Tumgik
#tom mcarthy
eldraftsman · 4 months
Text
(Archive) Animated movie of the day: Up (2009)
Originally posted: January 15th, 2023 What makes life worth living? Is it the accumulated experiences we gain? The dreams and aspirations we set out to accomplish? Or maybe… something simpler? Can those dreams get in the way of what truly matters?
One of the most critically lauded Pixar films, the opening is so powerful most people would agree it's already a narratively satisfying experience, if a heartbreaking one. A sentiment I agree with: an entire married life of good and bad times, unfulfilled dreams intertwined with lovely everyday experiences, and the void that comes when one half of that whole parts. All in just seven minutes, it could have been a masterpiece of a short film on it's own merits.
Which provides an interesting contention point: some claim the movie peaks at that point and is followed by an underwhelming wacky adventure, which is kind of missing the point of the story. While you can discuss whether or not the execution was on part with such a striking opening(and I can see the decidedly sillier comedy clashing a bit with the surprisingly down to Earth drama of set up), the contrast is needed for the core of the film to shine. And shine it did: this was nominated by the Academy for Best Film when it came out. Even with their contempt for animation they couldn't deny it's greatness.
You need to feel how deep the loss of Carl is, and how ingrained his sense of failure to Ellie's dream is for it to dawn the stronger he is missing on the other things life still has to offer or have already offered him. How that grand dream never coming for her didn't stop her life being worth living by his side, as it's those small experiences that made it valuable. How to move on, keep going and meeting new people was the most meaningful way to embrace the true spirit of said dreamed voyage: an adventure to share with others you care for.
In the words of Doctor Seuss:
"Don't cry because it's over, be happy because it happened"
Tumblr media
Oh, fuck it. I wasn't planning on bleeding into another day but there's a LOT this movie does that makes it a masterful showcase of visual design and storytelling. From the different, subtle shifts in color grading that can completely change how the same space feels, to it's almost religious commitment to shape language and how that communicates character.
Sure, it's unsubtle but tells SO much about the contrast of personalities that it gets the point across without words. The fact Russel is round the same way Ellie's furniture is designed isn't a coincidence. Both in the general(his friendly nature) and in the specifics of the movie's conflict (his role being a new person for Carl to share his life with), the decision is pretty deliberate and pays off big time
Tumblr media Tumblr media Tumblr media
Tumblr media
Also explains why Charles Muntz is so triangular. Specifically triangles pointing downwards. Unstable, passionate. Dangerous. Tragic. The perfect foil for Carl, but arguably more so for Ellie. She could treasure the little things even if some of her wildest dreams couldn't be achieved, which made her life fulfilling. He couldn't move on from his own, so he gave everything away for a fool's errand.
Tumblr media
And of course, shape language gets reinforced with body language. One frame. You can really tell the kind of characters they are with just that.
Tumblr media
In case it's not obvious I love this movie. Some of it's comedy is a little too goofy for my taste, sure, but the overall package just hits the right way. Sure, it's romantic and it's central plot device doesn't lack a sense of the absurd, but those emotional peaks render any complaint I could have otherwise completely void.
Tumblr media Tumblr media
5 notes · View notes
jcamilov06 · 8 months
Text
why do i have to watch the bally sports broadcast? 😑😑😑 idc about y'all braves stories
3 notes · View notes
jahayla-parker · 2 years
Note
Hi!
I love your fics and I have one for Peter if that's alright??
Peter, being the superhero that he is, is constantly running late to school. Eventually, the headmaster gets sick of it and punishes Peter (by forcing him to audition for the school musical)
Peter hates the idea at first, but he has no choice and is forced to do it. The headmaster tells him that his best friend (the reader) is also auditioning.
When Peter eventually finds her, he asks her what musical they're doing. She tells him it's Beauty and the Beast. She's very excited about Peter auditioning.
When auditions come around, everyone is very shocked at how good Peters voice is, and the teacher gives him the role of the Beast (the reader of course getting the role of Belle)
As rehearsals go on, Peter slowly starts to fall for the reader. On opening night, Peter confesses to the reader that he likes her and they kiss. (Maybe throw in them rehearsing the ballroom scene as well?)
