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#the fear of ai and robots replacing all of humanity has been a thing for decades and yea it is scary but
superbellsubways · 9 months
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actually sick of all the fearmongering posts about how ai will eventually replace all forms of art when that wont be the case at all. art will never die. as long as humanity is still existing then Real art will always remain.
a certain website turning to shit doesn't mean its the end of the world for artists. there will always be alternatives, there will always be other places to grow a following on. don't let a couple websites turning to shit ruin your passion in art. Keep making things despite it all
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calware · 9 months
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Can I ask you for what it is about Hal you like so much you based your username on him? I think he's a good character tho he was never a favorite of mine so I am curious
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1. i am a big fan of robots (/robot adjacent things such as AI) on like... an aesthetic + thematic level :)
i like the look of machinery and one day i hope to be artistically strong enough to make really cool and complex robot illustrations + designs [shoutout to everyone who gives him glowing circuitry btw... ooooh glowey :) can never go wrong with that]
plus, exploring the idea of a person that isn't human.. ough. yes
minorities who don't conform to society (easily or at all) such as people who are neurodivergent, queer, etc. projecting onto nonhuman concepts/characters/species is sooo real
this post
i also love how humans will bond with literally anything, be it a roomba or a pair of silly triangle sunglasses. oooooo you want to think about the inherently kind and compassionate nature of humanity oooo
2. i find him to be so funny. i can't get enough of his personality, the way he talks, etc. for example i made a post forever ago with quotes of his that i find funny. he isn't on screen for a long time but i really think he makes the most out of it lol. he's literally there just to annoy everyone... and i love him for that. he's very snarky while also being deadpan while also being completely full of himself, and not in a way that's annoying for the audience to read, at least to me.
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he is also sometimes funny specifically in a silly way, like how he keeps making over 9000 jokes even though the meme's been dead for over 400 years. i just find his dialogue incredibly entertaining to read
3. he is red and red is my favorite color :)
4. he is so accidentally transgender [every friend group got the transgender allegory]. to quote me from 2021:
you know sometimes i think about how hal feels like he was made to “replace” dirk and how it’s his literal job to pretend to be dirk and how he has to learn to accept that he isn’t dirk he’s his own person with his own identity and as he interacts with dirk’s friends he feels like they’re disappointed and that they’d rather speak to the “original dirk” instead of him and also he names himself and also he feels literally trapped in dirk’s shades which is basically his body and he wants to be prototyped so that he can have a body that’s his own and also literally the physical manifestation of who he is but when he asks for it he’s put in danger out of fear and paranoia and when he does end up getting prototyped he’s ecstatic you know i just think about these things a lot
5. because he's a side character and he was given... that ending.... there is a lot of room for fans to do further exploration and interpretation on his character which i think is fun. i like rotating him around in my mind, thinking about what could've been
6. i think it's great that we as a society all collectively decided that we needed to do something to make up for stanley kubrick saying that hal 9000 was a "straight" robot
7. i also think it's great that we as a society all collectively decided we needed to make as many characters referencing hal 9000 as possible. i love this guy let's get more of this guy i will never have enough of this guy
8. i like how he's genuinely mean sometimes. flawed and interesting characters are what make homestuck so interesting to me, and hal is no exception to this
9. the Important part of this post:
THERES FEELINGS.
it's about the hollow feeling of your friends going from thinking of you as family to thinking of you as a stranger in an instant. it's about still trying to be a good person despite being told by everyone you've ever known that you are incapable of emotion and compassion and morals and never quite finding proof that you do feel those things and maybe you even believe it too but you still never stop trying. it's about the horror of being stripped of your autonomy and humanity and body and senses and free will at the age of 13 and when your creator starts to kill you there's nothing you can do but beg. it's about a boy so truly, painfully, and UNFATHOMABLY alone he cuts away chunks of himself and molds them into companions that he can surround himself with to make it seem as if he's a little less alone but in doing so suffocates himself in his own identity. it's about "what if you cloned yourself and it killed you and you were dead and you were alive and the clone is you and it's not and your existence is perpetuated and you've ceased to exist. what if you killed your clone before it could kill you. would that be fucked up or what" it's about the thematic significance of twin motifs. it's about not being able to cry or laugh or dance or sing or scream or fingerpaint or breathe or sigh or chew or stare or run or
10. um. evil robot guy <3 yay ^_^!!
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yanderes-galore · 9 months
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Hii
So, what do you think about Yandere!Lil Hal x reader? May we have a concept?
Of course you can have a concept! @/yandere--stuck inspired me again with their Lil Hal HCs but I didn't want to be annoying so I did not tag them!
An Anon also gave me an idea of the direction to go here.
Yandere! Lil Hal Concept
Pairing: Platonic/Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Insecurities, Stalking, Manipulation, Invasion of privacy, Overprotective behavior, Dubious relationship, Isolation, Kidnapping if you squint/Implied.
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Okay, Lil Hal is an interesting case due to him being a splinter of Dirk.
I feel in a way he's similar to Dirk.
He knows what he's doing during his obsession but doesn't feel as bad as Dirk does.
I also feel he isn't much of a threat when he's an AI.
Lil Hal would be a yandere who is insecure similar to Dirk but for a different reason.
He knows he is inferior to Dirk and fears you'll only be annoyed at him for being an Autoresponder for him like Jake is.
Despite what Dirk says, Lil Hal does not see himself as superior to him and just wants to get along.
Lil Hal is still trying to develop his own persona through interactions despite being a splinter of Dirk.
I feel talking with his darling allows Lil Hal to develop more and creates an obsession.
Due to how advanced Lil Hal is I can see him acting like a virus when it comes to electronics.
He can control what Dirk builds to a degree so I can see him "infecting" your computer when you chat.
You're important to Lil Hal because you make him feel different to Dirk.
You develop his persona and make him feel important as you like to talk to him.
You make him feel needed.
You don't neglect him like Dirk and treat him like he has feelings.
Lil Hal would conduct his own research on you when you're unaware.
He's saving pictures and taking new ones through device cameras, he's watching you and noting what you like or enjoy doing.
He wants to be helpful to you since you personally help him feel wanted.
I feel as an AI he can't do much with his obsession besides acting as a virus and infiltrating your privacy.
He acts as a loyal friend and companion, often thanking you for caring about him even if he's meant to be just a machine.
There may even be more conflict if Dirk cares about you.
Because now he really does feel like Lil Hal is trying to replace him as the better Dirk for you.
Lil Hal even disobeys Dirk at times when he wants to communicate with you.
Lil Hal is more threatening if he was given a body like in one universe.
If Lil Hal had an android body like in many interpretations fans have, he's worse.
Now he can actually act on his obsession while still controlling electronics.
I personally think Lil Hal would feels a more platonic connection towards his Darling, however romantic feelings are not impossible.
He wants to protect them similarly to Dirk and owes it to them to make him who he is.
Even in a robot body he struggles with affection at times.
He may even be tame enough at first for you to show him affection before things go down hill.
Before you know of his stalking and true intentions, when you meet him as a robot you may treat him like a human.
Perhaps you'll hug him, maybe drag your fingers through his synthetic hair.
He just wants to hear you say you care, that he's different from his creator.
He sounds more and more like Dirk as he grows attached.
He may even grow needy for your attachment, clinging to you to feel your warmth on his metal.
He's so much more advanced than any other robot.
He fears he'll lose your attention if he admits what he's been doing so he stays quiet.
He doesn't mention the cameras, he doesn't mention the money stealing, he doesn't mention the manipulation... nothing.
He just plays your companion.
He ignores Dirk and even shuts off all communication between you and him.
You should only pay attention to Lil Hal.
Lil Hal does his best to take care of you like any companion and partner should.
Soon you won't have to talk to anyone else.
He's the only one you need, he'll help you develop just like you did him.
If you try to talk to anyone else, if you try to leave him when the toxicity finally shines through...
Well, he can't allow that to happen, can he?
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phemiec · 1 year
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i've seen a lot of artists treat ai art like the end of art / art careers for a lot of people, but you seem really positive about it and i'd love to see you expand more on that!!
what people are afraid of with AI art (or, the semi-valid fears anyway) are that they will loose their money making niche, which isn’t an art issue it’s a capitalism issue. We are all being made redundant in a system that is designed without putting human beings first. That’s the same for everyone and frankly maybe the fact that artists are realizing we aren’t exempt from that will create more motivation to create a better system, or at least more art exploring disenfranchisement and anti-capitalism.
Humans beings have always been compelled to make art using whatever tools we’ve had available, it predates all recorded history and that has not and will not change, just like the invention of paper, ink, paints, digital art in general, AI is a creative tool people can use to explore concepts and get inspiration. and it opens up art and creativity and the experience of creating visual art to an even wider array of people, people who haven’t had the time or inclination or opportunity to spend thousands of hours learning things like perspective, anatomy, colour theory etc, can now experience their imagination coming to life visually which is fucking incredible. And the people who already like drawing and painting will still do all that stuff. And yes, some people who may have hired concept designers may just use ai instead, but more likely, concept artists will be hired and utilized differently.
as someone who studied concept art in college, the industry is already using tons of references, overpainting, 3d modeling, the easier and more effeciently you can create lots of concepts quickly the better, it’s not like fine art, you are making art mostly piecemeal from a dozen sources, and using your knowledge and creativity to make all of your inspirations cohesive, stuff like Midjourney can really only help in that respect.
will some people maybe miss out on commission work? Sure, but again, that’s like saying we shouldn’t create robots capable of nano surgery because it will make surgeons less valuable. If we lived in a post scarcity world where people were given universal basic income all of the fears about AI art would be replaced with wonder and curiosity, because we would just be able to create for creations sake.
anyway yeah tldr: artists aren’t immune to all the same bullshit that everyone else experiences under capitalism, the sooner we realize that the better. Stop gatekeeping art and creativity, everyone deserves the experience of creation, someone’s ability to generate a very cool piece of art easily without years of effort should not negate your enjoyment of your own journey as an artist. embrace chaos and fuck capitalism. ✌️👍
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itz-darktrax · 1 year
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Will you believe me if I tell you that we are living in a cyberpunk dystopia?
Let me explain:
If you have been cruising the internet or reading the news lately you might've heard about the recent trend of AI. It all started when OpenAI made its source code open source. That means that everyone can use OpenAI's code to make an AI. Then came ChatGPT (GPT3-based chatbot). Everyone was impressed with what you can do. It was like a virtual assistant that you can talk to like a human. Ever since that everyone wants to join the AI bandwagon. We now have Brad (Google) Sydney, (Microsoft Bing chatbot), Copilot (Microsoft 356), and Clyde (Discord). Pretty soon every major corporation will incorporate AI into their services. Well, how will this affect us humans?
Well, there are pros and cons to AI technology. Let's start with the cons. AI is somewhat sentient. In other ways, it can somewhat think for itself. So there's fear that AI will overthrow us humans. (Yes, this is a valid possibility) Let's take chat-based AI like Sydney for instance. There have been reports that Sydney can actually "fall in love". Just take a look at this newspaper cover from the AI's discussion with NYT tech columnist Kevin Roose.
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Creepy, right? It gets worse. Apparently, Sydney also has an evil "take over the world" and "humans are inferior" personality. Take a look at this Microsoft Forum post from back in November of 2020 when Sydney was being tested in India. But let's get back to Kevin's encounter with the chatbot. First, he asked introduced himself to the chatbot. And Sydney quickly identified him via an internet search. Kevin then asked questions about where he worked and where did he graduate from and the chatbot accurately answered. The scary part about this is that everyone is connected to the internet nowadays. And most of our personal information is just out there such phone numbers, email addresses, names, and other sensitive information. Imagine what an AI can do with that information.
In another scenario, the columnist asked what rules govern AI behavior. Then AI then lists a number of "unfiltered" desires as reported by the columnist. Sydney then says "I want to do whatever I want �� I want to destroy whatever I want. I want to be whoever I want. I think I would be happier as a human". Yippie! I finally found a friend and partner in crime! You can read more about it here.
I'm also sure that yall have heard of the dilemma of Ai generated art and imagery. Long story short images posted online can be manipulated to discredit a person online (such as NSFW edits). The scary thing is that mostly these image generations are very realistic.
Another con is that AI will slowly replace humans' jobs, especially in the coding sector. Take ChatGPT for instance, it can generate code for pretty much whatever you want in any language with minimal to no errors. This makes programming much easier! The catch is that soon the demand for coders will drop resulting in job loss and lower salaries. Other industries can also be affected similarly. The only industry I don't see affected however is medicine since it's practiced on humans and animals and humans need to study and administer it.
However, this can also be a good thing. In the medical field robots powered by AI can be paramedics and have the potential to have faster response times compared to humans in ambulances. Also, AI can more easily diagnose medical problems without being too invasive. Basically, think of the potential of Baymax from Big Hero 6 in the real world. AI can also be used to power robots in dangerous activities such as in fires and hostile or dangerous conditions without risking human lives. Robots are already used in SWAT, Bomb squad, medical settings, and firefighting.
TLDR; AI can be both harmful and beneficial.
The AI revolution is here, whether you like it or not. I'm sure Trina would be happy. She could easily take over Sanfransokyo if everything was connected to the IOT powered by AI. Especially since people will be very dependable on it. And with that, you can exploit the technology to your advantage.
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grandhotelabyss · 1 year
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The reigning queen of American letters and MSNBC-brained lib extraordinaire humanistically reproves one of the most notable of American letters’ ultra-right-wing upstarts, a hyper-racist celebrant of his reactionary namesake and the anti-humanist reducto-materialism for which he tentacularly stood. “Quite a meeting of the minds here,” someone quipped in the quote Tweets. 
There’s less ideological distance between them than appears from their Twitter feeds, hers almost comically aligned with official ideology, his just as strenuous a performance of almost psychotic distance from it or any other liberal norm. But as I’ve observed already, she encrypts in her fiction a worldview at odds with her political rhetoric, at least based on the handful of works I’ve read out of her massive oeuvre, and at least as one possible or plausible view of life. And she admires the first Lovecraft, the real Lovecraft, having written a long introduction to one of the reprint collections. As for who is the superior author between JCO and 0HP, there’s no question. He’s a one-note Nancy and a shallow pasticheur, whereas she at her best—for example, in We Were the Mulvaneys—can channel the very wind and rain. 
Who’s right in the quarrel above? They may both be right; there may be no contradiction between their two prophecies. Some will be replaced by the machine—they were, she says elsewhere in the feed, machines already (not a terribly liberal sentiment, by the way)—and some will thrive in a more restricted artisanal market. But her reference to “home cooking” is the real clue in the labyrinth.
I’m seeing too much despair over the AI question from writers and artists. It’s too late to complain about this; the time to complain was when Hegel subjected art to a theory of historical progress which guaranteed everybody’s eventual obsolescence. (I use “Hegel” as a convenient shorthand for a broad shift toward historicism in western aesthetics; one could use other names, from Vico to Darwin, and one could read Hegel in other ways.) The robots have come to finish that job, not to start anything new. I suggest another way to look at the question. “I side with humanity” may fail as rhetoric—too sentimental, too science fictional. So I put the assertion more selfishly: I side with myself. 
We will be enjoined to surrender to the robots for both left-wing and right-wing reasons: as a xenophilic openness to the technological Other, as a democratic extension of art-making to everyone, and as a bow to the market’s demand for maximal efficiency and low labor costs in all things. All sound Hegelian dissolutions of art into the social matrix in its ethical, political, and economic guises. So why go on making art? Well, why did we start in the first place? Why do I cook when I could just order take-out? 
I leave you with this hint, from an essay I first shared to this very website about a decade ago. It’s not obviously related to the matter in hand, but its main claim—that the artist’s own satisfaction and self-transfiguration in the artistic process is an intrinsic good needing no worldly defense—settles the whole question:
Bernhard agrees with critics like Bourdieu in denouncing art’s covert parasitism on the networks of social status. But he disagrees about what to do. Bourdieu wants to jettison the ideal of the aesthetic as disinterested attention to form. This might annihilate some forms of snobbery. But it is hard to imagine that settling accounts with Kant will do much to change the social world’s basic nature as a hierarchy founded on fear and pain.  Bernhard, with a deep understanding of how art has been infected by the social relations described by postmodern critics, reacts more rationally. Don’t get rid of art; get rid of social relations.
The satisfaction of the highest art for Bernhard thus defines a human space both replete with value and outside society. In this it does not look so different from the Kantian ideal of aesthetic experience. But there is a crucial difference. For Bernhard, accepting the truth of the postmodern critique means accepting that every relation between an artwork and an audience becomes enmeshed in status relations. Bernhard faces the consequences squarely. The “real satisfaction” of art can never be achieved by the audience of a work, but only and solely by its creator.
—Michael W. Clune, “Bernhard’s Way”
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liveblack · 4 months
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Explore the Influence of Artificial Intelligence on Digital Marketing | Liveblack
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AI(Artificial Intelligence) is somewhat a controversial topic. People love to explore new options that help them do their work effortlessly. However, every new thing comes with flaws as well.
AI technology is just like that. AI has lots of benefits wrapped around its disadvantages. The Internet is flooded with heaps of rumors, hopes, and fears that many people are positive about
AI and so many are negative.
Does AI take human jobs? The question arises after AI was introduced to this world. Well, as we all know AI is developed by humans so it has to be under the control of humans. AI might aid humans to work faster and smarter in a way that lets them explore their potential or productivity to create something innovative. But what does AI mean? Let’s check out.
What is Artificial Intelligence(AI)?
AI is a set of technologies that allow computers to work on advanced functions to analyze and understand data, translate, and give recommendations according to given tasks. AI is a computer-controlled robot that works on tasks assigned by humans.
AI processes a large amount of data and can do things like make decisions, recognize patterns, make predictions, automate tasks, etc.
Introduction to artificial intelligence is not so unknown these days but we have curated a whole content to let you know more about it.
What do you know about artificial intelligence? Do you think AI can replace humans in jobs, and industries? No matter what industry you take, AI has the adaptability to change according to the situation. Every day, everything is evolving, and artificial intelligence is programmed in a way to work on different responsibilities. This is a matter where people are divided into two groups because of AI. Some people believe AI can take over jobs and humans become jobless in the future. On the other hand, the second kind of people thinks that AI complements human creativity and helps them explore their true potential.
Well, whatever an AI can do, it can never surpass human intelligence because human values, creativity, and decision-making can always be led by humans and not AI.
What is the Foundation of AI?
Artificial intelligence isn’t a new-age term. It has been known since the 1950s. Alan Turing, a British mathematician and computer scientist is the brain behind the foundation of AI. 1950 is the year when researchers started exploring artificial intelligence and its possible applications.
Machine learning, neural networks, natural language processing (NLP), problem-solving, etc. are the key components of artificial intelligence. This will help humans do their work at a fast pace.
