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#when hamilton was big a lot of my friends actually learned a lot about totally niche and still really fascinating shit re: american history
kazoologist · 5 months
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I think the main issue I have as I continue to interact with historical media is that i actually don't think historical media or even inaccurate historical media is inherently bad, but jesus i cannot STAND the people that try to cram historical media into their lives so it doesn't make them uncomfortable
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The Hamilton Affair, review
It’s needed to be said that this book was written by a historian which I found out after reading 4 hundred pages and which was a total shock to me considering I was adamant the whole story was written by a “history enthusiast” as we politely call a person without degree but with a passion about the topic at hand. Frankly speaking I’d never guess it wasn’t written by a fan of the musical Hamilton if I didn’t google Elizabeth Cobbs by sheer accident. That being said I won’t judge historical accuracy since even I’m not arrogant enough to challenge authority of a person with PhD. I’ll satisfy myself with judging the quality of the story only.
God help me, this was bad. Nightmarish. I would never expect a historian to write such a thing, honestly, she should have known better than this.
1. Weird view on slavery. I won’t claim it’s what Dr. Cobbs actually believes in or the choice for a story but I will put my foot down here and say loud and clear. I can’t say whether she knew Hamilton was a slave owner or didn’t, but she did knew he bought slaves for his friends and clients and you can’t look me dead in the eyes and call Burr hypocrite for educating his slaves and calling them as capable to learn as free white people and yet owning slaves (which is fair) but then go and say that Hamilton isn’t one for participating in the slave trade because “he’s lawyer not a judge”. Honestly, this is some weird take for a narrative and it does feel farfetched for Hamilton’s honor sake. It is a comfortable stand to take if you want to paint your main character in better light, no arguing it. But it doesn’t work very well and leaves a bad aftertaste in my mouth. No. Bad.
2. The writing in general. Oh lord, please, please. You can’t just put the bunch of events and push them in one paragraph with character basically enumerating them. It’s a book. You’re supposed to narrate them so the characters and their stories would unfold around these events, it’s not a textbook. Nor do I find the writing style particularly good. Wasn’t amused by comparison of breasts to rising bread nor by “Little Alex came along one night when Big Alex came along too quickly”. Why would you want me to read such a thing?
3. I’m not usually the one to kinkshame but damn foot fetish is a strong way to start describing a sex scene. Feels like a bucket of water dumped on your head. Nor did I like her “pretty little triangle”. Nor by Maria’s radiating power from her vagina. That does nothing for me. Well, except for making me laugh.
4. The huge problem of the narrative when it comes to Burr. Oof. I really was holding back a lot on this one. I won’t judge historical accuracy I promised, so let’s imagine I think Burr was villain as well. Was Dr. Cobbs able to show it in her book? No. She really failed on this one. To summon a visual for you. Till the last 30 pages of the book was appeared in the narrative exactly once. The author enumerated some of his faults and then painted him defending Hamilton by saying he was a brave soldier not a coward as his conversational partner was insisting and complimented his conduct in Yorktown. Hundred pages later she again says he had no moral or principles and ends up mentions he represented Maria in court and didn’t spill the information about Hamilton’s affair with her. As a reader I was confused cause both things seemed like compliments to me. So everything that goes on in the end of the book feels especially weird, almost like the author decided to switch direction she was going in or she didn’t try really hard with this part of her story cause the next thing we see is that Burr is rascal, immoral, can destroy republic as Cataline. Was it what Hamilton said about Burr in 1800-1801? Sure. Do I as a reader believe his opinion or take his side from what I’ve seen in the book? No. You can’t put a bunch of misgivings in a single paragraph and expect your reader to be satisfied by any way. “Why don’t we have enough water to put out fires, Betsey? Ask Aaron Burr. Surely you recall when he begged me for a loan so he wouldn’t lose his house. And then took forever to pay us back? Remember when he said I ought to overthrow the Constitution since I headed the army—that, for a great man, anything is moral?” Nice, the best writing ever. Would love to see it being IN the story one day. I know all of it, even tho I have a different view on every single one of these complaints, but the average reader don’t. Why does Dr. Cobbs expect her reader to have a deep knowledge of the events from somewhere else I know not.
5. Once again I’m sitting here and saying that I’d love to see an author that doesn’t try to over romanticise relationship between Betsy and Alexander. No offence but I don’t think that making the dynamic between them saccharine you’re doing any favour to the people in question. While I genuinely enjoyed the chapter about Betsy’s social work and charity, complimented it even, I think it’s one of the few moments the poor woman got actual fair treatment in the story. At some point the narrative went in the direction of “well we didn’t have sex for a few years so really what did she expected” and I had to close the book for a second a walk away.
6. Every character in the narrative is bland and lacking in every way. Maybe my take is odd but I’d love to see characters to be themselves even if they might be unlikable sometimes. I would choose it over this “good husband and good man and overall saint” man who is supposed to be Alexander Hamilton.
At the end of the day, The Hamilton Affair is unoriginal novel, just one of the many barely distinguishable stories that were written in the last two hundred years. As many others it still loses to The Amorous Intrigues and Adventures of Aaron Burr as being the cringy but funny and deeply entertaining. This book doesn’t really try to be serious nor can’t you perceive it to be one which I can’t say about The Hamilton Affair. I can’t judge the other books in Dr. Cobbs collection since it’s my introduction to her works (unfortunately, not a positive one) but I can say that writing of novels is probably not her strength and that this book specifically, to my deepest regret, doesn’t compliment her list of publications in the slightest.
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land-of-holly · 2 years
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Rings of Power Episode 1 Liveblog
Okay, I'm going to watch the first two episodes again and take some notes. These will be a combination of the thoughts I remember from the first watch through as well as some stuff that comes up on a rewatch.
"Nothing is evil in the beginning" Nice quote to start off with, in a show all about Sauron.
These kids COULD all be her cousins yes?
Magic swan origami!
They hit you with "Elves can be assholes too!" damn quick, don't they.
GIT HIM GALADRIEL
I realize that the captions label this guy "Finrod" but I'm going to headcannon him as Aegnor until further notice, it fits better imo.
The inscrutible philosophizing in answer to a simple question is Finrod-like enough, though. Comes of never having real problems, I guess.
The lighting in the Valinor scenes is really pretty.
"We had no word for death" Feanor is SCREECHING. This is actually something even a lot of fan writers get wrong; the pre Valinor elves certainly lost loved ones!
And we took the boats to Middle earth and it was all fine and dandy for everyone
See, Aegnor could totally have died like that
"Left Middle Earth in ruin" on a shot that everyone was CERTAIN was of Alqualonde. Easter egg?
"we learned many words for death" you are Quendi you damn well MADE those words
I'm hype that the first word used to describe Sauron is "sorceror"
Vampire Finrod confirmed! In all honesty, the "Sauron symbol" seems a little heavy handed of a way to give this plot a visual through line.
Aw, Galadriel's poor second in command. I hope he's having a nice time in Valinor.
He's still putting his concerns in unnecessarily poetic terms lol.
My spouse has a point-- you NEVER assume that a guy literally known as the Necormancer is really dead until you have seen a body and disintegrated it.
This place in Forodwaith is never NAMED Utumno but we can imagine.
I would honestly expect the Evil to extinguish light before warmth, but that wouldn't lead to very good cinematography.
Yeah! Punch a wall!
The teleportation accident orc is really freaky.
See, I know you can do better than a random rune as a Sauron symbol. I could do better.
"A trail for orcs to follow"? That's quite an assumption, considering you've only seen it once before.
Galadriel is that boss who's like "we're all family here" ^_^ and then asks you to work 30 hours of unpaid overtime.
They got guys still speaking Quenya well into the second age? I guess when you are getting attacked by a snow troll you are allowed to revert to your mother tongue
Okay, Galadriel's stone cold equanimity when she fights is pretty cool to watch
MUTINY!!!!
Ah the anvil. Well know symbol of evil.
And after all that, the antler guys are just random no names. Bluh, trailer shots.
They're not even out of earshot, guys, maybe wait before you pop out of the grass?
I do like their hidden village, being good at hiding from Big Folk is one of the core Hobbit competencies.
I love the Harfoots' ideographic/pictographic writing!
Not super thrilled with Poppy's intro as the fat best friend being stuck in a gate+falling in mud, I'm giving her treatment a lot of scrutiny.
Mmm, fresh blackberries
Awww, aspiring poet Elrond sitting in a tree with a book os a pretty good introduction
Okay, "Elf lords only" teaches us NOTHING about the actual political structure of Lindon or Elrond's place in it, and is of course completely incoherent with Elrond's canon heritage, and it doesn't even seem to faze Elrond much??? Why????
I actually like the ear prosthetics on the Elves, they look pretty neat
Elrond's just looking for a good story out of Galadriel.
Galadriel not really taking orders from Gil Galad is actually....extremely in character as far as how I imagine her.
At this point my predicted probability of whether Elanor's going to have her name explained ever is dropping steadily.
Elrond as Gil Galad's Alexander Hamilton is pretty great.
Poor Gil Galad, Galadriel must have been making his life harder for CENTURIES
I can't really say anything about Gil Galad apparently having authority to send people to Valinor that hasn't already been said. It makes no sense to anyone who understands how this works. But in context it's a brutally incisive political move against Galadriel.
I assume the memorial carvings don't hurt the trees.
Yeah, it does seem weird that they give no indication that going west brings you NEARER to your departed loved ones.
Galadriel have you considered that your inner turmoil is a you problem?
Galadriel his entire family got ripped away from him too, please don't play oppression olympics with him!
Galadriel has a point that leaving won't necessarily fix her if the problem is in her heart. It'll sure make Gil Galad's life easier, though.
Elrond promising to continue her fight isn't a bad move, and I do think he means it, even if he considers the probability low that he'll have to.
Hitting Galadriel's refusal to go West so hard is not a bad theme to give a lot of weight to, all things considered
I expected to seem more whole communities of color than I'm actually seeing, it's disappointing.
Arondir!
Did people use Knife ear as a slur for elves before Dragon Age?
I like how Arondir stops anyone from starting a fight on his behalf.
Something about Bronwyn's costume really bugs me. I realize it's the South and it's warm and everything, but her bare shoulders and cleavage still look...sloppy, almost, like she's missing an underlayer or something. Like, it's almost ancient Greek inspired but not quite, and the result looks just...unfinished.
Hey, Idril and Tuor did not die....that we know of. Still appreciated to point out that this romance is not a good idea
So, it seems Arondir is not Silvan or Avari, at least not politically. He works directly for Gil Galad. How do we feel about that?
Elf racism! I believe it! Let's really dig down into this!
Oh gross, that cow's got something way worse than mastitis
Bronwyn why are you going with him???
DON'T TALK ABOUT A MAN'S MUM LIKE THAT
:o The Sword of Evil!
Are the elves on the ship to Valinor just expected to stand at attention the entire time?
So Gil Galad's plan was to do nothing and expect Sauron to just chill as long as they didn't provoke him??
"i've admired his artistry since I was a child" now isn't THAT a loaded sentence if you know Elrond's history.
You can't just insult a woman's family like that, Arondir, I'd be upset too.
The armor removal ceremony was pretty cool, very symbolic. Who are these veiled maidens serving the soldiers though? Do they work for Cirdan? Do they just send a few along every time who are ready to leave? Who is driving this boat, anyway?
Birbs! Manwe says hello!
Jumping off the ship to Valinor is some crackfic shit, WTF?? Are we dealing with Hobbit movie senses of distance here, or does she actually expect this to work? Was she just hoping Ulmo would help a girl out?
Why does she need to take his hand? Is she gonna get left behind otherwise?
So Gil Galad is definitely sending someone to check out that gnarly meteor that just flew overhead, right?
Flaming eye symbology ahoy!
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I’ve been tagged by @klaineharmony and @wordshakerofgallifrey in one version of this and b @radioactivepigeons in another so I combined the 2 (there was one question difference lmao).
How many works do you have on Ao3? 
146 (and like many who have done this before me, a couple are drabble collections and such)
What's your total Ao3 word count? 
530,111 words which... wow.
How many fandoms have you written for and what are they? 
Oh dear GOD if I listed each individual comic series we’d be here all day. We’re gonna go with the five I know for sure off the top of my head w/ the 3 big subcategories for comics. 
DCU 
> Batman comics
> Teen Titans/Titans comics
> Young Justice cartoon
Newsies
Les Mis
Percy Jackson
Harry Potter
What are your top five fics by kudos?
All of these are older and Batfandom so I’m not even remotely surprised by this. 
Family Gatherings Dick wakes up to a text from Bruce asking that the whole family meet at the Manor that night, causing him to stress out all day.
No Judgement Damian crashes at Jason's apartment and has to explain to Jason why.
Nursing a Sick Bird Tim loses contact with his family when he gets sick for a week, causing Dick to come and check in on him.
Bat Kid Jam Sessions All of Bruce's kids play an instrument which gives Dick Grayson and Jason Todd an idea.
Annual Wayne Enterprises Take Your Kid to Work Day Bruce has Tim, Damian, and Dick all coming to WE for the day and he's a bit nervous over what kind of mess they might make.
Do you respond to comments, why or why not? 
I do! Though I see now there’s a bunch sitting there that I haven’t yet. I’ll get to them when I’ve got more spoons. I love interacting with people and knowing what they like about my stories and writing. It makes me really really happy. 
What's the fic you've written with the angstiest ending?
I don’t really write angst? I don’t think I write angst. I write a lot of ennui. So much ennui. And bittersweet endings. Donna Troy and the Outlaws may be the closest to an angsty ending cause they only get one resurrection out of a possible two? But again, it’s more bittersweet than anything. 
Do you write crossovers? What’s the craziest one you’ve ever written?
DO I EVER. Yes. Yes I write crossovers. Mainly modern au newsies/les mis cause it just makes sense. The craziest one has to be from my main newsies/les mis series A crooked politician? Yeah but that ain't news no more where I dropped so many references in media, networking, and other things you don't learn in a lecture to Hairspray and Hamilton characters that I wrote the “shit show” of the four musicals being combined in a modern au that I alluded to (and I think I was encouraged if I remember correctly) and it’s called Cautionary Tale.
Have you ever received hate on a fic? 
Not so much hate as someone doing what was essentially a “well, actually” on the politics in one of my Crooked Politician fics. The moral of the story is character views and emotions and blatant optimism do not directly reflect that of the author and I did study political science and know my stuff. OH! And then there’s my crowning glory of a DIFFERENT Crooked Politician fic being quoted out of context in a New York Times article. That isn’t really hate but it was certainly something. 
Do you write smut? If so what kind? 
Haha. No. 
Have you ever had a fic stolen? 
Not that I know of.
Have you ever had a fic translated?
No, but I welcome translations and podfics!
Have you ever co-written a fic before?
Yes! @wordshakerofgallifrey and I cowrote Costs of Civil Disobedience as part of her Piano Man au and by that I mean were LITERALLY typing in the same doc at the same time. It was wild and amazing. From Across the Bar isn’t cowritten but is my companion to her fic Play Me A Memory. @radioactivepigeons were working on a leverage!newsies au but then we both got busy. 
What's your all time favorite ship? 
I? Don’t think I have one? Uh... Beatrice and Benedick from Much Ado About Nothing? Parker/Hardison/Eliot from Leverage are the ultimate ot3? I care very little about ships. If I like it, I like it. If it squicks me, it squicks me. If I don’t care, I don’t care. Sorry?
What's a WIP that you want to finish but don't think you ever will? 
Oh the Batfam Ghostbusters au. The concept is still solid but I just don’t have the motivation or know where I would go with what stands. If anything I’d strip it for parts and write it new. 
What are your writing strengths?
I have been told my descriptions are really strong but personally I think that my character voices/dialogue is. Also my ability to write teenaged ennui. Any ennui. It’s a mood. 
What are your writing weaknesses? 
Grammar! I do weird shit with my sentence breaks and make run ons and just absolutely butcher punctuation. And balancing characters in ensembles. That’s hard. 
What are your thoughts on writing dialogue in other languages in a fic?
I’m going to quote @radioactivepigeons here cause I agree with it wholeheartedly and she puts it better than I possibly can rn: “I think there needs to be a narrative purpose. Like, is it building dramatic irony? Is someone being purposefully excluded from the conversation? Is there a characterization where the linguistic difference matters?“ If the answer is no then just note it’s being said in the other language. 
What was the first fandom you ever wrote for? 
Actually physically wrote a story out? Batman. I wrote a “patrol report” as Batgirl to my friend as though she were Robin in middle school as part of a christmas present. 
What's your favourite fic you've ever written? 
Oh this is hard. Uh glitter and gold is like my love of DC characters made manifest and is absurdly long but like there’s certainly scenes I like more than others. Three Card Draw might be my favorite? I love the vibes and the little world I made and using it to work out my own thoughts about gods and magic as a stepping stone for my original stuff. 
Since I think literally everyone I know in the newsies fandom has been tagged in this at some point I’m going to kick it towards the dc folks. Absolutely no pressure to do this. @audreycritter @oh-mother-of-darkness @sohotthateveryonedied @preciousthingsareprecious @whore4batfam
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adhd-ahamilton · 3 years
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I got to see Hamilton in Sydney!!
It was a seriously, seriously amazing time – I was always worried that by the time I finally got to see Hamilton on stage (I was even supposed to see it in America last year lmfao) it wouldn’t mean the same anymore. And like, obviously it’s not my hyperfixation anymore. But even like this, it was still an incredible experience! I always figured that the recording would focus more on close-ups and the like because you can’t really see that on stage, but you really can see so much of what’s going on when you see it live and the whole stage is full of things to notice!
I have a lot of thoughts about it (mainly about the Australian cast, though some of these things could just be live performance things)!
Firstly, only two lines had their wordings changed:
* ‘John Adams doesn’t have a real job, anyway’ → ‘Vice president is not a real job, anyway.’ This got a good laugh from the audience; obviously it was changed to preserve the joke, since most Aussies wouldn’t have a good idea of who John Adams was. (I explained the joke when I watched the recording with my parents.)
* ‘Weehawken. Dawn.’ → ‘Jersey. Dawn.’ This was a bit of a surprise, but the more I think about it the more it makes sense. Aussies also wouldn’t know Weehawken (I didn’t even get that he was referring to a place when I first heard it), while Jersey is very clear because they already made a joke about it. (That one didn’t get much of a laugh though, ofc lol) And it’s actually more consistent because later they do say ‘we were near the same spot my son died, is that why’ so they drive that connection even deeper.
I don’t think there were any other music/staging/choreography differences from the recording – just the acting. But ooh, this really was differently-acted!
Hamilton
I love Lin-Manuel Miranda. I love his energy and enthusiasm and intelligence and his optimism. But while I loved his dorky version of Hamiton, I have to admit, I didn’t always think it matched up with even the musical’s script, let alone the real person. This Hamilton, though? I kept thinking about all the ways he felt different from the original, and almost every time, it was like ‘yeah, this feels more like what I know of the real Hamilton.’ (Or at least, the Hamilton we wrote about in fic.)
This Hamilton is aggressive and prickly. Up until Helpless, we don’t really see him smile – which makes sense, y’know, with ‘talk less, smile more.’ When he confronts Burr at the beginning of the play, he doesn’t have Miranda’s overly energetic and talkative air, he’s more pushy and too intense. You really feel like, oh, yeah, he’s just walking up to someone on the street and badgering them into telling him about their life story. When he says ‘God, I wish there was a war’ he’s less naive and more so hyperfocused on his goal he doesn’t notice he’s said something super insensitive. When Burr says ��You wanna get ahead?’ his ‘Yes’ isn’t quiet and firm, it’s more ‘yes obviously, nobody would not want to get ahead, so just hurry up and tell me already.’
And that’s just in the first couple of songs! He continues on like this, with that kind of burning intensity and hot temper, through the musical, though ofc it softens at important times. Importantly, his relationship with Burr is largely based in frustration. When he does ‘My Shot’, it honestly feels less like he’s singing to impress the guys and more like he’s challenging Burr and everything he just told him; I’m sure I saw him glancing back at Burr several times. Likewise, when he tells Burr to go get Theodosia, it’s not questioning – he’s outright saying that if he really loved her, he’d take any risk for her. And in Schuyler Defeated, his ‘Burr?’ isn’t questioning there, either – he’s already angry, he’s just demanding his attention. He genuinely seems to like Burr in a weird way that even he might not understand at times, but for the most part he just seems to find him really frustrating and is always trying to incite him to do more.
This Hamilton also feels very independent, and even aloof. In The Story of Tonight, while the other guys are totally sincere and moved by it all, Hamilton feels sorta… distant. At one point he half walks off until Laurens brings him back, which I think happens in the recording as well, but here I especially felt like that was how he was ‘really’ feeling. Not that he was being manipulative or lying in any way, just that he couldn’t be in the moment because he was still stuck in his head thinking about the future. And the whole way through, he very rarely seems to properly open up – my friend said afterwards that Hurricane hits so much harder when it’s the first time he’s really vulnerable in the entire musical. Which is basically how it happens.
It’s funny – you think of Hamilton and Burr as being contrasting this way, with Burr keeping his cards close to his chest and not revealing what he really wants until The Room Where It Happens, but this Hamilton doesn’t feel far off. But rather than keeping a secret per se, it’s more… he has such an incredibly strong, intense drive, and you’re never super certain where it comes from. And in Hurricane, it suddenly becomes clear – all this time, he’s still caught up in that trauma, and still feels like he needs to fight and scrape just to survive, even when it turns into this self-destructive impulse. Honestly, Hurricane has always been kind of a weird song – he’s been corrupted and is not the most sympathetic beforehand, but then you get this grand slow inspiring song talking about how he suffered in the past and overcame it, but THEN you cut to an almost comedic number about how he fucked everything up for himself and his family. In Miranda’s version, that mood up-and-down always felt a little too jarring. Here it made perfect sense – it was so shocking to see how vulnerable he was at the beginning, and then the song isn’t just repeating what we learned in the beginning, it’s explaining what he’s been keeping deep down all along, but also making it clear that this is manic and awful and destructive.
