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pukanavis · 3 days

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Fuyume Hanamura Idol Story 1

ーThe Yumenosaki Academy library, two years since the establishment of ES.

Fuyume: Excuse me?

Are there any fairy tales here…?

Oh, the shelf over there is the section for picture books and stuff?

Thank you for your help.

~...♪

(Ah, she was right. Yume recognises a bunch of the books over here.)

(They’ve got a good selection to choose from but the categorising is a mess. They’re just randomly thrown onto the shelf without any care for alphabetical order or release date.)

(Oh well…apparently no one has any love for fairy tales…)

(‘The Little Mermaid, ‘Momotaro’, ‘Tale of The Bamboo-Cutter’, ‘Snow White’, ‘Urashima Taro’, ‘Cinderella’—)

(Oh! It might not be the one Yume was looking for but he’s in the mood to read Cinderella today.)

(This story is another one that Yume adores.)

(It’s a tale about love being rewarded.)

…♪

Fuyume: …? Hm? Oh, uhm, you’re that nice person from earlier—did you need something?

You were so kind to Yume earlier, so he’d be happy to give you some company.

Huh? The Yumenosaki Academy library is off-limits to anyone that doesn’t work for or attend the school?

How could you tell that Yume isn’t a student here?

Ooh, cause Yume isn’t wearing the uniform…?

That makes sense…no biggie, Yume will be sure to wear the school uniform next time.

Yume is really good at sewing, so it won’t be a problem…fufu ♪

Huh? That’s not the issue?

Yume doesn't like anything you’re saying right now.

Here he was thinking you were a nice person.

Fuyume: Huh? Yume’s name is Fuyume Hanamura.

And you are? …Anzu-san? You’re a graduate of Yumenosaki?

You’re here at your old school to do some producer work, huh? It made you feel nostalgic so you’ve been walking around the grounds…?

Oh, is that the case? Hmm…♪

Then, aren’t you and Yume in the same boat? Yume goes to a middle school separate from Yumenosaki and you’ve already graduated…right?

It sounds like neither of us are allowed to be here.

Let's work together then, okay? If you pretend you never saw Yume, he won’t go around yelling, ‘There’s a trespasser in here!’ …♪

What do they call it? A contract, business, bargaining? Let’s do something like that…♪

If you’re willing to comply, Yume will leave you be. He isn't particularly interested in you anyway.

Yume is just here to read some fairy tales.

…♪

Fuyume: Huh? Did you need something else? You want to know what Yume is reading?

Ehehe, you’re interested in fairy tales? Sounds like we can get along.

Ehehehehehe. Yume is just reading a picture book about the massively popular princess, Cinderella. Though, he actually wanted to read something else.

Maybe you’ve heard of it? For some reason, no one in Japan knows about it—it’s a fairy tale about an amethyst.

Even if you don’t know the story, maybe you’ve heard this quote before?

—”The amethyst broke into pieces.”

Fufu. I guess you haven’t heard of it. Oh well.

Basically, it’s a story about an ordinary girl that comes across an amethyst that can grant any wish that she desires.

In fact, she actually fuses with the amethyst and becomes a crystalised-human of sorts.

It’s a curse put on her by an evil witch…ehehehehe ♪

The plot is kinda similar to ‘The Happy Prince’. Actually, something like ‘Arabian Nights’ or ‘The Monkey’s Paw’ might be a better match.

After transforming into the wish-granting amethyst, the girl wishes for her crush to pay attention to her, or to become better friends with people—

With each little wish she makes, the amethyst uses its power and gradually begins to crack—

Aah…♪ Eventually, her body becomes so fractured that it crumbles away and she loses all of the love and friends that she had been granted.

Her loved ones view her like a monster and chase her away in fear.

After everything, the final wish she makes is—

Fuyume: —Ah, wait, Yume thinks you should read it for yourself to find out what happens next. Spoilers are a crime!

Ehehe. If there’s one thing Yume can say, it’s that he empathises with the amethyst girl and even admires her.

At the end of it all, the final remaining piece of her—

Becomes a ring that showers the wedding between her best friend and the one she loved in joy.

After everything, her final wish is—wait, oops, Yume just realised how much he’s spoiling. He’s really really sorry.

You don’t mind? Really? You’re super kind, you know?

Ehehe. You see, Yume shares the same wish as the girl who became a ring.

—-“I wish for your life to be full of joy.”

During her final moments, the girl whose selfish asks led her to break apart used her last wish to bring someone else happiness.

Ehehe. Yume doesn’t have the power to grant wishes but he’ll do everything he can to achieve that too.

For example, Esu goes to Yumenosaki so Yume snuck in to watch over him in secret.

Huh? Does Yume love Esu?

It depends how you define ‘love’ but yep, Yume loves Esu.

But it's sad, isn't it? The reality we live in isn’t a fairytale.

—The amethyst already shattered long ago.

#Fuyume Hanamura #enstars translation #Ensemble Stars #4piece

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gnomebinary · 2 days

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This is my protocol bingo! (Thank you as always osric.com).

Lena is just doing her evil job - No thoughts, no morals, no alligence. Girlboss.

Nobody ever finds out Jmart's real names - I just think that would be tragic, and fit in with what RQ have been saying about this not being too attached to Archives.

Redemption arc - There was a notable lack of these in Archives even though forgiveness and making a conscious effort to behave morally were important themes in the later seasons. I'm ready for Mr Bonzo to have Kylo Ren's exact redemption arc where he's redeemed mostly through kissing. I don't even care who he kisses.

Froyo trip - It's pretty clear that we're being told that this is Somewhere Else through things like the Archives staff having tea and the OIAR staff having coffee. The s1 Archives gang iconically got icecream, so I'm gunning for a froyo trip, and a Gwen monologue about preservatives.

