[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
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Bandee and Starstruck 🎀💖
starting off my february starstruck dee ship-a-ganza with the big one. they do seem like... the obvious answer, huh...?
they have far and away the most development together and the strongest personal relationship, both in what i've posted, and in her story overall! would kill or die for each other in a heartbeat. i would be absolutely lying if i said i'd never thought about it, but i'm not 100% convinced my thoughts lead me to romance specifically...
they're already pretty insane about each other! starstruck in particular is madly in love with bandee in every way it's possible to be. loves him the way he loves kirby, i think (pretty sure he does not know this. might be shocked to learn it.)
however she's daft as bricks, so he'd have to initiate, and i can't really imagine anything in their relationship would change.... so he'd have to mostly want The Title or the Performance one way or another, and i'm not super sure he would!
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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enver gortash fascinates me from the perspective of his relationship with the dark urge because like, as far as i know his alliance with them is one of the very few he didn’t actively despise. the guy was sold into slavery by his own parents (who tried to justify it by saying their child was a hateful monster and anyone would have done the same) and spent his formative years employed by a devil who gets off on gratuitous levels of suffering and manipulation. and then once he's escaped that and built himself up so he can never be used and enslaved again he meets this bhaalspawn who also had to adapt and survive a violent and manipulative environment for years by becoming the monsters who raised them.
gortash sees how the dark urge has risen to command armies and slaughter hundreds in the same way he outfoxed raphael and ruthlessly controls the people in his employ, and after earning and owning his reputation as a tyrant heres another person who might actually have like, a shared lived experience. not exactly a friend, because people like them can't afford to have friends, but someone who at least understands. and he willingly works with them on this plan to enslave the sword coast and agrees to share power with them.
and then orin lobotomizes them, puts a tadpole in their head, and leaves them for dead at moonrise.
like, can you imagine. youre working with the first person you see eye to eye with and prooooobably arent plotting to actively sabotage (or, at least would hesitate to do so) and the rug just gets yanked out from under them by their own sister, and now you're stuck with her because the plan still has to move along. and as the days go by a group of adventurers start to screw up your plot right when baldur's gate is within your grasp, and you learn that among them is your old almost-friend who you actually liked and respected - and they have no memory of you whatsoever. oh, and on top of that they're rolling with people you've actively fucked over and want to kick your ass.
did it hurt for him to learn this? did he ever think about how things could have been different? did he think, you were supposed to be my ally, my friend, someone who actually understands that becoming a monster is the only way to keep yourself safe and in control. we were going to rule together. and now you're ride or die with this squad of people you've only known for a few weeks at best, and you want me dead. you don't even remember me. you don't even remember yourself.
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Something that compels me so much about Maglor/Luthien is that if you change Beren with Maglor, the quest for the silmaril becomes so much more juicy
Because, yeah, on one hand it's still a suicide quest designated to either make Maglor give up Luthien or die in the process of the quest, thus freeing Luthien.
But on the other hand, this is Maglor's family treasure he is asking as bride price (which also makes it an actually accurate as a bride price is supposed to be something the groom's family already has yk), Thingol is asking Maglor to give him the whole reason the Feanorians even left Aman in the first place, the thing Feanor died trying to re-take, the reason he has been fighting for years.
Not to mention that depending on how you decide to read the oath, Thingol is asking him to not only curse himself but his entire family for Luthien, asking him if a life with Luthien is worth eternal damnation.
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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Random Thought #33: Idk how to say this without sounding like I’m tryna diminish Jin Zixuan’s one moment of unambiguous good, but I don’t think Jin Zixuan defending Mianmian would ever have happened if he had to do something more proactive than just…ignoring the words of a man he had been building a simmering hatred for over the course of a few weeks.
Jin Zixuan is shown (and explicitly said) to side with people he considers “his people.” While they are all hostages of the Wen during the indoctrination camp, outside of that shared victimhood, Mianmian is simply a stranger to Jin Zixuan, while his “defense” of her is simply refusing to move out of the way when Wen Chao—the man who had been targeting him for harassment every day for weeks on end—ordered him to. This is a very passive resistance. And not to say that this wasn’t a good deed or any less of a powerful moment, but if Wen Chao hadn’t singled out Jin Zixuan for bullying, would he have still ignored the former’s words to move out of the way? If Jin Zixuan hadn’t happened to be standing by Lan Wangji and Mianmian hid behind only the Lan, instead, would he have said anything in her defense? Would he have even physically moved to shield her? Is any of that in-character with the behavior we are shown of his throughout any of the rest of the novel?
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