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#the next casting for the 2020's run
clannfearrunt · 2 years
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i can’t keep listening to this pokemon trainer ass Kitaro hes doing psychic damage to me every time he opens his mouth
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utilitycaster · 5 months
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Dimension 20's Failed Genre Experiments
(This is the "Has Dimension 20 lost its touch?" post I’ve alluded to; please enjoy some genuine criticism masquerading as a riff on those sorts of articles for other shows.)
Dimension 20's debut and flagship burst onto the scene with a simple and elegant premise. What if a John Hughes movie were set at a high school for D&D adventurers? Its next full length pre-recorded season was the similarly strong urban fantasy The Unsleeping City, which in turn was followed up by the channel’s most ambitious outing yet: the Game of Thrones in Candyland mash-up, A Crown of Candy. 
Widely considered to be a watershed moment for the show, A Crown of Candy explored darker themes on a famously comedic platform, was the first on the channel to have permanent player character deaths, added new mechanics and limited what the players could choose to fit the world to support this more serious tone, and on a structural level, was a welcome departure from the prior rigid alternation between episodes of combat and episodes without. It was filmed prior to the pandemic but went to air in early April 2020, when many livestreamed actual play shows were on pause and even some podcasts were scrambling to figure out remote recording. D20 introduced their talkback show as a way for the cast to hang out remotely and chat about each episode, and Adventuring Party has remained a companion to the main show. The channel had hit its stride.
Its House of the Dragon sidequest, The Ravening War, aired three years later. Despite a complicated reaction to its announcement, it was a well-received outing, but one on what had by that time become a noticeably bumpy road.
Sidequests like The Ravening War are what D20 calls its shorter, 4-10 episode seasons that do not feature the main “Intrepid Heroes” cast in full nor necessarily feature Brennan Lee Mulligan as DM. We've seen everything from the perspective of the villains in both a Lord of the Rings clone (Escape from the Bloodkeep) and a Dracula homage (Coffin Run); to a Regency romance in the Feywild (A Court of Fey and Flowers). In addition to Mercer, Jasmine Bhullar and Gabe Hicks have each run a sidequest, and Aabria Iyengar has run three. And while the Intrepid Heroes' only venture outside D&D so far is the D&D-inspired Star Wars 5e, sidequests have been run in various Kids on Bikes hacks and Hicks' own Mythic system, as their shorter format makes it even easier to experiment with the parodies, pastiches, and mash-ups the channel is known for.
There have however been two notable failed experiments, and their close proximity (both released within the past year) could be a hiccup, or could be a sign that D20’s ambition, while admirable, could use some serious reining in. They are Neverafter and Burrow's End.
Marketed as the horror season, crossed over with fairy tales, Neverafter started out strong. Only three episodes in, there was an unprecedented (for D20) total party kill. The subsequent episode is the zenith of the season, in which each character is brought back, most of them changed and twisted by the experience, playing out an analysis of their role as an archetype within these stories: Sleeping Beauty and the classic roles of The Princess (introducing such NPCs as Cinderella and Snow White), for example; or Puss in Boots as The Trickster.
Unfortunately, the quality dropped soon after. It was revealed that the darkness spreading across the fairytale multiverse was due to the influence of The Authors, and the story began to be one about the concept of stories...while still trying to incorporate not only the plotlines of the fairy tales the main PCs were from, but also an intertwined conflict between the fairies and the princess NPCs. With this, the horror, with a few exceptions, melted away: violence and monsters are standard D&D fare, and when heroes race to save the world and victory seems not only possible but likely, any distinction between horror and a typical D&D heroic fantasy is lost.
It’s not the first overstuffed campaign, but it certainly is the first one that fails to land on several levels. Starstruck Odyssey is similarly chaotic and rushed at times, but it consistently sticks to a broad message of personal autonomy and freedom within late-stage capitalism. Mulligan is famous for his capacity to spin endless dense lore off the cuff, and if it at times overcomplicates the plot of the packed and colorful comedic space adventure, at least it contributes to the baked-in excess of the setting. But Neverafter's postmodern flourishes against a horror backdrop desperately needed an injection of sparseness and silence it never received. 
This is enhanced by the nature of actual play: with a few exceptions, even when filmed and even with the elaborate production values of Dimension 20, it is first and foremost primarily an auditory medium. We only know what is narrated to us. Neverafter did not permit its audience the time and space to fear the unknown. The existential horror of the metanarrative, of being a character doomed to a specific ending, while touched on by some of the cast (particularly Siobhan Thompson’s Sleeping Beauty), took a backseat to models of giant spiders and tales of undead dwarves. The story lacked the room to build real tension, but also failed to adequately create the claustrophobia of being truly trapped within its narrative. It feels more stuffy than unsettling.
Burrow's End is far less airless, but profoundly disjointed. Neverafter thought it knew what it was, but Burrow's End went through multiple identity crises by the halfway mark, and the marketing for the series reflects this.
The initial trailer makes it seem like a cute if dramatic story about a family of stoats - think Redwall, think Wind in the Willows. The first episode was excellent, however, and sold many who had been unimpressed by the trailers on the series, with its well-played setup of the clear Watership Down/Mrs. Frisby and the Rats of NIMH parallels with a unique twist in the form of The Blue.
The promotion took a strange turn, however, with the second episode and its infamous bear carcass battle map. It was hyped as uniquely horrifying, with a teaser video posted of the cast shrieking as the map, unseen by the audience, was wheeled past them. This seemed rather cavalier of the channel once the episode was posted, accompanied by a gore content warning covering a period of well over an hour...which was then further undercut by an exquisitely crafted, but ultimately rather tame display of a bear's innards. It was left out on the table during Adventuring Party as well, further reducing the idea of any meaningful shock factor (or any attempt to accommodate those in the audience who were triggered). The combat this map was for was a creative one, and the episode itself high quality, but it furthered the sense that Dimension 20 itself was unsure of what they were trying to get people to watch.
The series continued on with two more excellent episodes as it reached Last Bast, a clearly man-made structure full of thousands of stoats, with a strong dash of the police state. The actors immediately clocking the flaws of this society, but their stoat characters having no similar sense, led to a fascinating tension. However, the Blue (called the Light in Last Blast), previously described as some animating force and driver of magical power, and mysteriously concentrated in the brain of the dead-but-animated bear, was then revealed to be ionizing radiation.
At this point, the details of my own life become relevant. My career is in the field of health physics. I hold a master’s degree in this specialty and have served as a radiation safety officer, though not at a reactor. I don’t think that this background is a requirement to understand the structural issues of this season; but it certainly made me particularly attuned to the flaws.
Before you claim that this is just a show and who cares: In addition to my love of actual play, I am also a fan of comics and all sorts of speculative fiction. I am well aware that Spider-Man’s “radioactive blood” would not realistically grant him spider powers; I know that going into a high radiation field would not create Doctor Manhattan; I know that Superman does not actually have ‘x-ray vision’, and I know that radiation creates neither kaiju nor rad roaches. This is fine. In comics, radiation is a shorthand for “mad science” or “mysterious powers” with a sense of the lethal and the eldritch and the hubristic. The story is not so much about the source of these powers, but rather the great responsibilities they require. Godzilla, meanwhile, is clearly a metaphor for the very real nuclear devastation of Hiroshima and Nagasaki, and Fallout is an anti-proliferation and anti-war message with nuclear annihilation as the set up for its post-apocalyptic setting. These works understand that radiation is a limited-use plot device, and, wisely, they keep it simple.
Burrow’s End, by placing radiation front and center, has lost the message. The themes of the story are irretrievably muddled: what seems like a tale of family displaced by human intervention now positions a man-made hazardous material as both sinister corruption and divine boon, and engages neither with a fitting narrative of both the pros and cons of technology, nor of human and animal symbiosis. The finale establishes the latter in a rushed cut scene reliant on a single persuasion roll, and the two episodes prior to that meanwhile establish that while the humans first introduced radiation to the ecosystem, the first five stoats were the ones who sought it out and disseminated it and built the police state, and their true nemesis was Phoebe, one of their own. This culminates with Phoebe, the previously unseen fifth of the first five stoats (who have by now already been killed by the heroes), piloting the body of a 20-years-dead human, threatening to somehow cause global radiation contamination as her grand Evil Scheme. Unnecessarily, from a narrative perspective, I might add; this occurs after the final combat has already begun and she is magically controlling two of the party members. They’re already going to kill her. It’s a hat on a hat on a hat, and the humans are incidental.
When I was a child, I was enamored with the sort of stories in which children are sent to another time or place and then return with seemingly no time passing, and at one point excitedly told my mother I had an idea for a story, of what happens back while you’re time traveling. My mother, a fan of speculative fiction herself, and never one to coddle, told me “nothing, honey, that’s the point.” I wonder if something similar happened here; an attempted deconstruction of those radiation-granted superpower tropes, focused so hard on being clever it overshot into something anything but. Other elements of the story - particularly the weak pun of “copper” to hammer home the already obvious theme of population support being the arm of the police - make me think this was indeed an attempt at cleverness that missed the mark.
I am happy to elaborate on the flaws of the science elsewhere but I think the most succinct way to put it is that while the biology and habits of stoats sans radiation has been considered with what seems to be at least a modicum of love and care (their use of pre-existing burrows, Viola’s pregnancy), the radiation science/understanding of recent nuclear history can only be described as abysmally neglectful, in and out of game. They let a Loss of Coolant Accident go on for three days with a remarkably casual attitude? This disaster was sufficient to result in what appears to be an exclusion zone (of which there have been three, ever, in human history; two of which are the immediately recognizable Chernobyl and Fukushima) and yet it isn’t being monitored closely enough for someone to notice that there’s been penned animals next to the building for years (let alone that the building itself is teeming with stoats)? For that matter, they’re opening the site only twenty years later? After the “radiation dust”, apparently present on the fully maintained roads by the reactor, but neither within nor in front of the reactor, just now made 14 people bleed out (not how Acute Radiation Syndrome works; also 14 deaths from ARS in 1982, when the series is set would in fact be an unprecedented disaster. In our world, Chernobyl - which had not yet happened in 1982 -  is the only nuclear accident that exceeds that ARS death toll.)