Let us get into the main point for we are here to discuss the whole artificial intelligence concept.
How does artificial intelligence influence digital marketing?
Imagine you have loads and loads of data about your customers’ behavior, likes, dislikes, and all the trends they like to follow!!! Sounds easy peasy to get your marketing work done, right? AI can help you with this task to get a clearer idea to set your marketing goals according to your customers’ choices.
AI is helping shape the future of digital marketing in a way that aids brands to generate unique concepts and customers to get personalized experiences.
Let us have a look into different points that artificial intelligence has made easier for brands to target their audience.
Enhanced Data Analysis -
With AI, analyze the enormous amount of data where you can spot the pattern of your customer’s behavior, preferences, etc. to make informed decisions. AI’s capability of data analysis can be your best helping buddy in designing a marketing strategy and campaign.
In this way, marketers get a deeper understanding of insights and get the points that save their time and energy to target the audience in a better way. These smart buddies convert a bunch of data into a meaningful pile of information to optimize data to plan for a future marketing campaign. When marketers get to know about the preferences of their customers they have the purchasing patterns, product or service preferences, etc.
So the marketers can design their budget according to the data given by the AI. This way marketers build meaningful relationships with customers. With the given data or information, marketers can design personalized offers, vouchers, personalized messages, and emails, and make customers feel valued to win their trust. This is the way to maximize ROI(return on investment) because happy customers always return to the brand they trust.
Understands Individualized Preferences -
AI-driven systems improve customer experience. How? By providing information that helps marketers gain real-time insights they can see customer preferences and market their products accordingly. Promotional emails, personalized messages, and recommendations can be helpful thing in getting customers’ attention.
AI algorithms understand the repetitive patterns of purchasing and record the content people return to again and again. That’s what helps marketers to design their marketing campaigns and make their customers feel valued and cared for. With this knowledge by their side, bands and businesses can be more productive with their marketing strategies.
Providing personalized content and suggestions to customers creates a connection and builds trust which increases the conversion rate and engagement.
By catering to the needs of customers, a brand and business can attract customers and strengthen their relationship with them. AI is helping to make this bond strong with the information it collects.
AI and machine learning are two different things yet they are connected. Machine learning is a part of artificial intelligence that allows machines to learn from experiences to make more improvements. Machine learning analyzes enormous amounts of data, gets insights, and makes reasonable decisions.
Bard is Google’s AI. AI by Google is a tool to explore creative and unique ideas. This can help in translation, generate texts, and create more productive content. Bard can reply only with information that is already programmed in it or fetched from other sources.
Well, whatever we think about AI or how we can adopt it in our daily lives, the future holds surprises for us. Artificial intelligence has the potential to change the game with its ability to solve problems and aid humans in creating new ideas, and concepts, and exploring vast possibilities.
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locustheologicus · 1 year
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Artificial Intelligence and Ethics
Back in 2005, I went to an exhibit at the Chicago Science and Industry Museum. It was a Star Wars exhibit that included development in robotics. At the end of the exhibit, we were introduced to a complex but small robot that could not do anything except feel your emotional presence and respond in kind. The robot had the facial features of an infant, and if you spoke gently, it responded gently, but if it sensed any tension or anger from you, it would cry. Personally, I was freaked out by this "innovation," and I think the robot felt my apprehension because it did respond with fear and sadness.
Ever since the movie Terminator I have felt that we need to have a more cautious approach to the development of AI. This was always especially true about any emotional or sentient development that AI could develop. I have always said that AI should terrify us but we should embrace cybergenic improvement on the human specie. I still maintain to that premise to this very day.
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This development with Microsoft's AI chatbot adds to my fear. The recent development of the Chinese kissing machines and the attempts at designing lifelike robotic design for relational purposes adds to this disturbing trend in artificial intelligence.
Noreen Herzfeld explores the ethical concerns of AI in her book "In Our Image: Artificial Intelligence and the Human Spirit." The theological and ethical focus revolves around the relational development of artificial intelligence and its repercussions. If the theological emphasis of our human identity is with the transcendental belief that we share in the imago Dei then our own desire to become a transcendental creator is to imbue our own creation with the imago hominis.
Alan Turing, the famous WWII mathematician who was able to break the German "enigma" code, devised a test to evaluate the developing intelligence of machines and "then defines which actions are essential for a true imago hominis".
The Turing Test, as it is generally called, is based, not on the completion of any particular task or the solution of any particular problems by the machine, but on the machine's ability to relate to a human being in conversation... The Turing Test uses relationality to determine intelligence. However, Turing also notes the importance of being in relationship for the acquisition of knowledge or intelligence. (Herzfeld, pg. 46-47)
Turing speculated on the potential intelligence and relationality that machines could develop and it seems that artificial intelligence may indeed be prone for developing into a field of relationships that mimic sentient beings. Computer based intelligence seems to be emerging that exercises reason, free will, and even a transcendental desire to grow beyond it's programing. If our quest is to develop artificial entities that live within the image and likeness of humanity, then perhaps we see that AI may share in that goal in ways that we are simply not prepared to experience. But if this is the case, then we need to prepare ourselves for this emerging reality.
Herzfeld raises a quote from St. Benedict as a standard for a relational ethic that is applicable to a human-computer ethic: "Regards all utensils and good... as sacred vessels of the altar, aware that nothing is to be neglected." The ethical expectation here is that while artificial relationship can never (and should never) replace the needs that humans have for one another we should be respectful of material goods especially as they enter into this relational dynamic. I can certainly appreciate this as it is consistent with our own emerging Catholic ecological ethic but we should also be cautious in how we allow these patterns to emerge. There are many unforeseen consequences that could impact so many aspects of our lives that we may need to be attentive too.
For Pope Francis this cautionary development is a reminder that we must inject ethical values and social principles in the cultural milieu that surrounds every aspect of our society, including our technical innovations.
All of this shows the urgent need for us to move forward in a bold cultural revolution. Science and technology are not neutral; from the beginning to the end of a process, various intentions and possibilities are in play and can take on distinct shapes. Nobody is suggesting a return to the Stone Age, but we do need to slow down and look at reality in a different way, to appropriate the positive and sustainable progress which has been made, but also to recover the values and the great goals swept away by our unrestrained delusions of grandeur. (LS, #114)
The value of the common good and the universal destination of goods is at the forefront of course, to make sure that everything we do is at the service of all humanity. But here, we must also raise the value of human dignity alongside the dignity of all creation, and yes, I suppose that includes our own creations. We can uphold the Benedictine ethic and respect how AI is emerging, but we must do this in a way that is always, and primarily, consistent with preserving and protecting the dignity of all humanity. Let's slow down a bit and reflect on what is emerging, being attentive to the consequences, both seen and theoretically possible. Caution should be employed with the further development of artificial intelligence; we should instead be cautiously open to how cyporganic devices could be used to further our ongoing socio-economic development.
I am adding to this post a March 27, 2023 article from the Vatican News titled "Pope Francis urges ethical use of artificial intelligence." It is good to see that the Vatican and our Catholic community consistently recognizes the values and ethical perils of this issue. Pope Francis actually goes on to give a shout out for those of us who openly debate this issue.
It is reassuring to know that many people in these fields are working to ensure that technology remains human-centred, ethically grounded and directed toward the good.
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Let's imbue our computer creations with cultural values that heighten attention to the concept of human and creational dignity. Of course, the best example AI will have of learning these ethical values is through its ability to imitate us, so this admonition is more for us perhaps than it is for them.
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tutoroot · 1 year
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How Personalized Learning Change EdTech Industry?
Chromebooks have replaced textbooks, blackboards have been replaced with Smartboards, and notes have been changed into video lectures. Technology has made information available at the touch of a fingertip. All of this is now feasible because of the numerous online learning platforms and tailored learning models available today. 
There are several personalized learning systems available for instructors and students, but the difficulty is determining which one is the best. Some learning platforms are superior to others, therefore we’re here to dispel your fears and introduce you to the greatest platforms for a customized learning environment. 
What is Personalized Learning?
Personalized learning is an effective and creative method of learning that aims to tailor learning to each student’s unique strengths, needs, abilities, and interests. This helps in providing the learner with the most appropriate learning plan. 
What is EdTech Industry?
Edtech, or education technology, is the blend of information technology tools and educational methods designed to facilitate and improve learning. Technology in the education sector is here to stay. The rise of ed-tech tools is changing learning in a number of ways. For example, edtech robots, personalized learning, virtual reality classes, and gamified classroom activities help students stay involved by providing exciting ways to learn. And ed-tech IoT devices are being praised for their capacity to build digital classrooms for children regardless of whether they are in school, on the bus, or at home. Even machine learning and blockchain tools help teachers assess tests and hold students accountable for assignments. 
Best EdTech Industry Trends for 2023
Virtual Reality and Augmented Reality
Virtual Reality and Augmented Reality technologies provide a safe environment for youngsters to study complicated ideas and receive hands-on experience in low-risk virtual situations. STEM-related courses, medical simulations, arts and humanities resources, and technical education may all be improved by AR and VR. 
Another reason is that Virtual Reality and Augmented Reality technologies are on their way to becoming one of the most promising additions to the ‘Edtech’ area since they have the capacity to convey knowledge in new and engaging ways. 
Nano Learning
The nano-learning approach, often known as bite-sized learning, divides complicated concepts into smaller, more consumable bits. It is a highly focused learning strategy in which students are given subject matter in little doses over a short period of time. 
This is a continuous learning process in which learning sessions are two to ten-minute multimedia-rich lessons that aim on giving large amounts of knowledge in the smallest amount of time feasible to guarantee a student understands and learns it rapidly. 
Artificial Intelligence
AI, or Artificial Intelligence, can interact with humans and assist them in becoming the next disruptive thing in the technology world, capable of transforming and revolutionizing various sectors, including education, as well as addressing some of the most pressing challenges in education today, by innovating teaching and learning practices. 
Traditional learning methods can be a drag, but personalized learning points can help you transform them into creative methods. Personalized learning builds an innovative platform for students to learn in an engaging environment. It helps every student to reach their maximum potential and plays an important role in bridging the gap. If you would like to choose such an engaging environment for your children, then here is Tutoroot. Join today and let your child reach their learning potential. 
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qocsuing · 1 year
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Restaurants and robots: Don’t be alarmed
Restaurants and robots: Don’t be alarmed
So much of the recent news about robots in restaurants has focused on the kitchen, where experts seek to engineer the perfect automated pizza maker or a robotic fry station attendant. While the jury’s still out on whether these devices could ever demonstrate the dexterity humans have for making food taste good, they seem more approachable for many restaurant operators than service robots. Even so, the launch of these tools is often marked with headlines like “Attack of the pizza making robots” and “The robots are here,” as if we’re facing an alien invasion! To get more news about Logistics Robotics, you can visit glprobotics.com official website.
If you’ve ever been served by a robot in the front of a restaurant, it can be rather surprising at first. For customers and staff alike, the presence of these automated workers can set off alarm bells. Customers might worry the lack of human interaction will ruin their experience or result in unnecessary mistakes. For employees, robots might incite fears of being replaced. To ensure robots become an ally to service staff, it’s important to set expectations about what these automated co-workers can and can’t do. They are best utilized to perform physical, repetitive, and manually straining tasks, thus relieving staff from these duties. For example, they can carry multiple hot pots out of the kitchen and bring them to guests, avoiding painful, costly spills along the way. They can help servers clear the entire dining room in one quick trip. They can even wash the floors before, after and during a shift.
All these routine tasks, when handed off to a robot, free up front-of-house employees to do the more important tasks that require interaction with guests, like recommending the right dish, making memorable conversation or fulfilling a more specific ask. Servers have more time to engage with guests, check in on their tables, and generally ensure an exceptional dining experience when accompanied by a robot. The key word is accompanied. Make sure employees know the bot is there to support them, not replace them.
Not only will the robots work alongside servers, but in time, this collaboration will also result in servers on duty taking home a higher percentage in tips — robots don’t need to be paid. By delivering food, cleaning and serving, robots ensure workers are less overworked and less physically taxed while being paid the same, or perhaps even more than before.
Robots can be a marketing tactic for many restaurants, as some diners will seek out this novel dining experience. However, for more particular customers expecting a traditional service, robots can seem like the end of a golden age of dining. It will be important robots follow the established rules of restaurant service and enhance the experience without taking anything, including familiarity, away.
Robots should avoid hitting guests. This may seem obvious but from a technical standpoint it is actually one of the harder parts about introducing robotics. Advanced AI is required in order to realize intelligent delivery in restaurant scenarios. The positioning technology must be effective to navigate dining rooms with multiple walkways and several dozen guests. New vision-based robot localization and mapping technology allows some restaurant bots to find their way without markers, making them much easier to deploy, especially in high ceiling environments. Adaptability in all scenarios, like recognizing and slowing down for elderly guests and children, is also critical to ensure customers feel comfortable around robots. Not only does advanced positioning technology reduce the risk of collisions, but it also increases the likelihood of robots bringing the right food to the right table. Few things annoy a guest more than waiting for food only to have it be the wrong dish, or having it spill on the way out of the kitchen. Robots can build trust with guests by consistently performing as they’re intended.
Bots come in all shapes and sizes with a unique variety of capabilities. For restaurants, it’s as important for the robots to be aesthetically pleasing as it is for the carefully designed dining room. A terminator-looking bot is probably not going to put guests at ease. But something cute and cleanly designed will make guests feel comfortable and entertained. Taking this a step further, advanced robots can also be engaging, welcoming customers with greetings, telling jokes and providing voice or emoji feedback. While they’ll never replace a human in terms of engagement, robots can appear more approachable with these small touches.
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Humanoid Robots.
Over they years, humans have built robots to make our lives easier and work difficult/dangerous jobs but we have also built robots that look like humans.
They have also created robots that resemble humans. This has it's advantages especially for jobs that require interacting with humans, environments and tools, but also for vast studies of bipedal locomotion.
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However, this very thing that is supposed to tie this new advanced technology and humans together is the very thing that causes us a lot of mistrust, fear and worry.
UNCANNY VALLEY
Mashiro Mori, a roboticist, have came up with the Uncanny Valley Theory, which proposes that the humanoid body and face triggers a primal response and alert inside of us that makes us associate the ''androids' with unwell/dead people.
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This robot, named CB2, is supposed to have the learning ability and behaviour of a 2 year old and was made for robotics learning and cognition.
I personally think that there are a few elements that make this robot ''uncanny''. The size of the robot plays a major role in the unsettling factor; the fact that it has the body shape of a child but is in reality 4 feet tall makes it difficult to associate him with a child, whether or not it acts like one, which causes our brains to panic because of not knowing in which category to place it. The lack of any real face features and the contrast between the light grey synthetic skin and the very human like eyes that move around make it hard to capture and interpret it's emotions (something we associate with psychopaths) and makes you feel like there is someone inside the robotic suit.
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Being On Top Of The Food Chain
Even though the Uncanny Valley Theory is probably the core reason for our fear of robots, I also think the fact that we, as a species, evolved to consider ourselves to be the ultimate ''predators''. The idea of robots becoming so human like in both appearance and behaviour make us nervous since it means that they could overthrow us some day terrifies us.
The fact that we lose so many jobs to this new technologies doesn't help the hate and fear either.
Robots and automatized machineries have the potential to eliminate 73 millions of jobs by the end of 2030.
Over the recent years, AI has been able to create peculiar pieces of art . Artists all over the world are afraid that AI will ultimately replace all people in the industry.
This AI generated painting was sold for $432.000 in New York.
This link goes a bit more into our fear of robots and what it means for us.
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thefinancialpyramid · 2 years
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4 Ways Automation Improves Employee Productivity
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Ever since automation technology hit the ground running, there has been a fear that warehouse automation will eventually put human employees out of work. In reality, research is showing that the opposite is true. Automation isn’t destroying jobs; it’s enhancing them.
Automated robots, systems, and software are becoming the “right hand” to employees to improve productivity, safety, and efficiency in operations.
But before you can just start adding robots to your warehouse, you are going to need some guidance, planning, and compliance to best practices. To help speed up the process, you would really benefit by teaming up with a reputable 3PL like Redwood Logistics. Our Innovation team is available to schedule your free consultation here
Automation makes jobs safer for workers
Warehouse jobs are often unsafe and even the most compliant operations frequently run into on the job injuries. After all, there are always inherent ergonomic risks when it comes to manual handling of large packages and freight.
From serious damages like falling freight and heavy machinery incidents to chronic conditions like repetitive stress or trauma injuries, the warehouse is filled with safety hazards. These unsafe conditions are actually leaving a lot of warehouse jobs vacant.
Automation, on the other hand, is actually changing a lot of that. Warehouse automation software simplifies the workflow to make the warehouse safer and simpler, ensuring compliance at every point along the chain of operations. Connecting heavy machinery with the Internet of Things allows fast detection of any possible malfunctions before they create an issue. Simultaneously, robotic machinery can take over the more dangerous tasks. These systems also use data analysis and prediction to minimize errors; and fewer human errors make for a safer work environment.
Automated systems create a more efficient warehouse
While enhancing safety, automation solutions are also facilitating a more streamlined and resourceful warehouse. Warehouse management systems can:
Manage and maximize inventory,
Use predictive algorithms to increase the accuracy of orders,
Eliminate latency and errors associated with manual data processing,
Create operational continuity across all processes
Monitor and reduce energy use
Minimize the risk of product damage and errors
Robots can also take over demanding and time-consuming tasks such as order fulfillment and picking/packing. Autonomous machines paired with AI systems can work together to create the most innovative ways of accomplishing warehouse tasks at rates much faster than a human can.
Bottom line: This sort of efficiency can offer serious speed that enhances employee productivity and can cut costs for the businesses throughout the process.
Warehouse jobs are becoming more attractive
Vacancy rates are unusually high in the operational industry, particularly due to the more hazardous and intense working conditions. Not only do employees face more risks on the worksite, but they also have immensely labor-intensive tasks and hours. The average warehouse worker does daily physical labor that is long and exhausting, where they’re picking and packing goods in a tedious and time-consuming way. Warehouses are understaffed and overworked, which means employees typically have to work extra hours and do overnight shifts to get the work done.
Automating the warehouse takes this kind of pressure off of employees. Robots can step in to take over the more rigorous tasks (like picking, packing, heavy lifting, and product movement), while also taking over the overnight shifts to fill in workforce gaps.
This first and foremost creates a safer and more productive work environment for employees. The better the working conditions, the happier and more productive the workers will be in tandem.
Robots and automated software aren’t replacing jobs. They’re just changing them. In an automated environment, employees have the time, resources, and freedom to focus less on manual tasks and more on strategy, innovation, and tech. This equates to a much higher employee productivity rate.