Hope you get better soon! 🙏
Worth The Embarrassment and Disappointment: Peter Parker x Reader
Hi my little lovely anon! Sorry this took so long to post, I hit a slump after getting sick but I am back now!
Thank you for requesting this, I hope you like it! Also, I am writing this from Peter's POV since I think given how it transpires it would be best that way; hope that's okay!
Also, I am leaving this without a photo as I want it to be a neutral Peter not a specific Tom!Peter or Andrew!Peter only, but picture whoever you'd like!
For that reason, P/B/F is referenced which is just Peter's best friend, so that can be Ned, Harry, etc.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
Peter's P.O.V.:
"Mr. Parker, this is your third tardy this week alone!" Mrs. Mcarthy, our headmaster, scolds, staring at me as I fidget in my seat across from her. I was out late last night for patrol and overslept again. I sigh and nod, knowing there is nothing I can say to fix it. "Is something going on at home?" she asks, leaning back in her desk chair as her eyes fall to the pile of papers on her desk in between us. "No ma'am" I quickly utter, not wanting the school to judge May for my mistakes. "Hmm. Shall I call your aunt and notify her as to how much school you've been missing?" she asks, marking something on her notepad.
"No!" I panic, "I mean, no ma'am. May is very busy as is. I promise to make up any homework and tests I missed!". May knows about patrol but our deal was that if I patrolled on a school night that it would not interfere with my attendance or academic performance the next day. Headmaster Mcarthy taps her pen on her desk a few times as she seems to ponder what to do. Maybe I could- "Alright Mr. Parker. I will make you a deal. If you catch up on any missed assignments and do one other thing, I will not notify your aunt and will not let this impact your attendance record," she says, correcting her posture.
"Absolutely! Thank you Ma'am" I say, feeling much less anxious. "Oh, what is the other thing?" I ask as I recall there was more to the bargain. "You will be auditioning for the school musical" she smiles. I feel my stomach drop, "what?!". "Yes, the drama department has notified me they are worried not many will audition this year as a" she begins, looking down at her notes for a moment "Mr. Thompson, has been going around spreading rumors about last year's lead". Great, even more of a reason to not want to do this. "Mrs. Mcarthy, with all due respect-" I begin to argue, but she cuts me off with a wave of her hand. "This is not up for debate Mr. Parker. If you do not show up to auditions, or do not accept the role given to you after auditions, the tardies will remain on your record and your aunt will be notified" she states. I nod and sigh softly. However, she seems to hear it, "cheer up boy, your best friend Y/N, is said to be auditioning this year". For some unknown reason, I can't help but smile softly at that information. Probably because at least I won't suffer alone in this. I mutter a thank you as I grab my bag to rush out. I need to leave before she tries to add anything else to my punishment.
"Woah Parker, no need to run! I'm sure you'll make it to the bathroom in time this time" I hear Flash laugh as I dart into the hall. I groan, he will never let me live that down. A few weeks ago I was running late, again, I know, and knocked into a girl who had an open water bottle in her hands... needless to say it spilled when I crashed into her and unfortunately for me soaked the front of my clothes. It was clear it was not pee as it was all the way to my chest but of course, Flash did not care about that as long as it made me embarrassed. "Shut it Flash, we all know that was water" someone yells back, causing me to smile knowing it to be Y/N. "We don't know that Y/N" Flash argues, glaring across the hall. I turn my attention to where he is staring and smile as I make eye contact with her. "Yes we do" she says, rolling her eyes, "besides, do we really want to talk about people having accidents?" she asks raising an eyebrow as she looks over at him. "Hey! You would have too if you had just met Spider-Man!" he defends, causing me to bite my lip in order to not start laughing. Y/N doesn't bother though and shakes her head as she laughs, "I'm not the one with a huge crush on Spider-Man, I think I'd be fine" she smirks as she walks towards me. The smile on my face wavers slightly. I am not sure why, given I am obviously aware she knows I am Spider-Man and therefore know she did not freak out about meeting Spider-Man the way Flash did when he saw Spider-Man on our class trip. But, something is upsetting me nonetheless. Think Parker, you're a smart guy, you can figure this out!
