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#the person I actually picked as my partner
as the the resident dropout enjoyer on my dash i have a question for you
I love Droput based on the free episodes and random scenes on YouTube. I am now trying to convince my partner to get Droput with me
What's the best episode to get someone into it if they've not heard of it before?
If they're a fan of ttrpg actual plays, dimension20 is your obvious in; just start with the first episode of whichever season matches their favourite genre. If they're not already a fan of ttrpg actual plays though, I wouldn't show them dimension20 to start with. There's absolutely no way I'd have gotten dropout for dimension20.
I got dropout for Game Changer and Make Some Noise, based on exposure to funny clips over many years. Between those, I think Make Some Noise might be a better onroad, because some episodes of Game Changer rely heavily on knowing who these people are (the very first episode, Lie Detector, is one million per cent less interesting if you think of the contestants as random people you never expect to see again in anything). I'd just start with your favourite Make Some Noise clips. My personal favourites are the pistachio being protected by its shell, and the font showdown.
If your partner is more into narratives than game shows, one of their shows like Kingpin Katie might be a better in. But they are, in the nature of collegehumor, somewhat goofy. Or there's the podcasts, which I think are free in their entirety on youtube? I might be wrong though. Just pick whichever one fits your partner's interests.
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pasta-in-the-pudding · 20 hours
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Thank youuu, maayybbee a comforting headcanons about your choice of Creepypasta with a reader who is like uh like really really tired in all sort of ways that they won’t cooperate in anything, mind being so nice to give them a whole slideshow of their messed up childhood and
Y’know just a really fucked out reader
Sorry if it’s y’know too much or anything, you can do it whenever you want!
-🐰
I love writing comfort scenarios <33
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Thank you so much for requesting!!
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Ticci Toby
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He understands that sometimes, everything is too much and your brain just kind of shuts down
But he is also a very anxious person
So when he sees you laying in bed, the exact same position you were in when he left in the morning, he gets a little concerned
Have you moved at all? Have you eaten? Drank anything? Taken a shower?
But he respects your privacy and doesn't ask you about it, assuming maybe you just wanted a lazy day to yourself
So he brings his dinner up to you that night, sharing just in case this is in fact the first you've eaten all day
And when you continue this behavior the next day, he begins to panic
The other creeps know something's up too, or at least, E.J does, because once Toby gets home E.J approaches him about it
"Hey, I asked y/n to clean the equipment they used in the gym last time and they just said no. They also seemed pretty lethargic, barely moving or breathing at all. Nothing to worry about right now, but it is concerning."
And with that, he walks off, seemingly not even wanting an answer, just wanting to give Toby a heads up
So once again, Toby goes to your room once again, seeing that you still haven't moved
"You haven't moved." He says
"Mhm" you respond absently, scrolling on your phone
"Have you eaten today?" He asks, beginning to get nervous
"Mhm" you respond once more, though it's not a real response it's just one to make him happy
"Um. EJ said you didn't want to clean the gym equipment you used?" He fidgets with his fingers now, picking at the dry skin
"Mhm" Is the only thing you say, and the only thing you're going to say he realizes
So he comes to sit on the bed next to you, moving some of your hair out of your face (if you have any, if you don't he rubs your back) "Are you ok? You can talk to me, you know? I love you"
This seems to trigger something in you, because instantly a flood of tears happens
This startles him, but he continues to comfort you nonetheless
He pulls you up and drapes your arms over his shoulders, while his go around your body, rubbing your back and head
He doesn't talk because he doesn't want to overwhelm you, so he silently rubs you and kisses you until your sobs turn into sniffles
"Let me take care of you tomorrow?" He asks, pulling away to look into your eyes
You pull him back into the hug and nod "please"
Jeff The Killer
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Jeff doesn't really know how to deal with his own emotions, let alone someone else's
So when he sees you in a funk, he decides to just leave you alone and let you deal with it yourself, because he doesn't trust himself enough to actually help instead of hurt
But this of course, it seen as him leaving you in your time of need from your perspective
So this only makes matters worse, causing you to snap at others for small things, like when Toby accidentally bumps into you while you are on the way to get another snack
He of course, apologizes profusely, but it just isn't your day so you yell at him and tell him to be more careful next time
When Jeff gets home, Toby is talking about the incident with another creep
Not in a malicious way, but in a concerned way
This peaks Jeff's interest "What are you saying about my partner over there??"