Radiation becomes an all-purpose plot engine with no internal consistent logic: it kills humans swiftly and brutally (though based on statements by Dr. Tara Steel and the fact that she seems fine in only a hazmat suit - which shields from contamination but will stop neither gamma nor neutron radiation - only via inhalation). But it infects chipmunks and bears with corruptive and bizarre neurological effects, turns wolves into horrifying but loyal hybridized monstrosities, and conveys to stoats not just human intelligence, but mastery of human language, magic spells, and the ability to come back as a revenant through force of will…though it also can immediately kill them, but also extend their lifespans, but also cause them to slowly mutate into wolves (but not through DNA splicing transfer, that would be silly). It kills 14 humans nearly instantly with off-site dust, but another survives a fiery attempted core meltdown with no apparent ill effects.
There is an excellent and thoughtful story about family, generational trauma, and political structures somewhere under here, and the incredible cast does its damndest to sell it, but it is all but lost beneath a sci-fi whodunnit that would make Ed Wood cock a skeptical eyebrow.
Neverafter and Burrow’s End’s respective collapses under the weight of ambition coincide, perhaps unintentionally, with some of the more dubious film editing choices on Dimension 20. Filmed actual play can be visually unexciting, and Dimension 20 has used simple shot/reverse shots, as well as some sound effects (notably for critical hits and fails) throughout its run to break it up. Neverafter, however, is marked by deliberate hisses and glitches, fractured split screens, echoey vocal effects, and nails-on-chalkboard screeches. This did not add to the atmosphere as intended; at best they were irritating and for many made it actively harder to hear key dialogue. Burrow’s End’s editing has been simpler, mostly relying on some, to be fair, well-placed cuts to black and voice distortion to indicate taped or radioed segments; but a key moment - Jaysohn’s potentially fatal rush into radioactive waters - is undercut with a frankly cheesy montage. Others I spoke to compared it to Indian soap operas, 1960s Doctor Who, The Oscars In Memoriam video, and reality show farewell reels. It takes what could be a tense potential character death - something D20 already handles wonderfully with their iconic Box of Doom - and makes it cheap and tacky, particularly jarring given the beautiful and haunting shadow puppet animation the season had previously delivered to convey the stoat creation myths. (And then, when Ava falls into the waters herself saving him, she merely comes back as a revenant with no ill effects. The stakes were never there to begin with in this smoke and mirrors season.)
Praise for Dimension 20 often hinges on its original innovative structure; most actual play shows skew towards more longform storytelling. However, the short format comes with a price. The fixed length of D20 seasons and the elaborate, custom made maps require a deft GM that can guide players to the exact right place without it seeming forced. Threading the needle is harder than it looks; even the otherwise iconic Fantasy High debut season stumbled towards the end when the players were too good at uncovering the mystery, and Mulligan had to place their characters in an inescapable prison in order to pad out a pre-scheduled episode before the finale. Perhaps the strain of this constant need to live up to a reputation as high-concept innovators, rather than simply create something good and cohesive, is beginning to show. The higher production values in Neverafter and Burrow’s End cannot hide their messy plots and confused messages, and indeed only highlight them. One interview said that for Burrow’s End, Iyengar wants the audience to trust her; after Burrow's End, I can’t say I do.
The next Dimension 20 season after Burrow’s End is a long-awaited return home to the flagship: Fantasy High Junior Year. Let’s hope this reminds the channel where they came from, and what magic they are capable of making when they keep it simple.
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bcacstuff · 8 months
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Timeline 8 June - July 2023
For completeness and to consult when there’s discussion about his whereabouts. In addition to the previous timelines.
Timeline 8 covers 1 June 2023 - 31 July 2023
For previous dates see timeline 7
OL promo for S7 starts on June 1st 2023 at ATX TV Festival in Texas with CB and Maril as the women panel.
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4 June S arrived in NYC, the next day he's spotted, first of the many pics and videos you can find in my archive, around the dates between 4 and 13 June and around the events, GMA, Live with Kelly and Mark, The Today Show, HSC/92NY, video and video on YT, and the premiere at Tribeca of which many pics and video's and the panel, including the afterparty at Veronika NYC.
On 10 June he was spotted at the airport in Brussels, returning for filming TCND in the next week. Though no pics from filming, his sm times confirm filming, especially the nightshoots. He recorded a podcast with Alex Z as well from Belgium in this week.
On Sunday 18 June he is seen at a sports event in Ratingen (Germany). He's spotted with GE. The next day, 19 June he's spotted at an airport, even though the fan posting the pic doesn't say what airport, it's pretty obvious it's Düsseldorf International Airport, close to Ratingen. She didn't know where he was heading.
While there's already a pic from the 'TCND-camping' in Malmedy posted on Tuesday 27 June and a fun story on 28 June. Confirmation on 29 June, he's there as well on a video of a chair dance and foam slide with the crew and many pics, videos, footage from all the BTS fun. Footage from the night shoot on Friday 30 June as well, all in Malmedy as a local newspaper article reported.
A fan pic was taken in Brussels on Sunday 2 July, the fan confirming he's hanging around with Eleanor Tomlinson. Monday 3 July seems to be another night shoot and other days of the week as well. Friday 8 July a story of an ice truck on set for the crew and cast, thanking Sam for it, is posted.
As of Monday 10 July, the crew is filming stunt driving near Theux in the Liege region, on Tuesday 11 July S posts a call sheet and some animals in his stories from the Safari park nearby. Joel Morris posts they've wrapped (for their parts)
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Though not sure if he's involved in scenes after the post on Tuesday, filming went on and on Friday 14 July was officially wrapped. Our hopes of seeing some glimpse of the wrap party on Friday night got rewarded with some pics and a video.
Already the next day, Saturday 15 July, he's spotted at the airport of Miami by a fan.
On 16 July he was spotted by a fan on the beach at W Hotel South Beach. The story was posted RT but only later on discovered as a post.
On 21 July he posted some pics of a trip to Key West on his IG
Meanwhile the full list of his booze events SS tour was posted
On 23 July, a pic was posted in his stories, showing him and AN, he tagged an event in NOLA. In the next days several pics and videos were posted showing their activities. They stayed until Wednesday 26 July.
Thursday 27 July, the first stop of the SS tour was in Florida, where some thought they need to be there at 4am. Others just found the back entrance and when leaving they practically were in his car. After the signing session, he shows up in the South bar/restaurant Canyon in Ft Lauderdale, the South bar & kitchen in Pompano as well as the YOT Bar&Kitchen apparently doing some pop-up SS events.
The next day, 28 July he's a spot on South Florida Live tv shown at the nbs6 website.
On 30 July he pops up at the Si Si restaurant and resort at the Sunday Brunch as surprise guest serving some cocktails and drinks and apparently got interviewed for the Hamptons Social. He's there with his team and photographer.
On 31 July he's papped in NYC by backgrid in running outfit with AN.
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Other timelines:
Pre Hawaii timeline
Timeline 1 August 2020 Timeline 2 September 2021 Timeline 3 February 2022 Timeline 4 August 2022 Timeline 5 October 2022 Timeline 6 January 2023 Timeline 7 April 2023
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Donald Trump faces more than 30 counts related to business fraud in an indictment from a Manhattan grand jury, according to two sources familiar with the case -- the first time in American history that a current or former president has faced criminal charges.
Trump is expected to appear in court on Tuesday.
The indictment has been filed under seal and will be announced in the coming days. The charges are not publicly known at this time.
Manhattan District Attorney Alvin Bragg's office has been investigating the former president in connection with his alleged role in a hush money payment scheme and cover-up involving adult film star Stormy Daniels that dates to the 2016 presidential election. Grand jury proceedings are secret, but a source familiar with the case told CNN that a witness gave about 30 minutes of testimony before it voted to indict Trump.
The decision is sure to send shockwaves across the country, pushing the American political system -- which has never seen one of its ex-leaders confronted with criminal charges, let alone while running again for president -- into uncharted waters.
Trump released a statement in response to the indictment claiming it was "Political Persecution and Election Interference at the highest level in history."
"I believe this Witch-Hunt will backfire massively on Joe Biden," the former president said. "The American people realize exactly what the Radical Left Democrats are doing here. Everyone can see it. So our Movement, and our Party -- united and strong -- will first defeat Alvin Bragg, and then we will defeat Joe Biden, and we are going to throw every last one of these Crooked Democrats out of office so we can MAKE AMERICA GREAT AGAIN!"
Trump was caught off guard by the grand jury's decision to indict him, according to a person who spoke directly with him. While the former president was bracing for an indictment last week, he began to believe news reports that a potential indictment was weeks -- or more -- away.
"Is this a shock today? Hell yes," the person said, speaking on a condition of anonymity as Trump's team calculated its response.
Bragg's office said it is in touch with Trump's lawyers.
"This evening we contacted Mr. Trump's attorney to coordinate his surrender to the Manhattan D.A.'s Office for arraignment on a Supreme Court indictment, which remains under seal," the district attorney's office said in a statement Thursday. "Guidance will be provided when the arraignment date is selected."
The legal action against Trump jolts the 2024 presidential campaign into a new phase, as the former president has vowed to keep running in the face of criminal charges.
