#which can even develop in Giant Fandoms of Doom!

[zahri-melitor]

On the last post: the MOST fun you’re probably going to have sharing fic is when you’re in a small to moderate sized fandom (or in a very defined niche of a large fandom) where you know the other fans who make up the main chunk of your expected audience, and you write stuff aimed at those people.

This is why fics for exchanges like Yuletide get outsize attention for the size of the fandoms - there’s an inbuilt audience looking at that fandom that week.

You can choose what sort of inbuilt audience you want, but there are ways to stack the deck to make a more niche story get more attention.

(Please note I’m terrible about actually applying this - I have a BUNCH of stories I wrote with no existing audience for them - but you’ve got to balance ‘what you want to write’ against gaming an audience and I prefer to write stuff I want to read)

#also having been in various sized fandoms over the years #social obligation means a LOT #if people recognise you from your kudos and comments on their fic they will be more open minded towards yours #which can even develop in Giant Fandoms of Doom! #but is 100% a ‘put in the work to receive’ sort of situation #people mostly like being liked! they like being appreciated! #if you give you do get in return

[banchieplaysminecraft]

How Aaron could’ve been a good character and why he wasn’t

I’ve been annoyed at this for a good long while and i’ve finally gotten around to talk about it so here we gooo

please note that, though i watched all of mcd s2 while it was coming out, i haven’t rewatched it all the way through (i’m a little less than halfway through s2) so bear with me

now, we can all agree that we didn’t really have a lot of beef with aaron in s1. was it annoying that aph was keeping secrets?  yes. did we actively enjoy the fact that this random edgelord showed up with all of this convenient information? sure. but did we actively dislike him? i don’t think so

im sure that some people did, but it was a far cry from the universal grudge that we as a fandom hold. the only question is, what changed?

the answer is pretty simple: he got annoying

there is no greater sin that a content creator can commit than to make a character tedious--especially a character that the fans are meant to root for. i once heard someone say that there is no such thing as a good character and a bad character, there are only interesting characters or boring characters

now, before the s1 finale, aaron wasn’t annoying because he made sense. we didn’t know a lot about his backstory, but we knew just enough to not have a lot of questions while also understanding why he as a character worked. he spied on zane, he got information, and he got away with it because, according to every government in existence, he was dead. he was doing it to avenge his village, which seemed to be his reason for doing most things.

 that was basically it, because that was all that we needed. he didn’t answer personal questions because that could reveal his identity, and he didn’t hang around phoenix drop proper because he knew that there was a spy in the village who might figure him out. all in all, he was a very logical character

what changed? his motivation

after the gang sealed zane in the irene dimension, may i ask WHAt the fuck was his reason for staying??? nothing! what was his reason for keeping his identity a secret? pretty much nothing! it made no sense!!

according to all of his characterization as a *~lone wolf~*, it would make the most sense for him to strike out on his own and do whatever the fuck, maybe occasionally popping back in to warn the main characters of some impending doom, maybe hold a giant fuckass sword to someone’s throat again, maybe find some other tyrant to destroy.

but he didn’t, and it made no sense

this was made exponentially worse because he was an ~edgy dark angsty boy with a sad past and a dead wife~ and because he seemed to be able to do no wrong. he rarely, if ever, communicated with the rest of the group, and he often just went out on his own--and yet, most people seemed to trust him unconditionally?? he always seems to show up at the right place and the right time with little to no explanation as to how, and no one ever questions it. sure, laurance and dante had some doubts and even spoke up once or twice, but laurance’s grievances are mostly due to being in love with aph, and literally no one else ever asked anything, despite not even knowing his fucking name

and, of course, everyone thinks that he’s super hot and aphmau falls in love with him and then he dies a tragic death in a moment of self-sacrifice that really wasn’t all that heroic because he left his wife and child behind

i mean, come on

THAT BEING SAID he had soooo muuch potentiaalllllll

LET ME EXPLAIN

during s1, his role in the story was the spy--and he was very good at it, because everyone thought that he was dead!! how are you gonna blame a dead man for anything without sounding crazy! no one knew his name or his face or anything--and they should’ve kept it that way because, surprise!! theyre still at war in s2. sure, it’s a different war, but it’s still! a fucking! war! and like 70% of war is ESPIONAGE and INFORMATION and STRATEGY, havent you ever heard the phrase KNOWING IS HALF THE BATTLE??? they literally had possibly the best spy that they knew of and instead of actually putting his skills to work he just dramatically leans on trees and sits in the shadows??? WHAT

he clearly had ways to get into high places, since he had somehow gotten his hands on the amulet in s1, and he used to be a lord so he would’ve known things about POLITICS and KINGDOM STUFF--i mean, we all know that aphmau knows jack shit about this world and how it works.

what SHOULDVE HAPPENED IS:

after they all get back to the overworld, he leaves the party. idc if it’s immediately after or if he waits a few days, but he leaves regardless. every once in awhile, we hear of him popping up in various places, and we run into him a few times. he informs the gang of what he’s heard, maybe tags along on some missions. he still shows up in random places the way that he does in canon, but since he’s not based it phoenix drop i think that it makes a bit more sense, and he occasionally pops back into phoenix drop whenever he’s in the area or needs time to rest and recharge, and stays an informant for aphmau & her crew. as things pick up, he slowly becomes a more commonly-seen member of aphmau’s inner circle. 

throughout this whole period, he finally starts to come to terms with the death of his wife & their village, and he slowly starts to share more with the group--nothing big, just details here and there--and he actually starts to develop *gasp* a personality. i’d like to imagine that he gets closer with laurance, dante, and katelyn instead of only ever talking to aphmau. i don’t think that he’s ever super talkative, but he starts to be a little less quiet & closed off. 

at this point, he’s either told them his name or (preferred) they all have a list of nicknames that they cycle through to address him. sooner or later he starts to help with the building of phoenix drop and the alliance, taking on duties that are more akin to his old role as lord. he either phases the espionage out of his schedule or ghostwrites all of the legislation, and falls more easily into his new roles

i don’t really care if he ever ends up with aphmau or not, but if he does then that also happens at some point or another, but i, at least, would no longer be angry at that outcome

However, this whole plot would require everyone in the story to take literally all of their roles in this literal government that they’re building seriously, and we all know that that’s never going to happen, but i can dream /s

Tl;dr, if aaron actually used his strengths and skills to be a useful member of this alliance instead of randomly showin up and dramatically hitting things with his giant fuckoff sword, he’d be so much more tolerable

#please tell me if the bolded phrases make it hard to read i'm trying some stuff #this whole thing was very stream-of-concousness #so please tell me if there are any typos or anything #concousness #i can spell #anyways #aphmau please give your characters actual personalities im begging out #you******** fuck #Aphmau #Minecraft Diaries #aaron aph #aaron aphmau #aarmau #mcd #mcd s2 #mcd s1

[sometipsygnostalgic]

wanna see you keep talking about AT: what's your biggest criticism with each character in the series (as in a writing failure/something you didn't like about them, things of that sort)

Aww fuck! Now you’re asking. 

Everyone: Sometimes they went a bit too far with making the characters act dumb, sociopathic, etc. The show would usually be pretty consistent with having them react humanely. It was season 5, when the show had started taking itself seriously, that the characters acting sociopathic felt like a bit too much. 

Finn:  In his “jerk arc” he went too far. He had no empathy for the lemon people, he had even less than PB, who was already acting pretty sociopathic. He legitimately harrassed both FP and PB. He touched FP’s shoulder and made her uncomfortable. He stroked PB’s hand after the high five in Too Old, which by the way has actually been cut in many countries due to how gross it was. He got super weird in Rattleballs where he was a total simp and told PB about the robot even though he knew she’d kill him, just because he wanted to impress her.  Then in The Tower, he had tunnel vision and legitimately KILLED like a dozen candy people with his tower, which was hilariously referenced in Hot Diggety Doom when he said the candy people don’t trust him anymore.  I didn’t like that they made his arm grow back. Or that he kissed a million princesses in Breezy, which is a poor reflection on the crew’s treatment of girl characters in the show :P I know we ended up with the awesome Fern arc, and Finn got over his romantic hangups in a satisfying way, but the amount of people the episode alienated is unreal. It did a lot of damage to the fandom.  

PB: I hate the entire way they baited her having feelings for Finn. If you remove that kiss in Too Young, her character makes much more sense. Reading her around it makes the ep seem like a massive inconsistency. I don’t like they waited four seasons to work on her as an actual character.  I feel like they went a bit too far in making her cold and pragmatic or sociopathic. Just a smidgen. This is because some of her actions verge on irredeemable. I’m mostly thinking about her relationship with Flame Princess. It doesn’t seem right she’d have no feelings about ruining the life of a fairly innocent child. Also she totally got a bunch of flame people killed in The Cooler. At least in The Cooler, she demonstrated a modicum of doubt before taking apart the sacred Fire Giants. She’s certainly not like the Diamonds, but FP was right to say she was a bad person, and I’m glad she was horrified by what she was becoming, but couldn’t immediately turn off her paranoia or bad instincts - it’s something she works on for the rest of the show and post-canon. (It’s also why shes a million times better than the Diamonds) I think her character in season 10 could have been better handled. For start we got no followup to Elements. It’s pretty significant she became a giant candy monster and brainwashed all of Ooo, no???? It did take them two seasons but they eventually showed she was impacted by having been possessed by the Lich. I was hoping we’d get exploration with Elements too, especially because of how much she unintentionally hurt everyone, like Marceline. They tied her actions in the series far too much to her character for it to feel like something that could be brushed off.    But what was weirdest was that she wanted to go to war with one of her creations. That didn’t seem right. Pb has a complicated relationship with Lemongrab, shown right up through to the same finale (even exploring how they would currently interact in Diamonds & Lemons), and she didn’t want to go to war with him, but she did want to get him usurped by Lemonhope. If she is willing to stoop to war now, why didn’t she just... yknow.... have Gumbald executed? Stealth plan? It seems far more up her alley, and he even tried the same thing. The season finale tried to say she felt under pressure to go to war, but I don’t think it does a good job at communicating why. Why wouldn’t a secret mission work? Would it count as a war crime? If it did, who would sanction her? Gumbald in general sucks. There are better “dark reflections” of Bubblegum in the series, and Patience was a much better villain. I wonder how things would have been different if the season could conclude at its intended pace? 

Marceline: My criticism with Marceline is a lot easier to summarise, because I’ve thought about her less and she’s less involved with the show.... which is the WHOLE PROBLEM!   

1. Put Marceline in the show more. She was barely in the first six seasons at all! She’s such an awesome and fun character when they let her be. More eps like Go With Me would have been awesome.  Even more eps like Princess Day or Be Sweet, where she was LSP’s bestie. 

2. Her character’s personality, for a long time, revolved around being a source of angst. She wasn’t demonstrating her fun side at all. I guess they didn’t want to write her continuing to be a big jerk, but it meant she paled when pitched against the rest of the cast - especially PB and Ice King, who were always great, and if they were in an ep with Marceline, their characters always outshone her. This could have been repaired by having her go on more adventures with Finn and Jake, and developing Marceline’s reactions to various situations. Give her more complexity.     I really love Obsidian because Marceline demonstrates her wild side in this ep and goes on an adventure which is very personal to her. She has some cool action scenes near the start, and this episode connects her more serious personality with the comedic representation at the start of the series. I think this is the best Marceline episode, followed by Varmints (she was so fun but mature in this ep). I like how she was during and after Stakes too. She had far more personality when they were putting her in eps with multiple other characters.   

Ice King: I have no massive thoughts here. I think some of the things he did were a bit too messed up. He killed a bunch of cloud people and furniture in season 6. His actions before that point were far more innocuous, though he did accidentally kill PB those two times, and he did threaten to kill princesses after kidnapping them in season 1. I LOVE Ice King season 7 and up though. He’s so good. I was shocked at the finale when they “killed” him, had him revert into Simon with very few consequences, like all those years as Ice King had vanished. I was so glad to see Simon struggling with his past identity in Obsidian. “This is how I cope!” 

Jake: Like the others barring Marceline, I thought that Jake occasionally did stuff that was too messed up. But because he’s a less serious character, who is already verging on chaotic good/neutral, it isn’t as impactful. I don’t have any major issues with Jake. Maybe I’ll change my mind on rewatch? But I love how he can be so self-contradictory. 

Flame Princess: Last one I want to bring up. This character is a mess. Rebecca intended her to be this very innocent person, having new experiences. This was how she was characterised right through to Earth and Water, but after that episode, her character got... an unfortunate reset. Suddenly a mature and BORING ruler who barely appeared anymore in the show. I felt a lot more could have been done with Flame Princess, and they shouldn’t have made her so dull later on. They played her as a virtuous character who got over her breakup with maturity, and led her kingdom with honesty, to further the development of two entirely different characters rather than to make FP interesting in herself. 

[frumfrumfroo]

Why do you think so few people will notice or care about a “SWCU”? Was the review you listened to positive about it all?

No, anyone who has one slightest quantum of a standard knows the film is terrible, but they don’t see that the most insulting thing about it isn’t how awful it is in execution but how it remakes Rey as a fucking blank slate perfect superhero for men to project onto, turns the Force into a video game magic system, and killing Ben makes all of Star Wars a nihilistic shaggy dog story about a family of Born Doomed assholes who have failed in everything they ever attempted. All of which would be just as bad if the film had been better written and better edited.

Too many people are okay with the predestination, with the moral logic that any character and the story itself can treat Ben any way and it’s fine because he doesn’t deserve better, people are okay with a totally different standard being applied to Rey because she’s the protagonist, with violence being the answer, with the total absence of character development or internal struggle. The lack of agency for literally anyone in this retcon. They’re fine with being told the LAST SHOT of a film doesn’t have significance and that this is totally a happy ending despite even THEIR OWN FILM going out of its way to illustrate that Rey is isolated and her belonging is dead. She’s primed to have ADVENTURES as my self insert and that’s what I, Tim who hates Ewoks and thinks ‘nothing happened’ in TLJ, want, so what the character wanted and what the story was about is totally irrelevant.

Huge swaths of people are super cool with love and forgiveness being empty words and the shining idealism of sw being utterly snuffed out. The American cultural nightmarescape of utilitarianism and retribution, of dehumanising all whose humanity is inconvenient, their delusion of being a meritocracy, and treating being a victim who is so gauche as to be traumatised as an unforgivable crime is all hunky dory with this bleak, depressing indictment of vulnerability and compassion. People hate Ben because he’s a male victim and he’s vulnerable, because he has all the human emotions American men aren’t supposed to have and he failed to pull himself up by his bootstraps until after he’d lashed out in pain, they’re relieved to never have to think about him again.

Do I think the GA is happy about this? No. But that’s not going to dominate the fucking discourse, is it? Even in this fandom very few people are going to take this proof that nothing matters and DLF feels zero obligation to their own canon as a reason to just stop investing and stop rewarding this absolutely crass product and its giant ‘fuck you’ to storytelling. We know now who gets to be heard and listened to and it isn’t people who care about themes and about what George Lucas was trying to accomplish in creating a new myth.

#salt #trosspoilers #the people who had no fucking clue what Luke's victory actually was have won #this is what sw is now #a fucking Marvel movie about ubermensch #where labels are the most important thing and we need to bow to the superior elite with superpowers #who will use them to kill anything that makes us uncomfortable #a tros ity

[millennialzadr]

WHY I LOVE ZADR!!!

HEY GUYS WHASSUP? LMAO

So this is a whole ass giant long post of me absolutely spewing my feelings of love for ZADR, it was the very first thing I wrote when I made this blog and I think it’s a nice, positive thing for my fellow shippers to inhale and enjoy 👌👌

it was originally a reply to mitarashiart’s post about why HE loves ZADR (link in replies) but I decided to delete that and make my own post since MY WHOLE ENTIRE TEXT WALL WAS SHOWN IN THE REPLIES and drowned out anyone else who was trying to talk (thanks tumblr mobile u fuckin idiot)

I had also posted a summary of an AU that I’m working on in the original post, but decided to remove it since it just about doubled the length (I’m thinking about posting it separately along with the wips I’ve been putting together, we’ll see 👀)

But ANYWAY, here is about a million reasons why I think ZADR is the fucking best, so if you like reading gushy gay ship feelings, please enjoy ❤️❤️❤️

[Posted June 2019][WARNING, LONG ASS THOUGHT BARF]

SOOO, holy hell y’all my journey back into this fandom has been a wild and unique experience for me, i went from adding invader zim to my bookmarks on kisscartoon, rewatching the series, finding out theres a movie coming out, finding out there was a shitload of content i’d never seen before (commentaries, lost episode scripts and audios, panels, the COMIC, episodes i’d never seen because the dvd i used to watch was scratched!! and a FUCKLOAD of quality modern fan art like oh my GOD) and finally curiously googling ‘zadr’ (which i was way into when i was maybeee 13/14) to see if there was any interesting new art, and holy hell, mita (the artist above) singlehandedly THREW me down the hole into modern zadr hell, first with his absolutely stunning IZ art (all his art is dope tho check him out yo), then reading the above explanation put the final nail in the coffin like, 100%

so i wanted to add onto his post here on why this ship got me so fucked up, both for anyone who might be wondering why on earth i’m shipping two characters from a kid’s show (i’m very aware how weird that is at first glance trust me) and also so i can get some ideas down for possible future reference (will i ever draw them? maybe)

(first of all, a disclaimer, and this is not pleasant to write but it’s important to address for clarity’s sake: I have no interest in romantic or sexual relationships between minors, and do not ship zim and dib as they are presented canonically in the show (as children). what i’m interested in is the conceptualized relationship they may have as modern adults, and i view zadr more as taking the concepts of existing characters and experimenting with them with different interpretations, which i personally think is a constructive and fun creative outlet, especially if these characters hold personal significance for you (childhood faves of course). growing up together is an important facet of their relationship, and certainly they were important to each other even as children (see: mopiness of doom) but as an adult i’m personally curious about what kind of adults they might’ve become, and that’s the focus of my interest. i’ll still be reblogging regular IZ art because it’s dope but if you see shippy looking art of them as tiny lil beans its either friendship or chibis (and i personally headcanon zim as getting taller with dib but some people stick with his canonical height when drawing them as adults, which is super short. it still doesn’t mean he’s a kid). aaand i wish i didnt have to write this and it would just be obvious but we live in a sick sad world and it is sourced from a children’s cartoon so i feel its necessary. end of disclaimer)

NOW THAT THAT’S OUT OF THE WAY

- ok, first reason’s a bit obvious - the nostalgia. holy hell, the feeling of rediscovering a ship that was popular when i was a preteen during the mid 2000s and discovering a totally new perspective on it as an adult comes with an almost totally overwhelming sense of nostalgia and comfort, as well as inspiration!! the kind of art that seems so common for zadr, these sketch pages of scenes and expressions and visual gags where artists would just scribble every idea they had and LOVE doing it, this was exactly the kind of art that made me so passionate about drawing as a kid, and it still sparks such a powerful feeling of love and admiration for me to this day. fan content of iz and zadr is simultaneously achingly familiar and totally new and fascinating, and it just makes me SO damn happy to consume, it is most definitely my new comfort content. and just, GOD. THE ART!! SO GOOD. FUCK

- now for the characters themselves: for some reason i just really love the thought of a mid twenties, modern Dib?? lanky goth dork, disaster bi, depressed as shit, uses bad sweaters and memes to cope?? when i was a kid i didn’t even LIKE Dib, but now i totally sympathize with him! he’s just a hyper obsessive nerd wishing there was more to life than the situation he got stuck with, how wildly relatable. he was a pretty big asshole as a kid (even to people besides zim) but he was also totally isolated and constantly bullied, so there’s a lot of room for growth. i feel there’s a lot of juicy character development potential for that boy, and there’s always been a special place in my heart for characters who are totally sad and screwed and hopeless, but there’s one thing, or person, that means the world to them and could possibly save them…

- aliens. Zim. i love nonhuman characters, i love monsters, i love aliens, i love characters that don’t understand human shit (and thus have much less room for shame or fear bc theyre just totally oblivious the negatives of modern society) and need guidance (bonding!!) from their human. i also love morally grey characters and characters with skewed logic, they’re always really interesting, and Zim himself just has such a unique personality and set of mannerisms, he contradicts himself a lot and you can never quite expect how he’ll behave, and i love that in a character, it makes them super versatile and fun, especially since there’s so many different possibilities for their development. Also, Zim is a gremlin, a little shit, and a disaster. I also love those traits in a character. And don’t even get me started on his character design?? big sparkly eyes? expressive antennae? monster teeth? complimenting colors? he’s adorable.