"Don't let him get you down Petey" Y/N says as she comes over and wraps her arms around me for a hug. I push my confusion to the side and decide to think about it later instead. Smiling, I wrap my arms around her and give her a hug, "I'm not". She pulls back and nods as she brushes her hair behind her left ear, "why were you running though?". "Oh, I was trying to get away from Ms. Mcarthy" I admit, rubbing the back of my neck. She laughs and shakes her head, "First it was nuns that terrified you, now it is headmasters too?". I feel my cheeks warm and the embarrassment of being embarrassed in front of her makes them warm up even more. Get yourself together Peter! "No, no! I just got in trouble for being late" I begin, trying to clear up the confusion in hopes of redeeming myself.
"Again Peter?" she sighs, pouting slightly. I press my lips together and shrug, "it was a long night". She nods and reaches out to place her hands on the sides of my arms as she looks me over, "did you get hurt?". I shake my head, "No, y/n/n, I'm fine. I meant to come over last night but got caught up and didn't want to risk waking you". She smiles softly at me, "I appreciate that Pete, but you know I don't mind. I wasn't aware May was letting you go out on a school night again is all". "Well, she was. If she finds out I have been late almost each day this week though, I think she will go back to restricting that again" I frown.
"You've got a hard life Peter" Y/n sarcastically says, patting my shoulder as she spins around to walk next to me. "Actually I do, cause it turns out I will be auditioning for the play" I tell her, causing her to stop and turn to face me. "First of all, it is a musical Peter. Secondly, since when do you enjoy that type of thing?" she asks. "Hey! I enjoy watching you in them, I just don't enjoy being in them myself" I defend, recalling attending each of the musicals and plays she was in over the last several years. She blushes and smiles, "well, then why are you auditioning?". "Headmaster Mcarthy is making me" I explain, gently grabbing her shoulder and spinning her around so we can keep walking and not be late to our next class. The last thing I need is to be late to another class. "Oh the horror. How ever will you survive?" she laughs, linking her elbow with mine. I tense momentarily before scolding myself to relax. This has been happening for the last several weeks whenever I touch her, it is like this rush of energy goes through my whole body. I tried talking to P/B/F about it the first time it happened but he tried to make it into a joke about how I must like-like Y/n. Not that liking her would be a joke, she is amazing and I absolutely would understand someone having a crush on her. But, I don't, she's my best friend. "Peter, you good?" I hear her voice ask tenderly, snapping me out of my racing thoughts yet again today.
"Huh? Oh, yeah, sorry. Just thinking" I tell her, forcing a smile onto my face. She gives me a skeptical look but nods, "you'll do fine Peter. The auditions are after school today but they will give you a script so no need to memorize anything, just read from that". If only the musical was the main thing I was focused on. I nod, "what show is it?". "It is Beauty and the Beast!" she says quietly as we enter the science lab, but I can hear the excitement in her voice and I smile knowing how happy she must be that the school is finally doing a Disney musical. "Who knows, maybe you'll get the role of Chip!" she giggles. I laugh with her as we take our seats, "you think so lowly of me that I would only be assigned Chip?". She shrugs, "hey, don't knock Chip, he's cute!". I find myself blushing but before I can even question why, she smiles and turns to face the front of the room as our teacher begins his lecture.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"What the hell Peter!" Y/n whispers aggressively, as she softly smacks my arm with the back of her hand. "What?!" I ask defensively. "You never told me you could sing like that!" she says causing me to blush. "Was it okay?" I ask, laughing softly. "Okay?! Peter, look around. No one was expecting that!" she says, pointing around the room. I bite my lip as I notice everyone staring at me. Jen Fisher, the most attractive junior winks at me as my eyes scan the room. I blush and quickly turn back to Y/N for comfort. She rolls her eyes, "anyways, we should hear roles here soon after the next two people audition". I look up at the stage to see the two remaining people in line waiting for their signal. I nod and turn around to see if Jen is still looking at me. When I do, I see she is walking over to me. "Oh my gosh" I say, uncertain on what to do. "What?" Y/n asks before she notices Jen, "oh. Well... have fun with that". "Wait, you're just going to leave me?" I ask, offended. "Yes Peter. I am not going to just stand here and watch her flirt with you... that would be.. weird" she says, walking off. I sigh, not wanting her to leave. "Hey Peter, that was quite an audition," Jen says, playing with her fake blond hair.