"I'm just worried is all. They totally blew up after I accidentally bumped into them" Toby says, putting his hands up defensively
Jeff scoffs and rolls his eyes, already tired of the mood you're in
So he goes up to your room and walks in angrily saying "Why are you being such a dick? What'd Toby ever do to you?"
You don't feel like arguing, so you snuggle further into your bed
He laughs at this "Seriously? You're gonna ignore me? Listen dude, I don't know who you think you are but I really don't like this fucking color on you. Fix your attitude before I fix it for you" And with that he slams your door
Next day, you bump into each other in one of the hallways, and he tries to talk to you obviously seeing you still upset, but you push past him
Or at least try to
He quickly catches you and pins you against a wall "Just listen to me, won't you?!" he yells
This is all too much for you, so you begin to cry, bowing your head so maybe he won't see it
He softens at this, loosening his grip and looking at you confusedly "Why....why are you crying?"
"Why are you being so mean to me??" You ask as you sob
He sighs and brings you into a tight hug "Ok.....Ok tell me how long you've been upset"
"A long time!" You say truthfully "It's not even about Toby!"
"Why didn't you say anything??" He asks, cradling your head against his shoulder
You grip onto his chest and try to catch your breath before talking "Because you left and I thought you didn't want to see me!" You whine in a fast, high pitched voice
Despite this, he seems to catch every word "No, baby, baby....I always wanna see you I just didn't wanna hurt you...." He whispers into your head
"But you did!" You say into his shoulder
"I know....I'm sorry" He rubs your back a bit before kissing your head
"....really?" you sniffle
"Yeah" He pulls away and lifts your head to kiss your forehead, before pulling you back into the hug
You are quiet for a while, standing in the hallway and holding each other before you finally break the silence "it did feel good to cry"
He snorts and pulls away "Well I'm glad you liked it, because now I have snot and spit all over my hoodie"
You smile and kiss his nose "You love it"
Ben Drowned
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Barely moving himself, he probably won't notice for a little bit
But when he does, he just assumes you're in a lazy mood, So he tries to snuggle up with you in bed
You flip over, avoiding his touch which makes him raise an eyebrow "Hey, you ok? It's cool if you just wanna be alone but this isn't like you"
"I'm fine" you say quickly
"....oookay.....do you want me to leave you alone?" He asks, his face changing from confused to concerned
You don't answer for a long while, but when you finally do you say "no"
"ok" he says simply, staying to his own side of the bed while he plays video games
Eventually, you begin to cry softly, and you flip back over to snuggle into his chest, wrapping your arms and legs around him like a koala
He looks at you for a moment before putting the game aside for a second and petting your head "I thought you said you were ok?"
You shake your head and cling harder
"Alright, c'mere" he says, pulling you up into his lap and putting your head in the crook of his neck
You try to hide your face away in his shoulder, but he grabs your chin before you get the chance "Hold still, I wanna kiss you" he says
With this, he kisses anywhere he can reach, eventually letting you drop your head back onto his shoulder while he grabs onto your arm and kisses from your shoulder all the way down to the tips of your fingers
Once he is done, he looks down at you, seeing that you are now only sniffling he uses a knuckle to wipe away any remaining tears "now are you ok?"
You nod and wrap your arms around his neck, kissing his cheek "Good. I like seeing you happy"
He then pecks your lips and hands you another controller, so that you can play the previously discarded game together
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thecoleopterawithana · 6 months
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Now and Then
1977
youtube
Now and Then: I know it's true / It's all because of you
And if I make it through / It's all because of you / And now and then / If we must start again / Well, we will know for sure / That I love you
I don't wanna lose you, oh no / Abuse you or confuse you / Oh no, no, sweet darlin' / But if you have to go away / If you have to go, well you the reason [?]