- mutual obsession. for someone like Dib, who seems almost repulsed by how boring and slow the people around him are, Zim quite literally personifies Dib’s  escapist fantasies, both as an inhuman entity from beyond the stars, and as a person who’s knowledge, charisma and mystery far exceeds that of anyone Dib has met in his entire life. (so basically what i’m saying is that for a shunned, jaded misanthropist, an actual alien is terribly alluring, even if said alien is dangerous, stupid, and possibly insane). not to mention Zim vindicates Dib’s entire life passion, the supernatural! Even when their relationship is totally negative, there is not a single inch of room for Dib to get tired of Zim. as mita explained, they validate each other. for Zim, WHO AGAIN, IS TOTALLY SHUNNED, ISOLATED, AND HATED BY EVERYONE HE KNOWS, Dib is the only person in the universe who gives a single shit about him!! he gives Zim credit as a threat, a capable invader, which if you ask me is the sole thing Zim is after (he’s hellbent on his mission because it would win him the approval of the tallest, all he’s ever wanted is recognition from the people he thinks so highly of). He literally gets depressed when Dib isn’t around to pay attention to him, not even the tallest were enough to motivate him before Dib came back. these two have no one and nothing without each other, and while lifelong nemeses is fine and dandy, i personally prefer friendship, affection and love, cause i’m a softie like that. how could they possibly get there after years of actively trying to kill each other?? well, i think under just the right circumstances it could become a possibility after a long, long time.

- growth. i. love. me. some. good. character growth. especially for characters with trauma/mental illness, bc again, relatable. these boys have issues, and as mita mentioned, their canon stories are actually INCREDIBLY sad! but the happy thought is, they could recover! they could help each other recover, for little reason other than the two are the only source of happiness for each other. now of course this also opens the gate for angst lovers, but at the same time offers potential for comforting, uplifting content of the boys supporting and inspiring each other, maybe even to the point of becoming happy and healthy enough to create the lives they want for themselves (as in appreciating life and doing things that make them actually happy instead of the delusions of grandeur they both sought when they were younger). gimme that positive shit and let the poor beans be happy  щ(ಠ益ಠщ)

- LITTLE THINGS. LITTLE THINGS THAT ONLY COME WITH CHILDHOOD FRIENDS. WITH HUMAN/NONHUMAN. WITH THE SHOW’S WEIRD LOGIC. Zim being the person Dib knows best and vice versa. Zim having an involuntary respect/admiration for Dib because he’s tall. Learning each other’s needs, limits, and communication methods, both emotionally and biologically. Sensitive antennae. Affectionate bickering. Being less insecure bc your partner literally has no idea why you see your flaws as flaws. Laughing at the flaws they do notice because they make no sense. Zim only wanting to eat waffles and chow mein. Dib being forced to overcome his depression lethargy and stay hygienic/keep the apartment clean because Zim has a sharper sense of smell and is afraid of germs. Endless conversation about anything and everything because they’re from literally different worlds, and endless intrigue. TOUCHING. TALKING. DOING EVERYTHING LIKE ITS THE VERY FIRST TIME AND ALWAYS NEEDING THE OTHER TO GUIDE THEM. HOLY HELL THERE IS SO MUCH POSSIBILITY FOR TINY LITTLE MOMENTS THAT MEAN THE WORLD. FUCK. GOT ME FUCKED UP.

so that wraps up the why. fuck man. its just such a good ship. if you read this big ass text post, thank you for indulging me, i hope you enjoyed it! because i enjoy it very much 👀 so stick around if you’d like to for a shit load of IZ and zadr content on this blog, possibly (MAYBE) even from me!! come roll around in alien hell with me why dontcha ᕕ( ᐛ )ᕗ its a fun time! thanks for reading!!!

-

SO THAT’S MY MANIFESTO Y’ALL, FEEL FREE TO REPLY WITH YOUR OWN REASONS!! I WOULD LOVE FOR THIS POST TO JUST BECOME A BIG GIANT PILE OF LOVE AND YELLING!! GO NUTS! SCREAM ABOUT IT! INFODUMP! DO WHATEVER YOU WANT! I’LL READ EVERY LAST REPLY! Y’ALL DESERVE TO ENJOY YOUR SHIP BC IT’S LITERALLY THE FUCKING BEST!!! LOVE Y’ALL!!!!!!

#in this trying time of shippers being stressed over discourse #i offer a gift<3 because i love you guys #and we should spread the love #i want yall to go OFF #tell me every little fuckin thing about zadr that makes ur heart doki OK #LETS GO 👏👏👏 #invader zim #zadr #text post #my post #long post

[lunchador]

Don't mind me but I'm rambling. I'm gonna yell about this here cuz it is my fandom blog and that's what it's for.

Man, The Boys is the perfect example of seeing a comic, seeing the potential, and gutting it for something better. I used to be a fan of Garth Ennis, I used to say he was the kind of writer that could balance edgy in a fun way that wasn't too much, but after revisiting his work I'm like....very unimpressed. And I feel as he keeps releasing series they keep getting worse 😬 I can't say this on FB because some of my male friends hold it in high regards(lots of them read it as angry edgy teens) but Preacher? Kinda a super shit comic. I genuinely think the show was attempting something better by polishing up the core concept (also the casting? Chefs kiss). I liked The Boys. I own The Boys. But the show is a fantastic example of how a comic adaptation does not need to be faithful. I think they made the characters a lot more engaging, they kept the graphic violence but I'm not rolling my eyes at it, and made the overall plot more of an arc versus the previous baddie hero of the week style that made it feel disjointed. And it's nice not to be able to expect what is going to happen next, not like how some shows throw it in a new direction solely to fuck with you versus genuinely interesting. They still sprinkle tons of comic stuff nicely in the show (my friend and I screamed at love sausage). I think the timing of the show is excellent in both that there is a corporate superhero burnout with so many movies and shows being churned out (often playing it too safe where money > interesting) and also reflecting irl events in an eerie but clever way. The whole comic and show is assholes, and I'm thrilled to love to hate them. I couldn't even do much of a reread because it's just not that good to me anymore. Absolutely crazy that Seth Rogan and Evan Goldberg read those two comics by Ennis and were like yeah, let's do this.

I feel the same way about Mark Millar though. I cannot stand his comics, I feel like he's pretty good with coming up with a concept but someone always executes it better on his behalf. Kingsman? Kick ass? Wanted? All superior to the comics. I think red son and jupiter's legacy are ones I did like, but I am very interested to see how netflix (?) Does jupiter's legacy in the wake of the boys. Not quite the same, but an edgy superhero series I highly expect people to make a comparison. It's about children of superheros that are struggling to live in their shadows. Drugs, sex, violence, drama.

On the other hand, I am screaming about the Invincible adaptation. IM SO FUCKING EXCITED. Invincible is in my top favorite comics, it got me INTO comics, and I always thought it was vastly superior to Kirkmans famous work Walking Dead. This I do hope sticks close to the comics (though maybe slightly better writing for women characters haha). I already know exactly what they're doing for the first arc and I really really hope we can get further than that because the series gets so fucking WILD. Insane all of the merch and now a show we are getting after the series ends. It's also super long for a western comic series at like 26 trades I think. I hope the show is a success for multiple reasons.

With the old guards success, I hope amazon finally does something with the rights they bought to Lazarus a few years ago. Greg Rucka is truly one of the best comic writers out there and that series is perfect for tv. Which reminds me I need to watch stumptown cuz I just bought the comic to reread and it's so good!!!!

And y the last man finally has its feet on the ground after being in development hell for like 10 years. Brian k vaughn writes the most human characters out there. And also paper girls is gonna be a series!!!! Fucking hell yeah!!! Hopefully it catches people attention as stranger things did. It's gonna be fun. And I hope saga never gets adapted. I truly think nothing will be able to capture it. Leave it as is.

And I'm still sad Chew ended up falling into development hell. Originally showtime wanted to use to to replace Dexter as that ended as their new bloody crime show, then it fell to an animated series which is better imo to pair with how weird it is and showcase the art style but I think the last I heard of it it was pretty much not happening. Especially since iZombie got surprising amount of traction and I guess they expected it to be too similar.

I'm also still bitter about Deadly Class's cancellation. I had a lot of potential. Great cast, good cinematography. It's such a fun tragic comic.

Locke&key was alright, it's such a good horror comic but I wouldn't be able to tell you what would have made the show better. Something didn't quite click for me.

I'm kinda really burnt out on marvel/dc. I don't think either is impressing me lately besides scattered things. I don't think I'm excited for any of the disney+ shows besides falcon+winter soldier and even then expectations are tentatively low. Maybe wandavision? I didn't give a shit about them in the movies but it's heavily based on a run of comics I did enjoy so I'm wary. I know only care about Hawkeye for Kate and she-hulk for the actress. Though I've been having a surprising amount of fun watching Doom Patrol and I enjoyed swamp thing. It's weird. It embraces that weird. There's something I feel like Umbrella Academy is missing it could learn from doom Patrol. Like ua still feels like it played it a bit safe. Idk. Haven't finished it because I'm not as motivated to.

And Faith?? Is gonna get a movie??? A plus size hero??? AHHHH. I have my first issue signed by the author I met at comic con a few years ago.

And watchmen of course.

And outcast, and happy, and powers! And I kill giants was turned into such a good movie!!! So many image comics!!

I just read nailbiter is gonna be a series so that's gonna be bloody and violent and full of serial killers lmao. The ending of that comic got a little ??? For me but I own the whole series so i guess that says something.

What a time to be a comics fan!!! We are so fucking spoiled lmao and there's still sooo many untapped series. I think Criminal would make a fantastic live action drama show. Who does like Intricate crimes and heists and overlapping stories And wic+div would make a stellar show especially if they really had fun with the music. And so many comics I like would make amazing animated series like pretty deadly, or chew, rocket girl. Haunt is another Kirkmans series that has potential to be a fun gritty superhero violent adaptation. Except the ectoplasma attacks haunt has looks like violent jizz sometimes. Idk. Like, URGHHHHHHH. Gimme gimme gimme more comic stuff.

And there's so many good things I'm not even aware it was a comic initially.

And there's so many things I hear good things I have yet to touch like black lightning, runaways ( I love the comics!!, Cloak and dagger (also great comics )

Old comic shit is good too. I've been rewatching the Spawn series. Adult animated superhero stuff is seriously underrated. The tank girl movie is FUN. ROCKETEEEEER!!!!! Disney was supposed to do a remake with a black girl. What happened to that?

I dislike all the cw shows though lmao too cheesy. Also why I can't get into agents of shield though I tried for Robbie.

So many THINGS

#hey i am a huge image fangirl if i havent screamed about that enough yet #ive been feeling emotional over comics #ever since invincible dropped the teaser #like legit tears smh #tumblr chabged how you do readmores i guess #i tried tk hide this so sorry if youre scrolling oast #i just #fuckjng love comics you guys

[popculturebuffet]

Top 10 Regular Show Episodes

Close Enough is Close! 2 more days and a show i’ve waited without hyperbole years for will finally land offically. While i’ve seen three episodes preelease, one because of a french film festival the other two because HBO made an oopsie, and it’s more than likely i’ll be seeing those episodes again thursday, it dosen’t make it any less special, as with an offical release comes the fandom finally becoming a thing and the ablility to watch the episodes over and over again.. on computer till HBO gets it’s shit together but still. IT’s a great time.  And my hype for the show made me revisit it’s big brother: Regular Show. Created by what would happen if you condesned california into a person, JG Quintel, Regular Show, as you all damn well know but I like doing anyway so as rigby would say, STOP TALKING, was about two slackers and best bros: Laidback hipster and hurricane when it came to talking to women, Mordecai and Rigby a high strung, idiotic, impulsive, and frequently angry racoon who worked, when they absolutley had to, at a park. Joining them at the park were their coworkers and later closest friends: Benson, their constnatly angry boss who constnatly belts out empty threats to fire them and has a rather sad personal life, Skips, a centuries old yeti whose literally seen it all and despenses advice for the duo and is voiced by everyone’s faviorite grandpa/jedi/murder clown Mark Hamill, Muscle Man, a grotesque blob of a man who likes  “My mom” jokes and breaking things, Hi Five Ghost, Muscle Man’s sidekick who got like.. one episode focusing on him alone over 8 seasons moving on, and Pops, an odd but unfailingly sweet and kind vicotrian era gentleman whose also basically immortal and is Bensons’ boss in name only.  The Park Crew spend their days working, or in our main duo’s case trying to get out of work to do anything else,  while dealing with every day issues that would quickly ballon into insanity. Getting pops a birthday present of Fuzzy Dice from a local pizza place ended up with the crew having to fight a bunch of anamatonic animals that were stashing diamonds in there. Trying to get concert tickets involved getting caffine from the nipples of a giant sentient coffee bean in order to stay awake long enough to do the extra work. And Mordecai trying to delete an embrarassing message off his crush Margret’s voice mail lead to him and rigby getting hauled in front of a bunch of a message guardians, one of which is a sentient smoke signal that wanted to burn them while the other replied with “we’ree not going to burn them when have we ever burned anybody”... I love and miss those guys. Oh and it’s resolved by having to playt he embarassing song he sang while said message beings groove to it then ask him to colaberate with them on their album. THis show was on all the drugs and I am all the hear for it. I could go all day obviously but this section is long enough as is, let’s move on. 

Regular Show came at JUST the right time for Cartoon Netowork: Similar to how the 80s doom patrol comic started off really bland and cookie cutter and not at all doom patrol and then grant morrison came in, had hte previous writer kill almost everything, then rebuilt it from scratch with crazy, CN had few shows left and was coming off a really terrible attempt at competeing with NIck and Disney Channel’s live action dommance with a bunch of dude broy reality shows and other ill conceved ideas. The network had a few shows, Total Drama, The Clone Wars which got better and I need to watch those better seasons at some point, but they weren’t enough to make the network thrive again.  SO enter adventure time and regular show: BOth were creative, funny , a bit rough around the ages, and kind of nuts, but both were massive hits: The shows hit almost every demographics sweet spots: Kids like the bright colors, fun designs, and insanity, teens loved the edgy bits of the humor and also the insanity and 20 somethings and older both found refrences they got and loved, and well.. insanity. I mean being fucking nuts but also wonderful is kind of the watchword for most animation nowadays. While in the past in my own head i’ve played down Regular Show’s part in things, after all it came second and had a rough patch I told myself.. but I was wrong. Both shows had a lot of the same elements; insane stuff, great voice acting and good humor especially as they evolved.. but both also evolved in largely the same way and that way helped change animation for the next decade: Both, despite being comeidies, regular show keeping to it a bit more than adventure time did as they evolved, had the characters grow, something a lot of animated comedies didn’t do as much ast the time, even the good ones. THey had season long arcs, things that are now standard features in most cartoons for good reason were MADE standard by these shows. It’s just regular show’s legacy got diluted by shows that TRIED to copy it but both failed to see that it grew past season one or that it’s being okay for kids but really based in adult life and problems meant copycats like fanboy and chum chum, sanjay and craig and breadwinners, all thankfully long dead, eventually sputtered out and died. That and Nick is REALLY shitty at maintaing shows or treating creators with anything resembling respect. Somehow Teen Titans Go is still alive despite having similar failings but you can’t win everything. It didn’t help gravity falls came along right after and proceded to be even more influentail than both of these shows. Hmmm I just realized I haven’t done any gravity falls reviews here.. I gotta get on that. But while the show got eclipsed in quality and popularity I do still think it holds up for the most part as funny, charming and with , for the most part, good character arcs, it’s just that a bit of incosntientcy, some abrubtly done actions and a REALLY fucking terrible arc in season 6 dull the show a bit in comparison to what came after, but I do realize now it’s still worht watching, remembering and laughing at. It may of not been the greatest, but damn it was good.  So with my nostaliga for the show popping up, my faith in it restored, and it’s sucessor showing up in a few days, I decided to do a little something for the ocassion. I WAS going to do a full on review, but had troulbe finding an episode as some of my faviorites are part of a larger arc that was hurt by a later arc, and the show ping ponged between slice of life and utter insanity enought hat it was hard to peg down to jus tone or two episodes. So while I WILL review the show eventually, it has both good and bad episodes needing it, I decided instead to dig out something I hadn’t done in far too long: a top whatver lists! Now while I do get these things are clickbaity, because they are, I.. honestly just love making them. Even if i’ts not for any specific purpose I just love ranking, the stress, even if I normally hate stress given my anxiety, of trying to narrow them down, and the satisfaction of taking a ton of episodes and melting htem down into the best of them. And with a show as long and varied as regular show, If igured this was the best way to show it off before I dived into it eventually. I’ll obviously be doing more top, and bottom lists in the future, but for now this seemd like a godo place to get back to it. As  Now a few more things before we finally get started. Yes I know i’ve gone on for a few years now but i’m almost done. This list is obviously, my opinon. If you disagree fine, and feel free to comment or shoot me an ask about it but I stand by my list and what I choose. I had to boil down over 60 episodes I picked to possibly  be on the list and even after it was down to 40 cuts were really difficult, .. Also just as a quick note there are no episodes from seasons 1, 6, 7 and 8, and that’s not on purpose, as the last two seasons are really good, it just fell out that way and i’m sorry about it. So with that out of the way grabs some sodas and wings, get out your maxi gloves, and bring out your best sentient earworms wearing sunglassses, after the cut I count down the top 10 Regular Show episodes. OOOOOOOOO!

10. I Like You, Hi (Season 5, Episode 26) As you’ll be able to tell by the rest of this list Season 5 is my faviorite, and it’s where I feel the series hit it’s peak before next season lead to it’s valley. It’s got a ton of great episodes, as this list will attest, some great character development, and was still really damn funny.  But what put it over the top for me was the Mordecai and CJ arc. At the end of the last season as you probably know the show wrote out Margret, having her finally get into college like she’d wanted since she got an actual character back in “Camping Be Cool” instead of just being “that hot girl mordecai really likes but is too scared to persue”, and another fantastic episode we’ll be getting to, Mordecai was in position to move on.  Re-Enter CJ. CJ was introduced earlier in the season 3 ep “Yes Dude Yes” which itself is really good, where Mordecai thought margret was engaged and with Rigby’s encouragment, ended up meeting CJ, stands for Cloudy Jay if your curious, a sentient cloud voiced by the wonderful LInda Cardenelli, aka wendy from gravity falls and currently co star of the equally wonderful show Dead to Me. Seriously go check it out on netflix, it’s really good. It naturally went pearshaped since Margret wasn’t engaged, he tried going out with both, she turned into a thunderstorm out of rage... as you do.. it’s like the season 6 plot but less infurating and more understandable.  But the two remeet, and had a kiss on new years while not knowing it’s the other person under am ask.. and then CJ ran and both thought the other was upset: MOrdecai for him being MOrdecai, and CJ for running out on him and agreed to be friends. That didn’t last, though it did give us another classic on this list, as while exes can be friends and all, the two still had something between them. Thus came this one. And it was a hard one as it barely inched out the finale of their relationship arc, Real Date, which had the ceo of a dating company try to break them up and be really damny funny but it’s ulitmatley this one being just as hilarious while being a great character piece that gets it the rub.  As the episode opens Mordecai and CJ have been spending a LOT of time together and i’ts clear there’s a spark there.. but Mordecai insists it’s platonic. And yes there is a bad habit of animation being unable to accept females and males who are into the oppistie sex can’t be friends without being attracted to each other. It’s being cleared up more lately, but as Star Vs showed it still happens sometimes. But it works here: The two STARTED with dating, made out on new years, and are attracted to each other it’s just clear both were in denial about it. It’s not saying “well they have chemstiry so fuck their partners’ like star vs or “if you loved someone once those feelings will return and destroy yoru current relationship” like next season.... season 6′s arc is a tirefire burn it.  But the issue is forced when, while texting about an extreme baking show together while CJ’s at her job at a sports bar, it autocrrects from Yuji, the show’s host, to you hi, sending the title message “I like you, hi”. Mordecai, being even less adept with his feelings and anxiety towards women than me and trust me that’s saying something, spirals and we do get the episodes best scene, narrowly beating out it’s climax, where Mordecai summons a war council.. aka the rest of the main cast minus benson but plus Thomas, the intern who I wish stuck around longer even after he turned out to be a russian spy because they ran out of ideas for him, voiced by Roger Craig Smith and distractingly using his future sonic voice. 

I just.. love everything about the scnee. From the term pulling a mordecai, to Rigby joining in, deservedly as he’s had front row seats for a lot of this bollocks, to everyone’s suggestions especially Muscle Man’s half assed one that somehow, but unsuprisngly, works for him and Starla.  Naturally Mordecai comes up with what Rigby HIMSELF admits is a Rigby level half assed scheme to get an actual photo with Yuji rather than just admit the truth. Yuji himself is an utter delight, having had his star not rise as fast as he’d like thanks to autocorrect and being entirely on board, and when it backfires as MOrdecai ends up autocorrected and sends the message thrice and gets sucked into the phone again, admits i’ts “pretty extreme’. I love the guy and i’m prety sure he showed up again, to my delight. 

In the phone Mordecai meets some old friends, the message guardians who I mentioned in the “insane shit this show has done” bit earlier: old forms of messaging who police texting, all voiced by Rich Fulcher of the Mighty Boosh and Snuffbox Fame. 

