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#uncanny county
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Someone give me fiction podcast suggestions pls
Ones I have at least partially listened to and enjoyed:
• The Magnus Archives
• Malevolent
• Archive 81
• Camp Here & There
• Welcome to Nightvale
• The Penumbra Podcast
• Uncanny County
• Stellar Firma
• Less is Morgue
• The Deca Tapes
• The Hotel
• Hello From the Hallowoods
• Not Quite Dead
• Red Valley
Update: I listened to Red Valley and I am so obsessed I am begging everyone who hasn’t yet to listen to it
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choices are my arch-nemesis actually
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danboman · 7 months
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Audio Fiction 11
Let's do another grab bag! Also, I forgot to mention last time that I've given up on reviewing shows in the order I listened to them. The first few were easy enough, but at this point I'm basically lost on the sequence.
Uncanny County
This is another anthology show, not unlike Mayfair Watchers Society, with each episode being about a different weird event taking place in this rural county. Unlike Mayfair, in which the stories all take place in the same small town but are otherwise mostly unconnected, Uncanny County has recurring cast members and stories that connect to each other or reference back to previous episodes. It's absurdist comedy as much as horror, and I quite enjoy it. 4 out of 5, definitely recommend.
Newts!
I kind of feel like Newts! deserves its own post, but at the same time I don't know what to say about this weird little show. It's a quick 6 episodes, so not a big time investment. The creator took one of his favorite science fiction stories and created a strange musical dramedy. And yes, I said musical. The songs are kind of the best part? Like I said, this show is hard to describe, but it's definitely fun and the music is catchy. The performances are strong, and I don't regret listening to it one bit. Honestly, check it out. 5 out of 5.
Sidequesting
This is, to me at least, very much a comfort food show. There may or may not be a larger story slow-brewing, but basically it's a series of done in one episodes. The protagonist is an adventurer who does exactly what the show says on the label: sidequests. Occasionally there will be mentions of a Big Bad and a Prophesied Chosen One, but our hero would rather worry about the small stuff and let someone else take on that challenge. It's a charming, fun show. Tal Minear gets a lot of credit as producer, sound designer, and the voice of Rion (the protagonist). It's nice to dip my toes into this world and go on a nonadventure with Rion after a stressful day. 5 out of 5, add it to your list.
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papapastoral · 1 year
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What is Uncanny County?
It is (was?) a paranormal podcast set in the fictional southwestern US region of Uncanny County. An anthology series with different stories each episode - sometimes featuring recurring characters that gives it more of an ongoing thread that some standalone anthology stories.
A little bit Twilight Zone, a little bit Twin Peaks, a little bit Prairie Home Companion. There are forest spirits, androids, demon clowns, oh my. Its usually on my recommended list for people wanting something spoopy but upbeat.
There are a couple of seasons, plus a bunch of bonus episodes, but they've not released anything since 2020, and there is no news of any more coming but we live in hope and trepidation - it's well worth a listen.
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bl00dyth1rsty-sh4rk · 2 years
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UncannyVallic
UncannyVallic - A xenogender that is based of of Uncanny valley and Analog horror
Some pronouns are;
Thxy/Thxm, Shx/Hxr, hx/hxm Ey/eye, unnatural/unnaturals, !!/!!, Watch/watching
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zelda-fan-freak · 6 months
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Rando: How many children do you have?
Ms. Chu: Biologically, legally, or emotionally? Cuz there is a difference.
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sledgehammersurgery · 2 years
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Onondaga County John Doe (1976)
Jewelry: Yellow gold chain with charms of an Italian "Mano Cornuto" symbol, and cornicello or "horn" like the horn of a bull.
Additional Personal Items: Jack knife, 87 cents and the good-luck charm from South of the Border amusement park in South Carolina.
Edit: “The Mano Comuto is used for supposed magical protection to ward off evil. A regionally popular amulet, it is primarily found in Italy and in America among descendants of Italian immigrants.”
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mumblelard · 2 years
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we see faces or i never could get the hang of todays
i have been opening the small boxes inside of larger boxes that have been lingering in the backs of drawers for decades and i have been getting rid of smaller and smaller things and having fewer and fewer of the old things left but i still have a lot more things than a turtle
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othercrossee · 1 year
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HELLO??? ATTENTION HELLMART SHOPPERS UPDATE IN 2023???? AFTER ALL THESE YEARS???