Now and then / I miss you / Oh, now and then / I want you to return to me / 'Til you return to me / I know it's true / It's all because of you / And if you go away / I know you could never stay
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1978
youtube
Love Awake: Love awake to the day / When we can make our love awake / Lord knows we need it any time we can get it / But we forget it every now and then / But if you don't feel it, later on, you'll regret it / And if we let it we could set it free, you and me
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1981
youtube
My Old Friend: If I told you how I feel / Oh, it wouldn’t sound so real / ‘Cause emotions, they are just now settin’ in / But it sure is great to know / That wherever we may go / We can always be the best of friends
My old friend, / Thanks for inviting me in / My old friend, / May this goodbye never mean the end / If we never meet again this side of life / In a little while, over yonder, / Where it’s peace and quiet / My old friend, / Won’t you think about me every now and then
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Well, it was something that I’ll never live long enough to forget. It happened in February of 1981 and as the world all knows, and never will forget, in December of 1980 when John Lennon was taken away from us, and so this was the following year, in February. I wrote the song about and for Paul McCartney. I did it because he was so kind to invite me down to this beautiful island of Montserrat with Stevie Wonder. Ringo was there, just had a wonderful time. I flew down by myself. Paul and Linda met me with a jeep on the (center) airfield with a little single engine plane and took me across the mountains we were like kids again, and it was a wonderful time, and I wanted to do… I didn’t want to cry when I left after staying down there, and I’m a big crybaby! If something moves me, I’ll just choke up… I talk about it. I thought that would happen, so the night before, I just wrote how I felt on the isle of Montserrat on every shell, forget a country boy with a guitar and a song you invited me, and you treated me like kin, and you’ve given me a reason to go on. So my old friend, think about me every now and then. I sang it for Paul, at about 10:00 the next morning. I was scheduled to leave flying again in the little single engine aircraft to the island of Antigua where I was flying commercial back to Atlanta and on to Nashville and back to Jackson, where I live here. I sang it, he said “Carl, it’s beautiful… would you sing it again?” and I said. “Sure, man.” He said “wait just a minute,” and he got Linda in there, and they sat on the floor, I sat on his old Fender twin reverb amplifier, with a guitar, I did however notice a microphone over there. I didn’t pay that much attention to it, but George Martin recorded it and after I finished singing the song to Paul, he was crying, tears were rolling down his pretty cheeks, and they’re pretty to me just like they are to the rest of the world. I think he’s a very handsome boy and always did. He’s even handsomer when he’s crying. And Linda said, “Carl, thank you so much.” I said, “Linda, I’m sorry… I didn’t mean to make you cry.” She said, “But he’s crying and he needed to. He hasn’t been able to really break down since that happened to John.” I mean he stepped outside of the room, out by the pool, and he just had his handkerchief out, and he was going at it. And she put her arm around me and said, “But how did you know?” I said, “Know what, Linda? I don’t know what you’re talking about?” She said “There’s two people in the world that know what John Lennon said to Paul, the last thing he said to him. Me and Paul are the only two that know that, but now there’s three and one of you… you know it. I said, “Girl, you’re freaking me out! I don’t know what you’re talking about!” She said the last words that John Lennon said to Paul in the hallway of the Dakota building were… he patted him on the shoulder, and said, ‘Think about me every now and then, old friend.’ Q: That’s just amazing… And she said, here you are, that’s what you just sang, and how did you know? And I said I didn’t know it, gosh, I didn’t know it. But McCartney really feels that Lennon sent me that song, he really does.
— Carl Perkins, interviewed for Goldmine (September 26, 1986).
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1994
Paul had gone to Yoko to ask if she had any of John’s songs kicking around. The deal was that Paul would induct John into the Rock and Roll Hall of Fame in return. Yoko’s a generous person in that respect, so she actually gave him three songs – 'Free As A Bird' and 'Real Love' were worked up and released, the last one wasn’t.
