Author: Rose Daughter
Prompts: Dark chocolate. Falling in the dark. Constellations.
Group: B
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Ad Astra
They’re called freckles, apparently.
It had taken Belle some time to figure out what he meant when he said he liked her ‘little dots’. The word tickles him for some reason. It’s a fanciful-sounding thing. Freckles.
The first time he’d laid eyes on her – stretched out on the beach, the brim of her sunhat flopping into her eyes – he thought she might be made of alabaster. The same pearly gypsum as the statues he has found amongst the remnants of shipwrecks. He knows better now, having observed her so intimately. She is lovelier, far more fascinating than the unblemished stone of sculptures. There is such detail to her; the silvery streaks on her thighs and stomach, a few faded scars here and there, and all those gorgeous freckles.
She is the inverse of the night sky. If the sky is soot and coal with tiny pinpoints of light, she is cream and roses, stippled with ink stains. They form wee patterns on her skin like the stars overhead. Constellations, Belle called them. They’ve spent many afternoons lying in the sand, him dripping seawater onto the cover of her mythology book. The names bewitch him. Cassiopeia, Ophiuchus, Andromeda, Vulpecula. They’re prettier than the sort of human language his ears are accustomed to. Their lyrical quality resembles the sounds that his fellow Finfolk trill to one another beneath the waves.
Rumple likes to get her words right. He likes to get them wrong, too. He even does so on purpose, sometimes. Just to hear her darling giggle. Just to watch her plush, pink lips tenderly sound out each syllable as she corrects him. But his tongue takes quickly to the delicate names in her gilded book.
The constellations on Belle’s body don’t match the ones charted on the pages. They are entirely her own. It’s a game that he likes to play with himself on the sunniest, drowsiest afternoons. As Belle frolics in the surf and sunbathes on the low tide’s dense sand, he amuses himself by playing astronomer. It requires a great deal of imagination, but then, doesn’t all stargazing?
Lunaris; the cluster on her inner forearm that bears a striking resemblance to a crescent moon. Then there is Florens Rosa; a speckling that contours the back of her neck, each dot falling into place to create the illusion of a rose in bloom. And his very favorite, Saltatio Delphinus; the abstract likeness of a leaping dolphin on her upper thigh.
Every night, long after she’s returned to her cottage, Rumple peers through the mouth of his little grotto. He scans the stars to see if the Gods have plagiarized from Belle’s canvas. To see if they are brave enough to try to replicate one of her designs.
They never are.
(+++)
As a young boy, no larger than a seal pup, Rumple used to thrill-chase by diving into the seemingly bottomless trenches that cut into the seafloor. The blue of the water would get darker and darker as he plunged down, until he was floating in an empty, inky blackness. It was like being swallowed up by the maw of some ravenous predator. His vision would swim as he sank away from the surface, his small body too fragile to handle the pressures of such deep water. Yet, he would push on.
It was exhilarating. To free fall through the darkness, to do something he wasn’t built for.
Finfolk aren’t meant to dive so deep, but he did. They aren’t meant to liberate and hoard human trinkets. They aren’t meant to steal pretty human lasses.
But is that truly what he’s done? Stolen her? It certainly doesn’t feel like stealing. How can you steal what is so freely and happily given? How can you steal what is served on a silver platter, garnished with shortbread crumbs and cheeky smiles?
She was there throughout the summer, when the sunlight made her auburn hair burn like the bonfires the villagers build on the beach. And she is still here amid winter’s grasp, when the heavy clouds cast her in soft focus and the rain extinguishes the embers in her hair.
Every time he lays eyes on her, it is like diving into those trenches again. The disorientation, the vertigo, the intoxicating thrill. To be thoroughly overwhelmed and still want more.
Belle is an abundance of more, always willing to provide and spoil. Butterscotch and blackberries. Jokes, chats, and out-of-tune songs. Early morning breakfasts and late afternoon lunches. Stories of all sorts, bound in leather and paperboard.
And Rumple always takes without hesitation, for fear that there will come a day when there is nothing left to give.
(+++)
Most days, Rumple awaits her arrival in his grotto, tucked into the shadows, impishly giddy at the thought of taking her by surprise. On quieter days, when there is no traffic on the beach, he instead lounges in the tide pools, his eyes trained on the bluff’s coastal trail.
