(Almost) All the marauders era characters (that I could find at least)
@catinasink the post I promised you.
this list isn't finished yet, but I feel like this list finally deserves to see the light of day. hell, cat, you've probably forgotten this was in the making... which I can't blame you for because this has been happening since christmas 💀
I will update it... eventually. idk when yet
if you want to, you can send me an ask, and I'll tell you my hc for the characters :D
James Potter
Father of Harry Potter
born 27th March 19 and died 31st October 19
Griffindor
pureblood
was at hogwarts from 1971 to 1978
Sirius Black
Griffindor
born 3rd November 1959 and died 18th June 1996
pureblood
was framed for the murder of James Potter and Lily Potter (Evans) and sent to Azkaban
was at hogwarts from 1971 to 1978
Remus John Lupin
born 10th March 1960 and died 2nd May 1998
was bitten by a werewolf as a child (he was four I believe not sure tho)
Griffendor
was at hogwarts from 1971 to 1978
Peter Pettigrew
born around 1960 and died somewhere in March 1998
griffindor, but the head took five minutes to decide
first worked with the order, but then became a deatheater and is the actual reason James and Lily were murdered
was at hogwarts from 1971 to 1978
Marlene McKinnon
died July 1981
marlene was a member of the wizarding mckinnon family, which, according to hagrid, consisted of some of the best witches and wizards of their age, implying that marlene too was a very accomplished witch
Lily J. Evans
born 30th January 1960 and died 31st October 1981
muggleborn
griffindor
married james potter and had Harry Potter with him. she died protecting Harry
was at hogwarts from 1971 to 1978
Mary McDonald
attended hogwarts in the 1970s with lily and severus snape
was attacked by mulciber with dark magic somewhere during her time at Hogwarts
griffendor
Frank C. J. Longbottom
pureblood
married Alice Longbottom
was tortured into insanity by a group of death eaters (bellatrix, rodolphus, and rabastian lestrange and barty crouch jr)
Alice Longbottom
has no canon maiden name, but people often hc her as a fortescue
pureblood
was tortured into insanity by a group of deatheaters (bellatrix, rodolphus, and rabastian lestrange and barty crouch jr)
Molly Weasley (Prewett)
was born as molly prewett, but she married arthur weasley and took his last name
born 30th October 1949 or 1950
pureblood
griffindor
killed bellatrix during the second wizarding war
Gideon Prewett
died 1981
pureblood
was murdered by five deatheaters before the end of the (first) wizarding war (Antonin Dolohov & four others)
he may have had a big nose
Fabian Prewett
died 1981
pureblood
was murdered by five deatheaters before the end of the (first) wizarding war (Antonin Dolohov & four others)
he may have had a big nose
Arthur Weasley
born 6th February 1950
pureblood
griffindor
believer in the equality of all magical and Muggle folk
was born to septimus and cedrella weasley (née black) and had two brothers
married molly prewett, who took his last name
Selina Sapworthy
griffindor
born before 1969
award-winning author in the fields of Herbology and plant-related Divination
worked for the international quidditch team
Wainscott
was born before 1981
worked as a nurse at Hogwarts School of Witchcraft and Wizardry under Poppy Pomfrey during the 1990s
she has no canon first name, but I usually call her Carmen Wainscott
Lucinda Thompsonicle-Pocus
designed the list for materials needed by the students
chief attendant of witchcraft provisions for hogwarts school of witchcraft and wizardry in the early 1990s
Stebbins
no canon gender
in 1976, they refused to stop writing with their quill even after the time ran out (during O.W.Ls). they got in trouble with flitwick because of it
they have no canon name, but I usually call them Alexander Stebbins and hc them as male
Camelia
was a teacher during the 1990s
possibly a member of the slug club
was murdered by an unknown deatheater after the battle of Hogwarts
after she stopped teaching, she got married
she has no canon last name, but I usually call her Camelia Solis
Patricia Rakepick
was a dark witch and a world-famous curse-breaker for gringotts wizarding bank
exceptional student, top of her class, who, regardless, was always in trouble
attended hogwarts from 1967 to 1974
was said to be friendly with the marauders and even "mentored" them in troublemaking
Olivia Gleaves
was reported missing together with her relative toby in 1997
Caspard Singleton
invented the self stirring cauldron
was born in 1959
Sturgis Podmore
member of the order of phoenix and fought in both wars
was a member of the advanced guard in 1995
was put under the imperius curse by a death to break in the department of mysteries and was sentenced to six months in azkaban for it
Tilden Toots
born 1959
