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dcarevu · 5 years

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DCAU #14: I’ve Got Batman In My Basement

“Say, Batman, you wouldn’t be single, would you?”

… Let’s just do this.

Villain: The Penguin Robin: No Writer(s): Sam Graham, Chris Hubbell Director: Frank Paur Animator: Dong Yang Airdate: September 30, 1992 Grade: F

So my original plan for this episode was to write a really sarcastic review where I would jokingly praise every aspect of the episode and write it up to be some kind of masterpiece. I was even going to give it an A++++++ grade, but then slip in the real grade at the end (and as a reminder, I’m not a professional, skilled, or trained critic. The grades simply mark my general enjoyment of an episode for those who are into that type of thing). Well, I tried a few times to write the damn thing, and I just couldn’t do it. Truth be told, it’s even difficult to jokingly praise this episode because it’s not like it’s entertainingly bad, minus one scene where we see Batman using a screwdriver as a weapon (ugh, puh-lease). It’s just kinda dry and unentertaining to watch, so it does not make for any kind of decent comedy. Instead, let me start with a little story.

Back before I owned this series on DVD (and hopefully Blu Ray soon), I would watch it everyday on The Hub network. This is how I got back into the series after a long time of sort of forgetting about it (Nostalgia Critic helped re-spark my interest as well). I got exposed to many wonderful episodes this way, such as Sideshow, You Scratch My Back, and Vendetta. I was starting to figure that this show could do no wrong, and so when my dad sat down once when an episode was just starting, I got pretty excited! I was happy that my dad would get to see what great cartoon possibilities could be produced out of a superhero that he mostly remembered from the Adam West TV show (I would argue that this show is great too, but in a very different way). Well, guess what episode came on that way. No, seriously, I want you to just take a guess. Ayup. Now this is before I had ever seen or heard of I’ve Got Batman In My Basement. And with a promising title and title card (although Char thought that the title sounded a little bit creepy, and not in a good way…I will admit, I do get some BDSM vibes), I wasn’t worried. And then the episode started. Wow! Then Penguin! Hadn’t seen him in an episode yet! But I did have his action figure (from the show), and I had heard that Birds Of a Feather was absolutely fantastic. I wish I could even say that there was more buildup before the unfortunate letdown, but really, this episode doesn’t even start out good, particularly if you don’t have any expectations about the Penguin. Hell, if you’re an outsider, I wouldn’t say that the Penguin looks particularly exciting in the slightest. Yeah, he’s got those flipper-fingers, but paired with the sloppy animation of this one, I’m pretty sure Char thought that it was an animation error or something at first. And by the time we get to the two main characters of the episode which are a couple of children, and especially when Batman gets knocked out, I started to realize that not every episode of Batman The Animated Series was perfect. In fact, I knew then that there was at least one that I never wanted to watch again. And this was the one episode my dad happened to see! I almost wanted to change the channel, but I was holding onto a little bit of hope that things would improve. Even if it wasn’t until the end. But, well, you saw the rating. Now, I’ve since seen this episode twice more, via my own decision, merely for the sake of watching the entire series. I’m assuming that if I ever watch through again, I’ll skip this one, but for right now, this is business, and I’ve gotta get the word out about this episode, even though I’m apparently far from the first. Don’t watch it, man. It’ll break your spirit faster than the ground will break an egg from 5 feet up. Oh. And to make things even better, my dad caught another episode a little while later. It was The Forgotten. Yeah. I’ll leave it at that.

So one of the things that I see constantly complained about is that this episode is supposedly pandering to kids, and overall taking a show that was evolving to become more adult and wonderful for all ages to watch, turning it into a typical Saturday morning cartoon. And yeah, I won’t necessarily disagree with this all the way. It certainly does feel like a more typical Saturday morning cartoon. But let’s not throw Saturday morning cartoons under the bus here. By this point, we did have some established quality in cartoon-land. Ren & Stimpy, The Real Ghostbusters, Ducktales, and Tiny Toon Adventures had each been airing prior. Yeah, the episode does focus more on being aimed for kids, but this isn’t inherently bad, and only explains the problems on a very base level. There’s a difference between being aimed at kids yet still being god damn awesome, and talking down to your audience so that the only ones able to enjoy it are kids who a lot of the time will watch anything that moves. This episode seems kiddish because of two main factors; as stated it talks down to the audience, and the two main characters are children (and I swear, they look like they could be Velma Dinkley’s kids). I guess to add a bonus reason, it simply was not approached with love. The team behind the show has basically come out and said that the writers and storyboarders of this one didn't care, and Frank Paur, the reluctant director, tried to shape it up a little bit, but when you have deadlines, there is only so much that you can do. Keep in mind, we are less than 20 episodes into the series. Not everyone they were hiring was necessarily going to be on the same page. When this episode was started, it’s very possible that not a single episode had even been aired yet. After the show was watchable, that’s probably where new writers (and old ones) could watch other people’s work and determine what would work in this newly created DC Animated Universe. I’m a little interested in what Sam Graham and Chris Hubbell could have done with more knowledge of what was expected, but hell, for all I know, Bruce Timm could’ve gone over the series bible 234 times over to them. Lazy work is lazy work. Hard to redeem that because, well, often times the person is too god damn lazy! This is all just some speculation based on things that I know about the show, but ultimately I don’t even care that much. Only watch this one if you’re a completionist like I am.