I love Rich and wish these guys could show up in close enough. Maybe they can, I don’t know how rights issues with turner properties work when it comes to two diffrent audiences entirely. Anyways what really makes the episode, besides the great callbacks in this scene, is when confronted with everything going on, Mordecai.. tries to run into the void, with Rigby, The Message Recorder and the Smoke Signal all encouraging him to come back. “There’s nothing out there for you, literally it’s just a blank void”. With the leading tape recorder pointing out from their text history not only how great CJ is but how much he seems to like her with Mordecai finally coming back and admitting the obvious: He does like her.. he’s just scared of beefing it again. Which he does but that’s not the point. Rigby, who as part of his character development helps Mordecai quite a bit with this stuff by being a neutral party, though he also likes CJ better than Margret which is a mood even though I don’t care which one you ship mordecai with frankly, you do you, I have my prefrences. And with that Mordecai finally texts her and asks her out, with her accepting via winky face.. with an added text to clarify it for his neuotic ass.. which is also a mood as my neuortic ass could use that a lot. Overall just a wonderful , hilarious and good bit of character growth.. that season 6 throws in the oven, but that’s a long rant for another day. On it’s own, “I LIke you, hi” is a good character piece for mordecai whlie still being really damn funny. 

9. Thanksgiving Special (Season 5, Episode 15)

Regular Show was really damn great at holliday specials. Their terror tales from the park every halloween were always a nice treat and a good replacement for Simpsons “Treehouse of Horror” which still exists, it’s just no one cares at this point, and their christmas and new years episodes are both really damn good, the first Christmas Episode being in contention for this list even. But to me the best of the best was easily Season 5′s  thanksgiving episode. 

The premise is simple: Mordecai and Rigby accidnetly destroy thanksgiving dinner, which the park crew is having for everyone and their famllies and, refusing to take Benson trying to dismiss their attempts to help fix their mistake, end up joining a songwriting contest to try and win a Turducken.. a natural one that’s born every 1000 Years because this is regular show. To do this they have to beat a parody of everyone’s least faviorite president Donald Trump, Rich Buckner.  The fact that trump was basically the main villian of a holliday special a year before he became president is not lost on me and  is one of the most accurate depections of the man i’ve ever seen. The fact Rich steals the prize despite our boys winning from his blimp with a grappling hook is peak trump. The fact Trump has’nt stolen more things with a grappling hook in real life is only because his hands are too small to use one. 

Getting past our president for my own sanity, the episode also has really great subplots: Muscle Man and Fives go to  a sports bar to get sides and end up pissing off a former football player and getting into a touchdown dance comppetition, sadly not set to the super bowl shuffle, while Benson, Pops and Skips go to get a turkey and end up fighting over it with men dressed up like a piligrim, a first thanksgiving era native american and a turkey, to which they don’t even really give an explination for.. granted most explinatoins on this show are insane but even by regular show standards, this gets none. And I love it for it.  While as you can tell the episode is really damn funny, what really sells it is the emotional core: For once while they do fear for their jobs a bit Mordecai and Rigby’s main motivation in this messup is genuine guilt and wanting to fix their mistake, and they work hard at it, even giving a genuine and awesome heartfelt song that notches itself up with other thanksgiving classics “That thankstiginv themed soul sketch on snl” and adam sandler’s turkey song also from snl. Not a high bar but it’s really good regardless

The episodes’ real strength though is it’s emotional core: For once instead of saving their own asses or understadnably wanting to get one over on the cranky and in the worse written episodes obnoxiously overbearing benson, they simply feel terrible about possibly runing the meal for their arriving parents and everyone elses parents and families and their friends and work to right the wrong. It’s not the first time they worked to do something genuinely good with no benefit to themselves, but it’s probably the best and Benson’s I forgive you, while hilarious is also really sweet. And speaking of sweet

It ends on a really sweet and touching note, as Mordecai and Rigby, after escaping a blimp via a wish on a golden wishbone because of course, make it home to find the various weirdos the park crew met have brought them thanksgiving, and their parents will be there and we get a nice touching ending as the main duo get a well earned toast from Benson. Just an out and out amazing thanksgiving special and a good reminder of what the holiday means.

8. Trucker Hall of Fame (Season 3, Episode 37)

Moving on from Season 5 for a second, Season 3 was where the show really started to hit it’s stride to me. While Season 2 was a nice increase in quality from the sometimes choppy and heavy on “everyone is an asshole” comedy season 1, Season 3 was where the increased focus on the rest of the cast outside of our main duo balloned and what seeds of character were planted in season 2 beautifully bloomed. And this episode is one of the best examples of that.  This one focuses on Muscle Man, who earlier on was basically the main duo’s rival alongside his buddy high five ghost, and kind of a dick. While “Kind of a dick” never left any discription of Mitch Sorenstein, this and previous episode muscle woman showed there was more to the goblin man than we thought. It’s also one of regular show’s few early mostly serious episodes and unlike the benson ones, again this list was tough don’t come at me with a machete, and realy showed why muscle man is the human tire fire he is. The episode introduces, and quickly kills off, muscle dad, mitch’s dad who gave him a love of pranks and was a truck driver who died as he live: mistaking a fake bear for a real one during a prank. Muscle Man being not the most stable person on a GOOD day, spirals, as seen above, and Benson tasks mordecai and rigby, since Fives isn’t good with death ironically and isn’t holding up much better, and as a much later episode shows the two became besties in high school so he probably knew muscle dad for a good ten years so he’s probably not in a great place either, nice stuff, to go with him to put his dad’s ashes in the trucker hall of fame.  What follows is a sweet and damn sad episode. While Mitch’s frequent breakkdowns can be hilarous their also really sad and having lost my grandpa since this episode aired, I can relate to being fine one minute and a total shrieking wreck the next over the smallest thing. But it also shows that Mitch genuinely thinks of our main duo as his friends, and that beneath his testorrone positned exterior he’s a decent guy, being genuinely greatful. Of course being regular show the 3 end up squaring off with some truckers, while Mitch also grappels with the revelation his dad wasn’t one but a forklift opperator who faked being a trucker for his son’s benifit and dleft a tender note in his picture, figuring correctly his son would break it open when he found out... oh and because this show is still nuts his ghost ends up saving them at the end which is really sweet , as mitch decides trucker or no his ashes deserve to be there. Also his ghost shows up again at thanksgiving so apparently he can just come back once in a while, which is nice but dosen’t demnish the bittersweet feeling of this ep. And as I said the show has a good grasp on continuity as this ep marked a turning point for our main duo and muscle man: while the’yve bonded before after this, aside from mitch’s habit of christmas pranks and his faking his death, they really don’t nearly get as annoyed by him ever again. i’ts a sweet touching ride tha’ts uncharacristic of the show’s usual chaos but really works. 

7. A Bunch of Full Grown Geese (Season 4, Episode 19) After a few episodes that were more sentimental on this list, it’s good to get back to some good old regular show madness for this one, which was also the series 100th in production order and is a worthy milestone episode. Season 4 was really good building on the good will from Season 3 and FINALLY having payoff to the margret and mordecai thing, more on that in a bit. Not as much to say as seasons 3 or 5, but it was still spectacular.  The sequel to another ep, fittingly given it’s #100, full grown geese has our duo tasked with removing a bunch of obnoxious geese, with Benson in dick mode refusing to give the two more help, though it does lead to one of the show’s best scenes when he gives his usual your fried threat.. and fitting a milestone episode, Rigby calls him on never going through with it and the threat being as empty as my dreams. Benson responds by going nuts and angrishing them out of his office.. really funny. But yeah with the geese attacking them and , in their first attacking, poor pops, and no way to combat them, the two turn to the baby ducks, a bunch of baby ducks from the episode titled that who show up to help.. and this being the 100th episode of an already grant morrison level nuts show, it turns out the geese seek to conquer earth, voiced by david warner of course and have laser eyes.. and can combine. And the ducks do so again, mecha style, and add in our heroes and a bunch of call backs in one of the series best and most batshit sequences> The ending is also throughly satisfying as while our heroes win, Benson chews them out for tearing up the park in the process.. only for the ducks mom to call him out for not only yelling at the ducks, who are just kids, but at mordecai and rigby after they just saved the park from being a smoldering crater and not just trashed and he backs off. Just a fun episode where the crew just went nuts and the results speak for themselves. 

6. This is My Jam (Season 2, Episode 13)

Now this one I couldn’t NOT include. This is one of the series best even after it’s immense growth, and a beloved classic for a reason. And like the above it’s a good classic case of regular show hyjinks while also being relatable this time: Rigby gets a brainless but catchy pop song from the 90′s stuck in his head and despite growing to hate it, and Mordecai hating it because this episode establishes him as a hipster, and seemingly exercises it.. only for it to manifest as a GIANT CASETTE WEARING SUNGLASSES THAT PLAYS THE SONG JUST BY EXISTING AND DANCES CONSTANTLY. it’s utterly glorious and used to great effect, also annoying benson because he’s constnatly annoyed. To beat it the main duo get the rest of the park’s help at Skips suggestion to form a band and craft an even BIGGER earworm to cast it out. Oh and there’s a great scene where Pops is forced to awkwardly dance with the incarnation of the 90′s “But I won’t use my best moves”.  The climax also has one of Benson’s best moments as, after he’s irritated all episode, he comes in hot, with both the cast and audience expecting him to chew out mordecai and rigby.. only he’s mad because they forgot drums are key to an earworm and saves the day with his drumwork. It’s a great subversion and one of the first times Benson was more than just the angry but understandable, at times, dickhead boss. Just an utter standout and one of the show’s most memorable episodes for a reason. Also the line “you can’t touch music but music can touch you’ is great. 

5. Meteor Moves ( Season 4, Episode 28)

This one was a long time coming and to me is a great example of writers taking their own shortcomings and making something awesome out of them. I prefer that: instead of just retconning away bad writing use it as a tool.. I try to do that myself when possible. See early in the show as you all probably know, Mordecai’s crush on Margret was just a plot device: he had a crush on the cute waitress at the coffee shop so they used it to get him to do things. A gratioutis shot of her in bike shorts got him to bet all computer rights for life that sort of thing. The show.. wasn’t great with female characters till season 3 and even as it grew, as season 6 and just.. forgetting to give CJ a proper ending as a character shows, still grappled with it. It took writer Kat Morris saying “no no stop go to jail” to them wanting ot make CJ a difficult woman type, whatever horrifying thing that is. I don’t want to know, let’s move on. The point is it wasn’t till season 3 that Margret and her best friends, and Rigby’s future wife, Eileen got fleshed out a bit: Eileen got smarter and turned out to be good at wilderness stuff while Margret was chill, nice, if annoyed by the chaos around mordecai, and funloving, while also having a clear goal in stark contrast to her future boyfriend: going to college. Even after coming back it was botha fter finsihing college and to start a career. It wasn’t incredibly deep, but it made me not be ehhh to her mere existance like before. The show also started developing her and Mordecai’s relationship seriously with the two bonding and the previously shown Butt Dial showing for the first time, after previously having a terrible taste in men and then just not noticing his crush, that she was receptive to how mordecai felt. And the two had several moments and two dates even, it just.. never went anywhere for some reason.

And this was INFURATING to me: See back then shows had a tendency to just pop in love intrests SOLEY for plot fuel like margret with no intention of following through with things either through rejection or a relationsihp upgrade and by then I was sick of it. The whole spike and rarity thing in MLP (which to be clear I wanted her to just reject him but nope, even after I stopped watching she never did. ), Isabella and Phineas. I was fed up so I went from being “eh” about it to annoyed supremely.. but the thing is the writers realized this.. and course corrected. The first step was picking up Margret, where Mordecai agrees to pick her up to get her to the airport for a college interview and we get a nice deconstruction of things as Margret is anticpatiing things going wrong, and wrongly blames Mordecai for it.. I mean it is his fault sometimes but half the time weird shit just follows him. However she’s won over by him working past it, getting her there in time and kisses him.  That blew me away and made me think well it’s finally here.. and it was.. ALMOST. However the creators wisely, if frustratingly to past me, took one more episode to iron it out: Metor Moves has the two growing closer, and semi-going out, but Rigby pops mordecai’s bubble pointing out he never actually made a boyfriend girlfriend move and her move could’ve gone either way. So Mordecai , after seasons of being wishy washy and awkward, finally decides to go for it as he, rigby, eileen and margret go to a metor shower.  Being Regular Show it dosen’t go as planned as his attempted kiss is blocked by the guardians of the friend zone.. which is a real, phantom zone esque place here and that’s just fantastic. And it’s also clearly mocking the hell out of the concept, which is dumb. if you want to ask someone out just do it, I learned that the hard way. And if you really are friends, if she says no then you’ll accept it and keep a friend anyway as I have. But it’s clearly parodying it and Mordecai get sreplayed all the times he ALMOST made a move but didn’t but refuses to accept this clusterfuck, realizes he was a screwup when it came to this.. and kisses her.. and this time the two enter a relationship> Granted it barely lasted but still, it was nice while it did and this ep is just great for it. While not the funniest, it’s up this high because it took somethign the show did wrong.. and turned it on it’s head and into a character flaw and had mordecai grow past it, with a genuinely romantic moment on top as well as an utterly funny and batshit concept. It also had some Rigleen, as by this point rigby stopped being a hateful wastebasket to her and warmed up to her, and I regret there’s no reigleen episodes on this list. Their the shows best couple and utterly adorable. Just wanted to mention that at least once this list. 

4. Laundry Woes (Season 5, Episode 1) From the begining to the end. While sadly Morderet didn’t last too long in canon, which blows, it did give us some great episodes while it lasted, as with the above entry and their breakup in Steak Me Amedeus. As mentioned before Margret left for college, which while abrupt feeling did pave the way for great stories: The Mordejay arc mentioned above and that will pop up again very soon, This was one of them: the ep while lacking on laughs is a good emotional rollercoaster and starts with an amazing montage that catches us up from the end of season 4: Mordecai is miserable, as you’d expect and wallowing in it with Benson, of all people, letting him. And given Benson seems to have a heart attack any time Mordecai and Rigby aren’t working, that’s huge. But eventually his friends refuse to let it go on and in a really touching montage help him through it, taking him out places, giving him good times and eventually.. the fog starts to lift and he starts to enjoy himself and by the end.. he’s himself again. It’s one of the series best sequences, told with no dialouge and showing just how far the rest of the cast had come: Benson actually wants to comfort mordecai but is encouraged not to at first, underfstandably as it probably woudlnt’ help, and a crew that were once, aside from Pops who much like Krillin is everyone’s friend, just coworkers who barely tolerated each other, and are now close as family and help their own in need.  But Grief isn’t a straight line and just as Mordecai’s recovering he’s sent spiraling when he finds Margret’s sweater and uses ita s a flimsy excuse to go return it. It’s here I also get to talk about Rigby, who grew from an impatient idiot who hated Mordecai’s romantic endevors and actively sabtoaged them at times, to an understandting wing man who, while understandably frustrated with his best friend’s own idiocy with women, turned out to know more and be the wise council he needed, triggering both is relationships and only bailing out during the season 6 clusterfuck and even then was there to comfort him after it was all over and go to his aid to pull him out of another misery hole. And here he gives Mordecai the hard truth: He shoudln’t do this, it’s just going to tear both him and margret up again and he just put himself back together. He’s not going to let his best friend do this to himself. And while there is a supernatural elment, the sweater comes to life and tries to get Mordecai to force margret back with him and give up college, likely voicing his darkest wants that he hates himself for wanting, but it feels more like a manfiestation of Mordecai’s own issues than the usual madness. Like “Trucker hall of Fame”, a rare senntence, it’s a less funny packed more grounded episode. And in the end it’s mordecai himself, after rejecting the ghost sweater and seeing his ex truly happy , that gets him to NOT talk to her and just.. let it go. IT’s a good emotional episode and SHOULD HAVE BEEN the end of their relationship... but i’ve ranted about the cheating storyarc enough here, moving right along. 

3. Portable Toilet (Season 5, Episode 16) Back to the Mordejay arc. And yes this arc is my faviorite and while I didn’t make it clear at the time I really shipped the two, even before it became canon. I had nothing against morderet, these two simply had more chemistry and these episodes built CJ up as more of a character than Margret was at the time. It’s why that later arc sucks so much to me: it destroys a perfectly good relationship and story arc for dumb reasons and never really did enough with it to justify doing so. I’ll get to it some day, or if someone comissions it soone rthan some day, but as you can tell i’m still sore over it and great eps like this are part of the reason why. It’s the same reason i’m sore on how Tom was handled on star vs. But as you can also tell as bitter and lemon scented as I am.. these eps are still objectivley great and thus took up a third of the list basically.  Case in point Portable Toilet, which zooms back a bit to when neither would admit they were into each other but were now friends at least. Also Eileen was CJ”s friend now because plot convience. I mean they worked, and it bothers me a lot that the creators claim cj washed her hands of her even though she’s not the one who made out with margret... which come to think of it adding her to rigleen.. not a bad idea. I mean Rigby didn’t really like margret true, but they did almost go out before mordecai killed him and then reset time because Mordecai’s always kinda sucked. I’ll file that away for later. But my new OTP aside, I did like the two bonding and what not.  Anyways with their outside park friend/RIgby’s future girlfriend now friends with Mordeai’s future girlfriend the four have apparently been hanging out which, while i’ve bemoaned off screen stuff at times, works here and regular show uses it better than most shows. While Rigby can clearly see Mordecai and CJ are into each other Mordecai is as we covered in denial and while that dosen’t really progress here, it does lead to one of teh shows finest hours. When talking would you rathers, CJ semi-flirtly dares Mordecai to eat his lunch sandwitch in a portable toilet, which he agrees to and drags a reluctant rigby along for. This being regular show, it goes south fast as the two get stuck, with Rigby’s clautrophiba kicking in leading to an amazing exchange Mordecai; Dude that makes no sense! Rigby: You’s makes no sense! While our dynamic duo try to get mordecai and rigby out the two are carted away and repalced with a new portable toilet, a deluxe one. Also we get another great bit when our dynamic duo find Muscle man, in a robe with choclate’s claming “Eileen, other girl, this isn’t weird” before screaming “This isn’t weird”. Turns out old portable toilets are taken to be blown up by the miltary and we get one of the shows best one off characters in the general, who not only explains it as “toilets being about the same size as the enmy” but when told he should call the president says “the preseident is not my father i’ll blow up as many toilets as I want.”. Spectacular. So now it’s a scramble for one twosome to rescue the other, Rigby lets out a cathartic “THANK YOUUU MORDECAI” over the flirty toilet dare, and the day is saved> This one is another pure comedy one, even if it ties into a plot I really like, and i’ts gold for obvious reasons and manages to take blowing up porta poties, a premise that dosen’t seem that funny, and make it utter comedic gold. Speaking of pure comic episodes that are utterly insane...

2. Cool Bikes (Season 3, Episode 7)

This one feels like regular show boiled down to it’s core: semi-relabtale hyjinks dovetalling into pure madness. And the premise sounds like a shit post i’d make: Mordecai and Rigby want benson to admit their cool and get into progressively weird outfits and tricks to their bycycles to do so, eventually becoming so cool their put on trial by the council of cool , ending up having to make a runner when Benson finally breaks down and admits it.  The premise is utterly stupid in the best way possible, with the conflict being the kind of petty bullshit we all get into from time to time with our aquantinces: not wanting to admit something and loose the argument withthings escalating. And in regular show terms it escalate sperfectly into the entire unvierse being threatned adn our heros being on trial for their lives. There’s not much to say here, it’s just pure comedic gold with a premise that just works. It also has good moments for Benson with his finally admitting they are cool and saving the duo’s lives whne he realized he just gave them a death sentence. Utter fun. And now we come to the finale, my faviorite episode...

1. Dodge This (Season 5, Episode 15) 

Yup this arc again. But this one has more than my ship going for it, and it’s why it soared to the top: It takes the excellent character work of other episodes and weaves it with excellent comedy to create an utter delight and the episode I remember most fondly and most often. It’s just great. The second part of the Mordeijay arc, not counting yes dude yes, the episode is half that and half sports movie: The Park Guys have been taking part in dodgeball as a team bulding thing and it shows how far Benson’s come as he not only praises mordecai, and launches the mordecai and benson ship in the process, but gives his team full wings and his full support, a far cry from his usual self. It’s also the first big instance of him getting hammered on wings and it’s glorious to see drunk flirty benson.  Benson is also genuinely congratulatory to the team’s ace mordecai, and most of them realy for b eing valuable and hopes to win this year.  IN their way are two things: The magical elements, aka the floating baby heads that gave skips his immortality, his friend with sparkly eyes who works for them and death himself whose a recurring character and fucking great and who were their bowling rivals too. The other is CJ is back, and Benson in another good moment actually talks mordecai through it and his nerves over it assuring him. So we get a great sports piece as our heroes work through various callbacks and even beat the magical elements iwth Rigby’s hilarious and rediculous rignado manuver, which is as dumb as it sounds and winged a guy hilaroiusly before with Benson scolding him like a toddler.  Of course it ends up with Mordecai and CJ against each other, both incredibly awkard over things as mentioned before, and both ending up in a stalmate that magical dodgeball guardians have to resolve because, let’s do this one last time. IT’S REGULAR SHOW. We do get a good moment though as the two work through their awkwardness: both thinking the other is rightfully mad: Mordecai for his two timer date with her and Margret and CJ for running out without talking to mordecai after they had a moment on new years. The both work past it, the park strikers loose,benson likely gets hammered again off screen.. it’s a good one and I have no shame in putting it at number one. It’s got heart, really great jokes, and some good charcter stuff, not to the level of other episodes on this list, but it wasn’t a full episode of that like those were and still works to move the plot forward and is still a classic. Just a fun, breezy, well done epsidoe fully rooted in the cast’s characters and getting laughs out of that.. mostly benson.  And with that this giangantic list comes to a close> I hope you enjoyed it, if you liked it follow me for more. I’ll be doing close enough coverage every week, as well as amphibia and owl house among other reviews. Until we meet again, later days. 