Trump has frequently called the various investigations surrounding him a "witch hunt," attempting to sway public opinion on them by casting himself as a victim of what he's claimed are political probes led by Democratic prosecutors. As the indictment reportedly neared, Trump urged his supporters to protest his arrest, echoing his calls to action following the 2020 election as he tried to overturn his loss to President Joe Biden.
Trump has long avoided legal consequences in his personal, professional and political lives. He has settled a number of private civil lawsuits through the years and paid his way out of disputes concerning the Trump Organization, his namesake company. As president, he was twice impeached by the Democratic-led House, but avoided conviction by the Senate.
In December, the Trump Organization was convicted on multiple charges of tax fraud, though Trump himself was not charged in that case.
Trump's Republican allies -- as well as his 2024 GOP rivals -- have condemned the Manhattan district attorney's office over the looming indictment, and House Speaker Kevin McCarthy has vowed to launch an investigation into the matter.
GOP RALLIES TO TRUMP'S DEFENSE
Congressional Republicans quickly rallied to Trump's defense, attacking Bragg on Twitter and accusing the district attorney of a political witch hunt.
"Outrageous," tweeted House Judiciary Chairman Jim Jordan of Ohio, one of the Republican committee chairmen who has demanded Bragg testify before Congress about the Trump investigation.
Sen. Ted Cruz, a Texas Republican, called the indictment "completely unprecedented" and said it is "a catastrophic escalation in the weaponization of the justice system."
But at least one moderate Republican told CNN he trusted the legal system.
"I believe in the rule of law. I think we have checks and balances and I trust the system," said Rep. Don Bacon of Nebraska.
"We have a judge. We have jurors. There is appeals. So I think in the end, justice will be done. If he's guilty it will show up. But if not, I think that will be shown too," Bacon told CNN.
INVESTIGATION BEGAN UNDER CY VANCE
Bragg's office had signaled as recently as early March that they were close to bringing charges against Trump after they invited the ex-president to testify before the grand jury probing the hush money scheme. Potential defendants in New York are required by law to be notified and invited to appear before a grand jury weighing charges. But Trump ultimately declined to appear before the panel.
The long-running investigation first began under Bragg's predecessor, Cy Vance, when Trump was in office. It relates to a $130,000 payment made by Trump's then-personal attorney Michael Cohen to Daniels in late October 2016, days before the 2016 presidential election, to silence her from going public about an alleged affair with Trump a decade earlier. Trump has denied the affair.
At issue in the investigation is the payment made to Daniels and the Trump Organization's reimbursement to Cohen.
According to court filings in Cohen's own federal prosecution, Trump Organization executives authorized payments to him totaling $420,000 to cover his original $130,000 payment and tax liabilities and reward him with a bonus. The Trump Organization noted the reimbursements as a legal expense in its internal books. Trump has denied knowledge of the payment.
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daily-rayless · 1 year
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l'impératrice
It's time for another character appreciation post. Today let's discuss Mitsuru Kirijo from Persona III.
Right from when I first played P3 in 2008, I was drawn to Mitsuru's exceptionally elegant design.
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June 2008
As far as I can remember, this was the first Mitsuru art I ever did. Immediate pluses in her favor: nice boots and a sword.
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September 2009
Mitsuru's design is extremely sophisticated, but it's also grounded in reality.
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December 2009
Yeah, she's a wish-fulfillment character with her beauty and universal school popularity and fencing skills and motorcycle and effortless confidence and family wealth and Français impeccable.
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January 2010
But in terms of character design, she's fairly downplayed. There's no copious jewels, intricate hair, elaborate makeup, frills. There's actually very little visual ostentation.
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April 2010
Instead, artist Shigenori Soejima conveyed her sophistication through her long wavy hair, her stiletto boots, her cravat, and her longer-than-average skirt.
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December 2010
It conveys “fancy”, but not “excessive” – “impractical” – or even “fictional character”.
Well, maybe running through the halls of Tartarus in stilettos is a little impractical.
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December 2012
But it conveys more than “fancy”. The tall black boots give her a military air. The longer hem hints towards her being aloof, removed, more adult. The hair conceals.
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July 2013
The deep red color of her hair suggests rubies, merlot, velvet. But it also alludes to passion, courage – even eventual outrage.
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March 2014
Which leads me to my next point. Mitsuru's backstory may make her unrelatable to the average gamer. At least, the broad strokes of her history are beyond most of us.
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April 2015
But I think she's a very well written character. We might not be in her exact family circumstances, but we can still relate to her loyalty and anger.
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December 2015
Like most of Persona 3's cast, she has some serious moral failings. She's secretive, high-handed, and myopic in how she deals with grief as well as in how she lends her loyalty to others. Both during the game and in FES' The Answer -- the original game hasn't neatly corrected all of her faults.
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March 2020
For all her confidence, her Social Link reveals there are times when she can be utterly passive, playing into expected roles because of family loyalty and a reluctance to see herself as an individual.
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September 2020
But at her best, she's fierce, brilliant, and even endearingly awkward.
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November 2021
I love the combination of her refined design and cool (but secretly smoldering) personality.
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April 2023
Why would I ever stop drawing her?
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writingmochi · 1 year
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cast: txt all members & enhypen hyung line ✗ fem.reader
synopsis: an anthology series for txt and enhypen; a love letter from the author to “loveless”, my bloody valentine, and the shoegaze genre
genre: variative for each member
based on: music my bloody valentine’s “loveless” album (1991)
message from the moon: do remember that this is fiction and all the actions the idols do in these works do not reflect what they are in the real world. this is a non-priority anthology so all stories are standalone, won't have any schedule for deadlines, and will be written on my availability! also, noted that the infos written below aren't the final one so i can add/subtract anything.
i had this on the back burner for almost a year now, but i want to create hype (for others and myself) since this has been in my wip from the moment i posted it and since i have the desire to write the stories…
taglist? right here
writing order? here’s the poll result!
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only shallow
cast: rebel!sunghoon ✗ outcast!fem.reader
synopsis: watching the goonies on vhs in the corner behind a counter, you are working your night shift in a gas station in the center of downtown. head tilts up from the chiming bell, you see your school’s rebel and his red ford mustang behind him, a smirk on his face as you roll your eyes
genre: kinda enemies to lovers, 80s au, high school au,
warning(s): tba
inspired by: a bit of movie dazed and confused (1993) and the breakfast club (1985)
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loomer (visualizer) • an entry for equinox: the escapist
cast: jay ✗ fem.reader
synopsis: jay has always been a loomer, an introvert, and an outsider in a group of people others presumed are bad. looming in the shadows in the corner of the parties full of drinks, drugs, and sex, only can be seen with the flamed blunt of his cigarette in the dark. out of the blue, an orange flame is ignited in the dark corner, creating a silhouette of another person, another loomer, standing beside him
genre: lonely people in neon cities, drama, romance, early 00s au, bad boy au, angst, mature content (consumption of drugs, explicit smut)
warning(s): tba
inspired by: movie fallen angels (1995) and millennium mambo (2001)
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when you sleep
cast: hueningkai ✗ fem.reader
synopsis: a soulmate's connection can be different for each of them. kai’s connection to his soulmate comes every time he sleeps: when he relieved the highlights of the day that isn’t his, but his soulmate’s. kai didn’t like that his friend ask him to go on a double date with their soulmate and their friend. yet, the date doesn’t seem to be that bad
genre: soulmate au, college/uni au
warning(s): tba
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i only said
cast: soobin ✗ fem.reader
synopsis: your body sways as you stood in the middle of a crowded train car on the way home. you can see a glimpse of your crush, soobin, that stands, only a few people between you. as you see he turns his head and looks into your eyes, sending you into a trance for milliseconds. the train car is empty and light shines into the car, realizing you are not underground and sand fills the floor of the car
genre: magical realism, urban fantasy, silent lovers, meet ugly, hurt/comfort
warning(s): tba
inspired by: music video txt's "magic island" (2019) and "eternally" (2020)
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come in alone
cast: drummer!jake ✗ videographer!fem.reader
synopsis: the crowd cheers as you watch from the sideline from behind your camera, the band closing their shows for the night as they have to prepare for their next stop. a whistle can be heard as you see the drummer standing against the doorframe, waiting for you to be tangled in his arm. that is until your past haunts you in one of the shows
genre: band au, tour au, acquaintances with benefits
warning(s): traumatic experience
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sometimes
cast: rogue chaebol!beomgyu ✗ supermodel!fem.reader
synopsis: flashes of lights filled the dark void as you run the runway for the last time in your show in italy. what you didn’t see is a man whose importance people knew, hidden in the crowd as he looks at the glitz and glamour. only then do you see him in your sight as you sit in the back alley of the after-party, in solace as you join into an adventure you never expected to go
genre: existentialism, travel au, runaways, set in italy
warning(s): tba
inspired by: movie lost in translation (2003) with a tinge of call me by your name (2017)
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blown a wish
cast: taehyun ✗ fem.reader
synopsis: the eighteenth birthday is the one that you’ve been excited about since you enter high school. so excited that you even bought a candle set from one to 18 in counting down the days to your birthday, each candle represents a wish you want to achieve by 18. with taehyun beside you, surely you can achieve all your wishes, right? ...right?
genre: magical realism, romantic comedy
warning(s): tba
inspired by: movie 16 wishes (2010)
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what you want
cast: heeseung ✗ fem.reader
synopsis: sweats trickle down your forehead as you look at the track before you. all the training and hardships have come to this but you have an underlying thought crossing through your mind. is it worth it?
genre: drama, rivals to ???, athlete au
warning(s): tba
inspired by: movie i, tonya (2017)
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soon
cast: dance prodigy!yeonjun ✗ dance amateur!fem.reader
synopsis: a mirror wall resides on one side of the practice room you’re in. stretching your stiff body, you overcome yourself to follow your interest after a long time. dancing. not knowing that the room was actually bigger as there is someone on the other side of the mirror, looking and wanting to guide you to your glory
genre: dancer au, mystery
warning(s): tba
inspired by: the phantom of the opera meets movie step up (2006)
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taglist: @endzii23 @fluffyywoo @camipendragon @hiqhkey @haechanswaifu @wccycc @cha0thicpisces @y4wnjunz @stayzentiny @rebsmoonn @boba-beom @angelbythewindow @ttyunz @reallysmolrenjun
© writingmochi on tumblr, 2021-2024. all rights reserved
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sekaiichis · 2 years
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Do you have any fanfic recs?
