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#tldr I love her and she’s me and I will protect her with my life
wurm-food · 1 year
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Wurm, first of all, hi!!! I'm so glad you're doing better! I've missed being on here as much and seeing your fucking brilliant content and commentary. Now, ask time! Want to tell us how much you love Uta and her family bonds? Any favorite moments? Things you wish we saw more of?
Omg hi !! 🥰🥰 (also do you like Star? Blaze? Delightful Human? gotta find the right name to call you hehe) I’m certainly making it… and I’ve missed being on here too!! I can’t wait to get home and dump all of my thoughts in a doc and read what everyone is writing 😭
Ok preface this is SUCH a rambley personal brain dump about her, I’ve projected so much onto this girl and as I’m writing all of this …. It’s turning into a novel, sorry in advanced!
My love for Uta is unending!!! It’s really not waned at all since the movie hype is kind of over, she’s really a character I’ve personally connected with on a lot of levels, she honestly feels like reader insert character Oda made for me specifically. I think it’s really special to see characters (especially female character) tap into the not so pretty sides of anger and grief and self destruction because, well, it’s messy and human and real. She makes me look back at my own reactions to my own childhood and family and hell , my own mental illness and the desperation to feel like I could fix everything despite not feeling like I deserved my own forgiveness or how I processed the traumas I lived through in ways that probably weren’t the best for me or others…. Idk i just get really really emotional about it. And seeing that maybe there’s a path for her for forgiveness and maybe forgiving herself and starting over is beautiful to see. (This is a ramble oh god 😅)
As far as her family, I’m seriously so in love with For Family it’s Worth the Fight 😭 like I believe that her and the rest of the Red Force can rebuild the family they had but TOO MUCH SHIT HAPPENED for that to just happen over night, as much as anyone might want that to happen. I know it’s been said before, but she’s still the same child left on that island when it comes to Shanks and co. Like that’s the realest freaking thing when it comes to putting yourself back into your dysfunctional family, all the same defensive mechanisms just crawl back to the surface. mwah mwah I love it it’s so good! (Plus I’m a fan of the Shanks/Beck daddy duo 😏)
As a side note, I’ve seen a lot of art revolving around Uta and the ASL brothers and THAT dynamic really gets my gears turning. They would have been absolute TERRORS together and I love it hehe 🥰
For things I want to see for her…. I really want this girl to have some friends and romantic interests, what can I say 😅 like I just feel in my bones that this girl’s ideas of friendship and romance are also a little messed up, but I also see that as an opportunity for her to learn how love can take many forms and be healthy.
Ahhhhh ok I think that’s all my brain could dump right now, that was a lot. She drives me crazy in the best of ways and I love her to pieces for everything she is 😭😭 thanks for letting me indulge in the brainrot 💕
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carefulfears · 10 months
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And my girl Scully figured out that Diana and Phoebe were abusive to him and that’s why she was ready to disintegrate them with whenever they breathed Mulder’s air iktr. (Also to me that’s part of the reason Mulder was oblivious and defended them, people who are in abusive relationships are not always aware of it)
YUPP you’re literally dead right, anon, in my opinion. it really bugs me when people talk shit about mulder for “trusting” both phoebe and diana, as though that’s not like…the only thing he’s been taught to do.
i’ve been thinking a lot about the difference between scully’s reactions to phoebe vs. diana. when phoebe showed up, scully had only known mulder for a few weeks. and still she knew almost instantly that something wasn’t right.
i didn’t notice until i rewatched fire the way that she never leaves him alone with her. if mulder and phoebe are working on something, you can see scully. against the wall, peeking around the door, pacing in the hallway. he tells her that she’s “off the hook,” that he’s not going to “put her through this” with “phoebe’s little mind games,” and she takes it upon herself to investigate phoebe’s case herself, until she solves it and phoebe can go the fuck home.
girlbosses catch serial murderers singlehandedly to get their best friend’s shitty ex away from them.
when phoebe was around, scully is passive aggressive as hell. constantly hanging around and making little quips and mocking her accent.
when diana shows up? five years later? she’s just aggressive.
she said nah, we aren’t doing this again 😭😭
(one of my favorite scully moments is when she snaps “and not just because i think that woman is a….well, you know what i think that woman is” and mulder is just like “no you hide your feelings sooo well” lmfao)
i really do think meeting phoebe so early in their partnership informs a lot about the way scully reacts to his exposure and relationship to other people throughout the series. she really doesn’t trust a soul around him.
i always think of this line from madness by kittenscully (a post-syzygy fic, addressing the detective white incident):
“A surge of righteous indignation at the notion makes her sit up straighter, and she bites her tongue to avoid a very unpleasant comment from slipping out. As always, she thinks of Phoebe, of his wide, trusting eyes.”
diana was scary levels of manipulative and violating. but diana loved mulder, scully knew that and used that to plead with her in the end.
phoebe didn’t care about anything but playing with fire. she got off on scaring him, crossed state lines just to fuck with his head and hurt him, just like in their relationship a decade earlier. mulder knew this, he knew from the start what she was doing and what she wanted, and he helped her anyway. he praised her anyway. he connected with her and invested in her anyway.
y’all know i’m always thinking about the script note about phoebe’s coldness “eliciting some old need in him to have her affection.”
by the time diana came back around, scully had sat on the floor of a hotel and watched phoebe smile and shake hands with bureaucrats while mulder couldn’t breathe.
scully had stood in the next room when his questions to his mother got him little more than a slap to the face.
it’s different with diana because there’s a lot more history and connection there, and because at that point there is heartbreak and jealousy on scully’s side (when phoebe was in town, she hung around in doorways. when diana reaches for mulder’s hand, she turns around and holds back tears in the car.)
it’s a difficult position for both of them. he doesn’t know how to do anything but appease and trust and be loyal, to help whoever asks. he doesn’t care if it hurts him, he’s been groomed his whole life for that, to feel like he deserves it.
it makes scully crazy. he’s her best friend. she can’t believe anyone would look at that kind of softhearted hope and want to exploit it or crush it, rather than look up to it, follow it, nurture it.
and it hurts!! it hurts to watch him fall back into these traps, and especially with diana, it hurts to feel that your input and relationship doesn’t matter enough to have influence. to not be listened to, to feel like you’re not being chosen.
she doesn’t know that he went to search diana’s apartment after she told him not to trust her. she just heard, “i know her. you don’t. scully, you’re reaching.” and watched him leave.
it’s just this perfect crossroads of each of their most vulnerable spots. scully wants to protect him, always, and she also wants to be chosen.
mulder has to stand by his allegiances, to seek ‘affection’ in cruelty, to play his role in the larger scheme. this is what CSM knew when he recruited diana into the conspiracy, and he knows because he “created” it.
you can’t judge either of them, they’re both following their natures, and furthering the narrative they were chosen for.
(until scully stands in front of diana and begs, “i just want you to think…stand there in front of me, look me in the eye”…and breaks the whole thing down.)
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teddie-bear420 · 2 months
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Flash warning!
What’s worse? Your greatest shame coming back to life, or your greatest shame coming back to life and being happier than you?
Tldr: I rant about the most homophobic lesbian
Remember I made all this up! And I love reading all the replies yall leave!
So there are a lot of songs that make me think of vaggie and lute, the angst of killing your crush and being attacked by your best friend is just so juicy, plus friends to enemies to lovers is one of my fave tropes ever!!
I’ll always wonder about what vaggie and lutes life was like before the betrayal? So in the perfect world exterminators are heaven born critters, grown from bug eggs, they are raised to protect heaven from the outside in, basically they were born and raised to be nationalist soldiers.
Military indoctrination with bugs
Oh! And a design element with the halos is that every angel type is different, like the exterminator halo has a 4point star! The cardinal directions! And they can magical girl transform, that’s why I draw lute with a star pin/necklace.
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But back to toxic yuri
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Lute has this contradictory mind set, she is the most holy thing and can’t be capable of sin while also being the most wicked thing in all creation, capable of great acts of violence.
She loves the violence but she hates the shame and guilt that comes with that, so she takes it out on other things/people. Then she starts to hurt her friend, who she has a crush on btw. Very bad for her holy ego, she loves vaggie, but she also hates the way that vaggie makes her feel. Vaggie alway had the softest wings, and the brightest eyes, lute loved to smell vaggie, lavender, she recalls.
Lavender makes her feel safe and angry at the same time, it makes her face hot and tummy sick.
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She had to get rid of vaggie to make all these difficult go away. It did at first, she had Adam, Emily and others to distract her. Lute became the second in command and personal chaperon to Emily! She was living the dream! She believes that it was for the best that she killed her crush, vaggie had to be put down for her sinful, tempting ways!
But the guilt and shame finally come to a head when she sees vaggie again in heaven
And not only alive… but alive and happy with some demon!