#regular show #mordecai #rigby #cj #eileen #margret #muscle man #benson dunwoody #high five ghost #pops mallerd #skips #death #yuji #rich fulcher #close enough #top 10 lists #cartoon network

[jonthethinker]

Expositor Beauregard And The Mighty Nein

Others have said it before, but because I think it should be screamed from the mountaintops everyday, Beau’s growth is so fucking good!

I think back to the runaway monk we met at the beginning of this campaign, all sharp edges and curt words and no roots, committed to convincing the world she doesn’t care about anything and she’s fine on her own (but the loneliness already showing as she asks Jester and Fjord whether they’re going to leave town without her.)

Then we have Beau now, who has deep friendships with every member of the Mighty Nein sans possibly Caduceus and Yasha (who still fall under the domain of her protective instinct, and who she still very much considers her people.) It could be argued that Beau is the sturdy foundation of the Nein, offering each other member of the Nein some sturdy ground to stand on to grow themselves:

Travis has mentioned Beau’s commitment as first mate as a comfort for Fjord, and when he was deliberating whether to reveal his accent to the group, He never doubted that Beau would continue to support him if he told the group the truth. Their easy relationship is among my favorites on the show, and when the action starts they’re never out of sync.It is safe to assume that to the half-orc orphan who very much attended the school of hard knocks and has every reason to distrust others, having a friendship in which the only thing that is asked is a willingness to call Beau on her bullshit and an openness to Beau calling him on his, is an immeasurably important feature in Fjord’s current life and one he wouldn’t trade away for anything.

Beau is undoubtedly fiercely protective and supportive of Jester, and made it clear to her that she will support Jester being more honest about negative feelings she has, while also standing up to Jester when she thought she was making a reckless decision in how to confront her father if it meant keeping Jester safe and the door open for a healthy relationship with said parent. Jester has in Beau someone who will continually encourage and support her through thick and thin, and have a good time along the way. I want to say a hell of a lot more about their friendship and the parallels of their lives, because their friendship is the most precious thing to me in all of critical role, but that’s not what this meta is about, so I’ll save it for another time.

Her sisterly relationship with Nott is something that is easy to forget about, but I imagine it means more to Nott than is let on; Nott was a bit of an outsider even as a halfling. Since the Iron Shepards (And arguably before, in Hupperdook,) Nott has had an easy relationship in Beau, with Beau being about as judgement free as Nott has ever experienced. The two are playful with each other in a way I imagine Nott wishes she could have been with her brothers, and Beau’s willingness to forgive Nott for any harmful decision she has made (a certain bullet in the ass comes to mind) can’t be underscored in its importance towards the goal of keeping Nott’s beaten-up heart healthy.

While I disagree with some in the fandom who think that Beau’s friendship with Caleb is the single most important relationship in his life right now (which to me has been unquestionably, from the beginning, Nott, and is nowhere near changing to anyone else in my humble opinion,) to say their friendship has not been a critical step in his growth as a character is absurd. Caleb perhaps had not planned on one of the keys to his success in his wizardly pursuits as well as the reclamation of his humanity being a rough-and-tumble friendship with a blunt, somewhat aggressive monk with a knack for getting him to admit to things he never wanted to admit to, but life doesn’t often go according to plan. Despite a rocky beginning, their friendship has evolved into something beautiful, with Beau always there to keep Caleb grounded, whether he risks letting his thirst for knowledge drag him into trouble, or his past begins to eat him alive. And it’s certainly nice to have someone around who can help him find that book he’s looking for.

Beau’s relationship with Yasha has been interesting from the get-go, what with Beau immediately seizing on the opportunity to flirt with the giant, introverted barbarian. While shipping discourse tends to dominate the discussion of their interactions, we shouldn’t ignore the chance to take a crack at what these moments mean to the characters as individuals.

With hindsight and insights Marisha has given on Talks, I’ve gathered that to Beau these moments were driven by this weird relationship in Beau’s mind between sex and power. She uses these casual, almost doomed to fail, encounters with women as a band-aid to avoid confronting her actual problems with developing intimate, meaningful romantic or platonic relationships with women she’s physically attracted to. She sort of game-ifies the encounters into a power struggle between her and her potential conquest; the end goal not being the sex or denial thereof, but of the buzz of the conflict itself. On the outside it looks like a pure expression of ego, and some of it may be, but I interpret it mostly as a deflection from Beau’s clear struggles with self-loathing and her fear of abandonment; I speculate that to Beau, after how things ended with Tori, has not allowed herself to feel the same about anyone else (With the recently revealed exception of Jester, who is all too conveniently deemed inaccessible; “She has a thing for Fjord, and so it’s not a possibility,”) for fear of utterly letting down yet another women she loved.

With Yasha I take these moments as a sort of siren’s song. Here she is, having lost the most precious person in all her life, a love she knew was forbidden but pursued anyway, and clearly blames herself and her desire for Zuala as the very reason she died. To Yasha, the lesson she learned from all of this is not that her tribe was wrong, but that her desires are wrong, that she can’t trust herself to want anything, and can’t trust herself to love without getting someone hurt (A feeling only exacerbated by the death of Molly trying to save her from the Iron Shepards.)

So she feels all this and then there’s this monk who relentlessly flirts with her. Their first interaction indicates to me that Yasha has had some experience handling this sort of thing since joining the circus, and with arms like those, how could she not? But Beau just keeps going and going the more time they spend around one another, and Yasha has eyes, and Beau does indeed have those abs, and is incredibly persistent and almost admirably self-assured about herself, and okay maybe eventually even the tough Barbarian might be flustered and stutter a little bit.

And that would be that, if that’s all their relationship was. But Yasha being the quiet one who looms to the back in social interactions and group planning watches the others, Beau included, and maybe begins to see another side to the monk. The side that clearly cares a great deal about this group. Who looks out for the others and will gladly put her body on the line to protect them. Beau isn’t as sturdy as Yasha, can’t take as many hits and depends on avoiding being hit in the first place, but still there she is, tanking a Hydra, rushing to the front lines and protecting her friends. There she is, reassuring party members in a well-meaning if a little rough around the edges sort of way. There she is, comforting Yasha after she reveals her past to the group, seeking a way to relate to her even when it’s clear Beau doesn’t share personal details often.

So to Yasha, Beau is a few things. She’s someone who she can rely on to keep this lovely found family alive no matter the personal cost. She’s someone who can be leaned on and relied on not to judge. And she’s someone who makes her feel like a person, not just a tool or a wall of muscle, or a burden to be dealt with, but a person. I think Beau will be second only to Jester in the importance she will play in Yasha’s recovery and victory over her grief and guilt, which, let’s face it, is a long road yet to be traveled, but a road made all the easier due to Yasha’s friends of the blue persuasion.

Caduceus sees in Beau potential. Where he may get frustrated or confused by many in the Nein, I think in Beau he finds a reliable and easy to understand set of motivations. Beau wants to keep the Mighty Nein happy, healthy, and most importantly alive, and maybe make a positive difference in the world along the way. While her gruff demeanor can sometimes grate him the wrong way, I feel her actions have spoken for her in Caduceus’ mind. I take that he feels that while he may be the only adult in the room, Beau is definitely the rather mature teenager that can often be trusted to make decisions in his absence. Condescending? Of course. But a delightfully Caduceus-like thing to think.

This long diatribe is not me saying that Beau is the be all end all of the Nein, but just my way of illustrating the impact of her and her growth on her friends, and the role she plays within the Nein. The other members have had just as much of an impact on her. From Fjord’s trust and charm training, to Jester’s love and support and faith in strangers, to Nott’s open ear and sisterly banter, to Caleb’s ability to establish goals and remind her of both the forest and the trees, to Yasha’s fierce protectiveness and soft treatment of their friends, to Caduceus’ encouragement to tell the truth and be open and the successes that attitude has led to.

And to Molly, who arguably, made this growth possible, or at least as quickly progressive as it has been. Without him pushing her towards making the world better than she found it, it’s hard to imagine the road she would have had to travel to get to where she is now, fighting to save the world, standing up to and earning the respect of her Cobalt Soul mentors, sharing her feelings with the group, and allowing herself to love.

Beau is my favorite character on Critical Role. She has been for a very long time, but my love for her has only aged like a fine wine. From barely being able to meditate at all, to mentally transporting herself to a beach in Nicodranas in order to escape Obann’s thrall. From telling Jester she didn’t worry too much about her well-being, to telling her on several occasions that she loves and cares about her. From being incredibly antagonizing towards Molly, to getting a tattoo in his honor very visibly on the back of her neck. Her Journey to become the Expositor she is today has been an absolute delight, and her journey towards forging the ties she has with this beautiful found family have been heartwarming and some of the best storytelling I’ve ever seen. And she has so much potential for growth and I just can’t wait to see more.

#Beauregard #critical role #critical role spoilers #cr spoilers #the mighty nein

[perfectlywisedelusions]

A Diagnostic Almost-Essay On The Last Airbender Movie

The Last Airbender is one of the many bad book and/or anime adaptations that have plagued the 2000s. Like all of these rage-inducing two-hour long torture sessions seemingly designed to make fandoms crawl into a corner and cry, The Last Airbender was incredibly unfaithful to the beloved source material. But there are two differences that set this movie apart from all the other depressing studio flops-namely, the fact that the show was made in America, and the fact that the movie fails as a movie and an adaptation. It has always been a divisive factor among ATLA fans on whether or not the show is an anime. It’s made in the anime style, but it was also made in the US. Most anime adaptations that fail miserably can probably be attributed to the fact they were made by studio executives who would never want to watch the source material and as such completely miss the point of the original. For the Last Airbender, though, it was a massive hit in the US. M. Night Shyamalan said he took on the project because his daughter was a big fan. The show has a clear plot and tone, and it’s even in English to make things easy for the screenwriters. (Except that there were none. It was written by M. Night Shyamalan.) So how did a $150 million blockbuster manage to fail to successfully adapt a children’s Nickelodeon show? By putting M. Night Shyamalan in charge. Shyamalan had only really made horror movies, and his most recent ones had been less than successful. A struggling horror director whose trademarks are a bunch of characters staying in one location in a realistic setting as they undergo internal struggle and mounting suspense seems a great choice to direct a fun action adventure movie that relies on different locations in a fantasy world, right? Needless to say, Shyamalan was out of his depth, and it really shows in the movie. It starts out strong, with the Nickelodeon logo and the classic shots of 4 benders bending their respective elements against a red background. And then, rather than transitioning to the iconic opening narration, we get Nicola Peltz reading a bunch of exposition in the same manner than an embarrassed elementary schooler would read an essay in front of the class. And then, as if we weren’t tired of listening to this girl talking, we get voiceover from her explaining who the characters in the scene are and what they are doing. This does not go away. It is in the entire movie. You will become very sick of Nicola Peltz’s voice by the end of the movie, but you don’t notice it because you have either a.) turned the movie off and/or left, or b.) you are too distracted by everything else. If the incredibly amateurish opening exposition dump isn’t enough of a red flag for you, then the sight of our two main heroes should be. Avatar: The Last Airbender is a very diverse show, representing Japanese, Chinese, Inuit, and Tibetan cultures as well as others. The first shot shows white actors playing characters who are decidedly not white. It would be slightly more forgivable if the actors were decent. But they’re not. Nicola Peltz, who plays Katara, supposedly got the role because her father was big in the production of the movie. And the actor who plays Sokka, Jackson Rathbone, is perhaps best known as a background character in Twilight. Clearly, this movie has a high caliber for acting. When we eventually meet Aang, he is also white and played by Noah Ringer. Noah Ringer was cast as the lead role in a $150 million dollar film because he could do martial arts. He landed the lead in a blockbuster movie with zero acting experience. The awful acting is a lot like the Phantom Menace, except nowhere near as funny. Every single character in the movie acts strangely. One noteworthy thing about the show is that it develops every character, giving them realistic traits and flaws that allow us to see them grow as well as giving them lovable personalities. (Except Azula and Fire Lord Ozai. They’re just evil. But they’re really good villains.) In the movie, everyone just says their lines with varying degrees of emotion. (Or lack of it.) Things like character traits or, you know, personality, are completely forgotten about even though we need to see these things on screen. It’s not like they had to write a whole cast of characters from scratch. M. Night Shyamalan was literally given characters with traits, backstories, flaws, conflicts, and motivations-basically everything needed to make a movie. But he failed spectacularly. What’s really sad is that Noah Ringer is apparently really friendly, and played jokes on the cast offscreen. Sounds like a certain beloved character, doesn’t it? If M. Night Shyamalan had just let Noah be himself, we could have had a decent Aang. I mean Ong. Because not only are the character’s appearances and personalities butchered, their names are too. Aang, Sokka, Iroh, and even the word Avatar are all mispronounced. M. Night Shyamalan said that this was to be true to the Asian pronunciations of the name, which could be understood if he hadn’t whitewashed the cast. Not to mention the fact that the lore of the show is completely changed for no reason. This lore is very important in later seasons, but M. Night Shyamalan decides to just change it. After the initial rage over the blatant disrespect to the show, viewers may notice the incredibly rushed pacing. 5 minutes after finding Aang, Katara decides he is her responsibility, despite the fact she doesn’t even know his name. 2 minutes after that, they are best friends and traveling the world together. Then Aang gets captured without a fight and is taken to a camp designed to imprison people who can control rocks. This prison consists of low, naturally occurring walls made of rocks. After an amazing fight scene were six men do an intense dance to move a tiny rock very slowly toward one firebender, the movie, unfortunately, continues. They rush through one of my favorite episodes, the Blue Spirit, and what is a great fight in the show is, again, incredibly lame. Then our group of “heroes” make it to the Northern Water Tribe, and Sokka and the princess “become close friends right away”. Basically, rather than showing these two characters becoming friends, we are told exactly this line this by Katara. After exactly one scene together, which is really just exposition (again) Sokka and the princess fall in love. Then the bad guys attack, with drill helmets, another really dumb battle happens, a fish is made into fish sticks, and the princess, who we have known for literally five minutes, dies in a very moving scene because we all care so much about her. Then Aang makes a giant wave and lets it down gently rather than turning into Koizilla and the movie ends. And just as you are about to sigh in relief because it’s over, we see Azula in a cliffhanger because the creators of this abomination thought it was good and they were going to make a sequel. Then we get the best part of the movie, the end credits. The credits not only mean that the movie is over (thankfully) but the animation they added in isn’t bad. The movie is awful and no one likes it. It’s a bad adaptation and a bad movie. Either it’s the movie version of the Ember Island Players play or “there is no movie in Ba Sing Se.” There’s supposed to be a live action show on Netflix but the creators left and almost no one has any hope for it anymore. Long story short, this movie was doomed because they left out the most important character, the Cabbage Merchant. Although even he and his ill-fated cabbages could not have saved this movie. 

#movie #avatar the last airbender #the last airbender #m night shyamalan #movie reviews #bad adaptations #anime

[laurasauras]

What do you think Homestuck believes in?

g, i love you, your interest in me infodumping is honestly such a delight. i can sometimes feel like i’m talking way too much, but you always make me feel special, it’s lovely!

this is long, so i’m going to use a cut. i’m so sorry, mobile users. blame tumblr. tl;dr? i think homestuck believes in love, hope, and fighting even when the stakes seem insurmountable. 

so there’s a lot of like “core themes” in homestuck, but “what homestuck believes in” is such a lovely and specific way to phrase it, so i’m gonna go with what i think the most important ones are. 

firstly: love. and more specifically, all love. 

look, there are romantic parts of homestuck. and they’re often show-stopping.

(also homestuck does visual callbacks very well, there’s a reason that these two scenes are composed the same way.)

but the core of the story is these four kids, all of them starting from a state of isolation. they don't have "real friends", they feel disconnected from their guardians, they feel disconnected from everyone in the world they walk around in, but they go online and they have each other. and they're constantly joking and making fun of each other, but they're also checking in almost every time they achieve something, as if grounding their friends in their real life.

the story keeps progressing and getting more and more complicated, but it can never quite overshadow the beauty of the pesterlog conversations between friends.

i think that's a large part of what the audience of homestuck connects with—that feeling of connection online and the support that the characters give each other. 

i also think that a lot of the time, the friendships and familial relationships in homestuck were given the same—if not more—importance as the romantic relationships, which is fucking uncommon to see in media! almost every character has to come to terms with how their upbringing shaped them, and you know what? that's the same of almost every person.

the conversation between dirk and dave before the final battle is one of the most important and touching moments of the whole story! two of the characters most concerned with their adherence to masculinity and appearing Too Cool For Emotions talk about their feelings and trauma before hugging it out. and it doesn't further the plot, it isn't part of the hero's romantic arc, but it's vital. 

the second big thing i think homestuck believes in is the importance of doing what is right. in being a hero.

homestuck positions john and his friends as the main characters selected by the universe to play sburb and literally ascends them to god status.

they're empowered by destiny! they're going to beat the game, conquer the worst villain ever and bring humanity and trollkind back from extinction AND their new world isn't going to be under the tyranny of a genocidal fish alien!

but that empowerment is also a disempowerment. 

look at how frequently dave falls into the reluctant hero trope. fate fucking kicks them around. when they are so destined to do all that stuff, can they really be said to have free will? and when they do seem to make a wrong choice in relation to their destiny, it's either something that furthers the plot OR it creates a doomed timeline and they're usually killed horribly. 

and it's a story that is constantly reminding us that it's a story! you can definitely lose yourself in homestuck, you can zone into it and accept the rules and just read it as if it's a reasonable reality, but i don't think it was ever written that way, or when it is, i think that that's a result of hussie accidentally getting into the story as well!

like okay, we start off with this:

that's fucking bonkers. he's 13 and he doesn't have a name? but of course it's bullshit, it’s just a cool homestuck thing. because we never get a conversation that goes:

TG: so the big 13

TG: you get a name yet

EB: yup! let me formally introduce myself as john!

TG: i give that name 4/5 hats

no, dave just immediately calls john by his name. and likewise, until we're introduced to the other characters and learn their names, they're referred to by their handle abbreviations, but the second they're introduced it's first name basis time. because it's a story and our perception is what matters most.

then we have the ridiculous intermission, that starts out as what dave sees when he goes to mspa.com and which resembles problem sleuth enough that i almost thought it was just that, but then seemed to be an entirely new adventure, and then became a pretty vital subplot!

and then we have the author literally climbing into the story and we watch him type it. Don't Forget This Is All Written By Me!

the website changes format, there are the meta jokes, there's the way that caliborn raises the same complaints to hussie about the story being too long and confusing that some members of the fandom were. there's the way that pantskat happened! or they drastic changes in artstyle, often because someone else was drawing a panel!

so like, we've got these characters who seem to have goals that they've developed of their own volition and who seem to have their own ways of going about achieving them, who at times even act contrarily to how hussie says he wants them to act (remember how he attempted to propose to/revive vriska and how both she and caliborn at different times type into the narrative prompt "instead of" hussie) but of course ultimately! he wrote every word!

they don't have free will, they don't even exist! but on a different level, which any writer can understand, once you as an author have established a character, you trap yourself into writing them consistently, which can mean that while something might be best for the plot, the character metaphorically crosses their arms in your head and goes "i would literally never do that."

some characters of homestuck become aware that they are and we know they are, but most of them don't think that, they think that they're just living the life they have.

how the fuck are his characters supposed to go about their days when their author finds it funny to block their path with a giant bust of snoop dogg? and when they work for pages and pages and pages to get around whatever asinine thing andrew fucking hussie (or worse! his fans!) has come up with, there's another obstacle and maybe there's not even a point anyway!

how do you not just dismiss it as something like "hes just being weird/an asshole/etc”?

yeah, look, he might just be having a laugh. but so to might god. 

sometimes you're walking along and something really stupid happens and it makes you for a second want to believe in god so that you can stare at the sky and say "really." :|

think about why detective stories are so popular. they give the illusion that if you're clever enough, if you collect the right data and link it together, you can trace back exactly what happened and solve impossible riddles and make sense of the world. you meet a man who has dust on his knees and you can deduce that he's been sneaking down to the basement of the shop he works at to tunnel into the bank next door. there's nothing magic about it, watson, it's just good detective work.

and we neeeeed that lie! but you know how it works in the real world? in the real world, police are baffled at a crime scene until a decade later someone discovers the fingerprints belonged to a fucking KOALA! that's more ridiculous than a snoop dogg bust in a hallway, or most of the other things hussie has written.

i think like that's a huge message behind the epilogues too, because john figures out he's in a story in candy and everything feels pointless.

but if that's the world he lives in, that's the world he fucking lives in. there's nothing pointless about living.

and i think that clicks for him towards the end when he talks to roxy and then rose. rose actually thanks him for choosing a path that allowed her to have the life she had, because she loves her wife and daughter. like it's insane, but she's happy, that's the life she lived and she doesn't want a more sensible one.

so what happens to us when we get that feeling like the world is pointless? 