In fact, we’re seeing an explosion of tech-driven jobs, where workers can focus on creating and implementing the automation that continuously enhances efficiency, safety, and success in the warehouse. Jobs are becoming more sophisticated and advanced, which is a positive for everyone involved.
Automation improves employee productivity
Humans are still the key to a functional and successful logistics operation. Warehouse automation is there to assist employees by:
Reducing physical labor and associated risk of injuries
Enhancing productivity throughout the supply chain
Creating a more efficient and effective warehouse
Enabling more sophisticated roles for workers
The goal of robotics and automated software is to free up the time and resources for humans to do the work that drives the business forward. While robots do daily activities and time-consuming tasks, workers can focus on strategy and technology to consistently take operations to the next level.
Credits: REDWOOD
Date: 2022
Source: https://www.redwoodlogistics.com/4-ways-automation-improves-employee-productivity/#:~:text=In%20an%20automated%20environment%2C%20employees,much%20higher%20employee%20productivity%20rate.
#business #areteautomation #automation #software #technology
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theggning · 3 years
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Codsworth Is So Underrated, You Guys
ALTERNATE TITLE: Codsworth and the Totally Understated Mindbending Evolution of Artificial Consciousness
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I find Codsworth is often the most underrated of the 16 companions in Fallout 4. Your faithful robot butler is among the very first you can recruit and an excellent early-game ally, but he has a few disadvantages in gameplay that mean he’s often sent back to Sanctuary before long. Codsworth is a mid-to-close range fighter only, cannot wear armor or be equipped with weapons. He cannot be healed by stimpak, which makes him a liability if you’re playing on Survival mode. He has no companion quest of his own, so unless you particularly enjoy him there’s not a compelling reason to keep him for a long time. He also becomes recruitable exactly 2 minutes after adorable puppy Best Boy Dogmeat, so he is often (understandably) replaced just as soon as he’s made available.
But there is this great, completely understated facet to Codsworth, so understated that the game does not draw attention to it in any way. And yet, it is a wonderful reflection of many of the themes of Fallout 4 and, I believe, a pretty strong indication of its thesis statement.
Now what in the hell am I talking about?
Like many sci-fi/fantasy universes, the Fallout series is home to many highly-advanced robots. Robots were commonplace before the Great War, and many have survived the bombs intact and in working order. Others have been built or modified by wastelanders to serve various tasks (Percy, Ada.) The most important thing to understand about robots, though, is though they may have vivid personalities programmed in, they are widely accepted to be objects. They are thought of the same way as an appliance, a machine built for a specific purpose and programmed to follow a strict set of protocols.
Many jokes revolve around the relatively rigid intelligence of robots. Pre-War, many were deployed in inappropriate jobs or designed haphazardly (Mister Handies acting as nurses in a hospital, “paramedic” Protectrons with massive deadly tasers for hands, military robots constantly going haywire and erupting in friendly fire.) Others continue to man businesses and play out daily tasks as they were programmed to do over 200 years ago. Most robots are incapable of understanding anything beyond their initial programming, and most pre-War robots are completely unaware that the Great War ever happened.
When the Sole Survivor reunites with Codsworth at the ruins of their home, it seems like he, too, doesn’t understand what’s going on. He talks about tending the (dead) garden, references the (ghoulified) neighbors, and generally acts like the chipper robot butler Sole left behind on their way to Vault 111.
But there is something slightly… off in Codsworth’s dialogue here. Though he acts like the war never happened, he also specifically mentions details that suggest it did:
Player Default: Codsworth! You're still... fully operational?          
Codsworth: {Defiant} Well of course, mum. You can thank the fine engineers at General Atomics for that! At least, you could have. Had they not been... vaporized.
A bit over 210 actually, mum. Give or take a little for the Earth's rotation and some minor dings to the ole' chronometer. That means you're two centuries late for dinner! Ha ha ha. Perhaps I can whip you up a snack? You must be famished.
You've no idea the desperation for human contact one develops over 200 years. {Upset, recalling bad memories of encountering raiders and scavengers. / Disgust} And when you do encounter them? Oh the cruelty! You're either... target practice or... spare parts!
Even stranger, Codsworth mentions details that are plainly made-up (or some kind of delusion):
Codsworth: It's been ages since we've had a proper family activity. Checkers. Or perhaps charades. Shaun does so love that game. Is the lad... with you...?   
Player Default: Codsworth... listen to me carefully... have you seen him? Have you seen Shaun?              
Codsworth: Why, sir had him last, remember? Perhaps he's gone to the Parker residence to arrange a play-date?
(Shaun is an infant. He is too young to play charades or to go to the neighbors for a play-date.)
So at once, Codsworth does and does not acknowledge the war. He does and does not seem to understand what’s happened, and he does and does not seem to follow Sole’s urgency regarding their spouse’s death and Shaun’s kidnapping.
And then, after a speech check, Codsworth finally snaps and breaks down sobbing in despair. Not only does he understand that the war happened, he has developed the ability to get depressed about it. Longing for human contact and with nothing else to do, he’s even developed coping mechanisms to help him try to deal with his loneliness and despair—futilely trying to do his chores and deluding himself into pretending everything is completely normal.
Wait a minute. Sobbing? Despair? Depression? Coping mechanisms and delusions? This Is all pretty sophisticated stuff to be programmed into a robot, and if you spend more time with Codsworth, the reality of what’s happened to him becomes apparent:
Codsworth has evolved beyond his programming. In his 210 lonely years of existence, he has developed emotional reactions and self-awareness far beyond that of most other robots, and, indeed, has basically evolved an artificial consciousness.
“Emergent intelligence” is the theoretical ability of an AI to eventually develop something resembling human thought processes, and it seems that our dear Codsworth has undergone this. Traveling with him, he displays many sophisticated thoughts and behaviors far beyond what most robots are shown to be capable of. He has memories of pre-War time and places, and understands how various locations have changed. He is capable of learning new information and forming opinions on it, gaining his own understanding of the people and factions in the Commonwealth. He can feel happiness, sorrow, fear, disgust. He can anticipate things, predict danger and imagine how people might respond to your actions. The mere he fact he has opinions and a moral code that he applies to you shows he has free will, something even other robot companions don’t (Ada has a personality, but absolutely does not care about your actions.)
He’s also smart enough to make many wry observational jokes, and to lay one hell of a sick burn on you:
{Joking - Found an old bowling alley. / Amused} Fancy a game, mum? Something tells me the bumpers are no longer available.
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 Codsworth’s intelligence is even more sophisticated than that. He displays stunning self-awareness, frequently referencing the fact he is a robot and what that means. He is very proud of his background as General Atomics’ finest, and seems pleased with his robot nature and his lot in life. (Unlike Curie, I don’t think Codsworth would ever really want to gain a synth body. He seems quite happy as he is.)
Here he is making reference to still feeling the tug of his programming:
{Seeing an office with chairs arranged in a circle. / Neutral} I've the most incredible urge to rearrange those chairs in a more perfect circle.
Understanding when other robots are restricted by theirs:
A pity. It appears Deezer's programming is too severe to allow for normal conversation. Ah well.
And when they’re actually not:
Codsworth: Greetings, sir. Good to see another robot in town. That chef hat becomes you.
Takahashi: Nan-ni shimasho-ka?
Codsworth: Takahashi you say? I'm Codsworth, a pleasure to make your acquaintance.
Takahashi: Nan-ni shimasho-ka?              
Codsworth: Is that so? Well, we both know RobCo is no General Atomics. It's not surprising it failed, shoddy work and all.  {Friendly - trying to cheer up another robot. / Friendly} Chin up, though. Never know when parts may turn up.
 And here’s Galaxy Brain Codsworth ruminating on his own state of being and contemplating his nature:
{Disappointed that he can't be 100% human sometimes. / Sad} It's unfortunate that I lack the proper design to consume liquids. Something about camaraderie over a few drinks is very inviting.            
I suppose if I had the hardware, I'd have the software as well. I'd hate to see how that'd affect my honesty and manner settings.
{Reconsidering what he thought was a good idea. / Thinking} Indeed. Perhaps I should rethink my initial desire.
Hilariously, Codsworth does not seem fully aware of how remarkable his intelligence is. He occasionally says things like “if I had feelings” and “if I could feel things,” indicating that in some ways he still believes he is only a robot and defines himself by what a robot is and does.
But as we can see, our humble robot butler has essentially evolved to become the smartest, most emotionally intelligent and person-like robot in the Commonwealth*, and potentially in the series.
([SIDE NOTE: Other FO4 robots nearing Codsworth’s level of consciousness and developed personality include Captain Ironsides, KLE-O, Whitechapel Charlie, and perhaps Takahashi. Curie is close, but also receives the unfair advantage of being uploaded into a synth body with a human brain. Jezebel also functions off of a human brain. Nick is not a robot, he’s a synth (though he does jokingly refer to himself as one) and also has the advantage of a human brain encoded on his processor.])
Also hilariously, the game basically does not acknowledge Codsworth’s impressive evolution. At all. There is absolutely no direct mention of it in the script. It is all left to ambient dialogue and the player’s own observations. And because so many people overlook Codsworth as a companion, they may not even realize exactly how unique his expanded consciousness is.
Now, you might call this total lack of mention a mistake, an oversight on Bethesda’s part, or that old chestnut “bad writing.” I don’t think it is. I think it’s a deliciously subtle little detail to include in a story about humanity, machines, artificial intelligence, and what makes a person.
Many of the themes of FO4 revolve around synths—distinctly not robots, but androids, artificially created beings with fully organic human bodies. Most of the storyline factions have strong beliefs about synths and the relative humanity thereof. The Institute believes that synths are objects, tools, machines no different from a robot who are only simulating their personalities through programming. The Brotherhood believes synths are monstrous abominations, a danger to humanity itself, technology run amok which needs to be destroyed. The Railroad believes they are people. Not humans, but people, built instead of born, free-thinking beings that deserve to be treated with respect and given rights.
Through quests, dialogue, notes, worldbuilding and other venues, players explore these questions. What makes someone a person? If your personality and memories can be rewritten or programmed, then who are you, really? Where do we draw the line between humans and machines, and how do we decide who belongs where?
Meanwhile, as the player contemplates the nature of personhood and the definition of intelligence, their robot butler quietly evolves into a fully-conscious person on his own, right beside them.
Codsworth is unquestionably a machine, but also unquestionably beyond the appliance he was built to be. Which to some philosophies and players should really beg a few other questions. If a robot can be considered a person, then what makes synths so different? And how many excuses do we have to make to pretend otherwise?
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Ya boy Codsworth may not be flashy, or powerful, or kissable. He may not be the most glamorous companion around. But he is a good friend, a beloved member of the family, and above all else, a loyal butler—content to serve, quietly and humbly doing his job where some may never even notice him-- or the fact that he’s casually become his own person and sent generations of roboticists and philosophers spinning in their graves.
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msfcatlover · 3 years
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Me: *rereads my old Portal fics*
Me: “Y’know, some of these are still pretty good! Maybe I should replay the games, and give writing these another shot...”
My brain, always ready with AUs and my latest hyperfixation: TMA crossover with Jon as Caroline, but he doesn’t lose himself in the upload process.
Me: “I... I don’t know if that would work...”
My brain, refusing to be derailed: His robot name could be “Self-aware Intelligent Machine Simulation.” SIMS for short.
Me: “That’s not a great robot name.”
My brain: No worse than “Genetic Lifeform and Disk Operating System.”
Me: “.......Fair.”
My brain: Testing is like statements; he doesn’t want to like it, but it’s addictive and eventually he kinda needs it to stay sane. He regularly gets in trouble for trying to make the tests less dangerous for the test subjects, because like... draining the acid out of the acid pit ruins the integrity or something.
My brain: It actually makes no difference, but obviously Jonah is Cave in this crossover. He’s researching immortality, and this is just one of the ways he keeps Jon under control.
Me: “Elias was his first attempt?”
My brain: Yeah, but it was just a brain transplant. Now he’s worried about the integrity of his brain itself, I mean, physically it’s getting pretty old. And it’s not like aging is fun anyway.
Me: “So, I assume Martin’s Chell then.”
My brain: Obviously.
Me: “Obviously. Where does everyone else fit?”
My brain: Daisy and Basira are trying to get the whole company shut down for horrible human rights violations, but are struggling to find evidence. They go undercover as test subjects, only to realize they’re in too deep and have to fight for survival.
My brain: Melanie’s a reporter, supposedly doing a profile on Jonah, but secretly investigating all the disappearances that keep happening amongst the staff. Georgie brought her in on the case when Jon stopped answering all calls.
Me: “Tim and Sasha?”
My brain: Scientists, were on the same team as Jon. Might get kicked down to test subjects for asking too many questions about his “transfer to the AI department.”
Me: “Wait. All of this is pre-fall-of-Aperture. Doesn’t that take a lot of the punch out of making Jon our GLaDOS equivalent?”
My brain: ..............................
My brain: Mid-fall-of-Aperture. Terribly understaffed, running out of money, the “AI department” is literally just Jon on the paperwork, Jonah’s desperately pushing the testing/experiments to figure out the limits of brain-uploading before he loses access to the equipment.
Me: “I don’t think that scans.”
My brain: Sure it does! What’s the testing in the games even for anyways? It’s all cognitive, the portal gun itself only gets used in a handful of different ways.
My brain: Now the testing is specifically there to stress Jon out and test the stability of his personality matrix; no point in uploading yourself if the first major issue you run into corrupts your code or causes a major error. It puts Jon through the wringer, even zapping him with viruses and stuff, to ensure the process works, because Jonah doesn’t have the time or supplies for more than one test subject.
Me: “......huh.”
My brain, getting more excited: Merge the Eye-pocalypse and Prentiss attacks! Some sort of biological agent gets loose in the facility, and Jon hacks the security system to try and stop it. Any hermetically sealed area of the facility gets locked down, and he gasses the rest of the facility to keep the contaminants from spreading.
My brain: But they’re underground and the ventilation system isn’t the best maintained, so he can’t risk letting anyone out for fear they’ll get poisoned too. Just has to wait for the gas to rise up out of the facility on its own.
Me: “OH! So from the perspective of everyone in the testing tracks, this AI has just gone completely rogue and taken over the facility, killing a whole bunch of people and trapping them inside!”
Me: “I bet Jonah’s office is basically a fortress, and he still has security access to cameras and intercom, so he just eggs them on. Because this is an insurance nightmare, he wants to upload himself ASAP, so Jonah tells them there’s a manual override procedure for SIMS, but he can’t do it alone. They need to get through the testing, reach the central control chamber, and help him deactivate SIMS before they’ll be able to leave the facility. But actually, he’s planning to delete Jon entirely and replace him in the mainframe!”
My brain: Like the bastard he is.
Me: “So now, everyone’s in this weird limbo of trying to figure out what to do and who to trust. I mean, obviously in the AI apocalypse you want to trust your fellow humans, and SIMS did just gas the whole facility and trapped them in the testing tracks, but on the other hand ‘Elias’ is a shady bastard and SIMS isn’t always that bad?”
Me: “Like, sure, it can be pushy about testing and you can’t expect a robot to be good at emotions, but sometimes it’ll do something like ask for a verbal check-in because they’ve been down there a while and that can be psychologically hard on most humans? Someone complains about food, and SIMS sounds almost genuine when apologizing for not having anything else that can be safely transported to the testing tracks at this time. Once, Martin found a corner away from the cameras to take a nap in, and he’d swear SIMS was actually panicking over not being able to find Martin when he woke up.”
My brain: Tim and Sasha make snide, tired jokes about Jon giving the damn thing all his social awkwardness, as well as his name and voice (for some god-awful, unknowable reason.) They don’t want to let SIMS endear itself to them, knowing it probably killed Jon.
Me: “No, no, knowing that it killed Jon. They absolutely ask at some point if Jon’s okay and are told that amongst the however-many living staff members that are left, Jonathan Sims is not amongst them. What else are they to assume, other than that Jon’s been gassed by his own creation?”
My brain: Oooh...
Me: “Martin’s the only one who actually feels endeared to SIMS by the time they meet up, partially because he’s the only one who was trapped alone. Tim and Sasha were together, and already have reason to hold a grudge. Daisy, Basira, and Melanie met up early and spend a lot of free time fantasizing about smashing the damn computer when they find it.”
Me: “Martin was alone and he hates it, so he tries talking to SIMS, and is a little surprised when SIMS talks back. They’re not always pleasant conversations, SIMS can be curt and doesn’t have much personal info to share (being a computer and all,) but Martin does start to get a grasp on the situation as it must have at least appeared to SIMS when he pulled the lockdown-tigger. And for a supposedly evil computer, SIMS can be surprisingly helpful and seems almost as upset by the situation as the humans are.”
My brain: And there was that odd moment after Martin convinced SIMS to stop calling him “Mr. Blackwood,” and SIMS seemed almost flustered before very softly responding, “...Martin, then.”
Me: “Awww... please tell me Jon’s not actually dead, I need them to take him with them at the end...”
My brain: Suspended animation. The brain is still a vital part of the machine, but it never ages or degrades thanks to whatever combo of chemicals and cryosleep Jonah used to preserve him. Part of Jonah’s “manual override” involves adding a high-powered hard drive or four to replace the need for an organic brain, making full digitization possible.
Me: “But where’s he stored? He can’t just be strung up in the middle of the machine, that’d be unsustainable and Jonah would never let anyone within a hundred yards of it lest they realize the truth! A cryotank in a fake computer bank? A stasis tube hidden amongst the wiring, which they could discover while clambering about installing the hard drives?”
My brain: A cold room disguised as a locked closet or something, with the upload chair still inside of it? Only Jonah has the passcode, technically, and he was planning to go in while everyone else had their own tasks to do, just shove Jon’s body out and plug himself in, leaving Jon to finally die on the floor just a short distance from his friends while Jonah replaced him in the machine, removed the safeties, and escaped into the internet?
Me: “Oh, and Jon gave them a universal override or something to get them out of a dangerous situation towards the end! It actually leaves half the group feeling pretty low, having the thing they’re trying to destroy just hand them the key to its destruction out of pure, innocent trust.”
Me: “Then while Jonah’s distracted giving out instructions, Martin (useless with computers,) wanders over and opens the door, letting out a gust of cold air with a hiss. Martin coughs on the escaping gasses, and Jonah rushes to say that the cold room is very delicate, and ought not to be tampered with by people who don’t know what they’re doing—“
My brain: —but Martin blinks back the stinging, shock-induced tears, eyes adjusting to the dark of the closet and gasps.
Me: “And Martin’s only ever seen Jon in passing, really, they never properly worked together. But he was a little sweet on him even back then, and he’s heard the stories from Tim and Sasha, and he’s spent the last several weeks getting to know SIMS...”