Now, if held at gunpoint (and maybe I am, given that I really wanna move on to Heart Of Ice instead of finishing up this post) and made to find some positives, I would first tell you that the screwdriver fight is so stupid that it has to be seen. I’d rather just search that scene up on youtube or fast-forward to it, but hey, I didn’t say these were positives that turned that F into an A, did I? Ha ha haaaaa, I don’t think so. But the fact that Batman would wage a tink-tink battle with the Penguin in such a way, oh my god. it’s baffling. This is straight-up Adam West territory, guys. But y’know, I’m probably talking this scene up to much. I always say that it’s ridiculous, that it’s hilarious, that it’s so awe-inspiringly bad, but then I watch it, and it's never quite as entertaining as I remember. Not quite. Maybe being one of the only action sequences (and the only memorable action sequence) causes this effect on me or something? I don’t know. I feel like as goofy as this is, it’s soooo much funnier on paper when it’s purposely comedic. And alright….another positive quality before Sam and Chris push that big red button… Well, Roberta was actually pretty likeable, surprisingly. She was Char and I’s favorite character from the episode, believe it or not. Weird how even though episodes about kids don’t often end up stellar, they can still create a big strong kid character. It’s a case of personalities vs scenarios. Being delicate when it came to children-related plots was maybe a requirement? Then again, Robin’s Reckoning, guys. Robin’s Reckoning. And lastly, uhh, there were a couple of lines that made me chuckle a little bit, and in a way where the line was meant to be funny. Batman’s “Ma’am” at the end was perfectly in character, and Sherman’s response was great. Penguin gets a few good lines as well, despite such a lackluster debut. This episode went ahead to turn Char completely off to the Penguin, which is reluctantly expected, but hopefully after a nice long break from the character, a future episode can turn her around on him. We shall see. This debut is pretty hard to shake.

It embarrassed me a little bit when I first watched it, and it made Char want to vomit. Now that is some quality…Sherman. (Kill me)

Char’s grade: F

Next time: Heart Of Ice Full episode list here!

#batman tas #batman the animated series #i've got batman in my basement #dc animated universe #dcau #the penguin #penguin #batman

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orionsangel86 · 7 years

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12x11 Episode Review - What a Ride That Was!

Having just completed my second watch of this episode I have to say I am slightly stunned. I guess the best way to put it is ‘not what I expected’. But then what did I really expect? I was expecting pain, heartbreak, drama, interspersed with some humour and a big “no homo” scene to counteract last episode. I was expecting some dudebro Dean to appease certain types of viewer, along with a nice helping of deep subtext into Dean analysis for us to eat up that would go straight over that type of viewers head. I was certainly not expecting… Larry.

I haven’t looked at tumblr yet, except to glance at my askbox. I assume that you are all suitably going mad over Larry. Over the implications of Larry. Over the sheer insanity of the episodes biggest innuendo fuelled moments and probably laughing about it. I expect a hundred gifsets. I want to reblog those gifsets. I am also sure that Larry has already been meta’d to death… But what’s the harm in a little more meta to add to the massive pile gonna do? Because I wanna meta the FUCK out of Larry.

But there is a lot more to this episode than just Larry. We did get heartbreak. We did get drama and we did get some really nice character moments. Rowena particularly was amazing this episode (who am I kidding though she is always amazing) and I loved learning more about her thoughts. Overall I think it was entertaining, though not one of the best episodes, but that could be because the writing was a bit sloppy and sometimes the story didn’t make sense. I’ll get to why in a bit. Let’s just say that Meredith Glynn isn’t my favourite of the new writers by any means. I didn’t even review The One You’ve Been Waiting For because I didn’t feel particularly inspired by it at all.

But having said that she gave us Larry, and for that I will forever be thankful… even if she didn’t intend for us to take it the way I have (and I am guessing most of you reading this have too).

Anyway, main points to take away under the cut:

Regarding Dean

Obviously the main point of the episode was to delve a little further into Dean’s head and explore a very unconventional and unexpected fear. The fear of losing ones memory is actually horrifying. It is even more horrifying because this is something that the majority of us will have had at least some experience being first hand witnesses to. I am of course talking about dementia and Alzheimer’s disease. My grandmother had it, and in the later days when she didn’t even know who we were it was completely heart breaking. The fact that this is something that many of us fear as we get older is something that certainly wouldn’t be lost on the creators of this show, and with many many references in the later seasons to Dean’s getting older (including one in this episode) it is quite a fitting topic to explore. What if he doesn’t go out with a ‘bang’ the Hunter way? What if they do both end up in the Lebanon retirement home where Mildred currently hangs out enjoying sunsets? What if Alzheimer’s becomes an actual legitimate fear for them? This is most definitely the episode that Jensen talked about at a recent con that explores a very big fear. Because this fear is huge and very prevalent in society. It also makes me think of the film The Notebook and how that story deals with a loved one having to watch the person they care about most in the world forget all about them. (FYI I have never been able to sit all the way through that film without crying even though I usually despise sappy love stories).

Dean’s whole existence in this show revolves around his love for his family. The found family that he keeps close by that is. Sam and Cas and now Mary are his world, losing that would utterly destroy Dean. It is why that scene in front of the mirror is so so heartbreaking to watch. Next to Larry, it is the most memorable moment. Though I do think that the deeper themes and meanings to this particular MOTW story were a bit lost in all of the lighter humour. Hence why I said I wasn’t a huge fan of the writing. It could have gone deeper, it didn’t quite reach the impact that Yellow Fever had even though it tried very hard to pay homage to it.