— Source close to the Anthology project, quoted in the Sunday Express (April 29, 2007).
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1995
It was one day – one afternoon, really – messing with it. The song had a chorus but is almost totally lacking in verses. We did the backing track, a rough go that we really didn’t finish. It was sort of a bluesy sort of ballad, I suppose, in A minor. It was a very sweet song. I liked it a lot. Should it ever be completed it would probably end up as either ‘Now And Then’ or ‘Miss You’. I wished we could have finished it.
— Jeff Lynne, quoted in the Sunday Express (April 29, 2007).
It didn’t have a very good title, it needed a bit of reworking, but it had a beautiful verse and it had John singing it. [But] George didn’t like it. The Beatles being a democracy, we didn’t do it.
— Paul McCartney, interviewed for Q Magazine (November 2006).
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2007
There are a couple of things which may surface at some point. You see, with the Beatles, there’s always a surprise somewhere along the line. We did ‘Free As A Bird’ and ‘Real Love’, those two songs of John’s, and that was very exciting, very moving for me and very comfortable having his voice in my headphones in the studio again. And there was a third track, another song we had our eyes on called ‘Now And Then’. l actually wanted to do it on Anthology 3, but we didn’t all agree. But things change and the thing is that it might not go away. There was only one of us who didn’t want to do it. lt would have meant a lot of hard work, the song would have needed a lot of re-writing and people would have had to be very patient with us. But there are these one or two things lurking in the bushes. The Beatles might just raise their ugly little heads again…
— Paul McCartney, quoted in the Sunday Express (April 29, 2007).
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2012
And there was another one we started working on, but George went off it. We were like, ‘No George, this is John’. He said, ‘It’s still rubbish’. ‘Ok, then’. So that one is still lingering around. I’m gonna nick it with Jeff and do it. Finish it, one of these days.
— Paul McCartney, interviewed for the “Mr Blue Sky: The Story of Jeff Lynne & ELO” documentary (2012).
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2018
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Get Enough: It was a time when we walked by the docks / I told you, "I need you all of my life" / And watching the tugs rolling by together / Do you remember? / Do you remember the lights on the shore? / How they reflected the rain on the road? / I believed that you love me alone / It was real / Do you remember? / Now and then I see your face / I've been wanting a lovin’ embrace / I've been looking for love, but it gets me nowhere / Oh, yeah, yeah
Get enough, get enough, get enough of (Your love) (x2) / I can't get enough of / Of you
It was a time we were all full of hope / Saw the future burning bright / As we watched the moon rollin’ out to sea / Do you remember? / But those days are erased from my mind / Yeah, I've left all those old days behind / But still I remember your face forever, forever
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If I'm going to see a face in a painting, it's highly likely to be his.
— Paul McCartney, interviewed by Diane Sawyer for ABC News (November 2, 2000).
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2022
And then 'Now and Then’ just kind of languished in a cupboard and we didn’t do anything with it. I kept saying, “You know, maybe we should do something with this, seems a bit—” “Hm, I don’t know…” There wasn’t a great desire to do anything with it. So it hung around for a while. Years! And every so often, I’d kind of go to the cupboard and think, “There’s a new song in there! We should do it! We gotta do it!” But it’d go back in the cupboard.
— Paul McCartney, in BBC Sounds Eras: The Beatles (November 2, 2023).
I got a phone call from Paul saying, “Is it possible to use that [MAL] technology for another project I’ve been thinking about? […] Would it be possible to take John’s vocal and clean it up and get rid of everything else? Because that would allow us to finish this Beatles song.” And absolutely, it didn’t take me more than about a second to get back to him and say, “Of course we can do it!”
— Peter Jackson, in BBC Sounds Eras: The Beatles (November 2, 2023).
