#they apparently don't even rewatch their own show

[thegratefulsouth]

I really want to just talk about what is best for Carol and Daryl.

@itsmymeaningoflife got me thinking about this a lot with their perfect post a little while back. I love my job, but I get a lot of thinking time.

Sometimes I see people say they just want Caryl to stay friends. And I think, it doesn't matter what you want. The most important thing in all of this, is what do Carol and Daryl want? What do they need? What's best for them?

It's pretty obvious that Caryl need each other. They are miserable without each other. But how is their need for something beyond friendship measured?

First, individually:

1. Carol does not want to be alone. This is echoed numerous times throughout the series. In Indifference she tells Rick that she stayed with Ed because she didn't want to be alone. She enters two unfulfilling relationships, and then she sits with Daryl, in friendship, in Bonds, and tells him that he doesn't have to be alone. Because to her, being alone is unacceptable. She loves him and she wants him to be happy. And, as many Carylers have pointed out, they both do not think they are good enough for, or could offer, the other, what they need. This is why ending the series with Carol alone is kinda unfulfilling. Where is her fulfullment. Where is her romance novel? Where's her happy ending? He's in France.

2. Daryl doesn't want to be alone either. He needs freedom, he needs to not be manipulated, and he needs connection on his own terms. He has sought connection in various ways throughout the series. He joins the group in the farmhouse after Carol speaks to him. He returns to the prison with Merle. But interestingly, he can't make a commitment to Leah, not until after Carol tells him she won't be able to visit anymore (as many Carylers pointed out). Daryl needs physical intimacy as well, he craves it, and we know it's been a journey for him to get there. And the most loving and positive, unconditional and consistent physical intimacy he has received throughout the show, has been from Carol.

So to tie in the romantic element, as a rewatch Caryler (made it all the way to S6 before picking up the vibe and rewatching), I think it's undeniably in the material already. I've studied it. It's fascinating. Lots of subtle.

For Daryl (for me), it's Daryl checking Carol out in What Lies Ahead.

Didn't even know it existed until I stumbled onto Tumblr. Thanks Carylers 🙏. Because apparently he's also revving for a little attention? And Carol's kind of oblivious to it.

This man is just honestly staring at her all the damn time, but there is nothing else but pure attraction going on with this early neck crane. It's undeniable. Don't deny reality.

For Carol (again, for me), it's much more subtle, if we say she's just joking and teasing. On the bus. When she says she liked him first. Whenever she calls him pookie. When she flutters her eyelashes at him.

No, it's this position that I keep harping on about, that she adopts in his cell, that I am telling you is undeniable attraction. The body language that says "i am a delicate yet formidable force, come get me," or whatever, to that effect. She's not joking anymore. She just lost him and he came back. They are having a very serious conversation here. But maybe she's not even aware she's doing it? I think she knows she's doing it. This is serious, undeniable flirtation. Immediately following Daryl's return to the prison. Right after he left and devastated her. And Daryl's kind of oblivious to it.

So the attraction was there from the beginning, and is then recalled and echoed into the later seasons in so many stunning moments. But their timing sucked for the entire duration of the show. Daryl wasn't ready. Rick banished Carol. Lizzie had to look at the flowers. Daryl blamed himself for Beth, Glenn, Rick. Carol had to deal with Alpha.

Caryl are all unsaid things. Gestures, body language, hesitation, tone of voice, longing looks, inside jokes. And these two scenes ^^ (and Daryl's constant staring) in particular, just cannot a platonic coupling make.

The point of all of this rambling was, what do Carol and Daryl want?

1. They need to know the other is okay.

2. They need to be with each other, they can only manage a certain amount of time apart. They do better together.

3. Carol wants a romantic relationship that is real, not a fairytale. She wants to wake up in the arms of the man she loves.

4. Daryl wants to continue to stare longingly at Carol until the end of time.

So I think we can surmise that a normal, happy ending, with them waking up together, is what is best for these two, though unlikely something they have even allowed themselves to shape entirely in their minds, as something that they not only want, but need. Being held, unrestrained staring, knowing each other is safe, being together. They deserve that.

#caryl #caryl is endgame #carol peletier #twd caryl

[willel]

People should stop saying people only analyze the show for ships. I couldn't give two shits about the ships, I want to figure out the mystery and it's fun coming up with the theories about the supernatural stuff.

Media has always been this way, stop encouraging people to be stupid because you think it's all part of a ship war.

Yes, people shouldn't take their theories as facts. Like, try not to fall into that trap. But the show runners WANT you to talk about their show. They want you to research, discuss, think.

Who in their right mind wants you to be braindead and drooling as you consume their show full of references and easter eggs? Even the Duffers were feeling bad about Will's birthday after the fact cause they knew a majority of viewers would notice and shit on them about it.

They KNOW, you're SUPPOSED to be looking at stuff ok?

#stranger things #and I'm not saying the duffers are geniouses or anything #they apparently don't even rewatch their own show #but no doubt they go out of their way to add shit to make people speculate #so pay attention and think about stuff #don't be braindead and wipe off your drool

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 1.4

Oh, John. It's hard because I'm like “fame was not good for that man” but I'm also like “he would've gone crazy with self-loathing if he didn't have the fame.”

John and Paul start to answer a question at the same time. John: no, go on, you can say it. They're seriously so married. 

John's schoolboy flirting is cute, but what's more noteworthy to me is a) how happy Paul is to be shoved and b) how he instantly leans back into John. It's like they're bungeed together or something. 

John gets me. Look how much he loves Paul bringing out the forced confidence shield to protect him. He's so in love. So turned on. 

Here's my question about the death threats. Did the other Beatles actually receive them and tell Brian about them and keep them from John? Because that would be incredibly sweet and noble of them, but also, in that case, surely John received death threats too. Meaning he just didn't care about his own life and assumed the others were being left out of it because they hadn't actually said they were bigger than Jesus. Or did they have people filtering all their mail by that point? And Brian had been keeping the death threats from all of them? Because that could be interpreted as both protective and selfish of him. Does anyone know?

Again. I just love how Paul goes to bat for John over and over during this tour. Batting his eyes and playing with his hair and shouting down any and all criticism of John speaking his mind.

This moment is so telling to me. An interviewer who was up front at several concerts points out the looks and smiles between John and Paul which you can only see from the front and asks, “is it really that much fun every time?” The easy answer is, “Yeah. We like what we do. It's fun!” But Paul gets cagey. “Oh well the thing is you know with things like that it's probably…” and he makes up a bullshit story about messing up on a song they haven't performed in a year. Why do that if you don't have something to hide? (Even if you're subconsciously hiding) That right there is a tip-off for me that they're not normal about each other. 

Interviewer: are you guys breaking up? John, immediately and emphatically: No. Paul: "Depends what you mean by breaking up, you know . . . Because we can't go on forever like this, so we've got to think now and prepare for, you know, if it did happen. The time has come for us to break up, but we've realized the possibility . . . Of breaking up as a natural progression." Literally shut the fuck up right now, you're going to give John an aneurysm.

I understand. I know. I don't relate to Paul much but I do relate to his hyperactivity and his avoidant attachment. I make sure constantly that I'll be okay when all my relationships end. But you don't talk about that in front of the other person. Especially someone like John whose worst fear is being left. Come on. Think. 

See, now look what you did, Paul. Here's John's answer the next time they're asked about breaking up. 

And yeah, the klan being the ones to “stand up against the Beatles blasphemy” really proves my point from the last post I think. It's just masked racism. 

It actually seems like Paul's more vocally political at this point in time than John is. I wonder what happened to change that? Was it just the influence of their respective wives? Was it just easier for them to play up the roles they'd been assigned for the most part?

Okay on this round of “are you breaking up” they look at each other first before they answer and then Paul goes “all together probably.” I wonder if they talked about their previous answers together and admitted – however cautiously or however veiled – that hearing the other say they might leave hadn't been fun. Who knows, honestly.  

Paul and John often talk about making a radio show together apparently. Gosh if only they could've done that now. I'd make them my token white boy podcast. It'd be great. They'd be so lame and so adorable and they'd talk about recipes and politics and they'd gossip and rank other people's music. But anyway, what really gets me is the often bit. So they really did plan their post-beatle future together. Enough that it was a frequent topic of discussion between them. They planned to be together forever. 

Ugh it always guts me that Paul brought a girlfriend to Paris with him to meet up with John.

Okay my tin hat is glued to my head for this but. But. Hear me out alright? So John starts filming on 09/19/66. He's there for 6 &½ weeks. Putting the end at the beginning of November, right when Paul goes in disguise and alone to Paris. Do we have tabs on John for those dates? John just talked about going around Paris in disguise. What if  they met up by themselves and in secret? What then?

 No fucking wonder John was exhausted with him. Damn. He takes a month and a half to write strawberry fields, shows it to Paul, then...

Interviewer: the songwriting team will keep going whatever happens will it? John: yeah, we'll probably carry on writing music Forever. It's just so ‘Obviously. Might as well ask me if the sun's going to come up tomorrow.’

His friend – try dangerous drugs with and take home to daddy type “friend” – just died brutally and suddenly two days ago, and this is what he looks like and talks like and he's going in to work like it's nothing. I just. Compare that to John talking about Brian's death? Obviously two very different relationships but still… Paul's upbringing really fucked him up so hard. He thinks he's not allowed to be human. What can I say? It's a drag.

AKA the happiest 6 months of John and Paul's lives. 

I find it fascinating that Paul alone is asked to compose and record what would eventually become the carnival of light and that he just went ahead and included everyone in that. Really makes me wonder if he got a vibe off John that him doing the family way alone was hurtful or if they maybe even talked about it? Or maybe he just didn't like doing the family way without John.

Actually quite a lovely, forward-thinking, humble speech. Imagine being John, though. Watching that from home like “why the fuck is he philosophizing to the world without me?” Because you know John shares all those sentiments and might even have got there first. It would be infuriating.

“A lucky man who made the grade” is an interesting way to describe Tara and I can't help but wonder if it has anything to do with Tara being cool enough for Paul to associate with him. And Paul is many things but stupid is not one of them. He's going to at the very least wonder if this verse is about John laughing at his friend's death. Right? Like I know Paul's the repression CEO but seriously I don't think even he is that good. 

Maybe that Leopold and Leob quote isn't just about tearing people down verbally. Maybe Wooler genuinely got a vibe of a sense of superiority and therefore lack of empathy with Lennon/McCartney.

I mean he really does sound like he's describing sex though, doesn't he? Emotional, loving, romantic sex. Followed immediately by Paul's “I'd love to turn you on” lyrics and the “down with pants” and “sword swallower” pins. Alrighty then. 

What I would call my Beatles bio after watching this. "They Touched Dicks: The Only Logical Conclusion."

#paul mccartney #the beatles #john lennon #mclennon #ringo starr #george harrison #understanding lennon mccartney #ulm

[whitedarkmoonflower]

Saved

Part 1 – Sihtric x reader

Authors note: while rewatching the Season 2 of TLK and going wild with exploring my newly acquired skill of taking and editing screenshots I became obsessed with the idea of writing my own version of how Sihtric met Uhtred. Please bear with me as I'm working on learning to concentrate on the essentials and leave out unnecessary details, but I also believe that small details can make the characters more vivid.

Summary: reader is Uhtred’s sister and a skilled healer. She travels with her brother’s men and after the unsuccessful attempt on Uhtred’s life gets curious about the young prisoner, the sole Dane from the group of assailants that is left alive.

Warnings: violence and mention of blood

Word Count: 1,129

Part 1, Part 2, Part 3

Sihtric found you sitting in your favourite spot near the lake, beneath the shade of the ancient oak tree whose sprawling branches provided protection from the scorching sun. He hesitated for a moment, gathering his courage, before taking a seat beside you. In your presence, he still retained an endearing shyness, as if uncertain of how to navigate the depths of his feelings. Sihtric stole glances in your direction, admiring your strength and beauty. His mind raced with the desire to strike up a conversation, but he couldn't find the right words. Finally, he mustered the courage to speak.

"I just wanted to thank you for saving me," Sihtric said, his expression serious as he turned to you.