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queer-overwatch · 24 days
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okay hi I hope I'm not sending too many asks even tho this is only my second one LMAOO, I figured you would get a lot of venture requests so i was like "why not send an ask for someone else?" so here I am!! can I mayhaps request Sombra with a reader(she/her) who is very open about themselves? like maybe they tend to overshare or talk a lot about themselves,, again, any format is fine w/me! have a beautiful day!! (my name is Eden btw, so feel free to call me that <33)
Sombra with an open!reader!
You are 100% right almost all of our requests have been for venture lmao (dw tho we enjoy it <3) also NEVER FEEL GUILTY FOR SENDING MULTIPLE ASKS, please send as many as you want, we love them <3 decided to do headcanons for this one, hope thats okay! -Frisk
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When you first meet she so takes advantage of the fact that you're so open
Records basically every conversation she has with you, just in case she ever needs blackmail
Once you start getting closer, she starts actually paying attention to the stuff you say, just for fun, totally not because she wants to actually know you She can't help but think of you whenever she finds something you said you liked.
One time on a mission she found a mug with a funny quote she thought you'd like and took it, didn't actually give it to you though, just took it
She would rather die than admit it, but if you're ever on a mission with her she'll try to keep you from talking too much
She doesn't want the enemy to have too much info on you, that's her blackmail not theirs >:C
If/When you actually start dating, she really takes into account the things she'd heard you say
Listens to her own recordings on loop whenever its a holiday or anniversary so she can find the perfect gift
She'll finally let you know she's been recording your conversations, she doesn't feel guilty she just wants you to know
No point in hiding it anymore
She also gets more openly protective
Like she'll yoink you out of conversations with someone who she doesn't think should know the stuff you so openly talk about
She isn't really used to people being so open, she's used to having to find info on people herself, so it's a change of pace for her. She doesn't mind too much but she'll still instinctively try and dig into your life and find stuff you've already told her about
TLDR; She listens to what you say, kinda, but you talk a lot and there is a time and place to be doing so, and she's gonna make sure you only reveal sensitive information when she's around to make sure whoever you're talking to can be trusted <3
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ltstrikesback · 15 days
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TLDR: Monkey Man was so beautiful and so much more than meets the eye.
Spoilers below/me being mildly pretentious:
As someone who has not gone to the movies to see anything other than queer films lately, my girlfriend got us tickets to Monkey Man. She practices jujutsu and likes John Wick and thought this movie would be similar.
I am a huge Dev Patel fan, though, when I saw the trailer before a viewing of Love Lies Bleeding, I figured I might not actually end up seeing it. I didn’t think I was the target audience. I also don’t love action heavy, guns blasting movies in theaters themselves because it’s a bit sensory overload for me. I felt myself make a mental note to watch it on streaming and already forgetting to do so. Flash forward to me and my partner in the theater and I was in awe.
This movie is about a small village who is violently forced off their land so the elite can build a factory. Dev Patel’s character—Kid—is a child the day the village is expelled. He witnesses his mother’s murder and years later seeks revenge on the man who killed her. When he fails to enact his revenge, he finds himself in a city wide man hunt, ending with him falling into a river, drowning. But he is saved! By a small community of hijra—trans women—who live in a temple nearby.
Walking into this movie I didn’t expect social commentary or politics. I anticipated a Rocky type movie, contained to the story of one individual’s hero’s journey. (People keep mentioning John Wick as a comparison. I just mentioned it in this very post but I haven’t actually seen it for the record.) Monkey Man is specifically not about one individual or one individual’s revenge. This was my takeaway. The message we see over and over is that there are things in this life bigger than ourselves. It is literally impossible to save yourself by yourself—you need community.
I’ll take a step back now to acknowledge that I am not sure how familiar everyone is with current politics in India. I myself have limited insight but have friends who are personally affected by the current climate. There is a strong wave towards Hindu nationalism under PM Modi. It’s yet another instance of what feels like the whole world turning to fascism. The movie uses real clips from real instances of social clashes to paint the landscape of this fictional city. Also, I was reading into the backstory and potential censorship of this film and learned the villain’s colors were originally orange, not red. A clear parallel to the current Hindu nationalism at hand. There are clips of crowds attacking trans people. There are boos at the mention of Muslims and Christians. There are scapegoats in this film that are intentionally pulled from real life.
Now to jump back in—I have to say I was completely moved by the entire sequence at the temple. The temple is dedicated to Ardhanarishvara—a god who is part woman and part man. The hijra community has found a home here, albeit on the outskirts of society. The leader tells Kid, “no one will come looking for you here.” Their status in society protects him in a serendipitous way. They are also the ones that nourish him and help him train for his next mission. Not only that, but we see this community smile, laugh, flirt, and fight. I loved the scene with Kid and the drummer, with the girls cat calling him from afar (same). It was so tender to see trans joy, even in mundanity, amidst persecution.
When Kid has self-actualized and essentially is Hanuman, the part monkey God the movie is named after, he takes on the political elites. There is a moment he is surrounded by bodyguards in this hotel sequence. He’s outnumbered and out comes our hijra fam to the rescue. They take down these men. And it is so fucking amazing. I mean, really, it’s so fucking amazing to see them fight for themselves, for each other and be the hero.
To wrap up, I also wanted to touch on the fight sequences’ production. I mentioned I don’t really like fight scenes because I get sensory overload but the music in this film resolved this issue for me. It wasn’t pure screams or gunshots. There was a really fun soundtrack that added a great twist to the film. Kind of reminds me when they break out electric guitars in Chinese historical dramas. Just another thing about this movie that really worked. At least for me personally.
Last thought—my take away is not necessarily to say “put Dev Patel in everything” which is happening in the online discourse. (There’s a weird opposite-of-cancel-culture thing that happens sometimes where audiences obsess and then forget about actors or artists. Idk.) Rather: let this man do whatever he wants. Give him your funding, give him your resources! He should not have to kill himself to tell his stories!
*Sigh* my heart has been so full since watch this. A huge shout out to Dev and his team.
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callmegaith · 13 days
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your real honest opinion on David's character. GO!
I feel like this implies I've been trolling everyone for the past 6 years about how much I love this silly lil guy. Is there supposed to be a /j at the end of that, anon??
Bestie I would not put this much effort into a troll ever 😭 like do you think I sat there and made a whole comic series for a funny little gag??
In case this is genuine tho:
LONG READ AHEAD
cuz of course. You give me the chance to talk about David and I'll TALK
My real honest opinion on David
Paradise
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Silly funny fella. Goofy as hell. I think you can read David's attitude multiple different ways in Paradise. To some he comes off as just an asshole
To others he's just a kid being a kid
I personally read his character as somewhat sarcastic and spiteful towards Jakob. His smile? Sarcastic. His "it's been a while brother"? Sarcastic. "I hope I'm not the one who died tonight" while knowing full well it ain't him? Sarcastic.
I'll talk about this more later when I talk about Mr. Rabbit!David.
David has the characteristics of most youngest siblings; He's annoying, he's childish, maybe a little spoiled and needy for attention too.
Not to jump ahead in this analysis and all but in Birthday, the box he needs has text on it that reads "hungry ghost", "ghost who is unable to be reborn" or preta. They're often spirits of people who died full of greed and jealousy. In Japanese, a preta is also "a spoiled child" or "brat"
Based on that information I thought maybe David was jealous of Jakob cuz he wanted to be the golden boy, ya know?
Tldr;
Paradise!David is just a funny lil guy who most likely harbors negative feelings towards Jakob who overshadowed him despite not even being there.
Mr. Rabbit
Who David is now. An older more mature David. Something clicked in his brain and he realized 'okay actually we're all fucked. Peace out guys I'm looking out for myself.'
Brown Rabbit:
I feel like he represents the last bit of David's naivety, innocence, and child-like spirit. The white rabbit (David from the future) sees that rabbit get killed from the window. He can no longer deny what's happening. The child within him he used to retreat to when things got bad is dead. There's only the white rabbit now
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I feel like that's also something represented in David's masks
The older he gets, the more devoid of joy he becomes
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He becomes more and more aware of his situation.
As a child, you have the blessing of ignorance. That's why the world feels like a safer more colorful place to you until you grow up and you can no longer protected and shielded from the world.
To me, I think that's where David's trauma comes from. His ageing and how fast he's had to grow up and become a man, despite his attempts to remain a child.
In paradise, it's likely he was still pretty much "fingers in ears going LALALALALA" with his eyes closed tightly.
Brown rabbit is all that remained of his ignorance, and now it's gone, leaving behind only the White Rabbit. The David that knows and acknowledges the cruelty of his life. A ghost of his former self.
Speaking of:
White Rabbit
What are we but the products of our traumas and life experiences.
The white rabbit, David from the future, is on a journey to save his soul and be reborn. Obviously, the goal of all the corrupted souls. There is a soul we know succeeded in that and was, in fact, reborn. And that soul is Elizabeth.