Colin dies first - He's just so killable. Plus, Celia can't die until they do her reveal and they'll probably want to build up to it, Sam can't die because he's the driving force behind investigation into Magnus, Alice can't die because she kinda makes the whole show, Gwen can't die because she's mid-arc and it is of the type that if left unfinished it would be anticlimactic not tragic, and Lena can't die because the impact would be pretty low.

Nostalgic PC games - I LOVE that RQ appears to be into old tech. I want to see Chester and Norris play Catz 5. Lowfi retro charm.

Dyhard - I go back and forth on this one, it feels too obvious what with the hot drinks imagery workplace annoyances to lovers stuff, but at the same time it does Just Make Sense.

Somebody becomes disabled - In Archives people were injured a lot, but none of that amounted to a long-term physical disability, except for Melanie's blindness. Feels like something to do in Protocol.

Police brutality - Feels like a theme that Jonny still has more to say about, and an incredibly easy one to weave into this kind of story.

Alice is hiding something - I actually think she isn't but y'all are saying it.

Alice naming stuff has consequences - She does it so much and Colin warned her off it, clearly seeming concerned but not explaining why, I think it will have unforeseen and damaging consequences.

Someone has a pet - In Archives, especially in the earlier seasons, everyone was notably unattached. Martin has a mum to take care of, but nobody has partners or children. I think this was partly because it made them easier to manipulate, and partly because it meant that tragedy could be dialled up: Sasha dying was sad, but not as gutwrenching as Daisy dying because Daisy's relationships were more fleshed out because it was later in the series. We're already bucking that trend with Celia's son, so I think we might see a pet too. Also, the pet will probably die.

Alice dies in the last season - Alice is very killable but she's also the heart and soul of the character relationships, so I think they will kill her but they'll wait to do it, and then do it mid-final season as an OOH THEY WENT THERE turning point, like how Tim dying brought in a new, darker era for Archives.

Conclusion that love isn't what makes you human - At London Comicon in October, Alex or Jonny (I forget) said that if Archives was about what makes you a monster, Protocol is about what makes you human. I think it's kinda trite if love is the answer, and I think the conclusion re love will be that monsters can love, because that's cooler. Hell yeah romantic monsterfucking.

Celia evil - I LOVE that we're seeing another Welsh person, but she doesn't sit well with me.

Agnes returns but we don't hear her speak - The tree on the other side of the rift is still alive, and if that universe was this one then that means that Agnes may still be alive. Jonny and Alex have said that they regret not doing more with Agnes, and I don't think they'll miss out on the opportunity to use her again. However, I think the fact that she doesn't speak is central to her tragic character and role as Jon's character foil, and I don't think they'll change that. I actually posted a tiktok about this.

Scene on London public transport - We're already seeing our gang at the pub and on dates, I think we're going to get some tube content.

Jmart fate worse than death - They're going to have us WISHING that they died in mag200.

Fears never treated as separate - I just think we're over that.

Breakup - They're getting the character relationships in early, so I'm predicting an onscreen breakup, because that's one of the few ways that we didn't see relationships between characters going bad in Archives.

Gerry's life gets ruined again - I'm sorry guys but I don't think they're going to let him have peace. He's going to get dragged into the OIAR situation and he's going to suffer.

Alice's brother lives - People are already noting similarities between Alice and Tim, I think that it'll be essentially the same character beat again if her brother dies. Adapt, improvise, overcome, RQ.

Another Michael - Just another character called Michael, unrelated to the four existing Michaels. I wasn't going to put this because Jonny is very aware of the four Michael problem, but this man plagurised his own full legal Christian name, so anything is possible.

Jack is Agnes' Jack - I think it's cool if we all think about how there was actually a massive age gap between Agnes and Jack because she didn't seem to age past her twenties, so he was absolutely a child when she was an adult. Not that I want to have Discourse or anything, that relationship was hecked up and complex in plenty of other ways, just because it's interesting.

Onscreen kiss - They said they wouldn't do it during Archives and then they did and it wasn't that gross, so I'm ready to see it happening again. They might have a relationship between allosexuals this time, I don't think they're going as far as onscreen fucking, but I'm game to be surprised. Insert joke about reusing the whimpering noises from Archives here.

#the magnus protocol #tmp #tmp spoilers #the magnus archives #tma podcast #tma #dyhard #colin becher #alice dyer #samama khalid #gwendolyn bouchard #lena kelley #celia ripley #tmagp

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whencyclopedia · 2 days

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White Plume

White Plume is a hero tale of the Sioux nation featuring the supernatural trickster figure Unktomi (Iktomi) who serves as a catalyst for transformation, whether for good or ill. In this story, Unktomi is the villain whereas in others, such as The Bound Children, he is a force for good. The tale is among the most popular Sioux legends.

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The following is taken from Myths and Legends of the Sioux (1916) by Marie L. McLaughlin. It has been edited for space considerations, but the unabridged tale will be found below in the External Links section.

There once lived a young couple who were very happy. The young man was noted throughout the whole nation for his accuracy with the bow and arrow, and was given the title of "Dead Shot," or "He who never misses his mark," and the young woman, noted for her beauty, was named Beautiful Dove.

One day a stork paid this happy couple a visit and left them a fine big boy…Time passed, and the boy grew up to a good size, when one day his father said: "Wife, give our son the bow and arrows so that he may learn how to use them." The father taught his son how to string and unstring the bow, and also how to attach the arrow to the string. The red, blue and yellow arrows, he told the boy, were to be used only whenever there was any extra good shooting to be done, so the boy never used these three until he became a master of the art…

One day the boy came running into the tent, exclaiming: "Mother, mother, I have shot and killed the most beautiful bird I ever saw”…The parents decided to give a big feast in honor of their son killing the strange, beautiful bird…The guests soon arrived…The great chief and medicine men pronounced the bird "Wakan" (something holy)…, the chief and councilmen bestowed upon the boy the title of White Plume.