"Saving you? What did I save you from?" you asked, puzzled.

"From feeling miserable, unwanted, and like I didn't belong anywhere," Sihtric replied, glancing into your eyes for a moment before lowering his gaze, his fingers fidgeting with the Thor's hammer amulet hanging around his neck. Nervousness radiated from him, mingled with a charming blend of insecurity and shyness that made a smile curl on your lips.

"You had every reason to hate me for attempting to kill your brother, but you never did. Instead you showed me kindness that I never truly deserved," Sihtric continued.

He had changed so much since the day you first met. You could still recall that evening as vividly as if it were yesterday, when Kjartan's men had tried to take Uhtred's life. They might have succeeded if not for Halig, who noticed the suspicious absence of the newly arrived Danes and urged the others to search for them. You had been on the verge of sleep after a long and busy day. Being a healer in a warrior's camp meant there was always an abundance of injuries to tend to, even without a battle. Men would hurt themselves during sword training, get kicked by horses, or foolishly engage in fights over trivial matters. Today, you had to fix a dislocated shoulder all because of an argument about the best whore at the White Goose tavern in Lundene. The shouts and clash of swords roused you from your slumber, causing you to hastily dress and rush out of your tent. Expecting yet another drunken brawl, you sought to find Uhtred and put an end to it. However, by the time you arrived, the fighting was already over. You approached the gathering of men, only to discover five lifeless Danes being dragged away from the lawn behind the stables.

"Uhtred!" you called out, fear lacing your voice as you saw him leaning against a stable pillar, breathing heavily. "Are you hurt?"

"All is fine. Don't worry, little sis. Unfortunately, I can't say the same for our Danish guests, but don't fret, they won't be needing your attention," Uhtred grinned, attempting to lighten the atmosphere as he noticed your concerned expression.

"Let me check on you," you insisted, pulling him closer to the torchlight so you could assess his injuries. At first glance, there were some bruises and a swollen eye, but no apparent serious damage. His movements lacked any signs of pain or hesitation, indicating that he likely didn't have any broken ribs. Still, you were reluctant to let him go, but Uhtred firmly took hold of your hands, kissing your palms, and with a determined voice, called out to the men dealing with the corpses behind you: "Secure the prisoner. I'll need answers from him later."

"I'm fine, sis. Truly, I am. Please don't worry," he reassured you, turning to plant a gentle kiss on your forehead. Apart from Ragnar, Uhtred's Danish brother, the two of you were all that remained of your family, and the bond between you had always been remarkably strong. You loved this proud, stubborn, and courageous young man, and he cared deeply for you.

Reluctantly, you turned your head to catch a glimpse of the young, bruised Dane, his hands awkwardly tied before him as Clapa dragged him away. The Dane was in a pitiful state, with fresh cuts and scrapes covering his arms, a split eyebrow, and a bleeding lip and nose. Anxiety radiated from his tense body. In a fleeting moment, his eyes met yours, and you detected a flicker of despair within them. It struck you how young and handsome he appeared, despite his current circumstances.

Uhtred's men returned to their respective fireplaces, the evening just beginning. You knew all too well that this minor incident wouldn't deter them from their usual activities of drinking, gambling, and arguing about the “best whores”, as they did almost every night. You had no desire to be part of that. Tomorrow, there would be more dislocated shoulders and broken fingers to tend to, and since Uhtred seemed fine you eagerly longed to return to your tent and go back to sleep.

As you made your way past an empty wagon, you noticed Clapa and Halig engaged in what seemed like an argument. Initially, you hesitated to involve yourself, suspecting it was another petty quarrel you didn't want to be dragged into. However, as you attempted to quietly pass by, your eyes caught sight of the silhouette seated by the wagon. It was the young prisoner, the sole Dane who had survived today's assault on Uhtred's life. His gaze, as he was being dragged away from the small battlefield by Clapa, his hands bound and his face smeared with blood, lingered in your memory. An unexplainable feeling stirred within you, prompting a change of heart, and you headed straight for Clapa and Halig.

“What are you two arguing about? Aren't you supposed to be guarding the prisoner?" you asked with frustration evident in your voice.

"We are, lady!" Clapa replied defensively. "Uhtred ordered us to decapitate the corpses, but Halig lacks the courage to do it."

“That's not true, lady!" Halig interjected hastily. "I just needed a drink first. You can't deny a man a drink, especially one who's tasked with severing heads from still-warm bodies. Besides, it's better to do it later when the blood has thickened. And there's no need for two men to guard a securely tied-up prisoner”

"Alright, enough quarrelling, lads. Halig, go and fetch your drink, and Clapa, get yourself an axe or do you plan on using your eating knife? I'll keep an eye on the prisoner," you ordered firmly. As Uhtred's sister and a skilled healer, you were accustomed to giving orders, and his men knew better than to argue with you. Both departed without hesitation, not bothering to question your decision, although it must have seemed peculiar to them that you wished to remain alone with the prisoner. Turning your gaze towards him, you approached cautiously, maintaining a safe distance just in case.

“Are you hurt?" you inquired, observing the Dane who sat beside the wagon, his back resting against the wheel. He raised his head, confusion, and distress evident in his eyes. He didn't respond just shook his head.

“Your lip and nose have been bleeding quite profusely. Wait here, I'll fetch my bag," you said with a chuckle. "How foolish of me, as if he had much choice in the matter," you thought to yourself while making your way to your tent to retrieve your medical supplies. You always kept a bag prepared, stocked with clean rags, salves, potions, and other necessities, ensuring you wouldn't waste time searching when urgently needed.

Returning with your bag and a piece of bread in hand, you offered it to the prisoner, but he made no move to accept. Leaning his head back against the wagon wheel, he closed his eyes. Shrugging your shoulders, you placed the bread back in your bag and instead took out some clean rags and a leather flask filled with water. The Dane opened his eyes, watching your every move. Kneeling before him, you dampened the rags and reached out your hand to cleanse his face. Startled, he instinctively flinched and jerked his head back, accidentally striking it against the wheel, eliciting a groan of pain.

"Hey, stay still. I only want to clean your face," you said, perplexed by his sudden reaction. His whole body tensed as you gently touched his forehead and continued to clean his bruised cheekbones.

"The brow will require stitches," you informed him.

“Why are you doing this?" the Dane spoke, his voice husky but soft. "I am a dead man. Why would you bother stitching my brow if your husband will later torture me for information and then kill me anyway.”

Tilting your head to the side, you continued to wipe away the blood from his face, now focusing on his busted lip and chin.

“I don't have a husband. I have a brother whom you sought to kill tonight," you said, finished with cleaning his face you observed his features intently. "And if there's one thing I know for certain about my brother, it's that he has never tortured anyone, nor will he ever," you couldn't help but think about how handsome this young man was and you felt a pang of sympathy for his unfortunate circumstances. He believed his fate was sealed and had resigned himself to it. His gaze remained fixed on the ground, as if he dared not meet your eyes.

“I didn't want to kill him. I just did not have much choice about it," the Dane's voice remained calm, resolute, and tinged with sincerity. "I only wish Lord Uhtred would grant me the honour of dying as a warrior, sword in hand. And I would willingly share everything I know with him.”

“Not that I fear the pain," he hastily added, "I simply owe no allegiance to Kjartan.”

Unexplainably, you found yourself believing this man. Every word he spoke carried weight, and you suddenly felt deeply sorry for him.

“You are very kind to me, lady," the Dane continued, his voice filled with a sense of shame for being here, for being a part of what had happened. "I don't deserve your attention, but I am immensely grateful for it."

"What's your name?" you found yourself asking, driven by an inexplicable curiosity. It was as if fate had brought this unfortunate young warrior across your path, and a growing resolve began to take shape within you. You did not want to let him to the fate he thought inevitable.

“I am called Sihtric, lady,” the Dane answered with no hesitation. “Would you like to live?" you suddenly asked, as a seemingly absurd idea took hold in your mind.

#sihtric #sihtric kjartansson #arnas fedaravicius #the last kingdom #tlk #sihtric x reader #tlk fics #Sihtric fics #sihtric x you #violence

[phantaloon]

okay okay im finally finished with both eps and here's my genuine opinion

the cast is 10/10, every single one of these kids knows exactly what they're doing and WHO they are, i can't imagine anyone playing each character better than them

the slight change in Sally and gabe's dynamic gave me a bit of whiplash at first, but the second time watching it, i kinda really dig it better than the books

the way they're portraying percy's feelings of inadequacy and the whole "i know I'm broken, i don't need you to make up stories for me"? fucking devastating, but it fits so fucking well (i can't remember if this is shown as deeply as it's shown here)

sally jackson is the most badass mfer and i fucking love her she is the godly parent fuck poseidon

it's been said before but sally calling percy perseus when she wants him to listen >>>

LOVED how they gave us the impression of percy having riptide while facing the minotaur, only for them to take it away (not really but percy didn't know that) and having percy face the minotaur book style rather than movie style

ANNABETH SAYING PERCY MUST BE THE ONE I SCREAMED

i am fucking loving the way they're doing percy's rage, like maybe it's bc i don't remember it as clearly in the books, but it's so raw, and walker does an amazing job portraying it, but the whole part where he offers food (a thing meant to be for gods) to SALLY, king behavior fr, and that monolog about making his father see them?? actual goosebumps

leah does such an amazing job portraying annabeth's indifference and apparent arrogance, i can't explain how much i love her, like she does it so subtly, it's just little gestures, but she IS annabeth chase (this felt especially cooler after seeing her in interviews, where she's actually really shy irl)

im not going to lie here, and like im sure it was done on purpose anyway, but i am feeling it kinda rushed, and I get it really! they won't waste time in the many chapters spent during camp introducing the world to us, when they've got few episodes, and the whole quest to showcase instead, but like, i would have loved to see percy training with luke (and besting him) and annabeth showing percy around camp (second time we've missed that) and idk just some fun little details, but like i said, i understand why they HAD to rush the intro, so I'm not upset about it or disappointed, just smth to notice

having said that, i really did love the bit of luke guiding percy through several activities trying to figure out his "calling", the callback to percy's horrible archery skills is 10/10

annabeth's yankees cap is fr a yankees cap and im crying

i nearly forgot, but im loving the nightmare sequences, i love how they're keeping the "voice" so faceless and shapeless, but just a light in the darkness of a nightmare, and really it's a great figure, bc a light in a nightmare is usually a good thing, it's the thing you run towards, and it's usually smth that helps you, but here, the light in the darkness is anything but good (quite literally) and he literally taunts percy, and fuels his fear and bitterness, and ugh I love it

the whole capture the flag sequence is 10/10 as well, i can't explain how much this healed me, just like annabeth leaving percy to be bored to death on his own, when she was right there, the transition between luke's "percy's got this" and percy doing the fucking floss dance? cinematic masterpiece, and like the fight sequence was really well done and crafted much much better than many others that rely on slow mo or weird angles, like the fight with clarisse and her spear was gold

dior's scream as percy breaks clarisse's spear alone deserves an emmy

leah portrays annabeth so effortlessly and naturally, I've said it before but i love her

i got like 10 seconds of annabeth interacting with percy and i can already see them together forever ahdjdj

overall 10/10 will rewatch again and again and again bc I'm in fucking love even if it does feel a bit rushed at times and there was the same lack of the hellhound as the movie

#pjo #pjo show #percy jackson #percy jackon and the olympians #pjo tv show #pjo tv series

[rosekeu]

soft like a bunny : r. sukuna

this is part 1!

a/n: highschool au, fem!reader, reader has braces, shy+nerdy+sensitive reader! [if you don't like that then leave ig lol] soft spot for reader ૮꒰ ˶• ༝ •˶꒱ა ♡

sypnosis: looking for your sensei lead to you bumping into your bullies but luckily a feared first-year saves you from your torment!

【 playlist 】

[ part 2 ] [part 3] [ part 4 ] [ part 5 coming soon! ]

‘where are you gojo-sensei!?’ 

y/n l/n thought as she paced through the first year halls, she had been here before but she was unknown to her teachers schedule. leading her to get lost around the fairly big first year campus. y/n looked around anxiously, her eyes searching left and right for her teacher. 