Elizabeth was the collateral damage in a battle she had no hand in. She is probably the most innocent victim in all of this family feud going on, and I think because of that, Jakob allowed her to be reborn.
Something he did not allow David to do. I think it's safe to say Jakob and David do not like each other. Seems like David's plans clash with Jakob's and so he has to be taken out of the picture, and yet, David always seems like he has tricks up his sleeve.
Somehow, David is able to go back in time to save himself. What happens after that? We don't know yet
You could argue that he failed and died in the blue cube memory of Birthday. Or that he is simply still out there rn waiting for his story to be told. Both are true cuz that's the nature of Rusty Lake.
David seems to be on his own grand journey, stuck in his own Paradox, desperate to find a way to he reborn.
The thing that stands out of course is David's corrupted soul, or rather, the many different forms of it:
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This is probably due to there being multiple different David(s) from the paradoxes he's lived through.
But what is the White Rabbit David if the brown rabbit is David's reborn Asura? Is the white rabbit not his Asura too?
Hard to say. We never seen a corrupted soul take form like David's white rabbit one before, and even more than that, one that retains autonomy. After all, David had enough control over himself to write and leave Dale a letter, meaning he is fully aware of what he is doing. Yet he is prone to violence the way regular corrupted souls are.
It's likely the white rabbit is an advanced form of a corrupted soul, probably the last stages before rebirth.
That or.... Well.... It's just a mask. After all, in Paradox, David spoke with a regular human voice over the phone, meaning he was not a corrupted soul.
In that case tho, if he was already reborn... Why did he say he needed to escape his current "hungry ghost" state?
Obviously Paradox is the most unreliable game narratively cuz you're just going through Dale's jumbled up memories. It's likely he's just recalling an actual conversation he had with David on the phone at the time (which still makes no sense cuz that would mean at the time David was still a human. Or it means he's recalling some conversation he had with David at some point in his life, not necessarily Birthday. OR... That's just a memory the machine is feeding him and it never really happened. Point is, paradox can't be used as a fact for anything)
Timeline is fuuuucked when it comes to David's story so uuuh
We don't know where he is now, what actually happened to him, or wtf is going on with him.
What we do take from his whoooole story tho:
Conclusion
(you did it, chat. You made it this far into my rambly post!!)
David is a really cool and very interesting character that might not appear to be so on the surface. You only really get how complex his character is when you think of everything that has happened in the games. He has a story that is either left for us to piece together or is still not yet fully explored.
To me, David is a character born of defiance and rebelliousness, as well as the need for survival and self-preservation. He is someone who has challenged his own fate, knowing damn well he's up against higher powers, but still taking the chance to save his soul. He is resilient, and stubborn, and just won't accept his fate and die. He has challenged his position in the food chain, a rabbit who is meant to be at the bottom, proving that he should not be underestimated. To me, that's worth loving and admiring. AND IM CHEERING HIM ON! GO DAVID! GO! IM SO PROUD OF YOU MY SON!!
And that's my real honest opinion on David
Thank you for reading.
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l3visthighs · 2 months
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Hey lovely Alyssa ✨
I hope you're doing well!
The Leviana fanarts you post are always amazing & I wondered if you could tell us more about your OC Ilyana? I'm really curious about this cutie!
Smooches 😘
Val, hi! 💕 how’re you doing?
Thank you so much for your question about Ilyana. It makes my heart so happy when people show an interest in her.
I have a little story I’ve been working on for a while for her & Levi. It’s just never seen the light of day because I don’t have a lot of confidence in my writing/storytelling. So it’s been more of a project just for me. :’)
I’ll insert a few paragraphs of it here though just to give a little more insight about her (her background, her personality, etc) <3
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Year 843: 
That day had finally come; the day that Ilyana Hoover dreaded every single day since her adopted brother, Bertolt, had told her that he wanted to become a warrior. Today was the day she watched him inherit the Colossal Titan.  She couldn't believe it, she didn't want to. Thirteen years. Thirteen years is all she had left with him. For years she had tried to talk him out of it. But here she is now. Watching him train for his upcoming mission in Paradis with the now Armored Titan and Female Titan. She's going with them on their mission. She had already decided that long ago; she told herself no matter what the outcome was today that she would be there for him. She knows her brother. He's emotional, sometimes weak, and anxious. No matter what role they decide to give her in the mission, she would do it, she would go. If only to protect him. 
"I really don't think you should come along, Ilyana. It's going to be dangerous. We don't know what these island devils are capable of. Stay here and look after mom. She needs you." He pleads with her that evening. 
"You're really lecturing me over it being dangerous? Bert, you're scared of your own shadow most of the time" She sighs. "If I don't go with you and something happens to you, I wouldn't be able to live with that. I already made up my mind. I don't trust Reiner to protect you, either. You and I both know how hot headed and emotional he can be at times. Mom will be just fine. She's got dad here to watch over her. You know he'd never let her roam the streets alone." 
He shakes his head and pinches the bridge of his nose. She's right. He knows she is; and he knows there's no convincing her otherwise. His sister has always been stubborn. A bit hot headed herself at times. He knows she just wants the best for him. She's always been protective of him. But he can't help but wish she'd believe in him, just this one time. He knows he can handle himself. He's been through the training, he knows what to expect; what he's getting himself into. 
Ilyana always knew she was different from the others of her kind. Born a Marleyan but adopted at a young age by an Eldian family; the Hoover family. They’d found her alone on the street one evening and decided to take her in; a few years later came Bertolt. She never knew her real parents, nor what had happened to them. Every Marleyan here was disgusted by the Eldians. She had watched her family be talked down to, pushed around and spit at walking down the streets. But growing up and living in an Eldian family made her feel much differently towards them. She had read the history books, heard all of the rumors; But she refused to believe they were all as bad as the people of Marley had made them out to be. She loved the Hoovers. They had always treated her like their own. The least she could do in return for everything they'd done for her is watch after their son, her brother; blood relation or not. She would protect him with her life. 
————————
TLDR: Ilyana Hoover is a Marleyan; she was adopted by the Hoovers at a young age. She’s extremely protective over her brother, Bertolt. She finds herself feeling super sympathetic towards all Eldians; including the ones on the island. Shes confident, not afraid to hold her own ground/speak up for herself; but can also be extremely hot headed & rash. (Which causes for some bickering with Levi later on in the story) she travels to the island with the Warriors as a spy.
(Also all artwork of them is done by the lovely @/catyypss)
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manyunhappygreenies · 7 months
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I agree with the tier list but I'm curious why idw and 2007 are on the bottom half and not like 2012 splinter? Or even rise they were both pretty bad fathers
I'll answer rise and 2012 first because 2007 and idw fuel me with so much anger.
DISCLAIMER: I love Rise Splinter and 12 Splinter but they are not without flaws!!!!!
Trigger warnings will be in tags please adhere to them!
[Rise Splinter Start]
I put rise splinter in "you're okay" tier because Hamato Yoshi (will be calling rise splinter "Lou" from now on for context) did his very best and tried to make the very best out of a terrible situation.
He had lost his mother at a very young age and dealt with an emotionally neglectful grandfather who had only cared about a Hamato's duty to their clan up to his late teens into adulthood. [This undermines Karai's sacrifice in the first place. As she had sacrificed herself out of love for the world around her and the love of her father. Not because of a sense of duty.]
Lou moves to America in order to separate himself from his trauma, never addressing it but rather repressing it. In hopes he can move on and start a new life, which he fully intended when he proposed to Big Mama. [Though it's never spoken directly or stated directly in the show, it's implied Splinter was ready to even have a family with her because he loved her so much]
This is quickly torn to shreds when Big Mama reveals she's a Yokai crime boss [essentially] and human traffic [yes. HUMAN TRAFFICS] Lou to New York to become a champion in her Battle Nexus. While in the beginning of the show it's depreciated as Lou Jitsu loved being a Nexus champion we quickly learned in "Many Unhappy Returns" he in fact did not relish being a champion and was clearly traumatized by Big Mama's actions.
> Enter Baron Draxum
Lou is human trafficked once again and this time is experimented on, his DNA used to create turtle super soldiers that will be trained and raised to murder humans. [This show is super fucked up now that I think about it.]
And after completely destroying Draxum's lab, being freshly mutated into a rat man. Stripped of his humanity, he now has 4 turtle sons dropped into his lap.
TLDR: Rise Splinter did the very best he could in a terrible situation and struggled to overcome his own generational trauma. His actions are explained, not excused. He needs therapy, his sons needs therapy. He needs to make up for his neglectful behavior [which we do see towards the end of season 1 and into season 2] and understand his children are in no way shape or form obligated to forgive him.
[End of Rise Splinter]
[Start of 2012 Splinter]
My reasoning for putting 2012 Splinter in "Seek therapy before having kids" tier is because Hamato Yoshi [will just be calling him Yoshi for context] has been a parent before, while brief and tragically separated from his child for many years, on top of losing his wife.