Since I assume that you're asking for recommendations for Takaritsu fics that's what this list is going to consist of, hope that's what you meant lol. Odds are if you're asking you've already peeked around plenty of these fics and authors before because of the sheer word count they've put out for this pairing but I don't see the harm in getting out the word to more people LOL. Putting my rambling under the cut in case it gets long idk how much i’ll actually write yet.
My first inclination is to point you in the direction of @literally-ritsu and @misscorn's content, their content can be found on Ao3 and Fanfiction respectively at the hyperlinks above. That’s already 35 stories overall between the two of them, and they’re both still around adding more to their current stories and working on even more for future reading! I’ve always appreciated their characterization of the SiH cast bc for me at least that can be something that majorly turns me away from reading some fics. And if you read one story and like it, with them there’s plenty to go through!
This next one I may be a bit biased to since I run @takaritsuweek every year, but I go back to it a ton so I feel like I have to drop it here too! Cherishing You was a series of stories based off of prompts from 2020′s event. It’s by @saysaeri! She also has plenty of other Takaritsu fics to go through if you take a liking to her writing! Little Hearts is another one of her fics that I think about often.
All of the above were all fairly recent in the scheme of things when you consider how far back these fandoms go, but I’ll round out this list with something older! I remember reading through this series for the first time years ago, I stayed up way too late but didn’t regret it at all lol. The Silence is Thy Friend series is definitely an old favorite of mine. It has four separate one shots that total just about 50k words, so you can definitely take up an entire afternoon reading through all of them. I so badly wish there was a fifth entry to it, but considering how long it’s been I won’t hold my breath lol. ppl write fanfic for fun and for free after all, so we should be thanking ppl for letting us read their work 🥺
anyways i hope you haven’t already read all of those already, thank u for the ask :^)
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duhragonball · 1 year
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What are your opinions on the Funimation VO changes starting with Kai and into Super? I just can’t get used to Bulma
I missed a lot of these changes, since I didn't pay much attention to Kai, and I had to watch the subbed version of Super because it was all we had while it was coming out.
Bulma was the big change, since that happened around the time they released Curse of the Blood Rubies on DVD in 2011, and I think that was when it hit me that Monica Rial wasn't just a Kai-only deal. They weren't going to bring Tiffany Vollmer back for other stuff.
A lot of the voices changed in the Raging Blast games too. I think they had a whole other guy doing Cell, for example. So I thought Dameon Clarke left the cast for some reason, but then he was back in the Xenoverse games. I think sometimes it just comes down to who's available.
And sometimes there's just no choice. I'm not sure when Brice Armstrong stopped voice acting, but his last role on Wikipedia was from 2009, when he was about 73 years old, so I assume he just retired. Since then, he passed away in 2020, and then Chris Ayres in 2021, which means they'll need to cast a new voice for Frieza the next time he gets a speaking role.
I mean, there's a lot of other cast changes we could debate or speculate about. Vic Mignogna will probably never appear in another Funimation production ever again. Even if his scandals hadn't caught up to him, he made sure to burn his bridges when he sued Funi in that defamation lawsuit. I don't think Stephanie Nadolny or Linda Young had anything like that going against them. It may have just been a matter of going in a new direction with the roles they had been playing. And I'm pretty sure the reason Chris Sabat had so many roles in 1999 was because there wasn't a lot of talent available at the time, but now they can actually cast other people. There's a lot I don't know about their behind-the-scenes decisions, but ultimately, some changes are inevitable.
I get the frustration, because I really wanted a dub of Dragon Ball with consistent voice acting from start to finish, and it seemed like we almost got there around 2007 or so, when Funi re-dubbed the Saiyans and Namek arcs. Except... it really isn't consistent, because everybody started in the Frieza Saga, and then they did Buu and OG Dragon Ball around the same time, and then went back and did the Saiyans and Namek. Also, some VA's went back and dubbed over their old performances, so in the Frieza Saga Orange Brick DVD set, you have 2006 Sabat playing Vegeta alongside 1999 Sean Schemmel Goku.
That's the thing. Even when it's the same voice actors over time, their performances still change. Sabat's Vegeta started out as a facsimile of Brian Drummond's portrayal on the Ocean dub. Then he gradually got deeper and more gravelly as he went on, which finally hit its peak around 2008, I think, and then he settled into the version we have in Kai and Super.
Also, once DBS started up, it finally hit me that this thing probably isn't going to end anytime soon. It was one thing to hope for a consistent dub of Dragon Ball and DBZ in 2003. But now Funimation has been dubbing this franchise for a quarter century. They have to cast new voice actors. A lot of the old ones are going to quit or retire or die.
This is nothing new for the Japanese cast, since they started back in the 1980's. Daisuke Gori played Mr. Satan until his death in 2010. They cast Unsho Ishizuka to replace him... until his death in 2018. Currently, Mr. Satan is voiced by Masashi Ebara, age 69. So if they're still doing Dragon Ball stuff in twenty years, I think it's likely that they'll have to recast the role again.
I don't mean to sound morbid about this sort of thing, but that's how it is with a long-running franchise like this. Dragon Ball is 38 years old. Things are going to change, people are going to leave, and maybe come back, and then leave again. That's just how it is.
To put it into perspective, when Superman first started in the late 1930's, radio was a big deal, and by 1940, Superman had his own radio series starring Bud Collyer. Collyer was the voice of Superman until the radio show ended around 1951. Then he and some of the other VA's reprised their roles in a cartoon series that ran from 1966 to 1970. Collyer died in 1969, so I guess they must have had some episodes already recorded before the show got cancelled.
Now, I'm a Superman fan, so I'm familiar with Collyer's performance, but the version I grew up with was the Superman who appeared on Superfriends from 1973-1986, played by Danny Dark. Dark was in diapers when Bud Collyer first played the character, and he died in 2004, around the time George Newbern was voicing Superman in Justice League Unlimited.
So when you look at it that way, the voice changes in Dragon Ball aren't so unusual. It's pretty cool how Masako Nozawa and Sean Schemmel have played Goku for so long, but I don't think they'll be the last VA's to handle it in their respective countries. Goku's already a multi-generational character, and I have a feeling he'll be appearing in cartoons for a long time to come.
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safyresky · 1 year
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Crystal Springs Chapter 21: Jacqueline's Cat
aka, Two Weeks Later, is up and at em, right here! Give it a read, give it a review, have a blast and a half!
For those who've recently joined the tag, hi! Allow me to introduce to you my The Santa Clause 3-specific fic, Crystal Springs! If you're in the mood for some funky gen fic, featuring our beloved icy blorbo Jack Frost and a redemption arc of sorts, with a cast of absolutely unhinged OCs, I'd highly recommend giving Crystal Springs a chance! Here's a summary for you all to eat up:
"It's been nearly a year since Jack's thaw and things...could be better, admittedly. It seems, that as the year has gone on and he's improved his relationship with Santa and the whole of Elfsburg, his powers have taken a hit. December's just around the corner, and his powers are just short of being gone.
This wouldn't be a problem if it weren't for the fact that Jack's powers are the only reason that Elfsburg, the Workshop, and the North Pole are able to exist safely, tucked away under the Dome. With his powers gone, the winter magic that keeps the Dome sturdy and dishing out proper quantities of Christmas magic, is running hot and out of control. It's melting, and the North Pole is getting warm.
Unable to hide his power loss any longer, an intervention is held by the Council and Jack admits that he lacks the Frost. But thankfully, there is a solution: enacting the Legate Law, summoning the sprite next-in-line for the title of Jack Frost.
There's just one problem: Jack's Legate is his younger sister, Jacqueline, who he has not seen or talked to since he nearly killed her dead almost fourteen hundred years ago. Out of options, with no other possible solution in their sights, they do it, bringing Jack and the sister he hurt so many years ago back together once more, in the hopes that together, they can get Jack's powers back and stop the Deliquesce.
Unfortunately, the Frosts have never been very lucky. Soon after her arrival, Jacqueline starts experiencing some unexpected blackouts, with unintended consequences. With Jack's powers hanging in the balance, and Jacqueline on the fritz, the pair decide to head back home to Crystal Springs, bringing Jack face to face with the rest of his family...and an ancient threat waiting for their moment to strike, their carefully laid plans finally coming full circle. Seems like saving Christmas may be a little bit...complicated this year.
This fic is my baby. Originally posted in 2012/13, it was finished in 2014/15, rewritten in 2017, and then again starting in 2020. We're still working through the 2020 version NOW, hence why you see these random updates in the tags, but not on ff.net. (CS is not posted to ao3 as of yet, but I'll get to it one of these days! )
Piqued your interest? SCHWEET! Have some links.
PROLOGUE (skipable tbh, will be better once Frostmas is finished) CHAPTER 1 (good starting point, would recommend)
Not vibing it? Cool cool cool, go ahead and click that J key and head on down your dash to something you do vibe!
All caught up on CS 202X? Then onto the main event!
What's 🆕 In Chapter 21?