One day, a stranger came to the village, who was very thin and nearly starved…After he had eaten and rested, he told his story.

"I came from a very great distance," said he. "The nations where I came from are in a starving condition. No place can they find any buffalo, deer nor antelope. A witch or evil spirit in the shape of a white buffalo has driven all the large game out of the country…Another evil spirit in the form of a red eagle has driven all the birds of the air out of our country…Many a marksman has tried his skill on this bird, all to no purpose…Another evil spirit in the form of a white rabbit has driven out all the animals which inhabit the ground, and destroyed the fields of corn and turnips, so the nation is starving, as the arrows of the marksmen have also failed to touch the white rabbit. Anyone who can kill these three witches will receive as his reward, the choice of two of the most beautiful maidens of our nation. The younger one is the handsomer of the two and has also the sweetest disposition. Many young, and even old men, hearing of this (our chief's) offer, have traveled many miles to try their arrows on the witches, but all to no purpose. Our chief, hearing of your great marksmanship, sent me to try and secure your services to have you come and rid us of these three witches."

Thus spoke the stranger to the hunter. The hunter gazed long and thoughtfully into the dying embers of the campfire. Then slowly his eyes raised and looked lovingly on his wife who sat opposite to him. Gazing on her beautiful features for a full minute he slowly dropped his gaze back to the dying embers and thus answered his visitor:

"My friend, I feel very much honored by your chief having sent such a great distance for me, and also for the kind offer of his lovely daughter in marriage, if I should succeed, but I must reject the great offer, as I can spare none of my affections to any other woman than to my queen whom you see sitting there."

White Plume had been listening to the conversation and when his father had finished speaking, said: "Father, I am a child no more. I have arrived at manhood. I am not so good a marksman as you, but I will go to this suffering tribe and try to rid them of their three enemies. If this man will rest for a few days and return to his village and inform them of my coming, I will travel along slowly on his trail and arrive at the village a day or two after he reaches there."

"Very well, my son," said the father, "I am sure you will succeed, as you fear nothing, and as to your marksmanship, it is far superior to mine, as your sight is much clearer and aim quicker than mine."

The man rested a few days and one morning started off, after having instructed White Plume as to the trail. White Plume got together what he would need on the trip and was ready for an early start the next morning. That night, Dead Shot and his wife sat up away into the night instructing their son how to travel and warning him as to the different kinds of people he must avoid in order to keep out of trouble. "Above all," said the father, "keep a good look out for Unktomi (spider); he is the most tricky of all, and will get you into trouble if you associate with him."

White Plume left early, his father accompanying him for several miles. On parting, the father's last words were: "Look out for Unktomi, my son, he is deceitful and treacherous."

"I'll look out for him, father;" so saying, he disappeared over a hill.

On the way he tried his skill on several hawks and eagles, and he did not need to use his painted arrows to kill them, but so skillful was he with the bow and arrows that he could bring down anything that flew with his common arrows. He was drawing near to the end of his destination when he had a large tract of timber to pass through. When he had nearly gotten through the timber, he saw an old man sitting on a log, looking wistfully up into a big tree, where sat a number of prairie chickens.

"Hello, grandfather, why are you sitting there looking so downhearted?" asked White Plume. "I am nearly starved and was just wishing someone would shoot one of those chickens for me, so I could make a good meal on it," said the old man. "I will shoot one for you," said the young man. He strung his bow, placed an arrow on the string, simply seemed to raise the arrow in the direction of the chicken (taking no aim). Twang went out the bow, zip went the arrow, and a chicken fell off the limb, only to get caught on another in its descent.

"There is your chicken, grandfather."

"Oh, my grandson, I am too weak to climb up and get it. Can't you climb up and get it for me?"

The young man, pitying the old fellow, proceeded to climb the tree, when the old man stopped him, saying: "Grandson, you have on such fine clothes, it is a pity to spoil them; you had better take them off so as not to spoil the fine porcupine work on them."

The young man took off his fine clothes and climbed up into the tree, and securing the chicken, threw it down to the old man. As the young man was scaling down the tree, the old man said: "Iyashkapa, iyashkapa," (stick fast, stick fast). Hearing him say something, he asked, "What did you say, old man?" He answered, "I was only talking to myself."

The young man proceeded to descend, but he could not move. His body was stuck fast to the bark of the tree. In vain did he beg the old man to release him. The old Unktomi, for he it was, only laughed and said: "I will go now and kill the evil spirits, I have your wonderful bow and arrows and I cannot miss them. I will marry the chief's daughter, and you can stay up in that tree and die there."

So saying, he put on White Plume's fine clothes, took his bow and arrows, and went to the village. As White Plume was expected at any minute, the whole village was watching for him, and when Unktomi came into sight the young men ran to him with a painted robe, sat him down on it and slowly raising him up they carried him to the tent of the chief. So certain were they that he would kill the evil spirits that the chief told him to choose one of the daughters at once for his wife. (Before the arrival of White Plume, hearing of him being so handsome, the two girls had quarreled over which should marry him, but upon seeing him the younger was not anxious to become his wife.) So Unktomi chose the older one of the sisters and was given a large tent in which to live.

The younger sister went to her mother's tent to live, and the older was very proud, as she was married to the man who would save the nation from starvation. The next morning, there was a great commotion in camp, and there came the cry that the white buffalo was coming. "Get ready, son-in-law, and kill the buffalo," said the chief.

Unktomi took the bow and arrows and shot as the buffalo passed, but the arrow went wide off its mark. Next came the eagle, and again he shot and missed. Then came the rabbit, and again he missed.