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2023
youtube
Now and Then: I know it’s true / It’s all because of you / And if I make it through / It’s all because of you
And now and then / If we must start again / Well we will know for sure / That I will love you
Now and then / I miss you / Oh now and then / I want you to be there for me / Always to return to me
I know it’s true / It’s all because of you / And if you go away / I know you’ll never stay
Now and then / I miss you / Oh now and then / I want you to be there for me
I know it’s true / It’s all because of you / And if I make it through / It’s all because of you
.
I do feel as though ‘Now and Then’ is a love letter to Paul written by John. I mean, I've never really asked Paul about it, and I'm not sure whether Paul would say, ‘Oh, that's definitely it,' because he wouldn't want to second guess John. But that's the sense I get. And I get the feeling that's why Paul was so determined to finish it.
— Giles Martin, interviewed for PEOPLE magazine (October 26, 2023).
When you say you enjoy 'Now and Then', that’s really nice, because that’s why we do it. We do it so people can listen to stuff and not just hear it. 'Now and Then' sounds like a love song. It sounds like a song that John wrote for Paul, and the other Beatles: “I miss you/ Now and then.” It sounds like Paul has gone there, which I think he did. You know, no one told Paul to go and do it, and Paul didn’t go, This would be a great exercise for the Red and Blue Album. He was at home in the studio. He dug on the record and started working on it, because it’s his mate. And he really misses John. I mean, that’s the truth. They broke up, and John died nine years later. It really isn’t very long.
— Giles Martin, interviewed for GRAMMYS (October 26, 2023).
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When I remember the Beatles, I remember the joy, the talent, the humor, the love. And I think, if people remembered us for that — for those things — I’d be very happy.
— Paul McCartney, in BBC Sounds Eras: The Beatles (November 2, 2023).
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mclennonlgbt · 4 days
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They are so obvious
"To sum it up, Paul is a good songwriter and also he was John's partner before I became John's partner. And as John put it: "The first I picked Paul as a partner and next Yoko. First Paul McCartney and next Yoko Ono", something, I think, he said".
Here is the quote Yoko is referring to:
I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice! […] Now George came through Paul, and Ringo came through George, although of course I had a say in where they came from. But the only – the person I actually picked as my partner, who I’d recognised had talent, and I could get on with, was Paul. Now, twelve or however many years later, I met Yoko, I had the same feeling. It was a different feel, but I had the same feeling. So I think as a talent scout, I’ve done pretty damn well!
— John Lennon, interview w/ Dave Sholin for RKO Radio. (December 8th, 1980)
Source of the video
Source of the quote
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recallthename · 2 years
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The last time John Lennon set foot on a concert stage, it was Thanksgiving 1974, making a surprise appearance with his friend Elton John at a sold-out Madison Square Garden.  When he and Elton cut "Whatever Gets You Thru" together, Elton proposed a bet - if it hit Number One, John would sing it with him live.  John agreed, never thinking he'd get called on it.  But he was.  The performance sounds shaky - John's all nerves after a few years of hiding from live shows - but he steps up there to mach shau with Elton, doing the hit as well as Elton's remake of "Lucy in the Sky with Diamonds."  John announces, "We thought we'd do one last number so I can get out of here and be sick.  This is a number of an old estranged fiancé of mine called Paul." They do "I Saw Her Standing There," their big finale.  Even in the raw recording Elton released as a B-side, you can hear John get caught up in the crowd's excitement.  It's his night to shine - onstage in New York, for the first time in years and the last time ever.  Why is he doing a Paul song?  Why is he making this moment about him and Paul, when all anybody wants is to cheer and shower John with love?  But in the middle of the crowd, he calls Paul's name.
Dreaming the Beatles by Rob Sheffield
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Since it's the first, I'll just post some of my favourite pics of them. Also, nice time to find out I like black and white so much apparently
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Also this one. God bless, it's so stupid. I love it so much
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junebuggeryy · 1 year
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placing robots onto the altar of my artblock like sacrificial lambs
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aingeal98 · 18 days
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I miss rwby so much I haven't felt the same amount of extreme emotion since I saw Ruby kill herself in front of her older sister who raised her and watched the fandom explode with angst material.