“oi– what do we have here eh?!” one of the tall male students asked, stepping in front of the shorter girl. y/n looked up meeting the eyes of what seemed to be upperclassmen. 

 “looks like a pretty girl–” another boy said with his hands inside his uniform pockets. 

“she’s not pretty, i can assure you that much, look at her teeth!” the male that had stepped in front of her in the first place said pointing to his mouth, smirking.

   “i- i’m busy– if y-you could p-please let me pass through–” she squeaked out but her attempt was futile as one of the boys shoved her to the lockers. the male smirked as he held y/n’s face in his hand. 

   “give us a smile sweetheart, so we can see your hideous teeth!” he muttered, y/n squirmed under his hold being able to smell his hot breath. the other boys watching made gestures of disgust seeing them. she was hesitant to comply with the boy but what else could she do? giving in to his statement as y/n flashed the group a fake smile showing her pink braces.

   “open your mouth so we can see better, brat!” the boy said, squeezing y/n’s face even more. her complexion became a bit red due to the pressure. again the younger girl complied with his ask and opened her mouth a bit to show the different coloured bands which were scattered inside her mouth. 

the group laughed but the boy that was squeezing her face was suddenly gone and a loud ‘thud’ echoed through the hall. y/n opened her eyes to be met with the same boy being held by his collar. 

   “you can’t even pick on someone your own size– that’s how pathetic you've become!” a strong boy holding l/n’s bully on the concrete ground. the boy whimpered on seeing the familiar face, sukuna itadori. he was known for all the fights and suspensions he had received with not even half of the school year being through. 

   “you're not so tough now! you dick!” he muttered into his upperclassmen’s ear, smirking. other students from neighboring classrooms walked out to watch the scene unfold. some enjoyed it and cheered for sukuna and some were able to record the whole thing.

sukuna threw punch after punch at the older student. and the other boys which had been bothering y/n ran away scared as they saw the first year beat up the third year.

   “p-please– ah!” the boy screeched, trying to push sukuna away from him. eventually sukuna did and left the scared boy on the ground, bloody nose and black eye apparent on his face. tears streaming down the bully’s cheek. sukuna swipes his forehead with his bloody knuckles 

at this point gojo was one of the people recording and the principal had barely gotten there. yaga stood there out of breath seeing as sukuna was ready to walk off the scene. 

   “you're not going anywhere young man!” yaga said sternly, holding the boy's shirt from the back.  gojo-sensei took this as a perfect opportunity to leave  as if he didn't record the whole fight and wasn't planning on rewatching it with geto-san. 

   “gojo! you're not going anywhere either!” the principal said watching the white haired man try to escape without a trace. gojo cursed to himself. y/n watched as her teacher groaned. 

 “l/n, are you alright?” the principal said, walking over to the [h/c] haired girl which seemed startled. she nodded the ribbons on her two small ponytails wagging with her head, she walked to the pink haired boy who wore a scowl on his face.

   “i’m so sorry!!” y/n sobbed as she bowed to sukuna, the emotions which were being held before, coming out to the surface. her tears dropped on sukuna’s brown dress shoes. the pink haired boy stood appalled, his eyes widening as he watched the poor girl. 

   “you don’t have to–”

   “i do! you helped me with those guys and you got in trouble”

‘so i didn’t scare this girl off?!’

  “principal yaga, don’t suspend him, please– he helped me!” y/n said, raising from her stance and looking into his eyes. they were red like rubies. 

  “alright, both of you in my office!”

if you want to be tagged let me know!

#sukuna ryomen #sukuna x reader #sukuna x you #sukuna #jujutsu kaisen #jjk x reader #jujutsu kaisen x reader #jjk x you #jjk imagines #jjk fluff

[isagrimorie]

Repeating on a theme on Seven's Borg implants (read here for previous posts)

Because I'm still obsessed with Seven's Borg tech and how much of her is organic. Supposedly EMH took out 82% of Seven's Borg tech and took out many over the years Seven still has a lot of working Borg tech and nanoprobes more than other xB around.

One thing I just noticed from Equinox, part 2 is how we see Seven's ocular implant without the casing:

This is where it makes it so obvious that Seven's head is mostly metal because that is a skin cut out showing what's underneath that skin. Also that there are various lights under there we didn't know about.

Look at how shiny Seven's metallic skull is without skin.

The configuration of Seven's head is mostly just metal.

In this Picard s2 prop - this Borg skull only has a fraction of what Seven has underneath her skin:

Seven's entire cranium is made of metal.

That is why when Narissa bashed Seven's head on the console Seven didn’t lose consciousness and only made Seven a little dizzy, and pissed her off more tbh.

An organic person would've had a concussion and maybe even died.

I wonder if Seven looks like a Terminator beneath the skin.

(This is brought to you by having just rewatched Terminator 1 & 2).

Because as we saw in Imperfections scratch the skin underneath and she seems to have metal exoskeleton as implants.

Speaking of further body horror-- Even when the Borg deadened Seven’s nerve endings, Seven still felt the pain of having her occipital ocular installed:

During or after her procedure, even with all the precautions that the body wouldn't feel a thing, Seven remembered feeling the pain. (It makes me wonder if Unimatrix!Annika felt the pain or it was something she could block out).

A fan theory I subscribe to posited that Seven is a Borg Queen candidate.

This would go a long way explaining why Seven has some form of individual identity and why the Borg Queen has a special interest re: Seven.

Aside from being assimilated at a young age, this would also account for the number of implants in her system.

Even among her own unimatrix, she was the one calling the shots and enforcing the Borg rules.

All the Borg Queens we've seen only have their heads and upper torso.

Seven might have been on her way to a similar fate. Her spine's already reinforced.

I'm pretty sure one or both of Seven's legs from the knee down are prosthetic legs ala Edward Elric.

(Also there was a VOY writer who seemed keen on blowing up Seven's legs -- the first version of The Raven has Seven becoming a terminator and to stop her the crew apparently needed to blow up her legs, and she had to crawl her way to Janeway—thankfully someone in the writer’s room said “WTF??”, Because WTF???I'm so glad someone went: No, dude).

As possible evidence that one or both of Seven’s legs are prosthetics: when she was unconscious during The Gift we can see there are wires on Seven's left kneecap.

And I don't know if that shin armor is exoplating or if prostheses have replaced her legs.

There's so much about Seven we don't really know about and I really want to know more about her functional Borg components and to settle, once and for all, if by Picard's time, she still needs to regenerate.

I'm on the camp that Seven still needs to regenerate.

/edited

#body horror #body of borg #seven of nine #star trek #star trek voyager #dhawan!master would love the borg too much #the borg collective #star trek picard

[pokamocha]

So I was rewatching WOY again, and I realized something during The Ball episode (S1 Ep13b).

There’s probably a post somewhere years ago pointing this out, but idc—I want to, "put that passion on the paper!"

Spoilers btw!

We all know why Wander helps, “The helper seeks to help because he knows what it is like to be helpless” (The Wanders, S2 Ep4a). He went through something so life-changing—most likely traumatic—that it ironically helped him become the Wander we know and love.

Now during The Ball episode (S1 Ep13b) after Beeza explains how this doomsday is basically routine at this point and before they all board the ship, Wander gives a speech:

“Y'all have put so much work into this pretty little planet. Don't you want to try and save it? I know you're scared of Buster, but if you keep running, that's all you're ever gonna be doing! You have a chance to change that. You just have to turn and face your problems head-on!”

“…but if you keep running, that's all you're ever gonna be doing! You have a chance to change that.”

He says that while looking at his hat longingly as if this situation reminded him of a bad memory.

I genuinely believe Wander started out as fearful.

I believe he ran away and hid at the first sign of danger when he was much younger, immature and inexperienced because he didn’t have a chance to save or defend what he had. He lost something very dear and precious to him—whether that be his family or his home-planet (or both), we may never know.

However, how he reacted to those bouncing phantom mimes in The Heebie Jeebies episode (S2 Ep19b) proves my point. Wander’s first instinct when encountering danger or something scary is to scream, run away and/or hide—and at times freeze in place.

Usually he’s able to override that stress response throughout the show if there’s someone needing help, “When I see someone who’s a-needin’, I just gotta help!” (The Fugitives, S1 Ep2b). Take the episode The Pet (S1 Ep4) as an example of this.

Wander nervously searches the ship for anyone alive only to encounter an arachnomorph he lovingly christened Captain Tim. His first reaction is to scream, and it doesn’t sound like an excited scream either.

Only after he gets tackled does he collect himself and switches gears from being afraid to being ready to help because he changed how he looked at the creature.

At first, he saw Captain Tim as this terrifying monster (he even admits to Sylvia that he knew Captain Tim is dangerous later in the episode, twice) before almost immediately doing a 180 degree and choosing to see Captain Tim as an abandoned pet that needs tender love and care.

It's not just this episode either. The Greatest (S1 Ep1a) shows how scared he is of Lord Hater when they first officially meet until he chooses to—not only help the planet's residences—but to also learn more about Hater so he can help him later down the line.

The Search for Captain Tim (S2 Ep19a) is another example when he shows up with a wanted flyer knowing full well that the creature is carnivorous and remembering what Captain Tim tried to do to him.

It’s even more apparent during the last episode of season 2, The End of the Galaxy, where Wander is terrified of Lord Dominator yet tries to continue befriending her despite his fear and despite what she says and does.

He's able to get through his fear if it means helping someone in the process.

We also know that Wander seems obsessed with the idea of helping others to an alarming and unhealthy degree. Being unable to not help someone in need gives him anxiety that builds up over a short amount of time until he can’t take it anymore and gives into his immense desire to help (The Fugitives, S1 Ep2b).

Even when he was sick during The Sick Day (S2 Ep20a), he still tries to help when it impedes on his own health and well-being.

Since he’s over 1000 years old, he most likely lost that chance to rewrite or make amends with what he originally went through that made him feel helpless in the first place—and I wouldn’t doubt it if he regrets it deep down or thinks bringing up his past is unimportant since nothing can be done anymore.

Heck, Sylvia calls him, “a man of mystery,” in The Waste of Time (S2 Ep17b) which later when they both successfully end the time loop it erases that interaction from existence. Wander doesn't disclose what exactly happened to him to be helpless in The Wanders (S2 Ep4a).

He chooses not to go into detail about his past.

Going back to The Ball (S1 13b) episode, he doesn’t just give a speech and tries to help because that's the right thing to do. He tries to help because he sees how the Ballzarians were choosing to lose their chance by willfully fleeing from their home-planets because of Buster, and Wander could not accept that.

"Whew! I wouldn't want someone else to go through what I went through" (The Wanders, S2 Ep4a).

He needed to help them because he himself was not helped.

Having to watch someone else go through the same experience was devastating for him. That's why he took control of the ship and crashed landed it on Buster.

Unlike the Ballzarians, I believe he did not have anyone in his life to help him when he was helpless, nor provide the opportunity to make a change in his circumstances.

He had to become his own helper.

In The Wanders episode (S2 Ep4a) when Sylvia finds the last Wander to complete himself again, the little Wander is terrified and cowering in the corner. He doesn't trust her until she reassures him, "It's okay, I won't hurt you." This reaction from Wander only makes sense if he was used to not receiving help.

Now, I’m sure as Wander helped others, they helped him back (some probably didn’t and took advantage of him). However, Sylvia was the first person who—not only reciprocated that same love and care he tends to show towards everyone—but also the first person to stay by his side afterwards. She became his new home.

We know how the two met in The Waste of Time (S2 Ep17b), but we don’t know how they became enemies to best friends. But, I genuinely believe Wander’s kindness played a part in softening Sylvia’s heart.

With all this said, I believe he started out as a coward, then became a stereotypical hero, until finally being transformed into the wandering helpy helperson we know and love today.

Or I'm reading waaaaaaay too much into a silly little cartoon about helping others and self-improvement from a decade ago idk tHat’S jUst a tHeoRY lmao

Anyways, thank y’all for coming to my TedTalk—expect more WOY art in the near future! 👋🧡

#wander over yonder #woy

[mrbensonmum]

TV Show - Dr. House | House M.D. XIII

THAT'S A WRAP!