He has waited long past sunset today, which is a rarity. Belle finally trots into view over the uplands’ crest, her knapsack heaved over one shoulder, its bulging mouth threatening to spit its contents in exasperation. Her silhouette is otherworldly, the green tartan skirt of her frock looking flimsy as the moonlight passes through it.
Rumple doesn’t have to question if she comes bearing treats. She clambers onto the rocky outcrop to reach him. A small rectangle robed in silver foil is pressed into his wet hands.
He adores the foil, marveling at how it reflects the water’s shimmering surface in its ripples and wrinkles. He does not adore what the foil is wrapped around.
Belle claims it’s chocolate, but he has his doubts.
“It’s dark chocolate,” she explains, nibbling on a square. “It has less sugar and no milk, so it’s sharper. There’s a bitter bite to it.”
“It’s re-volt-ing.”
“You eat raw trout.”
She rolls her eyes, muttering disparaging comments about his palate. Despite her grousing, she is more than happy to polish off half of the chocolate bar by herself. It makes sense to him. Belle likes sharp things; teeth, and claws, and wits.
Rumple doesn’t mind sharp, but he prefers soft; round jawlines, and button noses, and fond scolding. What he can’t stomach is bitterness. It agonizes him that the stories in Belle’s mythology book all start so whimsically and end so brutally. And that no matter how sweet their days are together, it doesn’t change the fact that she’ll always leave him at the end.
She allows the hefty book to continue its slumber in the caverns of her bag. It’s too dark for her deficient human eyes to make out the fancy lettering. Besides, she looks far too tired for narration duty. Her cheeks are stained with a lingering flush of exertion, her eyes dim with sleepy contentment.
“Today was the Cèilidh,” she says, by way of explanation.
Despite her sore legs and weary yawns, he rouses her to perform a final dance for an audience of one. She demonstrates a reel, her skirt flaring around her legs as her bare feet kick up golden puffs of sand.
Rumple doesn’t really need to know what it’s supposed to look like to know that she isn’t very good at it. Her footwork is clumsy and she wobbles as she pivots. She’s even off-time to her own humming.
“Not the most graceful sort, are you?”
Belle lurches to a stop mid-turn, her brows knitting together. “Excuse me?”
“You look rid-ic-ulous.”
“It’s a far cry better than you could do.”
He gives an exaggerated sneer of offense. “You think dancing requires legs? How horren-dous-ly ignorant.”
Her mouth perks into an amused smile. “Show me.”
“A proper dance begs a partner, does it not?” he says, beckoning to her with his talons.
Puckish delight eats up the sweet turn of her lips. She used to make such a fuss about swimsuits. Now, she just gathers the hem of her tartan frock in her fists and lifts it up over her head. She discards it in a careless heap on the rocks.
Next came the perplexing underthings, fiddly-looking clasps coming undone with a flick of her fingers. Rumple drinks her in like a marooned man at a pool of freshwater.
It fills him with pride to be the one allowed to stargaze at the lavish expanse of her pale, pretty sky. To behold the constellations that live beneath sweaters and sensible woolen tights.
She wades into the water, her skin pebbling in the brisk night air. He takes her hands in his own and guides her further into the sea, the waves lazily sloshing against his back. When her toes can barely touch the ocean floor, he winds his arms around her waist. He hauls her into an embrace, thinking of how sailors greet their sweethearts the first moment their boots hit dry land.
Then, with a twist of his fin, he sweeps her legs out from under her, tucking his tail beneath her bent knees. Belle’s squeak of surprise gets lost in a breathless giggle.
He supports her gently, their bare chests flush against one another. The lack of resistance in the water allows them to spin effortlessly, twirling in small, quick circles. There are no fancy steps – no steps of any sort – but Belle begins to absently hum that same Cèilidh melody.
“It sounds better on a fiddle,” she murmurs, as though embarrassed by her rendition.
“I sin-cere-ly doubt that,” he whispers back.
As they spin, weightless and languid, Rumple leans his forehead against hers; his customary vow of adoration. But then, Belle does something strange. She tilts her chin up and presses her mouth to his. As she captures his bottom lip between her own, Rumple lets out a choked gasp, like a human swallowing seawater.
And then it’s over. It was so fleeting, he could have whimpered from the loss.
“Mhm…what…what was that?”
“A kiss.”
So he does what he’s always done when Belle gives him something; he immediately asks for more.
One kiss turns into two, which melts into a third, and a subsequent stream of kisses that come so leisurely, there is no telling where they begin and end. And he’s falling again, into the darkness of the sea’s deepest trench. His head is spinning, his lungs are burning, and still his every thought is ‘more, more, more’.