"Alright everyone, roles have been decided, please listen up" the drama club teacher says, grabbing his clipboard. Jen sighs realizing I won't be able to answer the fifth question she's asked me. To be honest, most of them did not make sense and it was clear she was trying to make small talk but was not good at it. I glance around the room, trying to find Y/N. I finally find her and frown upon seeing that she is standing with Brad Davis. I don't trust that guy, and Y/n deserves better than him. I try to remind myself that Y/n has assured me that despite his attempts to ask her out, they are not dating. I know I shouldn't care, but I just don't want her to get hurt. "Hey, maybe you'll get the role of Beast and then we can kiss" Jen says, causing my head to snap back towards her as my face heats up. She smiles and turns back to the teacher.
After I process what she just said, I find myself looking back over at Y/n. This time though, she is looking back at me and gives me a soft smile. I debate walking over to her but before I can decide, the drama club teacher has begun to list who has which role. I sigh and turn my attention back to the front of the room, knowing I should probably pay attention to what role I have. "Patrick, you will be playing Chip" he says. I bite back a laugh as I don't want him to think I am laughing at him, but rather the fact I will not be playing Chip after all. I glance over to Y/N and see her shrug playfully at me causing me to smile. "Peter, you will play Beast" he says, causing me to freeze. Did he just say Peter?! "Yay" Jen giggles, clapping her hands.
I quickly turn to fully face the direction Y/N is in and she smiles at me and gives me an enthusiastic thumbs up. I blush and try not to panic. I've never done a show before and now I have the lead?! Y/n seems to notice my concern and gives me a nod and whispers 'you've got this, I'll help' knowing my Spidey hearing will pick up on it. Brad places his hand on her back as he asks what she said. I roll my eyes and begin to walk over towards them when I hear someone let out a high-pitched scream. I snap my head in the direction it came from and see Jen looks upset. "I am playing Mrs. Potts?!" she asks, crossing her arms over her chest, "who is playing Belle?!". "I was just getting there, Belle will be played by none other than our Y/N" he says and I smile and instantly look back over to her. She is blushing and staring at the ground as everyone claps, but I can see the prideful smile she is wearing.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"Okay, Petey, you have to be more serious" Y/N pouts, setting the script down on my bed. "Sorry, sorry! I just keep thinking of the scene where we're going to have to kiss" I admit, biting my lip. She blushes, "why Peter? We aren't even to that yet". "I don't know" I say, but I do know. Ever since realizing what the roles we were assigned meant for us, I've been on edge and trying to joke around in order to stall us reaching that scene. There are so many things that could wrong. What if the kiss is bad?! What is the kiss is good?! What do I want the kiss to be?! What does she want the kiss to be?! What if we don't want the same thing? What if we do want the same thing?. Her sighing brings my attention back to our current situation, "Peter, please. I know this isn't that important to you, but it is to me".