Starting at the beginning then, Dean wakes up after being wammied by some mysterious witchy guy with a bunny rabbit by his side. I don’t get the point of the rabbit at all. I’ll be honest. It was completely non relevant to the plot. I thought at first that maybe the witch had turned himself into a rabbit but it was literally there for us to all “aww” over. For that reason though, have a pic:

Awwwwwwwwwwwww so CUTE!

It was interesting that this scene came so shortly after the “then” sequence which included a young and much less gruff voiced Dean saying ““Why does a rabbit always get screwed in the deal? Poor little guy”. Have we had many other rabbit references in this show? I don’t think so… except maybe Bugs Bunny in Hunteri Heroici which immediately brings Cas to mind “So we are dealing with some insect-rabbit hybrid?” Though this episode does also feature a character happily watching cartoons so maybe the connection there is totally valid. Rabbits are also a symbol of fertility, spring, new birth and most obviously sex. In an episode absolutely chocablock with innuendo. That is also an interesting point. Though I have no idea how to connect it to anything else so I am just throwing all this stuff out there for you guys to pick at. By all means tell me if you have any ideas!

Dean losing his means of communication means reaching out to people in other ways… A lady with a pram comes by and rejects him as a bum. Gives him money instead of even trying to listen. A guy comes along with a dog (our famous white dog whose name I can’t remember) and gives Dean his attention… before doing some stretches, jogging on the spot and wiggling his hips. (I found this guys movement kinda um… suggestive when considered in the context of the rest of this fucking episode). Without going into too much detail here, I just thought I’d point out that Dean is rejected by the woman and child (traditional family) but accepted by the guy with the dog. Because of course he fucking is.

The waffle house brings us our first promo scene, but knowing the context now makes it so much clearer. I was guilty of making assumptions. Just like Sam does. Thinking that Dean went out, got drunk, had a one night stand… he did no such thing. The promo mislead us and I think it did so deliberately. It is getting clearer and clearer all the time that that version of Dean that Rowena so kindly spells out later in the episode “manners of a Neanderthal and the dining habits of a toddler” the “season 1” version of Dean, if you like, just isn’t the guy we see on our screen anymore. We aren’t getting these moments anymore. Have we even seen the Asian porn yet this season? Personally I hope it never makes another appearance.

Sam’s comment “Dean, you’ve had a good run, but maybe lets pump the breaks a little bit I mean you’re not 20 anymore…” is pretty much what I was thinking the whole promo. The waitress is far too young for him, that kind of behaviour fooling around in bars just isn’t really any kind of behaviour for a man his age, and in an episode with a heavy underlying theme that could easily be compared to the worst potential problems that come with growing older I don’t think it was accidental.

“I would be dead okay, I wouldn’t be Dory.”

“Dory?”

“Not gonna apologise for loving that fish. Not to you, not to anyone”.

I love that we have yet another thing to add to the list of things that Dean Winchester loves that don’t fit in with his macho image. This is wonderful. Dean likes Disney films. This is canon. If he can admit to loving that fish, this means that at times he will go out and watch Disney films and get excited about them and actually have strong feelings about them. Now I am totally headcanoning that he forces Cas to watch them with him and I BET that Cas’s favourites are The Little Mermaid and Beauty and the Beast. Why I hear you ask? Because they would resonate with him. If you don’t get it, rewatch those movies from a destiel perspective.

“smooth like a Ken doll” This is the second time the show has compared Dean to a Ken doll. Probably just a tease at Jensen Ackles very perfect features, but I keep thinking about Ken from Toy Story 3 and after the Finding Nemo/Dory reference a moment ago I think it is valid. Ken in Toy Story 3 had a very... um... loud personality.

The cowboy bar… How do I even BEGIN to meta the cowboy bar? All I can say was this seems like the kind of place that Gabriel would send Dean in fanfiction to work on his gay panic before ultimately hooking up with Castiel.

The third place they come to (and I’ll talk about Sam’s lack of Dean knowledge a bit later) and the first thing we see is a shot of:

Well that’s a rather large phallic object hanging over the Winchesters heads! Yeah this is totally Dean’s kind of place. He does have a cowboy fetish after all. This sign also caught my eye:

Because Chuck is certainly off having some “R&R” right now with his sis… It also seems to be the kind of place that Chuck would have hung out in his stint living on earth… ya know, playing his music, since there is clearly a stage set up with band equipment, picking up girls… and guys. Like we are ever gonna forget that GOD in the Supernatural universe is bisexual.

Lets talk about Larry

Consider this a sub point to my “regarding Dean” point because it all technically falls under the same category.

“he’d ordered burgers to go, it was gonna be a minute, we were slammed, then you knocked back four shots of tequila? Put some “sick jams” on the juke and then you hit the bull.”

“oh yeah, you had the hots for larry as soon as you walked in”.

Now, there is innuendo, and then there is this line. Why give the mechanical bull a guys name? Specifically so you can make this into one big innuendo. This entire scene is about Dean riding dick. I’m sorry, deny it all you like but that’s the joke. That’s the bottom line (pun unintentional until reread then found hilarious). On checking my ask box yesterday once I first watched the episode this is what I got:

Thanks guys by the way for sending these. I am with you. Consider this review your asks answered if that’s okay (I’m being lazy because I still have a load of asks to answer and I have no idea when I’ll get to em). So Dean rode Larry. Haha. It gets brought up again later in the episode by Sam when he is trying to tease Dean about it. What I am interested in is Dean’s reaction. When Sam first asks “You rode Larry?” Dean hesitates, but he isn’t embarrassed. Yeah he’s still hexed at this point and regressing but he doesn’t get defensive about it. Just asks if he was good. This is then revisited later on once Dean is cured “I can’t believe you rode Larry” and Dean’s only defence is “I was awesome on that Bull… like a God.” Which is also a call back to Chuck again, in the bar that had a Chuck sign and really did seem to be Chuck’s kind of place… Is Dean like God? Well yes. For one thing they are both bisexual.

