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daydream-davy · 14 days
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Davy in Tiger Beat’s Monkees Spectacular #3, 1967
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idasessions · 1 year
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Tiger Beat, November 1965
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90s-2000s-barbie · 3 months
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x4c0ld-hvnds4x · 5 months
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2006 moodboard (1/?)
✧・゚: *✧・゚:*˚₊‧꒰ა ☆ ໒꒱ ‧₊˚*:・゚✧*:・゚✧
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oldpersonnewspaper · 1 year
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Hi tiger beat readers! It’s 1977 and we’ve been hanging out at CBGBs where peter tork is serving CUNT!!!
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2othcentury · 4 months
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Philip & Nancy McKeon, c. 1980
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sailing-homeward · 8 months
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Donovan, Cass Elliot, and Kirk Douglas in Tiger Beat, January 1969
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fantastickkay · 6 months
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From Tiger Beat, April 1999.
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coolcherrycream · 2 months
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I Dated Peter Tork from Tiger Beat (May 1968)
I first met Peter in an unbelievably simple way. I had taken my little sister, Darlene, down to the Monkee set. Darlene has always been a great Monkee fan and begged me for months to take her to Screen Gems.
She sometimes worked on the Monkee fan club and then she'd get a chance to sit on the set for a day. So I volunteered one day to go with her. Besides, I thought it would be interesting to see how a show was filmed...
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cripplecreektork · 1 year
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Peter being interviewed by Ann Moses, 1967
Ann: Peter, what do you have so much of you could afford to give some away? Peter: The only thing there is so much more of to give away. Ann: Which is? Peter: The power of love.
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modeakz · 8 months
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Tiger Beat, March 1968
Monkees related articles and pinups 🌼
Part 1/3
You can view the whole magazine here: https://pin.it/3z1ih1E
(Unfortunately, my scanner stopped working since then 💔)
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daydream-davy · 7 days
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Mike in Tiger Beat’s Monkees Spectacular #3, 1967
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fromkenari · 7 months
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Millennials, your new obsession is here! And you don't even have to fight with the staples for it.
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thislovintime · 1 year
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Ann Moses with Peter Tork (plus Jimmy Page and Micky Dolenz) in the 1960s and in the 2010s.
“Peter Tork was not your typical teen idol. He was a musician first, and a genuine peace-and-love hippie the rest of the time. [...] [When he died] the world lost a kind, talented man. [...] After Peter and producer Bob Rafelson were inspired by the video tricks they had seen other bands use at The Fillmore in San Francisco, the Monkees made their political statement by including slide shows with scenes from the civil rights movement on huge black-and-white screens behind them as they performed.  [...] His sincerity was true Peter. Never lived a rock-star lifestyle. He always smiled the brightest on the stage. That is his legacy. [...] [When I last saw him,] he seemed fulfilled and happy to be making music with his group, Shoe Suede Blues, and preserving his family home in Connecticut with his loved ones close by.” - Ann Moses, CNN, February 22, 2019
“Behind the scenes, they would joke with one another, and, you know, I’d see them ad-lib in some of the episodes. I would find out that it was a much more casual set than some of the other TV shows I ended up going to. […] They did what they felt like doing. When they — something would come into their minds, it would be, you know, they’d try that out, and half the time the director would say, That’s a take. The Monkees were just like no one else, and so those times on the set, it really gave me a chance to just see all the creativity that came out of these four extremely talented young men. […] Dave Clark and Jimmy Page would say, ‘Can you get us on the Monkees set?’ Because they knew I was out there all the time. And I would say, ‘Yeah, I can.’ And so I’d call up, I’d make the arrangements, and so… when Jimmy Page, when he went out to the set, I mean, he was just like gaga. And it was so cool, he just had so much fun watching the show. And so that was a different one. He was just a fan. And of course that made The Monkees just feel so good, because they, you know, the first year, they were fighting the battle of: do they play their instruments? Are they really musicians? And here a musician that they admired, from the UK, was excited about them. So it was very validating and made them feel really good. […] As I got to know Peter, he treated me with such respect, as if I were a peer. And in a way I was. But, you know, to me, I’m the new girl at the magazine, I’m in there less than a year, but he’s treating me like this has been my profession for years. And still I’m nineteen years old at this point. But I think Peter was rewarded in that when we would talk about whatever it was with him — whether he was doing yoga and he was talking about the Book of Tao, I would write as he would tell me these stories. It wasn’t like I’d go, ‘Well, we’re not putting that in Tiger Beat.’ Because as I was getting to know the real Peter, then so were the readers. And that — that was my goal. And so he was always just a very considerate, thoughtful person, and, you know, a pleasure to be around. He would [give me feedback on articles as he read them]. Like I would take out… like, I just came across an article that I had written about a day on the set with Peter. I said, ‘Hey, guys, here’s the newest Monkee Spectacular.’ And Peter’s looking through it, and he goes, ‘You spelled this wrong.’ And I said, ‘Oh, I’m sorry, I’ll correct it,’ you know. And he found a couple of other — you know, whether it was a typo or some word I’d gotten wrong. But I wouldn’t let it happen twice. It was like correcting your essay for the teacher. It was like, well, he’s not gonna catch me in a mistake again. So it made it really fun. And of course, he didn’t do it in a mean way. It’s just that, hey, we were talking about a serious subject and you made a mistake, and… and that was Peter. […] Peter did a story when he quit, and told me why. And do I know if he was being honest with me? You know, I don’t know, but it was the story that he wanted to put out, and he had been so open and honest the whole time, I didn’t think anything about it. […] By this time he was, you know, with Reine, and they got a place in the valley, had a nice pool. But when I went to the door, um, Peter opened the door and welcome me in, and of course, he was in the nude. And he said, Our house is clothing optional, if you’d like to, you know, disrobe, or I don’t know the word he used. But he said, If you’d like to join us, you’re welcome to. But there was a mixture there at the house. There were some people with clothes on, and some people with clothes off, and they were jumping in the pool. It was not something that fazed me in the slightest, so — you just gotta learn to look them in the eye. [As for Peter’s demeanor post-leaving The Monkees] He was very mellow. I mean, at that point in time, and, you know, I know he had struggles afterward because he had bought his contract out. But at that point in time, he just seemed comfortable in his skin, and he was talking about, you know, the new group [Release], and he just seemed to be, yes, unburdened, I think I would say at that point. He just, he was the chill Peter that you sometimes would see, just like he had just gotten up from meditating and he was as chill as he could be. And it seemed very natural for him. […] Often when I would interview Peter, he would tell me, you know, ‘I really want you to try LSD.’ And I’d tell him, ‘Oh, I’m afraid, I’m afraid I’ll have a bad trip.’ And he goes, ‘No, no, I’ll take care of you, I’ll make sure you have a good trip, you just — it’s such a great experience.’ And I was always really too chicken, I was just afraid of, well, what if I’m really out of control and I freak out? And so I never took him up on his offer. And then when we had our reunion in 2017, I said, ‘Peter, do you remember when you used to get me to try LSD?’ And he said, ‘Oh, Annie, you didn’t miss a thing.’ And, you know, after all the experiences that he had been through, it was that same kind of looking out for me type approach, it was like, ‘Oh, it’s just as well you didn’t,’ and it — he was, he was still being that kind of mentor to me, and it was just… it was so touching, I just couldn’t believe it after all those years, and still there was that closeness there. It was a really, really wonderful moment that I’m so, so glad I got to experience before he passed away.” - Ann Moses, The Monkees Pad Show no. 10, 2022
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emeraldexplorer2 · 2 months
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mannymuc · 29 days
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October 1965: oh Baby! Who's Boss?
British groups as The Stones and The Beatles or "America's answer: The Byrds, asks U.S. teen magazine Tiger beat. I opt for both The Stones with "so groovy" Mick Jagger who gets the double page center poster in this issue of Tiger beat and the groundbreaking Beatles. But I love The Byrds, too.
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