(which is A Major Fucking Side Effect Of Depression BTW and i still stand by my interpretation that ALL of john's shit can be put down to his depression, which is what makes it interesting)

for a generation with fucking terrifying levels of mental illness, when we start feeling like the world is too crazy and the odds are too high, and there's fucking war happening and our friends aren't even guaranteed to be on our side?

we just fucking fight anyway.

because we live in the world we live in and we just have to be grateful that we are who we are because of that.

every character in homestuck chooses this, again and again, so i have to read that as hopeful. alpha dave and rose knowing who hic is and that their kids are so far away? still gonna fucking fight and fight LOUDLY even though they know it won't change things. (on top of the fucking white house, in case the political allegory was too subtle lmao.)

there are so many messages in homestuck and honestly i feel like i’ve barely scraped the surface of them. but what does homestuck believe in? i feel that in my heart. homestuck believes in love and in doing what is right, even when it’s hard to figure out what right is, even when you might not make a difference. 

homestuck is good, actually.

#long post #homestuck #my post

[ckret2]

What are your thoughts on mothra?

I've seen...... nnnine (?) Godzilla movies, four (?) of which feature Mothra, and I am wholly convinced that she is the only motherfucker amongst the kaiju that has ANY sort of moral compass at all.

It's kind of precious/hilarious, imagining this responsible protector goddess trying corral these big bunches of unruly obnoxious monsters into either leaving the humans alone, or helping her protect the humans from even more unruly monsters. Especially when she's doing it as a larva! Picture a toddler strapping on boxing gloves and squaring off against a bear. That's Mothra constantly.

Favorite Mothra scene thus far is when poor little larva Mothra is trying to rally Godzilla and Rodan to go kick Ghidorah's ass, and they're like "but the humans bully us!" and "I'm not going until Rodan/Godzilla apologizes to me!" and she's just like "GET OVER IT and COME ON!" Like guys. She's like, one year old. She should not have to act like y'all's mom.

Honorable mention to any time she kicks ass with silly string, because 1) lol, and 2) it really fits her character as a "protector" that her most effective and versatile fighting technique is basically a non-damaging crowd control move. It can very effectively slow down or even completely take out enemies, but it's harmless to them. It suits her.

I think her like, overall life cycle is neat, the "switches back and forth between larva and moth" + "dies and reincarnates via egg" thing she's got going. It's unique and leaves a lot of room for interesting questions. Like, is it a soul reincarnation, meaning she remembers each time she died? Or is it indeed "genetic memory" like the KOTM director said—meaning she only remembers her past life up until the point when she laid the next egg, and thus even though she might remember hundreds/thousands/millions(?) of lives, when she dies she will always be facing death for the first time? Are the eggs capable of hatching while imago Mothra lives, or do they only hatch once she's died—either of which would bring up more questions of the mechanics of her reincarnation? What happens if the latest imago dies without laying an egg—are their fallbacks and failsafes, spare eggs? When does she lay an egg—when she's getting old, or before going into battle, or as soon as she comes out of her cocoon, or once every few years as imago, or?? If it's soul-based reincarnation, what does that mean when there are twins—is only one of the twins the "true" Mothra, or is the soul split between them, and if it is do they get a telepathic bond or something? Regardless of whether reincarnation is soul-based or gene-based, in twin larvae is one ALWAYS doomed to die? Or is it possible for both to make it to adulthood and both be Mothra together? Do they have a psychic bond then? What would it be like to grow up from larvae with someone who is literally the exact same person as you with all your memories shared until the past couple of years? Do surviving adult twins get quadruplet fairies?

I'm a fan of her fairies too. I didn't think I would be when I first heard about them—I was like, "Okay, I know I've gotta be ready for goofy stuff in Godzilla movies, but that sounds TOO goofy to not throw me out of the movie when I see it"—but I actually do like them. They're cute, and they're SO earnest, and it's nice every time these giant humans treat them as very serious and respectable Mothra representatives/ambassadors. And any actresses that can say the exact same lines at the exact same time with the exact same intonation while ALSO emoting in the exact same way are talented as hell.

It's too bad about the uh, racist "native" caricatures of her worshippers. The only two movies I've seen featuring Infant Island were from the 60s though, I hope that later movies improved the portrayal of the island? IDK though, I haven't looked into it. It'd be cool to see Infant Island developed into a, like, realistic and respectful culture, beyond "feather-wearing brownface 'natives' that apparently have nothing better to do with their time than constantly bow to their goddess and/or follow around visitors grumpily."

I think MonsterVerse tried to get around that by going "oh no, Mosura specimens were ALL OVER the place, we only just happened to find one in China," but tbh I prefer the idea that Mothra has a permanent designated "home base" where she lives cooperatively with a specific human society. It was an interesting thing that set her apart from other kaiju that just roam around, and she loses a unique and compelling aspect of her character if she's changed to a wandering kaiju whose reincarnations can pop up randomly in any culture. I just. Want her island to be portrayed better, that's all.

I DID like KOTM's suggestion that Mothra's "fairies" are successive generations of human twin girls that dedicate their lives to Mothra in some way or another. It seems appropriate that Mothra and her human(oid?) representatives all go through a reincarnation cycle together.

Not sure if ship Godzilla and Mothra. I saw a post that briefly outlined their earliest rivalries and gradual cooperation up through their crowning as king/queen in KOTM and concluded with "Mothzilla is a 35-movie enemies-to-lovers slowburn" and that idea delights/amuses the HELL out of me—and all the fanart is, 100%, without question, precious as hell—but I think I'd prefer them to be characterized as extremely close platonic friends rather than romantically and/or sexually involved? There's room to enjoy multiple spins tho and I'm not going to stop going "awww ♡" at art of chibi Godzilla and Mothra in a wedding tux and dress. Variety is the spice of life.

In the same way, I like KOTM's "they're intrinsically linked together as symbiotic species" for one continuity—but I'd rather it not become the default/only interpretation in fandom or for all future movies, because I like the idea that they didn't know a THING about each other but gradually got to know each other & get along over time. ... Plus throw in the occasional movie where they're enemies again. As soft continuity reboots and whatnot allow for.

Out of the kaiju I know so far, Mothra's probably my #3, after #1 Ghidorah and #2 Godzilla. But Godzilla's working real hard trying to keep ahead of Mothra.

#mothra #godzilla

[katreal-fic]

Day 5 — for #fictober 10/05/19

Prompt: “I might just kiss you.”

Fandom: Homestuck

Warnings: Cursing, 2nd Person POV

Part of a series. Please start from the beginning!

Characters: Dirk Strider & Roxy Lalonde 

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x-x-x

Dirk > Get Over It

You don’t get over it. But, you’ve had years of the intrusions to learn to live with it. You pick yourself after time and the sea breeze allow the most persistent of the whispers to fade back into your brain. You don’t know how to stop it. You don’t think you can. Maybe it’s just in the universes’ cards that you’ll never be able to escape the insufferable and unignorable presence of your selves. Splintered, doomed, it’s a big old party full of the one person you hate the most. 

You’re on the computer this time, digging into some of the less physical aspects of your work for CrockerCorp. Coding wasn’t your favorite thing, but aside from Roxy and ARq, you were probably one of the better around, and as far as you know, neither of them were helping Jane out on a consulting basis. You ignore the humming in the back of your mind, the phantom disconnect bubbling out from some deep inner core that leaves you watching your hands performing their tasks and yet--not under your control at all. An observer. Weightless, formless, trapped in a world of numbers and words with only a single view to the world beyond.

Only that isn’t right, you could take the stairs to the roof and go wherever the fuck you wanted to. Maybe you’re trapped, but it’s your own damn choice.

That’s the most unnerving of the loose threads, you think, because you know exactly who is leaking through there and at least he has more of a right to inflict this shit on you than any of the others. 

It keeps leaking. Mixing. You wonder if one day you’ll stop noticing and cataloging and just accept it all as your lot in life. Maybe even use it.

You send off the finished product--even with clumsy as hell organic interfacing tools, you work more efficiently at this sort of task when your auto-responder rises to the surface--and scroll through your inbox for another one. 

One stands out from amongst the mixture of spam emails that somehow keep getting around your ever more sophisticated filter (you suspect ARquiusprite to be behind it, but have no proof) and the more mundane business communication you maintain with CrockerCorp’s research division. You used to go straight through Jane but...as the company expanded it became more efficient to just work directly with the developers since Jane wasn’t very plugged in to that particular aspect for the business. It unnerves you a little, thinking of the small bakery she opened to take back her family name from the Batterwitch, only for the business to balloon into such a multi-industry giant, filling many vital services in this world and only rivaled in scale by Jake’s revival of SkaiaNet. 

But you suppose that’s the responsibility of a god, taking the world in hand and guiding it. Benevolent patrons, looking down from on high, shaping the course of history and society into the best form it could be. Someone’s got to recreate the internet (the world’d better thank you and Roxy and ARquiusprite for that) and you weren’t willing to wait around for it to happen organically. Shit needed to get done, and sometimes, the eight of you were the ones who needed to do it. 

The rogue email stands out with it’s bright pink text and typo filled subject line. Why would Roxy send you an email? Why didn’t she just hit you up on Pesterchum or--

A thought and you have the window open in the corner of your display, fighting, and failing to resist the urge to press your palms into your face when you notice the little red dot next to Do Not Disturb. A little further digging and you turn up some unread notifications that never got sent due to the privacy settings.

Of fucking course. Of course you’d automatically flip it to DND when in one of your spirals and not even realize it. You remedy that mistake, but instead of scrolling back through Roxy’s messages--there’s also a meme sent your way from Dave, accompanied by an ironic selfie of him and Karkat from, Jesus Christ that was a month ago--you turn back to the email in your inbox. This would be the newest one, given the time stamp, which was only an hour ago.

There’s a picture attached, a night shot of New City, near where Roxy and Calliope set up. Roxy’s got the whole selfie thing going, smiling and radiant for the camera, pink eyes sparkling with mischief as she framed the background shot just perfectly.

There’s an orange and green streak across the cityscape, the tall buildings in the distant background, their lit windows shining like a million stars from across the bay. Calliope has her green-suited arms wrapped tightly around their neck, highlighted by feathered wings obviously hitting the end of their orange end of the gradient and starting down the green path. Despite the obvious speed (you can tell from the way Davepeta’s currently green coat is caught mid-whip behind them) the picture is perfectly clear and focused, as if you are looking through a window into an image frozen in time. 

Damn she’s good.

wishin’ u were here di-stri. i heard u got out a little. maybe u shuld do it again. liek maybe come out my way next tiem?? ;) we have fun.

You chew on the inside of your lip, studying the picture. The frozen mixture of delight and mild terror on Calliope’s face. The mischief on Roxy’s. You can’t see Davepeta’s even if you zoom in, what with the ever present glow beneath their skin and the glasses currently matching the same orange of their wings. You bet they are having a blast though. How did they manage to talk Calliope into that? You didn’t talk to the cherub much on your own, but you were under the impression she was a skittish thing.

Your hand moves on its own, triggering the sylladex withdrawal on reflex. The feather hums quietly in your hand. It’s fading. The colors duller. Moving slower. But it’s there and it’s a comfort and…

Maybe you should.

You open Pesterchum back up.

TT begins pestering TG

TT: Sorry Ro-Lal, I was buried in work. TT: If you’re free I could probably head out your way tomorrow. I’m at a lull in my projects.

You aren’t, really, but as you’ve been so clearly reminded by the peanut gallery, none of this shit actually matters. And…

You miss Roxy. If you turn down this invitation…

Well, they already stopped coming once, and you let them. 

You don’t expect an answer immediately; the carapacian kingdom was a few timezones ahead of your ocean bound kingdom. It’s well into dinner time and you bet she’s a little busy with her guests and being the most kickass hostess of all time. 

You barely pull up another project and start studying the design specifications before the window on your shades spring open, searing excited bright pink across your eyeballs.

TG: omg dirk really??? this is going to be awesome!!! Callie and i promised to take ARq and peta out for more shenanignss but oh my gawd thisll be soo much fun! Itll be liek old times! Ull have to keep me updatedf on ur ETA TG: gawd i havent seen you in so long i might just kiss u TG: plonk a big one rite smack dab on each cheek TT: Don’t make me reconsider now, Rox. TT: You know how I feel about smooches, advanced warning or not these cheeks are off limits without applying for a permit. It’s private real estate. TG: nu’uh buster no take backsies!!! U accepted the invitation u gotta put up with the potential of that ill be so overcome with joy at seeing ur face that there’ll be a shower of friendly smooches TG: see u tomorrow <3 TT: Tomorrow, it is Roxy.

You talk a bit more, but Roxy soon excuses herself to do the hosting thing, and you’re left wondering what you’d gotten yourself into.

You’d forgotten Davepeta was traveling with ARquius.

Trapped. Trapped and it’s your own damn fault.

There’s no way you’ll let Roxy down after all that though.

You’ll just have to deal with it when you get there.

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#fictober19 #homestuck #homestuck fanfic #dirk strider #roxy lalonde #earth c fic #a sea with a sky full of diamonds #fic: diamonds #kat's fics #technically still counts as the 5th #tomorrow might not go up till monday tho #I have a paper to write

[ecoamerica]

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[wellingtongoose]

Loki vs Thor - Born to be Kings

Loki seems obsessed with becoming King, to the point that he is willing to let Frost Giants into Asgard, fight Thor and conquer Earth.

On the surface Loki fits well into a classic literary troupe: the conniving, scheming younger brother who wants his older sibling’s birth right and will do all manner of evil things to get it. Shakespeare deployed this troupe well in many of his plays, most famously in Hamlet.

However, just become Loki has a “lean and hungry” look doesn’t mean that we can just assume Asgard is like a Medieval monarchy. In fact many times throughout the films, we see and hear about Asgard practising a completely different kind of inheritance structure.

“Only one of you can ascend to the throne but both of you were born to be kings” – Odin in Thor 1

I postulate that under Asgardian tradition both Thor and Loki are equally eligible for the throne regardless of age, and Loki competing with Thor is completely legitimate.

I explain:

How Asgardian power structures work

Why Loki believes he should be the rightful King of Asgard

Why Loki’s competition with Thor for the crown is legitimate

How this competition shapes their characters and relationship

One more reason why Loki is devastated when he found out he was Frost Giant. 

   The Myth of Primogeniture

An assumption that appears to be prevalent in fandom is that as Thor is the older brother and proclaimed “first-born” he is the rightful heir to Asgard and that is why people support him. However there is no evidence that primogeniture (passing all the inheritance to the oldest child) is part of Asgardian law or society.

On the contrary there is plenty of evidence at all descendants of the current Allfather have the same right to inherit his position.

Firstly Odin says in Thor 1: “Only one of you can ascend to the throne but both of you were born to be kings” 

There is truth to this as Loki was born to be King of Jotunheim, but Odin would not say this if Asgard clearly practiced primogeniture because it would sound extremely odd to anyone who was not privy to Loki’s true parentage, including Thor. Therefore this statement is true on two levels: Loki and Thor are equally eligible for the Asgardian Throne as Princes of Asgard, but Loki is also born to be King of Jotunheim. 

Loki says in TDW: “I was merely giving truth to the lie that I was born to be a King.” If Asgard practiced primogeniture then Loki would never have been told he was born to be a King. As the spare and not the heir Loki would have been raised to believe that Thor was destined to be King, and he was destined to remain a prince. He is bitterly clear that Odin made Loki believe that he had just as much right to be King as Thor, but Thor is made King because he is more “worthy” than Loki on a personal level.

Thor says in Ragnarok “As my sister you do technically have a claim to the throne”. If Asgard practiced primogeniture Hela wouldn’t have a claim to the throne, she would have the only claim to the throne. Thor would be legitimately unseated as the rightful heir and there would be no need for her to kill either of her brothers because they would automatically be discounted from the throne by her return.

Clearly inheritance of Asgard’s throne is open to all Odin’s children, and they are all equally eligible.

This system of inheritance is not uncommon on Earth either. The Ottomans, Mongols and Chinese Imperial families all practiced this method of inheritance, whereby all sons of the ruler are equal contenders the throne. It was believed that through competition for the throne the best and brightest descendent would eventually become the next ruler. Competition in all its forms was encourage, be it in the political arena or on the battlefield. Subterfuge was a necessary part of the competition and not considered dishonourable because it helped to develop the eventual winner’s skills which would then be put to good use for the country. A Prince’s entire life’s work and his raison d’etre is to hone his skills in competition to become the next King.

The arbiters and judges of the competition are the major political players of court and the ruler himself. The winner is often only decided on the death of the ruler. The Chinese Emperors designated their successors, but the Mongols and the Ottomans did not. Instead they left their sons to physically fight for the throne after they died.

Therefore if we view Asgardian society through this lens of an ongoing state sanctioned competition between Thor and Loki, a lot of things fall into place. 

Loki is not being a greedy conniving second son attempting to unfairly rob his older brother of Thor’s rightful inheritance. 

This is not Shakespeare’s Hamlet. 

Loki is doing his part for the betterment of Asgard by competing with Thor for the throne. This is his function as a prince to do his best in proving that he is the better candidate for the throne by any means necessary.

Thor on the other hand is also competing for the throne in his own way by playing to his strengths as a fighter. His belittlement of Loki’s magical talents is not only borne from a narrow understanding but also stems from the ongoing competition between them. Magic is Loki’s strength in this competition and that is why Thor feels the need to undermine it. Thor is not a malicious or spiteful person but he is definitely competitive. Thor’s friends are invested in seeing him succeed to the throne and truly believe he would be the better king, which is why they join in in disparaging Loki’s talents.

Both princes are playing to their strengths and the manner of the competition means they specialize in their chosen area to the detriment of other skills. Loki, however, has a good grasp of combat techniques and is able to hold his own against Thor. Thor on the other hand has not made much effort to learn the type of Magic that Loki is known for.

 King vs Allfather

 I believe that being King of Asgard is different and separate from being the Allfather. The title of “Allfather” is life long, as Odin remains the Allfather even when he’s in Odinsleep. He is the undisputed ruler of Asgard and when he awakens both Thor and Loki (who were both Kings at one stage) go back to being Princes. Therefore the title of King is a temporary and transferable one, that does not have the same connations as it does on Earth. Allfather translates better to our understanding of a King as it is the title that confers life-long undisputed power. The King of Asgard is likely a ceremonial title rather than one that holds full power. When Odin is asleep, or away on another planet, he either gives this title to his sons or one of his advisers. When Odin is on Asgard and awake he retains the ceremonial title of King, but he is always the Allfather until he dies.

Therefore Thor and Loki are fighting to eventually inherit the title of Allfather and the real power that comes with being the ruler of Asgard.

When Odin crowned Thor King before his Odinsleep, it did not mean he was making Thor the Allfather. Instead he was conferring an important but limited role on his son as a mark of trust and favour. It did not mean that the competition between the princes had finished and Thor was the conclusive winner, far from it. However, Thor becoming King is an important set back for Loki and this is why he works so hard to undermine his brother’s tenure as King and level the playing field. The same thing happens when Loki becomes King. Thor is banished to Earth but his friends act as his proxies in the competition. They seek to undermine Loki and disobey him not because he’s an illegitimate king but because with Odin still alive, the competition for the title of Allfather is also very much alive.

 Doomed to Fail

  The ongoing open competition to be the next Allfather is also one reason why Loki reacts so strongly and deeply when he finds out he is a frost giant. It is important to note the second most emotionally charged sentence from Loki in that particular scene is: “no matter how much you claim to love me, you could never have a frost giant sitting on the throne of Asgard”. Part of the reason why Loki hates his frost giant heritage is because he believes it automatically disqualifies him for the throne. He has been competing to become the Allfather nearly all his life, it is in effect his life’s work. When he discovers that all of his effort was doomed to fail from the start, he feels utterly betrayed.

However, the need to compete for the Throne is so engrained in Loki, that once Odin falls asleep, Loki goes straight back to competition mode but this time with far more ferocity than before. He is now at a severe and permanent disadvantage against Thor and this causes him to take things to extremes. In his unbalance and turbulent mind this justifies sending the destroyer to Earth and bringing the frost giants to his father’s bed. Loki never intended to kill Thor, but he did intend to make sure his brother could not return. By saving the Odin’s life and killing Laufey Loki hoped to prove once and for all that he was the best prince to become the Allfather.