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nooks-cranny-mogai · 10 months
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Maybe I'm looking alittle too deep into it and it's abit niche but all the Mandela catalog/find the "anomaly" tests have this.. weird underlying ableism to them? Like I'm rewatching people play those games and some of the "anomalies" just look like disabled people with normal severe facial scarring or missing eyes. Like obviously the whole swirling face or black out faces with just the eyes are not ableist stuff and the uncanny valley effect is affective for horror. I'm even saying as someone who loves analog horror. But I'd be a liar to say that some of this and some of these feel just off and feel a little demonizing of disfigured disabled people and in our current incredibly ableist world, we should not be encouraging young cishet white abled boys (the audience and main producer of most horror content) to look at a disfigured person in public, laugh and point or scream at disfigured people and call them "anomalies".
I'm not saying the whole genre is ableist nor is the concept of anomalies but what I am saying is that if your " anomalies" just look like disfigured people, arnt clearly photoshopped or, gods forgive, you use actual pictures of disfigured people as examples of your "anomalies", then there is ableism present. I'm treading lightly on this community from now on because it just looks like another example of " person who is disfigured/visibly disabled/has a small cosmetic difference from what 'normal people' look like is obviously not human and is in fact a monster in human skin that you should avoid and demean and kill off so they don't infect other humans". Like this is how this looks from a visibly disabled perspective.
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Ally: Thatch , Teacher of the Heath
A marvellous mage outstanding in their field
Every group of heroes needs a sage to clue them in about their place in the wider campaign world and to set them on the correct path. For those too far from the big cities and their ivory towers, there’s rumours of a strange figure who dwells in a nearby village, a tutor made of sticks and straw who instructs children their letters between farm chores, and has an uncanny ability to predict the seasons. This construct is named Thatch, and they have been blessed with a mind that is seemingly all knowing.
Hooks:
Thatch is first and foremost a teacher, and while they’re happy to dispense fun facts and tidbits of information to anyone who asks, the party may need to ready themselves for some lessons if they want REAL lore. Perhaps the scarecrow will drag them to a disused farmstead and match them with chores they are most unsuited for, questioning them endlessly on their ethos while exhaustion and failure wear them down. Perhaps Thatch will send them on some strange errand, quizzing them when they return about all the choices they made and the perspectives of those involved. 
Players Might encounter Thatch at the local county fair, confusing them atfirst for a decoration or costumed attendant. The patchwork teacher was minding a few children for the night but the youngsters seem to have snuck off on them. Tracking the youngsters down gives the party a great excuse to scout out all the fun distractions later in that evening ( or to get the topography when the festivities are ambushed).
Background: Onceupon a time there was a farmgirl who dreamed of being a wizard. She had heard the stories about those great scholars who worked wonders and knew the secret names of all things. She was born with a curiosity about the world that she felt down to her bones, an ache that grew worse every year she attended the same country school that’d been teaching the same old lessons out of the same old books for what must’ve been generations.  Every year her parents, who loved her but had no money to send her off to some academy would buy her a journal for her birthday, a journal she’d fill up with questions in a few months and be forced to write in the margins to save space. 
Such an earnest desire for knowledge became a prayer, and that prayer was heard by the goddess Ioun, the knowing mistress, who loves all who wish to learn and sent a spark of divine kindness out into the world to give that farmgirl the teacher she deserved.  That spark took residence in a scarecrow and so Thatch was born, head stuffed with straw and cosmic wisdom , heart overflowing with a teacher’s love and desire to see their student thrive.
Further Adventures:
That first student’s name was Oroteia, and under Thatch’s tutelage she became a great mage, venturing out into the world to find the answers her younger self so craved.  Perhaps they’ll encounter her seeking out some forgotten library, ensconced in some great work of magic, or maybe she’s gone so far that they’ll need to break into her sanctum if they have any hopes of obtaining the aid of a powerful mage.
It has been many years since Thatch stirred to being, many children come and gone, their first student having long grown in to her own power as a mage and capable of finding her own way in the world. Thatch can feel themself unravelling, the blessing of Ioun coming loose from their cobbled frame. Perhaps they will fade into nothing, perhaps they will return to be part of the goddess and share with her all they have learned, perhaps the need will be great and they will burn themselves up saving their students, or lighting the way for the party to accomplish their great quest. Thatch is at peace with this, but Oroteia won’t have it and ever since her last visit years ago has spent all her energy devoted to saving her old teacher, delving into sorts of magic that perhaps she should not.
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Ok what are some podcasts/shows/games/idk similar to tma and wtnv and tsp because i finished all of them and im bored now
edit: thank yall so much for the reccomendations!
