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#there’s an interview somewhere
roykentschesthair · 4 months
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TW: discussion of suic*de/depression
Roy Kent being a very high functioning perpetually depressed man is so fucking important to me. Like…so much of Ted Lasso is based on mental health and showing a high functioning depressed character (even if that’s unintentional) is so important for those types of conversations.
Like Roy is probably in the middle of a disassociation/suicidal ideation episode for 75% of seasons two and three and yet is for the most part functioning and showing up at his job and for his friends and it’s such great representation for a persistent depression.
Anyway I just love him and love how well Brett understands him.
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egophiliac · 2 months
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bring back zooterkins, the best 17th-century swear word
I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.
(I'm sorry)
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torsamors · 10 months
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Patrick and Pete throughout the years
"I remember looking at Pete and Patrick and telling Pete, “You're the luckiest guy in the world because you found this guy." Patrick laughed. Then I turned to Patrick and said the same thing to him. They fit together so perfectly. Pete listens to electronic music and pop. He DJs. Patrick likes old soul and classic R&B. The fact that Patrick found this guy with this vision; Pete had everything for the band laid out in his mind. And the fact that Pete found a guy who can sing like that and take his lyrics and work with them - which is an art unto itself. It's really the combination of those two that really creates the sound and the songs. They're just really lucky they found each other."
- Bob McLynn
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buckttommy · 2 months
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So... Now my question is, if Oliver was planning on going rogue and playing Buck as queer regardless of the show's direction—and, mind you, this would have been all him, so Tommy wasn't even a factor—how..... the hell....... did he plan on doing that............unless......he was planning to.......... deliberately play Buck...............as being in love with Eddie.......... ummmm....
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f1madrid · 3 months
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education is important, but big biceps are importanter or whatever they say.
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thecruel · 4 months
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absolutely no way
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luminarai · 2 days
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I am genuinely so glad that the iwtv writers decided to age up not just Claudia, but the entire main vamp cast. Aging up Lestat, Louis and Armand to their late twenties to early thirties gives them more depth and dimension, both generally (in my experience, you experience, grow and develop so much in your twenties, even if it’s not necessarily as visible as the growth in your teens) and specifically for the individual characters (I have so many bullet points of thoughts in my notes app, I’m not even kidding).
Also, can you imagine how fucking insufferable Lestat would be about it if he had been turned before his singing voice had reached vocal maturity? He’d need an entire 600 page book to bitch about that exclusively
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puppyeared · 5 hours
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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The way Armand, a boy from a brothel, escapes from management positions over and over again to eventually fall in love with Louis the pimp, and even pretend to be his servant for a while...
Yeah, of course, tear my heart to pieces, why not?
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jarchaeology · 4 months
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What car does Jensen drive irl
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reireichu · 3 months
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imagine being armand and watching the love of your life forget who you are and what you were to each other. imagine seeing how familiarity and love fades from daniel’s eyes and only disregard and dismissal can be seen. you watch him turn a year older from afar, you see the women he dates and the men he fucks and you judge them all as unworthy but they get to touch him and love him and have him while you stand out in the cold, while you just watch from afar.
he has a daughter. he gets those lines on his face, lines that will never crease your skin, he gets grey hair and he gets aches in his bones. you look at photos of him in papers, next to the stories he writes and in the author’s bio of the books of his you buy. you save each piece in your heart and in a drawer, even though you are nothing to each other.
he has another daughter. he has ex wives. he has a life and you are not in it. you are nothing to him. you watch and you watch and you watch as he self destructs without you there to enable it, and you should feel some satisfaction that he cannot pin the blame on you this time, you did this to yourself daniel, but he’s still your boy and you just want him to look at you with some sense of familiarity, like you aren’t some beautiful fucking stranger he doesn’t give a fuck about.
you meet his daughter, the younger one. she has an edge to her that daniel had, a mistrust that comes from daddy issues and she has daniel’s eyes and she looks at you like she wants to know you, she looks at you like you’re something interesting and beautiful, and for a moment you see daniel daniel daniel—
and you hate her. you need her. you want to drink her dry because you miss him.
she asks you what’s your name and you tell her it’s andrei or you tell her it’s andy or you tell her it’s arnold because she cannot know who you are and she doesn’t want you, she wants something exciting, she wants to self destruct the same way daniel did, she wants to feel something because everything else hurts, because she wants to be wanted, it takes your breath away.
you understand it so well, you see familiarity in her pain and her eyes, you see daniel, you see only daniel and you hate her, you want her, you miss him, you love him, you need him—
you’re hungry for him, you are strung out on decades of neglect and you’re starving, you’re desperate and you hate him you love him you need him, you drink from her you drink from her you drink from her
you miss him so much that a shadow of daniel is the closest you get, and you understand what daniel must have felt like, just looking to score and you hate him (no, you love him).