  Thor vs Loki

 A lot of people think that the competition for the throne is mostly one sided, with Thor sitting comfortably, confident he will inherit the throne and Loki desperately seeking to undermine him. I believe before the events of the first Thor movie, both princes were on an equal footing to become the next Allfather. Loki being the more politically adept, may have had the upper hand. We must remember that just because Thor appears to have more friends than Loki doesn’t mean he is universally loved by everyone or that he is seen as the shining example of what an Asgardian should be.

Thor is political inept and dangerously foolhardy at the beginning of Thor 1. Asgard may be an absolute monarchy but even Allfathers must have political supports and advisers. I doubt the major political players in Odin’s court failed to see what a loose canon Thor was and how Loki could be a better alternative. However Loki does have his own character flaws. He may be more politically orientated but he can also be unreliable, mischievous and general trouble maker. Political support for the brothers may be split among the court and be a highly polarising subject.

It is interesting to note that we do not meet any of Loki’s friends. It is not necessarily because he doesn’t have any, but it might be that his friends are also his political supporters. Unlike Thor who chooses childishly to surround himself with only people his own age that are just like him, Loki may have used his time to establish friendships with important (likely much older) political players in the court. However these politicians are not likely to want to feast, drink and go on adventures with the young prince in his leisure time. Therefore Loki spends much of his spare time with his family and by extension Thor’s friends.

At the beginning of Thor 1, Odin decided to make Thor King during his Odinsleep, and this suddenly put Loki at a public disadvantage. We known from the deleted scene in the first Thor movie that Thor was nervous before the ceremony and we can postulate that Thor had never been made King before. Judging by the deleted scene of Loki receiving Odin’s spear, he also had never been made King before either. It is likely that Odin previously gave the mantle of King to an adviser during his Odinsleep but finally decided it was time for his sons to step up to the task. The fact that Thor was chosen before Loki sends a very public message to the court and Loki’s supporters that Thor is in favour with Odin. We do not know who ultimately choses the next Allfather but given how both sons are playing up to their father, I believe Odin designated his successor as Allfather. If Loki knew he was currently ahead in the competition, he may have reasonably expected to be crowned King and was therefore shocked that Thor got the honour instead.

He felt betrayed when Odin finally acknowledged that he was frost giant. Loki then assumed that there never was a “fair” competition between him and Thor. He was never going to be worthy Allfather in the eyes of Odin no matter how hard he tried.

  To Save Asgard (From Thor)

 Loki makes it clear to Thor that he didn’t actually want the throne during their fight in the Bifrost in Thor 1.

“I never wanted to be King, I only wanted to be your equal”

This suggests to me that Loki felt the competition for the position of Allfather was very important but he understand the huge weight of responsibility that success would bring. He had the maturity to release that bring the Allfather or even the King was not a jaunt but a very serious undertaking. He probably genuinely didn’t want to be the Allfather, but he clearly felt that Thor was not fit to be the Allfather either.

Loki’s driving motivation towards the beginning of Thor 1 may not have been taking the throne for himself, but rather saving the Asgard from Thor’s rash and warmongering rule.

He clearly says to the Frost Giants: “To ruin my brother’s big day, and to protect the realm from his idiotic rule for a while longer.”

Loki, from this perspective, is not wrong. Thor managed to start a war before Odin even officially “retired” from being King of Asgard, all because Thor felt he had been slighted by his father. Loki may be Machiavellian to a degree few villains in the MCU are, but that does not make him a bad person. We must remember that both Loki and Thor were both raised with the prospect that one day they would be the absolute ruler of the nine realms. This is a huge responsibility and it appears that only Loki took this responsibility seriously, whilst Thor seemed to think being King meant he was allowed to do whatever his bloodlust fancied.

The truth is that at the beginning of Thor 1, Loki’s temperament made him the better (but not perfect) choice for King. Thor only realises this during the end of Thor the Dark World, despite having matured significantly in the intervening years.

I think Loki is a very perceptive person, and he clearly realised early on that Odin favoured Thor. Given the nature of the brother’s competition, their father is the highest judge of their “worth”. Despite Loki’s many abilities, he must have found it frustrating and confusing that Thor was deemed more worthy in Odin’s eyes. In the end his participation in the competition became less about becoming the Allfather and more about getting Odin to acknowledge that he, Loki, was just as good as Thor. For Loki the Allfather’s political approval, may also have been his own measure of his father’s love for him.

We do not get much screen time to explore Loki and Odin’s relationship but from what little we do see, Odin loves Loki, he’s just incredibly inept at relating to his son emotionally. Odin does not provide the emotional feedback and support Loki requires, so Loki substitutes his father’s political approval for direct displays of love. Unfortunately, Odin can’t give Loki political approval either, because he clearly never intended for Loki to inherit the throne. However, his policy of keeping Loki’s parentage a secret means he locks Loki into the competition for the throne, whilst at the same time he locks himself into a perpetual cycle of trying to undermine Loki’s success at the same endeavour.

Odin has ironically tied himself in knots with his own lies.

 In conclusion

  Having explained why Thor and Loki were legitimately locked in competition for the throne, I would like to conclude by pointing out that these brothers love each other very deeply. They have their fair share of problems but despite a political system that pits them against each other, they have remained loyal and loving to each other. When Thor becomes the King of the exiled Asgardians Loki is there standing right beside him ready support him on the journey ahead.

#loki meta #thor meta #loki (marvel) #thor #asgard

[syzygyzip]

Solaire is the Sandworm and Other Apocrypha

What follows is an essay about Knight Solaire, a character from Dark Souls 1. The essay discusses his metatextual influence, his symbolic import, and a few theories about his supposed fate in Dark Souls 3.

On the Nature of Headcanon Canon as a concept adopts different rules when it comes to videogames. More concretely than in other artforms, the content of the game changes according to its witness. You can’t account for another person’s playthrough, so you are obligated to trust their story—within reason. A player can tell you that they beat a boss without taking a single hit. That’s reasonable. A player can say that they saw an enemy clip through a wall, placing it in an otherwise empty environment. Could be true, might want to see footage, but reasonable. Further out, a player can tell you that a completely unprecedented game-object appeared out of nowhere, started flying around and corrupting objects. This is unlikely, but, like some crytptozoological encounter, could be explained away by the witness’ misapprehension (maybe a hacker invades the game and thwarts the rules).

Just like witnessing the mothman or other spectral phenomena in real life, the person’s impression of the event is real. To borrow Jung’s term, it is a subjective fact of the psyche. Because it is “of the psyche,” it describes the psyche.

Physical is not the only criterion of truth: there are also psychic truths which can neither be explained nor proved nor contested in any physical way. If, for instance, a general belief existed that the river Rhine had at one time flowed backwards from its mouth to its source, then this belief would in itself be a fact even though such an assertion, physically understood, would be deemed utterly incredible. Beliefs of this kind are psychic facts which cannot be contested and need no proof.

[…] The psyche is an autonomous factor, and religious statements are psychic confessions which in the last resort are based on unconscious, i.e., on transcendental processes.” (Jung, Carl pars. 553-555).

Unusual things will happen in games, and still more unusual things will be perceived to happen. What happens “off-screen” in the game world has no true authority, not even from the developers, because every player acts as a co-author. Some fan theories are formed by mentally structuring objects and events. Other fan theories seem to spring forth fully formed from the inky off-screen unconscious; in this case, for the theorist it feels more like a discovery than a construction. But most headcanons are a composite. Theories and headcanons are also informed by the meta-culture—by what a game and its characters have become in the eyes of “the community.” Black Iron Tarkus, for instance, has no lines of dialogue in any game, but has developed a personality and prestige from his interpretation by the fandom. Such occurrences are almost a matter of course. Games, especially when they reach franchise-level popularity, spawn stories and memes. The game reveals content not programmed by its developers. It is doubtful that anyone at FromSoft foresaw Tarkus’ fandom. Nor would any on the staff have guessed that a few discrete game items (Giant’s Armor, Havel’s Ring, the Mask of the Father, etc) would cohere into a folk hero called Giant Dad. I say “folk hero,” though he is a scourge to many. This “character,” who is really just an exploitative blend of game mechanics, would be made, remade, imitated, elevated to memetic and then iconic status. Most other archetypes in Dark Souls are divided into their attributes: Helm of Artorias, Sword of Artorias, etc. Giant Dad is the reverse: he is constellated by his attributes; none of them alone hold his pneuma.

The Knight Solaire is more famous than either of these figures. Like Artorias, he is a character specifically designed to appeal and to exist in relation to; and yet like Giant Dad, he is a fan-fueled nexus of meme. Beyond both of these capacities is the degree to which he emanates himself beyond the franchise. His catchphrases “Praise the Sun!” and “jolly cooperation” have taken on a life outside of Dark Souls—a scope of renown unreached by Giant Dad. Especially noteworthy is his corresponding emoticon \[T]/ How many pop cultural icons can be summed up in 5 pieces of unicode? He has also been coagulated into an Amiibo, which is another ontologically ambiguous prestige, occupying a strange corner between meatspace, the virtual, and the symbolic apparatus of capitalism. But he is not quite so easily as commodified, as a Squid Kid or an Isabelle. He is not moe like they are. He does not have a face. But that is not say he is featureless: he has a personality and a mystique that coheres throughout his diegetic presence, his cross-cultural memetic tendrils, and his various costumes in headcanon. What force accounts for this coherence? No archetype can be summed up into a single definition or personality, but the style by which they draw attributes and myths around them allows us some understanding.

The Knight of the Sun When encountered in Dark Souls 1, the character of Solaire presents a rare locus of optimism. He is standing in the sunlight, staring into the sky in quiet appreciation. He is immediately friendly and encouraging to the player, and gives them the tool of “jolly cooperation.”

I want to emphasize how much Solaire’s demeanor stands out in the milieu. Though he is encountered at an early point, the game has already introduced the player to an extremely dismal and unforgiving world. They have likely met many overpowering obstacles and dejected NPCs, and begun to realize how scarce is the refuge of the bonfire. It doesn’t take much exposure to Lordran to take on its infectious loneliness. Solaire’s optimism cuts through this bleak fog like a lighthouse, and he literally gives the player the key to online collaboration. From another gameplay standpoint, consider how the player has become conditioned to dark corners, to ambushes, and fatal surprises; to visually scouring the environment like a rat, wary of predators and keen to spot a glowing treasure. For a moment, Solaire stops the desperate scavenging to direct your attention to the skybox. These contemplative silences have become a signature of the Souls series, but this is perhaps the first directed instance.

This is to say that Solaire is the first personification of goodwill that the player meets, so early into their journey, and is thus easily wrapped up into that symbolism. As the player’s relationship to the world takes on new dimensions (not simply new game areas, but entirely new spheres: online play, community discourse, lorekeeping), the symbol of Solaire follows them. In online play, he pops up as someone’s cosplay—and spectacularly, most of these sunbros, these independent actors, will reflect his behavior accurately! In Souls communities, Solaire is almost omnipresent, as people will post his slogan or his emoticon as a way of communicating affirmation, respect, or pure joy. There are other things to like about Solaire, like the fact that he is relatively powerful as an ally in boss fights, that he has the cool lightning move, or that it is revealed his armor is “average,” and that his strength comes from some inner source. Another element that should not be underestimated is the psychological potency of his implicit longing for a father. It goes without saying that the motif of the absent father has been especially compelling in the 21st century, ubiquitous in mass media, and often exploited by advertisers, etc. Beyond that, Solaire is searching “for his Sun,” an object which can be interpreted countless ways; suffice it to say it is a timeless and recognizable symbol of purpose and wholeness.

For all these reasons and more, Solaire is an easy point of projection for the player. He is an image both relatable and aspirational; he is average and exceptional. He is savvy, strong, and kind, and never in hyperbolic measure. He realistically represents a player’s best traits. The quality of his goodness is unspecific and broad; it becomes an anchor point for any virtue a player may value, as can be seen in the varied mutations he takes on in the subculture, becoming in turn funkier, wiser, more heroic. This trait of mutability, in itself, is generous! In a game that is by now famous for its therapeutic value in treating depression, Solaire’s influence should not be disregarded. Here is an illustrative example of the potential effect of Solaire on a player, posted to reddit by user unsuppressedYay:

Like most, when I was playing Dark Souls, I was in a very bad time of my life (which was incidentally only a couple months ago). I was at a college that I hated, with roommates who were not accepting of me, and many friends who had stopped hanging out with me. The only joy I would have is going home on the weekends, playing Dark Souls until I accomplished something and then going out to see my friends from back home. In this dark time i had isolated myself from most people during the week and was lonely and didn’t accomplished much, as such my grades also suffered. it was a bad time.

By playing dark souls, I felt accomplishment after getting through a particularly tough area or beating a boss. It gave me a reason to go on, that I would continue in the doomed world of lordran where i had to reach a fire with no good ending. It gave me encouragement to continue in my own life and applying to a different college and get my life back on track.

So to the point. I had accidentally spoiled what happened to Solaire. but I was still unable to stop it. I thought the chaos bugs were the big bugs in the lava after lost izalith. I felt so guilty and like I actually lost someone I cared about. I felt the obligation to wear his armor until the very end of the game. It made things significantly harder because of how weak it was compared to normal armor, but I stuck with it. The item description from the armor was something along the lines of saying that Solaire had no special power or magic, like we did. He made the armor himself, and was strong through his dedication and work ethic and never willing to give up to get his sun. So thanks Dark Souls and thanks Solaire for reminding me that optimism is the best way to go about things.

tl;dr cheesy story about dark souls helping me get through tough time, and feeling obligation to beat the game with solaires armor due to his wonderful optimism, and guilt over his death.

 Even if a player doesn’t specifically don Solaire’s armor in tribute, they likely integrate some aspect of his character in other ways. It can be as simple as performing the Praise the Sun gesture before a boss or upon victory. Miraculously, the gesture conveys the attitude quite plainly. The phrase “what happened to Solaire” alludes to the tragic fate that befalls him if the player does not intervene: he goes hollow in Lost Izalith, loses his enthusiasm and direction, and apparently mistakes a Chaos Bug for the sun which he seeks. After this point he will be hostile to the player, and will be wearing the cursed thing upon his head. This piece of headgear, formed from the body of a chaos bug, emits a lighted orb resembling the sun. If the player follows an arcane route through the game, they can avoid this outcome, and bring Solaire as a helpful ally in the final fight against Lord Gwyn.

Solaire as Gwyn’s Son For a long time, the battle at the immemorial kiln seemed like a fitting resolution to Solaire’s arc, as Gwyn was assumed to be his estranged father. Complementing Solaire’s recognition of an affinity between the Sun and the Father, we are told that Gwyn had a long-lost firstborn son. While essentially disproved by the apparent revelation of Gwyn’s actual first-born in Dark Souls 3, this lore speculation continues to live on in the imagination of the Souls community. It remains as another fact of the psyche, and thereby further illuminates the nature of Solaire. To understand why this is significant, we have to go a little bit into the symbolism of the Sun. You may be surprised to hear that people have been aware of the Sun for a long time now, and it has accrued significations far too numerous to list in full. So we will just mention a few of its rays, those that coincide with Solaire’s virtues: generosity, joviality, light, warmth, and cooperation. It also symbolizes the gift of life, vitality, will, and essence. Then there is that important attribute: obviousness; there is simply no denying the Sun in the sky, as it illuminates everything around you, and your planet circles it incessantly. But this principle of “apparentness” follows the sun to its cultural correspondences, like the lion, who is known to be named Leo. Which chakra does the sun relate to? Why, the solar plexus. Guess which metal the Sun corresponds to. It’s gold. You don’t have to be an occultist or a psychologist to notice the sun’s dignitaries: they have a way of exuding themselves. So it is with the conspicuously named Knight Solaire and his undeniable presence. It is simply one of his attributes: the ability to beam out from the Souls world, through the metatext, and into broader strata of culture.

The solar principle is also a consciousness principle. To “shed light” upon something is to become conscious of it. Thus the Sun describes both the ego and the Self (the inner image of God). The ego can be thought of as a low-res isomorphism of the Self, or as an inner, inextinguishable “divine spark.” It seems that this spark is the source from which Solaire derives his boundless optimism. Solaire ambivalently identifies with the Sun, and marvels at it outside himself, terming it as a “magnificent father.” Though he is a source of light for the player, he humbles himself before the “gross incandescence” of some higher power. This ego-Self dynamic, so essential to human experience, triggers a (conscious or unconscious) question of reconciliation. So players may wonder, “Who is the father of Solaire? To whom does he defer?” and the natural affinities between Solaire and Gwyn present themselves. Aside from the fact that it is later contradicted, this genealogy is also simply too concrete and anthropocentric to satisfy the greater mystery. The Solaire-Gwyn interpretation remains as a psychological fact, but it is just the beginning. It is the exoteric story, revealed to players of DS1 not as deception, but as an inaugural step for constellating a much more complex archetype. Now that we have taken a good look about how well the figure of Solaire invites a player’s projections, we will move on to a few other lore theories, far stranger and more infamous.

Solaire Has Become a Worm Who was Knight Solaire and what became of him? Some say he is the great Carthus Sandworm, writhing around the Smoldering Lake in the ruins of Hell. While apparently originally suggested in earnest, the Sandworm story has come to be known as a meme theory. As we have discussed, a meme won’t exist if it’s not compelling on some level.

Here is the apocryphal myth as commonly understood. Canonically the player fails to save Solaire after he wanders into Lost Izalith in search of his Sun. He discovers the Chaos Bug (or slays it and discovers its corpse), and mistakes its gentle glow for his personal sun. Worn as headgear, it becomes the Sunlight Maggot, a “loathsome parasite” that is “completely immobile, yet still lives.” Solaire goes hollow, losing his identity and sense of purpose. He despairs. We don’t know whether the parasite produces this abject condition in Solaire, or whether it is symptomatic, or coincidental. Therefore speculation begins here. Assuming the player does not destroy the mad Solaire, he wanders around the underworld for a very long time. As the years go by the vast hellscape of what was once Izalith disintegrates. Its army of demons becomes hills of corpses. The land itself is now nothing more than a small maze of ruins, and a warm puddle—the so-called “Smouldering Lake.” During this time, the theory suggests, the parasite has completely consumed Solaire, turning him into the “Carthus Sandworm” an enormous, Dune-esque burrowing worm that spits lightning.

So because Solaire was overtaken by a Chaos Bug, it is assumed he never left Carthus and became the worm. The further justification(?) for this theory is as follows. The worm spits lightning as Solaire does. The worm drops Lightning Stake, a miracle that mentions lost dragon slayers, who are affiliated with Warriors of Sunlight and thus Solaire. The worm also has human appendages sticking out from its body, and drops an undead bone shard, which are seen as clues that the worm was once human. (It is also suggested by some that Solaire’s might and indefatigable nature are the reason that he was not consumed by the parasite, but instead transformed into an enormous creature. But this point is often glossed over in the meme-theory variant.)

We can see that the diegetic evidence upon which the case for Solaire-as-Worm rests is rather thin. So what accounts for its popularity? Why does it make some kind of intuitive sense? Why does it generate enough interest to be passed around, albeit ironically? Let’s examine the origin point of the story: Solaire venturing into Lost Izalith and losing his mind to a Chaos Bug. The story of a solar hero venturing into the underworld has—once again—existed for as long as people have been staring at the sun. Each day the Sun goes down, and comes up again reborn. Psychologically, the descent into the underworld symbolizes the journey of the ego into the unconscious. The principle risk of this journey is possession by the contents therein; re-absorption into a state of dependent unconsciousness. For this reason among others, it is associated with the great and destructive Mother in her negative aspect. The motifs of “the devouring mother” and the “belly of the whale” are likely familiar to most people. The loss of a sense of a separate self is a much-feared thing, and this story arises perennially and across cultures. Izalith too is full of (negative) Mother imagery, with the mother of pyromancy at the center, portrayed as a small bug, not dissimilar from the Sunlight Maggot which consumes Solaire. We should of course not reduce the Mother to some Freudian positivism. She is called the Mother because she represents the matrix of the world, which engenders, sustains, and decays all forms. In her fullness she is the divine feminine principle. Her fearsome aspects, such as the devouring mother, are constellated by the ego’s fears and rejections. The mother is the first being from which an infant must differentiate itself, and so there is this necessary period in which the mother becomes the abject, the locus of all that is disavowed and detested. When stories tell us about “slaying the dragon,” it is not about conquering the feminine, or defeating chaos; it is about overcoming a false view of the Divine Mother born of fear and prejudice. It is this view, cohered into a monster, that must be slain, as the Chosen Undead does in Izalith in Dark Souls 1. According to tradition, how is this accomplished? In psychological terms:

The slaying of the mother and identification with the father-god go together. If, through active incest, the hero penetrates into the dark, maternal, chthonic side, he can only do so by virtue of his kinship with “heaven,” his filiation to God. By hacking his way out of the darkness he is reborn as the hero in the image of God, but, at the same time as the son of […] the regenerative Good Mother. (Neumann 165)

The “father” in this case corresponds to the solar principles of Logos, order, and law. Swords and lightning-strikes, Solaire’s preferred tools, refer to the capacities of discernment and insight necessary for differentiation. This identification/alliance with the father in this task is only temporary, for the Father too must be destroyed: he is the old order, the ego deteriorating into an oppressive and petty tyrant. This is why Gwyn is underwhelming and ailing when we find him. So it appears that saving Solaire, and bringing him to defeat Gwyn, is a relatively psychologically healthy outcome. That is—if Solaire is the new ego!! But think about it: when playing a game, is it not the player-character who is most representative of the ego? It is out of the Chosen Undead’s eyes that we see, it is their actions we control, not Solaire’s. We have already established that for many players, Solaire is an ideal image, whose full potential is necessarily unknown. Does this mean that Solaire is meant to be abandoned here? Is he, like Gwyn, an outdated self-conception that must be discarded so that something new can be born? The moral judgment of this situation is more complicated than it first appears.

