forth wave after wave of spirit-soldier units wielding thunder and lightning as their weapons. In response, Monkey's body explodes with millions or even billions of hair clones to meet the oncoming storm. Each one wields the magic iron rod, which dispenses pure yang energy along with every ass kicking. The resulting battle is beyond imagination, with various units of Great Sages working to both defend the scriptures and Tripitaka but also drive back and decimate the malevolent force. Wukong succeeds in routing/destroying the entire demon army by dawn of the next morning.
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Note:
1) The Buddha states that the scriptures of the Great Vehicle are "for the cultivation of immortality; they are the gate to ultimate virtue" (Wu & Yu, vol. 1, p. 205).
Source:
Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.) Chicago, Ill: University of Chicago Press.
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ryin-silverfish · 27 days
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Hi! I read your posts about Su Daji, and I believe one of them were about her being the literal incarnate of the Moon Fox of the 28 mansions.
I was wondering if there's any lore surrounding the 28 mansions, and if there are any incarnates of them other than her
I more specifically wanted to know about the Moonbird of Net, but I wouldn't mind learning about the others!
Well, tiny correction: Su Daji is not the incarnate of the Heart Moon Fox, but Wu Zetian, China's one and only female emperor, is said Lunar Mansion incarnate in Flowers in the Mirror, a Qing dynasty novel.
In another Qing dynasty novel, Shuoyue Quanzhuan (说岳全传), the notoriously corrupt historical figure, Qin Hui's wife, was the Maiden Earth Bat (女土蝠) incarnate: having been killed by the Golden-winged Peng for farting during Buddha's lecture, she would take revenge on his reincarnation, the heroic general Yue Fei.
About the 28 Lunar Mansions themselves: originally, they are kinda like the Chinese equivalent of the 12 zodiac in western astronomy.
Like, think of the sky as a belt, divided into 4 quadrants, each quadrant containing a giant constellation that represents the Divine Beasts of the Four Directions: Azure Dragon(E), White Tiger(W), Vermillion Bird(S), Black Turtle(N).
Each of these giant constellations can then be broken down into 7 smaller stars/star clusters, corresponding to a section of the sky. They are used to mark the position of the moon during a given month, as well as determine the seasons via the sun's location in a given mansion.
Azure Dragon: 角(Jiao)、亢(Kang)、氐(Di)、房(Fang)、心(Xin)、尾(Wei)、箕(Ji)
White Tiger: 奎(Kui)、娄(Lou)、胃(Wei)、昴(Mao)、毕(Bi)、觜(Zi)、参(Shen)
Vermillion Bird: 斗(Dou)、牛(Niu)、女(Nv)、虚(Xu)、危(Wei)、室(Shi)、壁(Bi)
Black Turtle: 井(Jing)、鬼(Gui)、柳(Liu)、星(Xing)、张(Zhang)、翼(Yi)、轸(Zhen)
However, like many things astronomy, they were later appropriated by astrology and used in divinations, by assigning an element/phase and an animal to each of these stars, making them into the "Beast Stars" (禽星) who can faciliate or obstruct each other, with different implications on your best course of action that day.
Now, look back at the list above. Each vertical column is assigned an element, in this order: Wood, Metal, Earth, Sun, Moon, Fire, Water.
So Star Lord Mao of the White Tiger Quadrant would be the "Sun Rooster Star", Star Lord Xin of the Azure Dragon Quadrant would be the "Moon Fox Star", etc.
But wait, there is more! Outside of the Beast Star divination system, traditional Chinese astrology also viewed the starry sky as the Heavenly Emperor's palace, with each constellation representing an area/building/resident of said palace.
Following that line of thought, people in the Tang dynasty came up with a catchy poetic star catalogue, 步天歌("Song of the Sky Pacers"), in which the 28 Lunar Mansions are kinda like managers who watch over their own group of stellar officials.
And the big 4 quadrants they are part of? Well, they are like four departments, each with their own general themes.
These themes aren't absolute; for example, the Azure Dragon Quadrant represents the front gate all the way up to the main palace halls, so they have a lot of stellar officials in charge of chariots, gates and honor guards, but also...grain baskets.
As for the Moonbird of Net, a.k.a. Bi Yuewu the Moon Crow Star: well, ain't this the damnest coincidence, I actually had an old OC concept based on this very Lunar Mansion!
Bi the Moon Crow
In traditional Chinese astrology, the Bi star was the god of rain, the "Master Rain"(雨师) to the "Duke Wind"(风伯) of Ji star: it was believed that whenever the moon came near this star, there would be a huge storm.
