Desperately trying to write Ganondorf as someone capable of desire, like it was one of my goals going in these stories (I'm aroace and trying to challenge myself on this front creatively as I have a super hard time writing romance and attraction), and......... the more I write and the more I see him sliding further and further into the ace spectrum and I'm like....... this is just.... beyond my control isn't it
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I caught up w an old friend like a friend ive known 12 yrs and I’m sooo hyped about it bc when we were teens I wanted to be friends w him and a billion other people but i never tried bc i was like if friendship is meant to be itll be but now im reaching out and he’s gonna mail me a copy of his comic and we’re gonna text and call on occasion
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Also have realized that we may have worded things oddly to exaggerate the amount of the Wasp Kingdom that is actually in active conflict but in our defence the power structures we currently have there have it so that whenever there aren't things to fight something like 40-80% of the Wasp Kingdom military gets re-allocated to Basically Whatever The Wasp Kingdom Needs At That Moment since they're, like, the Designated Supply Of Able-Bodied Wasps That The Queen Uses To Do Shit.
Marble is also banned from the non-combat parts of that setup, btw. Their particular tendency towards volatile-yet-effective is not something that ANYONE wants designing things that will be used in day-to-day civilian things just Around The Wasp Kingdom because generally you don't want your heavy-use architecture to Fucking Explode if you don't read and religiously adhere to the 120-page manual.
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I know you have to choose the option but the farewell conversation that sticks most in my head in the Gallows is with Carver where Hawke can say something along the lines of 'This is how we're supposed to be, side by side' and he tells them they know it can't be like that forever.
Like, my Hawke at least spent so much of her life building her identity in service of her family. Hawke most resembles their father no matter what, and the family is shaped around them narratively (if you're a mage or not deciding which sibling you lose first and how that class effects how those siblings feel about themselves and their place in the family) and they shape themselves around their family in turn, exist for them, takes up the role of leader after Malcolm has passed. The answers of where Hawke considers home when they're asked never felt right, because they lived on the run for so many of their formative years, the true answer feels like to me to be their home is their family, the place never mattered beyond being allowed to rest and not look over their shoulder every day.
What happens to that identity when everyone you built it around is gone? Where would they consider home when it's all said and done? The Amell estate was something they got for their mother, one of the answers they can give to Varric in Act 2 on what they plan to do now is watch over their mother, Carver tells Hawke to look after her when the expedition separates them. Then their mother is gone too.
There's no final statement for this since it's just me rambling, but it's hm, sad to think about. Who is Hawke if they aren't living for the sake of another, when all those they lived for are gone and they never felt at home anywhere but in the people they surrounded themselves with?
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