worked as a famous herbologist, potioneer, and radio personality and presenter
was said to have three green thumbs due to both having a wizarding condition and radial polydactyly in his left hand
Davey Gudgeon
visited hogwarts during the early 1970s
nearly lost his eye trying to get close enough to the whomping willow to touch its trunk as part of a game. since the incident, students were forbidden to go near the tree for their own safety, and possibly for the tree's own safety as well
Florean Fortescue
died 1996
summer of 1996, he was abducted and later murdered by lord voldemort
was an expert on the subject of medieval witch-burnings
owner of florean fortescue's ice cream parlour in diagon alley
Albert Runcorn
high ranking wizarding official during the administration of pius thicknesse
he investigated alleged muggleborns and uncovered dirk cresswells muggle ancestry
might have been sent to azkaban for his war crimes against muggleborns
Mary Elizabeth Cattermole
muggleborn
unknown maiden name
was described as small with dark hair that she wore in a neat bun
she lived at 27 chislehurst gardens, great tolling, evesham with her husband and children
Reginald "Reg" Cattermole
sun in libra, moon in virgo
he had three children with mary (Maisie, Ellie, and Alfred)
lived at 27 chislehurst gardens, great tolling, evesham
Bilton Blimes
lived in the highlands of scotland in the 1980s
taken up both residence and employment in the picturesque little all-wizarding village of hogsmeade as the proprietor of zonko's joke shop
Narcissa Malfoy
born narcissa black
pureblood
born 1955
cousin of sirius and regulus, younger sister of bellatrix and andromeda, wife of lucius malfoy
was never a deatheater herself, but also believed in blood purity
slytherin
Lucius Malfoy
born 1954
slytherin
pureblood
deatheater and believed in pureblood supremacy
Thorfinn Rowle
deatheater who fought in the second war
he fought at the battle of the astronomy tower, where he accidentally killed fellow deatheater gibbon, burned rubeus hagrid's cabin, and tortured harry potter
on 1 August 1997, he tracked harry potter, ron weasley, and hermione granger to tottenham court road along with antonin dolohov disguised as construction workers, but the two death eaters were defeated and their memories were modified by hermione to cover their escape
Bellatrix Lestrange
born bellatrix black
pureblood
born 1951 and died 2 May 1998
cousin of sirius black and regulus black, older sister of andromeda tonks and narcissa malfoy
deatheater and believer of pureblood supremacy
slytherin
Zabini
mother of blaise zabini
famously beautiful and had seven husbands who died mysteriously
was known by horace slughorn, which is the reason he invited blaise into his compartment
she has no canon first name, but I usually call her Zoya Evelyn Zabini
Emma Vanity
slytherin
she was captain of the slytherin quidditch team from 1972 to 1976
Lucinda Talkalot
slytherin
she became captain of the slytherin quidditch team in 1976
Septima Vector
professor of arithmancy may have also been the advanced arithmancy studies teacher
known as really strict teacher who gives very hard homework
Evan Rosier
born between 1953-1966 and died in 1981
deatheater
pureblood
possibly related to the (female) black cousins
was killed by alastor moody
Regulus Arcturus Black
died 1979
pureblood
dratheater that turned on voldemort
little brother of sirius black, and cousin of bellatirx, narcissa and andromeda
slytherin
Dorcas Meadows
died 1981
died in the first war and was killed by voldemort himself
was a member of the order of phoenix
Glenda Chittock
born 1964
was the host of the wizarding wireless network program, witching hour. being host of this enormously famous radio program, she is featured on a chocolate frog card
Gwenog Jones
welsh
became a professional quidditch player and later achieved fame as the captain and beater of the welsh all-female quidditch team, the holyhead harpies
later, became the manager of the Welsh National Quidditch team
was the favorite student of slughorn and inducted into his club
Alecto Carrow
deatheater
sister of amycus carrow
after the fall of the ministry of magic in 1997, alecto was made professor of muggle studies; she taught the thinking that muggles are lesser than wizardkind, and likely taught the pureblood-philosophy as well
when severus snape became headmaster of hogwarts, she was appointed as deputy headmistress, alongside her brother (who was appointed as deputy headmaster)
loved to torture students that opposed her
Amycus Carrow
deatheater
brother of alecto carrow
was made DADA professor in 1997, which just became Dark Arts while he thought it
Amycus liked to cruelly punish and torture the students who opposed the new regime
Dolores Jane Umbridge
born 26 august 1961 or earlier
halfblood
slytherin
I don't have to explain her further, do I?