"Wait until tomorrow, I will kill them all. My blanket caught in my bow and spoiled my aim."

The people were very much disappointed, and the chief, suspecting that all was not right, sent for the young man who had visited Dead Shot's tepee. When the young man arrived, the chief asked: "Did you see White Plume when you went to Dead Shot's camp?"

"Yes, I did, and ate with him many times. I stayed at his father's tepee all the time I was there," said the young man.

"Would you recognize him if you saw him again?" asked the chief.

"Anyone who had but one glimpse of White Plume would surely recognize him when he saw him again, as he is the most handsome man I ever saw," said the young man.

"Come with me to the tent of my son-in-law and take a good look at him, but don't say what you think until we come away."

The two went to the tent of Unktomi, and when the young man saw him, he knew it was not White Plume, although it was White Plume's bow and arrows that hung at the head of the bed, and he also recognized the clothes as belonging to White Plume. When they had returned to the chief's tent, the young man told what he knew and what he thought.

"I think this is some Unktomi who has played some trick on White Plume and has taken his bow and arrows and also his clothes, and hearing of your offer, is here impersonating White Plume. Had White Plume drawn the bow on the buffalo, eagle, and rabbit today, we would have been rid of them, so I think we had better scare this Unktomi into telling us where White Plume is," said the young man.

"Wait until he tries to kill the witches again tomorrow," said the chief.

In the meantime, the younger daughter had taken an axe and gone into the woods in search of dry wood. She went quite a little distance into the wood and was chopping a dry log. Stopping to rest a little she heard someone saying: "Whoever you are, come over here and chop this tree down so that I may get loose."

Going to where the big tree stood, she saw a man stuck onto the side of the tree. "If I chop it down the fall will kill you," said the girl. "No, chop it on the opposite side from me, and the tree will fall that way. If the fall kills me, it will be better than hanging up here and starving to death," said White Plume, for it was he.

The girl chopped the tree down and when she saw that it had not killed the man, she said: "What shall I do now?"

"Loosen the bark from the tree and then get some stones and heat them. Get some water and sage and put your blanket over me." She did as told and when the steam arose from the water being poured upon the heated rocks, the bark loosened from his body and he arose. When he stood up, she saw how handsome he was.

"You have saved my life," said he. "Will you be my wife?"

"I will," said she.

He then told her how the old man had fooled him into this trap and took his bow and arrows, also his fine porcupine worked clothes, and had gone off, leaving him to die. She, in turn, told him all that had happened in camp since a man, calling himself White Plume, came there and married her sister before he shot at the witches, and when he came to shoot at them, missed every shot. "Let us make haste, as the bad Unktomi may ruin my arrows."

They approached the camp and whilst White Plume waited outside, his promised wife entered Unktomi's tent and said: "Unktomi, White Plume is standing outside, and he wants his clothes and bow and arrows."

"Oh, yes, I borrowed them and forgot to return them; make haste and give them to him."

Upon receiving his clothes, he was very much provoked to find his fine clothes wrinkled and his bow twisted, while the arrows were twisted out of shape. He laid the clothes down, also the bows and arrows, and passing his hand over them, they assumed their right shapes again.

The daughter took White Plume to her father's tent and, upon hearing the story, he at once sent for his warriors and had them form a circle around Unktomi's tent, and if he attempted to escape to catch him and tie him to a tree, as he (the chief) had determined to settle accounts with him for his treatment of White Plume, and the deception employed in winning the chief's eldest daughter.

About midnight, the guard noticed something crawling along close to the ground and seizing him found it was Unktomi trying to make his escape before daylight, whereupon they tied him to a tree. "Why do you treat me thus," cried Unktomi, "I was just going out in search of medicine to rub on my arrows, so I can kill the witches." "You will need medicine to rub on yourself when the chief gets through with you," said the young man who had discovered that Unktomi was impersonating White Plume.

In the morning, the herald announced that the real White Plume had arrived, and the chief desired the whole nation to witness his marksmanship. Then came the cry: "The White Buffalo comes." Taking his red arrow, White Plume stood ready. When the buffalo got about opposite him, he let his arrow fly. The buffalo bounded high in the air and came down with all four feet drawn together under its body, the red arrow having passed clear through the animal, piercing the buffalo's heart. A loud cheer went up from the village.

"You shall use the hide for your bed," said the chief to White Plume.

Next came a cry, "The eagle, the eagle." From the north came an enormous red eagle. So strong was he, that as he soared through the air his wings made a humming sound as the rumble of distant thunder. On he came, and just as he circled the tent of the chief, White Plume bent his bow, with all his strength drew the arrow back to the flint point and sent the blue arrow on its mission of death. So swiftly had the arrow passed through the eagle's body that, thinking White Plume had missed, a great wail went up from the crowd, but when they saw the eagle stop in his flight, give a few flaps of his wings, and then fall with a heavy thud into the center of the village, there was a greater cheer than before.

"The red eagle shall be used to decorate the seat of honor in your tepee," said the chief to White Plume.

Last came the white rabbit. "Aim good, aim good, son-in-law," said the chief. "If you kill him, you will have his skin for a rug." Along came the white rabbit, and White Plume sent his arrow in search of rabbit's heart, which it found, and stopped Mr. Rabbit's tricks forever.

The chief then called all of the people together and before them all took a hundred willows and broke them one at a time over Unktomi's back. Then he turned him loose. Unktomi, being so ashamed, ran off into the woods and hid in the deepest and darkest corner he could find. This is why Unktomis (spiders) are always found in dark corners, and anyone who is deceitful or untruthful is called a descendant of the Unktomi tribe.