Yoshi did as I would feel did the best he could but could have definitely done better. He's freshly traumatized, well into his 30s, maybe early 40s [?] And moves to America from Japan. [Clearly he needs therapy]
Yoshi clearly was not expecting to be a parent again, so soon after losing his only daughter. [perceived]
He loves his children, though he more often than not struggles to actually connect with them and see them as his sons rather than just clan members. I would consider this emotionally neglectful [?]
I personally always headcanoned this as a trauma response. A subconscious way to protect himself from the hurt of losing another child. And it's clear that Yoshi's trauma over losing miwa has manifested for his sons as well, as we see in the episode "Panic in the Sewers" one of the first episodes we actually see Yoshi PUT HIS HANDS ON HIS SON outside of training. And it's very clear that he was in fact hurting Raph. [Intentional or not. He still hurt his son.]
He loves his sons very much. But please. Get therapy.
[End of 2012 Splinter.]
Cracks Knuckles
[Start IDW Splinter.]
FUCK THIS STUPID ASS RAT I HATE HIM SO FUCKING MUCH. ESPECIALLY ESPECIALLY AFTER THE EVENTS OF CITY FALL.
YOUR SON IS CLEARLY TRAUMATIZED BY NOT JUST OROKU SAKI BUT YOU, HE IS AFRAID OF YOU ANGRY AT YOU AND DESPITE YOU KNOWING THIS YOU STILL CHOOSE TO INVADE HIS SPACE, PRIVACY AND COMFORT ZONE. FUCK YOU!
That being said the entire Trauma and storyline with IDW Leo being brainwashed was handled poorly and clearly written from a stigmatized view. I'm not surprised that his recovery was handled just as poorly.
[End of IDW Splinter]
[Start of 2007 Splinter]
Fuck you. You literally look like the cheetah from Cheetos you nasty, emotionally and physically neglectful fuck!!!
The only time you EVER paid attention to your sons was when Leo came home. 2 YEARS AFTER YOU SENT HIM TO CENTRAL AMERICA.
You did NOT care about Raphael's feelings about Leo's departure or return, nor the abandonment issues he had developed and the resentment that he had for you and his older brother.
You did NOT care that Donnie had to pick up the slack and pay bills so YOUR CRUSTY CHEETO LOOKING ASS COULD WATCH THE NEWS AND YELL "BOYS" WHEN LEO CAME HOME AND THEY CONVENIENTLY WENT OUT TO FIGHT CRIME
I DON'T THINK YOU EVEN ACKNOWLEDGED MIKEY UNTIL THE END OF THE MOVIE AFTER LEO WAS SAVED
TLDR: FUCK 2007 SPLINTER.
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As someone who has no concept of GFL could you share with us a few characters you like and what they're about?
TLDR: Female Androids with varying personalities.
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In a VERY VERY brief nutshell:
The story is essentially a massive hodgepodge of Metal Gear Solid, Tom Clancy, and Ghost in the Shell. T-Dolls are androids created specifically for warfare and resemble female humans, and have their own personalities.
Despite that, they are highly efficient killing machines, since at the heart of it they are still created for only war.
In-game there is an unholy amount of characters but I will give you a spoiler free rundown on three of my absolute favorite T-Dolls: (These are examples since I love pretty much everyone included in the blog)
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M4A1 is the squad leader of the Anti-Rain Team (AR Team). She is prone to self-doubt/blame due to her special nature, but wants to protect her friends at any cost.
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AN-94 is a member of Task Force DEFY, being aloof and seemingly cold, and has unflinching loyalty towards AK-12 who she believes to be her successor.
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AK-15 is a member of Task Force DEFY, remaining stoic but her wrath makes her terrifying to fight against when it does show, being the strongest T-Doll of the Neo-Soviet Union.
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A good reason why I simp for them comes from their dialogue whenever they speak to you (The Commander) as they're very charming, insightful, or just really funny.
Whatever I post will usually come from the more lighthearted stories coming from the game such as the holiday events or non-canon.
Because the actual canon uh...
HEY LOOK AT THIS FUNNY FANART I FOUND:
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Essentially the main characters of the game are the AR Team and Task Force Defy. There are of course many MANY others but these are the ones I can write for because i have their personalities locked down the most.
And since the characters can switch from slice of life mode to combat, they are really fun and dynamic to write for.
One ask I can go from them experiencing what a date is for the first time to reacting to the human they care about the most getting injured.
T-Dolls fascinate me as a writer and a lover of scifi.
...Of course it helps that their designs are VERY attractive but thats a given, since this anime.
But I hope that answers your question somewhat on Girls Frontline and why I love it and the characters!
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gayofthefae · 7 months
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Mike liking El romantically when they dated but totally loving being her friend once they were talking again after their breakup. But just wanting to keep in her life so whatever way she wants to do that he accepts (because he isn't gonna risk losing her by asking for anything different).
Mike realizing the day that they move that he has feelings for Will (and in retrospect it makes total sense now why he was so defensive about how "normal" it is to feel torn whenever Will and El were in the same room) and obviously not telling El anything not even that he has feelings for a vague someone else because he's scared of losing her and if she lives across the country she could just choose to not write back and he'd never hear from her again. And on top of that he thinks he can get over it, fix it. So in doing so maybe he avoids calling Will or maybe he doesn't but when he doesn't keep in touch with him, he doesn't write. Because that's for El. And he can't equate anything else he does for El to Will because he can't treat them the same if Will is his FRIEND. And he's trying to see Will as just his friend.
Then he sees them again. And he isn't over Will. So he tries to ignore him (but he can't, and he notices Will is ignoring him too. Which kinda hurts). But then a bunch of shit goes down and he fights with Will and Will does still care but he's calling him out and he just CAN'T deal with this too right now; just doesn't want to think about it. So he shuts him down, grasping at straws desperately to just stop talking about this. And he can't say I love you to El even though he totally does, because he knows she wants him to say it romantically and that feels like a lie. And that kind of lie isn't a line he's willing to cross until he means it. Can make himself mean it. So he's trying and he knows deep down that he can't say it but now that she's gone part of him wishes he just had anyways so that he'd be with her now and be able to help her and protect her. Because all of this was to avoid losing her and he could anyway. And he would do anything not to lose her. Even tell that lie.
And Will is saying it's hard to tell people hard truths when you don't know they'll see you the same and isn't that the truth. And Will is giving him this beautiful painting and telling him how much El loves him and was broken without him. And that's it. He'll just have to commit to it. Because he can't leave her like that. He'll just lie and eventually it'll become the truth and it'll be like it was never a lie in the first place. Fake it til you make it. And then she NEEDS it. She needs it to survive. And Will is encouraging him and it hurts and it's a little hard to say the first time but then he just says it because he knows it's what she needs to hear and he doesn't want to lie but he doesn't want to lose her ABOVE that. So he tells a bunch of technical truths like: me not saying it has nothing to do with you, you're amazing, my life is better because you came into it, I couldn't tell you the truth because I'm scared of losing you.
And now he's where he was. Fake it til you make it, I guess. And Will doesn't love him back, he never even considered he would (okay maybe for the split second after he said "what about us?" but that was wishful thinking). That would be stupid, false hope. So he and Will are best friends again. And he and El are dating. And he's just gonna continue his life the way it was and hope that at some point his feelings for Will go away and everything works itself out. Because it isn't ideal but where he's at isn't BAD. He can work with this. He loves both of them and both of them are still in his life. He's not gonna do anything to fuck that up.
Tldr:
Mike liked being friends with El in season 3. Mike realized the day Will and El moved that he had feelings for Will and wanted to be friends with El and didn't tell El even vaguely about it because he didn't want to lose her. He didn't want to say I love you because he knew she would think it was romantic and that felt like a lie, but he ended up prioritizing not losing her over not telling that lie and tried to tell it as truthfully as possible. And now he's back where he started: no even consideration of Will possibly reciprocating, trying to fake it til he makes it with El and hoping it all works itself out, and not daring change a thing because he doesn't want to lose either of them.
...until he finds out he has a shot. And his mind comes crashing down. Because what do you do when you want one person so bad but having them means you could lose someone else? What do you do when you could lose one person by changing and lose the other by not changing at all? (pssst: he isn't gonna lose either. Because they both want him as much as they need him and would stay long-term no matter what his choice so he just needs to follow his heart, he's allowed)
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The Decay of Complex Characters and Character Development in Helluva Boss (Stolas and Octavia’s Relationship: Part 1 of 2)
Part 2 here
I’ve seen this in a few different places, but it’s been on my mind in particular since the animated “Look My Way” music video that dropped a while back.
The way the song was updated for the animated music video made the changes to Stolas’ character stick out even more to me, and I really want to talk about what I perceive as some really flawed writing decisions around Stolas’ character.
