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orionsangel86 · 11 days

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I am four episodes into Dead Boy Detectives and I cannot bring myself to skip this title sequence ever. This is Good Omens all over again. Like how can you not love skeletons dancing in bisexual lighting to upbeat spooky music?!?

#this show is really good y'all #dead boy detectives #good omens #how many shows do you watch the title sequences every time?#for me its literally just these two shows #its the bisexual lighting for me #sooooo good

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victoranimation · 4 months

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Captain Dracula Adventures: Intro animation sequence (1/2) Watch the full thing HERE!!!

#animation #captain dracula #captain dracula adventures #adventure #cartoon #intro #title sequence #op #2d animation #original art

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dduane · 11 months

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The Good Omens 2 title sequence has dropped!

Over here on Twitter: https://twitter.com/GoodOmensNews_/status/1663927696106086403

(The link can't be posted here as such. Just cut-and-paste that URL into your browser. ...I assume @neil-gaiman will drop a video into Tumblr pretty soon, or point at one.)

(ETA: He did. See his post in the reblogs of this one.) :)

#Good Omens 2 #Good Omens 2 title sequence

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gebo4482 · 20 days

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戦隊大失格 (Go! Go! Loser Ranger!) - Opening

#sentai daishikkaku #go! go! loser ranger!#anime #animation #action series #sci-fi series #opening title #title sequence #gif

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maxwellatoms · 8 months

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This is the original marker comp done for the opening shot of the main titles. These sorts of things are done for important shots (or any time you've got time to give something a bit more love). I remember that Art Director Rae McCarson also made a more purple version and a red/orange. I like that this one looked like a bit of a punk rock eyesore, so I went with that.

I always felt that the Grim & Evil titles were obnoxious in the WRONG way, and I wanted to make sure that the Billy & Mandy titles were CORRECTLY obnoxious.

It was a fun title sequence, with the exception of the fact that we had three days and zero extra dollars to put it together. Once we had the art assets, I took a weekend with my roommate La and girlfriend (all of whom worked on the show) and shot a bunch of extra stuff. We threw water balloons full of paint at poster board (which would later be used as mattes for the "splatter" transitions. We filmed smoke swirling in a tube and that can be seen swirling around the edges of the whole sequence. We did dumb little drawings of sharp-toothed Billys and Mandys. Many of those made it in as film scratches or pops. Most of it (like the infamous names on the tombstones) is really hard to see in SD.

Nice we had all of the stuff, editor Bobby Gibis and I spent a couple of days mashing it all together with the music.

My biggest regret is that we weren't given the time or budget for any actual animation, as I'd really wanted Billy & Mandy's sketelons to drop down followed by organs and skin as in the pilot. Instead we just had to use "electricity magic". Still, considering the resources we had... I'm pretty proud of what we were able to accomplish.

This piece (and many others) are on eBay right now under username: gr1mb0t.

I'll be putting more stuff up through the next couple of months, so keep an eye out if you're interested!

#maxwell atoms #the grim adventures of billy and mandy #title sequence #color comp #animation art #Cartoon Network

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hoezier · 5 months

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There's something at the tip of my tongue about the parallels between Jackie and Wilson and Who We Are

How the narrator of Jackie and Wilson wants to run away with a woman that he's carved out of his imagination based on a brief interaction. How they would try the world, but good god it wasn't for them. So they run away from it into a fantasy world where they live by their own rules.

And then comes the narrator of Who We Are, who dreamt his whole life of finding someone who would hold him like water or like a knife, only to find that running away from the world will only get them so far, since "the hardest part is who we are". And only to find out that the "phantom life" he's fantasized about is actually just that: a phantom. And its absence sharpens like a knife