Let’s look at the steps one must take in order to save Solaire: one must join the Chaos Servant covenant and collect humanity for the “Fair Lady.” This witch of chaos is a pale and deteriorating spider-woman meshed into the wall of her lair. She speaks a language incomprehensible to the player, unless a special ring is worn, which reveals that she mistakes the player for her sister. If she is given a whopping 30 humanity, the Chosen Undead rises to a rank of prestige in her organization, and a special door opens which allows passage to the site of Solaire’s fall. This is the only way to arrive at the scene and destroy the bug before Solaire finds it. So the key, in essence, is offering your humanity to a mysterious dying witch over and over again. Or, as reddit user JotaBarra puts it:

To save Solaire of Astora you have to give 30 humanity to someone who you don't know, that doesn't understand you and the only thing you know is that she put herself in pain trying to fix something that she doesn't did. If you help her, the games give you the opportunity to save your friend. The only way to save Solaire is by being like him. Friendship is exactly like that. You help the only one that help you everytime he can. He will fight alongside with you against the final enemy. It represent what a relationship is. We don't build relationship with our direct actions but with what the actions mean. You dont help directly to your friend, but you do what he could've do for you.

This interpretation makes a good point about how it is necessary to become Solaire, to take on his attributes, in order to save him. Does this therefore mean that by the time the two of you get to Gwyn, you are the same person? Or were you the same person all along, and Solaire was just projected into the external environment, just as he both embodies the sun and seeks it outside himself? That light, whether the anglerfish lamp of the Sunlight Maggot or the Sun itself, compels the body forward, because that compulsion is the Sun.

Specifically, compulsion is the Sun in its chthonic state. It is synonymous with the ever-burning fuel of sulfur, replete throughout the realms of hell.

Lost Izalith, the Hell of Dark Souls, has been reduced to very little in Dark Souls 3. It appears quite plainly that the kingdom has deteriorated. What were once oceans of lava is now a knee-high lake of simmering water. However, among the ruins and heaps of demon corpses, there is indication that new life is growing. Roots of world trees coil around the stone and new forms of demons are singing living flames into being. Most significantly, there is also the presence of crabs, which are a timeless symbol of birth, and present at the other two places of world-regeneration in Dark Souls 3 (the forest and the painting). Beneath the desolate surface of Smouldering Lake, there is the beating heart of new life.

It is on the surface that the pseudo-Solaire worm confronts us. It could be that it is protective of this nest, or maybe it is a crude image of the unborn life in incubation within. The fact that it is coiled here, in a pool of water at the base of the world, suggests the kundalini serpent. In psychology and metaphysics, the kundalini is the libidinous upward force catalyzed by the primal energy (shakti) at the base of the spine. Alongside its physiological manifestation, the rising serpent/worm is one of the oldest mythological motifs:

The Gnostics related the serpent to the mysterious energy of the primordial waters symbolized in the waves of the undulating serpent as well as the stirrings within the serpentine spinal cord of man. The stirrings surface from the abyss of the unconscious, sometimes unexpectedly and with peremptory and terrible effects. (Valborg)

Its undulating path upwards is called “The Serpent’s Path” as it traces a parabolic shape as it climbs to ever-higher degrees of refinement (this is what the player does, you may recall). This journey of upward undulation, often felt by the individual as an electric current, is sometimes preceded by the “Lightning Flash,” the original impetus, which strikes downward from the crown to the lowest point, thus awakening the serpent, which makes its ascent. So these images come together quite conveniently in the figure of this lightning-spewing sandworm. You may remember that the worm drops “Lightning Stake”; not some other miracle, but the one that forces lightning down upon the earth. To see this electric serpent coiled up within a hot, subterranean chamber teeming with life—it is hard to imagine a more direct depiction of the kundalini.

We have talked about Solaire as a symbol of the Self, that was at one time appropriate but now needs to be refined, and it is therefore appropriate that he should find himself consumed in the flames of the underworld. The fiery hells of Buddhism are sites of purification; the fire that rages and torments the victim is their own unbridled affects, but they eventually exhaust themselves. What remains after is purified ash, synonymous with the “white foliated Earth” of the alchemists. It is this type of “environment” in which the “gold”—the personality—should be sown, in order to reach its potential. This is assumedly what has already happened to the Ashen One of Dark Souls 3, given their title and the fact that they have arisen from ash; it also seems to be descriptive of the process at hand for the kingdom of Lothric.

It’s easy to imagine that players might unconsciously project the image of Solaire’s rebirth onto this worm. For reasons related to Solaire’s story, as previously discussed, and for these perennial myths. At another point in the journey, the player is also confronted with Rosaria, the Mother of Rebirth, who “respecs” people—reallocates their stats and qualities. The only risk this refinement brings is that the person may become a worm! A few casualties of this process are seen or implied elsewhere in the game. These “mangrubs” are quite revolting, and yet at least a few are linked to the highest divinity. This should not surprise us:

Typical of the paradoxical imagery of the unconscious, the despicable worm can turn into the supreme value. Thus the messiah is equated with a worm in the messianic Psalm 22, verse 6: ‘But I am a worm and no man; a reproach of men, and despised of the people.’ (Edinger AoP 158)

For the full renewal of the image of the Self, it is necessary that the old king(/sun) dies. The body decays, and at its most revolting, it becomes the bed and the feast of maggots. Because Smouldering Lake is beneath the Catacombs, it can be said to be taking place within the body within the grave. The entire scene can be read as allegory of the processes within the body in the midst of its resurrection. The “messiah” here is invoked because Christ is another euphemism for the Self. And just as the dead king’s body is diffused into the bellies of the maggots, so too does Christ’s flesh become the object of consumption during the Eucharist. This takes us conveniently into our next bizarre fan theory.

Solaire Has Become Soup Slightly more arcane than the theory of Solaire’s transfiguration into a worm, is the notion of his transubstantiation into the Estus Soup, which is found in a few cauldrons throughout Lothric. The justification for this theory was handily summarized on a reddit by a now-deleted user:

Consider the room you get the sunbro badge in undead settlement. It also contains an estus soup bowl...

The sunbro badge is found on a device for dismembering corpses. We know this becasue we see the same device being used to cut up bodies later in the undead settlement just before the stairs down to the lower area with the ravine

 The sunbro badge is simply a rag of cloth sitting on the device, which heavily implies that a sunbro was cut up on this device and his badge was left over as a part of the cutting up process

Underneath the cutting up device are an absolute ton of small bowls, receptacles to contain fluid. What fluid will the cutting up device produce? blood and human bodily fluid.

These same bowls can be seen all around the main estus soup pot....

The blood of the dismembered sunbros/other undead is extracted in the cutting process into the small bowls. These bowls are then take to the main pot and their essences poured into the main soup pot which is boiled and the estus fluid is extracted from the blood of the chopped up sunbros. This is what forms the radiant estus soup.

 The player is in some sense conditioned to think this, because the entire Undead Settlement is oriented around the disposal of corpses. Moreover, Estus Soup is found at two more places, one of which holds Solaire’s talisman, and the other near paintings of Gwynevere (saint of the sunbros). Now, the more reasonable interpretation of the presence of these Sunlight artifacts near Estus Soup is that Siegward, who is later shown to be the one concocting the soup, leaves them behind in his absent-mindedness. Siegward’s attitude and behavior are very reflective of the “jolly cooperation” ethos, and thus we naturally assume that he is affiliated with the Warriors of Sunlight.

This, however, does not disprove that the Estus Soup is Solaire! Not to say that Solaire was butchered by Siegward, and bled into the soup via the grisly method described above; rather it is more likely that a faithful Warrior of Sunlight has consecrated this special drink in a manner similar to the Christian Eucharist. To understand the concept of the Eucharist, here is an excerpt from the Gnostic Gospel of Thomas:

The cup of prayer contains wine and contains water, being established as a representation of the blood over which thanksgiving is offered. And it is full of the holy spirit, and belongs entirely to the perfect human being. Whenever we drink it we take unto ourselves the perfect human being. The living water is a body.” (Gnostic scriptures p347)

In other words, “the Eucharistic blood represented the Soul of Christ.” (Jung & von Franz 93). The fact that “the conception of blood as soul prevailed in the middle ages,”(ibid. 93) is visually quoted by Dark Souls periodically, and further prepares the player to respond to such symbolic signaling within this fantasy setting. 

Now, Solaire as a Christ figure who becomes the subject of a Lothric Eucharist is probably not a theory that anyone would thread together without the specific intent of performing a Christian reading of Dark Souls. The reason that I discuss it now is because the existence of the Solaire-as-soup theory seems to have arrived at a similar situation unconsciously, and slightly rephrased into a secular materialist framework (more palatable to the conscious mind). We have examined how Solaire is an uncommonly strong draw for projections of the player’s better nature. It is also a fact of our world that certain Christian concepts—such as Christ representing a fully realized being to whom we should aspire, or the mysteries of the Eucharist—are present in the background of the unconscious. These stories and motifs were so ubiquitous for so long in the western world, that even if we live fully secular lives, this material continues to radiate its influence through the thinnest, unassuming little cracks in our speech, our aesthetics, and our stories.

So without any intention on the part of the player, their experience of the character Solaire receives some influence from the Christian world. This effect is aided by a few other elements. There is his resemblance to common depictions of knights from the Crusades, whose defining associations are Christianity and the fact that they were seeking something. Of course we also have the fact of his signature gesture which is similar to the pose of the crucified Christ. This essay has already described this gesture’s prominent contribution to the memetic potency of Solaire, but it bears mentioning that if the player joins this covenant, they perform the gesture automatically upon being summoned—any active sunbro is quite literally forced into imitating this pose! And of course, a third reason for this unconscious association of Christ and Solaire is the factor of the mysterious and divine parentage.

Which is Canon? So of these two fringe headcanons, which is the more valid? Is Solaire a worm or is he soup? Taking anthropology into account, we must recognize that the death and resurrection of the Sun-god naturally predates Christ, and Christian myths are often studied in that context. It is just as natural to see Solaire as a personification of the Sun, of goodwill, or of the Logos … although Christ also covers that ground. Whatever the case may be, the dismemberment and consumption of this embodied principle seems to be a common feature of these stories. Both the worms who feed on the king’s corpse, and the Eucharistic wine/blood, are images of this concept—and perhaps both images are necessary. The feast of the worms is the profane image, and the Eucharist is the sacred and civil version. After all, for the dissemination of this quality of consciousness to be complete, it must extend to every level. Edinger gives us another broad summary of the concept:

[The Golden Man] represents the microcosmos or monas, the initial matter, which also contains the goal of the work. His dismemberment signifies a new conscious ordering of his initial chaotic nature.

It is difficult to consider terms like “initial matter” and appreciate the fullness of the concept. In nitpicking over the details of the specific images, we may begin to lose sight of the importance and universality of the basic story. This is why it is so important that there are multiple histories, multiple headcanons. If Solaire was only the worm, or only the soup, he would be less complete and less adequate as a symbol. And there are many headcanons besides these, of course; they merely represent two aggregations with a mythologically fertile tension between them. By the incredible multivalence of the Sun’s many arms, he means something different and individual to each player.

And speaking of the “goal of the work.” The return of the Sun in the morning is not considered a triumph merely because it has survived. Withstanding the night in itself is hardly an achievement! It is a triumph because something has been earned in the descent, and the same is true of the story of Christ’s incarnation. When the Sun-god rises again, something has been purified, refined, or to use the preferred Christian term, redeemed. The personal stories of players also seem to follow this trajectory. Dark Souls doesn’t treat depression simply because players are enduring its difficulty, it’s because some special quality of attention is polished through their struggles. We ought also to remember that Solaire willingly became Undead so he could visit Lordran and find his own Sun. The descent into incarnation for the purpose of refinement is a journey that should only be made consciously, with optimism and good cheer, for that is the Sun’s native condition.

 Edinger, Edward. Anatomy of the Psyche. Open Court Publishing Company,   1985. Jung, Carl. Psychology and Religion: East and West. Princeton University Press,   1969. Jung, Emma & Marie-Louise von Franz. The Grail Legend. Sigo Press, 1980. Layton, Bentley, ed. The Gnostic Scriptures. Yale University Press, 1995 Neumann, Eric. The Origins and History of Consciousness. Bollingen   Foundation, 1954. Valborg, Helen. Great Symbols Series: the Serpent. Theosophy Trust, 2013.

Solaire is Pump-a-Rum Actually, you are this fledgling.

#dark souls #dark souls lore #solaire #knight solaire #dark souls 1 #dark souls 3 #solaire sandworm #carthus sandworm #gwyn's firstborn

[officialthiamlibrary]

Hello! Hello! Hope everyone is having a glorious weekend thus far.  With enthusiasm, we are finally introducing you to another spectacular creator, pettigrace. The author of buy and sell gravity, its sequel free fallin’ in the jungle lights, and other fantastic works across 5 fandoms! Why don’t we just dive in?

Omg, Yas! Hi. It took us a while to get here, but we finally made it haha. Why don’t you start by telling us about yourself? The twist, the word count has to be either equal to or less than the number of letters in your two favorite Teen Wolf episode names.

Motel California and The Divine Move are the only episodes I remember by name, so I guess they must be my favourites. (15 + 13 = 28)

My name is Yas, I am an aroace being from Germany and I absolutely fucking hate time travel. I work as a journalist sometimes and I love writing.

Oh wow, a journalist! I love meeting people who’ve made a living out of their writing! What’s a typical day like as a journalist?

Mind you, I am not your typical journalist. I may look like Clark Kent most of the time, but I don’t do the stuff he does (that extends also to the superheroing, sadly) - I work for the youth page of my local newspaper, which means I get to write a few articles about/aimed at children a few times a month. I usually go for reviews of media (as in books and tv shows most of the time but movies, games and all that jazz, too!) but every once in a while I get to do something bigger as well. That means (typically) interviewing people in sports clubs, writing about my personal experience about a topic or doing surveys about things. It’s not much, but my name is in the paper pretty much every week.

I’m trying not to be super impressed and failing, but that’s honestly phenomenal! Obviously, you’re a huge fan or movies, books, and tv shows. Did that influence your name, pettigrace?

It refers to Peter Pettigrew from Harry Potter! (But Yas, you go, isn’t that the guy who doomed James and Lily Potter? To which I say: He also killed Cedric Diggory! And faked his own death! And gave Voldemort back his body!) No, hear me out. I don’t love the guy. Hell, I hate Peter Pettigrew as much as we all do. But he’s an important character in the world of HP and doesn’t get the recognition for it. He’s the unsung villain of the story. Is he a good villain? Heck no, he’s probably one of the worst. He doesn’t even have his own agenda! Still, he symbolizes something that’s important to me when I look at characters: The way they develop. How they used to be in certain situations. General character development. We don’t talk enough about the secret talents and thoughts of him.

Also, ace. Because like many characters, I headcanon Peter Pettigrew as asexual. Thank you.

And, how did you find your way to the Thiam fandom?

Here’s the funny thing: I think that I only started shipping them as much as I do now while I already wrote fic for them. I don’t know, I saw the appeal because I love those ships with awful banter and the enemies-to-lovers trope, so the arguments Theo and Liam kept having right from the beginning practically screamed at me to ship them – even if it didn’t fully hit me yet and I hated Theo during season 5 (which is to say, I loved him as a villain. He has always been a great character, just not a good person.). I’ve read a couple of fics for them at the end of last year and then decided to write my own and both of those actions made me realize how well they fit together and helped me learn to appreciate them both in their own ways.

Gasp, How can anyone hate Theo?! Though, I might be a tad bias lol. I think a lot of people would agree with you about how well they fit together. Since you’ve only had time to grow in your appreciation for their relationship, why don’t we try a little game?

Let’s pretend this was a Stranger Than Fiction situation and you could predict any aspect of their lives with your writing. How would you set up the follow scenarios:

a. Their first postseason 6 interaction:

Okay, I’m a sucker for canon so let’s stay with that. I think that after the hospital scene, after Theo’s taken Gabe’s pain and the battle is won, it would not be Liam who approaches Theo to talk about. In my head, it would be Mason – he’s the one who realizes the significance of this, he’s the one who told him he doesn’t care enough to take someone’s pain (I think Liam doesn’t know about that in canon? If I remember wrong, let’s just pretend he doesn’t know.).

So I don’t know, maybe Theo leaves the hospital while everyone’s celebrating, completely overwhelmed and also feeling wrong there – he’s not part of this friend group and now that the battle is over, they don’t have any use for him any more, right? So he slips out; only to be followed by Mason. And we know Mason.

He’s clever and determined and he doesn’t back down from confronting someone. He doesn’t like Theo, he’s said as much, but now he’s seeing progress in him. He knows what an aide Theo has been for Liam, both in the fights and with his anger. He addresses all of this and Theo reacts like we all expect that he would: dismissive and sarcastic. Mason doesn’t buy into it for a single second, but he doesn’t try to make Theo stay when he says he needs to leave. I feel like it would actually be good for him to leave for a while because boy, does he need a time-out. Let’s be real. It’s clear that Theo isn’t as much of Liam’s responsibility any more. Liam doesn’t keep him close and he can leave and Liam wouldn’t feel like he needs to watch him. Theo’s come back from hell and then he’s had to fight battle after battle. He’s not friends with any of them and there’s no reason for him to stay around. So, he leaves, and Mason lets him leave, both because he gets it and he doesn’t really care if Theo is around or not.

Now Liam. I feel like even at that point in canon, Liam doesn’t really see Theo as a person. He knows him as a villain and as an ally but never just as Theo, and even with the almost-kiss between them (because that’s what the elevator scene has been, goddammit. There’s an attraction between them and it’s only been increased by the adrenaline, but especially Liam doesn’t really realize that he cares about Theo), he doesn’t even notice at first that Theo is gone. He’s too full of ecstasy and when he’s reunited with the rest of the pack, that only becomes more. It takes him a few days, maybe even weeks until he truly notices that Theo is gone. It’s not that he just forgets about him – Theo’s been present enough in the past few months, especially to him – so the remainder of him helping clings to Liam’s mind. He doesn’t ask anyone about Theo, though. It’s not like anyone really cares, he thinks. And he knows Mason’s dislike for the chimera, so bringing it up to him wouldn’t be fruitful either.

Of course, Theo comes back. Beacon Hills is his home and he just feels this draw back to it and (that much he can admit to himself) to Liam. He’s also the only one whose phone number he has so after much thinking – and Theo’s logical, so he doesn’t try to convince himself to ignore it – he calls Liam. It’s awkward because Theo had just disappeared like that (which Liam would call him out for) and maybe that leads to a fight between them; one that ends with Liam admitting he’s needed Theo around because he’s felt so restless and he’s not stupid, he knows that’s what it feels like to lose your anchor. Theo grows silent at that, not sure what to answer, and Liam almost hangs up because he’s too embarrassed by that confession and hell, they’re not even friends. He practically admitted to be in love with him, which is not even the case. They’re not in love yet, that’s for sure. But then, suddenly, Theo just says, “I’m coming home,” and that’s a promise.

The call would end shortly after that, with awkwardness hanging in the air, but Liam’s excited and content at the prospect of Theo coming back. And Theo, completely beside himself, sets off towards Beacon at once.

I have the image in mind (and heck if I knew if that works time zone-wise but maybe Theo’s still in the same) that the next day when Liam comes out of school, he finds Theo chilling in the parking lot, leaning against his truck like that’s his usual spot. Liam, not sure whether it’s appropriate to hug him or whatever but shit, is he happy to see him, jogs up to him and beams, saying, “You came.” And Theo, the little shit that he is, just rolls his eyes and clicks his tongue and goes, “Yeah. You’re paying lunch.” And then they climb into the car and ride off into the sunset.

(God I can’t believe this became almost two pages of basically just relationship study, I’m so sorry!!)

Never apologize for passion! What about a Thiam Double Date with any other ship from the show?

Well, Morey is obviously a given. Seriously, once Thiam started dating, Liam would definitely make the two of them see how much Theo has changed – I have no doubt it would become somewhat awkward, with Mason outright having stated that he despises Theo and Theo having worked with the people who killed Corey… Still, I think they’d go out for a movie or something or maybe just happen to be all at the Geyers’ home at the same time and maybe they would bond over video games or something.