#History #Sioux

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thepringlesofblood · 3 days

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little tidbits of Ragh, Porter, Jace, and Kalina lore from the past two seasons that you probably forgot about

SPOILERS for freshman & sophomore year obvs, as well as up to ep 16 of junior year [which is when I am writing this so if shit changes that's why]

Ragh got the Kalina disease from Porter

Kalina said Lydia Barkrock's name in FHSY - she says "I'm going to go kill Lydia Barkrock"

(source: 2:18:52 of ep 6 of FHSY)

What Ragh saw on prom night freshman year that made him a threat to Kalina: Jace and Arianwen talking to a third, invisible person. Then Porter steps in and does a type of barbarian healing spell that involves blood transfer, infecting Ragh. Then, as Ragh is walking home, Kalina threatens him, as he can see her now. So. BOTH JACE AND PORTER ARE AND HAVE BEEN EXTREMELY SUSPICIOUS INDIVIDUALS FROM THE START.

(source: 49:53 of ep 4 of FHSY)

We have never properly addressed the fact that Fig (and Emily Axford) did not start hating Porter completely out of nowhere. The triggering event was the Corn Cuties Incident at the very beginning of freshman year. In the immediate aftermath, after they go get Vice Principal Goldenrod (aka Kalvaxus), he orders Jace and Porter to keep watch over the crime scene. Fig rolled an insight check to see how Porter was reacting to the whole situation (Jace immediately started screaming at the sight of all the corn and blood and bodies). Brennan tells her 'Porter doesn't look all that surprised'. This is the spark of the Porter distrust.

(source: ep 3 of fantasy high, 20:49 for the insight roll, 32:30 for Jace & Porter going through the crime scene while Riz is hiding and observing)

will update with anything we learn, no guarantees on when tho

speculations meta under the cut

now i hear you screaming crying throwing up saying that Porter has actually been kind of cool lately, and I understand. personally i have not forgiven him for not signing gorgug's mcat in the first place, but i can see gorgug has, and thus many of you have. he does have some good things to say about the importance of anger and being able to channel your aggression.

however, I thought Vice Principal Goldenhoard was kind of cool before the finale of season 1, and I thought A Certain Frosting-haired Motherfucker was kind of cool before ep 9 of acoc - Brennan is excellent at making you trust people you should not be trusting. Also, although we know Porter wasn't in on the palimpsest plan [he gets sucked into one], that doesn't mean he wasn't in contact with Kalina at all.

there's one scenario I can think of in which Porter would be innocent, which I consider to be unlikely but possible.

We're post-Prompocalypse.

Jace has to be evil for this to work. imo Jace is demonstrably some level of evil (the talk w Kalina and Arianwen) but just in case you're on the fence. He also has to know that Porter is infected.

Porter is there, and does not know that he is infected.

If he hasn't been collaborating with Kalina, why would he? It's established that the Shadowcat Plague has no symptoms other than "you can see Kalina", and was spread far beyond just Fallinel.

[e.g. in fhsy, they do a livestream of Kalina, and responses are mixed between people who can see her and people who can't (1:11:38 ep 17)] so he could just have it by happenstance.

Alternately, it's possible that Jace infected Porter at some point over the course of the school year. I'm not saying they fucked (I mean they could've but I don't think that's what happened). It's established that spit can do it too - in the nightmare forest, Kalina tries to get Kristen to bite Riz to reinfect him (20:44 ep 17). Sharing a cup, a bottle, a fork, a whistle, anything your mouth goes on could've done it. Or Porter could've done the blood-sharing healing spell to Jace at some point.

Regardless, Kalina tells Jace that Ragh needs to be infected, Jace tells Porter to go heal Ragh, keeping himself uninvolved.

otherwise it is just too coincidental that Ragh is infected exactly when Kalina needs him to be. Either Porter's in on it, or was manipulated by Jace.

and then Fig's dirty 20 insight check to see that he doesn't look surprised would have to just be him going 'yeah it makes sense that arthur aguefort would do something this batshit, just another day at aguefort adventury academy'

#dimension 20 #d20 #dimension 20 spoilers #d20 spoilers #fhjy spoilers #fhjy #fhsy #fhsy spoilers #fantasy high #fantasy high spoilers #original post #look i've been on fig's side since day one #and im still on it for the most part #ref

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mhsdatgo · 2 days

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The Helaemonds/Helaegons need to calm down.

Don't get me wrong, it's always refreshing to see some people fill in the gaps of a basically untold relationship such as the one between the green kids in general, but this goes beyond basic obsessive shippy discourse. Leave this poor girl alone. Why's there an obsession with having her be romantically paired with her brothers, one worse than the other?

I understand the show has basically shown so little of her to the point where we didn’t even have a coronation for her on screen, so therefore you can self insert through her and have fun with headcanons regarding Aegon and Aemond. Really, I'm not faulting their girlies, you can be head over heels for whatever actor in character you want (unless you put them on pedestals and start acting like they did nothing wrong and pounce on whoever contests them, THEN we have a problem) but I assure you, Helaena would barely want anything to do with either of them.

Aegon is a sex pest turned sex offender, a drunkard and a neglectful father and husband at best. Her infamous toast in ep.8 has us believing that he cannot for the life of him interact with her unless he's horny drunk or that he forces himself on her at worst.* He was ready to leave them all in ep.9 before he was caught. Even the book is subtle about their relationship: all we know of them is that they sleep in shared chambers, that she was someone important and reliable in Aegon's council before B&C, and that he named her and Alicent the true Queens of his reign.

*(⚠️TW: PERSONAL OPINION⚠️ I'm not saying this last one isn't a possibility but it's sill outrageous for the way people speak about Helaena in defence of this "claim". No, she wouldn't joke about her own r*pe in front of the whole table full of people she doesn't know and right beside her abuser, and despite the hour-long metas I've read about how she's basically "too sheltered" to know what r*pe even means, I assure you she's a high-functioning autistic, not 5 years old. She can understand it perfectly.)