#hozier #sahar stfu about hozier #I'm aware that on the surface these songs are not really about the same thing #but there's something about the way that j&w narrator craves the fantasy he speaks of #that reminds me so much of the voice of Who We Are who thinks he realizes the fantasy only to watch it become a nightmare #and the contrast between the dream-fuelled lyrics of J&W that evoke daring adventures on the wide opened desert #and the sharp concise biting lyrics of who we are sung in tired resignation #and followed by near-wailing at the end #that just sticks out to me so much #it's like the whole of Unreal Unearth is just a sequence of the various voices of the self-titled album coming back #sometimes disillusioned #sometimes exhausted #sometimes resigned #sometimes wise #sometimes at peeace #sometime enraged #to sing about their most bitter disappointments and the harshest lessons they've learned over the years #and I can't stop thinking about it

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beebopboom · 6 months

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yknow just watching the title sequence as you do and i might be a little late on this but…

that is not the magic trick we see

it has similar elements of trust and high stakes as the bullet catch but this wheel of death trick is performed by three people

(how the trick is performed here)

now why would they would they show an act performed by three people in a show about our iconic duo

i mean especially when one person is hidden away from everybody but also has to be in perfect sync with the knife thrower - while that person is performing a slight of hand

i just wanted to point this out (if it hasn’t already been) and the rest of this is just a few of the immediate ideas i had and might come back to expand on so take it with a grain of salt

so one it be a nod to what happens in the back room with Furfur - Aziraphale performing the slight of hand with the photograph, Furfur in the middle of them (on the target), Crowley in the back

or it could be a hint at a future magic trick they will have to perform with Aziraphale in Heaven and Crowley wherever he is - not able to see each other but perfectly in sync

edit: this has sparked a full on meta post here

#good omens #good omens 2 #good omens meta #good ineffable omens #aziraphale #crowley #aziracrow #ineffable husbands #ineffable spouses #good omens theory #good omens 1941 #good omens magic trick #good omens title sequence #furfur #good omens furfur

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leftduck9986 · 17 days

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Foreshadowing, out of order?

In storytelling, is there a single word that means "the opposite of foreshadowing"?

WARNING: in trying to wrap my head around this, there will be wittering!!!

Wikipedia tells me that a flashback is a method of foreshadowing.

The Bullet Catch in the NZF minisode, being a flashback as well as told before the "present day" [speculated] event it sets up a clue for, well, that's what I've understood foreshadowing to mean until now, because isn't foreshadowing always presented before the event it foreshadows comes to pass?

The flashback/memory minisode, A Companion To Owls, is told after the "present day" event it foreshadows. Does that still count as foreshadowing, or is it instead considered "the big reveal" because it is told after?

And is this all that is meant by various things in Good Omens 2 being "out of order"?

The Hiding Miracle and the Memory That Both Foreshadows and Reveals It?

Indeed, it was a tiny miracle - as titled in the soundtrack - that worked as planned and "barely moved the dials" (but still a miracle in which "Noone will have noticed A Thing" however tiny it was, and that "Nobody notices he's here (...) Nobody can spot him, (...) especially if they're looking for him").

I believe it was the first of three events that happened that night, which, became the main focus of this "quiet, gentle, romantic" season, but paling in comparison to the other two events. Moving on!

Returning to how A Companion to Owls isn't told until after The Hiding Miracle and clues us in as to what was actually going on: this tiny miracle was made to appear far more powerful than it actually was, with the use of showmanship:

The ceremonious setup of being positioned on the circle in the middle of the room hidden under the carpet, between Aziraphale and Crowley; he could have been standing, but instead, "Jim... Sit in this chair." And it's a beautiful chair, like a throne, but Jim being taller wouldn't have worked for the image of the 'W' (similar to the 'W' shape made with Shadwell standing between Aziraphale and Crowley at the airbase, in the book Good Omens.)

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Why perform at all then, for an audience of none?

Ah, they're not alone, oooOoOoOOOoOoOooo, spooky. Go and see for yourself: check out the bottom left area of the screen when Crowley returns to the bookshop and says, "I'm BACK" (this is to do with the "framing opportunities" secret mentioned in the Gavin Finney BTS article https://britishcinematographer.co.uk/gavin-finney-bsc-good-omens-2/) Aziraphale calmly replies, "Yes, I can see that" and later gasps, reacting to something happening off-screen at 40m41s.

So this performance, not yet knowing who their audience might be, could be as a precaution, just in case.