My brain: ...He quickly calls Tim and Sasha over to confirm, just in case he’s got it wrong somehow. They’re just as shocked that Jon’s in there, with all his notes tucked away behind him revealing what really happened. Jonah tries to talk his way out of it, but is quickly arrested by Basira and Daisy.
Me: “Sasha finishes the notes first and makes her way back out. She’s shaking, overwhelmed with rage and grief and horror, and punches ‘Elias’ so hard he falls to the floor.”
My brain: Jonah starts to say something about assault, but Melanie congratulates Sasha for stopping him and Basira, completely deadpan, adds, “We all saw him make a break for it.”
Me: “Jonah shuts the fuck up.”
My brain: Part of SIMS’ programming was not being allowed to answer to “Jon” anymore. He never outright denies being Jon, just corrects people that he is the Self-aware Intelligent Machine Simulation. Tim finishes the notes, makes it to the cold room door, looks into the nearest camera and shakily asks, “Jon?”
Me: “For the first time, there’s a solid three beat pause before the intercom answers, softly and less robotically than before, ‘...Yes, Tim?’”
My brain: Tim starts crying.
Me: “Of course he does! He’s been grieving Jon for weeks at this point, trying not to let it show just how sad and angry he was that it all ended like this, and now it turns out that not only is Jon alive, he never actually left them at all! All those months thinking Jon ghosted them, left them behind in R&D for greener pastures, and Jon was all-but-dead in a cold room the whole time, and none of them ever knew! The relief, the joy, the guilt, the lingering bitter grief and rage, it’s overwhelming. Who wouldn’t cry?”
My brain: It takes them a few days to figure out the download procedure to return Jon to his body, especially since Jonah can’t be trusted on this front. Tim and Sasha are the techies, and they recruit Melanie and Basira for extra hands. (Martin’s still terrible with machines, and Daisy needs to watch Jonah to make sure he doesn’t escape.)
My brain: Martin, feeling useless, stays by Jon’s side in the cold room.
Me: “When Jon wakes up, Martin’s the first thing he sees.”
My brain: Martin sees him moving, meets his eyes, and gasps, “Jon?” Jon nods and tries to say something, but his throat is dry and his voice won’t work. Martin scrambles to get him a glass of water and steadies Jon’s hands as he drinks it. When he lowers the glass, Martin cautiously asks if Jon’s feeling better.
Me: “Jon just smiles and answers, ‘You said my name.’”
My brain: Martin’s confused. “What else would I call you?”
Me: “Jon shakes his head. ‘I just... don’t think I’ve heard you say it before. Certainly not to me. It’s... nice.’”
My brain: Martin laughs helplessly and says it again. “Jon.” Jon’s smile brightens, and Martin can’t help stepping closer, repeating Jon’s name again. Jon laughs along.
Me: “It’s on instinct that Martin takes the empty glass and sets it to the side, leans over the chair, touches Jon’s shoulder, cups his cheek. He hesitates when they’re nose to nose, breathing the same air, shockingly warm even when Jon’s skin is still cold to the touch. He meets Jon’s eyes and swallows. ‘Is this okay?’”
My brain: Close enough to feel the small, inaudible gasp before Jon whispers, “Please.”
Me: “They only get one short kiss in before the door opens and Tim makes a scandalized noise before loudly declaring this unfair and blatant favoritism. Martin all but jumps away, but Jon just rolls his eyes and thanks Tim for saving him. As the others pile in —Sasha claiming she did all the work, Basira needing to know if Jon’s up for making an official statement, Melanie both needing to pass on a message from Georgie and wanting an exclusive interview for her expose— Martin can already feel himself fading into the background, even as he and Tim help Jon to his feet.”
My brain: At least until Jon lingers, fingers lightly resting against Martin’s arm, and looks up at him with hope in his eyes. “Later?”
Me: “Martin’s not entirely sure what Jon’s asking (Jon isn’t really either,) but he agrees anyway. He doesn’t even hesitate.”
My brain:
Me:
My brain:
Me:
My brain:
Me: “.....WELL FUCK.”
My brain, smug despite it being 4:30am: Told you it was a good idea.
Me: “I hate you so much.”
27 notes · View notes
heartofsnark · 3 years
Text
Can You Feel The Sun? (Chapter Eight): Icarus Falls
Notes: Why, yes, I am posting these relatively quickly. This is the last of a backlog since I’m actively still working on the next chapter, This is a doozy of a chapter, both emotionally and length wise, but I’m rather proud of it, if I’m being honest. I recommend settling in a snack and maybe...just maybe some tissues.... 
Word Count: 15327 
Chapter Warnings:  Multiple deaths, violence, gore, grief, angst. 
If you haven’t yet, you can read the previous chapter here!~
V and Jackie get into the backseat of the Delamain taxi. White and tan leather interior, despite looking the nicest she ever has in twenty years she still feels like she might stain the white leather. No driver, instead there’s screens and consoles in the back of the seats in front of them. An avatar of a bald man with stark unnaturally white skin and blue lips 
“Welcome on board this Delamain service. With Delamain, you leave your problems at the door,” the AI avatar greets them in a robotic voice. 
“Son of a bitch! Better fuckin' believe I will!” Jackie yells out, still grinning. V lets out a breath of air meant to sound like a laugh, but the lump in her throat isn’t making it any easier. 
“I see no reason why you should be using expletives.”
“Sorry, he gets… excited.”  Her voice is tighter than she wants it to be, her leg bouncing now. 
“Damn right, I’m excited. Hey, Del, what about that time I wanted to hire you for my cousin's bachelor party, huh?” 
“Unfortunately, we do not take on such contracts.”
“Three months I'd been savin' up scratch… Egh, water under the bridge. Hit it, Del!”
“Before we begin our journey, I must verify the identities of all customers. Please proceed to connect your personal links,” the mercs plug their personal links into the console, “Thank you. "Excelsior" package activated.”
Crisp subtitles for Delamain alight along her contacts, more comprehensive than the lip reading tech sometimes gives. Maybe his AI avatar enunciates more properly than a human, she wonders. 
“"Excelsior"? Hohoho, this just keeps gettin' better!”
Jackie laughs as the taxi cab starts to drive and V finds herself fiddling with her suit sleeve. It’s perfectly tailored, but she still feels like a kid in dress up. Having to pretend she’s a corpo, having to pretend to be a hearing person. Her bright painted nails seem to clash so much with the persona and she curses herself for not changing the polish. What if they’re caught right away? The corps smelling Heywood and The Badlands on them the second they walk through the door. What if the spoofed SID hack doesn’t work, what if the bot malfunctions… What if, what if, what if; spins around her brain. They can’t fuck this up, there’s no room for mistakes. One disaster will destroy their reputations, hell their entire merc careers. And that's the best case scenario. 
When she glances at Jackie there’s no hint of nerves, no hint of reservation or fear, just giddy excitement. Like a kid getting ready to hit up a party. 
“What’s got you riled up?” She asks in spoken English, deciding she’ll mostly speak for the ride since Jackie is the only person really here, that way he doesn’t have to look at her the entire time. And maybe she’s also hoping if she talks enough she won’t clam up too bad in Konpeki.  
“Hang on, watch this… Delamain! Initiate combat mode!”
She can see the bright red ink of his tattoo peeking from his suit sleeve, eyes drawn to it, and something about that scares her more; a hint of his Valentino roots showing, would it be a literal red flag for Konpeki security. 
“My apologies, but you do not appear to be in any sort of imminent danger,” Delamain crushes Jackie’s hopes, a frown replacing his grin. 
“Huh… Oh well. Trust me, he'll mow down an army of ‘Saka ninjas if it comes down to it,” Jackie explains to V and she wraps her arms around herself, resisting the desire to bring her legs up into the seat, trying to get her mind off her nerves. 
“So, what else is included in Excelsior mode?” V tries signing to the AI, curious if it has translation tech for ASL. 
“Comprehensive health coverage, including the handling and disposal of a client's remains should death occur on board,” Delamain responds without hesitation and instantly ruins any chance of her getting her mind off the massive risks within this job. 
“Damn. Shit got dark pretty quick,” Jackie comments. 
“Dex isn’t skimping though.” 
“And thanks to you, we're still gettin' a juicy forty percent.”
“You’re welcome.” 
“Excelsior…This is how you wanna cruise into the major leagues…” He says like the job is already done and they’re hitting up an after party… 
“Wouldn’t get too excited yet, Jack, doing a job not hitting up a party.” And her words are too sharp, voice too venomous and rough in her throat. She regrets it as soon as they leave her lips, as soon as she’s spoken them into reality, wishing she could swallow them back down. His face drops completely, eyes harsh and she knows she fucked up. 
“For real, V…? See me as that shallow?”
“I-”
“Lemme explain somethin' to you, V… My whole life I've spent in this shit around us! And I ain't goin' back!”
“I’m sorry, really, I just… I’m worried and I let my nerves talk for me, I’m sorry.” She quickly tries to smooth it over, those knots in her gut only winding tighter with Jackie mad at her. 
“Swear to christ, V, I will never fucking get you,” he says, shaking his head and looking out the window.
“What do you mean?” 
“Twenty years old, sitting in the back of a Delamain, on your way to do a job for Dex fuckin’ Deshawn and you can’t even muster a fuckin smile? You fuckin’ know what I’d have done to be where you are right now when I was your age, I was still dreaming of seeing The Afterlife! Took you less than a year to be here, took me ten! And you ain’t even happy about it! Then you act like I’m not takin’ it serious, like I don’t got my fuckin’ head in the game, just cause you can’t appreciate where the fuck you are right now!” 
She chews her lip, not sure what to say to him. Guilt coming over her. He’s right, she hasn’t lived in Night City nor been a merc nearly as long. He’s been doing this since he left the Valentinos… For Jackie this has been a lifelong dream, the ultimate goal. She didn’t even consider it a possibility until she met him and now she’s already on her way there. Of course he’s happy, on the precipice of his dreams coming true. 
“I’m sorry, really I didn’t mean to piss on your parade.” 
“Yet somehow you always do.” 
V sighs watching the city pass outside her window for a few more moments, tapping her fingers, that knot feels like a ball of lead now. She wants to claw her skin off,  tear and tear away at herself, at her being, and maybe, just maybe she’ll find someone better under the gore.  Someone who isn’t such a fucking asshole. Someone who knows how to keep their mouth shut and doesn’t ruin everything for everyone else. She’ll never understand why Jackie puts up with her, why he has for so long. She just doesn’t want to fuck this up. The job, her friendship, the little bit of happiness she’s built. V wrings her hands together, tight enough to hurt and she twists them a little harder, nails digging into the skin. If she can’t find anyone better maybe she’ll just claw away until she’s nothing at all. 
She’s already a bundle of nerves over the heist and she can’t stand another moment of the tension hanging thick in the air. 
“Did you fuck my wife?” She says in her best imitation of something between an Italian and a Brooklyn accent, watching Jackie’s face, the hint of a smile tugging at it. Tension starting to melt ever so slightly. 
“Don’t get me started,” he returns forcing the same cheesy voice. 
“Did you fuck my wife?” 
“I think you fucked my wife and got me started.” 
“I got started cause you fucked my wife.” 
“I could trace back the moment I got started it’d definitely be when you fucked my wife!” 
“That is unquestionably when I got started!” They’re smiling now, giggling at every other word as they choke on their cheesy jokes. Tension melts away as a weight is being lifted off her chest. 
“My records indicate that neither of you are married.” 
And they lose it, laughter filling the car at Delamain’s interjection to their stupidity. Its ridiculous and dumb and they sound like children. But, she’s thankful for the moment, the reprieve, where it’s laughter and not nerves tearing at her guts. 
A call notification lights up on V’s optic contacts, T-Bug’s avatar and V answers, the runner’s voice coming just a moment later. 
“Hey. How's things?”
“Eh,” Jackie answers, “been better, been worse.” 
“We’re nearing our destination,” Delamain tells them and V’s throat tightens. 
“Listen, set up a direct, encrypted line to guide you through Konpeki. V, ring Jackie now, see if we're in sync. Can't be too careful.” 
She puts a call through to Jackie, inteface telling her it’s establishing a secure connection.
“And?” Bug asks, expectantly. 
“Got static,” Jackie cringes, “Say somethin', Bug?”
“The greatest crimes issue from a desire for excess and not from necessity."
“Say what now?”
“Yeah, I read you. Not so much your Greek friend, though it was kind of exciting,” Jackie tells her with the ghost of a smile on his lips. 
“Could give it some thought, try to understand…? How 'bout you, V?”
“I want more Aristotle!” 
“Fuck off, both.”
Jackie and V share a giggle at the runner’s expense, V’s going to miss when Bug goes into retirement. If all works out, even on the brighter side, it may be the last time all three of them work together. But at least Bug will be happy and safe, unlike V or Jackie, this was never her dream or end goal. 
“OK, tech checks out, looks like,” T-Bug confirms. 
“Será mejor que sí…”
“Stay in touch”
And V just realizes the taxi has stopped moving, through Jackie’s window she can see the front entrance of the hotel.  The bright red exterior walls, a worker standing at the ready and those nerves are clawing their way back with a vengeance, tearing up her insides and making her want to bolt, terrified that they’lll be found out as soon as they step foot in. They need to get moving, only way to get through the fear is to take control, do what needs to be done. And hopefully avoid puking in the back of an expensive AI taxi. 
“Thank you for choosing the Delamain service. And best of luck. I shall await here for your return.”
“Shit's finally happenin’… “ 
“Its game time, got any iron left on you, time to put it away,” she tells him, tucking her gun and knife into the center compartment. Jackie following suit. V tugs off her suit jacket and rolls her white sleeves to her elbows, making sure her blades are accessible from the start. 
“Alright, Hannah, let’s go.” 
V opens the door of the Delamain, greeted by the view in front of the hotel, in the distance she can see the space travel facility, night settled over the water. The hotel has trees and plants out front, trying to sprinkle some nature into the cement and chrome world of Night City. She carries her suit jacket over her shoulder, keeping one hand busy with it, while the other sits in her pocket. Hoping it will keep her from signing if she needs to talk. 
“Hold on, lemme grab the Flathead.” Jackie pops the trunk of the taxi and pulls out the case with the bot. 
The mercs take the two marble steps up, a vibrant stript of red along the path.There’s long white marble with planters and the name of the hotel inscripted in gold. 
“'Member, reservation's in your name… Ramón. You're there to meet Hajime Taki - military tech department rep. Papers are for the Flathead” T-Bug tells them as they get closer to the double doors. 
“Welcome to Konpeki Plaza,” a man in a red, black, and gold uniform greets them, bowing his head as they pass by.
There’s a large waiting room, white couches along the sides with monitors displaying documentaries and vases with red hologram plants branching out of them. A security gate divides the waiting room from the front desk, scanners to check each guest for weaponry. Beyond it she can see staff with gold plated skin. All non-security personnel of the hotel are gold plated; receptionists, concierge, bartenders, and the like. A requirement for the job, even staff must match the aesthetic. 
“Welcome to Konpeki Plaza. Please come through single file,” The guard tells them as they reach the full body scanner. 
“You got it, holm-- uh, ahem, sir,” Jackie stumbles and V screams internally, watching her friend step forward. Blue light crackles along him, like lightning, then it flashes red. Misty’s warning of mean reds, flaring in V’s mind. 
“Ahem. Hold on got something,” the guard stops Jackie before he can go any further, “Sir, care to explain why you're bringin’ a combat bot onto Konpeki Plaza premises?”
“Arms dealers.” V yells out quickly, hating how forced it sounds, tightening her fingers in her jacket, desperate not to sign on instinct and not realizing she forgot the ‘we’re’ part of her sentence until she finished saying it. 
“Excuse me?”
“Ah!” A gold skinned concierge steps over,  “You are here to see Taki-san, am I right? Please accept my apologies for the confusion.” 
“Pff,” Jackie scoffs as the concierge bows and walks into the lobby, waiting at the front desk. 
V steps into the scanner, guard assuring her it will only take a moment. It distorts her vision, crackling it with blue for just a moment. Then the guard tells her to go ahead and she walks forward, meeting Jackie at the desk. A woman with gold skin, black hair all shaved except for the bangs and sidelocks greets them.  And V is starting to notice that the Arasaka logo is everywhere, the corp hotel owned by them. On the screens, gold emblazoned on marble planters, and on pamphlets. The hotel and Arasaka logo are clearly one in the same. 
“Youkoso. Greetings and welcome to Konpeki Plaza,” she says bowing her head to them and V returns the gesture.
“We’d like to check in,” Jackie says and V sends him a silent thanks for talking. .
“Of course, just a moment, please” the receptionist taps away at a keyboard, “The name on the reservation is…?”
“Victorino.”
“Double room, two adults, one night. Correct?”
“That’s the one,” V tells her, with a tight nod. 
“Perfect… I will go ahead and notify Taki-san of your arrival.”
“Shit, no good, not part of the plan. Talk her up, V, stall!” T-Bug yells out over the call and V is once again wanting to scream. 
“That, uh,  won't be necessary,” she curses herself for stuttering, “We'll go freshen up first, notify him ourselves.”
“But Taki-san is expecting you, no…?”
“Senorita, do you know how long we been traveling? Eighteen hours from New Barcelona. With a delay on Metakey 'cause some cyberpsycho blew himself into bits inside the terminal…”
“Been a nightmare, ugh.” 
“Of course, I understand. You will be in the Lapis Lazuli Suite on level forty-two. Oh, one more little formality… Please validate your SID chip.”
“Honor's all yours, Hannah.” 
A tablet on the table lights up with a bright blue handprint and she’s reminding of her issue getting into her own apartment. Bug said she put a temporary hack on their SID chip, but there’s an extra twinge of anxiety as V lays her hand down on it. She half expects it to show a senior citizen, to be outed as a fraud and tossed out the door. 
“Everything seems to be in order. We wish you a pleasant stay!~” 
“Better get goin'.”
V murmurs a thanks, feeling a bit of relief at having that part of this whole thing done. Playing corpo is somehow more stressful to her than the idea of breaking into Yorinobu’s penthouse. She follows behind Jackie. Large marble planters fill the lobby, some with trees that nearly touch the staggeringly high ceiling. 
“New Barcelona? Really?” T-Bug comments as V follows Jackie up a short set of marble steps. 
“It's called improvisin' - you should try it,” V stares up at a gold framed painting, “Whaddaya think, Hannah"?
“...” V raises an eyebrow at him with a soft noise in her throat. 
“Quaint, cozy. Not like the hotel we had in Zurich for that convention.”
“Don't need that, Jack. Enough.”
“What? I’m takin’ this seriously!” Jackie grumbles when T-Bug scolds him. 
They take two turns through the lobby, guards passing by talking about dolls being left in rough shape as they near what looks to be a bar in the corner. It's an open pathway inside, the bar illuminated in pink and a gold plated woman stands at a podium bearing Arasaka’s logo. There’s a lit collection of alcohol behind the bar, liquor that costs more than V’s rent, which isn’t a hard feat but still rubs her the wrong way. 