We did it! Last night, the final episode of Dr. House flickered across the screen, and I must say, this rewatch was extremely enjoyable for me, partly because of writing about it. But from start to finish, there wasn't a single part that felt like a struggle, because the series is consistently good.

Cuddy is gone, Foreman is the new head of the hospital, and House is in jail. If that's not a spectacular start to a season, then I don't know what is.

But before that happens—since we still had a few episodes left from the seventh season—we see House completely out of control. First, injecting himself with experimental substances and then surgically removing the resulting tumors from his leg. After that, he tries, in his own way, to make things right with Cuddy, but it's increasingly failing. Even though I can understand some of his accusations toward her to a certain extent, what happens toward the end of the season is anything but justified.

In the eighth season, we see a very bizarre side of House, but one action hints at why he keeps resorting to such strange means. When he makes the immigration office document disappear, forcing Dominika to stay with him, he reveals something that has been subtly apparent all along—that he's incredibly lonely. Not everything can be attributed to this theme, but it does explain a lot! Especially what will happen with Wilson becomes increasingly clear.

Otherwise, Season 8 is another wild rollercoaster ride, not just in terms of the cases but also in terms of character development. During his time in prison, House meets the young doctor, Dr. Jessica Adams, whom he immediately adds to the team when he returns to Princeton-Plainsboro. There's also the suspended doctor, Dr. Chi Park, and after some initial difficulties, Taub and Chase make it back onto the team. From then on, everyone on the team faces some really tough challenges, and the worst one, towards the end of the season, comes to House himself. His best friend, what irony, is diagnosed with cancer. House has to confront many inner demons from then on and realizes that soon there will be no one left who truly understands his character and is also somewhat friendly towards him.

House tries everything to prevent Wilson's death because he doesn't want to lose this important person and also knows that his future would be uncertain without this support. But he's fighting windmills because Wilson has seen and experienced too much already to want to undergo treatment. He wants to enjoy the remaining time he has left.

I particularly liked Wilson's development because at the beginning, he's quite a thin, rather boring oncologist, and in the end, he's the tough, three-day-beard biker with a leather jacket. Especially when he's on the bike and puts on the glasses, he looks incredibly good, even though tragically plagued by cancer, just good!

What I find unfortunate, but can understand from an actress's perspective, is that we didn't see Lisa Cuddy (Lisa Edelstein) again. In the end, when House gets another beating in the burning house, he hallucinates quite a few people, and even Kutner and Stacy are there. On the other hand, Cuddy might have simply taken up too much space, especially after what happened in the last episode of the seventh season. Maybe it's for the best that she didn't show up again because otherwise, it might have felt like the focus was only on their relationship. Instead, it felt more like it was about each person and House, as well as the processing of different periods in his life or his drug addiction.

Whether there's such a thing as a perfect ending for a series, I don't know, but the ending of House comes pretty close. Of course, you're initially a bit disappointed because even though eight seasons are long and an ending can be a good thing, you don't want to let go just like that, and the inner series junkie demands more. But objectively speaking, this ending is really good because we've seen so many facets of House that it might feel forced now if there were more. We see how Adams and Park are firmly established in a team, Chase has finally found his place (I think his development is very good and how much more stable he is compared to the early seasons), and Taub embraces his role as a father. Cameron is also happy, which makes us all happy. And we also get another wonderful look at a still relatively healthy Thirteen, wonderful. Plus, there's that little nod with Foreman finding House's ID under a side table. Judging by his expression, you might think he knows House is still alive but is content that he has found his peace.

As often, I only picked out the really prominent parts from the season! The eighth season is full of interesting cases, exciting interactions with patients and the team, and a lot of new things, compared to the old seasons.

The thing between Park and Chase.

Chase being attacked and seriously injured by a patient (which is used to give him the necessary distance and make his team takeover make more sense)

Taub, who has a pretty established presence but still hasn't quite found his place in life

Foreman, who doesn't know whether he should be like House, like Cuddy, or just like Foreman as the head

What happens next? I honestly don't know yet. Yesterday, I looked around a bit and then decided on Bullet Train (2022). I still have to continue with Halo, but maybe I'll wait until the season is finished and then binge-watch everything in one evening, we'll see. But one thing I know is that I feel like watching something in the crime genre again!

#tv show #tvshow #house #dr house #dr. house #house md #house m.d. #greg house #gregory house #house x wilson #wilson #dr. wilson #dr wilson #james wilson #house thirteen #thirteen #cuddy #chase #taub #dr. chase

[space-blue]

Hi, I love a lot of your meta and analyses. Especially for Arcane. One thing that's bothering me is what exactly was Silco's reputation among the Lanes in act 1? It's odd how Vander seems to say he's worse than enforcers, and Benzo even calls him an animal and immediately tries to charge at Silco after Grayson's death. But we know that Silco only became this ruthless AFTER his attempted murder by Vander. So during the old times when Vander and Benzo knew him, Silco was apparently a "weak man" who wasn't nearly as violent as Vander. So what gives?

Sure, the "animal" line could just be because of the brutal way he killed Grayson and the enforcers, but idk, the way he immediately charges Silco no questions asked seems to indicate something deeper. It's funny too, because Silco murdered only the enforcers that were arresting Vander, and didn't even want to kill Vander until he rejected Silco's plan and refused to join him. So if Benzo just stayed calm and kept his hands to himself Silco would've probably kidnapped them both. Hell, without Benzo's murder hanging over Vander's head, maybe he could've even be persuaded to rejoin Silco for another try at revolution? But the story needs him to refuse, so ofc Benzo had to die.

I'm just wondering why exactly, if Silco was known as the less violent one before Vander tried to kill him, then why do Benzo and Vander in act 1 treat him like he's been a devil the whole time. Did they maybe catch wind of his unpleasant activities while he was underground and building his revolution plans?

Hi Anon! What a great ask! And thank you, you make me blush. It's nice that my horrendous Arcane brain rot actually serves some purpose somehow x'D

This is a very good question and a difficult one—because of the writers. I'm not sure if they really know or care to make sense of Silco and Vander's past. The timeline is shaky and vague. I think they were happy to leave things quite mysterious. Some of us desperately try to unravel it, but the bulk of viewers took it all at face value and concluded that Silco is a horrible man who did horrible things.

This is not me bashing other fans, all theories are valid, but I must admit sometimes I wonder if the Arcane writers managed to convey their point across. Because I've seen quite a few people theorise that Silco did something truly horrible and 'deserved' to be killed by Vander, despite the lack of evidence or accusation, or the show going to great length to harp about Vander's potential for change, of his "monster within" who caves in skulls with his fists.

(Not to mention the casual fans who thought the sun shone out of Vander's ass because they couldn't see past Vi's pov and didn't do dozens of obsessive rewatches like yours truly).

My point is that their relationship is pretty complicated and there are plenty of dissenting theories. And I think a lot of people go one way or the other precisely around those moments you mention. I'm going to give you my theory, but it's very fanon. I'm genuinely a lot less certain about this than some of my other meta. It's just what gels for me considering how I interpret the rest of the show.

I'm going to put this under a cut, because there's a lot!

What exactly was Silco's reputation among the Lanes in act 1?

I don't think Silco was weak. That's him reframing his trauma. Not just weak physically (like obviously he could never fight Vander off fairly), but for having trusted him. Weak for not seeing the betrayal coming, and not coming on top of that conflict. He calls his old self weak because he must believe in his own progress, his own resurrection into a being who can enact his plans at last. 

I think Silco was a beacon of hope and zealotry. I think he was a propaganda machine. Young Silco united a lot of Zaun under the banner of his dream. He probably worked hard, and led the movement. From the way their dialogue goes, the accusation of betrayal, saying "I trusted you", and the manner of Silco's attitude around Vander, I'm of the (generally not that popular) sentiment that Silco was the leader of the early rebellion, and that Vander was his follower. Most likely his right hand man.

In fic I've theorised that Vander, who tells Vi he used to always be so angry and violent, didn't have a channel for said violence until Silco gave him structure and a purpose. Directed that violence at Piltover, at creating (read, carving out) the Lanes.

Which, FYI, are NEVER clarified. We don't know if it's a business model or a territory or both. Writers truly don't care to explain it.

Anyway, Silco speaks of "our dream" and then uses "brother" with a LOT of irony laced in, in reply to Vander's own use of the term. They used to be brothers in arms and Vander believed in that dream. We also know that Vander used to fight for the cause and claims he's "not that man anymore".

He basically was fighting for team Silco—team Zaun—right until the day of the betrayal.

Then we're told by Vander that Silco had his respect, the Lanes' respect, "but that... was never enough for you". We're also told by Sevika that Vander created the Lanes.

This suggests to me that Silco and Vander created the Lanes together. 

I assume that over time Vander started seeing Silco's plans as too greedy, while leading the Lanes seemed ideal. 'Good enough', if you will. Vander is small minded where Silco is aiming for the sun. One wants too little and the other too much. Silco says they 'shared a vision, dreams of freedom, not just for the Lanes but for the whole of the Underground, united as One'. They used to dream of Zaun together... And then Vander realised Silco would tear the Lanes apart if it would serve his purpose (to attack Piltover). 

I think he didn't believe it'd work (and given what we see of Piltover vs. Zaun before shimmer, it might not have), and realised he wanted to rule the Lanes. Vander would now see Silco's dreams as too dangerous.

I know some people in the Zaundads community who theorised that Vander was influenced in turning on Silco by Benzo or others. It's not my prefered theory.

I think Vander wanted the Lanes for himself, and knew that Silco was too zealous to ever stop. We don't know why he got so (intimately) violent. Why they were in the Pilt. We see Vander first very cold, slowly drowning Silco, then very hot and brutal, once he's been hurt. I think he was very different indeed from the genial Vander we know in arc 1. Young Vander is the guy who carved the Lanes with his fists. The guy who built the reputation old Vander still coasts on. A guy known by foreigners! In short, it doesn't really help to look at him through the old Vander lens. He did what he did..

And THEN, he hid the (most likely black and contaminated) wound from Silco's knife. While Silco wears his scar unashamed for what must be a decade or two, Vander has his arm constantly covered. This speaks of shame to me. We know he had regrets too :

Truly a young, impulsive, violent man, who rushed into a bad decision and has regretted it since. I can picture a young Vander missing his best friend, his guiding light, and yet finally becoming the leader he wanted to be. Curtailing Silco's uprising entirely and settling, at least until his own revolt. 

We know there was only one time where the rebellion went ahead, and that was well after Silco left. Vander, to the assembled Lanes people, says "we crossed that bridge once before". It's the era where he still had Silco's respect, but was immediately followed by his pact with Grayson. Which Silco knew of.

Sorry... I'm rambling to try and get all the details in... Almost there.

Finally we come to Vander holding his (shamefully hidden) wound and saying "there's worse things than enforcers out there, we both know that."

And I'm not sure WHAT HE MEANS!! Like, this is not proof he knows Silco is alive. My personal feeling is that Vander believes there's a chance Silco might be alive, but he's not actively taking precautions like that's a possibility. Silco's attack wouldn't have come out of left field and taken them so completely by surprise otherwise.

There are plenty of things worse than enforcers. Including himself!! He could mean competing chembarons. He could mean someone wanting his seat. He could mean anything, it's infuriating. 

Anyway, I think Vander came back from the Pilt with a bad stab wound and a story. I think he told everyone that Silco attacked him and died. That he turned traitor. Or any other bullshit story. But I believe he did what any new illegitimate ruler does, and shat all over Silco's reputation. Or else cried some crocodile tears over him and called him dead. But Silco never stepped back into the open, so Vander making him persona non grata is more likely. 

Whatever the case, Vander had completely taken over the Lanes by the time Silco was in good enough health to show up.

Did they run into each other? Did Vander scare him off again? I'm not sure, but I don't think so. Vander looks way too shocked when he realises who's showing up at the murder party. This isn't the expression of someone who is used to thwarting schemes. This isn't the Batman's face when the Joker appears with mischief around a street corner.

