Tumgik
#The Tales of Hoffmann
musicalfilm · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
moira shearer as “olympia” in the tales of hoffmann (1951)
862 notes · View notes
hauntedorpheum · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
“Her figure is regular, certainly, and so is her face. She would be beautiful, but her eyes seem to have no ray of life; they almost seem to lack the power of sight. Her gait is curiously measured, as though her every movement were produced by some mechanism like clockwork. She plays and sings with the disagreeably perfect, soulless timing of a machine, and she dances similarly. Olimpia gave us a very weird feeling; we wanted nothing to do with her; we felt that she was only pretending to be a living being, and that there was something very strange about her.” –E.T.A. Hoffmann, “The Sandman” (Trans. Ritchie Robertson)
Metropolis (1927) The tales of Hoffmann (1951) The Stepford wives (1975) Coraline (2009)
663 notes · View notes
cinemagal · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
THE TALES OF HOFFMANN (1951) dir. Michael Powell & Emeric Pressburger
329 notes · View notes
monotonous-minutia · 12 days
Text
Tumblr media
Random youtuber's reaction to the Violin Aria
13 notes · View notes
princesssarisa · 6 months
Text
The Top 40 Most Popular Operas, Part 3 (#21 through #30)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.
Verdi's Il Trovatore
The second of Verdi's three great "middle period" tragedies (the other two being Rigoletto and La Traviata): a grand melodrama filled with famous melodies.
Studio film, 1957 (Mario del Monaco, Leyla Gencer, Ettore Bastianini, Fedora Barbieri; conducted by Fernando Previtali) (no subtitles; read the libretto in English translation here)
Donizetti's Lucia di Lammermoor
The most famous tragic opera in the bel canto style, based on Sir Walter Scott's novel The Bride of Lammermoor, and featuring opera's most famous "mad scene."
Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; conducted by Carlo Felice Cillario)
Leoncavallo's Pagliacci
The most famous example of verismo opera: brutal Italian realism from the turn of the 20th century. Jealousy, adultery, and violence among a troupe of traveling clowns.
Feature film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons, Alberto Rinaldi; conducted by Georges Prêtre)
Part I, Part II, Part III, Part IV, Part V, Part VI
Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)
Mozart's comic Singspiel (German opera with spoken dialogue) set amid a Turkish harem. What it lacks in political correctness it makes up for in outstanding music.
Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielsen, Lillian Watson, Lars Magnusson, Kurt Moll, Oliver Tobias; conducted by Georg Solti) (click CC for subtitles)
Verdi's Un Ballo in Maschera
A Verdi tragedy of forbidden love and political intrigue, inspired by the assassination of King Gustav III of Sweden.
Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo, Annamaria Chiuri, Eun Yee You; conducted by Riccardo Chailly) (click CC for subtitles)
Part I, Part II
Offenbach's Les Contes d'Hoffmann (The Tales of Hoffmann)
A half-comic, half-tragic fantasy opera based on the writings of E.T.A. Hoffmann, in which the author becomes the protagonist of his own stories of ill-fated love.
Opéra de Monte-Carlo, 2018 (Juan Diego Flórez, Olga Peretyatko, Nicolas Courjal, Sophie Marilley; conducted by Jacques Lacombe) (click CC and choose English in "Auto-translate" under "Settings" for subtitles)
Wagner's Der Fliegende Holländer (The Flying Dutchman)
An early and particularly accessible work of Wagner, based on the legend of a phantom ship doomed to sail the seas until its captain finds a faithful bride.
Savolinna Opera, 1989 (Franz Grundheber, Hildegard Behrens, Ramiro Sirkiä, Matti Salminen; conducted by Leif Segerstam) (click CC for subtitles)
Mascagni's Cavalleria Rusticana
A one-act drama of adultery and scorned love among Sicilian peasants, second only to Pagliacci (with which it's often paired in a double bill) as the most famous verismo opera.
St. Petersburg Opera, 2012 (Fyodor Ataskevich, Iréne Theorin, Nikolay Kopylov, Ekaterina Egorova, Nina Romanova; conducted by Mikhail Tatarnikov)
Verdi's Falstaff
Verdi's final opera, a "mighty burst of laughter" based on Shakespeare's comedy The Merry Wives of Windsor.
Studio film, 1979 (Gabriel Bacquier, Karan Armstrong, Richard Stilwell, Marta Szirmay, Jutta Renate Ihloff, Max René Cosotti; conducted by Georg Solti) (click CC for subtitles)
Verdi's Otello (Othello)
Verdi's second-to-last great Shakespearean opera, based on the tragedy of the Moor of Venice.
Teatro alla Scala, 2001 (Plácido Domingo, Leo Nucci, Barbara Frittoli; conducted by Riccardo Muti)
21 notes · View notes
cinematicjourney · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Tales of Hoffman (1951) | dir. Michael Powell, Emeric Pressburger
289 notes · View notes
winternymphaea · 1 year
Text
Tumblr media
ludmilla tcherina in the tales of hoffmann (1951) .  
71 notes · View notes
colors-of-my-heart · 1 year
Text
Tumblr media
87 notes · View notes
sonjackcarl · 1 year
Photo
Tumblr media
21 notes · View notes
Text
i’m fine i’m fine i’m fine <- lying
7 notes · View notes
opera-ghosts · 3 months
Text
Coloratura Comparison! Four historic sopranos wind up Olympia's DOLL SONG, High E-flat THE SONGBIRDS: Aurelia Revy (1879 - 1957) was Hungarian and sang several seasons in London, Milan, Vienna, and Berlin.
THE MUSIC: Jacques Offenbach composed at least 100 works for the stage in the 34 years between 1847 and 1881. Yet only his masterpiece “Les Contes de Hoffmann” lives in the standard repertory, deservedly so. According to operabase.com, “Hoffmann” is the second most performed French opera in the world, after “Carmen.” The first of three fantasy lovers that the poet Hoffmann conjures in the story is Olympia. Initially she appears luminous to Hoffmann, but she turns out to be a mechanical doll. She only has one aria in the opera, "Les oiseaux dans la charmille," commonly referred to as the Doll Song. And what an aria it is -- an extremely popular and challenging coloratura showpiece. This ditty is so ubiquitous that it’s easy to overlook how clever and original it is: Offenbach ingeniously composed an intricate and precise coloratura vocal line to convey Olympia's wind-up doll characteristics, all with a bit of a wink. It's inevitably a crowd pleaser for sopranos who can display their technique and have a little fun at the same time.
3 notes · View notes
Text
Tumblr media
9 notes · View notes
carovisetto · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Stéphanie D’Oustrac as The Muse/Nicklausse in Les Contes d’Hoffmann, Opéra National de Paris, 2016
103 notes · View notes
monotonous-minutia · 11 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
just a reminder that....I love them your honor
18 notes · View notes
operaqueen · 6 months
Text
Tumblr media Tumblr media
Beverly Sills - The Tales of Hoffmann
3 notes · View notes
princesssarisa · 7 months
Text
@notyouraveragejulie, @supercantaloupe, @leporellian, @simone-boccanegra, @ariel-seagull-wings
5 notes · View notes