Part of that is the singing, too. This Hamilton can rap really well, but his singing voice is startlingly gentle and beautiful. It really helps to get across the sincerity of his feelings in Helpless, Dear Theodosia, and as I said Hurricane. On the other hand, there are also times his voice just goes flat, like there are so many emotions he can’t process them – you see that a bit in My Shot when he gets worried (‘I never had a group of friends before’), but it REALLY stings when he says ‘I have so much work to do.’ That hit me way harder than Miranda’s version :(
However, when you combine this Hamilton’s aloofness with that certainty and intelligence, you also get a version of him that is particularly… ironic? He’s always crossing his arms (when he’s not rubbing his face with a palm; those two gestures repeat constantly through the play), and kinda stepping back and Watching people, with a bit of a sense of self-important and even patronising judgement. This is very much ‘So quick-witted!’ ‘Alas, I admit it.’ He definitely does come across like a dude who thinks he is ‘smartest in the room,’ and puts way too much stock in his own opinion. Particularly with Burr whenever they were getting along there was a distinct sense of ‘You know what? I actually think you’re pretty interesting. And my positive judgement is hard to come by, so that’s a big compliment.’ (Burr does not seem to get this weirdly condescending vibe though, lol.) Honestly…. I gotta admit: I really don’t like people like that, haha – though I can’t say it’s entirely inappropriate for Hamilton characterisation. This Hamilton genuinely feels difficult, and that matches up to what happens in the script.
But, the consequence is that after Hurricane, some of the later songs didn’t have quite as much of an impact on me as in the original. In It’s Quite Uptown, I could somehow never quite lose that vision of Hamilton as a bit sarcastic and superior – the way he rubs at his face in grief still just felt a little… put-on and theatrical, like you can hear the frustrated sigh underneath. And this is a song that demands complete, total, unrelenting vulnerability – Miranda’s Hamilton sounds like he’s dying the whole time and that makes the emotional stakes really felt. Maybe it’s that his voice was TOO gentle in this song – Miranda’s more awkward voice actually adds to the exhausted brokenness of the situation?
And finally, when we got to The World Was Wide Enough… Miranda’s speech there in the silence might just be my favourite sequence in the entire musical, so I think anyone else would have struggled to match up to that. It doesn’t help that I was distracted trying to figure out Burr in this scene (which I’ll get to later). It was still beautiful, of course, but ‘What is a legacy?’ just feels so so very Lin-Manuel Miranda and anyone else singing that just doesn’t feel the same.
Overall, I really really enjoyed this version of Alexander Hamilton – as I said, he felt much closer to the actual characterisation I always imagined for him. And this one showed some really fascinating vulnerability in unexpected places, even if the ending didn’t quite land as well for me.
Burr
This Burr was really, really fascinating as well – an interpretation that feels different all the way through, but really pays off at the end with something very striking.
So, something the group of us all agreed was that this Burr felt a lot more like the ‘trust fund baby’ he calls himself. There’s something elegant and refined about him, a rich person who is used to moving through the world as a person to be admired. He’s actually quite graceful, somehow, even though he barely dances? But that also really brings to the fore one particular element – entitlement. (Seriously, my mum is physically incapable of bringing up Burr without mentioning the word ‘entitled’, lol.)
This is a Burr who is used to not having to work for things. He just sort of expects things to fall into his lap, eventually, in contrast to Hamilton. The world will eventually shape to match his desires – that’s how things work. Even in the latter part of the musical, it doesn’t so much feel like he needs to fight and scrape like Hamilton to get ahead, but more like… getting ahead is his birthright, and he just needs to effect that inevitable change into the world. But I’ll get to all that later.
The other thing my friend said was that this Burr feels very much like a preacher’s son, and the more I thought about that the more I agree. There’s something almost… toxically positive about him – the smiles don’t feel two-faced and manipulative so much as maybe like, wilfully ignorant? There’s a very ‘Don’t fret, God will work things out in the end :)’ feel about him, actually. But there’s also something deeply naive in him. Leslie Odom Junior’s version also had some of that genuine lack of understanding – when he muses in confusion over Hamilton in Wait For It, or when his face scrunches in confusion when he says ‘I don’t see why that has to end’ in Schuyler Defeated, and this one does all that, but it feels like an even more inescapable part of his character.
Like, there’s something about this Burr that is just a bit… lame. A bit ‘Hello Fellow Kids.’ But, intentionally!! As I said, he’s a preacher’s son. When he tries to act kinda cool or badass, it just doesn’t quite work. When he interacts with the other guys, even as he smiles wanly and shakes it off when they insult him, you feel like he does still want to be – or even think he is? - part of that group of cool young men. He’s just too… nice, almost. I felt a little more bad during The Story Of Tonight (Reprise) and all. And he seems to take it really earnestly that Hamilton likes him, even if, like I said, there’s a sorta superior quality coming from Hamilton.
He just comes across more naive. Rather than a manipulator, this Burr comes across as more of a shameless Yes Man, who doesn’t think there’s anything wrong with what he’s doing. But I also sort of felt like other characters easily saw through him, and Burr didn’t quite realise that. Like with Jefferson, it sorta felt like he thought he was being really strategic but Jefferson was just like ‘sure, this guy works as an ally, even if he’s kinda annoying.’
And when it comes to Wait For It… the song makes it clear that bad things have happened to him – he hasn’t gone through life without suffering – but he hasn’t had the same reaction Hamilton has had. While Hamilton learned nothing will come to him unless he takes it, it feels like Burr learned that things will just… happen to him, good or bad, and he can’t control it. Nothing that has ever really affected Burr has been of his choice – he inherited his position, and then his parents died, and  all of that was just the uncontrollable whim of the universe. Leslie Odom Junior’s version emphasised the ‘I am the one thing I can control’ aspect a bit more – you feel that that version really had worked hard and struggled for the sake of his studies and job, but this Wait For It gave me a very uncomfortable feeling of being trapped. It’s as though everything about him is already decided, and even his efforts aren’t personal decisions so much as just what was natural and expected of him to do.
And that makes the second half of the story feel very different for him. In Leslie Odom Junior’s version, we see him take that self-control to new levels – that realisation that there is something that means as much to him as all of that drive and intensity Hamilton puts out, and it’s his own ambition. That he does want that, and he will have to fight and get his hand dirty to make it happen. As the story goes on, he becomes increasingly desperate and fearful, understanding more and more what it was to be that kid in the hurricane, becoming viscerally aware that terrible things can and will happen to him unless he stops them.
This Burr doesn’t feel like that. His downfall isn’t frantic. It’s very very cold.
In The Room Where It Happens, yes, his ambition crystallises and he changes strategy. But it feels less like an electric jolt, or an earthquake, and more of an epiphany. It’s okay for him to do these things. It’s right. He belongs in the room where it happens. Whatever he does to bring him there is by definition right and good.
He honestly seems to be feeling good through much of it. He’s so smiley when he comes up to Jefferson. He seems even more confused than Leslie’s Burr when Hamilton is actually mad at him for unseating Schuyler. And in The Election of 1800, there’s nothing of the original’s tired, manic energy, like he’s pushing himself to the brink and plastering on a smile to get through it. When this Burr campaigns, he’s energized and charismatic and friendly and filled with almost a kind of serenity. Like this is what he was born to do. His future is almost here – he just needs to reach out a little and it will be in his grasp.
Which, brief aside here while I analyse this haha – so, in Australia, a big part of our culture is what is called Tall Poppy Syndrome. i.e., an instinctive bitterness and hostility towards those who are perceived to stand above others. It’s often described as an aggression towards successful people, but I think that’s only part of it. Australians would describe their culture as breezy and casual and relaxed, but there’s also something disaffected about it, IMO. You’re not meant to ever take anything too seriously. Yes, we all take the piss out of politicians, but it’s sorta ‘lame’ to really seriously oppose them, too. It’s like our culture is stuck in the mindset of a self-conscious fifteen year old, where we’re all sorta lazily cynical and ‘bluntly honest’, but you’re not supposed to ever actually do anything about it all. Caring too much is kinda embarrassing. You’re just supposed to make fun of people and keep living your life. We don’t get the same fundamentalist groups intent on forcing their viewpoint on society like America does, but we also don’t get the same idealists who fervently believe that if we work hard we can make things better. They exist, for sure. But… well, it’s hard for me to imagine an Australian Leslie Knope, you know? (Who, btw, is one of my favourite fictional characters of all time, for reference.)
Watching Burr in The Election of 1800, I was struck by a memory. It was an Australian season of The Amazing Race, and on top of all of the typical relaxed Australian reality show contenders (seriously, I don’t know what the fuck Drag Race Down Under is on, that is the most un-Australian reality show I have ever SEEN), there was one couple that were I suppose Go-Getters. The type who eat healthily (probably vegan) and get up every morning in their athleisure to work out at the gym or go for runs. They were peppy and enthusiastic and they announced with huge smiles that they were going to WIN this! And the other contestants absolutely despised them. At one point, they did something to attract specific ire – honestly, it was probably nothing more than just not helping another duo who were going the wrong way, because in Australian reality shows everyone helps. But after that, multiple groups all ganged up to sabotage them. They took such delight in watching these two cheery people’s optimism flag, so very self-assured in having taught them to ‘not take yourself too seriously.’ Burr, as he was campaigning, reminded me of them.
It’s really telling, I think, that Burr is the one who reminded me a little of Leslie Knope, here – albeit obviously a much darker version. The kind of person who dorkily believes in the system and puts himself out there unselfconsciously, whose wide smiles are unironic and unmocking. In the original, Lin Manuel Miranda actually compared Hamilton to Leslie Knope at one point, with Hamilton’s ‘thirty years of disagreements.’ It’s a very Australian thing, to make Hamilton less earnest and more aloof and sarcastic, to make his anger as much about frustration with other people as about believing in something himself, and to make Burr, by comparison, sincere. Australians don’t really trust sincerity. Honesty is to be framed as an insulting joke, and Burr is just too polite to do that.
When the results come, Burr’s serene smile only very very slowly fades. Before his expression really drops, he turns away. When Your Obedient Servant starts, he’s quiet. The whole time he sings, he’s measured and controlled and entirely certain of himself. He doesn’t have LOJ’s grit or spikes in volume on ‘just to keep me from winning.’ He’s unnervingly quiet.
Even into The World Was Wide Enough this continues. In the original, Burr is outright frantic. He’s desperate and shaking with anger and fear, and when he points at Hamilton’s glasses and the like, you can feel that he actually isn’t sure of himself – that he’s trying to justify this to himself and knows he sounds crazy, but he just can’t pull back now. His voice shakes and goes up and down. When he says ‘we were near the same spot his son died, is that way?’ it rises and when he says ‘this man will not make an orphan of my daughter’ he cracks in real tears, like the mention of Philip reminded him of what’s at stake here, like that really is the reason he’ll kill him. This Burr stays quiet and cold. He doesn’t waver.
If that Burr was desperate, this one feels… and I hope this doesn’t sound like a joke: like a thwarted rich nice guy. The other Burr learned from Hamilton too well, and is replicating his self-destructive energy. This Burr hasn’t learned anything at all. Winning is still his birthright, and Hamilton has stolen that from him. Burr deserves it, and he deserves to punish Hamilton for this. It’s not an explosion of shock, a scrabbling for purchase in this new chaotic world that will doom them both. It’s vindictive. Burr knows what he is doing and he wants to hurt Hamilton for all Hamilton has hurt him.
After the shot, I was surprised to find myself not tearing up as I expected (usually, these two last songs always get me). With the original Burr, his singing is laced with pain as much as regret. When he repeats ‘death doesn’t discriminate’, we feel his sorrow as he fits Hamilton into the same kind of category as his parents and wife, as someone important to him who died. When he says ‘he may have been the first one who died, but I’m the one who paid for it,’ we understand that he’s referring to the depth of his grief. That having to live with knowing he killed Hamilton feels, in this moment, worse than death.
This Burr is still cold. And when he finally gets to it, and says ‘I’m the one who paid for it,’ he looks away. He almost spits. His face is contorted in bitterness. It’s rough and gritty, for the first time in the entire musical.
I can remember it vividly – it was shocking to see, and sends shivers through me to remember. I’d been waiting for that cathartic sadness, but it wasn’t here. This Burr, deep down, didn’t feel for Hamilton, at least in the end. He was pissed off because for once in his life his actions had consequences. Because of Hamilton, he had fucked up his life forever. His worldview had been shattered. And at that moment, that was all he could think about – that resignation and bitterness and anger. All along, maybe, he had been nice only because he’d had no reason not to be. Once it didn’t benefit him, and his pride and entitlement were damaged, he showed who he truly was.
It… was an experience, lol. Honestly I think it was partly lost on me because I so loved the original version and was like working myself up ready for a good cry here, so I didn’t get to just sit and take the full impact – I kept searching for a grief or fear that wasn’t there. But I don’t think this version is bad! It’s a very valid interpretation of Burr, and it was extremely fascinating to see unfold.
If I have one critique, it’s that one kind of problem with the whole Australian show is that the performances lacked grit. I really wanted more edge, more aggression, more intensity of those emotions – something more sharp and shocking. Hamilton delivers this kind of thing at times, especially early on, but ofc it fades away in the end. Jefferson, as I’ll get to, is too smooth-talking while also having that cold serene kind of anger. When we lack both Hamilton’s broken It’s Quiet Uptown and Burr’s frantic ‘this man will not make an orphan of my daughter’, we don’t get those life and death stakes quite as highly. By focusing all of Burr’s anger in one line, I think the rest of the songs didn’t have as much of an impact as I’d like.
But!! I really enjoyed this interpretation, and I’d love to see it again knowing what’s coming!
Eliza
OKAY nobody else is going to get those huge walls of text lmaoooo
Anyway this Eliza wasn’t a super different interpretation than Phillipa Soo’s, but I think she pulled it off at least as well, if not even better?
So, the really big obvious thing about this Eliza is her smile. Her actress has this amazing, big toothy grin that feels so lacking in guile, but also still so comforting. It’s so attention-grabbing and almost impossible not to be affected by. It just screams ‘hey, things will turn out okay, so cheer up! :)’ And it’s something that just comes out on Eliza as if on instinct – she’s wearing it through most of That Would Be Enough, and at the end of Take A Break when she escorts Angelica away, and even in Blow You All Away when she’s comforting Phillip or in flickers when describing Hamilton’s old letters in Burn.
The thing about Eliza as a character is that she’s basically defined by her emotional intelligence. She feels as strongly as Hamilton, but where he is uncontrolled and reckless and both self and other destructive, she is the opposite of all of those things. She’s measured and practical and knows exactly who she is and what she wants at all times. She will sacrifice for others, but it’s because she decides to, and if she is hurt, she will not keep herself in harm’s way. It’s an interesting kind of competence and I can understand in theory why it’s cool to have a female character like that even if I, as a neurodivergent mentally ill woman cannot relate in the slightest and feel sorta awkward to be judged against.
This Eliza nails all of that perfectly. She’s effortlessly charming and soothing whenever she wants to be – in That Would Be Enough, when Hamilton is turned away and putting up all of his sharpest bristles, you can feel her become something soft and liquid and find her way up against him regardless without getting hurt. It’s that strength of character that makes their relationship really work – it’s not necessarily that she completely understands him or is good at ‘handling’ him, but that her certainty of purpose and deliberate, skilful compassion make her perfectly suited to calm Hamilton’s deep down insecurities. She loves him entirely and makes him believe that. And when Hamilton responds with his own intensity, she loves that, and believes in that.
And all of that makes it mean so much more when she steps out of that natural mediator role for a moment. In Helpless she’s adorable, so giddy and excited and so clearly crushing on Hamilton with a youthful energy that somehow doesn’t feel all that naive. As she sings she’s constantly glancing back over at him, it’s really cute haha. But she does feel a bit more vulnerable here – it does feel like she’s silently asking for help from Angelica when they talk. More startlingly, there’s Non-Stop – when she calls out ‘Alexander’, it is SHARP. It’s the same kind of tone Hamilton takes when he calls out to Burr in Schuyler Defeated. It’s a bit startling actually, but in a good way.
That tone, I think, foreshadows Burn. Again, I think this Eliza takes the same tone as Philippa Soo, but this version (maybe just because I saw it live!) embodied it even more – she talks about her own desperation to understand, re-reading their old letters, and cites Angelica as back-up, but when she reaches the mid-point, she stops and seems to think. She weighs up the situation and her emotions. And when she says ‘I’m erasing myself from the narrative,’ it is very deliberate and conscious. She is in control of her fate and she can see herself objectively and this is what is just. Her moral core is impenetrable. She sees long arc of the future that Hamilton and Burr are so obsessed with and she says, yes, this is what should be done.
And then in It’s Quiet Uptown, that same self-certainty is there from the very first word. This whole musical, even at her lowest, Eliza has instinctively brought out that comforting, wide smile. Here, her face is expressionless. If Hamilton’s acting here didn’t quite hit my mark, Eliza’s was spot on. The withdrawal of that earlier warmth is all the colder when there is no doubt within her about it, and nobody can argue she’s wrong in that. When she takes Hamilton’s hand, she still doesn’t smile. It’s sad :(
Of all of the final songs, Who Lives Who Dies Who Tells Your Story hit me closest to the original. It’s actually almost jarring to see Eliza ask ‘have I done enough?’ This whole song, we hear a hasty energy to her she’s lacked all musical – the first sign that Hamilton has rubbed off on her, too. But when she asks ‘Will they tell your story?’ it’s still Eliza – this isn’t about a legacy, it’s because she’s still that giddy girl from Helpless who loves him and wants to do everything she can for the people she loves.
(Whenever she and Hamilton see each other but appear to walk past one another, only to circle around and meet in the middle again, I cry lmao;;)
Her gasp at the end is soft and quiet and delighted, as though she just spotted someone in the crowd who she hasn’t seen in years and can’t wait to catch up.
If I have one critique, it’s the lack of grit again. Her scream at Philip’s death wasn’t as wild and destroyed as Phillipa Soo’s, and while I like her gasp, I prefer the original’s shocked, overwhelming joy.
Overall though, she was extremely good! Her charisma was just blinding, but it was in that perfectly ‘mundane’ way you’d expect from Eliza. But that solid, immovable core always shone through. They really sold her relationship with Hamilton, too!
Angelica
This is the one I feel like I have the least to say about. My mum said she was the only character who just couldn’t quite match up to the original, and I don’t really agree, but I don’t have a huge amount to say, either.
This Angelica felt a bit older and more mature than Goldsberry. The original Angelica has a bit of brashness and vivid emotion to her – a bit more out there and exaggerated in her actions and expressions. More bold but also more chaotic. This one was a bit more quiet and considering. Diplomatic, maybe?
I actually worried when I first saw her that she wouldn’t be able to carry Satisfied because she was too confident and capable I wouldn’t be able to believe her vulnerability, but no, she pulled that off perfectly. When she was standing in the dark there in the end, the sadness radiated from her.
I actually got a lot more chemistry between her and Hamilton this time; I always thought I disliked the relationship in that canon because of my grudge against how LMM wrote it, but maybe it’s just that LMM was too old for her lmao. You’d think her quietness would contrast with Hamilton’s pushiness, but if anything it feels like she can just eyebrow-arch off his usual way of getting under people’s skin – when she says ‘you forget yourself’ it’s subtly disapproving, then when he delivers the punchline, it’s like he proves himself enough to earn her respect. Indeed, their mutual aloofness actually suits them both really well. You can just imagine them working together, quietly sharing their judgements on everyone else in the room around them. They’d be a terrifying power couple, and that really connects up to her advice in Take a Break.
I don’t have as much to say about the rest of the musical though. (actually IDK if that’s all partly just because by the end my ADHD brain had to work a lot harder to keep up, lol.) Her piece in The Reynalds Pamphlet did the job, and her singing in It’s Quiet Uptown was beautiful.
I guess, if I had to contrast them, the original Angelica felt more spirited and aggressive – very ‘you want a revolution? I want a revelation!’ - while this one felt more like the settled head of the family who already had her place but understood the world perfectly and knew she’d have to pick and choose what she wanted most. (...spoken like that she sounds like a big contrast to Burr, funnily enough?)
Lafayette/Jefferson
So not too much to say about Lafayette – the guy pretty much did him the same as Daveed Diggs, and pulling that off is very impressive but there isn’t too much to analyse here. If anything the Lafayette felt slightly less bright and cheery than the original, which may have been done to contrast with Jefferson.
Jefferson, on the other hand, was quite different. Diggs’ version is very loud and kinda abrasive and arrogant – always smiling and bouncing but with something clearly malicious lying behind all of that. He’s got a harshness to him, deliberately intimidating and surprisingly authentic in what he reveals of himself. He’s a villain character who’s fun to watch because he’s having fun himself and you gotta admire his balls.
This Jefferson is much more smooth and manipulative – maybe taking over from what Burr sometimes delves into? When he first appears, he plays to the crowd, encouraging the cheers, but it’s less arrogance and more like, he’s a celebrity putting on a show. He’s friendly and cheerful all through What’d I Miss?, disarmingly enjoyable to watch. He’s someone who knows the crowd and likes the crowd and is very very good and getting what he wants from the crowd without making it obvious he’s doing that. He’s definitely the type of #relatable celebrity fans would really want to defend.