If you’re a fan of HB please know that I’m not trying to attack the creators or change whatever opinions or feelings you have about the story. If you love this show and this character and they mean a lot to you that’s great! My goal is never to spread negativity or toxicity—it’s always to talk openly about media and how we interact with it. ☺️
I want to start by saying I was a big fan of Helluva Boss, and of Stolas, up until the second season started. And before the second season, my favorite episode by far was “Loo-loo Land”.
(TLDR at the end of the post if you don’t have time to read thru!)
I still really like the episode now, and I especially love the opening scene and song. It’s beautiful, and the song “You Will be Okay” has brought me to tears more than once. It’s one of the best songs in the entire series, and I think the only one that tops it for me is probably “The House of Asmodeus”.
The whole sequence of “You Will be Okay” is both heartening and heartbreaking—it captures the unconditional love and protection a parent promises to give their child, while also expressing the sad truth about that promise that only a parent can know—that you can’t and won’t always be around for your child.
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No matter how much you want to protect them from the dangers of the world, you can’t—parents have to let their kids go out into the world and become their own person—the most a parent can do is try to always be there in any way they can for their kids, even if they can’t be there physically.
The lyrics and tone of the song tell us as much. It’s very clear that Stolas is acutely aware that something may happen to him and that he needs to let Octavia know that while he may not be there with her physically, his love for her will always be with her, protecting her.
The build up to the song’s crescendo matching the visuals around Stolas and Octavia bring everything in the scene together really well, and Bryce’s performance is so good that it made me believe for a second that he would keep his promise to Octavia. That he would never abandon her, and would always put her needs as his child first.
That, somehow, he will truly be with her always protecting her, and that she really will be okay.
For a moment it was possible for me to forget the dramatic irony of the situation. That this was the past, that I already knew for a fact that Stolas would cheat on Stella and jeopardize his family life.
The song comes to a close, and through all the seemingly random chaos happening in space around them, Stolas keeps Octavia safe, and lulls her back to sleep. They return to her room, and the scene ends on Via in bed sleeping peacefully.
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The whole sequence does such a fantastic job of showing you what Stolas’ and Octavia’s relationship was like when she was a child. She trusts him implicitly, and, at least at this time in her life, he seems to have been a present and loving father.
What makes this scene work even better though, is the transition to the present that follows RIGHT after it.
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At the end of the song we get this jarring and sharp match-cut of a teenage Octavia being jolted awake by the shrill screaming and fighting of her parents in the background. In that instant, we as the audience see her going from feeling safe and having a seemingly idyllic childhood, to being a moody and neglected teen with a turbulent and unstable family life.
The music change that accompanies this not only fits the change in mood perfectly, but it quite literally tells us what she is feeling—her whole world is crashing down around her.
To this day, I think this transition is wonderful.
The visuals do such an amazing job conveying the changes that have happened in the Goetia family through Octavia’s perspective. And it’s extremely important because it immediately shows the audience that Stolas broke his promise.
I watched this episode when it came out, and when the only other Helluva Boss story and world-building we had was the Pilot and S1E1-“Murder Family”. While it could be assumed that Stella would not be happy about her husband’s cheating, we didn’t know anything about her personality and how she would react.
So. while it was clear that Stella wasn’t acting appropriately or maturely in the next scene, it was also VERY clear that Stolas was at fault for breaking up their relationship by cheating.
I will be talking about Stella’s character in “The Circus”, and how she is used as tool to absolve Stolas of any wrongdoing in season 2 later. For now, I want to stress that I will NOT be talking about future development of her character here.
After Stella leaves Stolas tries to connect with Octavia like they used to and just continuously fails. It’s clear that she’s still very angry with him for cheating on her Mom, and that his trying to carry on like nothing is wrong is irritating her.
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Stolas asks her if she slept well and all she can sarcastically say is “Is that a serious question?”
What Stolas does next to try and reconnect with Octavia is very very important because it shows that he’s still being extremely selfish.
He decides they’re going to LooLoo Land, in a poor attempt to recapture some of their old good memories together and does not once LISTEN to Octavia and what she actually wants to do.
They go, but he uses the trip as an excuse to meet up with Blitzø, and behaves inappropriately and flirts with him the whole time, right in front of Octavia.
This, rightly, is extremely upsetting to her, and she runs away. Stolas follows after her and they have a heart to heart where he FINALLY FINALLY takes the time to listen to some of her concerns and why she is upset.
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The episode ends on a happy note-with Stolas asking Octavia what SHE wants to do and what her interests are, and Octavia admitting to Stolas that, “You’re okay sometimes”.
This episode is extremely important to Stolas’ character because it does such a good job of getting across to the audience that Stolas is not a perfect person. That he’s someone who has people he genuinely cares about and loves, but that he can still royally fuck up. He’s sleazy, he doesn’t respect Blitzø’s boundaries, he neglects his daughter, and he doesn’t listen to her, putting his own desires and needs ahead of hers.
And the resolution to this episode is important, not because it fixes everything, but because it is the first STEP in the right direction for Stolas becoming better and becoming the father his daughter needs him to be again.
This episode ends with Stolas meeting the BARE MINIMUM to START making amends with Octavia. He doesn’t even say sorry, just that he would never leave her to run off with Blitzø. There is still a lot that Stolas needs to do to make amends with her, and to repair the ruptures in their relationship.
Due to this, at the time this episode came out, I thought that this was just the very beginning of Stolas’ first character arc—realizing his actions could truly HURT those he cared about, and having to come to terms with the fact that he was in the wrong. That something he did, hurt those around him, and that he would need to take responsibility for that.
“Loo-loo Land” went to such great lengths to show us that Stolas is imperfect. That he is someone who is capable of mistakes and doing the wrong thing, of being oblivious and selfish, and of needing to do better.
And before “The Circus” and “Seeing Stars”, I believed that the writers could develop his character to grow and change and become a better person for his loved ones.
This doesn’t happen however, as again the writers bend over backwards to make sure that Stolas never has to actually directly answer for his mistakes. So much so that they literally don’t let him say “Sorry” to Octavia the next time he breaks a promise to her and doesn’t consider her needs before his own.
After S2E2 of Helluva Boss, “Seeing Stars”, came out, I officially lost any faith in the writers to have Stolas ACTUALLY take ownership and responsibility for the ways he harms those he loves. That first step he took on the path to healing his relationship with Octavia from “Loo Loo Land” has been totally erased, and I can’t imagine whatever resolution they come up with for his character will be satisfying.
I have no doubt that Stolas will receive a happy ending, but I predict it will be one with 0 stakes, and 0 satisfaction, because it will not have been earned. I worry that with any character flaw or upset he causes, another character will be swept under the rug in order to make Stolas appear as if he was always in the right.
As I’ve said before, if that’s the story the writers want to tell, that’s fine. It’s their story, not mine.
I just personally cannot imagine not wanting to explore those character faults and acknowledge them. Maybe, hopefully, I’ll be pleasantly surprised. I’d really like that.
I’ll be following up to this post with a critique specifically of how “Seeing Stars” is very much a retread of “Loo Loo Land”, but in all the worst ways possible.
TLDR;
-In my opinion, the initial handling of Stolas as a flawed and complex character who could make mistakes and be in the wrong was really well done.
-The first canon episode that gives Stolas focus, “Loo Loo Land”, goes to great lengths to show us the ways in which Stolas has failed Octavia.
-This was a great set-up for character development and for Stolas to have to come to terms with his actions and change, but future episodes do not follow through on this set up.
-Will be talking about the episodes that undo the set ups for Stolas’ character development in Part 2.
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azucar-skull · 1 month
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I am foaming at the mouth I need to rant about something in Feral Casey AU.
Okay so Usagi and Hana.
Usagi and Hana are the Henry and Sam of FCAU. Quite literally if you have seen TLOU HBO series. This wasn't my intention though.
I know I wanted one of the main cast to be deaf, a challenge to better myself in representation. And originally, I chose Usagi.
It was gonna be so cute. Usagi getting caught in an explosion to save Hana and then the two end up needing to rely on each other. Usagi needed her ears, and Hana needed his protection and guidance.
Then Leo and Usagi would be the ultimate disabled couple with Leo being an amputee. And they would be so fucking cute together and AAAAAAAAAAAAAAAAAAAAAA--
But there was a problem.
Hana didn't have a personality.
At the time, her only personality trait was that she was dependent on Usagi and then ultimately became a rude character that I didn't want her to be. I tried to twist it as her overcoming ableism but nothing worked out.
After much debate, I made Hana the deaf character to fix her personality.
I'm not saying being deaf is a personality trait. But Hana being deaf brought out a better personality within her.
Now I have a little girl who becomes deaf in the crossfire of an explosion and her personality takes a turn. She is scared, she is lost, and she needs Usagi to be her shield. Once they finally find the Resistance and Casey Jr taught her sign language, she became more independent.