Helaemond is a pure show invention, I honestly wasn't expecting this many people to go up this kind of train. They barely interact, and most of the time it's Aemond saying he'd "perform his duty" should Helaena ever be wed to him, or that stare in ep.9 when he enters her chambers toiling after Alicent. It's, as always, the Aemond girlies who think poor Helaena would live her best life with Aemond, or that they are already romantically involved behind the scenes. The amount of "if one possesses a thing, the other will take it away" edits from people that are FULLY CONVINCED "the thing" is Helaena and that "the one" and "the other" are Aemond and Aegon respectively is honestly concerning.

Fics that are all about Aegon doing the worst and unspeakable things to her so "Aemond can come and save her" are y'all okay? Out of all people, HE has to save her?

Babes, I'm sorry to break your bubble, but this isn't Aegon IV/Naerys/Aemon on steroids. Aemond didn't give two shits about Helaena. No, he wasn't jealous when Jace came to ask her to dance, he just wanted to stir some shit. If we talk about the books, he didn't fucking hesitate to leave King's Landing, his sister, his mother and whatever he was doing for the Riverlands the second he heard that Daemon was there. And he brought the only means of defence they had with him. If he knew how important Vhagar was for the city's defence, he's evil, if he didn't realize it, he's dumb as fuck. Which one is it, Aemond girlies?

People beat each other to the curb about Jaehaerys, Jaehaera and Maelor's paternity like it's the Wars of The Roses. They put Helaena and Alys against the other like they have personal beef with one of them.

Stop mentioning this sweetheart only when it's about praising or hating one of her brothers. No, it's not the only option you have because she's underdeveloped as a character. There's actually another one.

LEAVE HER THE FUCK ALONE.

#house of the dragon #fire and blood #helaena targaryen #pro helaena targaryen #helaena deserved better #aegon ii targaryen #aemond targaryen #anti helaemond #anti helaegon

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pinkandpurple360 · 2 days

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taking a count of the episodes, Stolas is likely to appear in 8/12 of them - literally two third of the entire season. meanwhile the other members of IMP have been thrown to the wayside to make room (and the show potentially intends to introduce yet more Goetias...)

I've got a theory about the themes of s1 and s2 and tbh I think it's fairly supported by the text. so the theory is basically this:

Season 1 is the Blitzo season. Season 2 is the Stolas season

but when you compare the two, it's...telling

Season 1 - basically a whistle stop tour of most of the people Blitzo has hurt in the past (Fizz, Verosika) and the ways in which he is on track to mess up his current relationships in his new life if he doesn't change (pushing boundaries with his employees by stalking M&M, needing to give Loona some space to grow up, being a liability to his own business through his lack of professionalism and impulsiveness).

In the effectively two part finale of e6&7 (not counting 8, it does little to tell us stuff we don't already know) it is made brutally clear that Blitzo desperately wants love and intimacy but doesn't know how to get there because he doesn't know how to be vulnerable with people. He ends the episode crying on the couch while knowing that despite having people in his new life, he's still alone and will remain so if nothing changes

Season 2 - opens on a flashback to Stolas as a child where it's revealed the woman he cheated on was an evil monster since birth and only he was the victim in the arranged marriage scenario. He was the only victim when he was forced to have a child he didn't want and the only victim when he kept the marriage going despite it not working for anyone involved. He coerced Blitzo into a sexual arrangement in season 1, but Stolas was the real victim there because...um...Blitzo seduced him for the book and took it after a one night stand, even though sex with Blitzo was something Stolas clearly wanted but didn't have the guts to admit (and he was also the first one to make it sexual, claiming Blitzo came to ravish him for no logical reason whatsoever after shutting them in a room together) and anyone with a brain should be able to figure out that if someone robs you after a one night stand then ghosts you, they aren't actually into you. Sings about how what's between them is a 'lie' despite Stolas initiating it and deluding himself the whole time.

From then on nothing is his fault. He refuses to take any responsibility for his daughter running away and him somehow being unable to find her because he didn't memorize his own spells (he gets out half an apology for forgetting Astaroth's tears before the writing forces Via to let him off the hook). Sexualizes Blitzo some more after being told not to, right when Blitzo could have used some genuine support and comfort.

Spends the rest of the season having people come to his defense on his behalf and having his history with Blitzo being rewritten to include sweet offscreen phonecalls. Decides his cheating didn't matter because Stella never loved him - never mind that the family name is all she's got since she isn't royalty like him, and his adultery is making a joke out of her. Doesn't actually apologize for Ozzie's. Goes to Ozzie for a crystal then acts weirdly shy and says 'no, never that!' when Ozzie talks about lust despite lust being the defining feature of his relationship with Blitzo even into s2.

Is likely to spend the rest of the season shaming Blitzo for not loving him, barely doing anything to address Blitzo's problems with him...and then will promptly be rewarded with Blitzo's love, either because Blitzo gets jelaous when the plot hands him a new boyfriend or because Blitzo decides Stella abusing Stolas means he's a good person, actually

like when you lay it all out it's kind of impressive.

Season 1 is a mostly effective deep dive into why the main character is the way he is, why it's hurting him and an indictment on the current way he lives and behaves

Season 2 is non stop coddling of Stolas and hitting the nail of the viewers' memory of season 1 with the constant hammer of Nothing is Ever Stolas' Fault and You're Wrong if You Think Otherwise, We Called Striker a Bigot to Prove It

what's even more galling is that at least part of Blitzo's behavior is due to being raised in poverty by an abusive father who taught him stealing to get ahead was the right thing to do. part of the chip on his shoulder now is due to people underestimating imps (they don't run businesses often, according to Striker, and most other city imps we see are working low paid service jobs) and thinking they can treat them however they want. but the show will still attempt to frame Blitzo as being in the wrong when he acts out and have characters hold him to task, even if the writing is half-assed about it

meanwhile Stolas is a literal prince but he apparently can't bear the minimum amount of pushback from Blitzo. he's had the power to treat imps like objects his whole life but the show circa season 2 won't permit him to do anything but the minimum amount of introspection about it

God it’s enraging the more I read through this, and you can really tell rich people wrote it. Season one was fantastic, season two shat all over it because that one Erin frost fanart was eaten up like crack and made canon. (Sorry frost it’s not your fault)

Don’t act like what we have is anything but you wanting me to F you ok you make that really clear all the time

Is the best line in the show.