"I'm sorry y/n/n, I know it's important to you, and therefore it is to me too. I'll stop messing around" I assure her, feeling guilty for letting her down when she has been trying to help me. "I'm not asking you to completely stop Peter, just we've been on this scene for like 20 minutes" she laughs. I smile as I hear her laugh and know she is not truly mad.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"That went really well I think" Y/n cheers as we leave rehearsals. I laugh and nod, feeling happy she is so cheerful. I love seeing her this happy. "Uh.... hey Y/n/n?" I ask, scratching the back of my head nervously. "Yeah Petey?" she asks, smiling at me. God that smile. It probably took longer than it should have for me to realize I was falling for my best friend. Maybe if I had noticed it earlier I could have stopped it. But, did I really want to stop myself? The answer is no, but I also knew I didn't want to lose her as a friend. I haven't seen anything that suggests she likes me back so I have been keeping it to myself but it is killing me. Each time I see her in the hall between classes, join her in science class, or rehearse with her I have such conflicting emotions. Y/N has always been a comfort to me, and still is, but lately, I am also nervous around her now that I know how I feel and realized all the embarrassing things she's seen me do. Rehearsals are the hardest given it is a romantic relationship between our characters despite us not being together ourselves. The worst though is when we rehearse at her house or mine because then there are no other distractions I can use to clear my mind. Since we are not in a relationship, the school said it would be inappropriate for them to ask us to kiss for the sake of a musical so each time we get to the scene where we thought we'd be kissing, I get disappointed each time it doesn't happen.
"Petey, you're spacing off again" I hear her laugh causing me to immediately blush. "Sorry" I mumble, hating myself in that moment. "You don't need to apologize, you sure you're okay?" she asks as she has been the last two times she has caught me zoning out as my thoughts race. It is not only embarrassing, but I don't want her thinking I am not paying attention to her. I'd hate for her to think I didn't care enough about her to listen to her completely. I could listen to her go on and on for hours about the color white if she wanted to. Thankfully she hasn't, but if she did, I would listen without complaint just to be able to be with her and hear her. "Yeah, sorry... Just nervous" I say, pulling myself together at the last moment. "May wanted to see if you'd like to join us for dinner tonight.. I was thinking maybe since the final dress rehearsal is tomorrow, maybe you want to come over and we can rehearse a bit too" I say and instantly regret adding that aspect. She probably would have come over just for dinner, she has before. Yet now I have put myself in a place to get disappointed again. She smiles and nods, "awe! sure, let me just text my mom".
"That seemed to go well" May says as I help her clean up the dishes. "What?" I ask, drying the clean one she hands me. "Tonight, you didn't seem as bummed when she left. Did something happen?" she smiles. "MAY!" I groan, leaning on the counter. "Alright, alright! I was just asking" she laughs, handing me another dish. I sigh and grab the dish, "nothing happened May. Nothing ever happens outside of rehearsal".
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"Does this look okay?" Y/n asks, spinning around in her Belle dress. I smile widely at her and nod. "Are you sure? I feel like this part is a bit unflattering" she laughs, running her hands over part of the dress. "No!" I correct and mentally cringe at how rushed it came out. "No, you look beautiful" I admit, blushing. She blushes and shuffles her feet, "thanks Peter. Maybe I should wear yellow more often". Before I can stop myself, the next confession is out of my mouth, "you always look beautiful". Her eyes widen as her blush darkens and she bites her lip, "oh... thank you Pete". I could get used to causing her to blush. "Why don't you go try your's on?" she asks, smiling at me. Even though I had no intention of actually putting it on tonight I know I can't tell her no so I nod and rush off to backstage.
"This looks really good Peter" she says, running her hands over the material of my costume. My body seemingly cannot decide if it wants to melt into her touch or freeze and it is so uncomfortable. I am going to have to tell her how I feel soon because this is brutal. "No fur yet?" she laughs, stroking my face with her hand. My eyes snap up to look at her, "oh.. uh no, they said I only need it tomorrow for the performance. It is kinda itchy". She giggles and nods, "well you look great". I blush, "thank you Y/n/n". "Alright everyone, let's run the ballroom scene with everyone in costume once and then we will call it a night so you can rest before tomorrow" Mr. Maxim, the drama club teacher says.