“You’re very greedy,” she chastises, though there is little heat behind her words.
Rumple flashes his serrated teeth, heartened rather than discouraged. “You shouldn’t give so readily, dearie. A beast may become accus-tomed to taking more than you’re willing to part with.”
“There’s nothing I wouldn’t let you have.”
And he believes her, his generous Belle.
He is struck with a stroke of brilliance. A kiss could be planted just about anywhere, couldn’t it? What if he were to kiss every last constellation in her sky? He could even tell her all of their names as he goes.
He purrs this idea against her lips. Belle throws her head back, moonlight splashing over her porcelain face, and she sends a laugh up to the true stars above. And then her laughter is smothering him as she gives a greedy beast his fill.
Rumple realizes, huffing a small chuckle of his own, that he might like the flavor of dark chocolate after all. So long as he is tasting it on her tongue.
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narrowed blue orbs peer down upon him from the rubble a fanged smirk encroaches his face. how long had it been since he had seen him? he had almost forgot the power that he commanded, the way it swelled from his body. unfortunately for the both of them, the smirk fades as quickly as it had appeared. a stare is all he gives his former commander after all what words were possibly to be shared amongst the two? after this war, after it was all over now, a chuckle finally escapes that wild maw of his, " so those bastards had to rely on you? " the sexta figured their conversation wouldn't last long before the shinigami caught up to them, to throw him back into the muken, and what of him? dispose of him? as if he'd ever make it that easy, " long time no see eh, aizen ? " it was as formal as this interaction would be. especially for how easily cast aside the arancarr were, his precious espada, did they mean so little to him? the gaze shifts off into the distance peering into the destruction sown in the blood war. death & destruction all of which he was quite familiar with himself. (from sixthspada )
if the panther had been seeking to alarm the incarnation of deific malice, then grimmjow would have to do far better. there was no turning of that head, not yet, even as the sexta uncoiled himself and moved, even as the voice cut through the air. perhaps there was something far afield which commanded the attention of the overlord of hueco mundo, the god which had strode upon a path illuminated b the grace and glory of his power. how those feet had moved without fear upon the sands, how proud the line of his back, the lifting of his chin. three had been there who came to those rolling dunes of gypsum and reishi, three there had been in a land filled with the monstrous and the damned. of those three, only one remained. only one -- and how strange to see the sun without the moon in his sky, the silver shadow that had slunk ever at aizen's right hand, at his side. there was a gaping absence within the god, something that could be seen if one but looked for it properly in its entirety. perhaps grimmjow would sense it. but more fool the espada if he saw it as a chance to strike. only fools cut at gods and grimmjow, for all of his destructive nature, was not a fool.
at last that head turned, shifting and moving to regard the wild child of his blades with that rich brown eye -- and how shudderingly distant that stare remained. more than that was something that might make the hackles of the panther rise. something almost feral glossed the surface of earthen tones, as if there was something which lurked underneath the surface. as if for one singular moment, it was THIS THIS THIS which had so quelled the espada, the arrancar. how they had bowed to this beast, one and all, for his fangs were sharper and stronger, his claws more lethal and stained with blood. that was the cold mechanical stare of something predatory -- something which gnawed within the beast, the god. as if this was what he had ever held back but they all had sensed, never spoken of, never acknowledged. in the land of the blind -- the one-eyed man was king. and king he remained, no matter the titles that were traded around in the lands which had been conquered by his hands, by the world that had shook as he strode across those endless dune seas. and cold was the stare which fixed upon the sexta, lips thinning once.
was aizen a wounded animal, cornered? or was he something more now? it was impossible to tell. perhaps both. perhaps neither.
❝ you are a long way from home, grimmjow, ❞ he finally mused aloud. ❝ but it is good to see you as well, my sexta. and yes -- so they did. but then again -- does it not take a god to fell another god? that-- ❞ and now his remaining hand flicked. easy enough to slip away from his handlers for the time being; regeneration could be rather ugly and he could feel the elements starting to form anew for replacing the lost limb. ❝ -- or they trusted in my immortality to grant them their saving grace. i do not know which it is and frankly -- i don't care. ❞
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tintin is incredible at timing
(possibly) the final snippet I'll post from my story The Gypsum Maw, the previous part which follows directly before is here - I've been seeing comments asking about where to read the full thing, I'm afraid what I post is basically it - I have more pages in my sketchbook but I suspect they are only legible to me!
this post is already long so more notes and credits under the cut!