Sounds like you just hate him for being a prince

Is the worst. You could replace prince with “rich” “white” “a man”

Like holy shit you have an abrasive but endearing guy with friends in a tense precarious connection, but they fucking love him and he loves them despite his worsening quirks, with him honestly being the second most toxic one after Loona. Someone who’s been sexually objectified his whole life and just needs respect, affection, open communication, and gentle reassurance, but someone who can also keep his ego in check. Not someone who puts their needs over his and hates when he has feelings that aren’t convenient. Hears him out when he breaks down doesn’t shove him away.

Like hmm I dunno I’m just spit ballin here

“Why didn’t you try to tell me any of this?”

“Misunderstanding or no, it’s hard to just forgive you”

“What do you want, a medal?”

“You’re pretty good at this action hero bullshit”

“He earned it (love)”

Sorry I could talk about them for hours…they’re just so good together it hurts. Even as kids they bounced off each other but fizz kept him in check.

What he doesn’t need is mind games, public humiliation, a glorified martyr, somebody who demands constant favours and takes and takes until there’s nothing to give. And only reaffirms to him how much of a nothing he is when he has no right to do so. You aren’t owed a relationship. That’s monstrous. Stolas is literally an incel.

#helluva boss critical #stolitz critical #creators pet

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telekinetic-electronica · 1 day

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bendy, "ink demon", and trauma responses

I've recently got back into Bendy. (tbh this shit is never gonna be going away this has been my special interest for 7 years FDKJNDSJKFD) and I did some thinking on him again. It's crazy to me on how... dehumanized Bendy was. While, yes, he's not an actual human, but he's still, y'know a person. He has feelings, he's conscious. He just doesn't have a soul. Which brings me to this post. The Ink Demon has never been called by Bendy. Which, you're all like "well, duh. That's his ink form. His other form is his toon form, just to tell which forms apart." I know that's possible the case. But I do wanna look into this attitude a bit more. When Bendy was first created, Joey literally called Bendy a THING, and for him to lock him away because he wasn't what he wanted. His literal crime was looking scary. So, Thomas Connor and Gent by the request of Joey, locked Bendy away for... God knows how long. Tbh, it's never clear on how Bendy ever acts, but Bendy was probably scared out of his mind. Can you imagine you're finally made and some people are talking. You have no idea what's going on, but this Joey dude says that you're wrong. You came out wrong. You are a mistake. You're suppose to be loveable, silent, and small. But you're not that. You're tall, empowering, posing, and not even a real chance to prove you're not as scary as you look. You aren't even called by your name, nor the title you would gain via your infamy. You are a thing. You are not someone who has emotions or needs, a thing. You are a monster. Now, you're locked away, probably terrified, and calling for help but people around you are too scared of you to help or don't wanna face the wrath of this Joey Drew.

I think Alice said this best back in Chapter 4 of the original game. At the studio, you were in someone's pocket, or someone was in yours. The studio was a disaster pit. Even if not everything happened was "real" or w/e, Joey was still a dickhead to everyone around him. Bendy was no exception. I think Bendy probably learned the best way to survive the studio, and the harsh reality around him was to manipulate. Bendy is a pretty good manipulator, he can get into someone's head, mess with them, and still taunt them. No one is born or created evil. That's a learned method.

In extreme cases of trauma, many people are in survival mode and thinking about themselves to survive, and how they can get by. This is because their safety, wants, and needs weren't being met. Not to mention, Joey and Gent just threw Bendy into the cartoon world, probably to just lock him away forever. Joey locked Bendy up for God knows how long, and now he's in this like- cartoon world version of the studio. He goes from nothing to everything in one fell swoop. This just made Bendy retreat more into himself. It just made his coping mechanism of always having to be on top, always being in control, the one everyone needs to fear. Because, fuck it.

If he's so horrible, if he's so monstrous, if he's so terrible, than he'll just become it. Minus when Bendy meets Audrey in his toon form, Bendy doesn't have anyone. Bendy has never been shown any warmth, kindness, or love in his entire life. The only thing he does know is pain, suffering, coldness, been abandoned, and been made out to be a monster. Which brings me to this - no one has every called the Ink Demon by his real name.

Even when he's technically no longer being locked away, and ruling the cartoon studio, he's still been dehumanized. Or never seen as a fellow victim of the machine and Joey. Everyone has said to BEWARE the Ink Demon, look out for him, and watch your back. The one rule down there was always beware the Ink Demon. Hell, Bendy calls himself the Ink Demon. Bendy has just embraced the title of being seen as this almighty, opposing figure. People either blindly worshipped him or feared him. They never saw him as someone who was unjustly hurt. Unjustly locked away and abandoned. Unjustly painted as a monster because he didn't turn out the way Joey wanted him to be.

You know who has called Bendy by his name? Someone, for the first time, called him by his real name and not some title?

Audrey.

Audrey is the first person to show Bendy any kindness or warmth. While, yes, it was in his toon form. He actually gets treated like a person. Someone who has emotions, and even APOLOGIZED when she, on accident, hurt him. And Hell, dude accepts it! I really hope, going forward, as a way for Bendy to heal when he's in his Ink Demon form, Audrey shows him the same compassion and kindness in that form of his. But she also calls him by his name. Bendy. Not to mention...