Perhaps mechanical bullriding isn’t seen as homoerotic in the kind of places where you would actually get mechanical bullriding. It could even be considered as a very macho thing to be able to “tame the bull”. But the way the episode frames it… the way they shove the innuendo at us over and over again. It is intentionally played out to be a gay joke. What I can’t decide is whether or not this is the creators joking along with us or whether they are doing it to take the piss. There is a level of regression here back to the pre carver era spn where the gay jokes were rife and not ever really taken seriously. Dean’s subtextual bisexuality used to be a joke in the show. It hasn’t been framed as a joke since pre season 8 and yet I can’t help but wonder if this new writer hasn’t yet got with the programme. Because Dean’s bisexuality is not a joke. Especially when this episode is framed by two very Cas heavy episodes, the first of which was loaded with destiel subtext that was deep, meaningful and very very serious. Looking at the promo for next episode, I have a feeling that we are only going to get more of that. So why sandwich a Dean episode full of gay jokes in between two Cas episodes full of serious destiel heavy storyline? If their intention was to make it into a joke again, they have failed. Because when taken with 12x10, the humour is stripped away and what is left is the viewer wondering whether Dean really does have a hankering for dick? Specifically Castiel’s. I know that my language here is very blunt. I also know that the chances are this review could find its way to some antis who would like to take the piss out of this… but seriously? Go ahead. Try. With the show playing up to the things we like, and with very little “no homo” moments to counteract it, I don’t see how you can view this any other way than the way we do.

Dean left Sam, went to this specific bar, had some Dutch courage and rode the bull. He also flirted with a waitress but that never went very far. His main concern was how good he was with Larry…How good his riding skills were… and spoiler alert… he was awesome.

(yes nonny - Dean could totally ride dick like a porn star. This is now true. Since we have seen him in action with our own eyes. Its not like most of those ‘Larry riding’ shots at the end even had the bull in them. It was all Dean from the waist up just having the time of his life and going up and down... up and down... like this wasn’t subtle. This totally wasn’t subtle.)

I also need to point out that all this happened before Dean got hexed. This was all Dean Winchester. This wasn’t performing Dean. The Dean who puts on a mask which half the time seems to be specifically for Sam. Nope. This was Dean as himself, the same Dean that owns booty shorts, likes ballet and has a thing for Dr Sexy.

The moment that the waitress says “you were…amazing” can be taken as the “no homo” to the Larry narrative of course. The way she says those words can easily be taken to be a comment on Dean’s sexual prowess. But its only there to cover up the underlining sexual nod to Dean’s “amazing” ability to ride the bull. The bull being called ‘Larry’ and therefore along with all the other phallic references this is, as I said previously, all one big “Dean rides dick” joke. And I can’t actually fucking believe the show did that.

Actually that’s a lie. I fucking well can. They have been flirting with this idea of Cas being a top and Dean being a bottom for AGES but THIS takes the biscuit.

So Dean rides dick. Thanks for confirming bottom!Dean show. Great job.

I wonder if even this went over poor ‘innocent’ Jensen Ackles head… Is he Charlton Heston? REALLY? Or is he 100% on board with this because how can you possibly act this out. INCLUDING THAT RIDICULOUS MONTAGE AT THE END and NOT see it? You do realise how fandom is gonna take this Jensen? You do realise this will probably DOUBLE the number of destiel fics where Dean is happily riding Cas’s dick all night long?!? (as a disclaimer here that is not what destiel fic is all about but there is still a lot of smut out there so I feel like the show is only encouraging this) (on the other hand I expect to find 20 12x11 coda’s on my dash where Dean goes home, finds Cas, tells him about Larry and how he wants to “show Cas his skills” *nudge nudge wink wink* and Cas will be like “oh. yes please!” and yeah... that happens. That totally happens.)

The other takeaway from this scene so loaded with meta potential is the waitress’s explanation of what happened. Because it seems weird and makes no sense. The question I’m sure a lot of people will be asking is Did Dean sleep with the waitress? But when you consider her explanation of what happened, how could he possibly have?

Ooh I actually got an ask about this too:

She said they were slammed, Dean had to wait for his burgers, hence he had time for 4 shots of tequila and a ride with Larry. So how did they get talking and “blew off some steam”? Because she didn’t even see him leave, it was her bartender that saw him run out of there like his pants caught fire (liar liar)

Is that the hint? Liar liar pants on fire? Was she lying about fooling around with Dean? If so why did she slap him earlier? She must have been insulted that he didn’t remember her and didn’t meet up with her later but it still doesn’t make any sense. How did she have time to fool around with Dean somewhere if they were slammed? If the place was slammed they surely wouldn’t have been able to find a quiet space to actually do the fooling around either? This whole thing smells like a lie and when you consider Dean’s later line “first action in I don’t know how long and its like it never even happened” seems to me that the writer wanted us to consider that maybe all is not a it seems. The only action Dean got in that cowboy bar was from Larry.

Consider another ask answered! Dean did not have sex with the waitress! They possibly squeezed in a kiss when she was on break but there is no way they had time to properly fool around.

Another thing I liked about this scene was the way the waitress then apologises for possibly taking advantage of Dean when he was “roofied”. After the mess and drama of the Amara stuff last season this is refreshing. Dean gets an apology for being sexually harassed, which from a meta perspective could also be the writer apologising for the Amara situation. I dunno if that’s really the case but I like the idea of it so I’m sticking with it.