Meanwhile, why would Benzo react so negatively to Silco? The well respected man who was betrayed (a fact Vander owns up to and APOLOGISES for), who was half drowned and mutilated by Vander's hand... Yet Benzo immediately calls him an animal (which, you're right, could be in reaction to stepping into a mass killing—which, fair), and tells him to "crawl back into whatever hole he came out of."

I feel like this is the reaction of someone who thinks "wow, it's the cunt who harmed my bestie 20 years ago and (insert Vander's lies about him). Who knew he was still alive?"

Meanwhile, Vander looks like it's judgement day. I think he has excellent reasons to be afraid. He stole the Lanes, destroyed Silco's dreams, ruined his rep, drove him out of the Underground... and somehow Silco stayed under the radar all this time? And now he's got killer monsters? Of course he'd be scared. Vander knows how intense Silco used to be, and knows how guilty he himself is. I think he believes all bets are off. Precisely because Silco never had a reputation as a weak man. 

I mean, consider! If Vander was mega violent under Silco's guidance... If they built the Lanes together... If Silco was the leader who helped Vander redirect his rage... Then Silco clearly didn't mind being extremely violent. He didn't mind unleashing "the Hound" on the people who stood in the way of Zaun. 

((I think Silco's "weak" narrative is a self soothing framing device. That he's recontextualising himself, making a philosophy of life. After all, he tries to use these same terms to speak to Jinx about her own trauma, while failing to grasp that while he was at his weakest, Powder was at her strongest. His personal motto of letting the weak die doesn't work for Jinx.))

It's very revealing that Vander says "Benzo stay back!" and Silco says "you never did know when to walk away." Like if he'd stayed back and then walked away, he'd have been fine. I fully agree that this tells us that Vander thinks Silco is only after him. That he wouldn't kill Benzo needlessly. Needless deaths were probably never Silco's style, as someone wanting to 'unite' the Underground. And after all, he's not even here to kill Vander, but to recruit him.

So, yeah... In conclusion (at last lol) 

Silco was never weak, simply too big a dreamer, someone who wouldn't surrender his lofty ideals for the reality of being one of the most powerful men in the Undercity. Ultimately he got in young Vander's way. Vander impulsively sacrificed Silco for his own desire to rule the Lanes. Then he turned around, shameful and regretful, and lied to everyone about it as he usurped Silco's place and became the Lanes' sole leader. 

(I personally theorised in several fics that the last Drop was actually Silco's, and that Vander took over it after the betrayal, partially explaining why Silco never leaves the place after his own takeover. Complicated feelings + it was his and fuck Vander lol)

I don't believe Benzo or Vander have any clue about Silco's plans, and simply react based on what they know and imagine (Benzo based on whatever Vander told him, and Vander based on how fucked he has to be and how insanely dedicated Silco must still be). I believe Vander has a lot of double agents in his midst (Sevika, Syd), and people who've been keeping tabs on him for years. 

Counter-argument : Marcus says he spoke to one of Vander's "old friends" and that he "wasn't always so peaceful". You could think this may have tipped Vander off... But how many people did he leave behind or crush when creating the Lanes? How many people hate him for leading the failed uprising? I think it's still plausible that Vander doesn't suspect Silco's involvement. 

Vander just lacks cunning. Another final argument for him being totally clueless is that he had a direct line to Grayson, and a quick, 'Hey, okay I'll tell you who stole your stuff' pointing fingers towards Silco would have entirely solved the situation for him.

Yet he never is shown to consider it. 

PHEW. I think that covers it?? I think I covered every point? At least that's how I interpret this situation, even though it relies heavily on my own fanon readings of the timeline and a lot of other details. 

If anyone disagrees with this, or wants to double down, as always go crazy. I love me a meta pile on. 

#arcane #arcane netflix #arcane meta #meta #silco #vander #vanco #zaundads #benzo #arcane silco #arcane vander #arcane benzo #arcane marcus #grayson #jinx #anon ask #meta ask #thanks for the ask anon

[animereviewsbykyranskye]

My current top 15 Anime and why

Because why the fuck not. I'm doing top 15 so that I have some variety behind it. Otherwise I would just be gushing non stop XD

Apparently numbers go big now - AND THEY GO SMALLER IF YOU TRY TO TYPE IN THE SAME LINE AS THEM???

comparison:

15

15 -

DA HECK????

(Edit: I was going to colour all the numbers because I wanted a rainbow. WHY THE FUCK FOR THEY CHANGE TO SMALL WHEN YOU COLOUR THEM??????)

Guess the titles of the anime get a small heading. Anyways. Onto the actual list!

15

Technoroid OVERMIND

Ayo. Starting out with a really random one. So if anyone were to look at my Anilist then they might be a bit confused. I decided I'd keep movies out of here as well as anything I haven't specifically finished. Also takt op. Destiny needs a re evaluation.

Anyways. This premise is so sick and I feel like they managed it really well. The characters were all really fun and the music was fantastic which is honestly the most important thing about Idol shows. I really like idol shows but often struggle with the stupid drama in them that just leads to seasons upon seasons that didn't need to happen or wouldn't actually happen.

In this they're just androids. The fantasy twist works so well for the genre and I honestly don't know why it isn't done more often. This way they can bullshit the drama and it actually makes sense.

Honestly my favourite character was Kite. He was great and his voice always gave me shivers. Especially his piece in the closing. Damn.

I don't want to go into full reviews with this, rather just gushing about things I like and stuff. I really don't think this got the recognition it deserves - probably because of it's deviation from the norm - but it would be cool to get some sort of sequel.

(Edit: There's a manga releasing apparently. Imma check that out.)

14

UniteUp!

Continuing on with the trend of idol animes apparently. UniteUp! was so good. As I mentioned in my Reviews while I watch of the show, it felt so grounded and real that other idol shows just don't seem to capture. These were all real people with real problems dealing with real life.

I also like how we had such a large cast of characters but it never really felt overwhelming as they focused on group dynamics and specific individuals rather than trying to cram every single person into their own arcs.

Once again the music was fantastic and by god was this show pretty gay. Honestly I don't know what the sentiments of others are, but the Anela duo definitely weren't straight and neither were Akira and Daiki. That bath scene says it all.

Anyways. If you want a fun time with a really solid idol anime, please check it out. I saw earlier that we're getting a season two soon. I am so looking forward to it.

13

Trigun Stampede

Damn! I don't even know what to really say about this one. The visuals are absolutely stunning - there is no doubt about that. The score and the characters are excellent. And how dare they leave us on that cliff hanger.

I have absolutely no history with this story and still need to watch and read the originally but I am really looking forward to seeing how the story adapts between the three.

You can ask my partner. I've already said we're watching everything trigun related as soon as we are done with our current show.

I'm really looking forward to season two. And especially seeing how this all pans out. Apparently there will be tears according to the fandom. Concern.

12

Re-main

Damn this show came out of nowhere for me. I watched it quite awhile ago and have been meaning to rewatch it again.

The premise is definitely a sports anime but honestly so different. All because of one thing. The fact that he is an amnesiac is such a fascinating concept to work with - especially with how he was before (trying not to spoil - can't remember when this comes up in the anime)

And then the ending?? Damn. They seriously set up that cliff hanger and I really hope this show gets a sequel.

I really can't say too much about it without giving away some spoilers but damn does it change up the formula and do it so fucking well.

11

Given

Given is great. Such a pure but heartbreaking portrayal of love on one side with such conflicting but also nurturing views on the other. Having the different realtionships throughout this is really well done how they all bounce off of each other. Especially when they entertwine it with the music.

As it is said. That is how they communicate - through the music.

I'm busy catching up with the manga and really hope the anime continues with it.

Also the fucking is just fucking gorgeous. It has no write to hit you that hard.

Also - something else that shouldn't be allowed to hit you that hard. Damn Mafuyu has had a difficult past. We love how he learns to heal and grow with Uenoyama at his side.

Anyways, moving on.

10

Bakuten!!

Okay. Who said a sports anime could be this pretty.

I love the art style and the music throughout all of this. I love the portayal and the evolution of these character - seriously all their arcs are great. The interactions of the team is so tangible and real.

I watch a lot of sports anime and I often struggle with some of the drama used within the sports - it feels like the only thing that ever fuels the story is the matches. Whereas in Bakuten - the character seriously fuel the story. You can understand their motivations much more than just - I want to play this sport and be the best!

I also feel like they really captured everything really well in the movie. The whole concept of wanting to sore is great and really well executed.

I also love the interactions they have with the other team. It's not just a once off competition or practice match that they face each other. We actually get tangible characters for the whole team and see how much they two teams are similar to one another. It's a very healthy rivalry that isn't normally this expanded on in sports anime.

9

Sasaki and Miyano

Yesssssss. These two are just absolutely amazing. Their whole story arc and relationship is just tooth rottingly sweet. They bounce off of each other so well.

And I love the fact of how slow the actual story is. They meet at the start of Miyanos first year (from what I know - I still need to read the novels) and sasaki's second and they only end up confessing just before graduation happens. It really plays out well and is so healthy.

There is no problematic elements like in so many BL stories which is such a breath of fresh air. And the fact that sasaki is very specific about making sure to maintain boundaries to ensure that miyano is comfortable is also excellent.

On a slightly different note - I still need to see the Hirano and Kagiura movie. Been dying to watch it. I've been keeping up to date with both manga and both of these stories are amazing. I love the dichotomy of the two stories and how they are coming to their own realisations of their feelings in honestly very different ways.

I also recently watched the dub of the anime due to some videos on tiktok. Fucking hell it is absolutely hilarious. Kellen Goff as Sasaki has no reason for being that good. Seriously. Damn.

8

Link Click

On a completely different note. Damn this one makes you questions your own morals and reality as you know it.

I really don't want to get into this one much as I do believe watching it blind is the best way to go.

The art style is fantastic and that opening hits like a truck it is so good. The characters just click (pun not intended) and you just understand their motivations and don't know which side to side with most of the time. It brings about such high moral dilemmas that will seriously mess with your brain sometimes and there is one episode that will likely make you cry.

Anyways. Season 2 has just started airing and I am so ready for it.

7

Buddy Daddies

Why did a show about two queer platonic dudes who adopt a child while beings assassins hit so damn hard.

The show jumps between episodes with backstory and episodes with them just being good dads and it is balanced so well. This anime won't end up getting a sequel most likely with how it ended but damn I wouldn't say no to one.

Rei is my favourite character and I relate to him far too much. His interactions with the world are so fascinating and his whole arc with Miri is honestly some of the best media I've seen.

I absolutely loved watching this show weekly and it always brightened up my day when I realised a new episode would be up.

If you would like further thoughts on this one then check the Reviews while I watch on it for more chaos.

6

No Game No Life

So. This was the first ever anime that I ever watched. It was a random recomendation from a friend. Look at where we are today.

This show is honestly just so fun. The characters are silly and the whole plot is just absolute chaos. I really enjoy the games aspect and how it was all incorporated into the world.

I can't even really say much about it. It is just a guilty pleasure of mine and will always hold a special place in my heart.

Also. Please can it just get a second season already.

5

Assassination Classroom

So. Unlike everything else on the list - this one I only finished really recently. My partner and I were watching it together. And to put it out there straight away. I cried. That ending was far too emotional.

I really enjoyed the humour throughout the whole thing as well as the constant underlying dread of the whole situation.

They also really played out Koro-senseis backstory really well. The teasing to it was excellent. I must say though that one of the twists seriously came out of left field. Like damn.

I've just recently bought the boxset and am reading through the manga. Once again. It's absolutely amazing.

Also the openings of them all jumping are absolutely fucking hilarious and you can't tell me otherwise.

If you want to know what officially sold me on the show was just in the first episode. (Note we watched in dub)

Don't ask me why but I found this to be the most hilarious thing ever. The absurdity and the line delivery was magnificent. I annoy my partner by quoting it atleast once a day.

4

Life Lessons with Uramichi Oniisan

Speaking of comedies. This show has no right to be this good. The absudist dead pan comedy in the middle of whats meant to be a TV show is such a random premise but just works so well.