The cycles are interesting to me. It could possibly just being a plot thing. But it could be seen as a continuing of generational trauma and toxicity, and Audrey is the one who stops it. Joey clearly has some shit going on. He hates not being in control and wants to be in control of how other people perceive him. So, he turns out destructive towards everyone. Which is... eerily similar to how Bendy treats his own trauma. Bendy and Joey were physically and emotionally destructive to the people around them. It's also kind of sad because Bendy thinks he's in control of the studio. Dude says it's his domain, when Joey was still in control all along.

Bendy is continuing that toxic cycle. Then Wilson comes along and projects his own trauma, and issues. While the cycle stopped, Wilson didn't make it any better, and probably made the cycle for everyone in the studio just worse. By Audrey having the book now, she's putting a stop to the generational trauma via helping out everyone still trapped and helping Bendy out. That's why I've been calling Ink Demon, Bendy.

Because that's his name, after all.

ADD ON-; I just wanna say that Bendy was HARDCORE self projecting on Audrey near the end. I also wanna touch on Bendy and suffering. Bendy was so miserable, and had nobody he just gave into his own suffering, and became the Ink Demon. If he has to suffer, he's going to make everyone else in the studio suffer. He only found any purpose was in harming others. Also, obvious disclaimer this doesn't justify what he does to the people he has hurt. It explains it, doesn't justify it.

It's just downright depressing that he thinks he had no purpose, his existence was a lie, thought of himself as a mistake, and monster. To be frank, I wouldn't be surprised if Joey called Bendy a monster or a mistake. He did call Bendy a THING after all. I really hope Bendy does get to heal and realize his purpose doesn't need to be him suffering and he can have SOME peace.

#i prolly thought too deeply into this but idc #batdr #batim #bendy #bendy audrey drew #bendy ink demon #toon bendy #bendy joey drew #bendy wilson arch #bendy and the dark revival ink demon #bendy and the dark revival joey drew #bendy and the dark revival audrey drew #bendy and the dark revival wilson #bendy analysis #abuse tw #batdr analysis #toon bendy analysis

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apenitentialprayer · 22 hours

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i know that as a catholic you just have to believe with what the church says but i really dont like the belief of the original sin, i feel like its such a horrible thing to believe about yourself and about other human beings too

There are actually ways of legitimately dissenting from Church teaching from less essential teachings in a way that leaves you in good standing with the Church; I'm not sure if Original Sin is one of those things, though, to be honest.

But, anon, I'm going to offer another perspective here, starting from a quote (perhaps ironically?) from my favorite heretic. One of the things that James Carroll believes is that Original Sin has been given a bad wrap. In Constantine's Sword, he says:

I referred to Augustine’s assertion of the idea that the human condition implies a perennial state of finitude, weakness, and sin, all of which will be overcome, even for the Church, only with the end of time. [...] Augustine is thus regarded as the father of a severe, flesh-hating, sin-obsessed theology, but that dark characterization misses the point of his insight. His honest admission of the universality of human woundedness is a precondition for both self-acceptance and the forgiveness of the other, which for Augustine always involved the operation of God’s grace, God’s gift. Only humans capable of confronting the moral tragedy of existence, matched to God’s offer of repairing grace, are capable of community, and community is the antidote to human woundedness. Augustine sensed that relationship as being at the heart of God, and he saw it as being at the heart of human hope, too. This is a profoundly humane vision.

I wish I had understood the spirit of this quote when I was in high school. I remember learning in my World History class that Islam teaches that all children are born good, and then the world makes them evil. And I remember my teacher asking how that compares with Christianity, and I raised my hand and said that Christianity teaches that all of us are born evil. Because I believed that at the time. And, really, the whole framing of that question was wrong and gave really simplistic representations of what Islam and Christianity teaches, but I don't think we're alone in having internalized that understanding, anon. And that's a shame.

I thin it's important to remember the worldview that the doctrine of Original Sin is actively defending us against; there was an idea, that gets called "Pelagianism" (the poor guy it got named after may not even have believed it), that said that humans were capable of being saved on their own, by their own power. Someone on this site recently asked what people's thoughts on Pelagianism were, so you can read my thoughts here. But to keep it short and sweet, I think Original Sin is an important doctrine because it saves you from the need to be perfect.

There are ways to treat Original Sin that I think are certainly unhealthy, and I think the doctrine can be a source of anxiety and fear. But I also think, very deeply, that Original Sin should be a reason why we treat ourselves and especially our neighbor with kindness and understanding. I can look at myself and say "What I do, I do not understand. For I do not do what I want, but I do what I hate. […] For I do not do the good that I want, but I do the evil I do not want" (Romans 7:15, 19). And I can say that because I know I am ontologically wounded; that all of us have our weaknesses. That while we may still be in the moral wrong for committing a morally wrong action, our wills are compromised in a way that causes us to incline towards the comfortable and the easy rather than the good.

I wish I could go back in time and tell that class that Christianity does not teach that people are born evil. I wish I could go back and tell them that it teaches that we are born in a state of dis-integration, that we are wounded beings yearning for wholeness; alienated beings seeking everlasting belonging; beings lost in darkness, seeking the light. But I can say it now: the doctrine of Original Sin doesn't have to be an occasion to think you're depraved and without value, but it can be an invitation to come to terms with your own woundedness, because doing that (to use the words of Lutheran theologian Nancy Eiesland) "opens a space for the inflowing of grace and acceptance."

#Christianity #Catholicism #Original Sin #James Carroll #asks #Saint Augustine #Pelagianism #grace #Epistle to the Romans #sin #weakness #Lutheranism

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