I asked for some help for coming up with friends for Chang! The gentle giant Masek was created by InkyTrink on Twitter and the super excitable Libby was created by dreamyopal, a discord mutual:
They came up with some great character notes and were super helpful providing feedback on my designs!
Writing this felt pretty odd in ways. I graduated in 2020 during the Plague Year so my class didnt get a public art showcase. I attended one last year and it was a bittersweet experience.
Reunions feel a bit like time travel, you see people after a few years and things change quite a lot. I wanted to explore this in my post canon series, Chang has grown up, found himself and has been able to live a fairly normal life with family and friends. Tintin in a way reflects that young adult insecurity about being stagnant, like you haven't been able to fully reach adulthood properly. His fame and status as a Young Boy Reporter is holding him captive, he longs for connection but is held back by expectations from both himself and the outside world.
I've also been inspired by the concept of 'queer time,' the concept that the lives of queer people progress differently to the lives of non queer people. It takes time to come to terms with yourself and to come out. Queer people are often excluded from milestones like marriage or having children. Tintin being confronted with his peers at a university highlights his insecurity about being left behind, but he's slowly making the journey to self acceptance by talking to others, and recognising common ground he has with others.
Chang's university isn't a one to one reference to a specific institution but in Belgium there was a secular movement in reaction to the dominance of the Catholic church, in which universities played a key role. There's references to art movements that were deemed "degenerate" by the Nazis here, such as Fauvism and Surrealism.
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BLOG DIRECTORY AND ABOUT - Check Read More!
this is a fanart blog! I’m not affiliated with Moulinsart or anything official, and I don’t make any money from this blog. It’s entirely for laughs, even when the posts aren’t funny. I try and keep the content on this blog safe for work, there will be swearing and mild injuries every now and then. Let me know if you want anything tagged.
pronouns are he/they. I’m British Chinese, and I’m an animator. I will always leave asks on for this blog, but I might not be able to reply to all of them! I will try my best to respond to as many as I can.
I know a lot of right wing weirdos use Tintin imagery to push their shitty politics so if you’re one of those people kindly fuck off! I’ve also seen people repost my art to other platforms, if you want to share my stuff outside Tumblr please ask first, wait for explicit permission and link back to my blog.
I also never post anything shipping Haddock and Tintin together romantically. I have the tag blacklisted too, I don’t mind interacting with people who ship this but I’m just not interested in interacting with the pairing as I find it super uncomfortable.
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Post-Canon Characters - Where Are They Now?
- Archibald Haddock
- Chang
- Tintin
- Martine Vandezande
- Zorrino
The ProfessorCalculusStanAccount Post-Canon Timeline (in chronological order):
- St Benezet’s Basement
Tintin and Chang go undercover in a Catholic boy’s college to investigate a series of student disappearances.
(X) (X) (X) (X) (X)
- The Golden Palm
Tintin goes undercover at a film festival disguised as Hollywood starlet Marlene Katz to fight off the mob.
(X) (X)
- Call of the Songbird
On a backstage tour of the Museum of Art and History, Tintin steals an ancient Chinese whistle to return it to its place of origin after Chang laments how European museums are full of stolen artefacts.
(X) (X) (X) (X) (X) (X)
- The Beast of Loch Broom
After falling out with Tintin, Captain Haddock decides to take Chang under his wing to go monster hunting at a loch he used to visit on childhood holidays.
(X) (X) (X) (X) (X) (X) (X)
- The Gypsum Maw
Tintin is sent by his editor to interview a caver who is stuck in an unregulated cave.
(X) (X) (X) (X) (X) (X) (X)
- White Boy Goes Dancing
tintin finally goes to the club with chang
(X) (X) (X)
- The House of Glass
Calculus is the judge of an international flower show where the plant used to make Rajaijah madness juice is on display.
(X)
- Tintin Takes the Tube
During the London Blitz, Tintin, Chang and Haddock go to check on Chang’s uncle in Limehouse. Haddock uncovers a Nazi plot in some London Underground service tunnels.
(X)
- Unnamed Area 51 story
Chang and Tintin have a midlife crisis and decide to break into Area 51 after a bunch of alien sightings flood the tabloids, and get into trouble with the US government.
(X)
- The Goddamn Moustache Saga
Haddock really fucking hates Tintin’s new look. Bullying ensues
(X) (X)
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