Due to the nature of the show, the characters are extremely relateable. I especially love Kumatani and Kikaku.

If your on the same side of anime tiktok that I am then you have definitely seen/heard snippets of the dub.

I think this was the first anime that I originally watched in sub and then tried it in dub and actually enjoyed it. (I often find that whatever I originally watched it in is the only one I can watch it in - it's very difficult for me to change it)

The voice acting on both sides just works perfectly for the show. And that final episode and how they did it was the best thing ever.

Please just give it a try.

3

Angel Beats

Okay. Time for a hard hitter. This comedy like assassintaion classroom is fucking excellent but will make you cry, like damn.

In complete and utter contrast to No game no life, this was the second anime I had ever watched. I had found a video that gave some suggestions and thought I would give this one a try. When I say it destoryed me, I mean it literally. I constantly think about the end of this and I absolutely love revisiting it.

The twist and turns along the way are fascinating and I love how each one alters the characters and the narrative. Each of the characters feel unique - even the lesser developed side characters - with fascinating and complex backstories.

The whole thing just makes you question your own place in life.

2

Moriarty the Patriot

Another one I just randomly tried because I saw a video on tiktok. The first episode immediately pulled me in. I thought it was just going to be some simple detective story (At the time I didn't know much about Sherlock Holmes and who Moriaty was so I didn't have any of that to guide me into this story.) But nope.

I keep saying this but in this one I really mean it. The characters are built so well. The dichotomy between William and Sherlock - as the fandom would probably agree - is just amazing. How they bounce off of each other - i don't even know how to really descirbe it.

Honestly just go watch it.

And if you enjoyed the anime - please go check out the manga too. If the anime was done well - then the manga is done to lamost perfection.

This show was what got me into reading and then eventually buying manga. I now have every single one that is out.

1

Yuri!!! on ICE

Did I make the title gay? Yes.

Okayyyyy. This is just going to be me going on about how much I love this show. Bare with me.

So I was in an anime watching slump just before I picked up this show. I had been seeing some videos popping up talking about it and decided to give it a try (this was in 2020)

I immediately fell in love with this show. Literally everything about it. I ended up rewatching it three times over the course of a week. It got to a point where I was so upset that there wasn't more content for it that I just cried for half a day. (Ask my partner - it was chaos)

This show is the reason I now read fanfiction - all because I found a way to technically have more content for it.

This show holds such an important place in my heart that I sincerely cannot express it properly.

If you've never watched it - go give it a try. It would mean a lot - and hopefully one day we might get a season two.

----

Thanks for reading, if you managed to get to this point. I find it interesting how my explanations managed to slowly get shorter throughout the list as I just started becoming more emotional than factual.

I hope you enjoyed it and maybe grabbed a recommendation or two. If you'd like to know more or hear me ramble on more about anything in particular then please let me know.

#anime #review #kyranskye #reviews while i watch #technoroid overmind #uniteup! #trigun stampede #re-main #no game no life #given anime #bakuten #sasaki to miyano #hirano to kagiura #link click #life lessons with uramichi oniisan #buddy daddies #assassination classroom #angel beats #moriarty the patriot #yuukoku no moriarty #yuri on ice #yuri!!! on ice

[uta-makura]

The other day I was rewatching Chishiya's last scene at the hospital, and being the translation nerd that I am, I started focusing on the dialogue choices the Netflix subtitles took. I was a little baffled because some decisions felt a little out of place to me. Now, I only studied Japanese for about three or four years (which is very little when you've got an ideogram-built language in your hands), but I still felt like taking a look at the entire original dialogue. and boy was it interesting.

So I ended up writing an analysis on Chishiya and Niragi's last conversation, comparing the source text (in Japanese) and the Netflix subtitles' target text (in English). I watched using the subtitles without closed captions, so those are what I'm going to be referencing. I then ended up writing my own personal translation of their conversation. Please take note that I'm not an English native and that while fluent in English I might've lost some nuances.

If you're interested in some details of Chishiya's (and/or Niragi's) psychology that I believe got a little lost in the target text, bear with me and let's have a look at their conversation! In the first part I'm going write down both the source text and Netflix's target text (without cc), and in the second part I'm going to examine what those word choices mean and suggest my own personal translation when I feel it necessary. So - here we go!

韮木 / Niragi: 何か / Can I help you? (1)

苣屋 / Chishiya: あなたも心肺停止を体験されたらしいですね / Apparently, your heart stopped as well. (2)

韮木 / Niragi: よく知ってますね / How do you know that? (3)

苣屋 / Chishiya: 俺もだ / It happened to me too. (4)

韮木 / Niragi: 奇遇だな / What a coincidence. (5)

苣屋 / Chishiya: 死にかけたことで、何か変わりました? / Since you almost died, did anything change with you? (6)

韮木 / Niragi: どうかな。まあ、見た目が派手になったくれえだな。そっちは? / I don't know. Well, I guess I look flashier than before. What about you? (7)

苣屋 / Chishiya: 随分とダメな生き方をしてきたから、これからはもう少しマジな生き方ができそうな気がする。そんなところかな / Since I've wasted my life until now, I think I'll be able to live a more useful life from now on. That's about all. (8)

韮木 / Niragi: ろくでもねえ野郎だったのか、お前も / So you were a good-for-nothing jerk too, huh? (9)

苣屋 / Chishiya: まあね / Yeah. (10)

(1) [Lit. Something?] Here we see Niragi initiating a conversation with a stranger using directly the informal speech (known as ため口 tameguchi). It is very uncommon in japanese culture to approach an unknown person without using formal speech, thus this immediately frames his real-world character as someone who's direct and on the defensive. In my opinion, it is better translated with "Need something?", because I'd say it's a bit more aggressive and fits the character portrayal better.

(2) [Lit. Apparently, you happened to experience a cardiopulmonar arrest as well.] The first line coming from real-world Chishiya tells us two very important things about him. The first thing we notice is that he uses very technical, surgical words that definitely come from his medical knowledge: 心肺停止 shinpaiteishi is a complex word, not very much used in informal conversations. I believe that using a simple "your heart stopped" in the target text undermines Chishiya's portrayal as someone who's pretty knowledgeable about medical terms. So what I would do is write directly in the target text "cardiopulmonar arrest". The second thing we notice is the fact that, unlike Niragi, he approaches him using formal speech (known as 丁寧語 teineigo). This kind of talk is the most common and polite way to speak with an unknown person. He even uses the most respectful second-person pronoun, あなた anata, which comes out as quite detached as well.

(3) [Lit. You know that well?] Niragi's line is a direct response to Chishiya's display of medical knowledge. The most curious thing about this line, though, is the fact that Niragi appears to correct himself and use teineigo as well!This seems to be pretty unprecedented for his character, who's previously always been showed as aggressive and as direct as possible. Instead, here he falls in line with his interlocutor's formal speech use and acts polite as well. He's baffled by his vocabulary, sure, but he also replies in an equally respectful way.

(4) [Lit. Me, too.] It's funny, because what we see is a back-and-forth between tameguchi and teineigo: here Chishiya is the one using informal speech. Unfortunately European languages make this type of transition almost impossible to convey, but I think it is curious that after Niragi has adapted to the polite form common between strangers, Chishiya feels that no, perhaps informal speech is what feels more right. It's almost like he seems to acknowledge an unconscious feeling of already knowing that other person in some way.

(5) [Lit. What a fortuitous meeting.] Chishiya's switch seems to have made Niragi subtly more comfortable because he goes back to using tameguchi. Also, while I think "coincidence" is a pretty good translation, it fails to 100% convey the fact that 奇遇 kigū points at the coincidence of meeting someone. It's not simply "what a coincidence we both had a cardiac arrest"; its meaning is more along the lines of "what a coincidence that we both ended up sharing this hospital room". So once again the dialogue implicitly suggests that the two characters have some sort of connection.

(6) [Lit. Since you came close to death, did anything change?] The back-and-forth continues because Chishiya now returns to teineigo. He seems to keep the stranger at arm's length and to feel confused about whether he knows this person or not. Also, Chishiya doesn't ask whether anything changed with Niragi, because what he says is "did anything change at all?". His question is broad, referencing what could a personality trait, a new worldview, or something else entirely.

(7) [Lit. Who knows. Well, my appeareance has probably become more flamboyant. And you?] Some things to notice here as well. First of all, Niragi keeps using tameguchi; his speech pattern is pretty brash, considering the other person is officially a complete stranger who's settled on teineigo. He even uses そっち socchi as a second-person pronoun, which is not aggressive, but definitely feels colloquial. Another word choice I wanted to look at was the term 派手 hade. Now, this made me raise my eyebrows, because according to Weblio's Japanese-to-English dictionary, some of the meanings of this word are "flamboyant", "gay", "showy", "gaudy", "loud". Niragi is essentially comparing himself at the flashy way queer people are known to dress in (especially in Japan, where gay men in particular are still subject to stereotyping as funny and colorful people).

(8) [Lit. Since my way of living has been without purpose until now, I have a feeling that my way of living will be able to be a little more useful from now on. That's about it.] I'll give you three seconds to guess what Chishiya does in this line. Ready? 3, 2, 1... yes, of course he switches to tameguchi again. Once again his instinct must be telling he's got some sort of previous knowledge of this other person, and so he drops teineigo definitely. Moving on, a change that I think is important to apply to the target text is the translation of 気がする ki ga suru. It does not mean "I think" (which is a conscious action we make) and instead conveys the idea of "I have a feeling that", "I feel like" (which portrays a subconscious feeling we can't always explain). Borderland Chishiya had experiences that brought him to a conscious change of heart, but of course Real-life Chishiya doesn't know that, so what he references is a simple sensation he gets.

(9) [Lit. So you too were a worthless asshole.] Tameguchi remains the speech manner through which the conversation is carried. Niragi makes it even more personal because he uses the second-person pronoun お前 omae, which is specifically masculine in use and extremely forward, often used to directly confront the interlocutor. The word 野郎 yarō is one of the few Japanese strong insults and covers a variety of English epithets like "bastard", "son of a bitch", "asshole". Now the nuance may very but I think "jerk" is a little too mild for both the term used and Niragi's usual speech. We also see the use of the adjective ろくでもない rokudemonai, which can mean "good-for-nothing", but also "worthless", "insignificant", "up to no good", "without purpose". Once again, the nuance used here may vary.

(10) [Lit. Well.] Chishiya concludes their conversation with one of the colloquial expressions we see him using during the series, which is non-committal and generic. You could also translate it as "I suppose", "Yeah", "You could say so".

It was very interesting for me to observe how in the space of a few lines the two characters went from using polite speech and respectful pronouns to a way more informal and direct way of speaking, in just a matter of minutes. I also enjoyed seeing Chishiya's medical background making an appeareance in the source text, and his hesitance towards using an informal speech pattern with someone he doesn't remember meeting, but feels like knowing. I think there's a lot here that gets expressed in an implicit manner and in the source text only!

I definitely had a lot of fun writing this analysis, so since I'm kind of in an Alice in Borderland brainrot I may in the future consider observing the translation process of other (more important) scenes. But this was a fun approach to begin with. Thank you for reading if you've come this far!

#alice in borderland #imawa no kuni no arisu #chishiya shuntarou #niragi suguru #chishiya #niragi #alice in borderland meta #translation notes #linguistics #thinking that i may keep on this track and have a look at usagi and arisu's final scene #or i may look at kuina's flashback in the 1.07 episode because i'm interested at how the transgender subject is approached in japanese #or i may you know. get a life. study for my exams. you know the drill #今際の国のアリス

[m1ssunderstanding]

Get Back Rewatch 55 Years On: Day 13

Ah it’s “coordinate with the carpet” day.

John could probably say “2+2=3” and Paul would be like “Oh you're sooo right, John.”

Literally the ADHD antics (jumping over a chair because it’s there and you can and it would be funner than going around) are so relatable.

Ringo putting Zac’s picture up? I don’t know much about him as a dad. Does anyone know? I mean I know part of the reason he and Mo left india was because they missed their kids, and in late 66 when John was making HIWTW and Paul was working on TFW and George was off learning filthy eastern ways, Ringo stayed home and ‘enjoyed the baby’. Was he a really good dad?