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oatbugs · 1 month
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pls i need to provide updates
#basically yesterday night was chaharshanbe suri . which is a solar new yr tradition where we let go of the past suffering in our year#and like...start the new yr w fresh vigour . anyway so my friend was at the event and we were abt to leap over the fire#and she was like bro im im glad u blocked her (situationship) etc etc . and then. my phone started vibrating. and i look at it. and my f#friend looks at it. and its her. and were both like what the fuck?? i blocked her things r Over and anyway so i pick up the phone and shesl#acting like nothing happened (bc nothing DID happen for her) and she was like ohh ur doing chaharshanbe suri im not doing anything etc what#are ur new yr plans so i jusr .IDK WHY I DID THIS . but ig i didnt wanna come off as like lonely i said probably hanging out w family and#friends maybe reading poetry together . et cetera and she was like wait that sounds so fun why didnt u invite me!#LIKE WDYM YOUVE BEEN CONSISTENTLY MAKING IT CLEAR U DONT WANT TO BE IN MY PRESENCE . and i told her that after#everything i thought she didnt want to see me again and she was like you always think that 😐 . like. ?? ok anyway so she expects me to#invite her . and like. there is an above 0% but sub-5% chance she will actually show up . but the panic that gripped me#i started making calls to my friends asking them if they can come on the 23rd bc there must be an event and also i asked my mother#and she said actually yeah i am doing a thing on the 23rd :D it involves over 16 ppl (we live in a v small flat) of which like...7 are kids#so you wont have space to be in ur own room let alone invite others. which tbh like ...being around a bunch of loud kids doesnt seem fun fo#any of my friends or me etc so i thought maybe i should arrange things so that we all go out together and if she shows up she shows up 🤷‍♀️#but . im so. WHY DID I SAY THAT . i had to panic-call my research partner and ask him to get from oxf to where i live on the 23rd#and when he heard the explanation he like. the light in his voice disappeared 💀 but he potentially agreed so idk#THE ISSUE IS. 23rd im supposed to also have . a date#w this girl that i had a huge crush on when i was 15-16 (posted abt this b4 but id get shitty black coffee in the mornings just to spend a#few more minuted w her each day and she was the cleverest girl in school and she cared abt nothing but her academics but now shes very gay#scraggly homosexual etc etc shes cute) and YEAH IDK#like id have to go there on the date come back fast meet ppl POTENTIALLY (again under 5%) meet situationship girl#like is that even doable#but the thing is it would be so so so funny bc all of my friends dislike her sooo much#.........what if i invited the girl im supposed to have a date w over to hang out w us#god that would be so hilarious and chaotic . i wont do it tho im a mature person x#but it would be soooo funny#I HAVE AN ASSIGNMENT DUE TMRW 12:30PM IT IS 10:49PM RN I HAVENT STARTED IT bc i was rotting sadly in bed#popped a ritalin pill tho so here we go x#i have found myself in a state of such sheer agony and rage and sorrow and grief over this girl that atp i feel like#its just so entertaining . like i feel vaguely over it? ik nothing will come of it so its like just . have fun . vibe
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cryptcatz · 2 months
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so sick and tired of constantly stressing over the thought that the people that love me actually don’t or they will inevitably get sick of me eventually because i am inherently unlovable. why can’t my brain just let me be loved in peace? why must i be scared the whole time, waiting for the moment when they abandon me? why can’t i just bask in it while it lasts?