AXED the ENTIRE lost journals/here's what we learnt at the Dream Spire bit with the cold front, given that I took those events and spread them about the previous two chapters, Chapter 19: The Man with a Plan, and Chapter 20: Freedom, both of which were updated December 4th! (icymi) :)
Probably should've updated this one along with the other two, but I neglected to read ahead/totally forgot about the cold front preamble while Fino is fighting for his life under the bed lol, so here we are! Hopefully it didn't uh. Cause confusion for readers not on tumblr lmao
PREAMBLE ASIDE, WHAT'S GOING ON THIS CHAPTER?
🆕 Sibling fluff!
🆕 Blinter fluff!
🆕 CS lore!
🆕 Fiera's doing hot girl soot! (literally)
BETTER focus on the fam helping the cold front figure shit out re: blackouts and power shortages!
NEW Scott/Carol banter because Carol deserves to get a few digs at Scott!
WORD COUNT F A C T S: 2014 -> 4,440k 2017 -> 7,866k 2022-> 15,431k :O
I think last week's angst really spurred me on to finish this chapter. Please accept my humble offering of the main timeline where all the frosts are alive and thawed and nobody is dead, I swear. And as usual, if you find yourself enjoying it, do drop me a line! Send a review my way! Throw a reblog out there! I like to hear what people think! I will talk about these blorbos for DAYS.
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denimbex1986 · 10 months
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'Christopher Nolan's Oppenheimer, starring Cillian Murphy as the titular leader of the Manhattan Project and father of the atomic bomb, hits theaters on July 21, 2023. News broke in 2021 that Oppenheimer would be Nolan's next project, following the director's tradition of action-packed blockbusters like The Dark Knight, Inception, and Dunkirk. And given that his last feature, 2020's Tenet, was met with mixed reception, all eyes are on Nolan for how Oppenheimer will unfold.
Though it's opening against Greta Gerwig's IP-epic Barbie, Oppenheimer is generating plenty of buzz in its own right, with many theatergoers even planning for a "Barbieheimer" double feature despite the stark differences in content and tone. But one thing the films do have in common is their large, star-studded casts.
"Even though Oppenheimer is at the center of it, we had this incredible ensemble of actors bringing so much to the table," Nolan told EW, adding, "We have to be really on our game, we have to be faithful to the history here, and really know what we're up to."
As we anxiously await its release, EW has compiled everything you need to know about the cast of Oppenheimer.
Cillian Murphy (Robert Oppenheimer)
After a successful run in professional theater, Cillian Murphy was cast by director Danny Boyle in the seminal 2003 zombie flick 28 Days Later. That same year, he appeared in Intermission and Cold Mountain. The actor later reunited with Boyle by starring in the 2007 sci-fi flick Sunshine.
In 2005, he had his first of many collaborations with Nolan by playing the Scarecrow in Batman Begins and The Dark Knight Trilogy, followed by a role in Nolan's Inception (2010) and a cameo in Dunkirk (2017). In 2013, Murphy joined the cast of the television show Peaky Blinders, which concluded in 2022. More recently, Murphy was paired with his Oppenheimer costar Emily Blunt in A Quiet Place Part II (2020).
Murphy and Nolan sat down with EW to look back on their many collaborations, but both agreed the advent of Oppenheimer was notably special. "To be able to pick up the phone, and call [Murphy], and be like, 'This is the one where you carry the movie and really get to show what you can do."
That memory is cherished by Murphy as well, who added, "It was one of the best days of my life... I'll always turn up for Chris, no matter what the part is, but, secretly, it's a dream to play a lead part. The thing was, I had no idea. There was no preamble or anything, I just got the call. So it was incredibly exciting, and daunting, and terrifying, all at the same time."
Emily Blunt (Kitty Oppenheimer)
London native Emily Blunt, who plays fellow scientist and wife Kitty Oppenheimer, began acting in theater before moving to film with Paweł Pawlikowski's My Summer of Love (2004). Her next major role is perhaps the one that's stuck to her the most: Emily, the catty assistant to Miranda Priestly in 2006's The Devil Wears Prada (she later became the sister-in-law to costar Stanley Tucci when he married her sister, Felicity).
After her scene-stealing turn in Prada, Blunt began landing more prominent parts. She starred opposite Steve Carell in Dan in Real Life (2007), with Tom Hanks in Charlie Wilson's War the same year, in the indie hit Sunshine Cleaning (2009), and in the big-budget flop The Wolfman (2010). Blunt next moved into action with a role in Edge of Tomorrow (2014) and anchored Denis Villeneuve's gritty thriller Sicario (2015). She then became one of the few actors to embody Mary Poppins with 2018's Mary Poppins Returns, and returned to the Disney fold in the amiable adventure Jungle Cruise (2021).
Blunt previously dated singer Michael Bublé from 2005 to 2008 before she met actor and director John Krasinski in 2008. The couple married in 2010 and share two daughters. Krasinski and Blunt have worked together on both A Quiet Place films, which starred the couple and were written and directed by Krasinski.
Robert Downey Jr. (Lewis Strauss)
Robert Downey Jr. began acting at 5-years-old, but things didn't start taking off for him until he was an adult. His early notable roles include Charlie Chaplin in Chaplin (1992) — for which he was nominated for an Oscar — and Wayne Gayle in Natural Born Killers (1994). Around this time, Downey also began to fall into a spiral of substance abuse and addiction, leading to a number of arrests in the late '90s. In 1999, he was sentenced to three years in prison but served just one before a judge ruled that Downey's combined time spent incarcerated since 1996 counted as his full term.
After his release, Downey began his comeback tour. He joined the cast of Ally McBeal to much acclaim, starred in Mel Gibson's The Singing Detective (2003), terrorized Tim Allen in Disney's The Shaggy Dog (2006) remake, played reporter Paul Avery in David Fincher's masterpiece Zodiac (2007), and joined up with director Jon Favreau for his career-defining role as Tony Stark in Iron Man (2008).
In the midst of his professional renaissance, Downey met his future wife on the set of 2003's potboiler Gothika. Downey married film producer Susan Downey (née Levin) in 2005. They have two children and co-parent Downey's first son, Indio, from his previous marriage to Deborah Falconer.
After joining the MCU, Downey's career took a significant upswing. He appeared in 10 Marvel films, along with two of Guy Ritchie's Sherlock Holmes pictures as the titular detective. Along with his wife, Downey founded Team Downey, a production company that has produced films such as The Judge (2014) and Dolittle (2020).
Downey reports that he has been drug-free for two decades, thanks to his wife and his proclivities for meditation and kung-fu. When asked by Oprah Winfrey how he has been able to stick to his sobriety, Downey told the host, "It's really not that difficult to overcome these seemingly ghastly problems. What's hard is to decide to do it."
Matt Damon (Leslie Groves Jr.)
Practically everyone knows the story of Matt Damon, who with his childhood buddy Ben Affleck went on to script and star in Good Will Hunting (1997), win an Oscar, and kickstart a career of big-budget tent poles and respected awards pictures alike. He went on to give a thrilling performance in 1999's The Talented Mr. Ripley, and shortly thereafter joined the star-studded cast of Steven Soderbergh's Ocean's Eleven and its sequels, Twelve and Thirteen.
The actor soon earned his franchise credentials with four turns as Jason Bourne, beginning with The Bourne Identity and culminating in Jason Bourne (2016). He also worked with Martin Scorsese in The Departed (2006) and re-teamed with frequent collaborator Steven Soderbergh for Contagion (2011). Damon soon won universal acclaim for his turn in The Martian (2015) a year after his first collaboration with Oppenheimer director Christopher Nolan, when he played another stranded spaceman in Interstellar (2014).
Recently, Damon starred in the gripping thriller Stillwater (2021), the historical epic The Last Duel (which he also produced and co-scripted with Affleck and Nicole Holofcener), and the 2023 feel-good sneaker biopic Air. As a producer, Damon has worked on Manchester by the Sea (2016) as well as the HBO show Project Greenlight.
The actor shares four daughters with wife Luciana Bozán, with the eldest, Alexia, from her previous marriage.
Florence Pugh (Jean Tatlock)
While still in school, Florence Pugh made her acting debut in Carol Morley's film The Falling (2014), where she earned rave reviews and quickly went on to give a searing performance in Lady Macbeth (2016), as well as in Marcella (2016) and The Commuter (2018). Pugh then earned mainstream acclaim with 2019's feel-good sports comedy Fighting with My Family. The same year, she starred in Ari Aster's psychological folk horror film Midsommar. At the end of 2019, she played Amy in Greta Gerwig's tremendous adaptation of Little Women.
Pugh next starred as Yelena Belova in Black Widow and the Disney+ series Hawkeye before taking a much talked about role in Olivia Wilde's Don't Worry Darling (2022). In 2022, she also appeared in The Wonder and as Goldilocks in Puss in Boots: The Last Wish, followed by a starring turn in her ex-partner Zach Braff's directorial effort A Good Person.
As for playing Jean Tatlock, fellow scientist and lover to Oppenheimer, Pugh told BBC Radio 1,"Working with Christopher Nolan was quite possibly one of the most thrilling experiences in a different way, partly because he works with professionals. He is a professional. But his dedication to the craft of filmmaking and old filmmaking is just magical to watch."
She continued: "To just watch every single crew member on that set work so hard for him, to get his approval… Everybody is constantly trying to be better the next day. And I've never seen that feeling on set before."
Dylan Arnold (Frank Oppenheimer)
Dylan Arnold made his acting debut in 2012's Fat Kid Rules the World before going on to act alongside Keira Knightley in Laggies (2014). He appeared in Mudbound (2017) and on episodes of SWAT, The Purge, and Nashville before netting a key supporting role in David Gordon Green's 2018 Halloween reboot and its sequel, Halloween Kills (2021). In 2021, Arnold joined the third season of You as Theo Engler. He'll appear in Oppenheimer as Frank, younger brother to Robert and physicist in his own right.