John: I really liked how that lead singer was singing so soft and nice. Paul: like this, John? Like this? John? John, look at me, do you like this?

Literally why are you even there, Yoko. Like, genuinely, not for the bands sake or anything, but for your own sake, go find somewhere else to be! Something, something, one of the few ways to find success as a woman was to attach yourself to a man and she was hustling with the best feminist tools available okay, okay. Ugh, I just don't know if I could stomach it.

I heard John say “Rickie and the Red Streaks” and I was like, ummm, did you mean “Suzie and the Red Stripes”? But apparently it’s a real band. They were in the same Cavern show as the Beatles when they came back from Hamburg but never made it big. And Paul was purposely referencing them with Linda's pretend band because, as he said, he would have been happy to just have been them instead of the Beatles. 

“John, can you take a little bit of bass off your guitar?” The faces. Paul told him to take some bass off a minute ago, didn't he? Or he just knows how much John hates to be told that. Anyway it's the silent communication for me.

Paul: *stops his little wordless moan-singing for two seconds*. John: Everybody had a wet drea–SING, Paul! Paul: Ooohh yeah! He’s sooo happy I’m melting. Paul McCartney wants one thing in this life, and it’s for John Lennon to tell him to sing.

“He would’ve been president, you know.” John, bless your naive, lovely heart. 

Paul: shrieking. John: moves the microphone the way a mom takes the sharpie out of her toddler’s hand. 

“If you can get ‘em off Mimi’s wall.” I have a hard time with Mimi. Sometimes she’s adorable. Sometimes she’s horrible. I really can’t get a read. And maybe that was the problem. Maybe John couldn’t either. 

This moment. My little ND baby. Someone just hit your g spot, didn’t they? But to be fair, it is incredibly impressive. Billy has never heard the song before, and he just jumps in with the perfect fill? I love Billy. So talented, such a cutie, so cool, so kind. And look at him. Having such a good time.

The silent communication again here. “Are you hearing this?” “Yeah, baby, I’m hearing this.” Then, John vocalizes the decision. How many Beatles decisions were made like this? Thinking specifically of Brian's account of their decision for him to manage, but probably this happened constantly. 

Yoko reading “The Beatles Complete History”. I love that she’s like, “Everything John tells me is ‘Paul this, Paul that, wah, wah, wah’. I need to get some cold hard facts.” 

Billy’s piano actually is insanely sexy though.

John: *complains about his rock and roll finger* Paul, turning up the scouse: Come on, son, now try your hardest. John continues, soft, needy' Lookie, look at him. *holding up his finger* Paul, genuine: Ah, I know. I just love the different ways they take care of each other. 

Poor George, dissociating himself into another dimension as John’s crooning about Paul’s eating habits. Look. At. How. He’s. Looking. At. Him. You’d think Paul was in that moment creating the heavens and the earth. Nope. Just rocking back and forth like a catatonic, probably getting crumbs all in his greasy beard.

But seriously HOW is everyone in this room watching these two men, taking in to account all of their behaviors, scream "All I want is you!" at each other and not forcing them immediately into either fucking or therapy or both?!

Ringo’s holey pocket, my beloved. 

The guy with the RP accent and the suit coming up to John like the bad guy in every American children’s movie. “I’ve spoken to Mr. Klein.” Dun, dun, dun.

#paul mccartney #the beatles #john lennon #mclennon #ringo starr #george harrison #get back

[just-jae]

Eyo- So this is why I love OG Naruto

CW: Cursing.

Random projectile vomiting what I love about the first part of Naruto. Mostly from memory (so like, a decade+ ago) I decided to play the the Chunin Exams Arc while writing this to refresh my memory bc honestly, even though I dipped after tasting Shippuden and don't even care to aknowledge Boruto (even if it's good, i don't care) the fact that Part 1 is still so enjoyable shows how it's virtues were in that it actually executed, not just in what it promised. I'll probably be editing this as I rewatch-- like, apparently Choji and Neji also have arm wraps :,V

The theme around hard work. It wasn't a "Work hard to earn a comfy life/ those at the top deserve it" theme it was a "Go after what you love, be passionate, be persistent, build upon yourself to overcome obstacles," kind of hard-work theme. It encouraged chasing your passions and applying yourself to challenges. There was value in just doing that, even if you failed. The meaning and value in your life was tied to your own efforts and decisions, not your status or position in a heirarchy or social conscience.

Positive Father Figures: Forget that Naruto punches his dad in Shippuden. In the first episode, Iruka emotionally adopts Naruto after opening up to him and allowing himself to relate to Naruto as a fellow human being who was suffering and responding to that suffering in similar ways to himself. Before, he pretended not to understand Naruto for the sake of "evil demon kid" narratives and ignoring his own grief. Iruka scraggling Naruto's hair like a big bro/dad wasn't just a bonding moment; it was a found family moment. When Naruto hugs Iruka in the Forest of death, you can tell he adores that kid and is ready to sign the adoption papers.

One of Naruto's icon characters is Ichiraku, the ramen guy who basically serves as Naruto's Grandad. He fills this kid with soup ramen near-every damn day. He's probably why Naruto loves ramen so much.

The spooky, nature-y understones and setting: Giant dark forests, thematic, nature-inspired ninja techniques, the spooky music, the semi-traditional japanese instruments in the sound track (flutes, drums, lutes, etc.) It's got electric guitar too but the traditional texture of the music made it earthy and cultrally touching in the same way that Avatar: The last Air Bender's natural and spiritual eastern inspiration colored it's visual and audial aesthetic. The "HUH"s and "HUAH"' in the background music added so much bomastic, earthy energy, I LOVED hearing them. I'm telling you there's a healthy reason why I like screaming/yelling/hollering. I haven't articulated it yet, but Naruto's soundtrack scratch that itch well.

Horror: Naruto is one of the few anime I've seen with undertones of horror, without being a horror genre show especially for an action-oriented shonen inspired by feudal-age folklore hybrid with modern aesthetics like military vests and tvs. The realistic visual tone that Naruto leans toward compared to modern anime only helps this and makes how dark it gets believable when you consider how culturally and morally grey the base populations are. Sometimes the cultural vices are the main drive in a character's backstory, like Gaara, who's village was crumbling after betrayal and unreliable leadership reinforced the trust and connection issues that left him alone on a raft in hostile waters with the boogie man as his raftmate to where he couldn't even fathom caring for someone else. Bc of this, him being fucking insane, while Naruto wasn't made sense. It felt like the worlds they were in naturally led to the horrors.

Smarts and thoughtfulness being used to win battles. Earlier in the show, things weren't so flashy, not even elite ninjas were shown doing anything nearly as wild as what happens in the second and following parts. The limits of these abilities left room for the characters to use their heads to not only work around their limits but use them to their advantage to bamboozle and have some kind of chance even against physically stronger opponents.

The significance of jutsu also felt more thematic and narrative in nature. The First Hokage's super power was growing giant trees with his chakra.

Which not only suggests he created the very forest Konoha resides in, but also pointed to his approach to leadership, which was giving himself and his clan to stegnthen and lift everyone else up, not just through mixing blood with other clans but through building stregnth and resikience through connections and mutual care.

Much better than the brightest, fastest, most destructive energy bomb or powerup.

Look at the reaper death seal justsu and tell me that wasn't more terrifying than the tentails. Imagine how scared someone is using that jutsu. A demon ghost lady is gonna use your soul as a glove to grab someone else's soul, eat it, and then take you with her... him? It/they-- qhost.

Which leads me to another thing- vulnerability coupled with power. The imagery of the reaper death seal, reainforced a sense of vulnerability that is necessary for the power the user gains.

Gaara's insomnia and dangerously narrow buffer between him and Shukaku lead to him spazzing out in pain whenever something triggers an episode of whatever-the-fuck. Leaving him in a a state of disarray and uselessness.

He was supposed to be the nuke that destroyed Konoha but was too busy chasing after anyone who had a chance of beating him up. And then freaking out over hugs. His invulnerable body came with a trade off of a vulnerable and volitile psyche.

Even Zabuza only survived Kakashi because Haku incapacitated him with needles to his neck and then took care of him afterward.

The conversation between the 1st 2nd and 4th Hokage's was like. "Yo it's my bros!" "Hey bro. Sorry bro." "Bro i don't wanna fight you. But this is so cool. I miss you bro." "me too bro."

Now more character-specific stuff:

Rock Lee is my all-time favorite character. Not only is he the embodiment of part 1's major theme, but I just loved his design and voice acting (the green bodysuit could be awkward at times, but everything else is just pure "That's my son look at him go" vibes).

It's a simplistic, agile, adorable character. Pure serotonin. The way his hair flipped around when he fought was great, the (OMO) face, the scrawly, lanky body that moved a little too sharp bc he was legit always ready to explode-- just great. Rock Lee is so pasionate and just loves living. I got the sense that he isn't training just to prove ppl wrong. He loves the ninja arts, and learns to love taijutsu for its own sake not just for the sake of other's approval or besting someone in combat.

Kakashi Hatake was like the reassuring character. His calm and focused approach to conflicts and danger were a nice balance to everyone else's bamboozlement and dramatic/passionate personalities. Kakashi also comes off as a reality check sort of character. He's the one who makes team seven realize the mortality of ninjas via a monument echoing real-life monuments dedicated to fallen soldiers and victims of war/terrorism. You can tell that he cares about ninja as people despite his laid-back demeanor, and expects his team to understand the importance of respect for fellow ninja. His experiance with the inner workings of Konoha also make him more realistic and aware of the world's greyness. He knows how politically corrupt things are and wants his students to hold on to their morality instead of tossing it away to follow orders.

Zabuza- was not just eye candy-- okay Zabuza was 99% eye candy for me (looked a bit starved but-- damn Kishimoto knew what he was doing with that one)

Zabuza's situation of being emotionally dishonest with himself ties back to the whole vulberability associated with power thing. His cold world veiw ablut using and being used made it more obvious that he and Haku genuinely cared for eachother bc they acted in ways that didn't fit that narrative. This big, sharktoothed "Demon of the mist" having a soft spot that also had a soft spot for him was like 🥺

Tenten's affinity for weapon-weilding was legitimately cool and gave me mechanic vibes. They could have been so creative with that. But for now it's just sitting on its hands. I also just love her character design. She got those BUNS.

The Sand Siblings were my favorite team. They were scary as hell. Gaara was just danger personified. He was bloodthisty with a power that enabled it. Carrying around a gourd that reeked of blood-- like-- Garra was one of the horrors of the forest of death and the way he act and the way his siblings talk about him suggested he was chaotic and couldn't nessecarily be trust to keep to the plan. And I loved that he was this tiny scrawny thing with no eyebrows and eyeliner panda/racoon eyes. Some of his expressions were like- EXPRESSIONS dude.

He used have more expressions than 😐 and 😑. He was unintentionally adorable-- you can tell he was meant to look creepy and otherly but came out a little critter. His hair wasn't even meant to be red, that was an animation error. Like, a character even calls him a runt, Kiba's like "Oh no he's too small to be picking fights, run little dude" so he's canonically a little guy. Littler than normal.

Let me tell you, when I was scrubbing through the episodes (bc they spend so much time wasting time on nothing) my eyes would hook on a thumbnail of Gaara, and it'd be 2 seconds of him not reacting to something, and it'd be worth it everytime. Instant serotonin.

Seeing the smallest, most baby-faced member of the group, who looks even tinier with a giant gourd go:

Is just wild. At least for Naruto. And the fear in the other characters is just- a lot. He's not animated in a cuetsey way either. Like, he's not a loli character. He's a little eldritch horror. And I love that he's not infantilized or cutyfied by the creator for being tiny.

Kankuro was also pretty spooky. Not only did his technique look painful as a papercut, but his main puppet (Crow?) somehow managed to give off body-horror vibes.

They really milked it's spookyness by emphasizing the mechanical side of it (the clicking and the way it jerked) and its use of poisoned everything to make even the tiniest nicks a big deal.