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elavoria · 6 months
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WIP Whenever
Tagged by @boethiahspillowbook, thank you m’dear! I tag @nostalgic-breton-girl, @sheirukitriesfandom, and @dirty-bosmer, with no pressure as always. <3
To set the scene: The command room in Drezen, Anevia and Irabeth have just stepped out, and Isanna thinks she’s going to have some time relatively alone with Regill when a certain someone shows up—
“Hulrun!” Her wings flared outward in excitement—excitement so pronounced that she hardly noticed she had run one of them directly into Regill—and she couldn’t stand up fast enough. She hurried toward him with a grin, wings spread wide and halo burning bright, and stopped short just in front of him, gazing at him with breathless wonder. “Isanna,” he said with equal wonder, unable to take his eyes off her. “You look like you’ve just descended from Heaven itself.” She laughed softly and said, “You said you wanted to fight alongside the angels, didn’t you?” They gazed at each other lovingly, and she added, “You didn’t tell me you were coming.” Then indignantly, recalling Anevia and Irabeth’s timely exit, “No one told me you were coming. Ah, no matter.” Not caring that there were guards present, she took him in her arms and held him close, and as his arms found their way around her lower back, she folded her wings behind her and relaxed into the embrace, only for him to tense and gently push her aside. “What’s this devil worshiper doing here?” he demanded as he brushed past her. She realized he must have spotted Regill over her shoulder, and when she saw that his hand had moved to his sword, she quickly threw herself in front of him and spread her wings again to stop his advance. “Hulrun, no,” she said, her voice a low warning. “Paralictor Regill Derenge is here at my invitation as a trusted ally. You will show him the same respect you show me.” “You invited a devil worshiper to sit at your command table?” he asked. His eyes narrowed, his brow furrowed, and his hand was still resting on his sword, so she summoned all the authority she could even as she felt a flash of irritation. “His expertise has proven invaluable to the crusade,” she said. “It was his strategy that allowed us to take Drezen with minimal losses. Please, he worships Iomedae just as you do.” “What he worships is a heretical caricature of the Inheritor,” he said icily, eyes boring into Regill’s behind her. Seeing that her own piercing stare hadn’t wavered, he added more as a statement than a question, “You trust him.” “I do,” she said, and she felt her heart start to pound. “I trust him implicitly. With my life, and the lives of my soldiers.” His lip curled in disdain, and Regill finally spoke. “Not going to take the word of an angel from your precious Heaven, Prelate?”
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buttercupart · 11 months
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why doesn't chara & asriel live with toriel at all?
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everyone's gone on without you
#ok now to actually explain it and not just post no context imgs#it was a while from the time monsterkind was freed to when asriel and chara came back/came to the surface#and in that time life had continued going on without them. as it had the same way when they died#im thinking it was anywhere around a year before frisk in their infrequent trips to the underground#was able to convince flowey to take a piece of their soul so he could hold his goat form together somewhat#and bring him back to the surface#but for chara it took longer. two years maybe? from monster independence day to come back#because frisk had to first find out where chara's real original soul was being kept and then find it and stuff#i can talk about this another time its such a huge can of worms my god#BUT BASICALLY it was a few years and by the time both kids were integrating back into society#the lives of those they loved had changed so drastically#chara didnt know their parents split up. they didnt know asgore killed human children or that their mother went into isolation#not until the game events anyways#and when they cam to the surface and saw all of that stuff -in person- as well as how well/poorly one parent was doing over another#theyyyy didnt take it well. like their mother had a new partner (doesnt matter who take your pick) and was raising frisk#and their dad was super mega turbo divorced and depressed and had nothing but his garden#in their mind toriel didnt need them anymore. she had a new partner and a new human kid and chara had served their purpose#so they elected to stay with asgore so he would have Someone anyone in his life and asriel followed#iiittts a huge mess basically. huge emotional landmine mess of insane proportions#undertale#my art#ask
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thecoleopterawithana · 6 months
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Even though John is under-powered in this period we still see what made him so magnetic to Paul and to others around him. There is a scene early in Part Two that I find riveting. It takes place a couple of days after George has left. The status of everything - the project, the band - remains uncertain, but they are ploughing on for now. John, Yoko, Ringo, Paul and some of the crew are sitting in a semi-circle. Paul looks pensive. Ringo looks tired. John is speaking only in deadpan comic riffs, to which Paul responds now and again. Peter Sellers comes in and sits down, looks ill-at-ease, and leaves having barely said a word, unable to penetrate the Beatle bubble. At some point they’re joined by Lindsay-Hogg, and the conversation dribbles on. John mentions that he had to leave an interview that morning in order to throw up (he and Yoko had taken heroin the night before). Paul, looking into space rather than addressing anyone in particular, attempts to turn the conversation towards what they’re meant to be doing:
Paul: See, what we need is a serious program of work. Not an endless rambling among the canyons of your mind.