My list already has:
malevolent
penumbra
hello from the hallowoods
the slit verses
w359
death by dying
mabel
Tanis/Sayer
the bright sessions
between the wires
Archive 81
Alba salix
Girl in spac
Greater boston
It makes a sound
Eos 10
Kakos industries
Iime town
Mars corp
Old gods of Appalachia
Neo scum
Tanis Stella firma
The amelia project
Strange case of starship iris
Unwell
Uncanny county
Wooden overcoats
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12thbiologist · 1 year
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"In the summer of their first year, the biologists established their headquarters in the ruins of a ghost town that had once pretended to be a county seat. The vegetation had taken it back in its suffocating embrace quickly and did not seem inclined to suffer a second defeat. Even after the biologist had taken over, the expedition did not feel comfortable there. The decision to bivouac inland had been made by someone higher up, someone who thought a location on the beach would seem to “flaunt,” as one biologist put it in their diary. (The diary, retrieved, had been gone at by beetles and rot and in the searing shades of green, the watermarks that seemed more like records of tidal patterns, had the look of a found object in an art exhibit. Old Jim had run his hand over the roughness of that faux coastline more than once as he read the faded pencil marks, before he’d thought, almost quaintly, of contamination, and put the journal back.)
Early on, a local from the village bar claimed that he saw a biologist “leap into the air and catch a dragonfly with his teeth,” so delicate this maneuver that the lithe biologist spit the insect unharmed into a glass jar, where it vibrated a confused and blurred emerald. Old Jim labeled that tale apocryphal, but already, almost from the start, the biologists were changing in the eyes of the locals into something uncanny. One day, a local would be walking down a weed-strewn trail on the forgotten coast, glimpse a biologist from the corner of their eye, and not be sure of what they had seen."
excerpt of the 4th area x novel from jeff vandermeer's twitter
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Is It Really That Bad?
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When it comes to infamous animated films, few are treated with quite as much revulsion as Mars Needs Moms. Based off of Bloom County creator Berkley Breathed’s storybook, brought to life by ImageMovers Digital (who created The Polar Express, that...beloved?… Christmas classic), distributed by Disney, and produced by Robert Zemeckis, the film really had the deck stacked in its favor… and yet, it quite infamously fumbled.
It released to become the 12th worst opening for any film in three thousand or more theaters, netting only $6 million on debut, and then proceeded to only gross $39 million dollars worldwide—and that’s including 3D theaters. With a budget of over $150 million, this cause a net loss of over $110 million dollars, which unsurprisingly led Disney to cut their losses and shut down ImageMovers Digital… which is what I would really rather say, but the depressing fact is that Disney nuked the studio before the movie even came out, as if they knew they had a massive bomb on their hand and wanted to punish the studio ahead of time.
As divisive as the studio’s animation was, it’s never really fun seeing an animation studio get scrapped like that. With its death, we lost some interesting film concepts, such as a remake of Yellow Submarine (which would have probably been even trippier with the motion capture animation), Roger Rabbit sequel, and a kaiju throwback film by Michael “Trick ‘r Treat” Dougherty called Calling All Robots. Say what you will about the studio’s output, but it’s genuinely a damn shame these ideas never came to fruition.
Over the years, just about every animation critic worth their salt has given this movie shit, from Mr Enter to the Nostalgia Critic, and Disney has largely seen fit to sweep this under the rug and pretend it never happened. But I can’t do that, can I? Y’all voted for me to watch this for the first time over a decade after it came out, and see if it’s really that bad. Did this movie manage to prove far better than its infamous reputation, or am I gonna have to put myself in a Martian memory extractor?
THE GOOD
Milo is actually pretty believable as a kid. I know some people find this character really annoying, or bratty, or obnoxious, but… that’s just how kids are. He’s a little bit of a shit and doesn’t understand the gravity of things he says sometimes, but he has a good heart and when it gets down to it he does all he can to save his mom. Like he’s just a child in need of harsh life lessons, typical of any fantastical family film. In a movie brimming with awful characters, he’s easily the least worst. Joan Cusack as the mom is pretty good, getting some funny line deliveries, and I’m sure she’s made someone’s list of “Hottest Animated MILFs.”
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I think the core ideas behind the Martian society are really fascinating. Here we have a fascist, sexist dystopia. Every quarter of a century children are hatched, and females are passed off to nanny-robots to be raised while males are tossed down the garbage chutes to become feral, hairy wild men. The nanny-bots are programmed with the memories of abducted human women, memories which are forcibly extracted in a very fatal process. The women are then made to serve as the enforcers of the fascist regime, ruled over by an aging ruler who governs with an iron fist and doesn’t accept deviance from her desires, desires stemming from a deranged belief she is bettering society with her straw feminist viewpoints. On paper, it’s all very deep, dark, and intriguing.