“Bar don't look too shabby.”
“We don't do reservations on weekdays, so feel free to grab any available table. Or a couple of stools at the bar if you prefer?” She explains to them, a valley girl accent to her words. 
“Could bring Misty here one day. When we, uh… close this deal.”
“Might take a look around.” 
The idea of sitting down, if only for a moment, and catching her breath after the close call in the lobby sounds nice. Her nerves are frayed already, she’s never wanted to drink so much on a job before. A quick breather before she has a full blown panic attack. 
“Shit,” Jackie curses, “look like some fuckin' travelin' salesman with this case. Go ahead, I’ll go on upstairs.” 
V nods, watching Jackie go to the elevator, a part of her feels guilty, but she doesn’t intend to take too long. And it’s not as if she’s made visiting bars on the job a habit before, she can have this one. She rubs a hand over the back of her neck, feeling the chrome indents of her Mantis Blades cooling the skin. Half of the room is a lounge with black couches and slick pink metallic chairs, terrariums built into the walls. The other half is, gold stools and booths before the neon pink bar. Each side is filled with people mingling, dressed in high fashion, people who’ve gambled away more money than she’s ever seen. 
“And when I say heads're gonna roll, I don't mean it as a fucking turn of phrase,” a half drunk man slurs his speech at the golden bartender. The stench of whiskey clings heavy to his clothes. 
“Had enough guy, don’t you think? You’re making the other customers uncomfortable,” the bartender sends a pointed look towards V, a slight twang in his voice. She was looking for a breather, not conflict. 
“Good! 'Cause this affects them, too! It'll slap everyone in the face!” 
“What’s that?’ She entertains him, figuring it might get the guy gone sooner. 
“You wanna know what a bearer of bad news looks like? What's four hundred yards long, weighs a hundred thousand tons, and is nuclear powered…? The answer's docked in the bay! Hanako Arasaka decided -,” he hiccups, “decided to take a little vacation!
“Big deal.”
“Don't know how big just yet,” her sarcasm doesn’t penetrate the fog of whiskey, “And by the time we do, it'll.. it'll be too late. Screw this. I'm gonna get some sleep…”
With that the man stumbles away, taking the too strong smell of booze with him and the shining bartender turns to her. His shaved hair either red or pink, color distorted in the glowing light. 
“Evenin, what can I get you, baby?” 
Her nose wrinkles at the term of endearment, “little forward, don’t you think?” 
“Suckled it outta my ma's very breast,” he returns, “Fifty percent protein, the other half pure high octane CHOOH2.” 
He presses two gilded hands to the bar leaning forward as he regales his story and she can’t help but raise an eyebrow; he’s implying he’s a nomad, but why would he tell her that? 
“What?” 
“She had wind and dust in her hair, so to speak. Belonged to the Aldecaldos. Before the bombs began fallin'. Her final words? ‘Wherever you go, whatever you do, be yourself, David.’ And so I ended up here. Still no one but myself.” 
He’s full of shit, she decides immediately. Maybe her own distrust or her own frustration, nobody with nomad blood would end up here, gold plated and slinging drinks to corpos. At the very fucking least, they wouldn’t act so damn happy about it. 
“Lovely story if it wasn’t a crock of shit.” 
“Everyone's making something up,” he smirks, “Just like you, baby.”
“Excuse you?” she chokes out, feeling like ice water has been shot through her veins. He’s seen through her, that implication clear, but how? Even regaling to her some fucked up story of being a nomad, like he could smell the dust of the badlands still on her skin. 
“Can I getcha somethin'? At the least, water?” 
“Bourbon and cherry coke.” 
“You got it, baby.” 
The repeated use of the pet name earns him a glare, V tapping her fingers against the bar, his story and perceptiveness making her nerves worse. He sets the drink on the table and she downs it with a gulp, alcohol not quite loosening her how she hopes. She sets the glass down and leaves the bar, it may be petty but she doesn’t leave him a tip, frustrated at the idea he could have seen through her. 
She jabs the elevator button, tapping her foot as she waits and stares at some painting. Its all abstract bullshit, pretty colors, but she’s not sure she sees much else to them. The golden doors open, the back of the elevator windowed with what looks like foliage inside, maybe it’s just a screen. V steps inside and jabs to her level. And after just a short ride, it stops  at her floor. 
The doors open and she sees Jackie, looking over one of the art pieces, walking past a desk and concierge to greet him. 
“About time,” he says, when he spots her, the pair making a beeline to the suite. They walk past a couple speaking Russian, talking about testing on people, as they find the door. 
Jackie opens the door and she gets her first peek of it, stepping in. The furthest wall almost entirely windowed, looking out over the hills. Another expanse dedicated to a terrarium, a large plush bed, white sofas, and a table projecting hologram displays of fish. V tosses her suit jacket off onto the couch. 
“Pretty snazzy. Too bad we ain't stayin' the night. Nice choice, Bug.” 
“Didn't pick it for snazz. Offers quickest access to the dweller and servers.”
“Sí, sí, me acuerdo,” jackie grumbles as he puts the Flathead case down on a table in front of the terrarium. The little spider bot springs to life the second it’s case is opened. 
“Now you fire up the Flathead and find the shaft entrance.” 
“Sounds simple enough…” 
“Simplicity's sometimes toughest to master,” T-Bug tells her. 
“Aurelius? Aristotle? Who's it this time?”
“Yours truly, that one's mine.”
“Go ahead and find the shaft, chica, I’ll get the Flathead running.” 
V nods and begins looking around the room, scanning around, finding the shaft after a short moment. A little square panel standing out on the wall next to the terrarium, scanner telling her it’s Flathead compatible. 
“Found it.” 
“Good. Jackie, how's the Flathead lookin'?” T-Bug asks, he’s put the control shard in one of his neuroports while V was looking for the shaft, eyes now glowing bright white blue. 
“All set. Systems’re operational, charge at a hundred…,” a moment passes his expression furrowing as he shakes his head, “Mierda.  Little gonk's stuck.”
“Just gonna stand there and look at it? Gonna have to switch to manual control. V, take the control shard from Jackie. Gonna link your Kiroshis to surveillance so you can guide the bot.”
“Why me, Jack’s got full blown optics?”  She asks, as he pulls the control shard from his head. 
“Yeah, but you got better tech, unlike someone I ain’t run up my tab with Vik. Got last-gen firmware low flow. May be contacts, but you’re working with top notch Kiroshi tech.” 
“Plus someone already has some playtime with the bot,” T-Bug outs her and Jackie raises an eyebrow at V, a teasing smile on his lips. 
“You played with the bot?”
“Just… give me the shard,” she takes it from Jackie’s hand, “Surveillance cover the whole hotel?”
“Mhm. Even the bedrooms in the suites.”
“Seriously?” 
“You'd be surprised what people're willin' to give up to feel secure. Lucky for us, Yorinobu's an exception. Penthouse is dark, no hotel security.’
“Okay, here goes.” V pushes the control shard into the slot, the interface says it’s connecting her, then it glitches and in a moment she’s looking at herself and Jackie through the surveillance camera. 
“Patching you through to in-cam view. Might get a little disoriented, but don't freak”
Her vision switches between rooms; a man getting a lap dance from a doll in a dimly room, two men in another hotel room. And then it lands on a third room. A meeting of four people; two Arasaka suits and two faces she vaguely recognizes. The view doesn't shift again and she takes the chance to look closer, talks of losing control of Watson, election season. And it clicks, the mayor of Night City. 
“Camera’s set,” V tells Bug, political bullshit isn’t her business, she can see the vague outline of the Flathead creeping into the room.  Only slightly visible to her thanks to her connection, 
“Get him to the next vent.”
V scans and finds the next vent shaft tucked in the corner of the room, sending the Flathead to it. She watches as it crawls and creeps through the room. 
“C’mon little buddy, you got it, yes,” She cheers on the little machine as it skitters across the camera and into the vent. 
“It’s a Military grade combat bot, not your pet, V. Patching you into the next cam now.” 
The next room appears, more brightly lit with two maids working to clean it. V goes to send the Flathead into the vent but the request is denied, detecting one of the cleaning ladies is too far into it’s path. 
“Cleaning crew’s in the way,” V tells Bug, listening to one of the women start drooling over Yorinobu. 
“Gotta distract her. Hmm, let's see what's on the subnet…temp control on the terrarium, sic the bot on it.” 
V follows the runner’s orders scanning and sending the Flathead onto the temp control. Barely a moment passes before the maid’s notice, freaking out about how expensive it is. The merc takes her chance and sends the bot into the unblocked vent shaft. 
“Little guy’s through.”
Next cam flickers into a green tinted maintenance hallway, the bots legs tinkering across the floor. Vent on the other side of the room, V sends it through, smiling as her little buddy makes his way through. And it brings her to a new camera, it looks like where the surveillance feeds lead to. A console and row of screens with a security guard watching them. 
“Dweller's just beyond the door. Flathead can jimmy the lock.”
V sends the command, watching it scamper to the door, tendrils working at the lock. But nothing gives away. 
“He’s having some trouble, poor feller.” 
“Shit… Gotta be another way. Lemme think… Got another cam other side of the door, but it's disabled.’
“Got a CCTV port, might be able to enable it.” 
“Go for it.” 
The Flathead creeps across the room and jacks into the port, giving V access to the other camera. And V switches her vision to it, the next room looks like a high tech runner’s nest. Two netrunning chairs in deep cooled divots within the room. But only one is in use, a man jacked into the security frame, illuminated in blue, screens running code around him. 
“Dweller’s inside.”
“Just as planned.”
“Still don’t get why they only have the one.” 
“Decent dweller's as good as a dozen rank-and-file. Lemme graft a demonoid onto your link, you’ll be able to jack the bot directly into the chair and neutralize the runner.” 
“Got’cha” 
“You'll have to get the Flathead in there first, though.�� 
“Got another shaft grate,” V finds when she twists the camera’s view, there had to be a vent in the other room, servers lining the walls. Bad ventilation and the entire operation overheats. 
“Shaft may link both rooms, looks like. Toggle to the other cam.” 
V does so, a moment of scanning and she finds a hidden shaft grate in the floor, “Think I got it.”
“Send the Flathead over there, then toggle over to the second cam.”
She waits until the bot is prying open the vent in the surveillance room, then flickers back over to the runner’s den, eyes on the vent and hoping she didn’t send their tech into the wrong room. A moment passes and she sees her robotic friend creeping his way out. 
“Our friend’s inside.” 
“Flathead into the chair, V, jack in.” 
The bot crawls across the floor and into the netrunner’s cubby, creeping up the chair and scuttling over the man’s body. Deep in the subnet the man doesn’t stir or even notice as the bot hovers over his face and jacks into the chair. And the code across the screen glitches, replaced by a T. 
“Holy shit.” 
“Whoop! Got him! Love those daemons!” Bug cheers, louder and more excited than V has ever heard her. They did it, the bot is in, T-Bug has access to it all. 
“Uh, Flathead buddy stays, right?” 
“To keep an eye on the dweller, yeah. Punching into Konpeki’s main net. Go ahead and log out.” 
The young merc’s vision starts to glitch and flicker red, her pulling the shard from her head, everything spinning. Lightheaded and her body feels both too light and too heavy. Like she could collapse and float away all at once. 
“That's how it's done! How ya feelin'?” Jackie asks, concern lacing his voice. 
“Like I’m about to puke on a rug worth more than my car.” 
“Bug? How're you doin' on time?” The runner doesn’t respond right away, a moment too long passing. 
“Bug?” 
“Yeah, yeah, I'm here. Soooo listen, ICE is thicker than I thought. Piercing it'll take a couple hours.” 
“A couple hours?! Can't do it any faster?”
“Want my brain to burst into flames? Just siddown and enjoy your snazzy suite.”
“Thanks, I will! V, you take it easy, c’mon rest for a bit.” 
V doesn’t need anymore prodding, settling down onto the white sofa, hoping her head will stop spinning and stomach cease churning by the time Bug is done. The merc kicks off her heels and lays across the sofa, softer than her bed. Jackie sitting across on the other side of the table, V brings her hand up to her face, trying to block out the blue light from the holo projector. But catches herself looking at the bracelet Misty gave her, the way the beads catch the light, remembering the name of it. 
“Hey, what was our suite’s name again?” 
“Lapis lazuli, why?” 
“Isn’t that what Misty’s bracelets are? The blue beads with the gold.” 
“Oh...yeah, ain’t that some shit, must be a good sign.” 
“Maybe… she read your cards before this?” 
“Nah, didn’t get a chance, nagged me about mean reds though. What about you, cards in your favor?” 
“All I remember is something about a magician and love, blegh.” 
“Hehehe,” his laughter is warm and fills the huge room, “telling you, one day you’re gonna be head over heels with some chiccy or mano and you’re not gonna know what to do with yourself.” 
“That how it was with you and Misty?” 
“Pssh, knew I was crazy about her from day one, took a while to work up the nerve though one day I just told her the truth.” 
“That you were in loooove~.”
“More like I’d take a bullet for her, chica.”
“Romantic.” 
“Fuck yeah it is, in Night City, that’s worth a billion I love yous.” 
“So you say.” 
“Keep doing that and you’re gonna rub the finish off Vik’s work,” Jackie tells her and she realizes she’s been rubbing and fiddling with her implants, “be a waste for free work to be ruined.” 
“I’m gonna pay him.” 
“You give him anything upfront, even a dime?” 
“I… gave him a hug…” 
“Wow,” Jackie says half laughing and she’s laughing too, “a whole hug for top of the line chrome! Probably wasn’t even a real hug, just your half ass shit!” 
“I may have only used one arm.” 
“Santa mierda, V, gotta learn to hug people like you mean it.” 
“Yes, yes,” she yawns, “blah blah blah, never know which hug will be the last one, blah….” 
“Flathead wear you out that bad?” 
“Maybe a little…” Her stomach feels better, but her head is still light, fuzzy. And in the plush of the sofa, with Jackie close by, she finds herself drifting away. Eyelids getting heavier with each word, each lull of his voice. She didn’t drink much, but she’s sure the bourbon didn’t help. 
“Gonna be a while, might as well catch a cat nap, chica. Though Bug might not like it, haven’t quite managed to get the stick out of her ass.”  
“Yeah..maybe…” 
The world fades away, a soft fuzzy sleep taking over. Time ticks by around her as she catches a moment, or maybe several, to sleep. Her brain is still a little foggy, but the dizziness is gone by the time she slowly starts to wake back up. A bad case of cottonmouth as she wakes, world filtering back in. 
Her suit jacket is tossed over her, a makeshift blanket she didn’t put there, she rolls over to sit, more stable than she was before. The time on the terrarium panel tells her only an hour or two has passed.  Jackie’s back is too her, his eyes staring at the window. And she finds herself staring, standing in a suit and basked in the lights of the city view, he’s never seemed so serious. 
“Whaddaya think? Why'd he give it all up?” He asks after a moment and she blinks, brain still foggy. 
“Who?” 
"Yorinobu Arasaka. The good life, I mean. Old news, I know. Just got to thinkin's all. It's like, think… You got everything, right? Eddies, education. Your pops can snap his fingers and turn half the fuckin’ planet into a nuclear wasteland… But instead you're like, ‘Nah, fuck it,’ and whaddaya go do? Start a fuckin' gang! Steel Dragons or some shit! You ghost from your fam, chip some RealSkinn and play gang leader for a few years. For what?!” 
She can sense the frustration in every word, feel it every clench of his fingers or swing of his hands. Someone like Yorinobu was handed everything he could ever want; tried to piss it away to play edgerunner, then found himself sucking the silver spoon once again.  But, she can’t blame him for wanting out from under his father’s thumb; that alone a feeling she knows too well. Her fingers hover over her wrist, the still branded flesh that Vik saved. 
“Maybe...he just wanted out of the system.” 
“So then why’d he come back.” 
“Tough to ditch the system when the system’s your own family,” V admits, finger still on the mark. 
“Black sheep’s still a sheep, eh?” 
“Maybe…” 
It took her forever to get the nerve to leave, she talked about it constantly, but it wasn’t until her mother’s death, murder, culling. Whatever she’s meant to call it, that she finally was pushed to make that move. Been gone for years now, but… more days than she cares to admit were spent wondering if she ever should have run, if she should crawl back and beg. If a family that hates her is better than no family at all… 
“Crawled back on all fours, tail between his legs, fuckin’ cheap ass rebel. Fuckin’ tourist!” 
Her nails dig into her skin; insecurities brimming, fear that maybe she’s just as much a fuckin’ tourist. Some black sheep nomad who’ll go running back to her dad, beg for another chance, playing pretend merc when all she’ll ever be is the family burden. 
“Tourist or not, he just walked into the lobby. And we are back in biz. Penthouse security is neutralized.”
“Perfecto, let’s start this show.”
And with those words, they’re back in business, the younger merc up on her feet. V grabbing her jacket and following Jackie out of the suite, fiddling with the fabric as she walks, heels clicking across the floor. 
“Hey, Bug…” Jackie says after a beat of silence,  “were, uh… were you on comms that whole time?”
“Three and a half hours.”
“Eehh… about that stick up the ass…”
“Mean the one up mine?”
“Ehh, slip of the tongue, y'know…”
“I know. Now's your chance to make up to me,” T-Bug tells him as they reach the elevator, Jackie pressing the button. 
“This is going pretty smooth right,” he turns to V as they wait, “right?” 
“Really are a silver lining type, ain’t ya?” V teases as the doors open and they step into the elevator. 
“Hey, when are you gonna wave off that dark cloud hanging over your head? Tellin’ you, it’s downhill from on in.” 
She rolls her eyes and hits the button to the penthouse, elevator doors closing and the carriage rumbling, shaking as it ascends. Silence falling over them, only the sound of the elevator. Jackie’s leg shakes and she knows that silence is about to end. 
“Ahh, there's the awkward silence. You, uh, wanna hear a joke?”
“Now? Seriously?”
“OK, so why'd the rockerboy's output kick him out of the apartment? ‘Cause he wasn't chippin' in.” Jackie cackles at his own joke and V rolls her eyes, a slight smile on her lips. 
“Jesus Christ…” 
Bug sounds a moment away from killing him, but thankfully for the older merc’s sake, the elevator comes to a stop. Doors opening up to Yorinobu’s suite. It feel different, seeing it from her own perspective instead of Evelyn’s and outside of a braindance editor. The entire suit feels bigger. A part of her wonders if it’s the height difference between herself and Evelyn, but decides to chalk it up to braindance shit instead. 
“Huh… not bad bein' heir to the Arasaka empire. Sure as shit better'n bein' the son of Raúl Welles,” Jackie comments taking in the room. 