But Hamilton represents a very clear change to his status quo. He starts off singing What’d I Miss? just in a fun, conversation-starting way as a rhetorical question, but after Hamilton introduces himself, he seems genuinely taken-aback. His last ‘What’d I miss?’ sounds like a genuine question, like, ‘wait wtf what’s going on here all of a sudden?’
And then we get the Cabinet Battles. Despite the above, Jefferson starts off his argument oozing with relaxed confidence. He doesn’t need to take any of this seriously – it’s already in the bag! Everyone loves him and as long as he makes some nice jokes and smiles disarmingly enough, he’ll always get what he want. And then Hamilton starts talking. And he’s pushy and hostile and sarcastic and mocking and angry and superior. And the whole time, Jefferson stands straight and Stares at him. We get none of Diggs’ ‘Haha, this guy is a riot! :D’ type of energy – this Jefferson is deeply displeased, and he is watching very, very carefully to take stock of the situation so he can put an end to it.
It’s actually really well done IMO – when the crowd oohed and ahhed, it felt like a 50/50 of ‘what the hell, people aren’t supposed to DISAGREE with Jefferson!’ and also ‘holy shit this guy is acting like an actual obnoxious child who needs to stfu right now.’ Both Jefferson’s easy entitlement and Hamilton’s unhelpful abrasiveness really got across.
In the second battle, Jefferson is much more careful. Whether it’s because he isn’t underestimating Hamilton anymore or because he cares much more about this, there’s an unamused urgency underlying everything he says. He still tries to be friendly and charming and diplomatic, but his smile drops often. This issue is important and he is not going to back down on it. It’s actually still not quite as immaturely insulting as Hamilton – more like, ‘can we stop humoring this asshole kid already and do something we very much need to be doing?’
(Also fun fact: in The Room Where It Happens, when we get to Jefferson’s version of events, Hamilton’s ‘I had nowhere else to turn’ is SO fake and sarcastic it was really funny, like even the Hamilton in Jefferson’s head can’t bring himself to actually say that sincerely.)
So, when we get to Washington On Your Side, he’s cold. At the time, he contrasts well with Burr, who is all smiles and surprisingly relaxed. This Jefferson is more like Angelica, quietly analysing the situation and slowly coming to a plan. The difference between cold, planning Jefferson and smooth-talking Jefferson is also great.
Because of all this, he has less of the really comedic stuff the original Jefferson got, with the exaggerated expressions and movements – in We Know, he’s more struck dumb by everything than the more over the top reactions Diggs did. But the controlled coldness contrasts with Hamilton better – it makes sense that he was the one who successfully connived himself to the top. And we get much more of that contrast between public and private Jefferson that is one of the interesting real-world meta statements, where who is was to the people and who he actually was were very different.
…….I think I had some kind of impression of ‘because I’m the president’ but I can’t remember what it was anymore. Hrm.
Anyway: enjoyed!!
Mulligan/Madison
So, how I’ve been saying the show lacked grit? I honestly think it might’ve all just collected in Hercules Mulligan lmao – obviously his parts are meant to be bold and brash and powerful, but these ones hit even harder than usual. His part in The World Turned Upside Down was just so Loud I could feel it in my chest! Great performance, I loved it!
Madison was very very different naturally, but also very different from the original version? While the original Madison felt tired and a bit disgruntled, like he was exhausted by Jefferson’s in-your-faceness and just wanted to get this done so he could get back to his work, his one felt much happier to be there. This Madison felt like he actually saw himself as Jefferson’s teammate, like he considered himself part of the show and was happy (even smug) to be helping out. When Jefferson passes him the microphone, rather than say ‘France’ with an irritated expression as if to say ‘everyone already knows this, just get on with it already’, it feels more like this Madison already rehearsed this with Jefferson deliberately. He calls out ‘France,’ as though it is some incredible zinger, like he’s been given the mic drop here. It’s pretty cute haha!
Overall this Madison felt a lot younger. Talking afterwards my mum mentioned that Mulligan’s role is hard because he has to switch to playing ‘an old man’, and was pretty surprised when I said Madison was actually the same age as Hamilton. This version felt a lot more age-appropriate. He still gets sick and starts coughing (and it feels a lot meaner when Hamilton makes fun of him! The dude was just so happy to be here – let him have his zingers!!), but aside from that he thrums with nervous energy behind Jefferson, like he’s ready to help out anytime he’s needed.
In all, he kinda feels like he fulfils that certain comedic henchman trope a bit? It really comes together with the ‘Can we get back to politics?’ ‘:’( please!!’ exchange. Madison isn’t made fun of, per se – it’s not like he really does enough in the script to get that kind of attention. But he’s just a bit funnier and more sympathetic, while also strangely feeling more like he and Jefferson are an actual team. (I mean, Jefferson hands him the mic as though he’s setting up a zinger, too. They’re both a bit ridiculous!)
Laurens/Phillip
Okay, this was one I was really curious about, for obvious reasons – LMM always sorta made it out that since he never included any of the Hamilton/Laurens stuff in the script, he kinda tried to act it in there more. In Story of Tonight or Ten Duel Commandments, or even briefly in the opening song, there’s meant to be a closeness that hints, however subtle, at that relationship.
Unfortunately, I didn’t get that at all here.
Laurens’ casting surprised me at first – he’s super short and extremely baby-faced, to the point that I wondered if he wasn’t played by a cis man. (His actor is a man, though, though ofc I wouldn’t know if he’s cis or not.) I was kinda confused about that all through the first act… until I got to the second act and, uh, remembered. But despite this – perhaps because of it? - he is an absolute firecracker. He’s hot-headed and rough and determined and every bit the young impassioned soldier.
He’s a bit more naive in the early songs – he seems genuinely friendly with Hamilton in The Story of Tonight, and you feel like he really does just like him from the moment he hears Non-Stop – but like I said, Hamilton is still pretty closed-off through all of that, so… it doesn’t really feel mutual. Hamilton likes him fine, but it doesn’t feel like he cares as much as Laurens does.
In Satisfied, he indeed seems super drunk, but it’s more like he’s just too young and drinking too much at a party than anything. The only time I really felt any particular chemistry between him and Hamilton actually comes from Story of Tonight Reprise – when Hamilton wanders off to speak with Burr, in sincere friendship, and Laurens comes over and starts ribbing Burr about his girl with almost malicious energy, it did sort of feel a little like he was jealous, if only that Hamilton and he had been talking so easily.
Finally, we get to Stay Alive. There, Hamilton and Laurens are just so angry and disgusted with Lee that they don’t really have room for anything else. It’s all very focused and determined and Manly, without any time for something softer or close between them. And I’m not sure how to feel about that. Laurens’ revulsion for Lee is historical record, and it says a lot about him and his values that that was so important to him. But there are other important parts of Laurens – that worry and fear and insecurity inside him, that ended up being so damaging to him. In such a limited script for him, ‘Alexander, you’re the closest friend I’ve got’ is really his one chance to show some of those emotions before he dies. Instead, Laurens never really gets to show that vulnerability, and I worry that it makes him feel too much like a ‘generic soldier character.’
I wonder if it’s because this Laurens looked so youthful that they sort of overcompensated, and felt the need to make him extra manly to make it clear he belonged there despite his appearance. But it sort of felt a bit too… macho for me. Nowhere to be found is that 18th century romantic friendship. Instead, it’s been replaced by a more WWI era Comrade and Comrade type deal. They’d die for each other, but would they write romantic letters to one another? And I think this is also unfortunately pretty Australian – real emotion is lame!! The only acceptable emotion is fucking hating your boss, and challenging him to a duel with your squadmate to get him what he deserves.
Well, I’m reading too much into it all, lol. But I always felt like the original Laurens barely got to show much of himself as it was, and this one felt even less so, unfortunately.
His final scene – is it We May Not Live To See Your Glory? - is done well, though. Again, Laurens just sorta feels like a generic young soldier, but ‘idealistic soldier who died too young’ is moving enough on its own. And in one of those rare moments, Hamilton really does feel shaken and vulnerable. ‘I have so much work to do,’ as I said, hurts – so lifeless and unlike him. Like nothing could process those emotions in him now, or express them.
Philip, on the other hand, is the exact opposite. First of all, yeah – having a shorter, younger-looking actor makes that Take a Break scene WAY less awkward, haha. It wasn’t even funny, it was just like ‘oh huh this just kinda looks all right?’ And the actor did really well playing a kid! He looked like a completely different person there, which is really good.
And then we get to Blow You All Away, and hoo boyy. If Laurens had been excessively confident, Phillip oozes uncertainty with everything he does. When he flirts with the girls ‘when I come back we’ll all strip down to our socks’ he manages to pull off the cocky act but in basically every other line you can see and hear the ‘a-am I doing this right? I’m not screwing this up, am I?’ radiating off of him. He definitely believes he’s doing the right thing – when he says ‘you talk about my father I will not let it slide’ there’s no hesitation – it’s just that he very clearly isn’t sure if he’s up to the task of doing it.
It was sorta interesting, actually – I think the original Phillip was more naively overconfident and reckless, and only had an attack of the nerves after he got himself into the duel. But – and this might just be me projecting here, lol – when this Philip confronts Eacker in the theatre, I got a real sense of like… ‘??? can I do this here? Where are you meant to threaten duels???’ and when Eacker is like ‘piss off, I’m watching this show now’ he seemed to wilt a lot, and straight up froze for a second or two, like he really didn’t know what to do at that point. And then of course when he talks to Hamilton he’s really worried…
And then his death. Somehow, I never used to cry much when this happened – it’s obviously very sad, but it didn’t manage to hit the right heartstrings to make crying, even in the recording. But oh god, this one was just awful… Even as he’s dying, Philip is still just so desperate for approval, like he’s so scared his parents will be mad at him for screwing it up, and Eliza is trying so hard to reassure him before he dies… I cried a lot :(
So overall, I really liked this Phillip, even if I don’t necessarily think it’s an improvement to the original. Laurens I kinda preferred the original, though this was still an interesting interpretation that gave me a lot to think about!
Washington
The guy did well! He has what Washington needs, and that’s a stature. When he’s on stage, your eyes are just naturally drawn to him. Even when he’s not doing much, he’s still a little intimidating. He has presence!
And in fact, this actor had an interesting quirk where the whites of his eyes could be seen easily? In Right-Hand Man, as he’s striding around at the center of the stage, his eyes just looked white, and it drilled in that slightly manic, crazed intensity underlying his strict, rigid rapping and self-control. It have the whole thing a really great effect.
But this Washington also had a sort of almost… slight fem-ness to him, that I didn’t get as much from the initial? It’s funny how during One Last Time, I suddenly got this vivid though, ‘oh, it’s like he’s a cool supportive teacher.’ Which… obviously?? Haha. Like he’s clearly a mentor to Hamilton all the way through! But it’s that specifically teacher description I really felt all of a sudden, that he was warm and approachable and gentle at heart, despite everything I said above lol.
Like, I feel like this Washington was just a bit less stoic than the original? Slightly more expressive and less stern. When he says ‘I’m from Virginia, so watch your mouth,’ in the original, it sounded like he was genuinely kinda offended? It was ‘watch your mouth’ as in ‘don’t disrespect my home state.’ But in this one, Washington sorta grimaces a little theatrically and says it more incredulously, like he’s actually saying ‘you wanna maybe try thinking about who you’re talking to before you say that shit, son?’ It’s more of a warning – less that he’s upset and more that other people would be, so he should really try thinking before he speaks.
He also still does the part in Who Lives Who Dies Who Tells Your Story when Eliza says she spoke out against slavery and he kinda stumbles and stares and then looks down in shame, given the real Washington’s actions.
I liked him! I felt a little more warmly to him in the end than the original, but that might just be a product of seeing it live.
Peggy/Maria
Okay so I don’t really have anything to say about Peggy, which had basically always been the case, hah. :’) I mean, I think this version made the transformation between her initial wariness vs her later excitement more clear? But that is very likely a live show thing.
Maria, though!! Honestly? I was never really a fan of the original Maria’s performance. She just feels too much like a cliched seductress archetype, and while you can argue that that’s the role she plays in the story, especially since there’s the uncertainty over whether or not she was deliberately setting Hamilton up, it just feels too on the nose. It makes it harder to believe Hamilton didn’t know what was up the moment he saw her, which I don’t think is intentional. And it makes me feel bad for the real Maria Reynolds.
But this one was very different – much more vulnerable. When she first talks to Hamilton, she’s not doing a sexy pout and throaty singing, she’s just sorta… quiet and monotone and lost, much like Hamilton gets when he’s too emotional as well. Like she’s in shock and truly has nowhere to go is just sort of crumpling as a person. And when she propositions Hamilton, again it feels sincere – she just wants him to stay.
And after he talks to James Reynolds (just as perfectly, theatrically assholish as in the original), that continues. When he confronts her, she genuinely seems desperate and scared and upset. I felt so, so sorry for her that I was yelling in my head right then ‘you can’t just leave her now!’ at Hamilton – and then immediately remembered what that’d mean… it’s a much more gripping situation.
And then in the end, James Reynolds walks off and claps, and Maria just stops, face and body entirely stoic, and follows after him in silence… Is that an indication it was all an act from her? Or is it that she’s so scared of him that she totally closes up and can’t cry, can’t show any kind of emotion or weakness around him, and just has to try and be a silent and flawless wife? No matter how you interpret it, it’s chilling.
Oh, and IDK if this is done in the recording, but in The Reynolds Pamphlet, she gets given one, too, and her look of just… upset/disgust is also really painful. At the end they say ‘his poor wife’, but who thinks about poor Maria?? :(
I still wouldn’t say that this is an accurate adaptation of the real events, since I think that gets right into the script and structure of Hamilton in ways that a regional performance just can’t really make better. But this version is at least better. It plays Maria with more dignity, I think, than making her into a sexy bombshell, even if that bombshell act does get subverted in the original as well. This one feels significantly more sympathetic.
King George
He was great!! He was played by an older actor who seems to have done a lot of serious Shakespearian plays, which of course makes him absolutely perfect – both in that he could flawlessly depict that pompous old privileged Brit, but also in that he probably has a good backing in comedy and political satire :P He was clearly having the time of his life playing to the crowd – throughout all his time on stage he was constantly alternating between doing one or two lines very serious and mostly straight, before doing something absolutely hilarious. That back and forth worked extremely well!
Also I never saw it properly on the recording but when he gets up and dances in the middle of the stage during the Reynolds Pamphlet?? AMAZING.
Obviously, Johnathon Groff is his own personality and is friends with LMM and brings all of that unique stuff to the table that nobody could replicate. But this actor was just as much fun to watch, and does have the added benefit of really looking and sounding the part.
Final Thoughts
I’d really love to hear other people’s thoughts on this run, especially from the perspective of it being an Australian cast/audience – I really hoped the booklet would include at least a piece or two from someone who worked on this run, but it did not. (In fact, it was one of the scantest musical books I’ve seen? I don’t regret buying it as a souvenir of course but usually they have at least one or two interesting pieces of new content aside from just backstage pics…)
What really sticks out to me is the structure of it all. Hamilton is definitely the central character that brings everything together through the first ¾, but around The Room Where it Happens Burr starts to take over bit by bit, allowing him to keep up the energy as Hamilton falls back further and further into becoming both less of a hero but also more quiet and passive. By The Election of 1800, Burr is giving us all the energy – until the end of The World Was Wide Enough, when he too falls back and Eliza takes over.
Given this, this Hamilton did an incredible job throughout most of the performance – he had amazing chemistry with every other character and really exemplified that scrappy, intelligent, driven, but aggressive and difficult character that never quite shined through in LMM’s performance for me. Burr’s more subtle performance complements that well, and he even arguably outdoes Leslie Odom Junior in The Election of 1800. However, after that I think his quieter acting and singing sort of fails to fill the hole Hamilton left behind, reducing the climax a bit of its energy. Thankfully, Eliza was able to bring that all back for her final number.
It also strikes me that this performance is a bit less teary, at least from the men. Eliza, Angelica, and Maria all bring out that vulnerability and the sadness of their positions wonderfully – a great improvement in Maria’s case, for me. However, Burr’s The World Was Wide Enough severely downplays the sincere regret angle, while Hamilton never quite hits the right notes on It’s Quiet Uptown. However, Hurricane and Phillip’s performance in Blow You All Away definitely hit that fear and panic leading to self-destruction. (Interesting I guess that Burr doesn’t also seem more fearful in The World Was Wide Enough?) Is that also a gendered expectations thing, perhaps?
Either way, I’m extremely glad I was able to see it if only for Hamilton’s performance – honestly, maybe the reason it seemed to lose a lil steam was just that Hurricane was so good everything else failed to follow it, haha. Burr also absolutely fascinated me here, too, and that was so much fun to see play out in real time!
Hamilton will be coming to Melbourne next, and I’m not sure yet if I’ll be able to go there but I’d really like to! It’d be really fun to test out these expectations/conclusions of mine with a fresh viewing, as well as see any other new cast changes/interpretations…!
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katie-writes24 · 3 years
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Last Chance
Pairing: Alexander Hamilton x reader
Warnings: Language, suggestive material, brief religious content ig, angst, fluff, weddings, bad officiant script (if that makes sense), irl it’s kinda wrong but just go with it.
Part 2
I’ll just get straight to the point, Taylor Swift was the cause of this..... That’s it! You’re welcome, enjoy! Lemme know if you want to be tagged. Oh and also, can we appreciate that I finally figured out to put the ‘keep reading’ feature on because I finally set tumblr up on my computer? Yay me, this is a life changer you don’t even know!
As a kid, Y/N would be dragged to church every Sunday, told to represent her supposedly "religious" family. Her mother would force her into a dress, always reminding her to "sit like a lady" since there were always boys present, and you just never know. They would go and learn about the god above, be thankful that they were brought here, cheer his name. 
When she was fourteen, she went into church on a Monday, this time for a funeral. She automatically noticed the change in tone, obviously, but since then she looked at churches a bit different. They weren't praised as much, they held an entire different meaning, one that wasn’t very happy at all. No, she learned that churches could be just as devastating as celebratory. 
Like now, where people gathered in front of the steps, mingling and wearing expensive clothing. There was a truck on the lawn, workers were shoving different table sets across the road, where a large tent was set up. There was a group of people laughing a couple feet away, all looking down at a little girl with a white dress on. A stretch limousine rolled around and a few women climbed out with grace, all wearing the same pale color. 
Truly devastating. 
Y/N tugged at her own dress, hoping that the simple color would at least help her blend in with the crowd. Maria had told her it would be just fine, and it’s not like a new fancy dress was in her budget. 
Besides, it’s not like anyone here cares about her appearance. They’re not here for her. In fact, she hadn’t found one familiar face yet, which should be a good thing, but Y/N couldn’t help but wonder how many of these guests both parties even knew. 
“Would you ever get married?” 
He scoffed, “Marriage isn’t very meaningful is it, why should I have to document my love for you? As long as we both know it right?”
“Okay...I guess you’re right, but I wouldn’t mind seeing you in a nice tux.” She wiggled her eyebrows, but it didn’t bother him. 
“Is that all you’d want a wedding for? Because I will gladly put on a fancy tux if it meant you’d be down to-”
“Shut up! No, that’s not all. I’d like one, I’d think it’d be nice. It wouldn’t even have to be a big one.” She could see them by the beach, perhaps even getting married at the courthouse and use their money to blow on a big dinner after. She wouldn’t even mind a service in their apartment, it’s roomy. 
“Well, not like I have anyone for a big wedding anyways…”
She sat down next to him and stroked her fingers through his hair. “We’d invite our friends. I could invite my mom, you know she loves you. We don’t need a bunch of people to have a wedding.”
“Good, because I don’t want a giant guest list where there are different number tables and- a full service and a grand ceremony. I just...I just want you.”
She wonders how much of this is total bullshit. 
From where she’s standing, Y/N doesn’t think anyone would approach her. The lake is quite breathtaking, but the crowd is full of anxiousness and people are patiently waiting for the ceremony to start by the front of the church. 
Some people pass her by, and she picks up on certain terms, like how “beautiful the church is” or “she picked out the perfect dress, Philip was crying it was so pretty” and her favorite “just wait till you see this guy, they are just perfect for each other.”
Perfect. 
“I told you I can’t dance.”
“And I was a fool to not believe you. My feet are killing me,” He smirked and then laughed as she hit his shoulder. 
“Fuck off! Why are we doing this again?” She looked up at the sky that cracked before her, grey clouds mushing together.
“Because dancing in the rain is on my bucket list,” He twirled her around, pulling her close when she fumbled out of the turn. 
“Okay, what does that have to do with me? You’re telling me all your years before we met you couldn’t have gone outside and danced?” She grimaced as she felt drops of water against her skin. 
“Maybe I was waiting for the perfect person to do it with?” A hand wrapped around her waist and she chuckled. 
“Perfect? I am far from perfect,” They met each other’s stare and she got butterflies just seeing that look in his eye. 
“Well, then this is perfect,” The rain started to beat against the cement below them. “You and me, here right now, together. It’s perfect.”
Lost in her own thoughts, she didn’t hear anybody approach until they called her name. Y/N turned her head a little too fast, scared that she would be caught, there would be a giant scene, and then she would lose her chance at-
At what exactly? She didn’t know either.
“That’s really you, isn’t it?”
Hercules always was so welcoming, she never felt out of place when she was around him. In fact, he actually had a small smile on now, dressed nicely in his, most likely own, tailored suit. 
“Hey, Herc,” Y/N gripped her own arm, unsure if it was appropriate to go in for a hug. “You look nice.”
“Thank you, I made it myself.” He chuckled and opened his arms, allowing her to view his form. He looked just the same as she had seen him almost two years ago. 