John: Take me on that trip upon that golden ship of shores… We’re all together, boy.
Paul: To wander aimlessly is very unswinging. Unhip.
John: And when I touch you, I feel happy inside. I can’t hide, I can’t hide. [pause] Ask me why, I’ll say I love you.
Paul: What we need is a schedule.
John: A garden schedule.
I mean first of all, who is writing this incredible dialogue? Samuel Beckett?
Let’s break it down a little. The first thing to note is that John and Paul are talking to each other without talking to each other. This is partly because they’re aware of the cameras and also because they’re just not sure how to communicate with each other at the moment. John’s contributions are oblique, gnomic, riddling, comprised only of songs and jokes, like the Fool in King Lear. Take me on that trip upon that golden ship of shores sounds like a Lennonised version of a line from Dylan’s Tambourine Man (“take me on a trip upon your magic swirling ship”). “We’re altogether, boy”? I have no idea. Does Paul? I think John expects Paul to understand him because he has such faith in what they used to call their “heightened awareness”, a dreamlike, automatic connection to each other’s minds. But right now, Paul is not much in the mood for it. His speech is more direct, though he too adopts a quasi-poetic mode (“canyons of your mind” is borrowed from a song by the Bonzo Dog Doo Dah Band) and he can’t bring himself to make eye contact. “To wander aimlessly is very unswinging,” he says (another great line, I will pin it above my writing desk). Then John does something amazing: he starts talking in Beatle, dropping in lyrics from the early years of the band, I Want To Hold Your Hand and Ask Me Why. (To appreciate John’s response to Paul’s mention of a schedule, American readers may need reminding that English people pronounce it “shed - dule”.)
What’s going on throughout this exchange? Maybe Lennon is just filling dead air, or playing to the gallery, but I think he is (also) attempting to communicate to Paul in their shared code - something like he loves him, he loves The Beatles, they’re still in this together. Of course, we can’t know. I can’t hide, John says, hiding behind his wordplay.
— Ian Leslie, "The Banality of Genius: Notes on Peter Jackson's Get Back" (January 26, 2022).
[I was curious to read more of Ian Leslie's approach to the Beatles in general and Lennon-McCartney in particular, since he's currently writing a book about John and Paul's relationship: “John and Paul: A Love Story in Songs". He's also the author of that New York Times opinion piece that came out today.]
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mclennonlgbt · 2 years
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"It's good to touch" - a McLennon compilation
Paul said in Rolling Stone interview in 2016: “He hugged me. It was great because we didn’t normally do that. He said, ‘It’s good to touch.’ I always remembered that – it’s good to touch.” Tbh, I was always very surprised by this quote because John and Paul were touching each other VERY much.
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And last but not least... SPIDERHAND!
I'm not trying to accuse Paul of lying because I understand he probably meant something else, but… we have ample evidence that there was a lot of tender touch between them <3
And in "Love" from "John Lennon/Plastic Ono Band" John sings: "Love is touch..."
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recallthename · 1 year
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With John and I it was so special, so special, I think both of us knew we couldn't get that again.  We really were a complete fluke - just two kids who happened to meet up in Liverpool and share an interest and start writing songs together.  And then developed, organically, together... All of these little awarenesses pretty much hit us at the same time over a period of years.  And you really become soulmates when that happens.
Paul McCartney - The McCartney Legacy Vol 1
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Saying you can host Thanksgiving when you're the planner in your relationship and you work in a retail-adjacent career is really just digging your own grave.
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