Benny Safdie (Edward Teller)
Director and actor Benny Safdie has collaborated with brother Josh Safdie on several feature films, including Daddy Longlegs (2009), The Black Balloon (2012), Good Time (2017), and Uncut Gems (2019). With Good Time, Safdie moved in front of the camera to give a critically acclaimed performance as Robert Pattinson's brother. More roles in Pieces of a Woman (2020) and Paul Thomas Anderson's Licorice Pizza (2021) shortly followed.
In 2022, Safdie appeared in Claire Denis' erotic thriller Stars at Noon, and later gave an astounding performance in one of the 2023's best films, Are You There God? It's Me, Margaret, playing Margaret's father. He has been married to Ava Safdie since 2013, and the couple shares three children.
Gary Oldman (Harry S. Truman)
Gary Oldman is no stranger to working with Christpher Nolan, having appeared as Commissioner Gordon in the director's Dark Knight Trilogy. The actor began his career in London theater in the late '70s, appearing in Romeo and Juliet and Hamlet, before moving into film, essaying memorable roles in Mike Leigh's Meantime (1983) and as Sid Vicious in Sid and Nancy (1986).
The next decade brought Oldman acclaim overseas for his performance of the title monster in Bram Stoker's Dracula (1992), as well as the amped-up villain in Léon: The Professional (1994). Oldman has since been nominated for Best Actor at the Oscars three times for his roles in Tinker Tailor Soldier Spy (2011), Mank (2020), and Darkest Hour (2017) — the latter of which he won.
He was previously married to actress Lesley Manville, and the two share a son together. Oldman married Uma Thurman in 1990, but they were divorced two years later. Since 2017, Oldman has been married to art curator and writer Gisele Schmidt.
Tom Conti (Albert Einstein)
Scottish actor, director, and author Tom Conti got his start in the theater in 1959, later winning a Tony in 1979 for Best Actor in a Play for Whose Life Is It Anyway? After transitioning to film in the '70s, his noteworthy early roles included Reuben, Reuben and Merry Christmas Mr. Lawrence, both in 1985. Conti also appeared alongside Jennifer Aniston in Derailed (2005), in Julie Taymor's The Tempest (2010), played a prisoner in Nolan's The Dark Knight Rises (2012), and appeared as Judge Gerald Biggleswade in everyone's favorite movie, Paddington 2 (2018).
Conti has been married to actress Kara Wilson since 1967. The couple shares one daughter, Nina, an actress and ventriloquist.
Jack Quaid (Richard Feynman)
Son of Hollywood royalty Meg Ryan and Dennis Quaid, Jack Quaid made his film debut in The Hunger Games franchise as Marvel. He appeared in Logan Lucky (2017), rose to fame as Hughie Campbell on The Boys (2019-present), and blew the roof off of Scream (2022). He's also racked up an impressive list of voice credits in Batman: The Long Halloween as well as Star Trek: Lower Decks, not to mention as one of the Peter Parkers in 2023's Spider-Man: Across the Spider-Verse.
Playing Manhattan Project physicist Richard Feynman, Quaid shared in an interview with GQ (via FandomWire) that even just being on the set was intoxicating for him as an actor. "Shooting that was such an incredible experience. Like, I'm like a blip in that movie, but it was just so incredible to sit there and watch true masters do what they do."
Michael Angarano (Robert Serber)
Michael Angarano has enjoyed memorable roles in the films Almost Famous (2000), Seabiscuit (2003), Sky High (2005), and The Forbidden Kingdom (2008), as well as the television show Will & Grace in which he played Elliot, the son of Jack McFarland (Sean Hayes).
Angarano appeared with his Oppenheimer costar Olivia Thirlby in Snow Angels (2007) and had a memorable role in Steven Soderbergh's brilliant actioner Haywire (2011). In 2015, he starred in Wild Card and reunited with Thirlby in The Stanford Prison Experiment. More recent roles have included guest spots on series such as PEN15, Minx, and Angelyne.
Angarano is currently directing the upcoming film Sacramento, which stars himself, Kristen Stewart, and Michael Cera.
Josh Hartnett (Ernest Lawrence)
Josh Hartnett made his film debut in Halloween H20: 20 Years Later (1998), and starred in The Faculty the same year. He appeared in dueling war films (Black Hawk Down and Pearl Harbor) and a raunchy teen comedy (40 Days and 40 Nights) before recalibrating with roles in Brian De Palma's The Black Dahlia (2006), Lucky Number Slevin (2007), 30 Days of Night (2008), and the indie drama August (2008).
More recently, Hartnett has starred on the Showtime series Penny Dreadful (2014–2016). In 2023, he appeared in Guy Ritchie's Operation Fortune: Ruse de Guerre and an episode of Black Mirror's sixth season as a disturbed astronaut opposite Aaron Paul.
Hartnett has been married to English actress Tamsin Egerton since 2021, with whom he shares three children.
Matthew Modine (Vannevar Bush)
Matthew Modine made his film debut in 1983's Baby It's You, followed by an ensemble role in Stanley Kubrick's anti-war film Full Metal Jacket (1987), and a lead part in Married to the Mob (1988). Starring roles in '90s staples such as Bye Bye Love and Cutthroat Island gave way to supporting parts in Any Given Sunday (1999) and Spike Lee's Bamboozled (2000).
The actor later appeared in the high-octane sequel Transporter 2 (2005) and in the rom-com Girl in Progress (2012). That year also marked Modine's first collaboration with Christopher Nolan in The Dark Knight Rises, where he played Foley of the Gotham City Police Department. More recently, Modine has appeared in 47 Meters Down (2017), Sicario: Day of the Soldado (2018), and the reboot of Wrong Turn (2021).
Modine has been married to makeup and wardrobe stylist Caridad Rivera since 1980. The couple share two adult children, ballet dancer Ruby and assistant director Boman. The actor is also the head of an organization called Bicycle for a Day, which encourages people to abandon motor vehicles for a bicycle, if only occasionally.
Josh Peck (Kenneth Bainbridge)
One of the few child stars who parlayed massive stardom at a young age into adult success with a refreshing lack of controversy, Josh Peck rose to fame as a cast member of Nickelodeon's The Amanda Show and in the film Snow Day (2000). He took a successful dramatic turn in the chilling drama Mean Creek (2004) before going on to anchor his own Nick series, Drake & Josh (2004–2007) alongside recently embattled costar Drake Bell. Peck moved into more adult fare with roles in Drillbit Taylor and opposite Ben Kingsley in The Wackness (both 2008). He appeared in the remake of Red Dawn (2012), with Al Pacino in Danny Collins (2015), and in Netflix's 13: The Musical (2022).
Last year, Peck revealed to PEOPLE that he used to rely on drugs and alcohol to combat social anxiety. "I had this illusion of becoming more confident and attractive when I was partaking," he shared. "I was trying to quiet that voice that woke me up every morning and told me I wasn't enough." He stopped, however, when his substance abuse led to those in the industry labeling him as unreliable on set. "I had worked so hard for this thing and I was getting very close to losing it," Peck said.
The actor still cannot believe his good fortune to be cast in Nolan's latest epic as Kenneth Bainbridge, director of the Manhattan Project's infamous Trinity nuclear test. On the YouTube talk show Chicks in the Office, Peck revealed: "I have this really small part in [Oppenheimer]. I was on set two days ago going, 'I'm the guy from Drake & Josh, like what am I doing here?' But I'm soaking it up."
Olivia Thirlby (Lilli Hornig)
Olivia Thirlby made her feature film debut in Paul Greengrass' real-time 9/11 thriller United 93 (2006), in which the actor portrayed United flight 93 passenger Nicole Carol Miller. She then had a small part in David Gordon Green's Snow Angels before rising to stardom with her role in Juno (both in 2007), playing the best friend of the eponymous pregnant teen. In 2008, she starred opposite her Oppenheimer costar Josh Peck in The Wackness, a sweet NYC-set summer fable.
Thirlby laid low for a few years before returning to cinemas with key roles in the rom-com No Strings Attached, Kenneth Lonergan's Margaret, and The Darkest Hour (all 2011). She played Judge Anderson in Pete Travis' remarkably depraved and highly entertaining Judge Dredd reboot, Dredd (2012), before starring opposite yet another Oppenheimer costar, Michael Angarano, in The Stanford Prison Experiment (2015), and appearing in the bio-drama Chappaquiddick (2018).
In 2011, Thirlby came out as bisexual. She was married to Jacques Pienaar, whom she met on the set of Dredd, from the end of 2014 until early 2021 when he filed for divorce. In 2023, Thirlby's Juno costar Elliot Page revealed that the two had a physical relationship during filming.
Kenneth Branagh (Niels Bohr)
Oppenheimer is Kenneth Branagh's third collaboration with Christopher Nolan, after appearing in Dunkirk (2017) and Tenet (2020). Brannagh is a celebrated director in his own right, having been recognized by the Academy for helming Belfast (2021), along with nominations for his Shakespeare films Henry V (1989) and Hamlet (1996), both of which he starred in. (EW declared Much Ado About Nothing to be "not just the greatest Kenneth Branagh Shakespeare film," but "perhaps the greatest cinematic Shakespeare adaptation ever," Oscars be damned.)
He also helmed recent Agatha Christie adaptations of Murder on the Orient Express (2017), Death on the Nile (2022), and the upcoming A Haunting in Venice (2023). Many viewers may recognize him for his turn as Gilderoy Lockhart in Harry Potter and the Chamber of Secrets (2002) as well.