Don't step on her toes. To the left. Now to the right. Stop looking at your feet and look at her. I mentally groan as I keep correcting myself in an attempt to not mess up. When I do focus back on Y/N, I see her smiling at me as she grips my hand tightly. During the other rehearsals, she mentioned this scene making her anxious, which is another reason I wanted to get my part correct for her. I smile at her hoping to calm her nerves a bit and it seems to do the trick as she softens her grip on my hand. I squeeze her hand and continue the dance, my eyes never leaving her face. At the end of the dance, her face is so close to mine I have to physically restrain myself from leaning in to kiss her. "That was great everyone, make sure to sleep enough tonight. See you all tomorrow!" Mr. Maxim says. I sigh and step back, letting go of her body. She gives me a small smile, "I should probably head straight home tonight. But I will see you tomorrow Peter". I nod and say goodnight, feeling upset yet again at how it ended. I've got to tell her.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"Whew, opening night tonight" Y/n says, pacing backstage. "Y/n/n, breathe. You've got this! Plus, I'll be right there with you" I tell her as I grab her hand to stop her from walking to the right again. She smiles and nods, "you're right, thanks Peter. We've got this". Well, I don't know if we've got this, as I am going to really have to act like I am not upset when it comes to the scene we could've kissed at. Nonetheless, in order to not make her more nervous, I smile and pull her in for a hug.
✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿ ✿
"Oh my gosh! Peter! That went so well! Thank you!" Y/n cheers, wrapping her arms around me the second we get backstage. The fake smile I wore on stage slowly morphs into a real one as I wrap my arms around her. "You did amazing Y/n/n" I tell her. She pulls back to look up at me, "you did to Petey! Did you have fun?". I bite my lip and nod. She pulls all the way away and frowns, "really? You didn't have fun at all?". "What? No, I-" I begin, trying to fix this. "Don't you dare try to lie to me Parker" she says, crossing her arms over her chest. How does she look so breathtaking even when she is mad at me? "I wasn't lying! I just..." I begin, looking at the ground. I know I should just tell her, but if it upsets her I don't want to ruin tonight for her.
"Peter, what is it?" she asks, grabbing my hand, "why didn't you have fun?". "I did! I just was kind of disappointed" I mumble. "About what?" she asks softly. "The kissing scene," I say, knowing there is no point in trying to hide anymore. "There was no kissing scene Peter" she says, confused. "I know, that's why I was upset" I admit, blushing. "Oh.. Wait, what? Are you saying that..?" she begins, mumbling as she tries to finish her question. I sigh and take a step back so I can see her completely.
"What I'm saying is that I'm not sure when it truly started, but lately I have realized that I like you, like like you like you" I start, cringing at how many times I just said the word like. "You like me?" she asks, eyes widening as she stares at me in shock. I nod, "I do, yeah. A lot actually". She blushes and comes closer to me, "why didn't you say anything before now?". "I wasn't sure how you'd react" I admit, "and I didn't want to be even more disappointed". "Peter, did you ever think maybe you wouldn't have had to be disappointed at all?" she smirks. "What do y-" I ask, but am cut off as she leans in and presses her soft lips to mine. I smile and wrap my arms around her as I kiss her back. "Do you.. you l-" I ramble as we pull back, an embarrassingly large grin o my face. "Yes, I like you too Peter" she smiles, causing my heart to somehow speed up even more than it did during the kiss. She likes me back! I smile knowing that she likes me despite all the embarrassing things I’ve done and now I know my disappointment was worth it to have our first kiss be like this instead. 
160 notes · View notes
jerseydeanne · 5 years
Text
Trey Gowdy has called it: “Disaster from day one”
McCarthy promises accountability as Barr reviews IG’s FISA report: ‘The closest we’ve ever seen to a coup’  — This time is Kevin McCarthy (not Andrew McCarthy) Some believe that Nunez, Gramm. McCarthy and others were briefed on IG’s FISA abuse report. Trey Gowdy has called it “Disaster from day one" 
Oops sorry, it feels like. LOL, It’s the name McCarthy that gets me every time. 
Yes, they are briefed on it and so is Jerry Nadler that traitorous fat bastard! How can they lie that badly? I’ve watched the committee, and I’m shocked how partisan this is.
Tumblr media
Sara Carter has done an excellent job doing investigative reporting along with Judicial Watch Tom Fitton. I would love if Trey would run again.