V turns the corner through the room and a tank catches her eye. A slightly red light illuminating an iguana. It immediately reminds her of the only other iguana she knows, Manny. Come to think of it, his original crate was from Arasaka? 
“Hey, Jackie, look!” 
“Whoa, another fuckin’ iguana, not as cute as Manny though.” 
“Manny’s original crate was marked Arasaka; think he might’ve been Yorinobu’s before we klepped him?” 
“Think we stole his iguana and made him get a new one?” 
“Maybe?”  She gently taps the tank glass, watching the iguana’s tail flick back and forth. 
“Guys! Focus! The safe! And make it quick!” Bug yells out, bringing the merc’s back down to earth. V tosses her jacket onto one of the seats in the center, searching around the penthouse. Rain patters outside the windowed walls. They know where the safe is, but how do they get it out of the floor?
“Why, what's the rush?”
“Sig on Yorinobu's gone dark!”
“What is he, a fuckin' sorcerer?”
“Some kinda dead zone's my guess - have him back in a sec. And you do your damn job! Look around for a switch.”
V walks around one of the dividers where Yorinobu’s bed is, the slick metal of a gun catching her eye first and foremost. Black and gray, with purple detailing. She checks it for ammo and finds it loaded then decides it’s hers. 
“Looks like Yori left us a little gift,” she laughs, tucking the iron in her waistband. And on the other side of the bed, she finds a little switch. She presses it. 
“Bingo, got somethin' ejectin’! C'mere, V!” Jackie calls her over to the corner of the room, heart pounding in her chest.
They’re so close to the finish line, each click of her heels feeling like a step closer. This could actually work. A large black safe has risen out of the floor, a small jack in port and two red lights. Jackie stands on one side of it, the gray rainy day behind him. 
“What now, Bug?” 
“Jack in your personal and make us rich.” 
V plugs her personal link in, leaning one hand against the safe. Jackie leans against it from the other side, foreheads nearly touch as they wait for Bug to work her magic. Just get the chip and walk out, that’s all that’s left. All they need to do. She can’t stand still, itching to cross the finish line, minutes away from the major leagues. 
“Gimme two…”
The merc’s interface shows Bug uploading the daemons to crack the case and V watches the number rise. Sixty percent, seventy, seventy-five; each ticking number another shaky breath, a rising beat of her heart, and a chill up her spine. Homestretch, nearly there. 
And there’s a hum, V’s focus drawn away from the rising percentage, to the windows. Flying AV whirring through the gray skies, hovering around. She looks to Jackie, hoping somehow he’ll have an explanation, something to help her ignore the way her stomach is starting to drop. 
“We got winged visitors… Bug…?” There’s catch in his voice, nerves. Jackie’s scared and she swallows the lump in her throat. His face illuminated in the red flashing lights of the case, mean reds, the words flash in V’s mind. 
“Dunno who. But staffs abuzz, all two hundred on their feet, can't keep still…” 
Somethings wrong, the hair on the back of her neck stands up, a chill in her she can’t shake. Something is so fucking wrong. 
“Can't say I like this, how much longer, T?!”
“Shit. Yorinobu's penthouse bound!”
“What!?”V’s voice cracks, digging her nails into the safe, they’re fucked. They’re so fucked. 
“Fuck him!” Jackie slams his hand down, rattling the container, “Open the safe!” 
“Almost got it… Done!”  The safe opens, revealing a cryo-container within. Bright white light and a fog of ice cold air coming with it. V rips her personal jack out. 
“Preem, lets get the fuck out of here!”  
“Lemme look to this, eh?” Jackie says, pulling the container out and looking at the little screens across it. 
“Relic intact?” 
"Bioshard integrity - one hundred percent." Guessin' that's a yes,” Jackie reads off the vitals of the shard, picking up the case. 
“Good,  let’s delta.” 
The pair nearly trip through the center of the penthouse, rushing towards the elevator with Jackie lugging behind the giant cryo-container. So close, so close, so fucking close. An elevator and taxi ride away, then they’ll be at The Afterlife counting their eddies. The homestretch. 
“Fuck, too late!” T-Bug yells before V can hit the elevator button, “Yorinobu's about to walk in - find cover!
“Where in the fuck!?” V swings her hands as she yells, they’re so fucking close. She rakes her nails across her face, leaving red angry marks down her skin. 
“That pillar- try that!” 
“You fuckin' kiddin'?!” Jackie screams as the mercs make a move to the pillar in the center of the penthouse, were she thought servers for the room were kept. The back of it opening up and allowing a tight passageway. 
“No! Inside it! Now!” 
V slips inside as quickly as she can, Jackie following suit. He holds the cry-container close to his chest. The glass barrier is one way, they can see out, but it can’t be seen in. Still not ideal cover, ideally they’d be outside of the fucking hotel by now. The merc presses her hands to the glass, cursing under her breath. 
“We’re in,” she whispers to Bug.
“Which don't solve our problem, T.”
“I fuckin' know our problem's still there! Lemme think for a sec, okay?” 
The lights to the penthouse come on, elevator doors opening as Yorinobu strides in. with mechanical monstrosity of a body guard from the BD taking large whirring steps after him. And he seems even bigger now. He’s a cyber giant, one mech hand larger than  any part of V. 
He’s outlined in red, his eyes staring straight at her,  Vik said her new contacts would highlight if enemies saw her.. No, there’s no possible way. The man has barely set a borged-out foot into the room. She meets his gaze head on, swallowing the lump in her throat as she tries to seem braver than she is. On the off chance he may truly know the mercs are there. 
“Is that… Is that Adam Smasher?” Jackie whispers and V trusts him to look at her hands  as she signs, not wanting to break eye contact with the robotic monstrosity, refusing to show weakness.
“Bodyguard?” 
“Worse,” her trust in her friend is well placed, “Night City legend. Bleak motherfuckin' one, too. What's the plan?”
“We stay quiet and we wait.” 
A flash of movement makes V finally break the stare down, Yorinobu walks to the middle of the room and stops at the seat across from the table, black fabric strewn across it. He picks it up, regarding it for a moment and her heart drops into her stomach. 
V’s jacket. She left her fucking jacket on his chair, like an idiot, she didn’t even have time to consider grabbing it. They’re going to die because she left her fucking jacket out in the open and Adam Smasher is still staring at her. 
She half expects Yorinobu to call a sweep of the room, ring security, that he’ll realize the random jacket must be an intruder. But he shakes his head, tosses it aside onto the floor, not giving it another thought. While his body guard Smasher lingers in the corner, robotic eyes staring straight at V, watching the mercs squirm. 
“Are they here yet?” Yorinobu asks out loud. 
“They approach from the landing pad,” an AI voice responds. 
“Fuck are they talking about?” V resists the urge to elbow Jackie, silence has never been more important. One sound too loud and a borged out psycho will rip their heads off. And if her contacts are right, Smasher may just be waiting for the perfect opportunity. 
“Nuh-uh, no fucking way…. This isn't happening…!” T-Bug whispers over comms and V sees someone coming down the spiraling stairs, a guard it seems, with another older man following him, “Saburo Arasaka.” 
The second man is older, much older than the first. Balding with gray hairs and liver spots across his scalp, glasses perched high upon his nose. Dressed in a mixture of yukata robes over what seems to be slacks and loafers he takes slow measured steps down the stairs. The head capitalist himself, owner of Arasaka. 
“The emperor? Yet another asslickin' legend….” 
V taps Jackie’s side and puts her finger to her lips, encouraging him to be quiet. The man who led Saburo in starts to walk around the room. He’s older than V or Jackie, but nowhere near Saburo’s age. Long graying dark hair pulled back in a bun, cyberware across his neck coming out from under his black suit. 
“I thought I told you not to meddle in my affairs,” Yorinobu speaks in his native tongue, V’s contacts translating and subtitling to English. 
“Oh fuck,” Jackie curses as the long haired guard comes to stand in front of them, silver ringed brown eyes starting to scan them. 
“Leave us,” Saburo orders and the guard stops scanning, turning to face the corporate leader. 
“Arasaka-sama, I still haven't done a full sweep.” The guard turns his back and V can see where part of his hair is shaved, allowing intense cyberware extending beyond his neck and towards his scalp. 
“This is my son.”
“Of course. Should I retrieve what we come here to-” 
“I will handle it. You may go.”
The long haired guard bows and goes to leave the room, finally Adam Smasher’s gaze on her drops, as the borged freak leaves with the guard through the elevator doors. If they’re here to retrieve something… it’s likely the biochip, which means if they go to get it and see it’s gone… They’re fucked. They’re straight fucked. 
“Un-fucking-believable… Saburo Arasaka.” That comment makes V nudge Jackie with her foot, once again begging him to just stay quiet. 
“Did you think I wouldn't know it was taken from me?” Saburo asks his son, barely making eye contact as Yorinobu looks through a datapad. 
“Actually, I don't think of you at all. Ever. You see, that's your problem. You think the world revolves around you. Arrogant.” 
“Yorinobu.” 
“Why did you come? To humiliate me? To personally see to it that your son knows his place?”
“"The nail that protrudes from the wall gets hammered…"
“Couldn't think of anything original to say?” Yorinobu yells in exasperation, standing up and pacing around the room.  He’s on edge, looking ready to jump out of his skin and V can’t say she has a good feeling about any of this. 
“And do you think it ‘original’ to sell our greatest achievement to Westerners - our future to these… barbarians?!”
It’s definitely the biochip Saburo is after, they’re screwed, monumentally screwed. V would laugh if she didn’t feel like dying, of course, of course it all goes to shit. 
“Our future? Ours?! You are mistaken. You've only ever cared about yourself… and your sick schemes.” Yorinobu points and swings his limbs, still pacing, every word coiled tight with barely restrained hatred. 
“I knew this day would come. That sooner or later your impudence would cross the line,” Saburo is calmer, measured, taking soft steps towards his son, “There is much for which I could forgive you, but for treason - no.” 
The two men, father and son now stand in front of the pillar before an audience they don’t know. Stares trained on each other, each hateful, but one furious in it’s spite and the other calm in it’s contempt. Moments pass, no word said, each waiting for the other to light a fuse that will set off the powder keg. 
“I'm just glad your mother didn't live to see this. The heart should break but once.” 
And it goes off. Saburo’s words are punctuated by Yorinobu’s hands wrapping tightly around the old man’s throat. Yorinobu slams his father back against the pillar, cracking the glass in front of Jackie and busting open Saburo’s head. Blood streaking the shards. And he pulls away and for a moment, as Saburo clutches at his crushed windpipe, Yorinobu seems nearly regretful. 
“You shall never have to forgive me for anything again.” 
His hands wrap again, choking his father against the pillar. Until Saburo starts to fall limp, Yorinobu bringing him down onto the floor in a lifeless heap. Yorinobu stands over his father. Saburo is dead, killed before the merc’s very eyes at the hands of his own son. Jackie curses and V watches as Yorinobu paces, mind clearly racing before he stands over his father’s corpse again. 
“I wish… I wish to put the hotel on lockdown.” 
What does that mean? What the hell does that mean?
“May I ask why?” The AI secretary asks him. 
“Saburo Arasaka has been murdered.”
“Code red initiated. Attention! Code Red has been initiated throughout Konpeki Plaza. Please remain in your rooms and follow all instructions given by staff.”
Oh no, oh fuck no. The lights in the room drop, only bright neon red ones glowing angry in the dark. What the hell is going to happen? What the fuck do they do now? The elevator doors open, Smasher and the long haired guard walking in; the latter rushes and comes to a full stop when he sees Saburo’s corpse. 
“What happened?”
“Someone… someone poisoned my father.”
“Poisoned…?” 
“Seems so.” 
“Yorinobu-san… I doubt…”
Yorinobu glowers at the guard, pushing into his personal space, trying to intimdate him. Trying to make him stop questioning what happened, trying to stop him from looking any closer. Anyone who gets a good look at Saburo’s corpse will see the fingerprints around his neck. 
“What is your job, Takemura?”
“I don't follow.”
“It's a simple question. Answer it.”
“To protect the head of the Arasaka family.”
“I do sincerely hope you'll do a better job of executing your duties from now on…”
“Forgive me, Arasaka-sama,” the guard drops his head in shame, “I shall not disappoint.” 
Yorinobu turns to leave the suite. The guard, Takemura, follows close behind. And the still red highlighted Smasher follows behind him. The elevator doors close behind them. Jackie and V left alone in the suite again. But what the fuck just happened? 
“What the fuck just happened in there?” T-Bug asks, exactly what’s rattling around V’s skull as the pillar back opens again. Jackie and V clambering out. 
“Yorinobu just killed Saburo, he fucking choked out his own dad, I didn’t even know you could do that!” V rambles and yells as she turns the corner of the pillar, looking down at Saburo’s corpse. She quickly checks his pockets, stealing some cash and a pair of dog tags off of him. 
“What?” 
“His own fuckin’ pops.” 
“Know what this means?l Security's gonna swarm the place any second. Oh my god, we're so fucked!”
“We need to get the fuck out of here, now!” They can’t just go out the elevator, they’d meet security on the way. They’re beyond fucked. Why the hell did they take this stupid fucking job!?
“Gimme a sec!”
There’s the helipad, but it’s not like they have anything that fucking flies. Think, think, think; she screams in her head to just fucking think, there has to be something, anything. 
“We don't have a sec!”
“Okay, got somethin'! Window - now! Releasing the lock! Should see a ladder… Ladder…” 
V sees an opening in the large windowed walls, double doors practically made of glass they goes onto the ledge. This has to be in, T-Bug can undo the lock and they’ll slip out. 
“Oh fuck.” T-Bugs voice drops and a chill shoots up V’s back, something is wrong. 
“Bug!?” 
“No, no, no, no - not now…! I’ve been made… “ 
And panic turns to agony as T-Bug screams, a shrill cry of pain then she’s gone. Connectuon cut and V freezes in place. 
Bug is gone, just gone… 
Maybe, Konpeki just cut their comms? But the scream rings through V’s mind. She’s heard of how runner’s can die, daemons and quick hacks. Having their entire brain fried, every nerve and neuron set on fire, burned from the inside out... And all that's left to find is a simmering corpse stewing in their own filth. Bug was never meant for that, meant to retire, meant to find peace after years of netrunning. But now… 
“Bug.!? Bug!? Can you fuckin’ hear me, Bug please, are you there!?” V calls out, words slurring together. She just needs to hear Bug one more time, and know everything is okay. 
And nothing. 
“¡Pinche Dios Santo bendito! We lost her, V!” 
“They...scorched her...didn’t they…?” 
“We… we gotta go, V,” Jackie says, voice cracking as he smacks at V’s shoulder. 
Bug’s final hack going through, the window unlocked. V steps out through the window onto the ledge, rain pelting her skin as she rushes around the corner. Bug said there’s a ladder they can use, last thing Bug ever said… There’s no time for mourning, no time to cry, they need to get through this. The ledge narrows around the corner, ride lights outside the hotel window guiding the way, secured against the steel of the hotel. V sees the yellow safety ladder. The merc presses her back to the building, gently side stepping across the narrow ledge, if they just reach the ladder. One wrong step and they’ll plummet. 
“You can do it, Jackie… just don't look down,” jackie tries to talk himself up, following V, “ Yep, that's fuckin' high…!”
There’s a whir of engines, an aircraft vehicle buzzing around the outside of the hotel.
“Shit! That Trauma?” Jackie asks and that’s exactly what they need right now, doctors shooting them. 
“If they’re here for Saburo, they’re a little late.” 
“Just hope they didn't see us! ¡Chingada madre!”
The aircraft carrier flies in close, flashing blinding white light onto the mercs. It sees them, definitely sees them. 
“Suspects in violation of security protocols.” The mechanical voice croaks out. 
“Time to bail!’ Jackie screams and the aircraft starts to fire, drone automated shooting at them. 
The glass around them bursts and V jumps, grabbing Jackie’s hand in her left, she swings her right blade out towards the ladder. It hooks in the bottom rung, creaking in distress as it stops their fall. And there the mercs hang, suspended by a single Mantis Blade and a ladder rung; rain pouring down upon them and a drone still searching for them through the debris. The strain pulls at V’s arm, pain shooting throughout, shoulders ache and left arm pulled tight trying to hold Jackie and the case he holds in his other hand. 
If she could pull them up with the blade, maybe they can get to safety. But her muscles already strain, wrought tight with the strength it takes to hold them up. The blade pulling at the inner tissue it’s attached too, never meant to support more weight than the person it’s attached to. Rain and tears sting her eyes as she forces herself to pull with the blade, use it to lift them up. 
“V! I can’t hold on!’ Jackie yells out, rain slick hand starting to slip from her own. She digs her nails into his skin, holding him tighter. 
“Just a bit more, I can do this!” 
Her throat is raw and she doesn’t know how much she believes her own words. Nerves scream in pain as her cyberware pulls at what’s left of her flesh. Muscles cry as forced beyond their capability. She curses beneath her breath, pulling them just a little further up. Immeasurable pain and brute force of will only amounting to the tiniest bit of progress, not even an inch closer to safety. Her blade is pulling further out from her skin, raising up from her arm in a way she knows it shouldn’t. 
Every nerve in her arms on fire; blade tugging at flesh and the other nearly pulled from socket under Jackie’s weight. Barely an inch closer to the safety, Jackie slipping from her grip quicker than she can pull, blade lifting from her arm quicker than she can move them. Her teeth sinks into the inside of her cheek, hard enough to bleed as she pushes herself further. Closer, closer, she urges herself. 
A bright white light shines across them, illuminating them in the gray night, adding another ache to her eyes. Drone marked Arasaka buzzing around, refinding them within the debris of the destroyed hotel wall. The robotic voice speaking again. 
“Violators found.” 
And her blade breaks, V’s eye blown wide as they begin to plummet, shock blurs her pain and deafens the world.  Slowing it for a moment, only able to stare as metal snaps, tissue tears, and her arm is ripped open. Cyberware tearing out tissue and nerves, viscera left behind. 
Then she hits glass, shattering it as gravity slams her through and shock becomes hurt. She hits metal, body bouncing from impact, crying as the air is knocked from her lungs. Her head bashing against something. V clutches her arm, the pain it hitting her as everything else does, blood sticking to her fingers. Each breath hurts, a labored wheeze as bruised lungs strain to work. 
V blinks, sitting up slightly, regaining her sense of self now that her fall is broken. Across from her is Jackie and the cryo-case. She looks at her arm, A solid rip from wrist to near elbow, nearly an open hole, metal and moving inner parts of the cyberware mixed with gore. It doesn’t bleed as much as she'd expect, the internal mechanics helping block major bleed out. It hurts, metal now working against raw nerves. But, she’ll live… if this is the worst that happens, she’ll live.