“It’s definitely you! Did that business of yours ever hit it off with the investors?” Maybe she was aiming for small talk in hope of a distraction, she wasn’t ready for the obvious to be out in the open just yet. 
“No, but I’m working with something better. Got a lot of new line ups, good people to work with…” Hercules  trailed off with a fond smile on his face. 
“I’m really happy for you, Herc. You deserve it!” 
He smiled, “What about you? What have you been up to?”
Y/N winced and tried not to fidget. “Still working for the same place, I actually got a promotion a couple months ago, so I’ve been busy with that...But everything else has been...things are going well.” 
Hercules nodded, and just like a wave, tension flooded the air around them. 
Y/N refused to look up and meet his eyes, to either see full curiosity, disappointment or any other mood that would just make her feel sick to her stomach, will have her asking the same question over and over to herself. However, the silence couldn’t stay too long. 
“Y/N, what...why are you here?” 
An older woman was yelling at a worker, wanting more champagne for the bride's suite. She was aggressive, and yet the guests around her weren’t baffled at her behavior in the slightest. Y/N hated entitlement, hated more when the rich forgot that other people aren’t as fortunate enough as them. 
Y/N also hated that Hercules was still staring at her while she was wondering if her own mother would be so stressed as to the point of lashing out at others. 
“How long have they been engaged?” She finds herself asking only to quiet her thoughts of if they were stuck in one place and never seemed to want more. 
“Eight months,” Hercules sighed, never being one to push and always being honest. “Eliza’s sweet, she has a good heart. She’s loyal-”
Ouch.
“And she makes him happy.”
“Do you think we were ever… not happy?” Her eyes finally met his, instantly going soft and trying to word his answer carefully, even though Y/N could see a straight answer on his face. 
“I think...you guys worked around each other well. I think you enjoyed each other’s company, and maybe you might have been in love once, but that’s in the past. Right now, over a hundred people are going to celebrate what’s best for him and Eliza…”
He’s not marrying you, he’s not with you. 
It was something unspoken, but Y/N knew that was what Hercules was trying to get at, letting her know that her presence was unwelcome and that this was for the best. 
Why was she here? Why did she think that today would be the day to confess her feelings that never drifted away? Why was she so selfish, and think that her happiness was more important than-
Someone approaches them rather quickly, and it makes her turn and brace for an attack. 
Instead, it’s just John. 
“What are you doing here? You’re not supposed to be here, you weren’t invited!” He was loud and he was causing a scene, something Y/N definitely did not want. He actually looked like he was about to jump her, but before he could move any closer Hercules puts his arm on John’s chest to block him. 
“Relax, John,” Hercules looked back at her with a pointed look. “Y/N was just leaving.”
There was a pause, and she almost believed that yes, she was leaving. This was her cue, no one wanted her here, she wasn’t supposed to be here. Who is she to ruin a wedding? How could she do something so terrible?
“You should move in,” He ran his hand over her back, listening to her slow breaths. 
“Yeah?” 
“Yeah. It’d be nice, having you here all the time?” He knew she was drifting off and probably wasn’t even registering what he was saying. He was proven wrong when she raised her head to look at him in the dark light. 
“I guess it wouldn’t hurt seeing you all day,” Y/N smirked as he nudged her with his leg. She kissed his chest and smiled down at him. “If I move in, there’s no turning back. Rent is too high for me to be switching back and forth.”
“I couldn’t think of anywhere else I'd want you to be.”
Y/N gave him a curt nod, walking backwards a bit before fully turning around. She walked all the way pass the church, passed the parking lot, all the way down to the end of the lake. She was out of sight. 
But there was no way she was leaving. There was no way she was going to give up her last chance. 
Even from where she stood, she could hear the beats of the traditional wedding music pick up, cheers from the crowd pick up as everyone hustled inside. 
Her feet moved before she could even make a decision. 
There was an elderly couple just walking into the room, and luckily the man held the door open for her. She thanked him and took the grand venue in. On each bench there was a bouquet of flowers, a white row leading up to the altar. It was packed, and Y/N could only imagine how many people she was about to shock. 
She sat in an empty aisle seat in the back, and finally realized that Eliza was just reaching the top of the stairs, kissing her fathers cheek before he gave her over to him. 
“Should I get a haircut?”
“No. I like it the way it is. You have nice hair, it’s soft and always so full. Why would you want to chop it off?” She caressed said hair. 
“Eh, it’s too long. I think it’s a hassle to work with when I’m getting ready for work. I don’t know…” He looked in the mirror with a pained face. She came up behind him and wrapped her arms around his chest, leaning her cheek on his back. 
“Well, personally, I like it. But it is your hair. You know I’d love you either way.”
“Are you just being biased?” 
“Mmh, well, I can’t say I don’t like having something to pull on.” She tugged and he whimpered before turning and kissing her, a full grin on his face. 
He looked just like Y/N imagined him. In fact he hasn’t changed, except maybe the circles under his eyes got a bit darker. His hair was neatly wrapped in a ponytail behind his head, sharp tux on, a smile on his face.
Except none of that was for Y/N, it was for another woman. 
Swallowing back the lump in her throat she cleared her throat, tapping her foot nervously as the officiant started speaking. 
“We are gathered here today to celebrate the love of Alexander and Elizabeth.”
“Stop being such a poor sport.”
“You so cheated! You know what, it’s fine. Because I know what really happened.”
“I’ll tell you what happened: Mr. Hamilton sucks at Mario Kart!”
“You take that back!”
“Through their time together, they have realized that their goals and dreams are more meaningful through a combined effort and mutual support provided in love.”
“I’m proud of you.”
“It’s not a big deal.”
“You got promoted, Alex! You’ve come so far since we met. You work so hard, you stay late at work, you stress yourself out far too much for my liking. But you got exactly where you wanted to be! And from here you can only go up! I’m proud of you!”
He smiled, kissing her knuckles and thanking her. 
“As we create this marriage, we create a new bond and a new sense of family.”
“I hope our kids have your eyes.”
“If we’re thinking about children, I have no problem shoving them right back if they don’t look exactly like you.”
“Alex, what the fuck is wrong with you?”
“I’m just saying. Your eyes, your nose, I even want them to be as witty as you.”
“I hope they don’t have your sense of style.”
“Hey!”
“Now, before we begin the vows, if anyone can show just cause why this couple cannot lawfully be joined together in matrimony-”
“You’re acting crazy!”
“No, I’m acting reasonable! You can’t seriously think that you were just going to let this go?”
“Where are we going, Y/N? We’re stuck in this one spot, and I can’t do it anymore!”
“Then don’t!”
“Let them speak now, or forever hold their peace.”
“I think I’m falling in love with you…” She wiped the tears from her eyes as he held her closely to his chest. “And I’m terrified.”
Y/N stands without letting herself have any more doubts. 
Almost immediately, attention is drawn. There are gasps in the crowd, one woman even let out a horrid yell. The man sitting a couple feet away even scoffs, like Y/N’s idea was ridiculous. It’s enough commotion that causes the bride and groom to look her way. 
Warmth filled her as his brown eyes connected with hers. 
It went in flashes, Alexander’s emotions. First he was a bit confused, almost as to why their loved ones were making such noise. Then, it was anger, finally realizing that it was because someone was objecting to his wedding. And as their eyes connected, it was like he was sad. 
Maybe it was because he hasn’t seen her since she walked out. Maybe it was because she was ruining his special day. Maybe it was because he knew she lost her chance years ago, and that even he knew it was too late. 
Maybe it was because he knew the outcome of this. 
Y/N took a shuddering breath, before saying the three words that could easily crush the hearts of everyone in this room. But she ignored the appalled crowd, she ignored the angry face of John right next to Alex, she didn’t even want to see how broken Eliza must look right now. 
Instead, she focused on the very small quirk of Alexander’s lips, the small chance of hope that was promised. 
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queencamden · 4 years
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Do you think that the SIX fandom has become very toxic ????
That’s rather complicated. I’m not totally well-versed in fandom drama, as the major fandoms I’ve been in previously (School for Good and Evil, Six of Crows and Three Dark Crowns) are all fairly chill. However, I have noticed that it has gotten a lot less unified as time went on. I first joined around July (before I got my account, just looking at posts) and it seemed much more supportive then.
I think the fandom has just become very DIVIDED. I, like several others, have become more in the Tudorblr community than the Six fandom at this point, and because of this I’ve noticed a big divide in terms of views of historical accuracy. (That’s the lens I will be focusing on, as I don’t care much about other discourse)
The divide between history fans and Six fans (and the toxicity within fandom this leads to) can be summarized in three main points.
1. History blogs and history-loving fans don’t understand/ are weirded out by fandomey fans.
2. Fandomey fans do not bother to consider the history.
3. Both sides are very aggressive on what they think is right.
Let’s start with the history blogs
They don’t understand the fandom
I hate to say it, but we’ve become the next Hamilton fandom: most Six fans get their info only from the show, and from this have developed their own, fandomey versions of the characters. The Anne Boleyn that the Six fandom loves is not the real Anne Boleyn. The Katherine Howard the Six fandom loves is not the real Katheryn Howard. However, (I saw a post about this once) the fandom is quite good at separating the characters from the actual people. (Most of) us know that the Angry Bible Aunt, Chaotic Heely Gremlin, The Mom Friend, The Dog-Loving Badass, The Babey-Brat, and The Sleep-Deprived Academic are NOT the Six Wives of Henry VIII. Because that is how fandom works. You take the most exaggerated versions of the characters in question and work off of them. ESPECIALLY in theatre fandoms, where most fans can’t even see the whole show. I think that’s why Theatre fandoms have a reputation for being cringy. The exaggerated, fandom versions of the characters are all they know.
I think a lot of the time, more history-focused blogs don’t get that aspect of fandom. Yes, Tudorblr has its own memey versions of these people (Anne Boleyn being extra, Henry being Garfield) but the content that they make are not solely these characters- because in the end the meme versions are characters. It’s hard for history blogs to understand that the fandom versions of the characters, are NOT what the fans actually think these people were like. This can lead to mocking, and attacking Six fans for being “dumb” or “cringy”. Certain blogs that are within the fandom that like the historical figures hate on fan blogs and that is NOT OKAY. For example, I saw a post where someone was making fun of Six the Kids, because they “would never be friends in the modern day”. Yeah..... neither would the Queens. And this is explicitly set in the universe of Six. History blogs should stop being high and mighty over fandoms having fun. HOWEVER.....
Fans don’t understand the history.
This show IS about real people. Who actually existed. In real life. And Six fans who ONLY reduce them to these characters can be very frustrating for people who are interested in the real people. Because Six is so popular the ONLY versions of these people you can often find on Tumblr are the Six versions. And I get it. Really I do. I used to be one of those Six fans who called KH “Kitty” (only for clarification purposes between the Katherines but still) and made memes about Anne being a chaotic gremlin. And then I looked up the actual history and I STOPPED. Not everyone has to go that deep, of course, or stop making these memes (most of them are very funny) but it would be good to respect the historical figures. I understand that it’s hard to do that in an incorrect quote, but maybe do what @sabrianna said in an earlier post and tag the characters as, say Katharine of Aragon- Six, so as not to clog the tags of people searching for the actual historical figure.
Like I said, the problem is not with making exaggerated versions of the queens. That is part of BEING a fandom. It’s not even a problem of using the characterizations from the show (such as chaotic Boleyn) What is the problem, is that many fans DON’T care about the history, or think they know everything about it. They make roleplays, ship the queens, e.t.c. but it’s all very out of character to the real women. I said earlier that most people can differentiate between the fandom queens and the real queens and that’s true. But some fans don’t. Some fans only know the queens from the fanon and the musical and because of that we get stuff like UwU Babey Katheryn Howard or people shipping Boleyn and Aragon, which is actually kind of disrespectful to the historical figures. At best, this leads to ire and harassment from Tudorblr, at worst to actual misinformation about the queens being spread by the fandom.
Both are overly aggressive in what they think is right
This is the big one and the major component of the “toxicity” of the fandom. Six is a musical about raising your voice, so it makes sense that it’s fans would be very outspoken. But it falls into a problem when they refuse to see the queens any other way. When it gets to people harassing others for stating differing opinions just to defend YOUR interpretation of a real person who actually lived, that is wrong. Because often your interpretation is NOT right, or at least limited. For example people who view Elizabeth and Mary as a black-and-white ‘good sister, evil sister’ dichotomy, when in reality they were both just as grey and complex as anyone else. But people will straight-up harass and argue with others who are just trying to explain that Mary’s background caused a great deal of her problems, and that Elizabeth did bad things too.
There’s just a lack of LISTENING which is a problem for a fandom based on history. (I know Six isn’t historically accurate, but a lot of fans are interested in the real queens). History is subjective. In my time researching historical!Katheryn Howard my opinion on her has changed around three to four times and that’s good. You are allowed to have multiple views on a thing, and when someone is trying to explain something to you, you don’t have to dismiss it. This goes for the history fans to. When Six fans make a factually incorrect statement, many history fans tend to condescend or belittle them which, as a Six fan, does NOT make us want to learn more. Simply telling us the true, often much more interesting, situation, DOES. Also, friendly reminder, most of the Six fandom are teenagers, and from what I’ve seen of Tudorblr it’s more of a mix of teens and adults. IF YOU ARE AN ADULT, DO NOT BELITTLE TEENAGERS FOR BEING WRONG. WE ARE ALREADY INSECURE ENOUGH.
Tldr; History fans, treat Six fans with respect, and acknowledge that their fandomey queens are not the queens you know and love. Six fans, respect the queens (and the history fans), do some research, and put *Queen’s Name*- Six in the tags, so that history blogs don’t ALWAYS have to see Six content. Both groups, respect others opinions. Stop constantly trying to prove you’re right. In the case of Six fans, you’re probably not (sorry) and in the case of history fans, most of the Six fandom are new to this and still learning.
Sorry for the long post @thedeadqueensclub I meant to have this finished a while ago. I don’t really know of any other fandom drama aside from the Tudorblr Vs. Six thing, so this is all I got for fandom toxicity (though there is definitely a lot more I haven’t covered)
I really enjoyed answering this, and would love if I got more asks (though it might take some time to answer them) It’s really nice to talk to all of you!
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inthedarkofficial · 3 years
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Stats at 25
I did this at 18 and at 21 because they felt like milestones, and... well, so does 25, I guess. It's going under this time though, because you know what that is? Growth.
Novels Written: In the Dark (no, really, it's done this time!), Dragons, In the Flames (which was meant to be In the Know), and I'm about 31,000 words into the real In the Know
Poems written: 40+
Agent Rejections: 21 this year alone (and I at about 30 total? Fuck)
Agent Requests: On their way, of course
Works planned: 15 novels, 4 short story collections, 1 encyclopaedia. 1 poetry collection, 1 short play, 1 nonfiction essay.
Publishing credits: 1 that we talk about (FourxFour baby!)
Characters: where do they keep coming from?
Lives lived: Why did I phrase this in the past tense? It's still happening
Life path: One step at a time, but an author, always
Books Read: Not as many as I'd like
Books to Read: A lot more than I'd like
Concerts seen: 27
Grades in piano: 3 (why do I keep including this?)
Memories: Treasured and painful and apparently something I have to fight for
Time: Lost all meaning this last year
Nickname: Still going by Padfoot, call me Roro and I will cut you
Clothes: So! Many! Clothes! but they make me feel better than ever
Style: It changes every day because I change every day
Friendships: How did I make new, incredible friends during a lockdown? I don't know, but gods bless D&D
Parents: We survived together in one house locked down for over a year, I'm so grateful for them
Family: I miss you Kali. I miss you nan. I want to hug you, Maddison. I want to give all of you a hug, honestly.
Enemies: I'm still coming for you, Derek
Sexuality: I keep looking closer and closer to see what the ins and outs are, but I'm bi and queer and that's enough
Gender: I fucking came out as genderqueer and I've started playing with pronouns and gender presentation and honestly? Never felt better
Hair colours: Literally could not tell you anymore. How many? Who knows. I want another.
Education: A in 11+, 2 A* and 8 A GCSEs, 1 A* and 2 A A Levels, 2.1 English Literature Degree, and I will finish this fucking proofreading course! Also, that masters degree is really calling me like a siren...
Tattoos: 2, and as soon as Covid allows it, I'll be getting more
Continents : 3
Countries: 10
Cities: I clearly counted this wrong and now? no clue
Homes: About to be 9!
Places to visit: I just want to go and see (and meet!) my friends, honestly
Vaginismus: Diagnosed! Fucking diagnosed!
Dilators: size 2!
Relationship status: Not going to be fucking decided by what some fucking Western doctor thinks I should be using my vagina for holy gods.
Standards: I want to be loved right down to my scalp. I enjoy my own company too much to settle for less.
Tears shed: My eyes hurt
Laughter: My ribs hurt
Jobs: 5, +writer, always. Fingers crossed for some sweet, sweet income soon though.
Readings: More! Let me do more! Covid, you bitch!
D&D campaigns: 1 abandoned, 1 shelved, 2 ongoing, 1 beginning soon
D&D Podcasts: R.I.P. Edge of Night
D&D characters: Where are all you stupid bisexuals coming from? (Not you, Caleb, we're thrilled to have you here)
Clean: Been a daily struggle this year. Not quite succeeding sometimes. But never fully relapsed. I can be proud of that.
Mental health: Ups and downs, but I'm taking back control
Physical health: Ready to fight doctors, but I'm getting there
Height: 5′2″, do I really need to keep recording this?
Shoes size: 3 (uk), I totally need to keep recording this
Weight: Most days I like my body, and that's a big improvement
Puns: cannot count how many times I got kicked out of skype calls this year
Beliefs: Maybe it's better to have ideas, but I've found names to give power to, powers to give love to, I have principles I live by, the faeries in the garden still get offerings, hawthorn trees carpet the garden in flowers, and I am enough. The worls is on fire, and full of people doing harm for no reason, so it's hard to believe that the world is good, but my life, at its core, is a good life. And I'm so grateful, even when things are hard.
Happy memories: even in the darkest and hardest of times, I have had moments of pride, and moments I felt loved. I know what unconditional love is. What could be better
Sad memories: Reclaimed, remembered, and not going to fucking control me.
How the things I planned to do at 21 panned out: actually learned what it takes to find an agent and though it took longer than I planned, I am now doing that process. Gave up krav maga, no regrets. Did finish my third novel (at least, first draft), then learned it was the wrong novel. But I did write a whole other novel. Graduated UEA with a 2.1. Successfully left Norwich and never have to fucking return! Have done freelance editing work and got a job at Debenhams, though Covid fucked those a bit. Wrote that fucking dissertation and it's fabulous. Did see Hamilton. Did put more hats on Cicero before he broke (but he's now getting repaired!) Decided a TEFL was an insane idea, I hate teaching. Did, indeed, continue to live and did a whole lot else.
Goals at 25: Keep submitting to agents, finish In the Know and work on the faery books, continue my physical and mental health journey, keep working with the dilators, move into my own house (!), find a steady source of income, start getting my poetry and other writing out there, finish my vaginismus article, visit my friends, get a new tattoo, keep volunteering at Pride, play enough D&D to justify all these fucking dice sets, get Cicero back, keep building the life I want.
Life at 25 years: when I wrote my "Stats at 21" post, I didn't know how much denial I was in. I'd totally repressed the memory of being sexually assaulted and I didn't even know about a condition that I've just learned has likely been impacting me in multiple ways all my life. I hadn't even met a person who would become one of my best friends, and then my boyfriend, and then my ex, and then totally out of my life by the time I write this. I barely knew the guy who is now one of the most important people in the world to me. I was only beginning to question my gender. I'd not questioned my sexuality in years. I've been through counselling, learned to stand up for myself, worked on so many projects I couldn't even imagine being a part of back then, been on a huge vaginismus journey that's still on going, started playing D&D, went to the graduation ceremony I never planned to attend, and I'm about to have my own house, just to point to a select few things. There's been a global pandemic (still ongoing), movements and trials that helped me find my truth and broke my heart, Brexit fucking happened, I lost my best, dearest and oldest friend (I love you Kali) and my nan... I could not have imagined what 25 would look like on the night I turned 21, just like at 18, 21 was impossible to picture.
So I guess... hi future Rowan. Happy 27th birthday (of course it's going to be 27). What does your world look like now? Did we fall in love? Did we make good dilator progress? How's the house? Did we decide on kids? I cannot begin to wonder what your world looks like, but I swear, I'm working on making it good.
"Soft and slow/Watch the minutes go/Count outloud/ So we know you don't keep them for yourself." - Halsey
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2020 Books Read So Far
Note: Most of these are audiobooks (listening to books counts as reading books and if you disagree I’d ask you to consider why you believe that), books I started and didn’t finish will be listed but not reviewed, and all my opinions are extremely subjective. I’m putting this on this blog because I want to and I think it’ll help me keep track of what I’ve read if I write it down in a couple places. 
Some notes:
I’m surprised that most of these are nonfiction! I don’t usually think of myself as a nonfiction reader. 
Having audiobooks has made me way more productive as a reader, since I can read while I’m doing repetitive tasks at work, when I have to stand on the bus, when I’m running, etc. 
Naked, by David Sedaris
3/5, the audiobook was “unabridged selections” which means “we didn’t edit the individual essays but you’re only getting half the book”– it would probably have been a 4/5 if it was a whole book. I liked that Amy Sedaris was reading parts of it, but that’s because I like her more than I like her brother. This is sort of an example of the difference between “comedic” and “humorous,” because it’s definitely the latter. 
Read it if: you want to read something pretty fucking weird. 