Thank you anon, 🌸😎😘
2 notes · View notes
fleetwoodmactshirt · 4 years
Note
Do you have thoughts about the reading tastes-at least the general genre- for the rest of them?
i couldn’t limit myself to just the general genre. i’m not sorry.
frankie morales may only have been in his teens in the 80s and in his twenties in the 90s, but he shared his dad’s reading tastes and like all dads in the 80s/90s, his dad loved tom clancy novels and so frankie read them all too. i think he also loves reading non-fiction. he reads a lot of history. not necessarily military history, just history in general. he likes mary roach’s non-fiction books, like grunt: the science of humans at war. he makes valiant efforts at reading classic literature; he’s one of the people who has actually read moby dick and genuinely liked it. he also likes reading memoirs, and nature and travel writing; one of his favourite books is cheryl strayed’s wild. it resonated with him and made him cry some very cathartic tears and he isn’t ashamed of it.
javier used to read mostly a wide variety of non-fiction; crime, history, politics, essays, etc...and he still mostly does when he finds the time. but after colombia, he finds himself drifting towards fiction for answers. he’s read gabriel garcia marquez’s novels; he admits he didn’t fully understand them, but he liked them. he really likes cormac mcarthy’s and toni morrison’s novels.
ezra’s reading tastes and preferences are, like i said, getting their own post at some point.
8 notes · View notes
oneweekobsession · 7 years
Quote
My writing is riddled with ... tics of uncertainty. I have no excuse or solution, save to allow myself the tremblings, then go back in later and slash them out. In this way I edit myself into a boldness that is neither native nor foreign to me
maggie nelson, the argonauts (2015)
#crikey this book#let's be honest i lack the theoretical groundings to deal with some of its theoretical position taking#with anything approaching confidence or coherence#and let's also be honest (another tic of uncertainty or of boldness?)#there's something i did and do find irritating about the ways that theory and other kinds of text are invoked in this#(mainly i'm annoyed by the annotations in the margins which are like a weird set of signals#flagging up the author of this or that quote#but not giving any sense of where that quote is to be found#i'm really really really not a fan of the decontextualized philosophical/theoretical soundbite#like it's an affectation that i really really really hate)#and the authorial voice is a bit annoying#however crikey this book#(in a way it makes me think of#tom mccarthy's satin island#which came out the same year and which is also theoretically dense#and packed with quotation though it does not flag up that quotation explicitly#(the afterword tells you it's there though because mcarthy wants you to know it's clever and he's clever)#anyway while i think nelson could have afforded to be more subtle in signalling her intellectual relationships#what the comparison of the two theoretically dense texts flags up#is how fucking awful mcarthy's instantiation of gender and sexuality is#his sense that philosophy or whatever the fuck is absent of gender or race or class or sexuality#anyway anyway apparently i'm still cross about having had to have read his book#anyway#how about i stop ranting about that#and get back to saying:)#crikey i mean this book#books books books#(anyway also what i like about this is the attention to the craft of wordprocessing which i'm all full of at the moment#having just finished kirschenbaum's book on that#this morning)
1 note · View note
wernerherzogs · 5 years
Note
anyways, besides lynch,with whom would you like to see harry work with? guillermo del toro, spike jonze and wes anderson are my picks
ohhh nice choices! he and wes especially seem like a ~natural fit, and it’d make loads of ppl very happy! (inlcuding me and alex! she was relatably upset when timotay recently snatched a spot in wes’ upcoming movie.) but also consider this: paul thomas anderson. 🙏 who else… kenneth lonergan, paolo sorrentino, tom mcarthy, rian johnson, denis villeneuve, derek cianfrance, kelly reichardt, martin mcdonagh… the coens? and obvs my fathers lynch and herzog. 🙏 dolan is obsessed with him, so i’m sure it’ll happen if harry wants it, and i’d be def interested in that, too. but ask me for more ~ambitious, and more of non-english speaking choices once we can be Sure that he /wants/ to be in more movies, otherwise i’m just gonna break my own heart, man. 💔
ETA: OH AND ALSO. charlie kaufman (directed by him or just with a script of his, idc), david lowery, andrea arnold, barry jenkins, david robert mitchell, steve mcqueen and sean baker.
