I love my job, sucks I have to look for a new one soon. Just learned 3 of my bosses have a pact to all look for other jobs and quit asap. So either I have to do manager training and try to save this business on my own (tempting...) oorrr, the smarter idea, just dip out when they do. I love my job so much though and I think in just a little while it'll get so much better if management just lets us do our thing again, which they were doing just fine before. Sometimes with this job I feel like I was born onto a rocket ship and the first word I heard was ten.
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"why did Orpheus turn to check if Eurydice is there if he can just return to Hadestown if Hades really did lie about letting her go" that's the thing. he can't. the only reason he can enter Hadestown without taking Hades' deal/dying is because the lalalas open the way for him. Eurydice only gave him a chance after he showed her the power of the lalalas. and in Doubt Comes In, his lalalas no longer work - twice he tries to call on them, and twice he fails. he has lost the ability to wield their magic because he stopped believing their power can change the world. if he leaves Hadestown and Eurydice isn't behind him, she will well and truly be gone forever. of course he turns around. of course he can't take those final few steps out of the Underworld without making sure the lalalas worked.
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Does anyone else ever think about how WC!Scott canonically brought Mertha back to life and there was a bit of hand waving like “Eeuuhh she was a goat that’s not to difficult” but really she was a human soul trapped in a goat’s body, so Scott could bring back a human soul by like, the middle of the trials, so he might have already been powerful enough to bring back Milo by that point or soon after, without having to go full Lich and do all the horrible things that ritual entails, but by that point he had convinced himself so thoroughly that the only way to achieve his goal was by becoming the Supreme Witch that it didn’t even cross his mind to try?
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>> memory fragment, room 04, thunder wasp \\ not categorized
Now when he wakes up at night it's to Vanto’s hand already on his shoulder, stretched over the chasm of their beds, warm and real, an anchor against the emptiness of space around them.
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Thrawn reflects on his time spent at Eli's side.
POST·MOR·TEM [READ ON AO3]
ship: Thrawn | Mitth'raw'nuruodo/Eli Vanto
words: 25 556, completed
tags: hurt/comfort, angst with a happy ending, canon-typical violence, slow burn, mutual pining, epistolary elments, pov thrawn | mitth'raw'nuruodo, more or less canon-compliant, same timeline just slightly gayer, starts soft and gets progressively worse, just like the books, forgotten moments in between, eli is a very competent aid, eli get thrawn to take a nap challenge, I just want to see my fav autistic coded characters being taken care off is that too much to ask, tactical bed sharing, tactical hand holding, thrawns life hack number 304: you do not have to feel your feelings if you pretend everything is a puzzle to be solved
series: pt 1/3 of postmortem - excerpts from former grand admiral mitth'raw'nuruodo’s private journal of catalogued memories
FILE 01 | FILE 02 | BORIKA INTERLUDE | FILE 03
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Science Fiction. Fond memories. And music. They’re the key to survival.
taglist; @rey-of-luke, @delicateblackrose, @megdonnellys, @fandomqueenlove, @lizziesxltzmxn, @mmmayflower2016, @seize-the-droid, @maddyperiez, @foxesandmagic, @harleyquinnzelz, @bravelittleflower, @anotherunreadblog, @kendelias, @dreamerwithapen1, @kiara-carrera, @phoebestarks, @rickiisrad, @the-multifandommess-blog, @ocs-supporting-ocs, @luucypevensie, @claryxjackson, @stanshollaand, @susiesamurai, @witchofinterest, @heresthefanfiction, @reysfinn, @gaylittlekino, @malice1329, @bisexualterror, @arrthurpendragon, @alicent-hightcwer, @richitozier, @waterloou, @cantfighthemoonknight, @decennia, @chrissymunson, @joaquinwhorres, @asirensrage, @starcrossedjedis, @samwilsonns, @zoyazenik, @m1ke-wheeler, @thetenthdoctorscompanion, @eddiesmunsons
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I still feel like I have used illegal substances after entering your tumblr
's amoazing
my love all im doing is answering silly asks with silly answers you should get better substances!!
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I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).
The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.
Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.
Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.
I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.
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Y'all might just get a fic out of this Nyquil-powered writing spell, we shall see in the morning when I look over this thing.
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