Back to Regarding Dean

Once the Winchesters start tracing Dean’s steps into the forest Dean loses more memory. We have another call back to season 4 and Yellow Fever with the flashlight moment and Sam has to remind Dean what they do since he has now forgotten all about witches and monsters. The difference between his reaction to being a monster hunter here and in yellow fever is huge though. In yellow fever he thought they were both insane, horrified at the thought of actively going after these dangerous supernatural beings. In Regarding Dean he is excited about the idea, finds it awesome and calls them both “heroes”. It’s nice to know that without his memories of the horrible things they’ve done Dean is able to accept that he does something good and is able to be happy about that.

Another call back to season 4 with the mention of the Siren “Siren’s aren’t all hot chicks?” Nope. Sorry Dean some of them are hot guys who are totally your type. To bring up the Siren (an episode absolutely full of homoerotic subtext) in this episode (an episode absolutely full of homoerotic subtext) seems like another subtle nod to Dean’s bisexuality. Like a ‘hello! Remember this? Dean’s siren was a dude come on guys catch up!’ At moments like this I feel like the show is specifically trying to tell the audience what we (as fandom) already know. Dean is bisexual, like last episode they were trying to tell us that Cas is in love with Dean. This is all extremely promising.

THEN right after we are reminded of the Siren, but right before Dean totally randomly brings up Cas we get this:

I mean of course I was gonna bring up the handprint! Although I admit I have been lacking in my watchfulness lately for any hand or hand print symbolism in the show. But this is definitely meant to pique the audiences interest. Because why is it there at all? Why bother with the hand print if they are gonna find the sigil shortly after? It doesn’t seem to add much to the plot except to be there to ping a memory in Dean’s mind. Of Castiel.

“And our best friends an angel! Whaaaaatt!”

This is another season 4 callback after all. Season 4 being the season of Cas’s handprint. When their ‘profound bond’ was formed. There is no way this handprint isn’t supposed to invoke the memory of that most famous of handprints. Dean remembers Cas fondly. Even when he doesn’t remember him he still thinks he is awesome. This makes me so happy. As Cas fans we are so used to Cas just being forgotten about in MOTW episodes, but like I have been saying for ages now, Andrew Dabb is the biggest Cas fan and he won’t let our angel be forgotten about at all now that he is showrunner.

Moving on and Rowena shows up a her awesome self and Dean is nice to her. His base nature is actually to be nice to people regardless of who they are. Its something we don’t see very often from our very grumpy and deeply traumatised monster hunter. “your hair it’s all so bouncy” he says. Noticing the smallest things. Its cute. Its so very un-dean-like and yet at the same time it is exactly the kind of thing Dean would do. We know he likes to take care of his own appearance, his room, and often teases Sam about his hair and Cas about his trenchcoat. These are more in-sights into how Dean’s mind works.

Dean is sat down to watch an episode of Scooby Do whilst Rowena and Sam talk about the curse, firstly thinking he gets to watch porn. Nope. Instead we get this:

Which… in an episode full of sexual innuendo is *ahem* something I’m not going to comment on. Yes my mind did go there. No I am not specifying where “there” is. Look at the picture and figure it out for yourself. Flowers and dogs also have specific symbolism in this show. Maybe this wasn’t intentional but with everything else? I think it is. I am partly laughing and partly crying at how obvious this is to me at least. But like I said I ain’t going there. LOL.

Then, once Sam has explained to Dean once again what is happening we get this beautiful scene:

Honestly Jensen killed it. The fear in his eyes, the horror and confusion. “My name is Dean Winchester. Sam Winchester is my brother, Mary Winchester is my mother, and Casti- Cas is my best friend” This was beautiful and painful to watch. My heart breaks for him. Amongst all the humour and silliness of Larry and Rowena and Sam’s squabbles, this moment showed the truth. That the situation is dark and terrible and frightening. I wish they had given us more moments like this than all the humour to be honest. Because this was real. This was Dean vulnerable and terrified. Once again a scene where he faces his reflection and struggles with what he sees, though this time for a totally different reason. Dean has never had a good time with mirrors in this show. Ever since Bloody Mary they just tend to be bad luck for him. This moment is no different.

As Dean continues to forget more and more Rowena leaves him to go and save Sam (how awesome is it that Rowena is technically saving them now?!?) and leaves Dean in the Impala surrounded by notes. This is where Dean really has forgotten everything and yet his hunter instincts still kick in.

We get another moment where Sam denies the use of the grenade launcher. Three times and it’s a pattern. I would bet money on Dean getting to use that thing by the end of the season.

Dean finds his way to the witches mansion and is able to save Rowena and Sam by firing the gun and killing the witch. Proof that hunting really is in his blood, part of his soul. He will always be a hunter. No witches spell can take that away. In a way it is quite sad because it kind of implies that however this show ends, it won’t be with Dean giving up hunting. Even with the talks of retirement in previous episodes, I can’t see Dean doing it. Its who he will always be.

Once the witches are dead and the spell reversed, Dean admits that he wouldn’t be better off forgetting all their crap, because he would have forgotten everything else too. No matter how happy he might have been.

“Was it nice to drop our baggage? Yeah maybe, hell probably, but it wasn’t just the crap that got lost it was everything, what we do, all of it. So, that’s what being happy looks like, I think I’ll pass.”