Because she had hearing beforehand, she knows of a life where sound meant something to her. And she wants it back more than anything. She gets cochlear implants and wears them all the time. Usagi is happy for her.
But then things come up. Noises became too much, she starts getting headaches, the implants become uncomfortable since she wears them ALL DAY.
She refuses to put them on one day and this is Usagi and Hana’s first fight of many.
Now, don't get me wrong, Usagi wants to be a good brother. Truly. But he doesn't understand Hana’s situation. He just assumes at first.
In this fight, Usagi and Hana go back and forth about needing the implants until Hana manages to sign why she hates them. Usagi negotiates a compromise, asking her to wear them when they are outside. The outside contains Kraang and gunfire and other things that you need to listen out for. Hana agrees.
But then things get worse.
Her hearing becomes more and more damaged and the implants needed to get upgraded again and again. She still finds them uncomfortable to wear, still gets headaches when she wears them, voices become harder to understand, and implants are very hard to come by in the apocalypse.
So one day, when she and the others are meant to be going out, she refused to wear them. Usagi and Hana fight again.
Usagi wants to keep her safe, you know? He means well. But Hana was just not having it. Her anger bubbles over as she aggressively signs her thoughts until her hands stopped making sense.
And then all she could do was scream.
Then she broke down crying.
The siblings never fought again after that. Usagi finally breaks out of his audism mindset and learns to support Hana’s choices no matter what.
We get to watch a character go from a scared, shy, dependant child turn into a stubborn-headed, strong, independent girl through the journey of accepting Deafness. This is a journey I have been building since the idea for FCAU started and I am grateful to have the support of my ASL professor (who is Deaf) who caught me drawing sketches of Hana and became invested in helping me.
And there is a reason why Usagi is so keen on his ways but I don't wanna spoil it yet. TLDR, it has to do with depression and shit. It's a whole thing that we'll get into later.
BUT THAT'S NOT ALL.
Without spoiling too much, there's going to be a particular episode about 1/4 way through the story involving Usagi and Hana’s relationship and uhh let's just say it'll make you cry.
Usagi proves himself as the loving brother that will do anything for his sister and puts her above all else.
As Hana faces a great fear that she is no longer afraid off because she knows she can handle it and knows who got her back.
Okay rant over, I am satisfied. I'm going to bed.
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hislittleraincloud · 6 months
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More proof that Wyler is garbage and Wyler people are gross...there was a promising gifset of a S2 AU where the creator has Joel Glicker enter Nevermore and starts dating Wednesday (😃😃😃😃😃), but then the whole thing revolves around Tyler TURNING INTO A STALKER like this:
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Because having a violent stalker who threatens your boyfriend IS SO FUCKING SEXY AMIRITE? Surely even Netflix Wednesday would find someone threatening to kill someone she likes/loves HOT, right, because she reacts so well to assholes threatening the people she loves. My hope for that 'story' is that Wednesday would protect Joel with her life, given that she opened herself up enough to actually date him and love on him publicly as shown in the other gifs in the set (which I love, those are brilliant).
I don't really have beef with the creator of the gifset, its story potential is excellent, so long as Wednesday serves up Tyler's comeuppance for trying to kill her. (By that time, his Hyde brain had already taken full hold, with all of his gaslighting 'romantic' pretenses dropped.) However, unfortunately since it was posted by a Wyler stan, I don't think its story would be going in that logical direction, since it seems like they're tryna romanticize his stalking.
But that's not the half of it...the rest is in the comment replies about Joel and it makes me sick
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You're fucking 🗑️
ABSOLUTE 🗑️
Fuck that monster.
Stalking in the manner that is portrayed in that potential storyline is not a positive thing. It's not sexy. It's villainous, and it turns Tyler into a full-on villain. (Jesus, he ain't even cute! He's the type of 'teen heartthrob' that mag editors have been foisting on tasteless teen girls for decades, only for the girls to grow up, reflect, and say "WTAF was I thinking?"...like Kirk Cameron...not really cute either, but the lot of us who thought he was just facepalm at our own embarrassing teenie bopper lack of taste. Plus, Tyler LOOKS like his Hyde 🤢**) And Joel did absolutely nothing to deserve that. Joel is to be protected at all costs.
My guess is that none of y'all ever had an actual DV situation where there was a stalker. I have. It's part of that whole attempted murder accusation. That bitch stalked me. Stalked AND kidnapped me from our school at knifepoint. She threatened to murder my cat. She broke into my house and chased me with a fucking butcher's cleaver. I WAS 15 YEARS OLD. It was not fun or entertaining, and it ruined my life as it was back then.
Anyway. Yeah that was triggering to me, given my experience w a stalker (and actually, I had two stalkers at the time...yeah, high school was hilarious 😒). But violent, threatening stalkers are bad and TLDR: Joel is Wednesday's first canon kiss, and she liked him. Don't ever come for Joel, or I'll come for you.
**On the flip side, Xavier/Percy is odd looking too, but he's got the type of face that fits with the oddness of Addams Family lore. He is very unconventionally attractive, while Tyler/Hunter is the definition of mid.
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honeyedboneset · 2 months
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hello! i'm boneset (or bone). thanks for stopping by my super-specific search thread! if interested, please leave a reply or dm me!
a bit about myself: she/her. I'm currently in my late 20's and have been writing/roleplaying in some shape or form for 12+ years. i'm in grad school (and will be for awhile) and work full time in mental healthcare. occasionally, days are wild. 
when it comes to writing, i generally write somewhere between 500-1k words a post. the shorter the post, the faster i can write. i definitely value someone who's writing fits with mine over length or anything like that. i'm also super flexible when it comes to post rate. if it takes a little bit, that's totally fine! especially if we do build a rapport. i want this to stay as something that's fun for both of us. it's a hobby, so it comes after everything else.
doubling. i play a canon for you, you play one for me, and i love every character as my own. OR we both play two ocs who fall in love against their will. Idc.
m!canon x f!oc preferred (or m!oc x f!oc). I know who I am. I have no shame. I’m so super cautious about m// and f// after years of running into folks treating it as a fetish.
ooc chatting. for the rps that have survived my hiatuses, it's been because we made friends, or at least friendly. i like talking, sharing head canons, all that stupid crap. tldr: i need someone to send memes to.
ooc over discord, please, after we’ve graduated to that. DMs first if you don’t mind.
email, discord, gdocs, and tumblr in order of preference for the roleplay but I'm open to any.
i am a sap for romance. less so for super slow burns. sue me. I can barely read slow burn much less write it.
500-1000 words is my sweet spot for responses, but i'm not that fast of a writer, depending on what's going on. see: why i like ooc.
hard limits: be 18+ (21+ preferred) | will not write with people who identify as male (he/him) | incest | fetish stuff | abo | pwp | pedophilia | furries/beastiality | explicitly written sexual assault | abusive relationship dynamics between main characters | heavy substance abuse | main settings being medical | most highschool settings/underage characters | genuine love triangles or infidelity between main characters
pairings and all below the break!
for fandoms, I’m going to list what I’m looking to play the oc in. I am super duper happy to play nearly any canon character for you.
the walking dead:  *i haven't seen the spin-off series. super comfortable going as AU as we want. *looking for: glenn (pls pls pls), daryl *will play: rick, daryl, shane, negan, others probably *some vibes: people who knew each other prior to the zombies meeting each other again after, dead rising vibes, traveling through the wilderness, overgrown and rundown towns and cities, towns that have gone mad, human enemies, natural threats, fluff, megamalls, amusement parks, adventure, horror, fluff, uneasiness in the calm, found family, hesitant allies
resident evil: *i like it all, okay? welcome to racoon city, all the games, the animated films...even the live action netflix put out! it's just FUN. *looking for: leon, piers, carlos *will play: chris, albert, luis, piers, etc. *some vibes: hurt/comfort extreme, international adventures, partners in life and in work, idk absolute insanity. vacation? what's a vacation, there's always zombies, basically the evil of capitalism, embrace the weird of the game universes (i mean really. there's werewolves)
the last of us: *i've played both games and watched the show *looking for: tommy miller, m!oc *will play: joel, ellie, others, m!oc *some vibes: FIX IT JESUS, protecting family, human enemies, natural threats, antagonistic towns, lost in the wild, weird periods of domestic easiness followed by hurt/comfort hell red dead redemption: *i've played rdr and rdr2. kind of familiar with revolver. *looking for: charles smith *will play: arthur, john, dutch, others (but not micah) *some vibes: railroad turmoil, dutch has lots of plans (very little outcomes), high society meets the old west, running from the law, causing problems, adventures in the big city, trying to leave old lives behind, forbidden love, enemies to lovers
fallout: *i've played 1, 2, 3, 4, 76 & NV. mainly looking for nv. *looking for: m!oc *will play: ask for canons, m!oc *some vibes: causing chaos in the wastes, embracing the local cryptid status of the player character, toxic people everywhere, attempting to survive, mercenaries, prostitutes, salt of the earth managing to do some good against their will, traveling to other locations avatar the last airbender *i've seen the show several times, live action, and korra, but haven't read comics. *looking for: adult!sokka *will play: adult!zuko, ask for other canons! *some vibes: post series feeling out their new roles in society, rebuilding following war, uprisings from unhappy sections, earth kingdom is just as big of a mess as firenation please help, 'forbidden' relationships, political drama, festival romance
original(ish) story vibes:
zombies! please zombies. love it. media inspo: l4d, deadrising, resident evil, twd, george romero
fantasy. royalty, pirates, mermaids, adventures, curses, and extra doses of romance. some assassins? hiding from responsibility? childhood friends to lovers and enemies finding common ground. media inspo: ACOTAR, lord of the rings, ever king, damsel, fire emblem, (for modern of these vibes) new protectorate by abigail kelly
urban fantasy vibes. witches and monsters, and romance and weirdness. maybe some monsters. eldritch beings. small town, rural america? media inspo: x-files, teen wolf, supernatural, stay a spell by juliette cross, scooby doo, being human, folk haven by lauren connolly, old gods of appalachia
cowboys! Modern? Traditional? I do not care i love cowboys and the south, just minus all of those….you know, issues. media inspo: red dead redemption, man from snowy river, yellow stone, lyla sage books
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allhalesterekstilinski · 10 months
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I do like complaining about t*en w*lf, it’s a hobby honestly. I’ve been thinking a lot about the parents lately, so I decided to give my brutally honest opinions about each of them. In case you don’t want to read all of my opinions, TLDR I don’t like most of the parents.
