Coloratura Comparison! Four historic sopranos wind up Olympia's DOLL SONG, High E-flat
THE SONGBIRDS:
- Lucy Gates (1882 - 1951) was an American soprano who made many records of popular songs and arias for Columbia. She made her debut in Berlin in 1909. Gates was the granddaughter of Brigham Young and in 1916 married Albert Ernest Bowen, a leader in the LDS Church.
THE MUSIC: Jacques Offenbach composed at least 100 works for the stage in the 34 years between 1847 and 1881. Yet only his masterpiece “Les Contes de Hoffmann” lives in the standard repertory, deservedly so. According to operabase.com, “Hoffmann” is the second most performed French opera in the world, after “Carmen.” The first of three fantasy lovers that the poet Hoffmann conjures in the story is Olympia. Initially she appears luminous to Hoffmann, but she turns out to be a mechanical doll. She only has one aria in the opera, "Les oiseaux dans la charmille," commonly referred to as the Doll Song. And what an aria it is -- an extremely popular and challenging coloratura showpiece. This ditty is so ubiquitous that it’s easy to overlook how clever and original it is: Offenbach ingeniously composed an intricate and precise coloratura vocal line to convey Olympia's wind-up doll characteristics, all with a bit of a wink. It's inevitably a crowd pleaser for sopranos who can display their technique and have a little fun at the same time.
Coloratura Comparison! Four historic sopranos wind up Olympia's DOLL SONG, High E-flat
THE SONGBIRDS:
Aurelia Revy (1879 - 1957) was Hungarian and sang several seasons in London, Milan, Vienna, and Berlin.
THE MUSIC: Jacques Offenbach composed at least 100 works for the stage in the 34 years between 1847 and 1881. Yet only his masterpiece “Les Contes de Hoffmann” lives in the standard repertory, deservedly so. According to operabase.com, “Hoffmann” is the second most performed French opera in the world, after “Carmen.” The first of three fantasy lovers that the poet Hoffmann conjures in the story is Olympia. Initially she appears luminous to Hoffmann, but she turns out to be a mechanical doll. She only has one aria in the opera, "Les oiseaux dans la charmille," commonly referred to as the Doll Song. And what an aria it is -- an extremely popular and challenging coloratura showpiece. This ditty is so ubiquitous that it’s easy to overlook how clever and original it is: Offenbach ingeniously composed an intricate and precise coloratura vocal line to convey Olympia's wind-up doll characteristics, all with a bit of a wink. It's inevitably a crowd pleaser for sopranos who can display their technique and have a little fun at the same time.