Lafayette in the Somewhat United States, by Sarah Vowell
4/5, I saw this recommended a lot when Hamilton first came out so it’s been in the back of my mind for a good while. The book had a great cast, and having different people reading the historical quotes was an excellent touch! 
However, I think Vowell’s conversational style is a little jarring here sometimes. It’s like “wait, why are you talking about Bruce Springsteen, I’m not that familiar with his work but he definitely isn’t from Revolutionary War times.” I got her book Assassination Vacation at a used bookshop recently as well, and both books suffer from post-2016 hindsight, where she’ll say something about how incompetent and foolish the politicians of her time are, and I just have to snort to myself and say “Sarah, you’re going to lose your goddamn mind soon.” That’s a bit of an unfair reaction, but it’s hard to avoid having it.
I was also, maybe unfairly, expecting to learn more than I did. The problem is that I know a Lot about the Revolutionary War, and from the introduction I thought we’d hear more about Lafayette’s later life (my knowledge drops sharply after about 1810). The book basically ends after the Battle of Yorktown, though.
Read it if: you have not seen/listened to both Hamilton and 1776, or if you want to read a summary of the Revolutionary War with a focus on one French captain. 
Assassination Vacation, by Sarah Vowell
3/5, honestly maybe a 2.5/5. Okay, so. Either I know a lot more about American History than I felt like I did or this is again a very surface level thing. Part of it is because she spends 123 pages on Abe Lincoln. There are 255 pages total. 2/3 of the states I’ve lived in are Indiana and Illinois, two states that fight about claiming Lincoln as their own, and I’ve been to D.C. 4 or 5 times, so I feel like I know enough about Lincoln. I know about John Wilkes Booth, and his brother Edwin who saved Lincoln’s son’s life, and the death train that took Lincoln’s body around the country. I did enjoy learning about the doctor who was probably conspiring with Booth and how he ended up saving tons of lives in prison when there was a yellow fever outbreak (also to be briefly unbearably nitpicky: I think she might have mixed up dengue and yellow fever? She calls yellow fever “breakbone” but I can only find instances online of people calling dengue fever that. Maybe they called them all breakbone in the late 1800s. If anyone reading this is an epidemiologist, let me know).
It was interesting to hear that Charles Guiteau, killer of President Garfield, was part of the Oneida cult. I’m trying to think of anything notable she said about Leon Czolgosz, killer of President McKinley. I guess she talks about how people assumed he was a foreigner because of his name, but I already listened to “The Ballad of Czolgosz” in Assassins, so I knew “Czolgosz, angry man, born in the middle of Michigan.”
This one is from 2005 so the politics stuff is a little more interesting, since at the time I was busy learning multiplication and spending one entire baseball season learning about baseball and following my team (they won the world series, I have excellent timing). I will say that in 2005 we did have Google, so I am again annoyed with some of her asides and personal anecdotes. Look, if you go to the Hemingway house and you don’t know there will be cats there, that’s on you if you don’t bring your Claritin. Hemingway is associated with only two good things, six-toed cats and Daiquiris. 
She also does not acknowledge that the parties basically switched platforms? Lincoln’s Republican party is not today’s Republican party, in fact kind of the opposite, so it’s weird that she starts the book with a dedication that’s like “to my lifelong Democrat grandpa, he’d be pissed I dedicated a book about 3 Republicans to him.” I guess she does sometimes say stuff like “how did Lincoln’s party become Reagan’s” (paraphrase), but she doesn’t actually get into it. 
Speaking of Democrats, she literally spends more time talking about Pablo Picasso than she spends talking about JFK. She doesn’t explain why she didn’t talk about JFK, but it seems bizarre to me to write a book about American assassinations and to leave out John Fucking Kennedy. Literally I’ve talked more about JFK in this section than she did in her assassin book. It’s not until page 253 that JFK gets a full paragraph. There are 255 pages total. Truly, if she’d taken a paragraph to be like “I’m focusing on the presidents who were elected before 1900″ or “the presidents whose immediate families aren’t still alive” or even “I didn’t want to travel to Dallas for research” or SOMETHING to explain why she left out JFK, I would have understood it more instead of flipping through the pages wondering what was going on. 
Read it if: You do not listen to too many history podcasts and you didn’t read the Wikipedia page for the musical Assassins. And I guess if you don’t want to acknowledge that JFK did also get assassinated and that was kind of a big deal. Actually just listen to Assassins instead. 
And Then There Were None, Agatha Christie
5/5 as a mystery, 0/5 for its original title (not gonna say it here but if you’ve ever googled the name of HP Lovecraft’s cat, it’s along those lines). Less than 6 hours, narrated by Dan Stevens from Downton Abbey, fairly ideal as an audiobook. I am 95% sure I’ve already read this, because I spent the summer before I started high school reading every Agatha Christie book in the library (I do not have a list of all the Agatha Christie books in my library the summer of 2010, so there is some question). 
Read if: you want to hear the guy from Downton Abbey deliver the line “I’m not a complete fool!” in a tone that makes it sound like “I’m not a fucking moron!” Sidenote: Can anyone tell me if Brits say “solder” by pronouncing the L that I’ve always heard as a silent L? Or if Dan Stevens just fucked up that one word?
Over The Top: A Raw Journey to Self-Love, by Jonathan Van Ness
4.5/5
This was a super enjoyable audiobook! It’s a testament to JVN’s considerable charisma that this book is full of him giving people in his past who would rather be anonymous Russian names, and it doesn’t get grating (as a Marina, however, I was shocked to not hear my name at any point; most of the other Marina’s I’ve met in my life are Russian). JVN has had a wild ride in life, and it’s a really raw, honest story of how he became who he is. I will say that if you are interested in reading this, please look up the trigger warnings; there are a lot of things that could be triggering to people. 
I feel a little bad at how much more I liked this one compared to Tan France’s memoir, but I also feel like whoever was ghostwriting that one did a bad job at making Tan seem... not extremely defensive, cocky, and prickly (it seems that JVN did not use a ghostwriter; Tan’s on the other hand, let the phrase “I’m proud to be a petty bitch” make it into the final proof several times). Also JVN advocates going to therapy in his book, while Tan kind of says that you should only go to therapy if you have no friends or family or life partner to talk to, which I fundamentally disagree with. I don’t know. I also feel like, if I were to get a makeover from the Fab 5, Jonathan would love my hair (I have great hair) while Tan would say that I’m dressing too old for a 24 year old and then take me to fucking Lane Bryant or Torrid (I wear a size 16 US so IRL options are limited). 
Read if: You like Queer Eye or Getting Curious with Jonathan Van Ness
Medallion Status, by John Hodgman
4.5/5
I really like John Hodgman’s podcast, and I got to ask him a question at an event he did at the Field Museum and he was very nice, so I went into this inclined to enjoy it. 
And I did! I had a good time reading it. I read it the first week of January and now it’s the second week of February so I have already erased much of the book’s content from my mind, but he somehow made the perspective of being a formerly kinda famous person really interesting. I would also recommend Vacationland, particularly if anyone wants to write an au where Nursey, as a New Yorker, has a vacation home in Dex’s town in Maine. That’s right, I brought it back around to the topic of this blog. And that would be a fucking fantastic au. 
Read it if: you like memoirs! it’s a good one. 
Murder on the Orient Express, by Agatha Christie
Gonna give this one a 3/5 for performance, because Dan Stevens (again, because I liked his narration in the other one) does a really annoying American accent for a few characters, and an extremely bad Italian accent for another. I’m starting this review only a few hours in, so if it turns out that the Italian man is not Italian, I’ll revoke my criticism. Still a 5/5 mystery, though. I did have to stop many times when they were talking about Istanbul to go over to Spotify and play “Istanbul (Not Constantinople)” by They Might Be Giants. 
Books abandoned in 2020 (so far) (no real spoilers, I didn’t get more than a few chapters into any of them):
The Unhoneymooners, Christina Lauren
I got to a point where the main character was telling a lie that would put her newly accepted job into jeopardy, and it stressed me out so much as a relatively new hire that I stopped listening for the day and started another one, and then the week had passed and then the library took it back. I think I’d enjoy it more if I was reading it physically and I could control how fast I got through awkward parts (I am practically allergic to secondhand embarrassment). The performance was good and I did get a hankering for cheese curds. 
Me Talk Pretty One Day, David Sedaris
I had like three audiobooks checked out at the same time, and even though this was again an abridged version, I just didn’t have time for all of them. My mom has a physical copy, I’ll borrow that at some point. 
The Witch Elm, Tana French
This is one I may revisit someday. The main character is kind of an asshole, which is the point of his character I think, but it made it hard to get into the story. It’s also a 22 hour audiobook, which is kind of insanely long. Additionally, the narrator has a very slow way of talking, but if I tried to speed up the rate of playback I had trouble understanding his accent (I think I just have trouble processing really fast speech in general as well, but I would’ve had an easier time understanding someone with the same accent as me). Anyways, someone put a hold on it at the library and then I didn’t check it out again. 
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valerie · 3 years
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TWITL - week fifty-three - farewell 2020
New Post has been published on https://kiari.com/2020/12/twitl-week-fifty-three-farewell-2020/
TWITL - week fifty-three - farewell 2020
I’m starting this on December 31, 2020 but not sure when I’ll post it. We’ll see how it goes.
I’m never one to call a whole year a total negative, so I’ve never understood the people who take a whole twelve months and say that it was all crap. I want to ask them– so, not one day shone bright for you? There weren’t bright spots that were actually wonderful moments to counter whatever utter despair you experienced? You would erase that whole year from your memory because it was that bad?
Of course, I never ask those questions. People will feel what they must and if writing off a year helps them for the upcoming year, go for it. I’m just not that kind of person. I say I go for balance but really, I tend toward the more positive moments and feelings. I try not to give in to the darkness and despair for too long.
2020 has certainly challenged that resolve.
Let me acknowledge that 2020 has tested us in so many ways. It’s been a hard year for so many people. We have all had to realign what’s “normal” and what we can tolerate. We have lost more than we should have. We have had to rise out of our selfishness and face the fact that we are all connected. We felt fear and anger and helplessness. Some of us rose above it to heed the calling of community. Some of us sank into the darkness. Many of us just tried to keep afloat, to find that new normal, to strive for some balance.
It was scary, wasn’t it, when we had to lockdown? Part of me liked staying home but I didn’t feel somewhat relieved until I found out that I would still have a job through all of this. I was further heartened by the fact that the husband would still have a job as well. We didn’t have to worry so much financially (beyond the usual worries). It sucked hard too, didn’t it, to have your favorite places shut down? I missed going to the library and to the bars after work, as well as restaurants and such. The hardest thing for many people, of course, was not being able to see family and friends. No matter how amazing technology is, nothing can replace that real smile, the kiss on the cheek, the warm, tight hugs, or even the handshakes. Most of us crave even the simplest of touches and so many of us were denied it because of the pandemic. Many of us are still denied that simple thing.
I do not go through my days in fear because I have to wear a mask. Do I find it inconvenient? Yes. But it’s not the rights stripping directive some people would have you believe it is. If you don’t want to wear your mask, then stay home and yell at the tv or internet. But if you have to go out, wear the fucking mask. Don’t be selfish. Don’t be an asshole. Please. Why is it such a challenge for people to think of their neighbors and the good of the community? Isn’t that what most religions teach us? This pushback on masks and social distancing will continue to boggle me.
So what has 2020 shown me? Well, in stark ways, the year has shown me that people SUCK HARD. It has also shown me that people are amazing and generous and courageous and loving. I try not to dwell on the people who would rather spew negativity. No, I try to focus on the people who are positive and enlightening and real. So too, I try to be. 2020 has also shown me how I personally handle crazy times. The year wracked my nerves for sure and it made me search within myself for the tether to keep my balance. I tried to feel all the confusion and uncertainty then let it go and work through it. 2020 was certainly a year of self reflection.
2020 also brought me joy and contentment. The husband and I have each other, a home, money in the bank, and good people around us. Sure, we missed going to concerts (probably mostly me), the bars and restaurants, heading to breweries, seeing our family and friends. But we got to spend a lot of time together and that’s always a good thing, even if you’ve been married for 26 years. So no, I would not take back those days and months or mere moments together.
Things 2020, good and bad:
January – I “broke up” with one of my fellas in melodramatic fashion but I’m still doing the fan thing for him because of my fellow fans. But I tell you, my heart still really isn’t in it… The 49ers made me care about football for a little while by being NFC Champions.
February – Ugh, the 49ers lost the Super Bowl. But hey, at least they got there?… The busiest time of year at work started for me. Transfers galore!… Tyler Rich was announced his first headlining tour and I bought tickets for it!… Saw Sonic the Hedgehog in the movie theatre. Wait, was this the last movie I’d see in the theatre for 2020? (Yes, yes it was.)
March – Jack Whitehall was announced as part of the lineup for Netflix is a Joke, with a show on May 2nd in Los Angeles. I bought tickets for it, thinking I’d have to find a way to say hello to him and have him say Happy Birthday to me since my birthday would be the day after his show… I had a passport appointment because I thought we might be going out of the country in June… I got a free haircut and then a week or so later– lockdown… Spring Break was one of uncertainty. We were told to stay home but I went in for a couple of days just to catch up on things… Tyler started his IG live sessions and Simon Kassianides read a poem everyday for awhile– the things that kept me somewhat sane as lockdown began.
April – Work steadied. At first, I worked from home, which I did not mind at all . I was just happy to have a regular schedule of sorts and a paycheck!… Oh, that Zoom chat with the G Bar crew and having a special guest sing for us… 26th wedding anniversary!… I wrote a poem a day for a few weeks, inspired by Simon reading poetry for a time… The 30th marked five years since we met Tyler…
May – I turned 49. LORD!… Learning to wear a mask, social distance, etc… Started a new story that for some reason had Chris Hemsworth as inspiration. This led to me brushing up on Hemsworth’s work… Someone got a new phone (not me)…
June – Bangs trimmed at the salon. First time out seeing people other than the husband and co-workers. Crazy!… Watched from afar the protests and read about a lot of it online… Working from home but going into work twice week, which isn’t so bad… Debuted Besotted by Chris on Chris Conrad’s birthday!…
July – Watched Hamilton and it was SO GOOD! I totally get it now… Took some time off from work that I would have normally taken at the end of June/beginning of July… The news cycle was so exhausting…
August – One of my work friends died and it just hit me so hard… Fires made the sky so smoky…
September – Tyler’s debut album was released! Two Thousand Miles – go and get it!… Another Zoom chat with the G Bar lovelies. Tyler and Sabina joined us and there might have been some tears… Also a CPN chat. Love those ladies!… The hubby was away and out of radio contact for about five days. It was weird. I was so happy when he was back home…
October – Simon Kassianides called me his Number Two fan (his mum being the Number One fan). Umm, what the hell?! Giddy fangirl moment… The Apple Event happened and I decided I would get the iPhone 12 Pro. Then I thought about it more and thought, why not get the iPhone 12 Pro Max and really test my patience… Started prepping for National Novel Writing Month…
November – Headed to Anchor Bay for the first weekend of the month and it was cold but beautiful. The first time in a long time I felt “normal” because I was unmasked around people I hadn’t seen in awhile. And all of it was outside, so I felt “safer” about it? Came home with a cold though… Oh, the election. I was so glad I voted by mail… National Novel Writing Month! I got to 50k words but I was behind pace for most of the month. The fella who inspired this story? Freakin’ Chris Evans. What the hell? I blame my OT… My new phone was in my hands on Friday the 13th! I bought the iPhone 12 Pro Max and I LOVE IT. So big, so pretty, so expensive. Ye gods!… Back to shelter at home mode because people can’t do simple things… Went a little nutty buying stuff online during those many off days…
December – Renewed our rental for another year. YES!… Donated to a short film mostly because Simon Kassianides is in it. It’s so cute. I hope it gets picked up!… Speaking of Simon, he’s the reason for my best Monday ever! Seriously, that Cameo Shanaye got for me is the BEST. I wonder, did he know that he was making the video for his Number Two fan?… Closing out the year off from work. It’s the best way to end this crazy year…
And that’s it! If you actually made it to the end of this, nice on you! I might do a part two to this with my hopes for 2021 but we’ll see. Until then…
WEAR A MASK, KEEP YOUR DISTANCE, WASH YOUR HANDS.
Love to you all!
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thestraggletag · 5 years
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Human Nature, Part One
AN: Happy Birthday to me! Here’s a fic I wrote to commemorate the day. Part two needs editing but will be along shortly. Enjoy!
Also can someone please write a better summary? This is an honest request. It can be my birthday present.
Rating: R
Summary: Warm Bodies AU. After the zombie apocalypse is averted it’s up to Belle French to rehabilitate a mostly-dead Mr Gold, against advice of the experts and the wishes of the entire town. As she struggles to fan the spark of humanity back into Mr Gold she fails to notice something else kindling between them.
It took months to get back to Storybrooke after the beginning of what was known as "the treatment" by which most of who'd been affected by the zombie-like virus slowly regained their humanity. It was slow-going, the process done with an overabundance of caution that nobody begrudged, taking into account what the years before had been like. The outbreak had lasted a little under five years, but it had seemed like months, and so much had changed in that time that life before seemed like a distant memory. The idea of just picking up where everyone left off was an impossible fantasy.
When Brisbane had been hit Belle, who'd been visiting relatives at the time, had been lucky enough to get evacuated to Hamilton Island, where the only undead she'd been close to where relatives of locals, who could not bear to put them down and so kept them locked away in the basement of the local pet shelter. Once word of the treatment reached them most of them had been successfully rehabilitated, and soon after that she'd made her way back to the mainland, to be of help where she could and find out news about her family and friends.
She'd first heard news of Storybrooke from Ruby, when internet access was restored. The town had taken a hit, like most, but efforts were underway to rehabilitate as many people as possible. She cried with her friend when she called her to tell her Granny had called her by her name. Speech was a big step in the treatment, and it was then that they both knew that Mrs Lucas was going to make it.
She had to wait a long time for flights to be restored, and by then things were mostly under control. She'd heard from Ruby and others that Storybrooke was a sort of success story unlike any other, with all services restored, schools open and a rehabilitation rate that defied expectations, and a lot of it was attributed to the iron will of Madam Mayor and the security efforts of the Town Sheriff. Quite the formidable power couple, according to Ruby. She thought their love story surrounding their shared son was very cute, as far as apocalyptic tales went.
And though she had thought at first that Ruby's boundless optimism in the face of Granny's recovery was prompting her to paint a rather misleading picture of how things were back home when she finally made it back to town she had to admit it looked as good as she'd described. There were some signs of destruction, some roadblocks that were still only half-cleared and half the buildings seemed to be in the process of repair but there was an air of orderly normality that she hadn't seen in other places. Ruby had been there to pick her up from the bus stop, squealing and hugging her for the longest time before commenting on her silver-streaked hair, telling her she loved it.
"You can totally get hair dye, the pharmacy is up and running again- no idea how Mayor Mills did it but it's almost completely restocked, she must have made some interesting calls to well-connected people- but I kinda dig the look. Goes with your more angular features."
It was a nice spin on things, as if her thinner body and grey hair were audacious fashion choices and not the product of hunger and stress. The upbeat attitude was decidedly contagious, specially once she saw that her beloved library was mostly undamaged. Boarded up still, and a little worse for wear on the outside, but the inside was just as she had left it. She commented on it to Granny as the woman forced a second helping of pie on her. For someone who had undergone the treatment she didn't really look it, with the exception of a slight stiffness to her movements.
"I'm glad the town council moved so quickly to board it up."
"They had nothing to do with it. It was Gold and his crew, mainly that huge mammoth of a man that worked for him, Dove. Did it by themselves, with the help of Marco."
Though Granny's tone was as gruff and as acid as it always was when she talked of the pawnbroker Belle felt a pleasant warmth bloom in her. She'd always had a soft spot for the Scotsman, something she knew was a bit of an unpopular opinion in Storybrooke. He had always had a smile and a polite comment or two for her whenever she saw her, was a staunch ally of the library in town council meetings and was keen on chatting about a book when he returned it, which he always did in person. Once or twice they’d sat together when Granny’s was too full and his was the only table with spare seats. People had warned her after the first time they’d shared a cup of tea in public that she was better off staying as far away from possible from him, but she had refused to comply, specially when she caught the bias in a lot of the stories, like the one Ashley Boyd spun, about Mr Gold cruelly charging interest for the rent of a meager little flat after having been “a little bit late” on the rent. She was never specific about how late till Belle asked, and she reluctantly admitted it was over two months, even past the grace period contemplated on the rental agreement.
“Still, who threatens to evict a young couple with a newborn baby and nowhere to go?”
Ashley was also always careful not to mention her father-in-law, well-off and with more than enough room in his house to host his only son and his wife for a lengthy period of time. Belle could see how her tale of woe lost a little of the dramatic edge with the addition of those pesky details. So she had carried on being friendly with the pawnbroker, even if it made people look at her funny and sometimes whisper behind her back. Just one of the many things that made her strange in the little town, along with her accent and habit of reading in the strangest of moments and places. She hadn’t cared.
“That was so kind of him. I must go over to his house and thank him.”
She hadn’t seen the Scotsman around since her return, but she’d assumed he was busy either with repairs to his home or perhaps the shop, or even trying to restore order to his many properties. He was a fastidious landlord and considering his nature she imagined he’d be one of those people eager to set the world to rights, to restore order.
“You haven’t told her?”
Granny looked at Ruby reproachfully, though she tried to shrug it off. The old woman sighed, not-quite managing to roll her eyes.
“He was amongst the people infected during a breach a couple of years ago. We’ve been told he’s in treatment, but not responding well. It doesn’t quite work on everyone, as you know.”