9 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Spotlight (2015) dir. Tom Mcarthy
“It takes a village to raise a child, it takes a village to abuse them.”
0 notes
athleticspr · 5 years
Text
Time To Get Rid Of Todd Bowles
By Nick Heilman 
Tumblr media
Following a tough loss to the Houston Texans at home this past Saturday reports have come out that Todd Bowles is almost certainly not going to return as the Jets head coach next season.  The Jets are now 4-10 and are sitting at the bottom of the AFC East. Bowles started off his Jets head coaching career very strongly after going 10-6 in his first season. Since then he hasn’t been able to coach this Jets team to more than 5 wins and this year it looks like they will finish 4-12 as they will face Aaron Rodgers and Tom Brady the last two weeks of the season. Bowles is a great man and could possibly have success as a defensive coordinator elsewhere but his head coaching days are most likely over. The Jets rank 30th in total offense and 22nd in total defense which is supposed to be Bowles specialty. 
The players love Bowles but that is only half the battle. Bowles has displayed poor time management on multiple occasions and his coaching staff may have the most boring playbook in today’s NFL that has offenses like the Rams and Bears being as creative as we have ever seen in this league. The Jets also don’t have the best roster in the league and have a first-year quarterback in Sam Darnold so the lack of success this season isn’t 100% on Bowles. New York isn’t the easiest place to fail as a head coach in sports and I'm sure the fans will be reacting very positively to his firing following the season. It will be interesting to see who they go after as a replacement. Many people around the league believe former Packers head coach Mike Mcarthy might be on the Jets radar. 
0 notes
earpeeler · 7 years
Photo
Tumblr media
Misery Loves Company – 75 – Blind Leading the Blind w/ @BrianPMcarthy We're live from the Comic Strip this week. Kevin is joined by Brian Mcarthy and Adam for a conversation about buying drugs while blind, directing softcore porn and how not to approach Tom Selleck.
0 notes
yourmaninthestalls · 8 years
Text
Spotlight (January 2016)
Another powerful film telling us an important story. This time it’s the sexual abuse of minors by The Catholic Church, Boston Chapter. Unlike THE BIG SHORT here some of the bad guys do get their comeuppance. The director Tom McArthy (“Meet The Parents”) seems undaunted by the clichés that lie in wait in the busy newsroom (All the President’s Men comes to mind) because he is armed with a tight, fast script and a really excellent cast. The boldest moment for me was when “the presses roll” and we see those rivers of paper and then the lorries departing from the dispatch area in line astern – but it works because we are by then also in that world and that’s what happens. For those of us who are convinced that our lives are directed by vast cynical corporations this film offers an inspiring example of the triumph of good over evil, that humans can and do make stands and understand and recognise evil when they see it. And remember that these events took place in Boston – the capital of Irish Catholic America. It is set in 2001/2002 when maybe public life was more transparent and records more accessible – we can only pray (sic) that such an expose of wrongdoing could still succeed today. I wonder if Sir John Chilcott has seen it? Maybe he is too busy, though his show has now been in production for almost nine years – scripting problems? Or maybe he needs a really big name star. This film is great fun and about something. It’s certainly a “feel much better” film to dispel the Winter Blues. There is welcome hope here. 8/10
0 notes
freshmoviequotes · 8 years
Photo
Tumblr media
Spotlight (2015)
48 notes · View notes
jarrettfuller · 9 years
Quote
It is not just that people with degrees in English generally go to work for corporations (which of course they do); the point is that the company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed. While “official” fiction has retreated into comforting nostalgia about kings and queens, or supposed tales of the contemporary rendered in an equally nostalgic mode of unexamined realism, it is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google, and if there isn’t, it doesn’t matter since the operations of that genius and vision are being developed and performed collectively by operators on the payroll of that company, or of one like it.
The death of writing – if James Joyce were alive today he’d be working for Google by Tom McCarthy
23 notes · View notes