Of course Dean wouldn’t choose to forget everything. Like the previous scene proved, Its in Dean’s blood to be a hunter, and he wouldn’t ever wanna forget his family. The people he loves. Forgetting the people who love you is not happiness in any way shape or form.

I feel like maybe this episode was lacking an emotional final scene. This was short and sweet but it didn’t seem to have the satisfaction that I thought it would, regarding Dean’s memory loss and fear and dependence on his loved ones. But it was still a great analysis of Dean’s character nevertheless.

Sam Winchester isn’t looking hard enough

This episode was predominantly about Dean, but there was a lot of stuff about Sam in here too. Specifically how he doesn’t really seem to notice much about his brother. I don’t mean this as a dig, but it’s honestly quite surprising. When we compare episodes where Sam has been changed somehow, it has taken Dean no time at all to realise something is wrong. Sam however, seems to shrug it off as Dean being a dumbass, or Dean being drunk, or Dean doing something to make Sam roll his eyes again. It seems like Sam has got an idea of who Dean is in his mind and it is so deeply ingrained that he is kinda blinded by it. He has his expectations of his brother, and he has got it so so wrong. Sam judges Dean. He doesn’t mean to, but the problem is that Dean has been building on his ‘character’ on his ‘performing Dean’ persona just for Sam for his entire life. Sam sees the performance, he doesn’t see what’s underneath. Its episodes like this that make me question all our fics with “shipper!sam” because I sometimes doubt if that’s the case. Does Sam actually see it for what it is? Or is he so blinded by his version of Dean that he cannot see the truth? Clearly Cas and Dean’s tension makes him uncomfortable, as last episode all but proved. But does Sam really understand what is going on here?

If he can be surprised that Dean loves Dory, what else surprises him? How much of Dean does he not know about?

What I found really striking in this episode is how Sam doesn’t find it easier to track Dean’s movements of the night before, because if it was the other way around Dean would have figured Sam out straight away. This was shown to us back in season 4 (again with the season 4 references in this episode!) when Dean was able to locate Sam based on how well he “knows that kid”. If Sam had truly known his brother well, he would have known that the cowboy joint was the first place he’d go. Sam knows that Dean has a ‘cowboy fetish’ and therefore it make the most sense? Dean wanted to ride the bull, but Sam was so surprised that Dean rode Larry that he “couldn’t believe it.”

Even the end scene, Sam admits that he was kinda jealous. For him, forgetting everything they have done is a weight off their shoulders. Something he would like to experience. I think this is also a hint towards Sam not entirely accepting that hunting is his life. Whereas Dean is generally happy with what he does, because it is in his blood Sam doesn’t feel that way. I know we have seen previous episodes where Sam has seemed to accept it. But he only accepts it if he can do it with Dean. The co-dependency is extremely strong with Sam at the moment. Sam also always seems to be looking for something more. I don’t just mean relationship wise, though he did admit this in 11x04, but something more than just hunting.

We have always known that Dean was more like Mary. Mary’s family are the hunters. Dean is one of them. Sam though? Sam was all John. And John might have taken to hunting once his revenge had consumed him, but hunting was not in John’s blood. Nope, John’s blood is all Men of Letters. This is the path that Sam seems destined for.

What also seems to encourage this theory is that it is usually Sam who is paired up with Rowena in any of her episodes. It is common in this show for most side characters to develop a better relationship with Dean than to Sam. Dean is charismatic like that, but Sam has ‘bonded’ with Rowena if you wanna call it that, far more than Dean has, and it is always Sam who calls Rowena in to help. Is Sam attracted to magic? This is something that we have been speculating for a while. The Men of Letters use magic this we know, even their grandfather Henry was able to “harness the power of his soul” to cast spells. It was Sam who spoke to Lily last episode about how she developed her power. It is Sam who finds all of that stuff very interesting, and it is Sam who holds on to the Grimoire at the end of the episode. Will we get witch!sam in the future? I think it is still a possibility, but if nothing else he will become a true men of letters eventually… that I am sure of.

I said I was slightly disappointed with the end of this episode as it seemed to brush over the deeper, more meaningful conversation that could have been had. Another moment of missed potential I think was this one:

“Brother. Witch”

Isn’t it all a bit too easy? What if the witch had turned around and said “no! I’m your brother! He’s a witch!” and it could have got confusing for Dean. I think this moment could have really been great for Sam to have to convince Dean somehow why he was indeed his brother… revealing something about himself and their relationship? It would have been nice to see that moment of doubt from Dean followed by pleading from Sam to believe him rather than the witch. It’s an old TV cliché though so maybe that’s why they didn’t do it.

The next great Sam moment was this one: “Who’s this hippy?”

Sam looked broken here. For a moment he was really worried that his brother had forgotten him… that is the moment I was talking about earlier about the horrors of Alzheimer’s. Thinking that your loved one doesn’t know who you are is horribly painful. Jared did really well to capture that moment, even though it turned out to be Dean joking around. I’m with Sam here, that wasn’t funny Dean. That was mean.

Rowena’s future

Rowena was totally awesome in this episode. We first see her playing poker with some shady characters and cheats her way into winning. I’m so interested in what Rowena is up to off screen. First the rich businessman who Crowley blew up, now this. She is clearly completely done with other witches, but she isn’t quite ‘out completely, and still comes to Sam and Dean’s aide even though she could easily tunr them down. Like Crowley, could Rowena be starting to care for the Winchesters?