It felt impossible, at first. Mr Gold was such a vital part of Storybrooke that it made no sense for the town to be still standing without him. He was also so strong, despite his short stature and his reliance on a cane to walk, that it made no sense to think that even the outbreak could’ve gotten to him. He was the sort of man she would expect to survive the apocalypse, if not thrive in it.
It wasn’t until a couple of days later, when she overheard Katherine Knight talk about “visiting Freddie” that she gave more thought about Mr Gold’s situation. Frederick Knight, Katherine’s husband, was amongst the people still being treated and it had not occurred to her that visits to those infected were not only possible, but desirable. It was human contact, after all, the key to guide those afflicted back to their humanity. Contact and communication with loved ones, with people near and dear, was even better, capable of speeding up the process. And she was sure that, though not close, Mr Gold had considered her a friend. She certainly knew him enough to be of help, and she couldn’t imagine people would much object to her taking him off their hands for a couple of hours a day.
It was with a sinking heart that she learned that, though the treatment of the infected was officially managed by the local hospital, the actual efforts were overseen by Mother Superior and her gaggle of nuns, all of which had survived the apocalyptic events. They had done so mostly because the good Mother had ordered the convent’s doors to be bolted at the first sign of trouble. The sisters had spent the entire apocalypse safe behind the tall walls of the convent, living off the produce from the gardens and closing their ears to the pleas for help from outside.
It was no wonder Mother Superior had decided to offer the services of her little lambs when hands were needed to treat the infected once it was discovered this could be done. It was a way to change the narrative, to erase whatever ill-feelings there remained in town regarding the nuns. It was also a way to position herself in a place of power and relevance, one she relished with little subtlety, it seemed to her. She was practically goading when she turned Belle away, telling her Mr Gold was unfit to receive visits of any kind, and that she could give her no further information.
The rumours she heard were not encouraging. People whispered about Mr Gold lashing out against anybody that dared approach him, about him savagely attacking orderlies and snapping out of restraints with a brute force surprising even in an infected. Too violent to be cured, people said, a beast on the outside as he’d always been on the inside. So thin and haggard, in such a state of rot, that he was practically a boney. The town seemed quite content to do nothing about it, so she decided in the end to take the matter to the mayor. Regina Mills was the closest thing Mr Gold had to family. They’d known each other since she was a baby- there were some unsavoury stories about the pawnbroker and Regina’s mother, but nothing anyone could corroborate- and though they usually bickered they seemed to have a certain respect and fondness for each other, at least from what she’d been able to see.
To her credit Regina did seem to share her concerns regarding Mr Gold- Hell, even Sheriff Swan, not his biggest fan, seemed sympathetic- but didn’t think much could be done about it.
“I wish I could tell you Mother Superior or the orderlies at the hospital were exaggerating, Miss French, but I’ve been to see Mr Gold. Even restrained he was quite violent, and my presence seemed to agitate him more than help him. I believe everything that could be done for him is being done. He’s simply… not responding as he should. I am told it happens.”
She seemed to be honestly contrite, which gave her the opening she needed to convince her to demand the hospital let her visit. It took a while, and some back and forth, but she was finally given permission, though begrudgingly, by Dr Whale and Mother Superior. She was full of cautious optimism that morning, joining Mary Margaret Nolan in the hospital entrance lobby to wait for visiting hours to start, listening intently as the schoolteacher told her that she was hopeful her husband would be released soon, given his progress.
Her enthusiasm waned somewhat when Mary Margaret was ushered along a brightly-lit corridor and she in turn was escorted to a key-coded door that led to the basement, and taken down a flight of stairs into a dark hall, where a clearly-recovering orderly was mopping the floors. She was told to go to the “cell at the end”, a phrase that did away with the rest of her cheerfulness. The air down there was damp and stale, and mold grew on certain areas along the walls and in corners. The floor was solid concrete, with an abundance of thin, spidery cracks, and there were heavy metal doors to her left, with small covered windows slots further down that remained shut, but likely was meant for trays.
She found him when she peered into the third door, though it was difficult to see him at first because the cell was unlit but for the light that shone from a small barred window high above and he was in a shadowy corner, standing still. It was only when her eyes adjusted to the darkness that she began to make out his silhouette, and later more and more details. In many ways it was easy to recognise him: custom suit, slightly-uneven gait, favouring one leg clearly over the other, and shaggy hair a tad too long to be respectable. At the same time, however, the man in the cell looked like a complete stranger: rail-thin, with his trousers torn and his suit jacket in tatters. He wasn’t even wearing a tie, something she’d never seen Mr Gold without. The eyes, however, were the most striking difference: clouded over, almost milky-white, dull and unfocused.
“Oh, Mr Gold…”
The living corpse seemed to shudder, head tilting back to sniff the air. She braced herself for anything, any sudden movement or anything that could remotely be construed as violent, but nothing happened. There was definitely something different, though, an awareness that hadn’t been there before. He could certainly smell her, she knew that, and had likely heard her loud and clear- infected tended to have their sense of smell and hearing heightened, even while their organs and muscles deteriorated. So he knew she was there, but did not attack her, did not seem interesting in doing her harm. The way it seemed there wasn’t anything inherently aggressive or incurable about him, he simply had been left alone to rot.
If no one was gonna do anything about it she would.
She decided the best way to establish any sort of relationship was through something she knew Mr Gold enjoyed. She set aside several afternoons a week to sit down on the hard concrete floor next to Mr Gold’s door and read him, choosing books from his favourite authors and genres. She started with Borges, which he had often checked out, and Irvine Welsh, along with some Cortázar and Verne. She would sneak in, unsure whether Mother Superior wouldn’t try to stop her if she knew what she was trying to do, and spend hours reading and drinking tea. Sometimes Ruby would sneak her something to eat- she had decided early on that she needed at least one person who knew where she was going and what she was doing just in case, specially when it became clear no one went to the basement except her. No nuns, no doctors, no one. People were literally waiting for Mr Gold to turn to dust, too squeamish to outright put a bullet in his brain and be done with it but in no real rush to see him recover either.
Spite became a motivator during those afternoons were things didn’t seem to be progressing and it looked like she was wasting her time. Mr Gold would like that, she thought privately. She felt an odd sort of camaraderie when she thought about sticking it to the nuns, about the expression on Mother Superior’s face if she succeeded. She told him about that, and about the progress being made around town. At some point she started calling him by his first name- Ramsay, a confession he made when she’d playfully teased him about having “R. Gold” as the name on his library card- thinking it might spark something.
She would feed him too, whatever large chunks of raw meat she could get from Granny, who she suspected was well aware of what she was doing but said nothing. She was fully cured, herself, with minimal sequels, but her experience seemed to have made her empathetic to Mr Gold’s plight. She had retained some of the incredible sense of hearing she’d enjoyed while undead. It wasn’t unheard of for people to keep a trait or two from their sickness, though it was rare. In some cases the infection had cause certain irreparable changes to their physiognomy, specially in those further gone.
Fortunately for Belle Mr Gold enjoyed the raw meat, though she never saw him eat it. She’d leave it before heading back to the library and it’d be gone in the morning, tray licked clean but Mr Gold back in his corner. It was a relief, somewhat, to see him lose some of his boney appearance, though he was still rail-thin, little more than skin and bones.
Her first big break happened during an ordinary afternoon, while she sat and read to him something by Horacio Quiroga. Mr Gold rather liked the dark short stories, and though some people might have thought them inappropriate reading material for a recovering zombie Belle disagreed, thinking that anything that might elicit a response from Mr Gold, any response at all, was worth trying.
It was while she was nearing the end of The Feather Pillow that she heard a shuffling and later a thump right on the other side of the door. Tentatively she knocked on the metal door, barely containing a happy laugh when something on the other side knocked back, slow but surely. It was the first time that Mr Gold acknowledged her at all and thought it was a small thing it felt like something monumental. It put a smile on her face so bright Ruby teased her about it for weeks, and prompted her to take a leap of faith one afternoon and open the latch that kept the small window on the door covered. There was no glass to further separate them so she was able to tentatively slip her hand through the opening.
“Come here, Ramsay. Come on, you know me. It’s okay.”
Mr Gold did perk up somewhat, and later dragged himself across the room. She forced herself not to flinch as he leaned forward, his nose almost brushing her skin as he breathed in deeply, hesitantly at first but pressing closer when something about the scent seemed to catch his attention or spark something in him. He never made a move to bite so for the longest time Belle just stood there, on her tippy-toes to be able to pass most of her arm through the opening, fighting the urge to pull back. Her fear gave way to cautionary optimism and later awe at the way Mr Gold practically rubbed his entire face against her hand, as if the notion of skin to skin contact was some sort of miracle. He breathed her deeply now, big lungfuls of her scent, nose pressed tightly against her palm or the underside of her wrist, his expression almost desperate. He made a sort of whining noise when she was forced to pull her arm back, and followed her hand until he physically couldn’t anymore.
She cried later that night, back in the safety of her library, away from prying eyes, part out of sheer relief and part out of anger and sadness at the thought that Mr Gold had been left to rot not because he was beyond help, but rather because it was so convenient. So many people had been given second chances once the rebuilding had started, people who had committed questionable or even downright despicable acts during the apocalypse. Ruby had warned her at the beginning about some, like Keith Nott and Greg Aston, who had taken to the chaos of the past years like ducks to water, had grown unruly and dangerous. She had heard only half-stories, mostly from Ruby, mostly things no one could prove or cared to now that the human race had another chance and the population was in dire need of able-bodied men to rebuild and reproduce. If Storybrooke was ready to embrace lowlifes like those they would have to get used to having Mr Gold back, and she’d call out anyone who dared fight her on that on their hypocrisy.
From then on it became routine to let him smell her. Mr Gold seemed to look forward to it, being sure to stay close to the door and letting out a growly sort of purr when she reached out to him. He was also eager to let himself be stroked and his hair petted, which took a bit of getting used to but to her made sense. Mr Gold had always avoided contact as a rule. Though he sometimes tended to invade people’s personal space as a tactic to put them ill at ease, he usually skirted human touch. She’d had occasion to make a study of it,  back before the apocalypse, down to how Mr Gold almost always wore gloves on rent day and avoided passing anything hand to hand. She had noticed that once he got familiar with her he let his guard down a bit and sometimes allowed casual touches, fingers brushing over a book exchanging hands, things of that nature. But he’d always shied away from further contact.
Belle had long ago come to the conclusion that he must have been very touch-starved, given how little actual skin to skin contact he seemed to experience day to day. She had seen him flex his fingers often, his hands and entire body full of nervous energy, of a sort of yearning for what he denied himself. Now, stripped of all human pretenses, without the need to protect himself from others, he was seeking out that which he needed like he hadn’t allowed himself before. She told him over and over that it was alright, that he was allowed to want and seek affection, that she would never use it against him or otherwise harm him with the knowledge. She hoped it would stick on the back of his mind, so he wouldn’t be embarrassed when he was himself again, or wary of her.
She hadn’t expected it to feel so… powerful. So heady, to have someone like Mr Gold, who always seemed larger-than-life, lean on her so trustingly, so eagerly. To have a creature capable of immense feats of strength, of untold violence, purr under her touch like a kitten. She’d always wanted to do it, to reach out and give some sort of comfort to Mr Gold, a little bit of the affection he was sorely missing. It was precisely why she told herself to be cautious and not rush into things, given her impulsive nature. If she botched things now, if she lost her progress or got into a situation she couldn’t handle, Mr Gold might never recover. She was sure any excuse would be enough for people to demand he be “put out of his misery”. She couldn’t afford mistakes or miscalculations.
So she took things slow, and kept things close to the chest. Best no one knew of her progress until she could get Mr Gold talking a little, enough to prove without a shadow of a doubt that he was on the mend, and that killing him would be killing a human being and not some well-dressed boney. So she went about her day as normal as possible, helping set the town to rights, cleaning the library, helping Dove with the community garden that grew on some land belonging to Mr Gold and that was still a vital source of a lot of produce the town consumed, though the normal flow of goods and services was slowly being re established across the estate. Dove was an attentive gardener and the work was strangely soothing. She set her afternoons aside for Mr Gold, though, reluctant to miss a day and cause a potential regression. And it helped her too, helped her deal with what she’d lived through, the peace and companionship she found in the basement of the hospital, with Mr Gold. In the hope that sparked in her every time she caught a glimpse of his eyes and they looked less cloudy and more focused, more alive.
She was so focused on those things, so eager to escape to her afternoon trysts, that she forgot to pay proper attention to her surroundings. It was night when she left the hospital, later than she’d realised, but nothing seemed amiss at first. Even after she heard something she didn’t immediately panic. The Rabbit Hole was close to the hospital, and people were still getting celebratory drunk in honour of the ending of the apocalypse. Sheriff Swan was good about keeping things controlled, all things considered. 
It wasn’t until they were almost upon her that she noticed them, staggering around shouting at her, some slurred lewd proposition that made her walk faster, but nothing else. When she chanced a glance back she felt the first true jolt of fear, recognising easily the tall, lanky man as Gregory Aston, which made the other man following her his buddy Keith. Greg had made some advances before the apocalypse, which she hadn’t returned, much to his displeasure. But back then they had both lived in a society with strict rules that limited whatever he might have wanted to do when he was rejected. Now he strutted around Storybrooke getting into fights and using his brute strength to get whatever he wanted, having grown used to the more violent times of the apocalypse, when his fighting ability had given him a position of prominence. Keith, on the other hand, had thrived in the smuggling business, specially of drugs, and was still active. Emma was a competent sheriff but the problems of a town like Storybrooke in the post-apocalypse were many, and the resources of the sheriff’s office were limited.
Being the stupid sort of drug dealer one would’ve expected from Keith he often tested his merchandise and shared it with close pals, which included Greg. Belle could see it the closer they got to her, the tell-tale signs of a person under the influence of more than just alcohol.
“Hey, Belle, wait up, we wanna talk to you!”
She began to seriously consider her options. The library was too far away, and it was too late for Granny’s to be open. The station was close by, but the sheriff was doing rounds so no one would be there. It seemed safer to go back to the hospital, where there was bound to be at least a couple of nurses on their night shift.
“Hey, you frigid bitch, I know you can hear us!”
Running probably was ill-advised, but at some point Belle couldn’t fight her instincts anymore. The relief she felt when she burst through the doors of the hospital was short-lived. The reception area was deserted, and access to the rest of the hospital seemed to be blocked, a precaution typical of the days of the apocalypse that people seemed to still be keeping. Frantically she went to the one door she knew the combination to, but when she tried to close it behind her it was wrenched from her grasp, either by Greg or Keith, she didn’t bother to look. Someone grabbed her arm when she raced down the stairs, but years of surviving in a high-stress environment had given her sharp reflexes that helped her pull herself free.
“There’s nowhere to run, sweetheart. We promise we’ll be nice, we just want to be nice to you, Belle.”
She didn’t know when she made the decision. It was in a split second, more instinctual than anything else. Mr Gold’s cell was bolted from the outside but not locked, she’d noticed that from the beginning. She’d been tempted to open the door so many times, but she’d restrained herself. But now adrenaline was rushing through her and the survival instinct that had kept her alive through hell on Earth moved her to make a quick decision, to seek out safety. Without pausing to second-guess herself she unbolted the door, pushing her way inside and closing it behind her.
“Got ourselves a room, how nice.”
“Hope there’s a bed inside!”
It was dark inside the cell. The only light came from the corridor and was too faint to reach inside. Belle knew she was not alone in the room but she could not hear or see Mr Gold. The infected got very good at being quiet and staying out of sight, like the best of predators, which wasn’t an altogether-reassuring thought. Greg and Keith stumbled inside the room, uncoordinated and sluggish from drink and whatever else they’d consumed, and Belle stepped back, seeking who she knew was there.
“Now, Belle, this doesn’t need to be bad. Ugly. We can… can treat you right. Make it good. We’re nice guys.”
Greg had always said that. Belle was sure that, against all odds, he believed it. Even as he clamped a hand around her arm, with enough force to make her wrist hurt, to make her cry out in pain and fight to wrench herself free. Even as Keith laughed next to him, clumsily pawing at his belt. There was a second of all-consuming fear, the kind that paralysed the muscles and made it difficult to breathe. Then there was a growl and she felt rather than saw an arm wrap around her waist and pull her backwards. Another arm went across her chest, securing her against something solid behind her.
“Holy fuck, what the-?”
“Fuck, fuck, fuck!”
The sheer terror in both men’s eyes was almost amusing, if it weren’t for the fact that Belle felt the same. Mr Gold’s face was next to hers, snarling, teeth bared in a clear warning. She wanted to say something, so that he’d recognise her as a friend, let himself be soothed, perhaps, but nothing came out. Greg and Keith scrambled backwards, fighting to be the first ones out the door, bolting it behind them for good measure before running away, the sound of their footsteps eventually fading into nothing. They weren’t going to look for help, she knew it. Too messy for them, too dangerous. They’d left her alone, perhaps even hoping Mr Gold would take care of her so she wouldn’t go telling tales and for a moment her anger overcame her fear, so thoroughly that she didn’t notice Gold’s head move, his nose coming to press against her neck. He took a deep, audible breath and Belle froze again, part of her bracing herself for a bite. But none came, Mr Gold seemingly content to scent her. Slowly Belle felt fear drain out of her, allowing her to somewhat compose herself.
“It’s just me, Ramsay, Belle. You know  me, don’t you?”
He made a purring sound, the one  she’d grown so used to, and loosened his hold on her, not a drop of aggression on him. Belle tentatively petted his hair, excited now to be able to look at him so closely, to notice the very slight tint of pink on his cheeks and the slight warmth of his skin, signs of his recovering humanity. He, likewise, seemed curious about her, hands hovering near her, as if asking for permission to touch, to explore. And though he didn’t dare grab her again he had no problems pressing his nose close to whatever part of her he could reach. He spent long minutes scenting her hair, fingers ghosting over it, as if delighted by the feel of it. Fascinated and intrigued she let him proceed, allowing him to sniff at her forehead, down her neck and over her torso. It was strangely endearing, or at least until he pressed firmly against the juncture of her thighs, taking a deep breath in an attempt to scent her through her underwear and cotton shorts. 
“No!”
She pushed against his shoulders and he scrambled away, clearly feeling chastised by her tone and actions. He looked confused, as if unaware of whatever he’d done wrong, and whatever offence she might have felt a moment ago went up in smoke. Slowly, so as to not spook him, she sat down in the cot next to him and turned his face so they’d make eye-contact.
“Hey, Ramsey, I’m sorry. You didn’t know. It’s okay, Ramsey, I’m not mad.”
Something sparked in his eyes, and he tilted his head to the side, brow furrowing.
“R-r-r-r…” With a jolt, Belle realised he was trying to speak. It was more of a growl than anything else, but there seemed to be a purpose to it, a desire to shape it into something. “R-r-rum.”
He splayed a hand against his chest and repeated the word. Belle understood at once what he was trying to say.
“Yes, yes, that’s right. You’re Ramsay, that’s your name. Ramsay.”
She said it slowly, over and over again, delighting in the way he focused on her lips as they shaped out the word. He couldn’t quite repeat it, not entirely at least, but he recognised it without a doubt as his name, the first concrete proof that he could not only understand speech but that he had also recovered a sense of self, and at least partial access to his memories. He also seemed to realise it was a momentous occasion, his lips curling up into a shadow of a smile, looking more like Mr Gold than ever.
Knowing that certainly Ruby or Dove would report her missing tomorrow and that this would be an obvious place to check out, seeing as to how Emma and Regina suspected of her near-constant visits, she settled down to wait, lying down on the cot so her face was close to Mr Gold- Rum, now, in her mind- who was still on the floor, looking at her. She talked to him as one of her hands combed through his tangled hair, told him about Dove and how he was taking care of everything for him, about how the Library was ready for re-opening and how things were slowly returning to normal. There was an understanding in his eyes that hadn’t been there before, as if one more of many veiled had been lifted and he could see the world more clear now than before.
She didn’t recall falling asleep, but she must have at some point. When she awoke there was no panic, even when she registered the grey walls of the cell and the thin, hospital-issue mattress beneath her. Rum was next to her, sitting on the floor leaning against the cot and watching her from beneath a curtain of shaggy hair. It was, she was sure, longer than it had been weeks ago, another sign of his blossoming humanity to add to her list.
“Good morning, Rum.”
She pulled herself to a sitting position, looking around her. Now that there was slight coming into the room from the small window in a corner she could see the room properly, and winced at the signs of decay and disrepair. Surely it couldn’t be conductive to his recovery for him to be locked up in a place like that. She would need to try and convince Regina to do something about it, if she could somehow get the woman to the cell so she could see with her own eyes that Rum was on the mend, and certainly not a danger to anyone.
It was while she contemplated how to go about it all that she heard faint sounds, and later the murmur of voices. Someone shouted her name, desperately- Ruby, it sounded like- followed by others. Rum tensed up beside her, scrambling to stand between her and the door. She was about to try and calm him down when she was startled by the cell door being violently yanked open, Sheriff Swan stepping into the room with her revolver up and aimed squarely at the Scotsman’s head. Behind her Belle could see Ruby, David Nolan- who acted sometimes as Deputy Sheriff, and the major herself.
“No, wait!”
Thankfully for her Rum was a short man, so getting in front of him guaranteed Emma would be unable to shoot him in the head. It didn’t make her drop her stance, though, specially when she saw Rum grab her from behind and snarl. 
“Belle, what the fuck? Get out of the way!”
“No, you don’t understand. It’s okay. I’m okay. He’s not gonna hurt me. He’s not aggressive.”
She knew how ridiculous she sounded like, with Rum behind her, teeth bared and hands digging into her skin to the point where she had to admit hurt a little, but it was important that they understood.