The operating phrase, of course, being “on paper.”
THE BAD
Let me just get this out of the way: The animation is awkward, uncanny, and unpleasant. This is not a new or interesting observation, so I just wanted to get it over with as soon as possible, though it does feed into a few other issues, particularly the design of Ki.
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Ki is just absolutely aggressively female in her design. Like, she’s pink, she has those curvy hips, she’s just really in your face about being a girl Martian. And yeah, the girls are the ones we see a lot of because of how the society is structured, but she’s so glaringly feminine it’s kind of obnoxious. Like she’s clearly given this overly polished design because she’s the beautiful, heroic lead character; other Martians do not look nearly as pleasant as she does. That’s not even getting into the obnoxious decision to have her speak in outdated hippie slang, a decision that’s about as pleasant as jamming splinters under your fingernails.
She’s not even the most annoying character, though. That would be Gribble, played by Dan Fogler, the fat dude from Fantastic Beasts. You’d think that because he was the best part of those flaccid spinoffs he’d be the best part of this movie, but you’d be absolutely wrong. He’s every annoying comic relief trope smashed into one incredibly obnoxious character, and considering almost no one else in this movie is likable at all he really sticks out as being unpleasantly annoying. It doesn’t help that the single moment they try and give him depth—when he recounts to Milo the harrowing experience of watching his mother die as her memories were extracted, so close to saving her and yet so far—is immediately followed by Ki showing up and Fortnite dancing and spitting out some more of her obnoxious slang.
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And that right there really highlights what’s wrong with this movie: It is tonally inconsistent to an absurd degree. With a title like “Mars Needs Moms” and the general atmosphere of the opening as well as the marketing really lead you to believe this will be a simple, silly family comedy where a kid learns to appreciate his parents a la Jimmy Neutron. But then we get into the Martian dystopia, the explicit mass murder of moms, the grim visuals, the constant peril, and it’s pretty obvious the film wants to be serious and say something as well… all while keeping the funny wisecracking fat guy mentor, the Fortnite dancing monkey Martian men, and the pink and perky alien hippie graffiti artist who loves to talk like she just stepped out of Woodstock. It’s not impossible to handle two wildly different tones in a film, but to say this movie bungles it is an understatement; it ultimately causes the film to lack any sort of identity and just dissolves into an ugly mess of interesting ideas and confused writing that is impossible to take seriously.
IS IT REALLY THAT BAD?
The short answer? Yes, this movie is really, truly awful. But a short answer is pretty unsatisfying, isn’t it?
I was honestly, genuinely hoping going into this that the critics were wrong and maybe there was something to like here… and yeah, there were a couple of things I thought were done pretty decently, but overall the movie is just an incredibly sloppy and tonally inconsistent mess that never really settles into what it wants to be. It actually had me thinking about another movie while watching it, and that movie is The Guyver. While I’m saving a full review of that for when I bring back Michael After Midnight, the film had the same sort of wild tonal whiplash that Mars Needs Moms does, a sort of dissonance in the story where it can’t decide if it wants to be dark and edgy or lighthearted and goofy. But while I don’t think either film is particularly good, I think the fact I find The Guyver to be infinitely more valuable as a film highlights the strength of live action cinema over animation. Jarring tonal inconsistency is just so much easier to swallow when you don’t have to look at some of the ugliest animation you’ve ever seen, y’know?
Mars Needs Moms is honestly quite a bit worse than that score would suggest. This is definitely one of the worst animated movies ever made, unlike what happened with The Emoji Movie, I don’t think the overwhelming revulsion towards the film is over-exaggerated by much. Like, yes, this isn’t the worst movie in human history, nor even the worst animated movie, but the fact that it’s not only bad but bad enough to ruin an entire studio makes it kind of legendary in terms of badness. At least Sony Animation was able to put out the two best Spider-Man movies ever made after The Emoji Movie flopped; ImageMover Digital got no such second chance, and not only went under but dragged the entire motion capture animation style down with it. I think it tarnishing an entire style alongside everything else (and thus probably being partially responsible for the lack of a Tintin sequel) really seals the deal on this being a piece of shit.