“Am I saved to your contacts now? Tell me, have I got my own ringtone?” Lol. So Rowena is flirting with Sam. Which is fun but also reminds me of 10x19 and Sam’s hallucination of Rowena that got all flirtatious with him. That was Sam’s mind remember so is there actually something in this? Oh god do we need a ship name for this now? We had Drowley now we have Samena/Sawena? Eek I dunno about this! Though I might just go with it purely for the look on Crowley’s face.

Anyway I just love Rowena and Sam’s banter okay?

Then she turns up at their door and as much as Sam brushes it off as Rowena having her eyes on the Loughlin’s book, partly I think Rowena actually enjoys their company.

“altruism isn’t exactly your style”

Isn’t it though? Because she seems like she is also putting on a performance of villainess when really it’s not who she is at all. Like Dean, it’s all a performance.

“You’re a killer, Dean Winchester”

“But, though you may be a stubborn pain in the ass, with the manners of a Neanderthal and the dining habits of a toddler, everything you’ve done, you’ve done for the greater good.”

“Oh and that’s supposed to make it okay?”

“I wouldn’t know. You help those other than yourself, but me? I’ve done horrible things. I told myself it was fine. It was the price of power and powers what matters right? Then I meet god and his sister, the two most powerful beings in the universe, wasted on squabbling with each other. I thought if they can’t be happy or at least satisfied how can there be any hope for me?”

This is such a fascinating insight into Rowena’s mind, how she thinks. For ages it was all about getting power but since God and Amara she has given that up. It’s not about power. She still wants money so she can support herself, but like her son what she is missing is love. This is why I think she helped the Winchesters. She likes them, even if she acts like she doesn’t. They are technically the only people she really knows and I can see this being part of her storyline that she tries to build on a relationship with Sam and Dean. As an ally at first, but then at some point a friend.

After all, when she hears Sam is in trouble, she goes to rescue him. She doesn’t flee and decide it’s not her problem. If she didn’t care, she wouldn’t have put herself at risk for Sam. She doesn’t even get the book in the end. So what did she possibly risk her life for? If not to save Sam. This is a huge turning point for Rowena. She made a decision to save Sam’s life. So much for being a villain.

When Rowena does face Catrina, her story is horrible and sad, we are starting to learn more and more why Rowena is the way she is. Though nothing has come too close to her speech to Crowley in 11x10. Rowena hated being weak, being at the mercy of others. Her experience with the Loughlin’s shows just how awful it was for her. The way she was treated does not excuse the horrible things she has done, but it seems as though since meeting God and Amara she is trying to make up for some of that. She is not unkind or uncaring at all. She has always cared maybe too much. Otherwise she would have easily left both Winchesters to die.

This goes back to her speech to Crowley. “If I didn’t hate you, I’d love you. And love, love is weakness.” This I think is the theme of Rowena’s arc. For her to learn that love is not a weakness, that to have people who love and support you only makes you stronger. It coincides with Cas’s arc as well, where he is constantly being told that his weakness is his love for “humanity”. Castiel already said himself that “my friendship with Sam and Dean makes me stronger”. Rowena just needs to learn this too.

Overall

This episode wasn’t one of the strongest but it had some very good moments. I didn’t like the villains. I found them rather boring, but then they weren’t the focal point of the episode. The writing was sloppy in places and some of the plot didn’t quite make sense, but ultimately it worked. Just, what the hell was the end montage? I get that it was supposed to be another call back to Yellow Fever but seriously? The song was kinda fun. About innocence lost by the sounds of it.. but seriously? I was suffering from a bit of second hand embarrassment I’ll be honest. I think they just really needed an excuse to put Dean riding Larry into the episode for real.

This makes me think that we totally missed out on a booty shorts dance from Dean at the end of 11x04.

Main takeaways from the episode?

Meredith Glynn binge watched season 4 and used it for all her references.

Sam really needs to pay more attention to what Dean isn’t telling him.

Sam may be tempted by witchcraft.

Rowena cares. A lot.

Dean likes to ride dick. (but then we already knew that.)

#supernatural #episode review #spn meta #dean winchester #destiel #sam winchester #rowena #12x11 #spn spoilers #season 12 #dean is bi #destiel dreaming #my thoughts #dean analysis

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dcarevu · 5 years

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DCAU #9: The Forgotten

“I claim this land…for Spain…”

This is an episode where you can get a pretty good idea of how you’ll feel about it from the title card sequence alone. With that music and all. Yeah, it doesn’t really feel like the show we’ve been watching, does it. But what says more about it than the music or that fence is the title. The Forgotten is right.

SPOILERS BEYOND THIS POINT

Villain: Biggis Robin: No Writers: Jules Dennis, Richard Mueller, Sean Catherine Derek Director: Boyd Kirkland Animator: Dong Yang Airdate: October 8, 1992 Episode Grade: D

The more I think about calling this episode forgettable as a pun on its title, the more I’m not sure if that’s really accurate. In some ways it is, especially when looking at cartoons as a hole. But when looking at specifically Batman The Animated Series? Well, it is certainly one of its kind, and it also has enough stupid stuff going on in it to stand out in my mind. Before watching this one, I was thinking, “Maybe this episode is better than I remember”, but no, I remembered pretty much everything as it happened. Bruce scouting the area dressed as someone a little more down on their luck, Bruce getting kidnapped, Bruce forced to be a slave, the villain, the mind segments, the Joker bit, the Alfred parts, etcetera, etcetera, etcetera. Yeah, I don’t like this one.