Since the Grand Compendium of the Three Religions' Deities stated that "Master Rain" was actually a one-legged divine bird called Shang Yang, who first appeared in 孔子家语 as this little creature who'd dance before every downpour like a goofy weather forecast guy, I drew his Stellar Beast form as a one-legged crow.
(OC-specific stuff below, not mythos canon)
He is very skilled at creating cloud formations, to the point where he got "borrowed" by the Wind and Thunder Bureau more than some of the Water-aligned Lunar Mansions.
After the Havoc, he has also become the new guy in charge of the Peach Garden(one of the constellations falling under Bi's section of the sky is Tianyuan, the Celestial Garden).
Anyways, traditional Chinese astrology is super fascinating, and I've only gone into a tiny fraction of it here. Hope it helps, though!
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respectthepetty · 2 years
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Tattoos in BLs
Dean [Until We Meet Again & Between Us] - I do not remember seeing this, but I have the picture, so it must've happened. It’s a compass on his hip because he was lost without Phram and always looking for direction.
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Win [Until We Meet Again & Between Us] – We will hopefully find out something next month when the series begins, but even if we don’t, we can still appreciate that these are henna including those angel wings.
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Jang JaeYoung [Semantic Error] - Does it have meaning? As he stated in the series, “Not really. I just liked it” but I'm seeing an eclipse thanks to Ayan's hoodie.
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Chu SangWoo [Semantic Error] – Hand drawn by JaeYoung, and it is the first image JaeYoung ever drew for him when they first met in the episode one.  
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Black/White [Not Me] – White had to get it because Black had it, and Black had it because..no idea, but it could symbolize death or strength.
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Yok [Not Me] – Mandarin on the flank means mom, but the birds and the forearm one, no idea.
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Tonhon [Tonhon Chonlatee] – “An anchor is what a navigator or sailor uses to hold his vessel to the ocean. Tonhon means a navigator. That’s why I had this anchor tattooed on my left chest to remind me that my heart will not drift away. It will be with the ocean and that is your name, Chonlatee, forever. Every time I look at it, it reminds me that I have you in my heart all the time.”
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Kamol [Unforgotten Night] – I didn’t watch this, so I’m guessing that it was because he had pet tigers, and I'm fine believing that.
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Mangkorn [Big Dragon] – Mangkorn means dragon, and he is the dragon (Yang) to Yai’s tiger (Yin).
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Porsche [KinnPorsche] – A phoenix because that was his underground fighting alias, fire is his friend (he gets the fire started in the woods, he starts a fire in his first week on the job, he smokes), his mom used to tell him stories about the phoenix rising from the ashes, his color in the series is yellow, and he is the phoenix/fire (Yang) to Kinn’s tortoise/water personality (Yin - he's like his mom).
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Pete [KinnPorsche] – “No legacy is so rich as honesty” is from Shakespeare’s comedy All’s Well That Ends Well, which is about a woman of lower rank trying to marry the man she loves who is of a higher rank. The quote shows not only to live an honest life (in a play full of dishonesty), but to be honest with oneself, something that Pete does in the end when…you know.
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Ram [My Engineer] – Has a dream catcher on his neck to chase away bad dreams, a wolf on his arm, a tribal turtle on his shoulder, and a few others.
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Forth [2 Moons 2] – Actor’s actual tattoo. Might be a Sak Yant tattoo for good fortune.
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Sarawat [2gether] – Actor’s actual tattoo. I think it was something about remembering who you are.
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Gene [Lovely Writer] - Actor's actual tattoo. A family portrait. Thanks @calipigio
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Phupha [A Tale of Thousand Stars] - Actor's actual tattoo. It now has a quote above it. He also has two thigh tattoos ("Be somebody nobody thought you could be" and "Every sunset is an opportunity to reset"), "PEACE" on his bicep, and an upper back tattoo. *whispers "I love him"* Thanks @veemark
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Ai [Ai Long Nhai] – Actor's actual tattoo. A crescent moon. Thanks @mushiemadarame for letting me know it's his.
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Ayan [The Eclipse] – Actor’s actual tattoos. The thigh one is a G-Dragon lyric telling his mother not to worry about him. Hip tattoo is "beautiful" (seen in Only Friends) *A little salty about the hip one*
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becacomum · 5 months
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Hi, first time here posting my art, I'm usually embarrassed, but I made a New Year's special and got the courage to post it, so here we are 😽
2024 is the year of the Yang Wood Dragon, so I had the idea to do something related to that to celebrate
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Here are the photos! Hope you like it ;)
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