Gabriel instinctively crosses his hands and is confused when Aziraphale and Crowley uncross them - or likely because Aziraphale was even standing there at all - because he remembers, or rather, in his mind's eye, sees the shape left behind by a missing piece of furniture.

The ceremonious setup of being positioned in the centre, between Sitis and Job, this time in the background to have Bildad appear a little shorter in height for the stylized 'W', then crossing his hands. The pot containing Sitis and Job's children being the circle, hidden by the circle of carpet (robes) made as Sitis and Job embrace.

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Had we seen Jim's and Crowley's conversation about memory before The Hiding Miracle instead of much later in episode 5, then it would have been foreshadowing, yes?

*temper rising* A "reveal," or "out-of-order foreshadowing"? (VBUAXNAUSX*keyboard smash*NYVIFGNOMAI) grrrrrr!

...

After the Job story is told, (save for the final scene) and Aziraphale calls for Crowley, my head-cannon used to be that Aziraphale wanted to talk about hair -

Aziraphale: Crowley, I gave you lovely long locks in my retelling of this story, how about you? Crowley: Nah, "shoulder-length bouncy 'bob'" is what I put - a "Lob" I think is what they're calling it these days.

But now I think that, to book-end Crowley's beginning with, "Your boss said that to Job, do you remember?" (imo they are so good at blending in, they can act human better than any human can act human! So, while feigning the memory span&loss&retention of a human, of course they can remember most everything. Angel stock: constitution of an Ox, memory of an Elephant.) Aziraphale may have wanted to remark on Jim's crossed hands from the night before and how similar it was to Crowley's doing so; that it was evidence of Gabriel still somehow being able to connect with images from his memory. "Crowley? You also did that thing... does Gabriel remember?"

If each minisode contains something that foreshadows or reveals what magic tricks occurred during this season's present day events, I feel that the only thing left is from "The Resurrectionists" minisode, where Crowley Goes Large (woah, woah, woah, another case for The Song Is The Clue?!?) ... or makes himself, something or someone else tiny.

"Size and shape are simply options" after all, so I do wonder about Hell's Usher, where the only time we've seen him is when he is small enough to fit in a bathtub and yet he is HUGE in the opening title sequence of season one. Behind him, Noah's Ark stranded between two damaged buildings (or one damaged building and maybe the Pleasure Cruiser Morbillo?)

Something else that may be revealing of stories yet to be told of the past, while also foreshadowing a near-future event:

Based on what Crowley said, this is not the first time Crowley and Aziraphale have performed a half-miracle together! Whatever biiiig miracle they're about to do (speculated event #2) could still be completely balanced and undetected, but then a plume of miraculous activity emerging from the circle gateway (privately speculated event #3) is what poor Aziraphale will appear to take the blame for.

Things being out of order may have started with the question, are season two's present day events being told out of order? There are other things appearing out of order as well, for example a change in the order of colours in the Rainbow (for "present day" episode two only I think, beginning Violet then Red, etc.) Or, in this case, narrative devices being so intertwined, one flashback-event can contain images and phrases that both foreshadow something yet to happen as well as to reveal what happened in a part of the story already told.

As always, please no asking or tagging Mr Gaiman as this blog post contains theory and speculation, thank you.

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victoranimation · 4 months

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Captain Dracula Adventures: Intro animation sequence (2/2) Watch the full thing HERE!!!

#animation #captain dracula #adventure #captain dracula adventures #cartoon #intro #op #2d animation #original art #title sequence

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i-only-ever-asked-questions · 11 months

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David finally got his wish! Now he is listed first in the title sequence :) Season 1:

Season 2:

#good omens #good omens 2 #Peter Anderson Studio #title sequence #Finally david gets to go first #It only took a little whining in Staged

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youryurigoddess · 21 days

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The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

#the good omens crew is unhinged #everything has a meaning #title sequence #angels everywhere #archangel fucking gabriel #gabriel’s statue #bookshop statues #statues update #ponte sant’angelo #let there be light #good omens analysis #good omens meta #bible fanfiction #yuri is doing her thing

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gebo4482 · 9 months

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