“He… he’s on the mend. He just thinks you’re threatening me. Just… just stand down. He’ll relax.”
She wasn’t sure he would, but it was worth a try. Emma, to her credit, didn’t dismiss her words, and obviously noticed Rum was making no move to bite or otherwise attack her. She lowered her firearm and relaxed her posture, and little by little Belle felt Rum do the same behind her, though he kept one of his hands curled protectively on her shoulder, as if ready to yank her back at the first sign of trouble. She took advantage of the tentative peace to recount the events of last night, trying to be as detailed as possible. Though she got some sceptic looks she could see that at least Emma and Regina were considering part of what she was saying, particularly regarding Keith and Greg. When it came to Rum, however, the general consensus seemed to be that Belle was likely being a bit too optimistic, and there weren’t enough grounds to challenge the authority of Mother Superior regarding Mr Gold’s situation.
“No, you’re not listening to me. He’s on the mend. He knows who he is, he has memories. Look at him. At the colour of his skin, at his eyes. He’s better. He knows who I am, I’m sure.”
She stared at Emma, hard, as if daring the blonde to contradict her, to pat her on the head and tell her she was mistaken, confused, seeing things that weren’t there. To her surprise she felt Rum’s hand on her shoulder tighten.
“B-B-B-Be-Belle.”
It was more of a croak than anything, but there was no mistaking what he’d just said. Everyone froze in place and things were deadly quiet for a second or two. Belle could have sworn that when she chanced a glance at Rum there was something of the familiar Mr Gold smirk about him, the satisfied, smug look he often got after striking a deal or getting the better of people. Finally, after what felt like forever, Regina spoke.
“I can’t wait to see the look on Mother Superior’s face when I tell her this.”
Rum’s progress seemed to accelerate after that, though his vocabulary remained reduced. But his understanding of speech and his communication skills evolved immensely, and there was a constant awareness now of what was going on around him and a spark of intelligence that hadn’t been there before.. The major, likewise, was determined to make her own progress and before the week was out she managed to arrange a review of Mr Gold’s case with Dr Whale and Dr Hopper, against the express wishes of Mother Superior. Both reports were as positive as Belle could’ve hoped for, with Dr Hopper encouraging Mr Gold be moved to his own house for the remainder of his recovery, which was usually the next step once patients had developed enough understanding of the world around them.
Belle and Dove worked tirelessly to put Mr Gold’s house to rights, or as close to it as possible. Dove had boarded it up after Mr Gold had been infected, so it was quite the job to open it up again and clean it, but the inside was mostly well-preserved. All around Storybrooke news of the imminent release of the pawnbroker spread around fast, and the reception was more than a little chilly. No one dare take it up personally with Belle- apparently the first idiot to even insinuate something like that had had a pickaxe nearly flung at them by Leroy- but people definitely gave her hostile looks and were otherwise very vocal about how much better things would’ve been if Mr Gold had simply… faded away. It was disgusting and she was grateful that those closest to her seemed to be on the same page.
It was nighttime when Rum was officially discharged. He’d been already moved to a regular hospital room a day before in preparation and to administer any final tests and such. Afterwards they left him sitting in the hallway, which was where she found him. He visibly perked when he saw her, lips curling into that adorable half-smile that she remembered from years ago. He lurched forward towards her, which made her notice his limp was more pronounced than before. Infected people gained strength and agility due to the changes in their bodies, which could also strengthen injured bones and muscle. The more Rum’s body returned to its natural state the more his old injury reasserted itself. It was a strange sort of positive sign.
Thankfully the streets were deserted, like she’d hoped when she’d suggested Rum be released at night. They walked slowly, him leaning slightly against her for balance, looking around with unabashed hunger. He breathed in deeply, scenting the air, silently reveling in his freedom. Certain buildings and sights seemed to catch his attention, his eyes lingering on the diner, the library and specially on his pawnshop. When they finally got to the edge of town and he spotted his house he visibly moved faster, tugging her along and paying little attention to his dragging right leg as he all but sprinted towards it. His movements were still very wooden and stiff but the progress was astounding. 
The house was dimly lit, electricity still being strictly rationed, but Rum seemed to want to explore everything at once, at least until something seemed to occur to him and he darted awkwardly up the stairs. When she followed him she found him in his ensuite bathroom, shower already on. He was struggling to take his tattered clothes off, which was no easy feat given his current lack of dexterity. Belle helped him take his jacket off, trying not to smile at his slightly abashed look. What was left of his shirt was partly stuck to his undershirt and skin by grime and blood. It took ten minutes and a pair of scissors to peel the fabric off him safely. His torso was littered in half-healing bite marks and scratches and when she gently touched a couple of them he sighed, pressing his forehead against hers.
“I’m-m-m okay.” She didn’t realise until he tried to console her that she was crying. “Ev-v-v-very-thing is o-k-k-ay.”
His brogue was so thick it was difficult to understand him, and his voice was still raspy and harsh form disuse but the gentleness with which he sought to reassure her made his words soft as butter. She helped him out of the rest of his clothing, leaving his boxers on when it became clear he was not keen on the idea of having her remove them. She rummaged his walk-in closet for a pair of pants, fresh underwear and a t-shirt and left him to shower in peace. Afterwards- thankfully, dressing up had been easier for him than stripping down- she sat him down in front of a mirror and trimmed his hair at his request, pleased at the results. Showered and properly groomed Rum was looking more like himself than ever.
When she brought up the idea that she might stay the night- Dove had prepared a room for her just in case- he looked painfully relieved and agreed vigorously, not letting her out of his sight until she slipped into her own room, leaving the door ajar behind her. He shuffled into the room that she’d pointed out was his and laid on the bed, feeling a strange burning in his eyes, and a heaviness that he didn’t recognise at first. Minutes later he was asleep.
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pipsqueakparker · 4 years
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2020 20 Q’s
thank you for tagging me @thehoneyedhufflepuff & @neck-mole!!!
1. Do you make your bed? very rarely. i make it when i do a Big Clean of my room, or like just feel like it. But,,, very rarely. 
2. Favorite number? 23
3. What’s your job? i work in logistics/processing for NYPL (and Brooklyn libraries) and i work a retail store that sells boxes and closets
4. If I could would I go back to school? i’m in library school rn and i only lowkey regret it. the thing is, i love learning, and i love being in classes, but fuck i hate school
5. Can you parallel park? that was like the one thing about the driver’s test i was really good at - i’m not confident i could actually do it today, but i did pass that section and did not fuck it up when i practiced (have not done it since said drivers test tho) 
6. A job people would be surprised I had? uh,,,, i worked an after school program for pre-k - 3rd grade - idk if y’all would be surprised at that, but i know a lot of people including my family and close friends were surprised when i applied/told them i got it bc i have a known history of not enjoying spending time with children (but i have a greater desire for money and it was a private school) 
7. Do you think Aliens are real? absolutely you can’t convince me they’re not
8. Can you drive a standard car? oui, i don’t get to often thanks to NYC but i can
9. What’s your guilty pleasure? watching trashy reality tv or tiktok/vine compilations on youtube? eating ice cream? (maybe that one’s just a regretful pleasure) 
10. Tattoos? i currently have seven. i have ‘cur non?’ on my right forearm, which was my first tattoo, and the result of a mixture of my Hamilton phase and a re-emerging love for the Marquis de Lafayette (who i had a thing for when i was a kid but totally forgot until i got obsessed with hamilton and remembered all the books i read about him lmao), on my left upper forearm i have a purple ribbon/butterfly (like, the ribbon is the body of the butterfly and it’s got lil wings) that i got the summer my mum was diagnosed with pancreatic cancer & its currently the only matching tat i have with anyone ‘cause my sister also got a ribbon tattoo that day, then right next to that right before sr year finals i got ‘you got this’ in my mum’s handwriting from a note she sent me right before finals sophomore year, on my left wrist i have a pill & and a milk carton with an x on it that were designed by my then-friend and that i thought were really cute ‘reminder tattoos’ ‘cause i have daily medication and had just found out i was lactose intolerant, on my left shoulder i have ‘if you’re not afraid you’re not alive’ in one of my best friend’s handwriting which is a quote from tuck everlasting, which was i think the first broadway show we saw together and really the first Show That She Loved that she got to share with me in that way, and most recently (aka two days ago) i got simon’s wings and tail on the outside of my right forearm, designed by @neck-mole & built on by my new favorite tattoo artist - uh, there’s a whole post on that if you wanna know all the meaning behind it lmao. and the next two immediate ones i know i wanna do: vampire teeth/mouth on my thigh (matching tat with my roommate) & my lifelong best friend’s initials somewhere on my body to honor her. ALSO, it didn’t ask for this but anï put it so i will, too, cause why not. i have my ears and my nose pierced (on the right side), and i used to have a monroe and i really miss it. 
11. Favorite color? green
12. Things people do that drive you crazy? exist? no, uh. i think just general ignorance really gets to me especially working retail, like customers that ask the absolutely dumbest shit and by that i mean “do you take this completely different store’s coupon?” or just generally not accepting what i tell them especially when they’re a-okay when one of my male co-workers comes over and says the exact same thing. but just. i don’t do well with people that are ignorant and just continue to be on purpose. also when people walk around you but then once they’re in front of you they’re so slow. and people that walk down or up the wrong side of the stairs - IN ALL AREAS OF LIFE JUST FUCKING KEEP TO THE RIGHT MY GUY. 
13. Any Phobias? hahahah. a lot. spiders, the dark (i’m getting a bit better with that one), snakes, escalators (i’ll deal and use them anyway ‘cause i’m lazy but my heart rate spikes) to name a few. 
14. Favorite childhood sport? uhm, i never really played sports? i did marching band in high school, which does count fucking fight me, but nothing before that. i always wanted to play soccer? but i’ve had this thing with my knee/calf my whole life so i never actually ended up playing except like in my friend’s backyard sometimes? 
15. Do you talk to yourself? oh, yeah, definitely. i will frequently direct it at something whether its my computer, baz, my cat, or whatever is nearby, but yeah. 
16. What movie do you adore? a lot. uhm, national treasure is unironically one of my all-time favorite movies, Hercules is a fucking bop and a half beginning to end and i watch it frequently, i love love Big Hero 6, honeslty the list goes on i love a lot of movies.
17. Do you like doing puzzles? yes!!! i don’t do them often, but i love puzzles!!! i used to do them all the time with my mamaw, ‘cause she often just had a table that we’d put it on and work on it when i was over and i love that shit. i want a puzzle table. 
18. Favorite type of music? lagjowa anything. i listen to anything from broadway musical soundtracks to alternative/emo/goth to R&B, if i vibe with it i like it yknow. which surprises a lot of people, ‘cause i think most frequently i do just fall to listening to a soundtrack or pop or something closer to the alt-pop side, but like honestly. theres not a lot that i’ll be like “nah, change it” 
19. Tea or coffee? coffee. i don’t drink either that often, but i really really don’t like tea. 
20. The first thing you remember you wanted to be when you grew up? i think a vet. at some point i wanted to be a lawyer, yes because of legally blonde. and a teacher. 
uh and i’m probably supposed to tag 20 people but i’m just gonna tag a few and i’m not sure if they’ve been tagged but here we go: @icarus-n-flames @krisrix @warriorbeeofthesea @vkelleyart
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Romance and Revolution boyfriend headcanons: Team USA
George Washington
Yes, he’s the leader of an army and the OG Captain America, but secretly he’s a dork.
Seeing you nearby makes him grin like an idiot.  
Totally the kind of guy to bring you flowers just because he saw them and remembered they’re your favorite color.
Loves watching you play with his dogs.  Teach them tricks and he’s an absolute goner.
“Hamilton look she’s so smart and pretty.  Hamilton. Hamilton, you aren’t looking.”
Also really likes quiet moments with you.  Fighting a revolution is hard.  Sometimes he just wants to relax by the fire with his favorite girl curled up next to him.
He’s super clingy in private.  Gotta have his arm around you.  Like all the time.
Loves to listen to you talk about your day.  Tell him about non-army things, no matter how silly.  Like how you saw some neighborhood kids trying to catch frogs near the creek.  Or about the stray cat you pet earlier that day.  The little things remind him of what he’s fighting for.
Thomas Jefferson
Leaves notes written on bookmarks for you.
“I found this argument idiotic.  Please tell me you agree with me.”
“I thoroughly enjoyed this book.  I hope you like it too.  The heroine reminds me of you, in a way.”
“Don’t bother with Chapter 18, dear.  I hated it.”
Loves to tell you about his ideas, show you his inventions.  His face lights up like nothing else.
“No no, just sit here.  Look! It’s a chair, but with wheels!”
 Swivel chair races down the hall
Let him teach you about something.  A science, a language… he’s a smart boy and a patient teacher, and it means a lot to him that you’re interested in learning from him.
Tries to act extra-cool when you’re around.  It doesn’t always work.  Historically he broke a wrist while trying to jump a fence to impress a girl.  
Oh good god did Hamilton see me just now.  I hope not.
Loves simply existing in the same room as you.  Reading a book while you’re writing a letter.  Tinkering with something while you’re having a cup of tea.  Quiet co-existence.  
 Alexander Hamilton
King of PDA. Like seriously.  A kiss on the cheek in passing, hand-holding, you name it.
He loves parading you around to show you off.
“Take that, Jefferson, I got the cutest girl in the colonies and YOU didn’t!”
And the LOVE LETTERS.
SO MANY.
Man, the man is NONSTOP
May need to set some boundaries with this one before he starts tugging you into nearby closets for makeout sessions.
“What?  I can’t serve my country without kisses. You’re not donating to my cause?”
Will absolutely use horrible pickup lines on you just to make you laugh.
“You’re under arrest for stealing my heart, you minx.  I guess you can keep it, though.”
“Could I borrow a map?  I keep getting lost in your eyes.”
Will write a joke pamphlet “On the Important Subject of Why MC Is Far Better than Any other Woman in the Colonies”
Marquis de Lafayette
Whispers sweet nothings to you in French.  Just because he can.
Tbh they might not always be sweet nothings.  He may be just rattling off a grocery list.  But he knows you don’t understand French at all, and he also knows you turn red whenever he does it.  Major guilty pleasure.
Totally forgot that Jefferson speaks French once and was idly murmuring to you about what he’d like to do with you later… Thomas didn’t make eye contact with either of you for days afterwards.
Total prince charming.  Treats you like a princess.  Opens doors, pulls out chairs, doesn’t let you lift a finger to do anything.
The man’s super rich, so expect presents.  He would think it appalling if you DIDN’T have nice things.
“What?  Do you not like the dress?  I can have another one made in a different color, it’s no trouble.”
“It’s called an Ocelot.  Look at its little spots!  Don’t you just love it?  Look, I had a leash made for it so you can keep it close.  You should name it Bonbon.”
I never said the presents were all practical
10/10 will talk shit about people behind closed doors to make you laugh.  He’s been in French courts.  He knows ALL the details.
So. Many.  Pet names.  ‘mon cherie’ ‘mon tresor’ ‘mon chou’… you kind of wonder if he��s forgotten what your actual name is sometimes.
Paul Revere
Will swing by to visit whenever he has spare time.
Rivals Hamilton in PDA.  He loves to see how much you blush after he plants a loud kiss to your forehead or cheek. Often has an arm around your waist or a hand on your back when you’re together.
Wanna go out on the town?  Of course you do.  He knows all the best spots.
Wanna stay home instead?  He’ll have a buddy of his bring some food by his place so you two don’t have to go anywhere.
Colonial Grubhub.
As a silversmith, he sometimes has a little extra stuff lying around.
“Ok look, I know it’s not that great, I don’t do jewelry very much, but I wanted you to have it…”
Grins like an absolute fool when he sees you wearing something he made.
Would take you for rides on Sweetheart, but only once in a while.  His second-favorite girl is temperamental.
10/10 will use you as a model when making an engraving.  He thinks you’re the most gorgeous thing alive, so why not?
“It’s gonna be Venus rising from the waves.  You may need to undress for this one.”
“Paul, you’re making an engraving of Sybil Ludington.  Nice try.”
“…couldn’t hurt to undress tho.  For science.”
“PAUL.”
Nathan Hale
Oh this precious bean
You’ve gone from childhood friends to lovers, and he can’t imagine anyone better.
He’s just. So comfortable around you.
Will walk up behind you and drape himself over you to see what you’re working on.
Will also lift you up to help you get things off of tall shelves even if you don’t ask him to
Sometimes he’ll just plop his head down in your lap so you can play with that curly hair of his.
Because you’ve been friends for so long, though, he knows how to push your buttons.
He’ll tease you until you’re ready to throw something at him, then come in with apologies and big hugs.
He gives THE BEST hugs, btw.  Almost too tight, super warm, super comforting.
Sometimes he’ll just sit and hold out his arms and wait for you to come sit with him. Good luck trying to get up for the next hour or so!
Loves listening to you talk about anything and everything.
Whenever he has to go on a spy mission, he always tries to bring you back a little souvenir, whether it’s a cool-looking rock or a little wooden figurine or an Indian arrowhead.
He’s best friend and boyfriend rolled into one big loveable ball.
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hey-hamlet · 5 years
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BNHA AU Ideas : Choir Group
Also on AO3! 
TL;DR:  Sometimes a family is 2 adults and 2 kids. But sometimes a family is a choir full of hero hopefuls.
(aka, what if everyone knew eachother from a choir group? what soft musical stuff can i cram into this au?) 
yagi does the allmight on the down-low
he had to leave broadway cause all for one ruined his organs
everyone in 1 a knows that yagi is all might but hes trying so hard to keep his secret so they just ignore it
izu wants to be a hero but hes scared of people so he joined a choir when he was smol
bakugou joined cause he wanted to beat izuku, they bonded a bit n its a more friendly rivalry
all of 1a was in the choir before ua, they are all shook that their class is just other choir kids
big three are the current choir leaders n izu was so proud they are the us big three too because he knew them when he was smol, baku n izu are the youngest in the top level
todoroki joined to spite his dad hes really good tho
mina lives for the dance group
iida is a baritone he sing low n hes a good boy, they are very proud of him cause hes one of the youngest in baritone, hes v proud too
ochako is an alto and I love her
monoma is a tenor n katsuki wants to kick him out of his section
tsuuyu is an alto too because i want someone to be a soprano but tsuuyu its too nice to be
jirou is a blessed alto
yaomomo is a soprano the poor girl
izuku is a soft alto boy! He had such a good upper range they thought hes be wasted in tenor
shinso is a soft tenor boy and has a singers crush on izuku
"oh my god hes just so fucking good he can dance too what the fuck guys. hes the only male alto im fucking shook he has the range of a god"
in their final year todo is the choral leader, bakugo is dance leader and izu is choir leader
villains are too scared to attack when they sing
aizawa was in the top level when izu joined
he was dance leader while in ua too because it was "only logical" he have a physical hobby (mic loved choir n aizawa loved seeing him that happy)
izu thought he was fucking amazing n thats why he wanted to join
n then he sees erazerhead n mic on tv when hes 8
yells to his mum "mama!!! thats zashi!! n shouta!! he had the dance solo when i joined" n inko doesnt know if izuku is right or not but she nods along and smiles anyway
first day of ua izu sees shouta n just gasps
"iTs HIm"
bakugo looks over
"oh my fuck it is isnt it"
aizawa is shook and confused
bakugo just sighs "its your fault deku is a fucking choir gay i hope you know that. you just had to be fucking competent didnt you"
all 1a student know each other from choir n they all have a big hug fest before the quirk test
"oH mY god its a soprano without a stick up her ass what are the chances" "jirou be nice to momo i know you hate sopranos but they have done nothing to you"
mineta exists in this au, as the only one not in choir. hes confused and then expelled the first day
aizawa is glad he was terrible because now he has his lil choir class, not that hed ever fucking admit it
1a harmonizes their bus songs and they learn all their choir repertoire on the bus trips around as  aizawa conducts
durring the usj izu n tsuuyu hum together to stay calm
izuku n todoroki are actually singing together durring their big fight, everyone in the audience is shook
its just because they are trying not to cry
because izu n todo have the "its your power" convo before the fight cause they are already friends, so izu is just trying to make him feel better about the argument he had with his dad
todoroki feels a lil more comfy so he brings up his flames n izu weeps n gives him a hug before they keep fighting
they sing stronger than you jokingly at the end of their fight
izu wins but only justttt. him n todo hug n laugh as they leave the field. yagi cries a lil for his boys.