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tikhagurur · 1 month
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the “i’d like to see helaena rule” to “i probably not want to take helaena home to my parents” pipelineֶָ֢
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divineandmajesticinone · 11 months
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"I love you," Daniel said. "Are you certain?" Armand answered.
"THE STORY OF DANIEL THE DEVIL'S MINION, OR THE BOY FROM INTERVIEW WITH THE VAMPIRE"
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9116 · 7 months
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MEEEEEEE
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Lord of the Lost being absolute kings and staying true to their word 🏳️‍🌈
"Yes, I am thankful for living in a country that – other than many other countries in this world – is able to socially catch me and others. With heavy limitations of course, we could now talk in lengths about our health care system or Hartz 4 [German unemployment benefits] for example. I am not someone who will step forward and say 'Fuck the system!', because I know that without this system many here would be lost, me very likely included. At the same time, you won't see me going to ESC with a German flag, swollen with pride. And I would also refuse to run around with a German flag there if anyone were to demand me to do so. I rather hold and will vindicate the mindset that, of course, we will inevitably compete for Germany, because we are from Germany, and the concept of the ESC is to have countries vote for other countries, and somewhere you have to draw lines at such a competition. But these lines, these borders, are man-made, which is why I say that I rather want to compete for those people that are into this kind of music and who were missing – broadly speaking – alternative music at the ESC. That is how I feel about it."
- Chris Harms
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@kajaono @magoriasocrah
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spawksstuff · 10 days
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De on Merv Griffin Star Trek II Promotion
Transcript below.
Merv: Well you saw DeForest in this last scene that we saw appear uh not the docking the- what do you call it? The?
Leonard: I’m not going to help you.
Merv: Whatever they do with the ship in space to get it going.
Leonard: We’re taking it out of space dock.
Merv: Taking it out of space-that’s what you call it?
Leonard: Yes.
Merv: They were taking it out of the space-I thought there were technical words.
Leonard: Space dock is Bones McCoy.
Merv: Going to de-dock. De-dock the spaceship Yeah, yeah.
William: (unintelligible)
Merv: Well this is the young fella who portrays the outspoken ship’s surgeon Doctor Leonard Bones McCoy. Would you please greet DeForest Kelley.
DeForest: First off-
(unintelligible)
DeForest: Yeah. I want to tell you that I have nothing coming out other than Star Trek II except a 75-year-old turtle which just came out of hibernation.
William: Oh my word.
Merv: You wanna talk about it DeForest?
DeForest: Well her name is Myrtle
Merv: Myrtle the Turtle?
DeForest: Myrtle the Turtle which is a very original name of course.
Leonard: He or she?
DeForest: Myrtle’s a she. I gave you remember?
Leonard: Yes I remember.
Merv: And how do you know she’s 75? Where’d you peak around?
DeForest: Well a friend of ours gave us the turtle which was shown to a vet and the vet arrived at the age.
William: The rings around the shell.
DeForest: The rings around the shell and we’ve had the turtle 10 years and we felt it would be a good thing to have something in the house older than both of us.
Merv: Was the house in an uproar when she came out of hibernation?
DeForest: Just a terrible uproar. It upsets us each spring, it’s a terrible feeling-but I’m glad she’s out. But I must tell you something before I forget about it. I’m so scared, I never do talk shows you know.
Merv: Well we’re delighted you’re here
DeForest: I’m absolutely a wreck I must tell you
William: You don’t like a wreck Leonard-DeForest
Leonard: You look alright.
Merv: You look very relaxed and comfortable.
DeForest: Thank you.
Leonard: You’re handling it beautifully De.
DeForest: That’s what you always tell me.
Merv: You’ve not always been a good guy on film.
DeForest: No, no I haven’t.
Merv: You had your years of being the bad guy.
DeForest: Yes indeed. Yes, a great number of them.
Merv: Which is preferred DeForest?