I’d honestly drop this film into the low 2s at best. It’s a bottom 100 contender for sure, and it’s far worse than some of the movies on there. Gigli? This movie is way worse than that. Cats? That movie is way campier and has far funnier use of uncanny valley animation. The Room and Trolls 2? Those are both way too funny to be worse than Mars Needs Moms. Fucking Batman & Robin? That’s an actual solid movie, how is it rated lower than this? Hell, I’d even say The Emoji Movie is better, because at least it doesn’t hurt to look at.
The thing is, while I think it’s objectively awful, I can’t say I can personally muster up too much hate for it. It’s so confused tonally that it’s almost fascinating to watch. If you’re a bad movie connoisseur like I am or just generally fascinated by bombs of this magnitude, it’s worth a watch. But outside of that, this movie is just too messy to really find even a cult audience. So if you don’t fall into that weird niche of people who watch bad movies for some reason, don’t bother. You’re not really missing anything valuable.
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hanakihan · 3 months
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Listen y’all I just woke up and had the most cracked yet self explanatory headcanon
Goto Ryuji and Lim Tae-Gyu are relatives, and even so are either brothers or cousins separated at early childhood.
That’s literally coming from me mistaking them first time I read SL BUT BEAR WITH ME OKAY I HAVE GOLDFISH MEMORY SPAWN
ANYWAY
Consider them both being born in Japan, and after boys were born their parents broke their marriage and while Ryuji stayed with his father in Japan, mother took Fuuka (aka future Tae-Gyu) with her to South Korea for her new future husband. Since she married into new family, she changed her name as well as Fuuka’s hence Lim Tae-Gyu appeared.
Years roll by and it’s first proper meeting with Japanese S ranks, Tae-Gyu knows what they all are saying without translator because for some reason his mother knew Japanese perfectly for some reason and was hell bent on him also knowing it as second language also for some reason, but he never bothered to inform anyone.
And then Goto Ryuji himself enters the scene, and oh suddenly it becomes too quiet as everyone just stare at two men with uncanny levels of resemblance.
Tae-Gyu is just confused why everyone is suddenly so quiet and staring, and he’s especially unnerved by Ryuji’s really intense stare that has usual levels of threat in it but also searching, almost painfully hopeful.
Apparently Ryuji knows he had a brother because he remembers him vaguely and his father always told about him. Tae-Gyu has no proper memories of his early childhood and his mother never really spoke about her previous marriage either, only small specks of Japanese here and there which confused Tae-Gyu.
All Ryuji says after a really long uncomfortable silence is
‘Fuuka’
and Tae-Gyu instantly tenses, starting to glare at Ryuji in return because only his mother ever called him this name at home and it was so precious and personal it IS offending to hear it from a complete stranger even if it’s said with equal undertones of shared understanding and intimacy.
‘Fuuka, did mother allow you to keep Kiryu?’
And oh, that one was a low blow for Tae-Guy because Kiryu - a really old, clearly clumsily child-made plush dragon toy was one of the few things he had from his early childhood and was really attached to, for some reason. He deduced it was probably a gift from someone really important to him back then, because no matter what mother always made sure it’s taken care of and he always had a childish sentiment for it.
‘… How— How do you know about this—‘
And oh, he didn’t even notice slipping to perfect, not accented Japanese. Honestly? He doesn’t care at the moment, because fearsome Goto Ryuji knowing your other name and about your childhood plushie is disturbing.
Lim Tae-Gyu né Goto Fuuka, is confused and disturbed and angry but also terrified and somewhat hopeful. He doesn’t know why man before him knows such important, personal details no one knows, and it scares him.
Goto Ryuji is conflicted, both happy and disturbed. Here, before him, stands his long lost brother whom his mother took away to different county and wasn’t heard of ever since. There’s such a giant void between them, and Ryuji doesn’t know how to cross it and mend relationship with his brother without appearing like a creep with absolutely unbelievable story.
Everyone on side silently watch two stone faced men, who look almost like a mirror reflection, have a silent inner mental breakdown.
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sneakymystique · 2 months
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Charles Xavier's Will
In Uncanny X-Men #24 (Vol 3) it was revealed that Charles Xavier was married to Mystique when his will was read:
"I, Charles Francis Xavier, of the town of Salem Center, County of Westchester, and State of New York, being of sound mind and memory, do hereby make, publish and declare this to be my last will and testament, hereby revoking all wills and codicils previously made by me. I declare that I am married as of the date of this will and that my wife's name is Raven Darkholme."
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This laughably out of character moment was a hallmark of Bendis' run. I think the best way of explaining it in light of prior and subsequent canon is that Mystique stole Charles' will and left a fake copy just to troll the X-Men.
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