[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]
Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.
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MDZS is good in that Pride and Prejudice way, where you just want the brooding socially awkward weirdo to get together with the spunky spirited lead because they are clearly so stupidly in love, emphasis on the stupid, and deserve a happy ending gosh darn it and for everything to just work out. Also the social/class commentary is fierce and on point at all times.
Scum Villain on the other hand is good in that Jane Eyre way, where you can’t help but go ‘oh man something is mega wrong with him’ (affectionate) at the main love interest and the main lead isn’t much better. You want to shove both these toxic weirdos under a microscope to understand how on earth their strange relationship works, but you also kind of want it to work out too in a messed up sort of way.
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the way my ass was not prepared for shanks rolling up to marineford, immediately intimidating every still-conscious major player on the battlefield including gd sengoku…
and then whipping around like a soap opera protagonist the second he realized buggy was there
*:・✧BUGGY?✧・:*
i don’t have to ship them when shanks does it for me
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"As the men below shrieked beneath the indoor waves, Kavik realized he was in control right now. The only Waterbender present. A king atop his mountain.
And right now, the king had a mission to complete for the Avatar."
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zelink in your au or nah?
i would say there’s about as much zelink in my au as there is in the game, so…like it’s there but it’s also probably sad and doomed lol. link also isn’t there for the large majority of it, so a lot it comes down to how sheik remembers him while he’s sealed in the sacred realm and how she feels about their whole situation over a period of years. it’s kinda hard to say how their relationship is when one of them isn’t there for so much of it, and the other is constantly thinking and mulling over just their memories of them and what they could’ve done differently. but that’s also part of the reason they’re so interesting and heartbreaking to me. im blabbin but basically there isn’t NOT zelink, but it’s complicated and still sad and not necessarily the main focus
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[cws: starvation/food insecurity, fantasy racism, psychiatric abuse, ableism, and Upsetting Pictures.]
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one thing that fucks me up immensely about pericles before and after the asylum is how fucking skinny he is.
like. as much as obviously the two designs are Very Inconsistent in general which annoys me, look at him pre-timeskip. look at how he's shaped.
his head and face are way smoother and rounder, both in front and back, and the space between his cheekbones and his eyebrow ridge is filled in; his body is rounder in general and his belly is noticeably between his thighs when he's standing up; he has kind of a chubby butt; his chin and neck are softer and wider around, which you can really see with the width of the scarf compared to his shoulders and the angle where it meets his head. it comes up in front of his face more because there's not as much of an angle with his chin to hold it down.
now. compare all those things to this.
christ.
and like, you could argue some of these design differences are tiny things to zero in on in a show that's as loose with its models as sdmi is. but present-day pericles' design is pretty obviously supposed to be unsettling because he's physically built to be a Cute Roumb Little Mascot Creature--so much so that the framework has managed to stick around a little in spite of everything--and has become gaunt and haggard anyway. and you could also argue that the body type changes are just thanks to aging twenty years (and i don't doubt that's contributed).
except. he spent those twenty years in an asylum where the other inmates we see look like this.
christ.
(fun little fact that @thecottageinthedark pointed out also: remember how he literally got caught at one point because he couldn't stop eating sunflower seeds, even during a heist? a high-fat, high-calorie snack for birds? you know, exactly the kind of thing a starving person who finally has proper access to food would be wolfing down?)
(yeah.)
did i mention that this happened in a (fantasy) racially segregated prison, which is technically an asylum so the inmates can be kept there indefinitely, because in an actual prison you're required to have a sentence? did i mention that none of the human characters we see in human prison look any less healthy during or afterward, and on top of that are allowed to move around and socialize? did i mention the absolutely horrific treatment of the asylum inmates is implied to be despite the fact that the (physically abusive!) guard is playing up how dangerous and malicious they are? (you know. except for pericles 🙃)
did i mention the man who got pericles imprisoned--who he had not only done nothing to beforehand, but had helped--says he was there to 'live out the rest of his miserable parrot life in a cage, where he belonged,' and not only do none of the characters we're supposed to side with have anything to say about that, but the audience is clearly supposed to agree with him too?
(did i mention said man--who was in on the crime, singular, that pericles went to prison for!--spends those twenty years living a life of luxury in power while abusing the child he kidnapped as a baby and held hostage his entire life, and when we see him in prison he is not only chilling out and helping the authorities but reading a newspaper?)
did i mention the part where by the time we meet pericles he hasn't spoken in years?
like. man the 'ooooo scary evil abused asylum crazies' trope is bad enough, even when they pretend to lampshade it for a minute before playing it straight; i don't know how they added in All That and made him emaciated and expected no one to find it heartbreaking or even sympathetic. i don't care how bad he was before the asylum (and dear god was he ever), that is horrifying and no one deserves it. god damn.
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