DeForest: I don’t know. I spent about 10 years trying to get out of the heavy department. There were a group of us running around at the time, James Coburn, and a guy named Jack Elam, with the crazy eye, and there were about 5 of us that were running from show to show. And I got into this thing, I like them because they really are the most interesting roles I find actually.
Merv: More guts to ’em.
DeForest: But then like everything else, I wanted to get out of it. And I had just- I was finding my way out of it, slowly. I had done a film called “Raintree County” in which I got away-he was still a heavy, I kill Lee Marvin in the show.
Merv: That very seldom almost ever happens.
DeForest: But he was a good guy as far as I was concerned. I only kill one guy. But then Eddie Dmytryk put me in a role at Paramount called “Where Love Has Gone” and that was not a heavy. Then I went into Star Trek after that and I got into the Doctor McCoy thing.
Merv: And you’ve just been a lovely person ever since.
DeForest: Yes, I’ve just been darling.
Merv: What’s your most vicious moment on the screen do you feel DeForest?
Leonard: Insulting me.
DeForest: Yes, this is right here.
Leonard: All the time.
DeForest: My situation right here.
Leonard: This is terrible what I have to put up with him.
DeForest: I must tell you about some friends of yours that I do not know personally but on Star Trek one, I went to Australia and New Zealand to do some promo stuff for the film and on the way back I stopped in Hawaii for rest and relaxation. And while there, I was staying at the Kahala Hilton, if you’re familiar with it-
Merv: Very
DeForest: The units that are in the back of the hotel that lead right out to the beach the apartments-
Merv: Oh yeah right out on the-
DeForest: Yes.
Merv: Everyone always fights for those.
DeForest:  And all we did was sleep we were so you know with the jetlag and the whole thing so I had been down to the pool a couple of times and found that it wasn’t too- hi Bob how are you? That it wasn’t-that’s Bob Sallin
Merv: We know.  
DeForest: Yeah we saw him. You put the camera on him, handsome. We had, Carolyn had not been out of the unit hardly at all and I had wondered out. I went to the swimming pool and I found the usual thing, signing autographs and that sort of thing. And I thought well that’s no fun so, but I did see this beautiful coral reef running out to sea and I said, “Carolyn” I said “before we go back to California” I said “you gotta come out, at least walk out on this coral reef”. So we walked down these steps and there was the grass and then the beach. And as we got to the foot of the stairs this applause, tremendous applause, these people on the beach, started to applaud and I thought “My God it can’t” you know this is impossible.
Merv: Well your best performances-
DeForest: Carolyn said “just ignore it and keep walking”. I said “I can’t do that.” They just kept applauding and kept applauding. I said “I can’t do that” I said “I must go and speak to them, at least say hello.” So I walk out there, and here was Don Rickles and his wife.
Merv: Probably coming out of the coral.
DeForest: That’s right, out of the coral. Steve and Eydie.
Merv: Oh the whole gang.
DeForest: And Bob Newhart and his wife. I had never met them before. Come to find out they’re the biggest Trekkies in the world. They had seen the film the night before and they were thrilled with it. The only thing was they Eydie said that she was very unhappy about the theme, the music, and she missed the Star Trek theme. But I had to tell you that because I’ve seen them on your show so many times.
Merv: Oh I know. And I have also been there at the same time they have been at the Kahala.
DeForest: They go there every Christmas.
Merv: And the only fortunate one who is ever there is that dolphin who can swim underwater and get away from Don Rickles. Let’s show another-I can’t wait. I figure if I show enough of these clips I won’t have to pay to see the movie.
DeForest: We haven’t seen it.
Merv: Oh, well this is where Khan, or “Can” as the case may be. Richardo “Mat-ol-ban” Montalban has killed almost everybody but Captain Kirk. (Note: earlier Shatner was being interview alone, and at one point he pronounced "Wrath" as "Wroth" so Merv and Leonard had been teasing him about his pronunciation .)
DeForest: I see.
Merv: Oh you haven’t seen it?
DeForest: No I haven’t seen it.
Merv: Is there a doctor in the house?
DeForest: But I see what you’re talking about. Yes, you’ve got it here.
Merv: Another scene from Star Trek II. Watch.
When they come back from the clip William talks about Ricardo and then they go to a commercial so I ended it here. The interview continues with Bibi Besch coming out, but I have not been able to find that portion of it.
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