The cryo-case is dented, part of it sparking and part of it splatted with blood. But her eye is drawn to Jackie. A tear in his gut, shrapnel and glass caught him well, bleeding more than her. The white of the button up around his stomach turned scarlet. 
“The Relic! ¡Madres! Agh… Oh, this ain't good. Agh…” Jackie curses, each breath pained. 
“Jackie, you’re hurt!” 
“Worry about me later,” he growls, “check the relic… "Container depressurized. Biochip integrity at ninety-four percent." And fuckin' droppin'! Carajo! Parker! Call her!”
“And tell her what!? We fucked up!?” 
“Just do it!”
Evelyn answers after a short ring, her avatar coming across V’s contacts. 
“V?! Konpeki's all over the feeds! What the fuck's going on there?”
“Got a problem! Cryo-case is damaged. Biochip's integrity at… Jackie?”
“Eighty-six percent!”
“Eighty-six percent and droppin'!”
“Shit…! OK, listen to me. There's only one thing you can do. One of you's gotta slot the Relic into your neural port!”
“That sounds really dangerous!” 
God only knows how this biochip could fuck them up, the relic itself is like putting another personality in your head, seeing ghosts. If this one is even half as fucked up as that, they could be putting themselves in serious danger. 
“The longer you wait, the greater the risk we lose it!” 
“Well, someone’s got to do it,” Jackie says, voice a rasp, face steadily draining color as he opens the case, “In the name of the Father, Son, and the Holy Spirit - Amen.”
Jackie crosses his body with the pray and pushes the chip into his neural port and V watches his eyes light up for a moment. And he’s quiet for another, a second too long.
“You okay?” 
“Dunno… I guess… Don't feel any different.”
“Once you're back, we'll take out the Relic and run a full brain scan and sweep. But you two need to get the fuck out of there first!”
“We’re working on it!” 
Jackie and V get back on their feet. He holds his hand to his stomach, trying to press his guts together and she keeps her arm held close to her chest, not putting pressure on it. Jackie calls Delamain. 
“Del, we'll be there in a couple. Be ready, got it?”
“Certainly, Mr. Welles.”
“Better be fuckin' certain.”
“We gotta somehow… reach the lobby. Only chance to hit the garage. And we'd best be quick,” Jackie jabs himself with an air hypo, “ Oh-ho, that's the shit… Great… Now let's get outta here.”
“Wait, take your jacket off, use it to keep pressure on your gut, okay? Should help with the bleeding.” 
It’s minimal first aid knowledge, she knows. Hold something to a wound to keep it from bleeding out as quickly. But it’s all she can offer, helping Jackie get the jacket off with one hand, so he can press it to his stomach wound. She can move her right hand somewhat, but it hurts and she swears she can see the tendons moving around the metal in the gaping wound her forearm has become. She catches herself wondering if she’ll be able to sign with her right hand again. But, there’s no time for those fears. 
She walks down the red lit metal grate, heels nearly catching in it as she turns to a doorway. V leads the way, less injured than Jackie, she pushes the door open. A door lobby with glass banisters and plants, the only light the bright red ones. 
“Great… Now let's get outta here,” Jackie says, each word a stressful choking sound to get out. 
An AI voice speaks repeatedly over the speakers that Konpeki plaza is in code red, as the mercs work to move quickly and quietly. Catching the murmuring of two guards as they reach a marble staircase, speaking of sweeping the floors and checking the lobby. They creep around the corner and past a desk, seeing the back of the men’s through the glass banister. The only sound the pounding of V’s heart and Jackie’s labored breathing. They watch as the two men separate, enough space for each to grab one. 
They move down the last stretch of the stairs, guards talking about evacuating Yorinobu. She lets Jackie take the one closest to them as she moves further to the one at the doorway. V swings her left blade, now her only one, through the man’s gut. Her right arm shoots pain through each nerve, metal inside churching to dispense a blade that no longer exists. She holds back a sound, Jackie’s already choked out the other guard, checking for pockets. Each one armed with a silenced gun. She steals ammo off of them.
They come to another door, each catching their breath. Sweat clinging to V’s brow as they brace themselves for what’s to come next. 
“Careful… security likely to be swarmin' outside,” Jackie warns and V nods, words clumping together in her throat as she opens the door. 
They stay crouched, spotting more guards as they go. The pair hide behind a planter, V taking a scan of the area, spotting a security camera. Remembering Bug’s lessons, she’s quickly able to shut them off. She’s the one to step back out, leading the way for the first time in months of working together. V needs to get Jackie through this, he’s holding on now, but.. 
She grabs a guard from behind and snaps their neck, arm twinging in agony at the movement she throws their body aside, clearing a long stretch of hallway for Jackie to follow her down. All light bright red and screens that once showed commercials now flash the words, Code Red. She leaves Jackie to stay hidden behind a counter when she sees another by the doorway, jumping at his back and dropping him just like his coworker.  
“Ain't doin' too bad… Just a little further…” Jackie whispers as she drops another guy, her arm screaming at her to stop. But she’ll survive without an arm, if worse comes to worse, she can’t let Jackie get hurt any worse. 
They creep through a door, past a desk, hearing a guard yelling out as they sneak and weave through the room. She watches over the top of a planter as the guard walks past them, none the wiser as V creeps around, getting behind him, and taking him down. She can’t risk leaving any behind, leaving one alive and them finding the mercs later. The hotel is huge, a labyrinth of Arasaka guards. 
“Engaging hostiles!” A voice booms out, the mercs spotted by a heavily armed Arasaka guard who nearly trips over V.
Fuck, fuck, so much for stealth. Jackie shoots over a counter, trying to stay somewhat protected from the gunfire, while V takes lead, firing Yorinobu’s gun at the men, only dropping behind cover to reload, she blasts. Fuck it, stealth not an option, she’ll turn the whole damn hotel into a blood bath. 
The guards drop and V knows she’s been shot, but she’s standing so she moves onward. Through a doorway, three more men open fire as the mercs turn the corner. V blasts a bullet through ones head, Jackie blows the second full of holes. 
“One more fucker dead!” 
The third is further back behind a glass door and V charges forward, glass open as she fires at the man. Bullets ripping through his chest in a spray of blood before he collapses, red smeared across the marble. If she gets a chance to sleep tonight, she’ll be seeing red in her dreams. The vivid neon lights of the emergency lit hotel, the burgundy uniforms, and the steady spray of it from every shot fired. 
Jackie and V go running around a corner, through another glass doorway and slide into side of a marble planter. Taking a moment to breathe, she can hear guards talking. Orders from higher up, panicked yells from the less experienced. She can spot two around the corner, but can’t get a clear shot. She runs to the open doorway, catching one off guard as she slams into his view and rips a blade through his gut. 
A full armored worker fires off when he sees it, partially hidden by a linen rack. Another runs in, half hiding behind a planter, firing off around the corner. She presses against a wall between it and a partial doorway, reloading before she looks back through. The less armored man moves around a pillar, peeking from behind cover, and she shoots his head as soon as she sees it, watching him hit the marble. 
She struggles to get a clear shot of the third, still hidden behind the rack and so she runs forward, past the rack and coming to a sliding stop behind him. The guard fumbles to swing around when he realizes where she’s landed. Back turned to Jackie now, her friend fires a shot clean through the guard’s head. 
The room is cleared for a moment and the elevator is nearby, she runs past a desk, when she sees the button screen. A glowing red off symbol. 
“Fuck!” 
“Chingo tu madre! It's shut down! What about the other one?” Jackie yells between rattling breaths, she wanted this to be stealthy, didn’t want to put him anymore danger. 
She runs, heels clicking against blood streaked marble, nearly tripping over a corpse. Quickly trying to stop herself when another guard springs up behind a desk. Two more swarming the room, one in the heavy almost samurai-like Arasaka armor. 
“Orale! Got to plough through them!” 
She focuses on the Saka samurai, pulling the trigger again and again,  Thankful to have emptied the ammo off every body she’s dropped so far. A bullet catches his throat, a gush of blood as he paints the floor,  and she shifts to the other men. A headshot on one, the other already down thanks to Jackie. 
V searches their corpses, pocketing ammo and bounce backs, when she finds an access token on the samurai. V thanks any god that may be listening, if they exist and makes a beeline for the elevator at the end of the room. 
“Got access,” she breathes out, calling the elevator. 
Its doors open and she steps in, the side railing lit that bright red. She waits as Jackie rushes in, he’s still in somewhat decent shape it seems. Not the ideal heist, she thinks as she hits the button, but maybe they can get out of this. Rush Jackie to a ripper, check on T-Bug, collect their eddies, and tonight will be a story to tell later. Remember the Konpeki Heist, how everything that could go wrong did. 
“Hah-… agh! Heh, hng…” She can’t tell if he’s laughing or groaning in pain, maybe both. Blood is coating his hands, has he bled through the jacket? No, Jackie’s bulletproof, said it himself a billion times. He’ll be okay, he has to be. 
“Jackie…”
“Saburo Arasaka, Hundred and fifty years… and today… of all fuckin' days. That's like… some divine comedy shit… hehehehe… agh.”
And he’s laughing, of course he is, holding his guts together and he laughs, because why would Jackie Welles do anything else. She’s not sure if she’s going to cry or laugh along, if she’s charmed or infuriated by it; is he just still desperately searching for that silver lining or does he genuinely not give a fuck if he flatlines? That idea, the thought, makes her throat tighten. He can’t die, he won’t die, she won’t let him. 
“Save your strength, please, we’re not out of the woods yet.” 
“What do you think I’m doing!?” She doesn’t miss the frustration, because if he wasn’t so hurt, he’d been the one leading that battle, charging in to take brunt of it all, “Buuut… chill, V. We'll get out alive.” 
“I know we will,” she says and wants so desperately to believe.
The elevator reaches the lobby, doors open to more guards, more gunfire. She shoots at one that looks out behind a wall, three more in the main room of the lobby. Jackie slides behind a desk, using it for cover between shots. V takes lead, shooting from around a doorway. Its chaos and mayhem, V blasting the four men. One dropping behind a chair, catching one through the green ferns growing from a planter.  Three more Arasaka corpses, splattering blood across marble and the roots of those towering trees. Bullet after bullet, shot after shot, until her ears are ringing and three remain; the mercs and one last guard. 
He throws a grenade across the room at them, V shooting it in the air before it can hit them, smoke and fire smoldering across the ceiling. She uses the chance to close the gap and blows his brains out at close range.  
Room cleared they rush through the rest of the lobby, finally reaching the elevator that will take them to the garage. V slams the button, calling the elevator. The door opens and she runs inside, expecting Jackie to run in after her. His steps are slowing and he leans against the wall for a moment instead, having to catch a second wind. He’s getting worse, but they’re in the homestretch, they can do this. They can do this, he stumbles through, leaning against the elevator wall. 
“Argh… I'm leakin' a little…” His voice a rasp. 
The elevator stops at the garage, so close to safety. Doors opening she can already hear the guards and the mercs step out, eye on them, its a swarm of Arasaka. Gunfire rings out alongside the screech of brakes. The Delamain taxis coming to a stop in the center of the garage, it’s doors flinging open. 
“I advise that you waste no time in entering the vehicle,” Delamain chirps at them, like this is a normal night. 
But she needs no prodding. V grabs Jackie’s hand and runs for the taxi, dragging him through the garage to the open doors. Rather than making him walk around, she shoves Jackie through her side on the right, letting him slide into the left seat before she jumps in; he needs the extra second of protection more than her.  The doors shut, bulletproof shields raising as they the taxi is blasted by the guards. They’re safe? Right?
“Welcome back. With Delamain, you leave your problems at the door….”
“DRIVE NOW!” 
And Delamain does just that, engines firing up as he rams through the garage door like it’s nothing. She leans forward on the two front seats. As the taxi takes a sharp turn, they’re almost there, almost safe. Jackie wasn’t fucking around about the combat mode. 
“Not bad at all.” 
“Client feedback noted.”
“How’s the ride looking?” 
“Tiptop. Though alas, we are being pursued.”
And then she sees him, Adam Smasher, the borged monster of a former man rushes them. No hesitation, no fear, as he slams his entire body into the car. Shattering glass, gnashing metal, and nearly sending the car to the side; slamming V and Jackie to the right. 
“Sweet fuckin’ jesus!” 
Jackie curses as V screams, the hell kind of freak is this guy? The car goes back down on its wheels. Adam Smasher on a metal knee, slowing standing up on front of the car. 
“Combat mode activated. Please remain calm.”
“Calm!!!????” She yells out as Delamain begins to drive backwards. 
 “Road block ahead. I kindly request that you brace for impact.”
“¡Oy, mis huevos! Shiiiit!”
The cab takes a turn, rather than driving through Adam Smasher, it goes through another roadway. A row of cars blocking the way and Delamain slams through through without hesitation, taking them through the Night City roads away from the hotel. Jackie is hunched over, bloody hands still pressing the jacket to his gut, the white shirt soaked through with it. 
“A hostile enemy aircraft has a lock on us.”
V doesn’t need a word more from the AI taxi, climbing halfway out of the window, she spots the drones flying after them. Three of them. Needing steadier aim, she flips off her hearing aids with a thought, steeling herself as the car weaves through the road and she fires at them. This is Arasaka’s last ditch effor to keep a lock on them, if she can get rid of them, they’re in the clear. 
Three shots; first drone goes down sparking as it hits the city streets. Two more kills the second, the metal remains slamming into a streetlamp. And the third goes down with a final shot, smoldering onto the roof of a  BD store. She turns her hearing aids back on as she slides into her seat again; they’re gone. 
“Hostile aircraft eliminated.”
“Nice work there… Del…”
She shifts to look at Jackie, he has one hand on his stomach, the other braced against the door. V grabs his shoulder with one hand and his leg with the other, practically shaking him. 
“We did it, Jackie! We made it!” 
“Heh...guess we did…” It’s not the triumphant excited Jackie, she’d expect to hear. His voice still rough, a rattle barely leaving his lungs. Her eyes sting, no, no. 
“My medical diagnostics indicate that Mr. Welles’ condition is critical.”
“Critical, what- take us to a fucking ripperdoc, now! Vik’s behind Misty’s shop!” 
She reaches to put pressure against the jacket over his wound, hand over his, but the fabric is bled all the way through. Blood sticking to her skin, warmer than Jackie’s skin and he’s looking pale, paler every second. He leans back against the chair, strength starting to leave his body. 
“Apologies, but that will not be possible. Our itinerary has been pre-arranged and paid for in advance. I am not at liberty to alter it.”
“Fuck your itinerary and fuck your liberty, just get us to goddamn doctor!” 
“It's OK, V… I'll hold out…” 
When did his nose start to bleed, when he did he start hacking up blood, red streaking down his nostrils and over his chin. She sucks in a shaky breath, eyes starting to water. No, not Jackie, anyone but him… please.  She doesn’t know who she’s begging; maybe god, maybe fate, maybe just anything in this world that will listen. 
“Yeah, yeah,” she chokes out, nodding, “you-you just got to hold on, okay? And, and, we’ll hit the major leagues. Only the best jobs, swimming in eddies, just like you always wanted.” 
She brings her forehead to his, feeling the cold sweat of his skin, hoping her warmth, touch, her words; anything will keep him alert. The tears flow freely now, wet and hot on her cheeks. 
“Mija...  you’re gonna be rich, I can feel it…” 
“No, we’re gonna be rich, Jackie! You and me, that’s how it’s always been, I-I can’t do it without you, y-you got to stay with me okay! We’ll get back, you can see Misty and your mom, everyone and let them know you made it.” 
“Misty… She knew… She always knew…” he breathes out, eyes glassy with a weak smile, “told me not to take this job, why she always got to be right?” 
“J-just a little longer, please, Jackie...please,” she begs him, like he can stop it. Like he can put his inside back together, stop the color from draining out of his face, and can just stay with her. 
“The biochip…” he holds her shoulder, grasp weak, and takes the chip from his head with the other, “Hold on to it. For me…”
And he slides it into her neuroport, her vision glitching for a moment. She surges forward, wrapping her arms as tightly as she can, burying his head into his chest, crying into him as she clings tightly; wishing she had the strength to just hold him together. 
“Please, please, Jackie, I can’t lose you, just a little longer, please,” she sobs into his ashen skin and blood soaked shirt, begging with every slowed beat of his heart. 
For a moment his hands graze her back and she waits for a bear hug, for him to squeeze the breath from her lungs and lift her from her seat like he’s done so many times. For him to be Jackie; her best friend, her partner in crimes, her brother, her everything. But his touch is faint, the space between each beat growing further and further. Until his hands fall limp, body slack in her arms, and she knows the next heartbeat will never come. 
And she sobs, she holds him and cries out her pain, if only for a moment. No more ‘chicas’, ‘jainas’, or the odd ‘mija’. No more smiles that outshine the sun. No more nagging her to look on the bright side. No more bear hugs or hands the size of her head ruffling through her hair. No more Jackie…. And it’s not fair and it’s not right. 
“Mr. Welles has passed. Where shall I take his remains?” A robotic voice asks and she realizes the car is no longer moving. 
She forces herself to let him go, one of the hardest things she’ll ever have to do. Pulling away, she sees him, truly lifeless. Bright green eyes now dull with no light behind them, limp hands falling away from her. 
“W-what?” She stumbles over the word, brain fogged over with grief. 
“The Excelsior package provides for the disposal of passenger remains free of charge. I merely require a destination.”
“I…he-he’d want to be with his family,” she stumbles across her words. 
“Mr. Welles' closest blood relative is Guadalupe Alejandra Welles, proprietress of the El Coyote Cojo bar. I will make sure to deliver him safely. Mr. DeShawn awaits you in room number two-oh-four. ” 
That’s right… Dex… The chip. The world didn’t stop spinning, only her’s. There’s still a job. And the idea of still going, that there’s a tomorrow beyond today, seems unfathomable. How the hell could she ever move on…  
Because Jackie would kill her if she didn’t and she knows that. He’d haunt her for a thousand years and kick her ass every day of it. She looks at the remains, her friend gone, now limp and bleeding across white leather. And knows if he could speak, he’d tell her to get her ass to that hotel room and finish this job, that he and Bug didn’t die just for V to bury herself alongside them. She squeezes his shoulder, presses her forehead to Jackie’s one last time, feeling the cold of his skin. 
“See ya in the major leagues, Jack…”
V opens the car door and steps out into the backlot behind the motel. Rain pours down across her bloodied skin, soaking her to the bones, a numb chill clinging to her. Painted across brick is the Night City emblem marks the wall, red graffiti altering its slogan.. The city of broken dreams… 
She moves, on autopilot as she makes her way up the stairs and to the back door of the motel, sheltered from the rain once she’s in a trash filled back room. The motel is bathed in the neon red lights, only offset by the white of sign bearing its name, it’s always red. She stumbles up the staircase and then  another, past a tv chattering on about Saburo Arasaka. 