Arnold "Arnie" Peasegood
born 1976 or earlier
worked at the ministry of magic. by 1994, he worked in the capacity of obliviator for the accidental magic reversal squad and also as a hit wizard
Cereus Greengrass
had a blood malediction
Rodolphus Lestrange
pureblood
most likely slytherin
deatheater
Rabastian Lestrange
deatheater
pureblood
most likely slytherin
Severus Snape
needs no explanation
Mulciber Jr
was friends with snape
slytherin
deatheater
threw hexes at muggleborn students
assaulted mary mcdonald violently
has no canon first name, but I usually call him Bruce Mulciber
Avery Jr
was friends with snape
deatheater
slytherin
found it funny when mulciber tried to use dark magic on mary macdonald during the 1975-1976 school year
has no canon first name, but I usually call him Edmund Avery Junior
Wilkes
was friends with snape
deatheater
slytherin
died while trying to avoid being put in azkaban
has no canon first name, but I usually call them Juliette/Willhelm Wilkes
Rita Skeeter
didn't like bilton blimes for a prank that kept her from being able to get into the slug club
was a journalist who wrote for the sake of people reading instead of facts
could transform into a beetle (did the animagus training sometime prior to 1986)
Steve Laughalot
captain of the slytherin quidditch team from 1968 to 1972
slytherin
Florence Greengrass
bertha jorkins once caught her kissing a boy
Tamsin Hillicker
was reported missing along her relative iola
Gibbon Chavez
was a deatheater
it's unknown if he fought in the first war if he got sent to azkaban
Zamira Gulch
author who wrote "practical household magic"
also wrote for the daily prophet
D. L. Boot
went to hogwarts during the 1970s
has no canon first names, but I usually call him Douglas Lloyd Boot
Aurora Sinistra
works as astronomy teacher
her lesson are at night so she sleeps during the day
Emmeline Vance
died in 1996 during a deatheater attack
was a member of the original order of phoenix and probably fought in both wars
Sybill Trelawney
half-blood (muggle mother; wizard father)
made the prophecy about voldemort and the chosen one
she predicted that peter would escape and return to voldemort
worked as a teacher in hogwarts and was fired by umbridge
was born on march 9 in an unknown year
was engaged to a guy with the last name higglebottom but refused to take his last name so the relationship didn't last
Millecent Bagnold
ravenclaw
worked for the ministry
was elected the minister for magic of great britain in 1980
Pandora
mother of luna lovegood, wife of xenophilius lovegood
died during an experiment and luna watched
unknown maiden name
Barty Crouch Junior
deatheater
played by david tennat so obviously the most attractive man ever
received the dementors kiss on June 24th 1995
Doris Purkiss
(in 1995, during an interview) gave sirius an alibi for the night of the peter pettigrew + 12 muggle murders (she said they had a romantic dinner bc sirius= stubby boardman)
lived at number 18 Acanthia Way, Little Norton
Annalena Gleams
born annalena murk
griffindor
was a prefect
Dahlia F.
slughorn kept a picture of her in a viking maiden costume on his shelf
was a singled out member of the slugclub
apparently became an opera singer
Wendy Slinkhard
british
wrote at least 1 book
may be related to wilbert slinkhard, the author of defensive magical theory
was invited to the slugclub
slughorn kept a picture of her signing her book copy
Blossom Degrasse
famous herbologist, author, and potion master
released the book called "A Humble Guide for Potion Brewing You Cannot Live Without"
Mafalda Hopkirk
born 19 February–20 March, in or before 1973
assistant in the improper use of magic office at the ministry of magic
was incapacitated and impersonated by hermione granger
hopkirk's polyjuice potion was described as having a "pleasant heliotrope colour"
presumed that she was a kind and good-natured
E. Lima
e. lima was a wizard or witch who competed in duels. the daily prophet published a special report in 1996 about a duel between e. lima and m. mina, that was the final match of a dueling competition
has no canon first name or gender but I usually call them Estelle Lima and hc her as female
M. Mina
m. mina was a wizard or witch who competed in duels. the daily prophet published a special report in 1996 about a duel between e. lima and m. mina, that was the final match of a dueling competition
has no canon first name or gender but I usually call them Marcelina Mina and hc her as female
Verruca Buckthorn-Snyde
was a dark witch, who was a high-ranking member of a dangerous organisation known as 'R'
was also a metamorphmagus who could change her appearance at will
Villanelle
noted to be a skilled linguist
madam villanelle was a witch who worked at flourish and blotts in the 1980s and early 1990s
has no canon last name, but I usually call her Villanelle Solis
Olivia Green
ravenclaw
worked for the british ministry of magic as an unspeakable in the department of mysteries
eventually became the defense against the dark arts teacher in the 1990-1991 school year
Regulus Moonshine
developed a potion to suppress hags' normal appetite for human flesh. lost several chunks of own body while conducting the clinical trials
the daily prophet called him "professor", but it is not known if he ever taught at a wizarding school
Dirk Cresswell
mid-1990s he became head of the goblin liaison office, at the ministry of magic
fluent in Gobbledegook
a favourite student of slughorn
probably muggleborn
Augustis Pye
trainee healer at st mongo's hospital for magical maladies and injuries in the dai llewellyn ward
was interested in muggle medical practices
Bones
child of mr bones and mrs bones, sibling of amelia and edgar, and parent of susan
has no canon first name or gender but I usually call them Lucas Bones and hc them as male
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Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series
I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened
sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.
as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.
for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.
no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.
this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.
to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.
(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)
all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.
montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.
yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.
and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.
which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.
but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.
and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.
but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.
this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.
the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.
this is also what i noticed failing first as time went on.
like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.
but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.
even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.
the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.
this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.
stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.
which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.
if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.
and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.
more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.
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