Temari was the power house, aesthetically. Like, it's not even a girl-power thing. She just has shoulder-snapper posture. Her eyes , are this dark blue that I've rarely seen in a character design. She's got big sis vibes (bc she IS the big sis). Like, she's gorgeous.

And her explosive hair went well with her chaotic wind specialty. She just fucks the entire landscape up with the goddamned air dude.

The GODDAMNED AIR.

AND THEN LATER WITH THE FERRET-- LIKE DUDE.

Anyways...

Orochimaru as himself is a creep, at least later on-- mostly bc so much of his character is spent obsessing over a little boy's body- obv. this was meant to be creepy, but it's like, pedo creepy, not spider on the wall/ posessed doll creepy. His introduction as the Grass lady, and this slippery immoral scientist who wanted to catalyze a war was a great time He felt like a force of nature.

I dont have Grass Lady photos yet but this is the next best thing lmao. As the mysterious grass village lady, he was HORRIFIC. I really wish she and her team had been real characters instead of just a skin for Orochimaru to hide in. The way she's introduced is exactly the reason why ninja are traditionally thought of as practicing dark, evil arts. Bc they did dark, evil, spooky shit like pulling at their eyelids and being gross with their tongues. The organs and spooky singing in the background, the predator/prey theme, knowing about Naruto's seal when (at this point) so few others did. On top of that, ya'll gotta know that I'm a sucker for those conical sedge/ coolie hats. The fact that Grass LAdy had a long face and droopy eyes made it all the better. Like, how many other feminine characters have those features? All the character designs of the Grass Village team and the relation of grass to snakes and big hats was pretty neat imo.

Kiba Inuzuka honestly seems like he was inspired by Princess Monoke, which is pretty neat on its own, but i honestly don't feel like Kiba really fits into a ninja village. He's loud and bombastic and rarely uses clever or sneaky tricks. It's just brute strength and prey drive. Which isn't to say he shouldn't be in Naruto, but that maybe he could have been from a different village? Or just not necesarily a ninja. Idk. I love that he's this wild-child who's entire theme is dog.

If a dog were a dude.

If only they were good at drawing dogs though.

Hinata was one of those characters I didn't realize I identified with. A LOT. If Rock Lee is who I aspired to be, Hinata was who I actually was. Not just in demeanor (I too skalked around in a jacket no matter the weather) but also in circumstance. Struggling with comparing yourself to others, or others resenting you for the way you're treated (I was the baby of the family) or constantly dealing with people who think they're better or scold you for poor performance, being pushed into something you didn't even really care for. It was all very relatable, and I didn't even realize it at the time.

The fact that they were willing to give her those "ugly" veins left an impression on me too. Bc, that was her kickass look. It wasn't cute, and she didn't have a delicate, pretty style of fighting. Even though she got beat up she really threw hands in a way that felt realistic. Homegirl was just tryna get by despite being surrounded by assholes, and the moment she stood up to Neji, who was in the middle of phsychologically manipulating her into an anxiety attack (not a literal attack but same energy) was like 🥳. I can respect that. Even though she lost, it really felt like Neji learned there'll at least be trouble if he tries that shit again.

Shino was another favorite (I'm gonna end up going through every character at this rate). Especially with his english dub actor. For much the same reasons as Kakashi. Shino was reliable and cool headed. He didn't strut power or look to intimidate anyone, he just paid attention and tended to his bugs-- which, the fact that he cares for and works with a bunch of bugs is oddly endearing. It's like meeting a cat person who's just really good with cats but doesn't gush over them. He comes off as sensitive, but not obsessive.

His angry-neutral design is pretty neat too. Big Soundwave vibes.

Sakura's wake-up call is honestly pretty iconic. She was a bratty character who realized her flaws on her own instead of being told "Hey, be better you goof", She reflected on how she's been up until the moment when it was all on her and she was eating dirt. Sakura getting serious and learning to be proactive, now that she didn't have anyone as a crutch or a scapegoat, was a pretty awesome moment. And even though The show could have done more with her in that regard, I still appreciate that they went there. Watching Sakura with empathy (especially now that we as a society aren't starving for strong female characters like we used to be) makes me notice how realistic her nievety and dependance is. And also how funny she is at times. Even Ino realizing having that wakeup call like "Bro I'm being stupid, I can't let this girl die over a crush". It even feels like their feud isn't just about a crush but just social insecurity. Sakura used to be shy until she met Ino. Ino enouraged her to be proud up until attention started to be drawn away from her toward Sakura. This also suggested that Ino actually did look down on Sakura and was using her to feel better about herself. Sakura outgrowing Ino put her in a position of facing her own flaws or reframing Sakura as an enemy who didn't deserve to be loved.

And when the reason they were enemies (Sasuke) no longer justified being a dickhead (letting Sakura fucking die) Ino not only had to face her own inadequacy but allow herself to care for Sakura again, from a more genuine place.

I wish they had done more with that, but the fact that they did that in the first place was iconic. There's nothing like having to learn that the world you were raised in is not reality. Breaking out of a sheltered and shallow worlveiw is its own struggle. Its a learning curve, and it leaves you emotionally and socially unprepared when you thought you finally had everything figured out. Sometimes people hold on to bratty behavior bc they think their only other option is getting bullied and hating themselves. Sakura's snootiness comes off just makeshift confidence she learned from assholes. She didn't look down on Naruto bc she interacted with Naruto, she looked down on him bc that's what she's been taught to do about people like Naruto. The whole village was like that. Which is realistic. We just aren't told nearly as much of her perspective as other characters, but her learning how her words impact people, and how dishonest she is about her own competence is worth exploring.

The themes in Naruto were pretty nuanced-- even if the character's dialogue was exposition hell (they spend so much time verbally explaining things that dont need to be explained in such a longwinded manner), they were human condition themes, not just a power fantasy or a romance, or a black and white, good and evil conflict. Ninjas are already pretty shady, with Naruto being the most overtly good character in the show. Everyone else's morality (beside's Lee) is questionable at one point or another-- in fact I think even Lee was introduced as an intimidating upperclassmen. It feels true to life that regular people are actually pretty mean and flawed, which makes Naruto's themes hit harder bc you know it's not just one special character going through a special time, making friends with other 100% good people. Its life. Its people dealing with life. Like, these assholes love and hate eachother at the same time all the time. Some of Naruto's friends did some morally questionable shit. Like Shikamaru pretending to be asleep during the attack on Konoha. We still love the guy, but, get the fuck up dude.

Looking back, this just makes me realize that I've always had an interest in thematic/psychological horror and character realism. I can't stand gore/torture, but spooky grass women that infect you with curses, cursed puppets that spazz and split their faces open, and tiny murderous gremlins who nearly give people heart attacks just bc they thought he was gonna do something, being my favorite characters of Naruto is pretty telling.

Add the inky, Hidden Rain water Clones to the list too.

Iruka needs to get a pen. Reaper needs more soul spagetti and Naruto needs to give back SOME of Garra's personality. Just a little. Let him be a little bit of a little bitch.

#naruto part 1 #chunin exams #forest of death #garra #kankuro #Temari #sand siblings #sabaku no gaara #kakashi hatake #rock lee #orochimaru #Grass village lady #horror #hinata hyuga #kiba inuzuka #shino aburame #Zabuza

[futureheartswithbooks]

Lockwood & Co. and Food

So, another thing stuck out to me on my latest rewatch of Lockwood & Co. and that was the relationship to food in the show. Obviously, there is the quintessential cups of tea that always seem to be on everyone's mind, but the part that I thought was the most important was that it is George who cooks and he doesn't just cook 'British food'.

In episode 1, we first see that George is the head chef, and although Lockwood mentions cheese on toast, it is clear that it is George who usually decides what they eat. I will come back to the cheese on toast thing in a bit.

In episode 2, Lockwood specifically requests that George make ghormeh sabzi, a herb stew which is considered the national dish of Iran with over 5000 years of history in the region and states that he'd love George forever if he did this. This inclusion not only shows that Lockwood appreciates George's cooking but is more than happy to eat more traditional food that probably has a lot of significance to George. From my limited research it seems that ghormeh sabzi would have been a staple of George's home life prior to moving in with Lockwood, and I love how he is able to make something key to his culture. In most other shows I have seen, poc characters who cook often don't get to cook food important to their culture or background and I love how the show allows him to not just be confined to more typically British cooking.

In episode 5, Flo compliments George on his shirini morabaii which is a Persian pistachio and apricot jam biscuit. She doesn't even know George and yet instead of seeing his food as something strange or foreign, which a lot of characters in other shows or other media or real life might because its not considered the norm or typically British, she tells him she enjoyed it and she is eating them in front of him, embracing his culture. I think this inclusion is such a beautiful thing, not only for their own arc, but because so often in British culture, we seem to shoot down or disregard other cultures ideals, foods and history as strange and it is so rare to see them be uplifted. It's so simple, just not treating what George makes as anything other than something to be enjoyed and yet so often for some people this is apparently so difficult.

Honestly, all the dishes he makes, including his speciality noon khamei, a Persian pastry dish which translates to whipped cream bread (from what I've read), sound so delicious and most of the time we wouldn't hear about them on mainstream media. I think by giving George this role and not trying to white-wash his cooking adds so much to his character because I can see him and his parents and brothers making this food together and how cooking it while at Portland Row would make him feel at home and remind him of his childhood. This is reinforced by the other characters who gladly eat anything he makes (and who can blame him) and never make him feel bad for cooking food from his own culture.

As much as I think this is great inclusion, I hate that it stuck out so much to me because we don't see this often enough. Other cultures deserve to be celebrated and I am so glad that Lockwood & Co went into this because it not only adds to George's background but normalises it and I think that was wonderful.

Now, as for the cheese on toast, I have a headcanon that George and Lockwood can both make really good cheese on toast (it is most likely the only thing Lockwood can cook well judging by Flo's reaction about Lockwood expanding his repertoire). They once had a cook off concerning it with Lucy as the judge and she chose George's, which didn't have mustard in it (because that's a common ingredient in cheese on toast but not essential) which led to the whole 'mustard is the fools condiment' on the thinking cloth.

#lockwood and co #george karim #can we please just appreciate how wonderful george karim is #anthony lockwood #lucy carlyle #lockwood and co netflix

[fsfghgee]

I rewatched Mythologies yesterday and honestly I still don't get why till these days so many people claim that Bi-Han was a good guy because of this game when

he literally said to Raiden that he would retrieve the amulet just because he had no choice, he didn't do for altruism and his soul was indeed tainted with evil (Raiden confirmed what Quan Chi said). Also, he never saved Sareena, he just show mercy because she begged for help when he was about to kill her and apparently she didn't really wanna kill him (she's kinda like her sister, fascinated with earthrealm, just way weaker), so yes, he was never a "good boy". And the new Bi-Han will pretty much do the same (join Liu Kang to save earthrealm because he has no choice, he will die with all the realm and die as "noob" if he doesn't help), he will help for his own protection (and his clan, of course), he never really cared about anybody or anything else (except his brother, his clan... And if you take mk comic books into consideration, he had a soft spot for Hydro). Mk1 Bi-Han is just Bi-Han with bigger responsibilities and power in the clan, he is not just the leader of his fellows, but the Grandmaster of them, It's just natural that he would be more ambitious than his old version (the first human Bi-Han wanted money to retire from his dangerous life and protect his brother better. The new Bi-Han wants more power and a army to protect his clan, 'cause if Lin Kuei rule earthrealm, they won't have to die defending it and they will get respect when have to do it).

I rewatched, because I was tired of people claiming that he was good because of Mythologies and Nrs ruined him in Mk1, but I didn't even remember this game, so I had to rewatch it. And I still believe he has always been neutral/morally gray, not good or purely evil.

#lin kuei #bi han #mortal kombat #mk1 #subzero mk1 #bihan subzero #mortal kombat 1 #kuai liang scorpion #scorpion mk1 #mk tomas vrbada #smoke mk #smoke mk1 #mk1 spoilers #mk1 leaks #mk leaks #mk spoilers #sareena #noob saibot #Youtube #liu kang #rainden mk #sub zero mythologies