Brannagh was married to actor and writer Emma Thompson from 1989 until 1995. He then entered a relationship with Helena Bonham Carter until 1999. He has been married to art director Lindsay Brunnock since 2003.
James D'Arcy (Patrick Blackett)
Like many famous faces in Oppenheimer, James D'Arcy has worked with Nolan once before on Dunkirk. A renowned character actor, D'Arcy is best known for his MCU turn as Edwin Jarvis, butler to Howard Stark, in the series Agent Carter and Avengers: Endgame (2019). Other notable works include Master and Commander: The Far Side of the World (2003), Exorcist: The Beginning (2004), and Cloud Atlas (2012). He also played the legendary Psycho actor Anthony Perkins in the playful biopic Hitchcock (2012) and directed the 2020 drama Made in Italy, starring Liam Neeson. D'Arcy can be seen next in the upcoming sci-fi series Constellation.'
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mariacallous · 8 months
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As the United Nations General Assembly gathers for its 78th session, it does so in the wake of a summer that has repeatedly shown the global dashboard to be flashing red. Climate records have been smashed, with the highest average temperatures in thousands of years and devastating flooding from India and China to Norway and Greece. The Black Sea grain deal, intended to alleviate high food prices in lower-income countries, has broken down. Military takeovers in Niger and now Gabon bring the number of coups in West and Central Africa since 2020 to eight.
Confirmation of that gloomy picture will come at the summit on the Sustainable Development Goals (SDGs) on Sept.18-19 . This was meant to be a midway progress review: the implementation period for the 17 interlinked objectives, which include ending extreme poverty and hunger, began in 2016 and is due to end in 2030. The world is far from the right track. Out of 140 metrics by which the SDGs are measured, half are not on the desired trajectory and about one-third have stalled or gone into reverse.
That makes the interinstitutional squabbles over the summit’s desired outcomes especially dismal. The U.S. administration and its allies reportedly objected to calls in its draft declaration to reform the international financial system. It is a familiar stumbling block: rich-world national governments and the Bretton Woods international financial institutions bridling at any moves by the United Nations to stray into “their” territory. But the United States and its friends are not the only ones resurrecting red lines better suited to the history books than the present crisis. India and its allies also reportedly clashed over whether to make reference to the G-20 in the draft declaration.
Old ghosts seem to dog the process and allow no one to raise their eyes to the looming crises. These disputes risk making this crucial SDGs summit a flop. That would be doubly disastrous: virtually dooming the goals to nonfulfillment and casting a heavy shadow over the U.N.’s Summit of the Future, billed as a once-in-a-generation opportunity to renew global governance but already postponed from this year to next. Whatever the historical rights and wrongs of these interinstitutional suspicions, they are utterly out of step with the moment. Time and trust are running out, both on the SDGs and the wider restoration and renewal of the multilateral system.
That very urgency, however, also makes this a window of opportunity. Governments and institutions are recognizing that in our age of “poly-crisis,” new ambition is needed. Dynamic coalitions and initiatives are coalescing, like the Bridgetown Initiative, launched by Barbadian Prime Minister Mia Mottley to create additional fiscal space for climate and development spending. The Paris summit on climate and development finance in June may not have generated commitments on the transformative scale needed, but it represented a newly open and, crucially, political conversation on those topics between the so-called global north and global south.
New ideas and proposals are percolating through the international system. Take the report published in June by the G-20 independent expert group on strengthening multilateral development banks. It called for bold action on three fronts: adding global public goods to the banks’ existing goals of eliminating extreme poverty and boosting shared prosperity; marshalling new financial firepower to triple their lending by 2030 to $300 billion annually; and establishing a new “global challenges” mechanism enabling coalitions of sovereign and nonsovereign entities to crowd in lending alongside the multilateral development banks. This “triple agenda” ought to represent the realm of the eminently possible.
These new realignments, coalitions, impetuses, and ideas would make the failure of the SDG summit all the more lamentable. History will not be kind to leaders too tangled up in the intrigues and rivalries of corridors of power in Washington and New York to seize the opportunities of the moment. International financial institutions and national governments, particularly Western ones whose standing in the global system is already under strain, should welcome the U.N.’s engagement.
For its part, the U.N. system needs to find the versatility and nimbleness needed to marshal a consensus. Its architecture is creaking, built for a postwar world very different from today’s permanently shifting multipolarity. This is a reality further underscored by the G-20 summit in New Delhi last weekend, both in its strong focus on global governance reform and its diplomatically tortuous declaration skirting around Russia’s aggression against Ukraine. The old western powers backed down to accommodate their Indian hosts and their major developing country allies. That may not be a comfortable development, but it is a recognition that power is shifting globally and needs to do so at the United Nations, too.
Our collective priority must be restoring multilateralism and guiding the world onto a better course, including comprehensively meeting the SDGs by the goal of 2030. A new global polling report by Open Society Foundations, the philanthropy that I lead, ought to focus minds. Charting the attitudes of more than 36,000 respondents in a representative group of 30 countries, the Open Society Barometer documents a widespread appetite for greater ambition. Among those we surveyed, 65 percent agreed that lower-income countries should have a greater say on international financial decisions, 68 percent said that high-income countries should increase the World Bank’s funds, and 70 percent were anxious that climate change could have a negative impact on their lives in the next year.
Those figures and the expectations that they represent, not comparatively petty institutional squabbles, should be at the top of minds in Turtle Bay next week. There is not yet much sign that they will be. New Yorkers famously hate U.N. General Assembly for the traffic gridlock it produces. This year, they may have more grounds than ever for their impatience.
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booksread121 · 1 year
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[Read Online] Witchful Thinking BY : Celestine Martin
EPUB & PDF Witchful Thinking | EBOOK OR PDF ONLINE DOWNLOAD
by Celestine Martin
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  Ebook PDF Witchful Thinking | EBOOK ONLINE DOWNLOAD If you want to download free Ebook, you are in the right place to download Ebook. Ebook/PDF Witchful Thinking DOWNLOAD in English is available for free here, Click on the download LINK below to download Ebook After You 2020 PDF Download in English by Jojo Moyes (Author).
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Love is the trickiest spell of all. ? Lucinda Caraway loves living in Freya Grove, the mystic seaside town where charms, hexes, and magical beings of all kinds are the norm. She spends her days teaching high school history and her nights reading tea leaves and tending to her conjure garden. It?s a good life . . . but she can?t stop wishing for more. Until one night, that wish turns into a spell, and suddenly Lucy can?t say no. Not to a public karaoke performance. Not to running a 10K. And, most alarmingly, not to her high school crush, Alexander Dwyer, who needs her help unjinxing his new house?which just happens to be right across the street from hers. Alex has spent the last ten years traveling the world on adventures Lucy has only ever dreamed of, and he?s planning to leave again as soon as his house is safe to sell. But until Lucy can unhex herself, she and Alex are stuck together. And with so much magic in the air, maybe the next spell Lucy casts will be the one that convinces
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coffeestainedcamera · 2 years
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Gradually playing through Gotham Knights on PC and yeah, it's a 7/10 game if you get lucky with tech issues. I love everything the writers are doing with the character relationships and my fave villains of the Scott Snyder era, but they're absolutely getting dragged back by the Ubisoft-ied game design. It's not as eyeroll-worthy as the collectible overload of Assassin's Creed Unity or the explosive square footage of maps that plagued the series since IV, but moments like the fast travel point unlock process sure bring it to mind.
Still, there's enough affection for Gotham stories packed in to fully grab my interest, even with that tired design philosophy. So far, I got a Man-Bat plot twist that felt designed to mess with comics readers' expectations, Harley as a self-sufficient villain with a Goop-esque podcast, a nod to the Black Canary mini from 2015... Kind of unfortunate that we've also gotten references to the Lobdell decade, but I've been having a grand old time in spite of that infestation. Still, this decision feels rather contradictory to the inclusive energy we get in the room from the writers actually remembering Babs' supporting cast and working Tim's post-2020 arc in (even though it was all published well into the development process).
And while I've got an endless supply of jokes about Jason's frat douche look, I actually think that the character design work here has been an overall step-up from Rocksteady era. Its issues can be summed up by Poison Ivy's Arkham Knight look, which looks like someone was trying to style a 2010's Victoria's Secret shoot and only belatedly remembered that hey, she's got a thing for plants. The camera angles in cutscenes that were trying too hard to sell the femme fatale didn't help.
And I feel like if still handled by Rocksteady, Talia's appearances probably would have been a similar trainwreck. But no, she's allowed to have a pretty sensible outfit for a dangerous lady on the run from a society of assassins under Warner Montreal. And the cutscene direction thus far actually focuses on her face. Truly revolutionary, slow clap. Harley's on-screen evolution into a pretty menacing villain also was delightful, but I'm not going into it due to spoilers.
Another thing that charmed me was the consideration to accessibility this time around. There's an entire menu that I don't seem to remember encountering in the 2010's games, and it actually features an extensive section for physical accessibility. And it lets me toggle off the button-mashing QTEs, which normally aggravate pain from my old wrist injury! It's definitely not as extensive as accessibility menus in some of Sony's latest exclusives, but it already meant that I could tackle a certain rather cold villain's boss fight much more comfortably than if we were still in the 2010's.
So, several steps forward, several steps back. I do love what the WBM crew pulled together in spite of COVID and the Ubisoft school of game design, though. Here's to hoping they get to work on a less messy project next.
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hardterri · 2 years
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Lights out with david spade
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#LIGHTS OUT WITH DAVID SPADE MOVIE#
#LIGHTS OUT WITH DAVID SPADE OFFLINE#
#LIGHTS OUT WITH DAVID SPADE SERIES#
#LIGHTS OUT WITH DAVID SPADE TV#
#LIGHTS OUT WITH DAVID SPADE SERIES#
The ever-prolific comedian is next set to appear in an untitled comedy series for HBO, with the Diablo Cody created show focusing on Spade's Calvin Walsh, a recovering addict and grunge rocker.