I could also see that after some time, Theo would make up with Melissa. If he stays in Beacon Hills, he might end up being the one who brings her lunch – a weak attempt at making up for all the things he did to her and her family, but it’s the best they can do. After a while, Melissa would probably inquire him about what has happened and try to make him deal with the guilt; at the same time, she could see he’s different now, so then she insists that Scott and Stiles see it, too. So, she’s the one who’d set them all up. Probably a giant dinner or something at her house where she invites Thiam, Scalia and Stydia. And maybe she has Papa Argent over, too. It would be awfully tense, especially with Stiles’ and Malia’s hatred for Theo and maybe it ends in a disaster, who knows? But maybe Melissa mentions a fun story from when they were kids and Lydia, though she isn’t completely at ease either, would remember something she saw the guys do in elementary school (remember, she was there, too, even if they weren’t friends) – and then they would forget themselves and explain how they came up with the idea of stealing a toilet seat or something. They’d just chat about how things have been and then suddenly there’s a silent where they all swallow and remember that it can’t be like that anymore, can it? But there’s a promise: If they all can remember and laugh about it, and if Theo’s truly changed, then maybe there’s hope.

Finally, one conflict they’d have as an official couple:

Liam’s anger, without a doubt. I don’t think Theo can be as patient as fics make him out to be. He probably doesn’t know how to actually react to one of Liam’s outbursts and the way he talked to him during 6B wouldn’t always help. If Liam lashed out at him, Theo would probably let him – that’s another topic between them, the way Theo will accept anything as a sort of punishment for what he’s done. Liam would be overwhelmed by guilt and Theo would try to talk him out of it, say it’s okay and it’s not like he didn’t deserve it. And then Liam would tell him that no, he doesn’t. Theo’s already paid for his sins and he’s learnt to do better and anyway Liam isn’t his judge. It’s a vicious cycle because they’d argue and then Liam would get angry again and maybe then he’d just walk away and punch a tree, but the problem stands. I just made myself sad :(

If you could magically write any Thiam story with your mind, what story would you craft?

I have a few stories in mind that I want to write, especially for Thiam, but there’s one I keep putting off because it would require me to rewatch some of season 5 and basically all of season 6. I just don’t have the time or spoons for that at this point. If I had, though… Oh dear, hold on to your seats.

It’s told from Mason’s point of view, believe it or not. Either while or after he’s been possessed by the Beast, he’s developed powers of his own: He can suddenly see some kind of aura around people. It’s kind of a count for karma, with bad people having really dark colours while good ones have bright colours – later, though, he finds out that was aren’t general ratings but how the people view themselves. So, the last glimpse Mason gets of Theo is before he goes to hell. 

His aura is really bright except for a few specks here and there. When he comes back from hell, it’s the darkest Mason’s ever seen. 

Basically, the story would be about character growth and the way people see themselves. For example, both Stiles and Liam have darker auras than you’d expect them to have, because they’re good people, right? It wouldn’t surprise you after the nogitsune and Donovan that Stiles doesn’t think that of himself but Liam? It gives both the reader and Mason new insights into the characters of Teen Wolf.

The fic stays close to canon as it plays out, only that with Mason being the narrator, you get to see more of the puppy pack, of course. The way both Liam’s and Theo’s auras change as they interact with each other and Theo truly betters himself until in the end… Well, that’s it, right? Does the end stay lie in canon, too? Would Mason do something about the way his best friend feels better about himself when he’s around Theo? Who knows, definitely not me yet.

I’m excited to jump into your writing! First, if you could describe your creative process as a living entity, what would it look like? Wear? Listen? How does it handle conflict?

Hm, they‘re always around, though usually pretty chill in the background. Like, you turn around and they’re there but it’s not like they’re really annoyingly present, if that makes sense? I’m always working on something in the back of my head, and a lot of time it becomes more pregnant, so from time to time this person would be more active. And maybe they would be annoying from time to time, like when an idea doesn’t let me sleep or occupies my thoughts at all times, though that’s become a rarer happenstance lately. They’d be dressed pretty casually, maybe just a hoodie and sweatpants or something – my writing isn’t anything extravagant, and neither is the process of it for me. Actually, I don’t think they’d be a person, to be honest. I literally just described my cat.

ALOL, well, looks like we’ve discovered one of your writing influences haha! Do you and your cat have any Writing Kryptonites?

Oh, probably action. Which is especially sad in regard to Teen Wolf because you can come up with such amazing fight scenes in this fandom! But I’m struggling with writing motion, actually. No idea if it’s just that my vocabulary is limited in that area, being non-native to English and all, or if I generally suck at it, but it always feels so wrong to me. I write from a single person’s perspective, usually, so I’m limited to what they see and how they move and even then, it doesn’t feel swift enough. I’m working on that, though – there was a time when my writing basically only consisted of dialogue, and that became much better during the past years.

That’s amazing! What are some ways that you try to better your writing? Besides, well...writing haha. Have you done any type of skill building that you thought worked for you?

Most of it has definitely come just from continuing writing, to be honest. I’ve only once told myself to actively focus on something (it was really early in the beginning of my writing where I tried to get more skilled in describing people - the way they look and move, stuff like that). Otherwise, it’s basically just that. In writing class ,there were a few things you could try out, such as focussing on different emotions while writing or something.

Things that do the trick for me, usually, are PoV switches (meaning one chapter from A’s perspective, the next from B’s, stuff like that) and waiting to write something specific until I’m in the same mood as well. So if a character’s particularly sad in one scene, I’ll leave that for a time where I am sad as well. It works well for me because I don’t write chronologically anyways.

And is there one trope or scene that always ends up in whatever you’re writing? 

Well, I barely write anything that doesn’t include an asexual character. Also, there’s always some meta-ish reference to canon in AUs and, weirdly enough, I always have characters either watch or talk about Star Wars. That even happened before I watched the movies myself!

In case of Teen Wolf, there’s always the act of redemption for Theo. I feel that it’s an essential part of both him and Thiam as a relationship – the way Theo grows as a person and becomes better. I’m a sucker for parallels to canon, so that’s always a topic in one way or another. Of course, Theo doesn’t kill someone in every AU, but he deals with something that holds him back, makes him kind of a bad person, every time.

And then, I always come back to his friendship with Scott and Stiles, especially the latter. I’d have loved to see more of that in canon, maybe in stories or flashbacks or something. You’ve always had Scott and Stiles as practically one entity up to season 5 and suddenly Theo comes along, and you’re supposed to believe they used to be three? And nothing was ever mentioned? Of course, the writers only came up with that plotline for season 5, it makes sense they didn’t have anyone discuss Theo before. Still, it feels like something is missing there to make you truly believe it and I love to reflect on that, play with it. Stiles’ stance towards Theo draws me in a lot – how come he doesn’t trust him right away? Was something happening between them? How would it have been if Theo never left? I love to dig into that.

Mental illness is also a big thing for me. We have canon evidence for mental illness, even if they’re never named. They all must have PTSD. Stiles shows extreme signs of ADHD. Lydia is practically a survivor of sexual abuse. Multiple characters have attempted suicide. Liam is canonically diagnosed with IED. It would be ignorant not to refer to any of that while writing. Lots of fics I’ve read mention the struggles, depict them greatly, but only a few talked about handling them, about recovery. It’s about time we make progress in that department.

Hmm very true. And not a thought, as a perpetual fluff writer, that I’ve considered until now. You deal with quite a bit of mental issues within your main story, Buy and Sell Gravity. Before we chat about it in depth, can you give us a quick synopsis?

Buy and sell gravity starts with one of Liam’s outbursts of anger. In his social studies class, Monroe has talks badly about adoptive/step-parents and Liam started arguing with her until said he sent him out. So, then he goes and slashes her tires in classic Liam-style. Theo, who has only moved back to Beacon Hills recently and is surrounded by awful rumours, but nothing specified, catches him and decides to take care of it. He saves Liam’s ass and in return he demands that Liam pays for his food during lunch. But then they actually become friends and Liam learns more and more about Theo.

And did anything inspire you to create the premise?

The idea just came me at random – I just had that image in mind of Thiam making a deal. It’s classic romcom stuff, right? And I had thought it would just turn into a lengthy oneshot at most but now it’s the longest thing I have ever written. It’s crazy.

The story is told from Liam’s perspective. Do you think the story would unfold differently had we’d experienced it from Theo’s POV?

I’m actually writing a sequel at the moment, which is from Theo’s perspective. There’s references to buy and sell gravity, of course, so you actually do get part from Theo’s point of view! In general, though, had you seen it all from his point of view, the slow burn would have felt even longer, I imagine. The sound of the fic would have been darker, because that’s Theo’s mindset for the most of it, and there wouldn’t have been so many questions. Theo doesn’t really wonder about anything in this fic, he reflects and draws his own (mostly correct) assumptions. I feel like it would have sounded pretty monotone – it made sense to only pick up his PoV in the sequel and if you’ve read buy and sell gravity, you might be able to tell why. He’s opening up more towards the ending and a more pleasant person to be around to.

I’ve noticed most of your stories turn into longer fics. Have any tricks for keeping yourself motivated to write those longer plots? (Clearly, this is purely self-indulgent here haha. It’s a near miracle if I stick through a long, complex plot!)

I usually only start posting multichaptered fics once they’re already finished. This way you can motivate yourself by going “Well, if you don’t finish it then you won’t post it, nobody will see it and you worked for nothing.” That method works well for me because I love recognition for my works, even if a lot of them are for obscure pairings.

In case of buy and sell gravity, I’ve already started posting while working on it, however. I’ve felt stuck because it’s been my first fic for Teen Wolf, so I was very unsure about whether I hit the characters correctly, if it felt believable; stuff like that. I needed feedback from more than one person and since I’ve never really been in the fandom, going ahead and posting it was my only option. I wanted to know whether it was worth continuing working on it. the feedback was amazing and the fact that a few people came back for every new chapter was a wonderful motivator. Oh, and it certainly doesn’t harm when you have someone literally show up on your doorstep and demand you write a new chapter.

Your first Teen Wolf fit?! Impressive!! Is Teen Wolf now your ultimate favorite fandom to write? (*Wink Wink*) Or, do you have another favorite fandom/ship to write for?

The Arrowverse is generally my favourite fandom. I love all the shows and the way it consists of multiple worlds give you so many things to take away from! You can write any AU, you can write for abandoned timelines or worlds, crossover between the shows and ship practically anything. You can go all out, have doppelgängers appear (like one evil and one good version of the same person, stuff like that). There are no limits. Writing for it is fun because you can draw from so many shows and even include the original comics, if you want. Right now I’m (and have been for the past one and a half years) working on a Groupchat AU set in the Arrowverse where everyone is a member of the LGBTQIA+ community and even that doesn’t seem too out of character.

As to a ship, I probably enjoy Simon Lewis/Raphael Santiago from Shadowhunters the most. Writing for them is almost easy because I can relate to both so much. Depending on which mood you’re in, you can write Simon’s optimistic and reference-heavy rambling or maybe you write the angst that constantly underlines Raphael’s thoughts. I can always find a way to write for them because they’re so different and yet fit together so well.

Yoooo, we could honestly strike up a whole subconvo dedicated to Simon x Raphael lmao. Since we’re supposed to be all about Thiam around here, I’ll restrain myself and simply agree about your opinions on Saphael. (I’ll miss them, sad face)

Being a writer of many fandoms then, what’s your ultimate Teen Wolf crossover with any other show or movie universe? What character would you see interact?

God! I’m a sucker for crossovers with DC! There’s a few I read where Stiles is always the person in question (whether he’s a member of the Batfamily or the brother of The Flash, I’ve read both of those cases, haha). I love the connection of the Teen Wolf world with DC Comics. I wrote a retelling of a Flash episode with Thiam in the focus and someone else wrote a Under the Red Hood AU which still keeps me in awe. (And also, it’s too funny how much the casts overlap, the double identities practically overlap – suddenly Liam is Superboy, Derek is Superman, Allison is a mafia daughter, Jackson as Red Arrow… It’s great.)

Otherwise, what I haven’t seen yet: Twilight. I’ve (re-)discovered my love for it last year and honestly? Let those mix up! Washington and California are both on the West Coast!! I have no idea about how far exactly but let them meet! Let Emmett Cullen beat up Peter Hale! Have Edward and Derek suffer together through their depression and Scott and Jasper try to comfort everyone. Lydia and Alice? Nobody’s dying on their watch. Let Rosalie and Malia kick ass together and Melissa and Carlisle swap hospital stories! Stiles and Bella hanging out together, being sarcastic little shits and also way too much into all this stuff. Hell, I’m gonna write this myself if I have to! (Otherwise I accept fic recs. Thank you.)

Before we wind down, what’s the best advice you’ve ever gotten? Any advice you feel compelled to share? 

I used to be really bad at discussing plot ideas with people – I dunno if it was an irrational fear of them running off with what I thought of, but it’s been there. I’ve been in a creative writing class about two years ago and there I was basically forced to do it. It helped somewhat with the progress of my story and being around people who like to do the same thing as you is always a great motivator.

I don’t listen to those conventional writing tips, like what atmosphere you’re supposed to have around you and how to depicts things. Writing is a personal experience and you can do it in a way you seem fit. Not everyone feels at ease in the same environment, so just write when you feel like it. Forcing yourself to do it doesn’t help anyone – except you can only work under stress, of course! See? There’s that individuality again, ruining my own writing tips.

Ahahaha, advice giving is a definite catch-22. Thank you for hanging out with us!! What’s next for you in the world? Both creatively and lively?

I’ve started an apprenticeship to become a bookseller this month! It’s a huge change compared with the life of a student that I had before, but after finishing my Bachelor‘s degree last December, it’s what I needed. Sadly it means that I don’t have as much time to write as I’d like, but I’m doing my best to squeeze in some of that. For Teen Wolf I‘m meaning to wrap up free fallin‘ in the jungle lights finally - otherwise, there’s a few WIPs in the Arrowverse and (uncharacteristic for me) MCU lurking on the back of my brain.

Anything else you’d like to share, in general. The floor is all yours!

I’m not really in the Thiam fandom, I think (really, the number of people I actually chatted with outside of ao3 comments can be counted on one hand), but here’s a massive shoutout to everyone! To the people who write, the people who read, the people who leave long comments, the artists, the meta-people, the ones with the headcanons. The people here from the officialthiamlibrary! You make writing a better experience and your opinions and reflections upon the show and characters help me become better at understanding them. Thank you all for being so lovely and just… into it. You’re all amazing!

And Behind the Screens presents Yasmin to you! Naturally, the conversation doesn’t have to stop here. Meet them at these places:

Main Tumblr: @joanthangroff

Inbox/Ask: joanthangroff ask

AO3: Pettigrace

Twitter: LI4MDUNBAR

Thank you for letting us get to know more about you! And thank you all for reading and requesting her. As always, if you have a Thiam Creator that you fan over, send us their names. Likewise, if you as the creator, would like to be a part of the Behind the Screens series, give us a shout too! We’d love to get to know you, as well.

@joanthangroff

#thiam #teenwolf #behind the screens #mod: minna #officialthiamlibrary

[ladala99]

Spyro Reignited Countdown - Skylanders: Trap Team (Console)

While Giants was boring, Trap Team has the perfect mix of infuriating monetization, cheapness, and charm. Yes, charm!

Here is where I started to despise Activision and the yearly model. Here is where I never 100% completed the game. But here is also where there’s a lot of really great characters, both in figure form and in-game.

Gameplay

Toys for Bob is back and they toned down the knockback combat mechanics. It’s still more playable for melee characters than Giants was, but it’s not nearly as fun as the previous title.

Other than that, it’s par for the course. A lot of combat, some platforming, gated areas, the whole Skylanders deal.

The Gates

Here’s where it gets dicey. Elemental Gates return, but not in the same was as before. These are Traptanium Elemental Gates, which means you need a Trap Master of that element to get through.

If you were part of the fandom during this game’s hype cycle, you would have heard a developer state that ANY character of the proper element would open Elemental Gates as always. As the release date approached, however, an Activision person later said the state of matters that ended up being in the game: that you needed specifically a Trap Master to open the gate. Indicating that this was a change in plan, and Activision was likely the one to request it.

Looking at the design of the game, it shows. In previous games, elements that come in the Starter Pack have more leeway with hidden collectables and show up together in early levels. This happens in this game with both Water gates ( for Snap Shot, a Trap Master), and Life gates (for Food Fight, who isn’t a Trap Master). There’s also Trap Master-specific areas anyways, much like the Giants, so this game would have followed in that game’s footsteps pretty accurately if this change had not been made.

Also, in all games previously, Soul Gems are located in areas that either come with the Starter Pack, or are unlocked by that character. The Light and Dark dragons, however, have their Soul Gems locked behind Traptanium Elemental Gates that match their element. If you don’t have their respective Trap Master, you would not be able to finish their moveset in this game.

But also on top of that, if you truly want 100% you need a full elemental set of traps, sold separately. They’re cheaper than even regular characters and unlock gameplay for several villains, but if you want 100% you need them all.

And there’s two additional elements in this game.

All of this together means that you need to buy 9 $15 Trap Masters and 8 $6 Traps to 100% the game. Oh, and one Mini, which come in 2-packs for $15.

And what’s more is that in the way the game’s designed, you’ll find a hidden area only to be greeted with an Elemental Gate. And it’ll happen over and over. I don’t know if this is different in previous games or not since for those I built my collection quickly while in this one I stubbornly did not and still don’t have everything. But way more often than not you’ll be greeted with a Gate rather than a different collectable.

Old Figures vs. New Figures

They’re relatively balanced in combat. Not the greatest, and characters from this game generally are better than older ones, but old ones are still usable.

The figures from Swap Force seem to be a bit more affected than others. Possibly some developer rivalry?

But the change in Elemental Gates really devalued the old characters, and in fact a lot of the new cast as well. Their uselessness as keys and the fact that Trap Masters get bonuses against bosses (and there’s a lot of bosses), means that there’s little reason to use anybody but Trap Masters.

It’s not as unbalanced as a certain game to come, but it’s not particularly balanced, either.

The Collectables

We’ve got your standard Skylanders round-up: Treasure Chests, Hats, Story Scrolls, Legendary Treasures, and Winged Sapphires. This time, Legendary Treasures are just decoration again. Everything’s back to how it was in the first two games as far as findability.

There’s also Villains and Villain Quests to worry about, too. Villains tend to be in your path as bosses, but Villain Quests can be a bit more out-of-the-way. Villain Quests are like Heroic Challenges: specific minigames for that particular Villain that give them an upgrade. Although some of them are as simple as “jump in this pot,” while others are as complex as an Angry Birds reference.

Bosses

There’s a ton. Each Villain you fight as a boss, and some are in the middle rather than at the end of levels. They aren’t too hard or particularly interesting, and tend to just use their powers against you rather than the environment. Then, after you Trap them, you can play the same way they did.

There are some exceptions, and those tend to be pretty fun. Like Chef Pepper Jack’s crazy fight. Or Dreamcatchers. Basically, the Doom Raiders have more interesting battles. And they actually get more complex in Nightmare Mode I understand, which is an improvement over just making everything take more hits and hit harder.

Levels

I’ve ranted about this above: the whole Elemental Gate thing. I don’t recall my opinion on the actual levels.

I do remember that the more interesting maneuvering and puzzles happen in the Elemental Gates. But that these areas are tiny compared to previous games. So like, they’re marginally more fun for about a minute and then they’re over and you’re back to the main path.

Story

Now I’m going to get this mixed up with the TV show since that used a similar plot.

But I think the game goes about that Kaos freed the villains from Traptanium Prison to be his allies. Ha. Yeah, right. They go rogue.

But, you know, they’re causing trouble so it’s up to you, the Portal Master, along with your new Trap Masters, to take them down. And then they randomly reform in your possession so you can use them against their former allies and Kaos.

I really don’t remember the rest. It just wasn’t that memorable. The characters themselves, though - they were really interesting. Just not the overall story.

Unique in the Series?

It’s the only game with a Trap-like concept, where you have a selection of characters for one figure. It’s the only one with mystery elements that they tried to keep secret for a while. It’s the first game in which you can play as Kaos, (but later games make this not unique).

Other than that it’s pretty standard fare. Aside from the uniquely money-grubbing nature of it.

Conclusion

Many people have different opinions on what caused Skylanders’ downfall. I point to this game. With how Activision betrayed consumer trust by making the Elemental Gates need a Trap Master in particular, gating off parts of the game not designed to have such a high paywall, a lot of people quit the series or just accepted that they wouldn’t be 100% players anymore.

And if you’ve put someone past the tipping point of that, all motivation to continue getting 100% in future games goes down the toilet too. The remaining games are flashy and try to get consumer attention, but the damage had already been done.

This game convinced me that I’d never put too much effort or faith into games made by Toys for Bob again. It was a sinking feeling when they were announced as the ones to make Spyro Reignited. It looks like they’ve redeemed themselves, though, aside from another instance of Activision’s cheapness (the whole fact that only 1/3 of the game is playable out of the box without an internet connection).

#spyro #skylanders #skylanders trap team #video game review #spyro reignited

[ecoamerica]

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!

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