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#thinking specifically of:
harlequinchaos · 1 year
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Now that I'm older, every time some form of media is adapted in a new format (book to movie, videogame to tv series, animation to live action, etc.) I always take the criticisms of it with a grain of salt because I feel like what it means to adapt successfully means something different to everyone.
I always feel like people want an exact 1:1 adaptation but fail to realize the nuance that comes with each form of adaptation. Sure you can break every piece of media down by like, setting, character, and plot, or specific story beats or even down to specific physical details but people fail to realize how this is going to read to the consumer across different forms.
Scenes that are in a first person point of view in say, a book, are going to read different than a scene of a movie, which similar to a play or show on a stage need to be designed in a way the consumer can digest.
In a book, you can slowly be fed information as it is deemed necessary to the story. Details can be intentionally left out, leading to inaccurate judgements that can snowball into larger consequences. With movies or television, as soon as you see the scene or characters, you're seeing them as the whole bigger picture. The details are either there or they aren't, a faster judgment can be made, more meaning can be inferred by visuals, so a character's motivation becomes more of a driving point. A plot element intentionally left out in a book, can alienate the consumer if not properly handled in a movie or television setting, and part of adapting that piece of media is ensuring it's done properly, and I feel like people don't understand that. The art of adaptation is how consistent purpose can be conveyed while adhering to the rules of the established media.
It seems people just want, "the same thing" as a book, tv show, or a movie, videogame, comic, animated version, or in a live action version and it just Doesn't Work Like That.
Each form of media has their own rules of what 'works' and a good story will utilize those unique aspects of that form of media to tell the story; but the method of how that story is told has to change in order for it to be a successful adaptation.
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The problem with Bo Burnham is that he'll deliver the most gut wrenching, soul shattering, humanity encompassing lyric, flowed immediately by some shit like "a goat cheese salaaaaad~" or "I sent gays to fix overpopulation.... boy did that go well"
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redshoes-blues · 8 months
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The Worst period drama trope is when the revolutionary/radical socialist character “learns from their ways” and just…becomes a status quo lib. Or even worse: an actual member of the aristocracy
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dayerasers · 1 year
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absolutely LOVE the moment where a song just tucks in the album name in the lyrics
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meme-streets · 2 years
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artists in the late 60s/early 70s loved to drop a single banger album with a super unique sound and then disappear off the face of the earth forever
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fleshdyke · 6 months
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i love how hyenas still have the winter coat gene
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icarianarts · 4 months
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vivi266 · 8 months
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bereft-of-frogs · 1 month
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There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
because WHAT are people talking about sometimes
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cringengl · 30 days
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if we look at the original timeline (aka annabeth and percy being born in 1993) then 2009 was a big year for annabeth bcus not only did the battle of manhattan take place and she finally started dating percy, but also minecraft came out and i think that would be a big deal to her
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hopsof · 1 month
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Lamb to the slaughter
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orcboxer · 10 months
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those first couple weeks after escaping a time loop have gotta be disorienting as all fuck. all those little cues that used to tell you what's about to happen are now triggers that cause you to brace for something that isn't coming. you have to relearn the permanence of death -- hell, you have reacquaint yourself with the entire concept of finality altogether. everything keeps changing but it never changes back and you keep having to remind yourself that this is normal. "it won't reset anymore," you echo to yourself, over and over and over, like a broken record, like you're still trapped in a loop, like someone who escaped the time loop but was doomed to bring it into the future with them
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daisywords · 7 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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casketears · 2 months
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say what you will about dungeon meshi but if i put my full squeamish pussy into gathering each & every bone of my digested girlfriend, painstakingly arranging them, and then using my blood to illegally reconstruct a whole new body for her. only for some preteen monarchist with alexandria's genesis to fucking UNDO all of it in favor of fusing her with the giant lizard that killed her instead. brother you would see me on the news
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tadfools · 4 months
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You guys are commenting on the fics you read right? You’re at least leaving kudos on the Astarion smut and the pairs that have less than 20 fics for them too? You’re bookmarking stories you really like that are still being updated and ones that haven’t been touched in over a year right?
You know that even the smallest interactions are like cocaine to fic writers right? You understand how important a string of emoji hearts left behind on chapter at three am is right?? Right????
You’re treating AO3 like a community and not a content factory….right?
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joycrispy · 9 months
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Zepotha will never be Goncharov because when it comes down to it, tumblr culture is collaborative, while tiktok culture is merely iterative, and those are not the same thing.
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