izu n baku’s fight n it ends in a draw because they blow eachother out of the ring n they are both salty as
they have a dance battle refed by aizawa later (baku wins, izuku gives him soul custody of the medal)
enji would have a stroke
yamada was singing along the whole time other the speaker. Aizawa muted him but he just used his quirk
tenya had lots of good friends n doesnt hunt down stain, he n 1a go to hatsume about leg braces for tensei
tenya teaches tensei his choir choreography so he can get used to his braces
the boys do run into stain but they were minding they own business
they singing while they fight to stay in time n stay brave
stain is very confused but hes bopping along
todo starts it cause it made him feel better during the sports festival cause izu is crying
"you guys are true heros im so sorry about this but i really need to kill native"
"thanks i guess? but we gon fucking boop to you drop bitch"
"ToDorOkI nO"
"iida hes trying to kill us we can call him a bitch"
stains huming the song they were singing as he carted away to fucking jail
"what a goddamn boop, they heros of music"
training camp is the same time as choir camp n 1a is shook n they are conflicted. aizawa gets training camp moved back a week
(the villains still attack but they tried to assault an empty camp first n thats funny)
the fight through the earth beasts is just 1a singing literally every song they know theyd finish a song, n theres a second wait while everyone races to think of something they all know before they scream out the title n start them all off
they sang bohemian rhapsody 5 times
1a arrives at traing camp like
"we just had fuck choir camp you dont scare us"
1a wasnt joking they arent phased by the summer camp. 1b is crying
bakugo gets kidnapped n just hums softly
shinso made it in after the festival because aizawa thought he was promising n it was another choir boy zawa has to protect them no hes not going soft zashi shut up
"bitch you villains have nothing on ms king fuck she had me shook"
the bakugo rescuse is the same but its more of 1a n no one was trying to talk them out of it very well
"its dangerous, dont get hurt" "we wont" "yeah ok"
they hold hands while they watch the allmight fight cause they are too scared to let go
then they run back onto the field to allmight after the fight n they hug n cry a lot
they go with yagi to the hospital n sing dumb songs together while he gets a checkup
izuku doesnt have to stop to wipe his nose, n bakugos voice doesnt shake n todoroki is pitch perfect of course (kiri and momo are ugly crying unabashedly. tenya is trying to find tissues)
bakugo totally doesnt hide his tears n growl that thy need a shitty nerd to lead them so they dont get to good
he yells at everyone cause he was scared but he can’t make himself be too mean cause they are his smol kids
mic smiles n mutters that aizawa has really gone soft on this class n aizawa just hides his face in mics shoulder n pretends he wasnt scared out of his mind for them
all of them grab his hand
izuku hugs bakugo saying they all need the future dance leader, after all no one else is as good as him
aizawa wants to be mad but hes proud that his kids didnt get hurt and were smart n improved so much
in the dorms they draw up a birthday list n anyone whos birthday has already been gets a new birthday
they wake them up at 6am you sing happy birthday n they birthday kid gets to pick the music on the bus n in the kitchen
bakugo n sato bake
iida, shinso n izuku are harmonizing while trying to eat breakfast but its bean 5 minutes n they havent eaten anything
bakugo shoves toast into izus mouth as he walks past to make himself some coffee
izuku sings around the toats
bakugo groans n sings over him
"i Just wanTed Coffee"
"BitcH we gOttA hArmoNiZe"
ochako, mina n tsuuyu are going over their dance infront of the couch, satou n tokoyami are gently sparring around bowls of oats and fruit
aizawa is humming as he cuts up some fruit for him and mic
sero sticks sheetmusic to the walls with his quirk so they can go over it as they do other stuff
shinso plays the goddamn switch piano as a backing track n bakugo is mad that hes impressed
yagi visits n tells them all hes so proud of them n listens to their sing their favourite songs with them n listens to izuku gush about new musicals almost as much as he talks about heroes
bakugo saltily adds on little bits of info
shinso n izuku dramatically reinact musicals together as they spar, (obedient servant is their fave beat eachother up song)
they get out musical soundtracks n people call dibs on the songs they want to fight to, aizawa mans the speakers and acts as the ref as bakugo n izuku fight to alexander Hamilton
ochako n todoroki fight to my shot cause it means a lot to both of them
the kids not fighting are singing the song on the sidelines. aizawa sings along too but he wont admit it
( he n izuku sing a lil duet for the room where it happens, mic claps n yagi cries)
no one fights for the last song cause everyone is busy singing n crying. - aizawa only cried cause he had dry eye ok nothing more
bakusquad always fights over the jefferson n layfette parts, they all wanna sing them solo
izuku starts with history has its eyes on you, looks at yagi n then starts to cry
yagi starts to cry too
he n yagi hug n leave training for a min to get icecream
izu grabs yagi n full cowl jumps to get icecream, makes yagi carry the icecream n jumps back
they eat icecream as 1a finishes up the musical sparring n they try not to cry some more
todoroki is still 100% conviced yagi is izus dad, hes just also conviced neither of them know it
yagi is very proud of his boy and very proud he didnt cough blood over his icecream
mic was his section leader when he was still in choir n zawa was the dance leader n they made the best duo
they were low on time due to hero training to they learnt their songs as they fought, w mic playing them through his phone as they beat up villains
they wouldnt let midnight practise with them because the fights finished too quickly so they didnt get a chance to sing
yagi wasnt in that particular choir, or any choir really but he loved to sing, would hum to victims to make them feel better and sung on tv for fans and charity
he starts teaching at the choir after the retires from hero work because he misses working and he really thinks the kids are delightful
yagi is a good choir dad n cries at all the concerts, n at the gigs, n when ever they do well really
they get nicknamed the hero course choir because so many ua students go/have gone
there are normal highschoolers of course but the ua students wont be outdone and are the best in the class
aizwa tells vlad they sing during sparring for breath support and stamina, and then decides thats actually a good reason n makes that the official reason, ignoring "it makes them smile" and "these kids have had enough intense fights"
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fairytalefantasia · 5 years
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Still on hiatus. Still plan on coming back soon.
Things are still sort of settling down. I imagine I’ll be close to getting back on my feet in the next couple weeks and around then, I should feel relaxed enough to write.
In the meantime, though, I have a few feelings I need to get off my chest and I really just need to journal them. There’s not really anything to do about them other than just to get them out, so I’m throwing that under a cut aaaaand thanks for reading my little update and sticking with me. See y’all soon.
So I know that a lot of y’all who know me in the real world know that I’m actually a real hard-ass with thick skin and a stiff upper lip who always tells it like it is with no sugarcoat. And I am this kind of human, but I’m also just super sensitive and soft and a storm of feelings on the inside. I guess it’s fitting I’m a Cancer, because it really fits--tough, hard exterior protecting the soft, buttery delicacy inside. Times like this remind me just how soft I am and ugh. I hate it. 
Without getting too much into it and divulging too much detail, boyfriend and I are in a l o t of debt. Like, a substantial amount. Several thousand dollars. It’s bad, Brenda. Well, now that I’m working, my boyfriend has really like, gotten on my case about making sure that I pay him back what I owe. I get that he’s stressed. I get that most of the debt is his. But he tried to stake a claim on almost 25% of my monthly income without even consulting me first. I asked for how long and he said “for at least the first 18 months.” 
....wait, hold on--18 months?!
So he hasn’t itemized everything he’s qualified as a loan for me yet, but apparently, he hasn’t been helping me out in my time of unemployment just out of the goodness of his heart. I really have NO clue what he thinks I owe him and what he’s just been arbitrarily adding to my tab. So there’s that. Not to mention, I still have my own monthly payments to make towards my own debts. Plus bills. Plus food. 
And I get it, he’s super stressed about money, so I want to try to commit to pulling my weight and easing his mind. I don’t outright agree, but I don’t disagree to his proposition either. Then this happened.
On Friday, he told me his parents have pitched the idea of giving him a loan. It would be a clear loan, with interest, but it would be enough to pay off all his debt and square away everything for him. Awesome, right? So I say “great! That would mean we could focus on just paying my stuff down so I can catch up!” And in my mind, I’m already thinking of everything that would mean: savings, comfort, stability, good credit, and soon, my own car--but he dashes that with a stern “well, I’d still want you to pay me back.”
.....oh. oh okay. 
So....you get to wipe your slate clean and find yourself in a sudden state of NO financial distress whatsoever, other than normal bills.....and you want me, someone who has been unemployed for 9 months, depleted their savings, has no available credit, someone who JUST started working again and has their own things they have to pay towards and will never, EVER be given the same opportunity where my Mommy and Daddy can just swing in and fix things for me, to line your pockets and make sure I don’t get the same chance to dig myself out? okay.
It just hurt my feelings. When he and I first started dating, he was unemployed. Like, he was a total busta and we both acknowledge it. I was working a really cushy job at the time so I paid for everything. I didn’t mind. When I have a couple bucks in my pocket and it’s enough to feed me fancy or feed me and a friend junk, I’m gonna go the junk route every time. If I have it to give, I don’t mind giving. I love it. It makes me feel good to do things for people and just make them smile. And never once, for those first 6 months we dated, I never asked him for a dime back. 
But here he is, clinging more to money than me. Because of his parents, he has never wanted for anything in his life, and if it comes down to it, he will never know what it means to struggle because they can bail him out. Me? When I was unemployment, my parents would regularly ask me for loans. They asked me for loans when the unemployment and savings ran out. I won’t ever get that same kind of opportunity. He’s going to be comfortable one way or another, and he’s literally trying to Scrooge me into a lifestyle that will keep my head just underwater until I’m probably in my 40s. It just really opened my eyes about him and the way he sees me and certain things.
And then this evening, something unrelated happened that ended up giving me some clarity about this whole situation. He called me and told me his parents have tickets to Hamilton next weekend, both Saturday and Sunday. His dad was going to take his brother on Saturday, and his mom thought it might be nice to take my boyfriend with her on Sunday. Boyfriend told her that he has a social engagment, but Erica loves Hamilton and would love to see it. So she said she’d run it by his dad, who is the actual ticket holder. So I’m like, RAD! I CAN ACTUALLY HAVE A REAL SHOT TO SEE THIS GIG! 
welp, about an hour later, his dad texts him. The long and short of it was, ha, no, all four tickets are claimed and if boyfriend wasn’t going, it was never up for debate that someone else would go in his place. He would just keep them. “Dad is just weirdly stingy about some things,” boyfriend said as he shrugged it off. As is his right. They’re his tickets and he can do what he wants with them. I have no delusions of entitlement at all. It would have been difficult to go anyway. But like....dude, you’re already seeing it the night before? Why not share that with people, not just people but FAMILY, who can’t afford to go and would really love to because they love the show? I know I would if it were me. That would be my first thought.
But then it finally occurred to me--this family does not consider generosity a virtue. It isn’t a value for them. They didn’t teach it. They didn’t encourage it. They were so cozy and comfortable in their modest wealth and prosperity that it never occurred to them that it might be nice to share when you can. I know all about sharing and sacrifice. I was forced to share my favorite toys with my baby cousin even when I just wanted a few things for myself. I was forced to sacrifice my childhood so that my mom could have her emotional breakdown. I had to go without things so many people take for granted, like nice toys, nice clothes, trips, and other things growing up because my parents were too busy living their lives for them. It taught me that when I have something special to appreciate it. And if someone else didn’t have the fortune of knowing what that was like, give, and give freely with an open heart. It felt good to do for myself what was never done for me. My boyfriend was never given the same chance to learn this.
It’s not a big deal, in the grand scheme of things. It’s just another thing I know about him now. It was just a hard learned lesson that not everyone values the same principles I do, or sees the joy in giving to others. Not everyone gets satisfaction from just doing something nice that would mean a lot someone when it really wouldn’t hurt them at all. It’s sad, and it hurts my sensitive little heart to see the world this way. I don’t want to have to wake up tomorrow and know that I’m going to have to fortify my armor so that this can’t happen again, and that I can’t just naively assume someone would automatically be programmed to do the same generous and kind things I would do. But that’s life. This is growing up, and as the rose color fades from my vision a little more, I’m just going to have to remember that people aren’t basically kind. It’s a learned concept, and it’s one that a lot of people I love are ignorant to.
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hamilton-one-shots · 6 years
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Hamilton Omegaverse 3
His entire weekend was spent the same way and he was put into a cycle of work and Netflix all week, only watching Netflix at home, of course. He was more productive than before and decided to keep that system. It wasn't like he did much outside of work, anyways. And he kept reading the paper, mainly when his works were printed. Most of what he wrote was printed, but... there were a few articles with the same topic as his own written by someone else. Charles Lee? Who was that? John sighed and shrugged it off each time. It was probably some older journalist.
The rest of the month came and went faster than John realized and it wasn't long before some guy came over and knocked on his door.
"Hey, omega, the boss wants to see you and me right now."
"I have a name and it's not omega."
"You're the only one of them here. It's easier to remember that than a name I might not have to hear again soon," he remarked with a cocky smirk.
John furrowed his eyebrows. What did he mean he might not have to hear it again? He got up and followed him to Washington's office.
"We're here, sir."
"Excellent. Shut the door behind you and come over, take a seat."
"With pleasure, sir." The kiss ass alpha did just that and bumped John's shoulder as he passed him, sitting in front of Washington's desk.
John stayed quiet about it and sat down beside him.
"Thank you gentlemen for coming. I'm sure you're unaware of this, Lee, but John was given articles to write as a trial run for a position as a journalist, which is why his were published instead of yours. I'm happy with his results and-"
"And you want me to mentor him! How great. I'll have lots of fun making a new, omega friend."
John cringed. Why did he keep saying that word? It wasn't like his dynamic mattered that much. He knew he was so much more than an omega, not that he was ashamed of his dynamic.
"No. Quite the contrary, actually. Lee, your writing is stale and your perspective is different than anyone else here. You do nothing more than just blend in and go against anything that means the slightest conflict, even fighting the notion of bathrooms separated by dynamic, along with gender, despite someone you know being a victim of assault in a men's bathroom."
John frowned. He'd actually been assaulted and harassed multiple times when going into the men's bathroom, either because he 'just wasn't man enough' or 'an omega is no man' and to hear that someone didn't want to protect male and female omegas, who were just as easily harassed by female alphas, just because they didn't want the conflict made his blood boil.
"So, what are you saying?"
"I'm saying that John Laurens is going to be your replacement. I've been trying to find one for a while, actually."
"You're joking. I've worked here for years and you want to get rid of me for some trashy little omega?" He jumped to his feet, enraged.
"It's only been two years and do not refer to any of my employees in that matter." Washington had made it clear to John that the only reason he was the only omega there was because no others ever applied.
"This is bullshit!"
He called security into the room and they, quite literally, dragged Lee out of the office and out of the building, guarding every entrance to keep him from coming back in. One officer even took out his things for him, at Washington's request.
"I'm honored that you think so highly of me, sir.."
"Don't let this get to your head, now. You're not without faults yourself, but those can be fixed with experience. A pay raise will be going into effect for you this month, since you will be handling the roles of both a cartoonist and a journalist."
"I won't let you down! I promise!"
Washington nodded, smiling a bit at John's enthusiasm. "I wouldn't expect anything less. You're dismissed."
John cheered himself all the way back to his office, where Alexander was waiting in his chair.
"Are you alright? We heard screaming and saw Lee get dragged out."
"I'm more than alright! I got that jerk's job! I'm now a proud journalist and a cartoonist!"
Alexander smiled. "That's great! You should totally come out with me and my friends for drinks to celebrate."
"I would be fine with that.. But I don't drink, again. I'm only 19."
"Not according to your computer. I didn't mean to peep or anything, it just popped up on the screen while I was sitting here, birthday boy."
John smiled. He didn't like making a big deal out of his birthday, but he would respect anyone else who did. "Alright, it's my birthday. But I still can't get into any bars."
Alexander nodded and thought for a second. "We'll make a bar. We can hang out at someone else's apartment."
"I don't know.."
"Oh, come on. I'll keep an eye on you myself. No alphas will try to touch you. If they do, I will drive you home myself and never ask you to go out again."
"Well... Alright." Alexander seemed to trust his friends so much, John couldn't help but think it was fair enough to do the same.
"Yes! I'll get the word out and I'll keep it small!"
And when Alexander said small, he really meant small. Besides the two of them, there were only two others, two more alpha males.
"It's nice to officially meet you guys. I'm John, the cartoonist."
"I'm Hercules and this is Lafayette. We're both journalists in different departments."
John worked mainly with the political department in his writing, but he did get cartoon requests from basically all other departments. "It's nice to meet you two."
"Happy birthday, by the way. We would have brought something, but Alexander didn't tell us until we were on our way here," Lafayette commented.
"Oh, don't worry about that. You didn't have to get me anything. Alex just dragged me out here to have some fun." Only after John made him take him to his apartment and feed his pets, though.
"You deserve it. I haven't seen this guy take a break since he started working with us."
"Sounds a lot like you a few years ago," Hercules commented with a laugh. "Alexander would not leave his computer for anything and it was ridiculous. We had to practically pry him away sometimes."
"Wow, that's the same guy that always comes into my office while we're supposed to be working?"
Alexander shrugged. "What can I say? I learned to chill. And you should to. You're way ahead in life, compared to some people. Hell, even compared to a lot of alphas I know. I mean, just look at Lee!"
John nodded. "I see your point."
It wasn't long before the alcohol started getting to the alphas, John didn’t want to drink, as they sat in a circle and played truth or dare. They were allowed to refuse, mainly because all three were so curious about the life of an omega, but John didn't have to. He took every intrusive question like a champ.
"So, what's it like to not have to deal with stupid knots?" Lafayette asked.
John had been expecting the question, but he didn't have an answer for it. "I don't know."
"What do you mean you don't know? Omega males don't have knots, right?"
"Right.. But I guess I wouldn't exactly be an omega male."
"What do you mean? Are you a beta or something?"
Alexander chuckled. "Oh, come on, Laf. He has the scent of an omega from a mile away."
John nodded. "Right. I am an omega, but I'm a trans guy. I wouldn't have a knot even if I was an alpha."
"Oh.. Sorry for bringing it up, then."
"It's fine. You didn't know. It's not like I make a big deal about it, either." He shrugged and took a sip of his soda. "I imagine it's a lot easier on omega males to not have a knot and to have a weak heat," he tutted. "I take suppressants, but it sucks that I have to go through that without them."
"Yeah, trust me, ruts are no fun."
"At least you can go to work on a rut. What are you going to do? Knot another alpha?" It was part of the reason that John had his own office, besides the previously mentioned workload. Alphas were still allowed to go to work during their ruts, usually carrying around toys to help them relieve themselves and nobody batted an eye. But the second an omega got in heat, they were locked up in their houses, especially females. Being fertile, they had worse heat than males and alphas usually couldn't resist the temptation. Typically, if an omega suddenly went into heat in public, they were surrounded by an omega pack and taken home, but there were less than rare occasions where an alpha took advantage of their state.
"It does suck that people just keep omegas locked up."
"Yeah, it is not pleasant." He rolled his eyes. He had toys to get him through his heats, but if he dared to go in public with one around him, he'd be socially crucified.
"What's it like to be knotted, then?"
"He's 19, Laf."
"Doesn't mean I can’t ask."
John chuckled. "I've never gotten a real knot, but even on a toy, it hurts unless I'm in heat or I prep myself or something, then it's great. I've got a question for you. How do alphas have gay sex?.. What happens to it?"
"Knots are weird. They know when there's no omega around and they just won't show up."
"That is weird. I guess it's like omegas and scents. When we're trying to pick up other omegas, we don't give off our scent nearly as strongly as around an alpha because it doesn't work on ourselves."
"Being a dynamic is weird," Alexander complained. "Why can't we all just be betas?"
John laughed and shrugged. "That'd be great. No more heat cycles, no more ruts for you guys."
Hercules nodded and looked over at his mate, who was suspiciously quiet and tense. "What's up baby?.."
"Um.."
Hercules realized what it was a minute or so later and became just as tense. "Oh.."
John furrowed his eyebrows and looked down, gasping and getting up when he saw the wet patch spreading in his pants. He wasn't quite in heat, but he wasn't used to being around alphas, to being so comfortable around them. Now that he was, he didn't even realize he was giving off very... friendly signals and was pushed into a pre heat. "I'm sorry... I'll go." He began to leave, but Alexander stopped him, grabbing his arm.
"No, don't do that. There's so many alphas in here.. I'll go with you, okay? I promise I won't hurt you or touch you."
John thought it over for a second before nodding. Alexander's defensive alpha scent would keep any others away.
The two went down to the lobby and waited for John's cab.
"I probably won't be in on Monday.."
"It's fine. I'll make sure Washington knows if you hadn't already."
"Thanks.."
The cab got there and John got in and went to his apartment, building a nest out of his pillows and blankets and laying in it, staying there for the rest of the night. He spent his weekend switching between dealing with his heat and writing his articles, Palomino and Turtle being his only company.
On Monday morning, Alexander went to Washington's office. "Good morning, sir. I was just wondering if you knew that John was going to be out today."
"I did, actually. He emailed me yesterday."
"Great. I didn't want him to get in any trouble or anything."
George shook his head. "No, he's not in any trouble. He's still getting his work done from home. Was that all?"
Alexander nodded. "Yep." He smiled and walked back to his area, pausing in the middle of the hallway as he passed an unfamiliarly familiar face. "Thomas Jefferson."
He stopped and looked at him. "Yes?"
"I have a few choice words for you."
He thought for a second. "Alexander Hamilton. I always imagined you'd be taller."
He clenched his fists and opened his mouth to yell, but stopped as he watched the other walk off. "Hey, I was going to talk to you!"
"I'm busy, but thanks. Go spam my blog with hate comments, if you want." He waved him off and kept walking until he reached George Washington's office. He knocked on the door and waited for an answer.
"Come in."
He stepped into the office. "Hello, Mr Washington, I'm sorry to disturb you."
He smiled. "Thomas Jefferson. To what do I owe the pleasure?"
"I was thinking about writing a piece on how to move real high up real fast and I've been seeing a lot of that boy that interviewed me, John Laurens? I was wondering if I could borrow him from you."
"Unfortunately, Mr Laurens is out on a personal break. I'm not sure when he'll be back, it might be a week or so."
"Really? That is unfortunate.."
"I could give you his email, if you don't already have it. He's taking care of his work from home. He just can't be in the office."
Thomas nodded. "Alright. I should still have his email from when we discussed the interview. Thank you for speaking to me."
"Anytime."
He gave him one last quick smile before leaving, ignoring Alexander's glare and going out to his car, then going home. It was a shame that he couldn't see John Laurens then. He was smart and cute, not that his looks needed to influence his opinion of him much.
When he got home, he grabbed his laptop and began emailing his newest subject.
(Quick note: I know my rules of omegaverse are different from most others and it might be confusing to you guys, but its what makes sense to me.)
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