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#wishing for it to happen
bottom-slut-unionizer · 8 months
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oars · 7 months
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wearenotjustnumbers2 · 6 months
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This child in gaza is screaming:
"I wish it was a dream. Oh, mom and dad. I wish it was a dream and my mom and dad are still alive" after being rescued from underneath the rubble to find his parents killed by Israel.
Share this, we are not numbers. Let our voices be heard in hopes that this stops.
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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sualne · 10 months
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he's fiiiiine.
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uncanny-tranny · 9 months
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Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.
Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.
So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.
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mardyart · 2 years
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actual deleted footage of stranger things season 4 trust me guys
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bigfatbreak · 5 months
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I'm sitting very politely and asking if it would be possible to see Adrien akumatised by Viceroy. Even if you don't want to, letting you know I'm insane about all your AUs (and your art in general, alien behaviour Shadow was so cool), you do such amazing work and I am completely normal about it
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(Caspases' concept art beloooow)
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anyataylorjoys · 1 month
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THE DREAMERS (2003) dir. Bernardo Bertolucci
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There will always be someone who judges you. You cannot prevent this. But by being openly yourself, weirdness and silly hobbies and all, you give those who would love you the chance to see you, too. And you might also inspire someone else to be less ashamed of who they are.
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stewykablooey · 3 months
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UNFUCKABLE
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thebibliosphere · 10 months
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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geezmarty · 4 months
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A kiss at long rest may be quite continental 💎✨
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movdotmov · 26 days
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wind spoilers(?)
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firestar doesnt like wafflepaw
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isjasz · 5 months
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[Day 155] Sunflowers always face the sun
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So like. If sunflowers always face the sun and the majority of the sunflowers on scar's shawl are on his back and on the side does that mean scar still trusts grian with his back or he turned his back on him rejected him moved on or sometimes they wish they are by each other's sides again or are they allies or enemies this will be the death of m <- epic shower thoughts
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whois-miki · 4 months
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—- # ‘get out of my office, Luke.’
Luke Castellan x Apollo!fem!reader
warning - cussing, percy third wheeling, argument
others - situationship, not dating, percy : 🧍🏼, this is all over the place,
Luke tries to find out what Percy is good at to find his godly parent
or
While y/n is trying to mind her own business in the infirmary, a not so subtle, Luke pays her a visit.
a/n - sTOP, why do i relate to Percy so much 😭 ✋🏻
also gonna post a poll soon if this does well <3
“why are we even going here, it’s not like i’m the son of Apollo.”
Percy complained when Luke dragged him over to the infirmary.
“thats where your wrong buddy. some Apollo kids are really bad archers and really good medics.” he says as he opens the infirmary door to reveal a teenage girl tending to a camper.
The girl’s head quickly snapped to look at them with a kind look on her face before it was quickly washed away when her eyes set on the older boy.
“what do you want, Castellan?” she said clearly annoyed, at the sight of this Luke smirked knowing that he was getting on her nerve already without even saying anything.
“what? i can’t see my favorite nurse?” he said dramatically and put a hand over his heart like he was hurt.
“isn’t that the kid who killed the minotaur?” the patient groaned in pain as she looked at the younger blond boy. “rest, you can’t do anything until you recover, hun.” The nurse said to the young girl who was still in awe of Percy ( the patient is like 10 )
The nurse quickly muttered a sleeping spell and looked back at the two boys who were still in the same position.
“how can I help you?”
“well, sweet girl, I need to find out if Percy is the son of Apollo.”
She groaned at the nickname and then studied Percy. she quickly mumbled a no and then turned her back to the crate of medicine, that needed to get restocked. “what do you mean, ‘no’ ?” Luke shot annoyance bubbling up inside of him
“i mean, no, Luke. I’ve seen him at archery. he has no aim.” she explained. “Well, not all Apollo kids are good at archery.” she scoffs a bit and then fired back, “but most are, and i’m not letting him experiment in my office just to try to find what he’s good at.”
Percy looked at Luke and then at the girl and said, “she’s right, now let’s go.” he said as a not so subtle plead for help to get away from the awkwardness.
both of the older counselors ignored the blond boy and resumed their argument. “why can’t you just let him do something!” Luke hissed,
“I said no, dumbass, and if he’s anything like you he might just kill a patient.”
“oh thanks a lot, fuck face.” he grumbled
“I mean it, get out of my office, Luke.” she demanded, Luke sighed angrily before lightly pushing Percy out of the door.
once they were outside. Percy turned to Luke and asked, “who was that?” “Y/n L/n, meanest Apollo kid you’ll meet.” “how do you two know each other?”
“we’re friends.” as Luke said this Percy look at him confused. “what? then why were you arguing?”
“its kinda our thing, i guess.”
“that can’t be healthy.”
“yeah, but i love ‘er. she’s great.” Percy then looked at him like he was crazy and quickly muttered an ok without giving another thought.
Luke smirked a bit and then thought of something and ran back into the infirmary room, slightly kissing her on the cheek playfully and running out after she yelled with a flustered face.
“GET OUT OF MY OFFICE, LUKE.”
a/n :
sorry this is shit <3 love you all!!
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