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#tv framed
fettesans · 8 months
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Carolee Schneemann, More Wrong Things, 2001, site-specific, multi-channel video installation. Via. Bottom, Deborah-Joyce Holman, Thicc and Slippery, 2020. Ink on human teeth, wire, aluminum, mirror. 7 × 7 × 7 cm. Via.
She said in a recent interview: “At some point I could no longer afford to concentrate on the ordinary images as my life was invaded by this gratuitous, psychic assault and systematic destruction of an unarmed population in displacement camps and the ancient cities of Lebanon.” This outrage continues in work she is currently making with images of men brutalised by Bashar al-Assad’s government in Syria, images that have not yet entered mainstream discourse and substantiate intermittent news reports of the mass imprisonment, torture and direct killings of Syria’s civilian population. In More Wrong Things, the video monitors show clips that range from images of the siege of Sarajevo, riots in Haiti, newsreel images from Vietnam, the destruction of Palestinian towns, as well as other forms of mass culture such as Olympic pairs skating. These are joined by images from Schneemann’s daily life and two clips relating to her performance Interior Scroll (1975 and 1977) that hone in on the piece of paper being pulled from her vagina. In a similar vein, sounds are drawn from television, popular music and Schneemann’s own recorded voice, short pieces contributing to a strangely compelling although broken and dislocated fugue. One is drawn into this installation through both somatic and intellectual fascination and horror. One is immersed in an experience of repeated sounds and images and metaphorically caught by the tangle of cables there to interrupt any residual smooth surface produced by the screens.
Alison Green, from Carolee Schneemann, More Wrong Things, 2017.
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Bodies are not volumes but coastlines; irresolvable but undelimitable penetrabilities, opportunites for the real decomposition of space. How many orifices has the human body? The osmotic transfusion of saline chemicals from a drop of alien perspiration impacts upon a cluster of epidermal cells as an annihilating copulation.
Nick Land, from The Thirst for Annihilation, 1992. Via.
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misandriste · 18 days
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peneloise + gazing longingly at each other
BRIDGERTON, season 3 part 1
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sersi · 1 month
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FALLOUT (2024 - ) 1.07: The Radio dirs. Frederick E.O. Toye and Clare Kilner
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stagefoureddiediaz · 2 months
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The way buck and Eddie are in the back ground and shoulder to shoulder until Tommy comes in behind and then they break apart forming a triangle and creating a division between Buck and Eddie - chefs kiss framing and directing
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normalbrothers · 19 days
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noah-price · 5 months
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@pscentral event 23: arcs
noise boys on game changer
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mo-mode · 5 months
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Okay so now that we have more satyr lore in the show, I’m gonna need an in-universe documentary about all of the magical creatures and monsters narrated by minor god of nature himself David Attenborough and filmed by a crew of brave satyrs but it always goes horribly wrong. every time they try to document a monster in its natural habitat, the monster’s just reading a book or like eating a churro or something until either it tries to eat the crew or a demigod child appears and then they turn into a living nightmare and David is like “oh dear” in his posh British accent and they cut to some b-roll footage of centaurs galloping or something. And then when they try to get some cute footage of magical creatures, either the satyrs almost die or there’s a tragic death of the creatures like hippocampus babies traveling in a pod with their family, but then one of them gets eaten by a sea serpent and you see a satyr wailing in the corner as we hear David say something like “oh what a shame but that’s the circle of life” and they just keep on going. the satyrs keep trying to give the animals satyr’s blessings but that’s not allowed cuz they can’t interfere like normal documentarians can’t so it’s just them trying and failing to protect the animals while the omniscient god David Attenborough keeps narrating without pause. But it’s also their duty as satyrs to preserve nature so they still need to make the best show possible
It’s a Need. I will write the script myself, okay? Don’t tempt me. Rick Riordan hire me PLEASE
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forecast0ctopus · 8 months
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you ever get framed for murder?
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felixcarlucci · 2 months
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FALLOUT — 1.03 "The Head"
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heleenar · 7 months
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Good Omens' sketch Page #1
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glittergroovy · 6 months
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Patrick Loste painting + 'Wolf Like Me', TV on the Radio
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fettesans · 2 months
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Left, screen captures from The Seventh Continent, directed by Michael Haneke, 1989. Via. Right, Paul Mpagi Sepuya, Blue Studio Mirror (0X5A8960), 2021, 40 x 60 inches.
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On one of the higher benches, the bitcoin investor from Indiana started to explain to me why it was he wanted to earn money. He said he wanted to start an institute to study the origins of language.
He said that a student of René Girard—the French anthropologist who theorized mimetic desire and the scapegoat mechanism, whose work is beloved in Silicon Valley and aggressively promoted, in particular, by Peter Thiel—had applied his teacher’s findings to the fields of linguistics. He said that there was a professor at the university of Quinnipiac who was expounding this theory via a Substack with a modest following.
I asked if this institute’s findings would have political implications and he said that they would: “You’d agree that our leaders today are lacking, right? That there is something seriously wrong.”
“But if we know how language originated, how it really operates, we could start to cultivate better people—people who could really lead. The notion of leadership has really vanished from discourse today. People don’t want to discuss it.”
After talking for perhaps twenty minutes we went outside and jumped into an ice-cold pool. It was so cold that I could not feel my hands or feet. Then we went back into the sauna. Here I began to feel faint.
I asked the investor how the origins of language could be studied in the absence of material evidence. He replied, “It’s a good question. But every conversation carries the trace of an origin, so we can study how people talk today and learn something. And if you think about it, once this idea, the idea of this theory, is disseminated, every conversation going forward, from every person exposed to this idea of the origin of language, will contain the seed of that earlier conversation.”
Morley Musick, from Out of the Fog - In a way I was noticing it, and in a way I was just accepting what was happening to me, for n+1, April 1, 2024.
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misandriste · 1 month
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nerdygirl84 · 2 months
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Oh Lou is coming for allll our asses. We are not safe.
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mangosaurus · 19 days
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Jurassic World: Chaos Theory - Exclusive IGN Clip
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lauramoon1987 · 24 days
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Frames 598 from the #Every frame against the wall project by @gomensframes
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