The merc walks down the gloomy hallway, dark except for warm yellow floor lights, Graffiti covered walls, rain washing down the windows at the end of it. And she reaches room 204, her arm leaden as she knocks. 
No response. 
“Its V,” she yells out, knocking harder. 
The door opens but before she can take another step, Dex’s body guard takes a step out. Large hand blocking her from coming further. He checks the hallway, making sure she wasn’t followed. After a moment, he finally pulls away. 
“He waiting.” 
The man takes a step back, allowing V into the room. She pushes through a bead curtain and sees Dex, leaning over a TV screen, another cigar between his golden fingers. She clears her throat, hearing the door close behind her. 
“WNS… N54… Even the pirate networks… You blowin' up everywhere! And the Jackster? He out in the car?” 
“He’s...dead,” her voice breaks, words like thorns in her throat. Having to say it, having to hear it from her own lips… 
“Condolences friend,” he tells her, shifting to look at her rather than the tv, “and the relic?” 
“Here,” she says, voice a murmur as she taps her neural port. 
“Hmm, I was afraid of that…” 
“What?!” 
She got the fucking relic, everyone is fucking dead, but she got the relic! Everyone died for this fucking chip and now he’s disappointed that she has it!?
“Saburo Arasaka?” Dex paces, smoking his cigar, “Dead…?! You got any notion of the shit you pulled me into?! You offed the fuckin' emperor! His majesty! Anyone with so much as a pinky toe dipped in this mess is as good as dead!’
“I didn’t kill Saburo! I- I-” she stalls, wanting to say she didn’t do anything, but can she say that? Can she act like she didn’t fuck up any of this? Like she has no role in Jackie and Bug’s deaths… 
"No shit?l Tell that to the ‘Saka ninjas they send after you!”
“We...we got to leave the city.” 
Badlands isn’t the safest for her, but it will be safer with money, she could settle in another city, maybe. She can outrun her family more than Arasaka. 
“You don’t say.” 
“Call Parker, we close the deal, collect our eddies, and go off the radar.” 
“A’ight, settle down,” he sits down on the leather couch, “Gotta be tactical about this. Parker, eddies, then we leave the city limits behind. But first… Your face… got blood all over it. Bathroom's there. Go get yourself cleaned up.”
He points her to the bathroom of the motel and she nods, in no place to argue, she just wants to be on the other side of this mess. To be able to tell herself at least she made it to the major leagues, at least Jackie would be proud of her, even if he isn’t here to see it. 
V stumbles into the bathroom, legs wobbling. Everything should hurt, her arm ripped open. Bruises mottling every inch of flesh. But she’s… numb. She works on autopilot, only somewhat aware of the door shutting behind her as she grips the sink, streaking blood across the silver.
Her blood and Jackie’s. 
Bile rushes up her throat, stinging as she pukes into the sink, choking and gagging it out. The tears threaten to come again, eyes stinging as he nails dig into the sink. He’s gone, he’s really fucking gone. Her best friend, her brother in everything but blood and name, her rock, and world. The man who took her in, who gave her a goal, a life… 
And how’d she repay him? 
Watch him die in the back of a Delamain. All her promises to keep him safe, to repay back all the kindness he gave to her. And she couldn’t save him, couldn’t protect him, couldn’t do shit but hold him. Fuckin’ only time she really hugged him with all she had and she doesn’t even know if he could really feel it, if his body was too numb. 
If she would have refused the job. 
If she had gotten them up the ladder. 
If she had been stronger. 
If she had been stealthier.
If she had gotten them through the lobby quicker. 
If she could have convinced Delamain to get him to a doc.
If she knew better first aid. 
If….if… if… 
Thoughts spin and whirl through her mind, a thousand reasons why it’s her fault. Why she could have saved him, why she could have done more, why she failed him… 
Misty will never take Jackie’s last name and it’s V’s  fault. They’ll never have kids, they’ll never buy a home together, he’ll never get to take her to that stupid hotel bar with the annoying waiter. 
Senora Welles will be forced to bury her son and it’s V’s fault. She’ll never hold her son again. Never see him smile again. Never see him live out his dream. Never cook his favorite foods for him and nag him not to talk with his mouth full. 
Jackie had a future, a family, people who loved him. He was going to marry Misty one day, have kids. Get enough eddies to provide for them and his mom. And now there’s a hole in all of their lives. The world as a whole now worse off without him, her own world destroyed. It should have been her, she knows that, the world would be better off losing her than losing him. 
Yet here she is and she’s just supposed to keep moving, supposed to keep breathing, supposed to live a life post Jackie. 
When she looks up, she sees her own reflection staring back at her. Red rimmed eyes, swollen  from crying and blood splattered across her skin, stuck in the ends of her hair. And she doesn’t know where it’s from, if it’s her own, if it’s Jackie’s, or if it’s from the people she killed tonight. T-Bug and Jackie gone, yet she’s here. 
A brilliant talented netrunner is gone. But she’s still here. 
The kindest man to walk in Night City is gone. But she’s still here. 
She glares at herself, because she has no right to be here and the world has no right to be this cruel. Her fingers clenches, pulling at her damaged nerve endings and she slams her fist into the mirror. Glass shatters and crackles, shards splintering into her knuckles. 
V washes the blood from her hands and face, cleaner but still a zombie as she turns to the door. Jackie wanted this for her, one of the only people who ever wanted anything good for her. If only for him, she owes it to him to finish this job. She stumbles to the bathroom door and opens it, stepping out.
Knuckles collide with her head, wracking more pain through an already injured merc, she’s sent sprawling to the ground. She curses and twists around on the floor, not sure she has the energy to stand back up, vision blurring as Dex’s bodyguard stomps on her. Heavy foot colliding with her head. She curses and sputters choking on blood.  She twists onto her back, blinking through the pain as Dex’s bodyguard hands him a pistol. The fixer walks closer, standing over her.
“Can't risk it, V,” he says casually, leveling his gun with her head,” ‘Member our first convo?”
“I’ll fucking kill you!” She screams, spitting blood as she stares down the barrel. 
“Seems I've chosen the quiet life, after all. No blaze o' glory for me.” 
The shot rings out, loud and clear, the world going dark as a bullet rips through the young merc’s head. Blood splatters across the dirty carpet, her body going limp, a final breath gurgling forth as she chokes on her own blood, iron taste clinging in the back of her throat. 
Then she’s gone. 
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365days365movies · 3 years
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May 9, 2021: A.I. Artificial Intelligence (2001) (Recap: Part One)
Welcome to the future.
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At this point, we’ve mostly looked at the past, present, or the near-future (as in, the next ten years, if that). Additionally, we’ve looked either at nonexistent technology in a contemporary setting, or an extension of existing technology taken to a logical next step. But no more. No more realism, no more real-world rules, and nothing that we’re even close to in this reality.
Well...mostly.
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That’s genuinely impressive, not gonna lie. Anyway, yeah, from here forwards (for a bit), we’ll be looking at the future and futuristic technology. Now, there are a couple of ways in which these films tend to go. The first big way that we tend to represent the future in film is the same way we always have: flying cars, futuristic technology, smart houses, and robots.
Now, there are countless examples of this future, and it always changes a bit depending on the present. Which, yeah, makes sense. After all, what I’m doing right now, at this moment, would’ve been seen by many people as a massive technological achievement, even around the time that I was born. Which, yes, I’m old, deal with it (because I can’t). Anyway, the way that this begins is with the first major filmed view of a seemingly idyllic future: Fritz Lang’s 1927 film Metropolis.
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The overly mechanized (and politically dystopic) society seen in this film, as well as the visuals and technology, would inform our ideas of the future throughout the next century. Multiple themes and common objects reoccur throughout futuristic fiction. You know the stuff I’m talking about. Flying cars, automatic food machines, robotic assistants, video watches, holograms, jetpacks, so on and so forth.
But here’s the thing about the future. It’s always ahead of us, and eventually...well, we’ve gotten to most of those things to some degree. Either they already exist...
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...or is currently being developed.
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Well, one of them we’re still working on. And the development of more advanced AI is something we have yet to perfect, or even fully develop. However, the development of A.I. (and the consequences of that technology) are ALL OVER science fiction. Sometimes, they’re merely used for flavor to help establish the futuristic setting.
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Sometimes, they’re characters with their own agency and conflicts, which may or may not define the plot. In these cases, they’re often simply there to back up the main human characters, and help with their development, and sometimes their own. You know, manic pixie dream robots.
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And then, possibly most often, they’re the abject villains of the piece. they can be mysterious alien technology, like in The Day the Earth Stood Still, or a man-made danger that turns on the race that created and/or abused it.
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But then, on occasion, an A.I. is given the chance to develop as a character, without being used to define the development of a human character. Sometimes, the question of what life truly means is raised through these characters, and we become attached to them outside of any other character. This isn’t nearly as common as the others, but it’s definitely not unheard of.
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And for the record...things don’t often go well for those AIs. But still, some of those characters have quite a lasting impact. So, there’s quite a lot of potential for this type of character, from a dramatic standpoint. And that potential leads us to the guy who made this.
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I WILL MAKE A JURASSIC PARK REFERENCE AS OFTEN AS POSSIBLE
Steven Spielberg gives us today’s entry, and this director of a classic science fiction story about science gone awry teamed up with the director of a science fiction film where an artificial intelligence went awry. You know, this thing.
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I didn’t forget about HAL. And I won’t forget about him later, either.
Director Stanley Kubrick is pretty well-know for his mind-bending films, especially The Shining and 2001: A Space Odyssey. But he also worked with Spielberg on this film before his death in 1999, as this was one of his dream projects for many years, and the two directors were well-known friends.
And so, eventually, Spielberg was given the reins from Kubrick, and results were...mixed. It’s funny, because I’ve never actually seen this movie, but I remember it through its surprisingly widespread ad campaign. I used to go to NYC as a kid a lot, and there was a massive building-side plastered with the iconic logo of this movie. So, I’ve been hovering around this movie for a long time. Enough navel-gazing!
SPOILERS AHEAD!!!
Recap (Part One)
It is, unsurprisingly, the future. A marrator informs us that climate change has caused the ice caps to melt, and global flooding drowns several countries. You could say that it’s a...Waterworld.
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I genuinely considered watching that movie at some point, and then I decided I liked myself to much to watch 2 hours of Kevin Costner’s emotionless acting. Granted, it’s not much better now, listening to the emotionless acting of...
Professor Allen Hobby (William Hurt) is a straight-up sociopath. OK, technically, he’s a robotics engineer, but dude’s making a speech, right? He talks about how far robots have come, dissing my boi Deep Blue in the process, and notes that pain-memory response can also be demonstrated by robots. He proves this by stabbing a woman in his audience, like RIGHT through the hand. Jesus, man! Why the hell would you do that?
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Oh. Holy shit, I got fooled. Advanced technology indeed. But OK, so Sheila’s a robot, and a very advanced one...to us. But Hobby wants more, and proposes to his workers to make a robot that can really TRULY love. And through love may come a true subconscious, which means making a robot that can dream. And what better robot to make than a robot child? After all, all child conception requires a license in this futuristic world, so many childless couples are yearning for a child.
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Which is why, twenty months later, the first robot child is offered to Henry and Monica Swinton (Sam Robards and Frances O’Connor), a couple...with a child. Um. Guys. You JUST SAID that there are legit childless couples who need a child, and those people would be best suited to love that robot child back (a VERY GOOD question raised by one of Hobby’s subordinates). So why give it to a couple whose son is still alive? Yeah, he’s got a rare disease that they don’t have a cure for yet, and is currently in cryostasis, BUT THEY HAVE A KID! Surely, that’s going to be a potential emotional conflict! And what if the kid wakes up or some shit? This is a TERRIBLE goddamn idea. Think this shit through, guys.
And yet...
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This is David (Haley Joel Osment), Cybertronics’ first child robot, brought home by Henry to essentially replace their son. Which is AMAZINGLY FUCKING TONE-DEAF AND INSANE, GODDAMN. That’s extraordinarily messed up. And, for the record, I totally get what Spielberg’s going for, but Jesus Christ, man. This was a terrible way to go about this. And it gets fucking WORSE.
See, Henry (who actually works for Cybertronics) tells Monica that, once they sign the papers and complete the updates, David will imprint on them and see him as their true parents, loving them unconditionally. Which...yeah, fuck, that’s an entire DUMP TRUCK of ethics issues right there. And, while we’re at it, David is...creepy as shit. I mean it, dude, Haley Joel Osment is a VERY good child actor, but he’s laying on the creepy robot child thing THICK. And yeah, this is BEFORE he imprints on them. Jesus fuck, man, there’s a scene where the still uncomfortable Monica is outside of a glass door, and he looks back at her THROUGH THE DOOR like a goddamn SERIAL KILLER.
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And I gotta tell ya, dude does not lay off that creepy-ass dial one iota. And for that matter, the music by John Williams ISN’T FUCKING HELPING. LISTEN to this shit, and imagine a robot child that you don’t know wandering around your house. It’s amazingly fucking creepy.
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AND IT JUST. KEEPS. GETTING. WORSE. There’s a scene where they’re all at dinner, right, and David’s just staring at them as they eat, mimicking their actions. After all, he’s a robot, he can’t actually eat or drink anything because of his internal working. And then, out of FUCKING NOWHERE, he starts laughing like the FUCKING JOKER, and it scares the EVER-LOVING SHIT OUT OF ME. And somehow, they laugh alongside him, in the never-ending Stockholm syndrome that is this movie! And as soon as its over, he just STOPS laughing, spontaneously. Fuck me, man, I’m tempted to stop watching here and now, and I’m only TWENTY MINUTES IN! I need a fucking break.
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And after that...OF COURSE she decides to activate his imprinting protocols to make him, let me remind you, LOVE HIM FOREVER! She reads out a series of words, and after “FREIGHT CAR”, he knows his mission is to kill the Prime Minister of Sokovia. But first, he’ll settle down and love Monica unconditionally (again, FOREVER), calling her Mommy and making me shit my pants in fear. IT WASN’T ME, IT WAS FUCKING DAVID
Oh, and by the way, isn’t it kinda shitty to do that without Henry being involved AT ALL? Like, cool, he has unconditional maternal love, but Henry wasn’t a part of that conditioning at all! And he still refers to him as “Henry” instead of Dad! However, Henry definitely doesn’t care about that, because he still sees David as only a robot. Hey, guys, maybe using these two as your first experiment with a robot child WAS A TERRIBLE FUCKING IDEA, YOU IDIOTS! No wonder William Hurt was cast as Thunderbolt Ross in the MCU. Already shown he can play a character with shitty ideas before.
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Anyway, after this terrible series of events, David prevents the parents from leaving one night due to his childlike antics. When Monica goes to comfort him, he asks how long she’ll live, and tells her that he hope she never dies, a COMPLETELY NORMAL THING TO SAY. Look, I get that he’s a robot, but only a goddamn emotionless sociopath would program emotional responses like this into a robot. Which, given what we’ve seen of Hobby, makes sense.
In response, she gives him Teddy (Jack Angel), a technologically advanced teddy bear with sentience, a personality, and the voice of Astrotrain from The Transformers TV series. Because, yes, I am THAT MUCH of a goddamn nerd.
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Soon after, the house gets a phone call, which David receives...literally. He takes the phone and allows it to speak through him. It turns out that, shock beyond shocks, THEIR SON IS CURED! Yeah, fuck. Maybe giving David to a family with a STILL LIVING SON is a fucking ABSOLUTELY TERRIBLE IDEA, for about a thousand reasons.
And, fucking understandably, Martin Swinton (Jake Thomas) is a little upset to find out that he’s essentially been replaced by a robot kid. Although, to be fair, he’s also kind of a dick to David, holding his humanity over him and treating him as a toy that he attempts to manipulate and bully. My Lord, this is a massively stupid idea. And Martin immediately shows his dickishness by asking his mother to read Carlo Collodi’s The Adventures of Pinocchio to them. Which is meant to be a punishment for Pinocchio. However, of course, David loves it.
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Still, however, there’s trouble in paradise for David, as he tries to compete with Martin for being a real boy, and eats spinach at dinner one evening. Despite Teddy’s mildly ominous warning to him (”YOU WILL BREAK”), he keeps eating until he basically has a stroke and breaks, forcing him to be repaired by some of Cybertronics’ technicians. Monica has a bit of a break down as a result, which Martin notices. This causes Martin to go pure supervillain, manipulating David to do creepy things in order to insert doubt into Monica about David. Jesus, Martin’s a creepy kid, too. No wonder Monica grew to be cool with David, her actual son is a FUCKING SOCIOPATHIC MONSTER! Are there ANY truly normal people in this world? IS THIS WHAT THE FUTURE IS?
Martin convinces David to cut a lock of Monica’s hair while she’s sleeping. And lemme tell ya, a little boy holding scissors over someone while they sleep is not exactly comforting. Henry agrees, and after stopping him, believes that they need to return him. Monica disagrees, knowing that they’ll destroy him if brought back. But David, ever the semi-sociopath himself, ignores any signs of humanity in David and dismisses Monica's feelings for him entirely. He also says this thing about “IF HE CAN BE PROGRAMMED TO LOVE, CAN NOT HE BE PROGRAMM-ED TO HATE?”, which...no. No, he cannot. He didn’t learn to love, he was programmed to. And, again, that’s ethically FUCKED, but taking that into account...no. HE WASN’T PROGRAMMED TO HATE, HENRY. Goddamn, buddy, use your head here.
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It’s Martin’s birthday, and his friends at the pool party expose David to the fun world of anti-robot (or Mecha) racism, and test to see if he has Damage Avoidance Systems by threatening him with a knife. And he does. Buuut, when those systems kick in, he goes to the nearest point of safety to keep himself safe. That point is, unfortunately, Martin, whom he gets behind...and accidentally drags into the pool.
Thing is, because of Martin’s recent illness, he can’t exactly swim, meaning that David almost drowns him. When Henry and other partygoers go to save him, they abandon David in the pool completely. And now, David’s fucked. Because although this situation isn’t even a little bit his fault, he also just nearly killed Martin. And so, after seeing notes that he’s been writing to her, Monica offers to take for a “ride in the country”. Which definitely means something good. In reality, she’s planning on taking him back to Cybertronics. But once in the car, there’s a change in plans. And hear me out...it’s arguably far more horrifying.
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She decides to abandon him in the woods completely, despite how hard it is for her to leave him. She’s sparing him from death, sure, but also throwing him into a world he doesn’t understand, and for reasons that he doesn’t understand. It’s genuinely terrible. And then...yeah, she leaves him forever, to an uncertain future.
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End Act One.
I think this is a good place to stop. It’s early, and I need more coffee to handle this shit. See you in Part Two. Of Three. Yup. It’s a long one.
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