#LIGHTS OUT WITH DAVID SPADE MOVIE#
The most recent David Spade Netflix movie outing was The Wrong Missy, which was a huge success on the platform despite receiving some harsh reviews. There haven't been any recent updates on Lights Out With David Spade being picked up for another season, however. Following news of the cancelation, there was hope Lights Out With David Spade could live on elsewhere, as Comedy Central shopped it around and other platforms expressed interest in picking it up. The news soon came in April that Lights Out wouldn't be coming back into production, which may have been down to the show only managing to retain about half of The Daily Show's viewers. Every episode of Lights Out with David Spade ever, ranked from best to worst by thousands of votes from fans of the show.
#LIGHTS OUT WITH DAVID SPADE TV#
Lights Out With David Spade received good reviews during its run, but like most late-night TV shows, Comedy Central paused production in March 2020 due to the COVID-19 pandemic. Both David Spade and Comedy Central wanted to focus to place much less of a focus on political discussions and create a lighter comedy series. Lights Out debuted in July 2019, with the format seeing Spade talk with a revolving trio of celebrity guests and comedians, including the likes of Bill Hader, Chelsea Peretti and Whitney Cummings. Comedy Central placed the series after The Daily Show, which has historically been a tricky spot for other shows to thrive in. It was probably inevitable he would end up with his own chat show, which finally arrived in the form of Lights Out With David Spade in 2019. Related: The Wrong Missy Cast Guide: Every Cameo In The Netflix Movie He's also a regular fixture on TV, with David Spade sitcoms including Just Shoot Me and Rules Of Engagement, which both lasted for seven seasons. David Spade interviews Deadmau5 for the coveted position of Lights Out Houseband. Kings arena a block of cocaine floating near the beach in South Carolina, the perks of bringing your phone to bed and Brad and Angelinas divorce. Subjects include: the Taylor Swift banner at the L.A. Spade regularly appears alongside fellow SNL alum Adam Sandler too, including Grown-Ups and 2016's The Do-Over. On the panel are Elanor Kerrigan, Adam Ray and Brad Williams. so far, no word back.Other David Spade movies include Joe Dirt, The Emperor's New Groove and the Grown-Ups movies. The suit claims by providing valet service the company was encouraging employees to drive to and from the party. David Spade interviews Deadmau5 for the coveted position of Lights Out Houseband. Lights Out With David Spade, which halted production last month due to the coronavirus pandemic, will not return to Comedy Central, Variety has learned. King's arena a block of cocaine floating near the beach in South Carolina, the perks of bringing your phone to bed and Brad and Angelina's divorce. September 10, 2019, 4:57 PM The production company behind 'Lights Out With David' is being sued after they wee accused of providing alcohol to an employee, who left the shows premiere and killed. Gralitzer was arrested and booked for gross vehicular manslaughter while driving under the influence.Īccording to the lawsuit filed by Benardout's estate, Viacom is responsible because it had authority over Gralitzer and could have stopped him from excessively drinking and driving. On the panel are Elanor Kerrigan, Adam Ray and Brad Williams. The suit claims Gralitzer was driving on Melrose at excessive speeds and ran into another car which careened onto the sidewalk, striking and killing 24-year-old Noah Benardout. Spades comedic style, in both his stand-up material and acting roles, relies heavily on sarcasm and self-deprecation. The suit characterizes Gralitzer as "severely intoxicated." It says he got drunk "with the permission and knowledge of one or more of his supervisors at Viacom."Īccording to the lawsuit, Gralitzer went to the valet, provided by Viacom, and the valet gave him the keys and he drove away. Spade hosted a late-night talk show Lights Out with David Spade, which premiered on July 29, 2019. The suit claims Jacob Gralitzer, who worked on the show, got drunk at the party and no one stopped him from driving.
#LIGHTS OUT WITH DAVID SPADE OFFLINE#
Download to watch offline and even view it on a big screen using Chromecast. Viacom was hosting the party at Nightingale Plaza nightclub in WeHo back in August, celebrating the premiere of "Lights out with David Spade." Buy Lights Out with David Spade: Season 1 on Google Play, then watch on your PC, Android, or iOS devices. Here's what happened, according to a new lawsuit. The company that owns Comedy Central, which produces David Spade's new late-night show, is being sued after one of the staffers allegedly left the launch party drunk, and killed a pedestrian.
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rolliinformation · 2 years
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Mortal kombat 12 2023
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MORTAL KOMBAT 12 2023 MOVIE
MORTAL KOMBAT 12 2023 FULL
He also said that the studio had heard the voices of fans, and they are working hard to "give the audience even more" in such a way that fans would be more satisfied. Jeremy Slater told The Direct in May that the script was about halfway done. The actor posted a very unique video that showed him on the lot of. Why not wait until the dream cast list is available? Because the film has already entered pre-production. The Twitter feed of Andrew Bowen, who happens to be the voice actor for Johnny Cage in the recent games, is one such place. However, one of the issues of securing bigger stars for the film is that their professional calendars are often packed with other movies. *Another excellent casting for the sequel would be to cast Dwayne "The Rock" Johnson as Kotal Kahn.
MORTAL KOMBAT 12 2023 MOVIE
Related: Best Video Game Movie Adaptations, Ranked Mortal Kombat Online provides exclusive updates, the latest information, and ongoing discussions, making MK Online the most trusted name of the Community.
MORTAL KOMBAT 12 2023 FULL
Here is the full list of games in release order. There are unconfirmed reports that studios have ignored these trends on social media and have begun courting Hunnam to play Johnny Cage instead. The last game released was Mortal Kombat 11: Ultimate in 2020, and now fans are gearing up for the release of Mortal Kombat 12, scheduled for April 2023 and available for PlayStation 5, Xbox Series X/S and Nintendo Switch. Kombat 12 to be in active development for a release somewhere in 2023. 1, 'We want Miz as Johnny Cage,' I was like, 'If they want that to happen, I need to basically make sure that I am prepared and ready that if that opportunity presents itself, then I will be ready and focused."Īnother name that has been circulating in the rumor mill has been Charlie Hunnam from Sons of Anarchy. EVO 2022 will apparently carry on that tradition in the coming months by seeing the announcement of Mortal Kombat 12. As soon as I saw that Mortal Kombat was out and there was no Johnny Cage yet and my name was literally trending worldwide No. Eagle-eyed fans spotted that on his monitor was a file named MK12Mast. Andersen tweeted the image below before scrubbing it 10 minutes later. It is the 12th main installment in the main series and will be released in April. 28 January 2022 Jonathan Andersen, a NetherRealm senior production manager may have revealed a big clue that the studio’s next game could be Mortal Kombat 12. In a different interview with ComicBook, the wrestler said he has already started training should the opportunity present itself: Netherrealm Studios and published by Warner Bros. One big name in the running is The Miz of WWE fame. *With Johnny Cage's name confirmed, fans have been posting on social media trying to cast the role themselves.
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greyslogo · 2 years
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Iohan gueorguiev bike wanderer
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#Iohan gueorguiev bike wanderer portable
€œI’ve lived vicariously through Iohan for years,” one reader commented below an article about Mr. €œHis curiosity just carried him over and over the next mountain,” said Joe Stiller, whose biking gear company, BarYak, sponsored Mr. He called the remote Dempster Highway in Canada’s far northwest “a world of blue ice and white sky.” “There is snow here nine months of the year, and I wanted to see the North as it truly was,” he said of his winter journey through the Arctic. Gueorguiev found wonder in the harshness of the wilderness. When he was running out of food on a particularly arduous journey, he nevertheless fed tortilla-and-peanut-butter sandwiches to stray dogs. When a tanker truck passing him on the road kicked up a storm of dust, he waved cheerfully in response. “Hey, beautiful!” he called out to a large bear staring at him. He would go as long as 30 days without seeing a fellow cyclist and, when biking was not feasible, could wait two days on the road to get picked up as a hitchhiker.Ī spirit of generosity helped him get by. Headwinds on desert plains required him to take long breaks sheltered behind rocks and make a campsite in a stray shipping container, which itself shook from powerful gusts. Gueorguiev tried to cast the obstacles he encountered as part of a grand adventure, his videos showed genuine hardships. He earned about $3,000 a month through the funding website Patreon and received bikepacking sponsorships, enabling him to exchange the basic touring bike he started with for one with fat tires designed for riding off-road. He would sometimes position the camera at a distance, making it appear as if he traveled with a cinematographer.
#Iohan gueorguiev bike wanderer portable
He shot his videos with a simple GoPro camera charged by a portable solar panel. While biking, he would get sidetracked by serendipitous encounters and eccentric trails. Gueorguiev occasionally flew back to Canada to earn money planting trees, he said. Gueorguiev’s exact movements could be hard to pin down, it seems clear he spent from April 2014 to March 2020 biking from the Canadian Arctic Circle to its South American antipode, the icy mountains and valleys of Patagonia. Calling himself the Bike Wanderer, he stood out for his Beatnik-like romanticism about the open road, in contrast to the competitiveness of many bike jocks and gear heads. He was a star in the world of “bikepacking,” long-distance bike travel conducted off main roads. Gueorguiev made his name overcoming challenges hurled at his body and spirit. His death was announced on biking websites late last month. The cause was suicide, said Matthew Bardeen, a friend who was helping to oversee Mr. 19 in Cranbrook, British Columbia, where he had been using the home of friends as a base for travel during the pandemic. Gueorguiev (generally pronounced gyor-ghee-ev) died on Aug.
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