If you do want to hear my reasonings, I’ll put it under the cut because there is a lot of negativity.
These are my opinions and I’m explaining why I feel the way I do. You are by no means obligated to agree with me, and I’m not saying your opinions are wrong, all I ask is you are respectful.
This is my interpretation of the characters and their actions (as parents, not every single decision they’ve ever made). My interpretation may be influenced by my own experiences. If you disagree, I welcome you make your own post. If you really hate what I have to say, block me.
I do try to look at good and bad parenting decisions from each parent, but depending on what the act itself is, some hold more weight than others, as well as the number of good vs bad.
Let’s start with the dads
Noah Stilinski
Good
Said he would burn the sheriff’s station to the ground to protect Stiles
Was frantically looking for him when he went missing (on multiple occasions)
Pointed a gun at Chris when he thought he was going to shoot “Stiles”
Tried to help him get out of the train station
Stopped drinking (this is twofold, it was good for Stiles and for himself)
Bad
In regards to the first point, he followed it up with ‘a good way to forgive yourself is to forgive someone else.’ He made it all about Scott. I know he wasn’t aware of what Scott said, but Scott doesn’t need to be forgiven
“I don’t want to feel worse by yelling at my son” this sounds to me like he blames Stiles for getting fired. He shouldn’t have been fired, but he also shouldn’t be blaming Stiles
Stiles comes to him with XYZ and Noah doesn’t believe him. Scott comes to him with XYZ and he believes him. Not cool to believe someone else over your own kid, especially when they said the same thing. This happens multiple times
Edit to add: He basically calls Stiles a liar and never apologizes for it
Noah agreed to let Stiles to go Eichen. Even if he tried to back out later, he still let him go through with it
This one seems more minor, but not telling your kid who you’re going on a date with. Kinda awkward that it’s his crush’s mom
He leaves Stiles with Claudia. He thinks his job is more important than to support his son and his dying wife. He also did this knowing that Claudia assaulted Stiles. That’s not a great way to say you care about your kid (Noah, not Claudia, her too though)
“Thank you, son I should have had.” This is not funny. I don’t give a fuck what Stiles said before this. That’s not funny. You don’t joke about wanting someone else to be your kid. My dad made it very obvious he loved my step-brothers more than me and that shit is painful. (Additionally I’m sick of seeing “if you think that’s bad parenting, you had good parents.” I think that’s bad parenting and I had a shitty parent. There are real people in real life whose parents don’t like them and wish to trade them for a different kid. I think this is one of the most hurtful things spoken in the show)
He doesn’t know where Stiles is (in "Fury”) when the gun goes off and he calls out for Scott first. Before Stiles. He cares more about Scott’s than Stiles’s well-being. Even if he did know where Stiles was, you call out for your kid first to make sure they’re okay
Yelling “I’m the dad, you’re the son!” Obviously Stiles does not feel like a child in this relationship. He’s too busy being an adult
Additional note: I have no problem with Noah acting like a father figure to those who don’t have dads or good dads, but he should really focus on being a good dad to his own kid first. So far he’s not doing a bang up job.
Chris Argent
Good
Allowed her to take mental health days come season 3
Bad
Told Allison she was responsible for the deaths of everyone if she didn’t tell him who the kanima was. Even if that was true, saying that to your kid’s face and showing them a corpse killed by the kanima is not a good move
Kidnapped his daughter, probably traumatizing her, and implied he would be forced to kill her if she were to change into a werewolf (the last part screams conditional love. And don’t come at me with “that was season 2, he changed later.” No, he didn’t. Chris is not an ally to werewolves, only Scott, and I will fight you)
Emotionally manipulated her into not seeing Scott again by threatening to kill him. (He’s also a hypocrite because in season 1 Kate also held a gun to Scott’s head and he said that wasn’t okay. Doesn’t matter if he wasn’t going to shoot Scott, unlike his sister, threatening it is bad enough)
Allison tells Scott not to laugh when she talks about archery, she also tells Jackson not to laugh before she confides something in him. This sounds like Chris and Victoria blow her off. She still has a box of art she produced from over her life claiming all of it was terrible. It sounds like Chris and Victoria said that to her. If she really truly hated it, she probably wouldn’t keep it. At least not in her room, maybe in storage, but at the moment it’s sitting there as a reminder she’s not good enough
Hid a lot of information from her (the truth about Victoria, the hunter thing – if she was meant to carry on the job, he waited an awful long time to get her into it, but whatever. The fact that he knew about the telluric currents and Gerard being alive)
This is the big one. This is it for me. She told him she loves him and HE DOESN’T SAY IT BACK!!!!
You tell your kid you love them, especially if they say it first. He kissed her head and fucking walked away. I don’t care what your familial love language is, if you can’t tell a person that you either helped make and/or raised or whatever that you love them, don’t be a parent. That shit hurts
He didn’t go to her when she died. She died in Scott’s arms. Chris stood there and watched. Maybe he was in shock, but that doesn’t sound like very good CoMpArTmEnTaLiZiNg. That would have been a good time to say you love your kid, but no. (If you believe the unreliable narrator theory, I certainly do, maybe he did go to her, but this isn’t what we saw in the episode.)
Peter Hale
Good
Wanted to connect with his child when he found out he had one
Was willing to do a big favor for Lydia just to get the name of his child (which was a big deal to him)
Spent thousands of dollars (and we all know how stingy Peter is) to get information on her
Was willing to get burned alive again to see his daughter (6.05)
Used himself as a distraction for the Ghost Riders to save Malia. Twice (the first time was when they were in the tunnels, and then fought them again in the library)
Similarly Peter, who just got done saying he wasn’t sure how Malia could be his daughter since she lacks self-preservation instincts, is willing to potentially sacrifice himself and tells her to run
Her calling him “Dad” snapped him out of the trance
The Anuk-ite used her voice against him, meaning his greatest fear was something happening to her
Bad
Wanted Malia to kill Kate (why? He could do it. Actually, Chris should have done it but he doesn’t have the balls)
Additional notes: The show implies Peter helped out Malia during the brown out in season 5 (through a flashback in season 6), but I never understood what the significance was, so I’m ignoring that until someone can explain it to me.
Ken Yukimura
Good
Was willing to sell out Noshiko, in a way, to help Kira (“Are you sure about that?”)
Was willing to go to prison for Kira when she was (knowingly) wrongly accused of murder
Bad
Didn’t tell her about her kitsune powers until they started to manifest
Didn’t tell her they were planning to go back to New York
Dr. David Geyer
Good
Supportive of Liam and helped him work through his anger
Doesn’t blame him for getting assaulted by Scott (”Are you mad at me?” “No, of course not.”)
Clearly cares about Liam, and his friends
Additional notes: We don’t get to see him enough. I’m mad about it.