Before I truly start complaining, what does this episode do right? Char and I agree, Bruce is a sweetheart. She brought up a great point, where even though Bruce Wayne might be a facade, his morality and generosity are not. He is very much doing what he believes in, despite how the city may see him. In the series bible, the writers mention how they planned on having Bruce hide his generosity through things such as dummy companies so that people would suspect him of being Batman even less. I’m not sure how I feel about this, but Char is glad that they didn’t so much go this route. I think that being a billionaire is enough of a spotlight, personally, and whether you act generous or snobby won’t really affect whether or not people think you’re Batman.

Also Alfred is again showing how great of a character he is. Alfred was in the Secret Service, so it makes sense that if he ever had to step up and take some things into his own hands, he would very much be able to. We see that here, with him sneaking around and placing a tracker on the villain’s truck, and then even managing to fly the Batwing (albeit not nearly as smoothly as our Dark Knight), finding Batman’s location and setting things up for Batman to kick some ass.

And then, overall, this was a really ballsy episode. We have a cartoon that lots of children watched, and we’re also not even ten episodes in, but they decided to do an episode that for much of it not only has our hero captured and not in costume, but also not even knowing who the hell he was. In a lot of ways, taking chances it was made this show so great. Not all of them are going to work, and I think that a few missed targets are worth the blindfolds sometimes. That being said, many times when the DCAU misses, it unfortunately really misses.

Onto what bothered us. The episode started with what seemed like a statement about no one caring about or even noticing homeless people, but that aspect was almost completely abandoned by the end. We think that they could have gone further with this. And while it is good that they weren’t trying to shove something down our throats and be really obvious about it, it still seems like a half finished opportunity. From my understanding there is an episode much further down the DCAU called Frozen Out which will deal much more with this topic, and I am looking forward to seeing how they end up saying what they want to say about that.

The villain was also just…well, unpleasant. I get that he was meant to be, I do. And I also know the backstory behind why he is how he is, at least in the context of writing. Writing one off villains can be tough, because you still want them to be memorable. To make this guy memorable, they decided to make him a disgusting, slobby glutton who, to quote Char, even sounds fat just by his voice. This is a problem because, one, we just had a villain a few episodes ago who essentially ran a group of slaves and feasted right in front of them. So this guy is already less unique. Also, if you’re going to try to make a villain memorable, maybe he shouldn’t be memorable for all the wrong reasons. I do not particularly like being reminded of some sweaty greasemonkey constantly firing off the deplorable sound waves of sloppy chewing noises. You add in the fact that this type of character has been done to death, and I just don’t really understand the thought behind Biggis, who’s name is even incredibly uncreative. Maybe Triple G would have been a better name. Generic, greedy glutton (Char came up with that). Geez! Let the character’s personality or something more interesting allow them to make an impression. This guy just makes a literal impression.

Then we have the memory factor. Having Batman lose is memory is not a bad idea inherently. Also, stripping him of his suit and gadgets is also not a bad idea. But it had better be written really well. And this just isn’t. Think about what makes Batman who he is. He childhood trauma that he went through at a very young age, and managed to swallow up his feelings, his morality, his purpose, and his overall being. You’re telling me a blow to the back of the head like that is going to erase all of it? And while his memory is gone, he’s not speaking in his Batman voice, he’s using his Bruce Wayne voice. Knowing that his Batman voice is the voice that he typically uses when he’s not portraying the playboy character, it bothers me a little. And there’s really nothing distracting me from it aside from some guy dribbling chicken grease down his chin, so it’s like, I’d better pick one of these to focus on!

We didn’t really go far enough with his backstory, internal conflict, or imagery to make the dream sequences very encapsulating either, as they went by very quickly, and we really just kinda skimmed the surface of things. Plus that Joker voice…yeah, that was no Mark Hamill. Maybe they were trying to go for an approach where Bruce Wayne’s voice was coming from the Joker to represent…I don’t know, something inside of himself, but I didn’t care for it, whether it was that, or just the fact that they didn’t wanna get Mark in for a single line (at that point he wasn’t the definitive Joker voice he is today). But the stupidest thing about Bruce Wayne’s memory or the dream sequences? As soon as he reaches the conclusion that he’s Batman, he manages to escape the trap that he’s in…by simply kicking it open. Like, what? He had to know he was Batman to do this? Remember, subconsciously, he knows he’s Batman throughout the episode. His mind keeps trying to tell him. But also, regardless of what excuse one may come up with for why he didn't (like that he didn’t realize how strong he was, or that he didn’t think he’d be able to fight his way out once he did escape), it’s lazy writing! The episode was inspired by the idea of taking away his gadgets and leaving Bruce to have to come up a solution that’s a little more down and dirty, but they did nothing with it aside from having Bruce kick and then fighting pretty much just as he would if he had the costume on. And pretty soon he does regain his costume anyway, so it’s like? Just another way that this episode was basically wasted. Not enough creativity or commitment went into it. As I said, this idea needed good writing, and thinking completely outside the box. Instead we get a pre-existing, lesser version of the book/movie Holes.

Char liked the episode a little bit more than me, but not a lot, and overall agrees. The side characters stood out to her, as did Alfred’s antics, Bruce’s values, and that incredibly gruesome brazen bull. She liked some things, but very specific things, and it didn’t exactly all piece together. So I think if this episode does end up as the forgotten, neither of us will complain all that much.

Fire count: 6 Char’s grade: C Major firsts: Alfred saves the day, an episode mostly featuring Batman without the costume.

Next time: Be A Clown

Full episode list here!

By the way, as of uploading this, it is Christmas Eve. To my fellow Christmas-celebrating readers, have a wonderful holiday!

#batman tas #batman the animated series #dc animated universe #dcau #the forgotten #batman

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