Rafael McCall
Good
Tells Scott it’s safer for him to get out of town than stay when Monroe has her army
Bad
Pushed his kid down the stairs. Doesn’t matter if he was drunk or not
Didn’t really apologize to Scott for this incident, instead he pushed the blame to Melissa
Said he would come back soon and then didn’t
Not to mention he doesn’t seem to pay child support since Melissa is struggling and he offers to have dinner with Scott so Melissa can work more shifts instead of just giving her money. But I digress
Proceeded to not spend time with Scott. No phone calls or emails were mentioned (but I guess that doesn’t necessarily mean they didn’t exist. Still didn’t spend time with him, though)
Henry Tate
Good
Was gutted when his family died
Thrilled to find out Malia was alive
Bad
Sent her (?) to Eichen to readjust. That is what therapy is for, not a mental institution. (And who gave her the go ahead to go to high school with a third grade education? The fact that she graduated eventually with the academic success of a nine-year-old tells me she’s hella smart. What 9 yo wouldn’t struggle with pre-calc if they skipped all the stuff in between?)
Mr. Lahey
Bad
Abuses Isaac
Mr. Stewart
Good
When a lot of people (Natalie) didn’t believe Tracy had a real condition or problem, he did
Got her help for the problem (the psychiatrist)
Did everything he could to ease her mind (the dreamcatcher, boarding up the skylight)
Mr. Martin
Good
Went to the hospital to see Lydia
Bad
Tells Lydia she needs to choose who she lives with in the divorce
Presumed she had more problems than successes in school
Went to the hospital to see her, though he seemed a little eager to offer her help with a shower, which was creepy to me
Never to be heard from again. He likely abandoned Lydia
Elias Stilinski
Bad
Abusive and openly mocks his son and grandson (not sure how he remembered someone who was taken by the Ghost Riders)
The Moms
Melissa McCall
Good
Supports Scott no matter what
Bad
Except that one week after she found out he was a werewolf. She didn’t apologize for that either. Much like Chris, she did not express her love for her kid during that time even if she was struggling with his identity
(^ Saying forget everything I said before, if you can do something, do it is not an apology)
Her punishments are empty threats or nonexistent. She doesn’t ground him for sneaking out past curfew, does not punish him for assaulting Isaac (that’s not boys will be boys, that’s straight up assault), or stealing money from the Hales (she only demanded he give it back, no punishment ensued), took away his car keys/Stiles but then seemed to drop the punishment when she thought he was acting out because of his father)
^ Also, no Stiles is not a punishment you can follow through on
Instead of trying to have a conversation about the lone condom she found in his room with him, she goes to the MOM of the girl she ASSUMES he’s fucking. She could have been way off
She told the drunk to get out of the house, not the dad to get out of his life. Wrong. If your spouse hurts your kid, get rid of the whole man. Toodaloo motherfucker. Your stuff is in the trash
Instead of telling her son to get out of town for his safety, she tells him to stay. There is an entire army out to kill your child. He’s always going to be followed and hunted, yes, but it just seems irresponsible
I’m positive this is because the writers didn’t think it through that far or they simply forgot, but fact of the matter is it still happened. Melissa let Scott live with the man who pushed him down the stairs. Why? How are you certain it won’t happen again? How are you certain something worse couldn’t happen? I’m not giving up my kid, not for anything, not for any amount of time. If Melissa has primary physical custody, why would she let this happen?
Natalie Martin
Good
Wants Lydia to see a therapist
Electrocutes Tracy to save Lydia
Bad
“Lydia! What did you do to yourself?” sounds judgmental. Perhaps, upon seeing her daughter has cut her hand by punching the mirror, asking what happened would be more appropriate
Lets a strange boy into her house to be alone with Lydia while she’s drugged up and in negligee. Lydia can wear whatever the hell she wants, especially in her own house, but to let some rando into her room is not a good idea. And she left them alone
Says in season 4 she will do whatever she can to help and then turns around and absolutely does nothing (though this may be less of a parenting thing and more of a terrible person thing)
Sends her to Eichen House for the “best medical care.” Excuse me, ma’am, that is a mental institution, not a medical facility. Also, according to the flashback in Season 5, she saw what happened to Lorraine. I’m not sure if she’s cruel or stupid, but given everything else we know about Natalie, I’m going with both
She doesn’t care when Stiles points out Lydia has a hole in her head. She tries to justify it medically. You remember what happened to your former mother-in-law. Do you believe Lorraine did it to herself?
When Noah tells her what’s going on in Eichen, she waits all day to get Lydia out of there
When Tracy injures Lydia and Lydia tells Natalie to run, she does. She doesn’t risk her own safety to be with her child. She saves herself
Victoria Argent
Bad
“What you want doesn’t matter!” Tracks
She’s unnecessarily hard on Allison it seems (of course you shouldn’t be hard on your kid at all, but I feel Vicky was over the top)
Additional notes: I really don’t remember much about her except that she was a psycho. Some of her points are tied in with Chris.
Noshiko Yukimura
Good
Wants to get Kira help controlling the fox spirit
Bad
Hides Kira’s powers from her until they started to manifest
Sends her to the skinwalkers possibly forever (and then changes her mind)
Doesn’t tell her about the plan to move back to New York
Talia Hale
Bad
She didn’t seem like she was a comfort to Derek after he killed Paige. She told him his eyes were pretty and there was nothing wrong with them. There are definitely other things she could have said such as “It was a mercy kill, that doesn’t make you a bad person” or “She was suffering, you helped her” IDK
If Talia and Laura evolved in the same way Derek did in season 4, how come he didn’t know what was happening to him? I’m assuming Talia didn’t tell him
Additional notes: There’s no information about her as a parent, and these are mostly assumptions
Corinne
Bad
Tries to murder her daughter
Claudia Stilinski
Good
Based on Claudia pre-dementia, she would’ve believed Stiles
Additional notes: And this is according to Stiles who wanted to (rightfully) make his dad feel bad for not believing him. Which he never does. (He also yelled at Stiles unnecessarily)
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oceandiagonale · 1 year
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OC Sunday is back!! I've been a little hesitant to send anything because I know you've been doin a LOT lately and didn't want to overwhelm you, but seeing people talk about their OCs got me excited enough to get over my nervousness ksjdhf. I mostly wanna talk about her because her relationship towards Volo is so vastly different from Gene's relationship with him and it's fascinating to me!
Without further ado, here she is! Her name is Alessandra, and she was who I played with during my first PLA Playthrough. She's also who I played during my Brilliant Diamond playthrough, sooo she's canonically pulled from my Brilliant Diamond world post-championship and saving the world. She's chipper, spunky, and determined to see the best in people no matter what.
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Having come from a much gentler world though, she was... not prepared for the trials Hisui would throw at her. She ended up getting some kind of scar for every Noble fight I had trouble with (as well as a marking from Arceus when she got eebie-deebied).
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Over her time in Hisui, she started losing some of her memories from Sinnoh- and though she tried to hide it, this freaked her out to NO end. The only person who knew was Volo, who she immediately got attached to because of how much he resembled Cynthia who she had seen as a big sister figure before her fall.
When the Red Sky spread across Hisui, she willingly left the village to try and find out how to fix things. Volo quickly joined her, amd her gratitude towards him only grew. As they went to contact the Lake Spirits, Mespirit sensed that there was something wrong with the vibes and tried to warn her, but she didn't listen.
And then, well... the confrontation at the Temple happened. Alessandra was so in shock that she thought it had to be a nightmare, some remnant of her memories of when she fought Cyrus trying to taint her current life. But it was soon clear enough that it was reality, no matter how unbelievable it was to her. Through tears and confusion, she sent out her Typloshion and the fight began.
After a long drawn out battle, her Leafeon almost dying after jumping in the way of Giratina's surprise strike aimed directly at her, Volo was defeated. She had won, but she couldn't even bring herself to speak. She simply sat there, the rest of her injured team huddled around her to protect her with the last of their strength, but it was unnecessary. By the time she snapped back to reality, Volo was gone, the plate he had been taunting her with left in his place.
Alessandra spent the next several weeks despondent, a total opposite to her normal self. Eventually she got herself together enough to do missions again, and there she encountered Volo again in the Solaceon Ruins. They argued back and forth for a while about whether this world was still salvagable and capable of change, and Alessandra offered to help Volo find a place in the world again if he helped her in contacting Arceus. She had never admitted it, but she had her own frustrations with Arceus dropping her here away from everything she'd ever known and knew if anyone could help her get answers, it was him.
Now the two have an awkward, uneasy alliance- Volo still confused on why she would offer him kindness after everything he'd done, and Alessandra just relieved to know that not everything Volo had done was a facade and that the man she'd grown to see as a brother was still in there.
TLDR;
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I LOVE THIS SO MUCH, HER DESIGN, HER STORY, 100% WOULD READ MORE ABOUT HER IN A HEARTBEAT 😭😭😭😭
I'm so glad she got to meet volo after everything, it's so 👁️👁️🥊🥊🥊🥊 that we NEVER get to see him again in game and like, resolve anything, and it's like so unfulfilling, so MAN thank goodness her story actually has some catharsis and healing in it 😭😭😭😭😭🥺🥺🥺🥺💕💕💕
also her character design is literally just so cute, the freckles being from arceus is such a unique take on a blessing mark, just 🥺🥺🥺
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