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#that’s what this is right? capitalism
the-worm-machine · 23 days
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I really hate the way mobile games are just filled with ads, I hate the fact that kids growing up today will never know what it’s like not to have ads shoved down their throats every two minutes. Not to mention the unnecessarily sexual content of said ads.
Like, this is literally an ad i have gotten. I’m gonna put it under a cut because i think you should have a choice on whether you see this or not. It should not be fucking forced upon anyone and everyone who sees this post.
Edit: I just realized that any notifications I get for this post will have that image in the preview, so I’m just gonna add another image so i don’t have to see that.
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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lazylittledragon · 4 months
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isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine
but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day
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mmeqkoi · 2 months
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ah yes, a face of a 13 year old 😭😭
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angel-cryptid · 1 month
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Friendly reminder: Everyday is a good day to punch nazis <3
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Brennan Lee Mulligan my beloved
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Copyright won't solve creators' Generative AI problem
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The media spectacle of generative AI (in which AI companies’ breathless claims of their software’s sorcerous powers are endlessly repeated) has understandably alarmed many creative workers, a group that’s already traumatized by extractive abuse by media and tech companies.
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids
Even though the claims about “AI” are overblown and overhyped, creators are right to be alarmed. Their bosses would like nothing more than to fire them and replace them with pliable software. The “creative” industries talk a lot about how audiences should be paying for creative works, but the companies that bring creators’ works to market treat their own payments to creators as a cost to be minimized.
Creative labor markets are primarily regulated through copyright: the exclusive rights that accrue to creators at the moment that their works are “fixated.” Media and tech companies then bargain to buy or license those rights. The theory goes that the more expansive those rights are, the more they’ll be worth to corporations, and the more they’ll pay creators for them.
That’s the theory. In practice, we’ve spent 40 years expanding copyright. We’ve made it last longer; expanded it to cover more works, hiked the statutory damages for infringements and made it easier to prove violations. This has made the entertainment industry larger and more profitable — but the share of those profits going to creators has declined, both in real terms and proportionately.
In other words, today creators have more copyright, the companies that buy creators’ copyrights have more profits, but creators are poorer than they were 40 years ago. How can this be so?
As Rebecca Giblin and I explain in our book Chokepoint Capitalism, the sums creators get from media and tech companies aren’t determined by how durable or far-reaching copyright is — rather, they’re determined by the structure of the creative market.
https://chokepointcapitalism.com/
The market is concentrated into monopolies. We have five big publishers, four big studios, three big labels, two big ad-tech companies, and one gargantuan ebook/audiobook company. The internet has been degraded into “five giant websites, each filled with screenshots from the other four”:
https://twitter.com/tveastman/status/1069674780826071040
Under these conditions, giving a creator more copyright is like giving a bullied schoolkid extra lunch money. It doesn’t matter how much lunch money you give that kid — the bullies will take it all, and the kid will still go hungry (that’s still true even if the bullies spend some of that stolen lunch money on a PR campaign urging us all to think of the hungry children and give them even more lunch money):
https://doctorow.medium.com/what-is-chokepoint-capitalism-b885c4cb2719
But creative workers have been conditioned — by big media and tech companies — to reflexively turn to copyright as the cure-all for every pathology, and, predictably, there are loud, insistent calls (and a growing list of high-profile lawsuits) arguing that training a machine-learning system is a copyright infringement.
This is a bad theory. First, it’s bad as a matter of copyright law. Fundamentally, machine learning systems ingest a lot of works, analyze them, find statistical correlations between them, and then use those to make new works. It’s a math-heavy version of what every creator does: analyze how the works they admire are made, so they can make their own new works.
If you go through the pages of an art-book analyzing the color schemes or ratios of noses to foreheads in paintings you like, you are not infringing copyright. We should not create a new right to decide who is allowed to think hard about your creative works and learn from them — such a right would make it impossible for the next generation of creators to (lawfully) learn their craft:
https://www.oblomovka.com/wp/2022/12/12/on-stable-diffusion/
(Sometimes, ML systems will plagiarize their own training data; that could be copyright infringement; but a) ML systems will doubtless get guardrails that block this plagiarism; and, b) even after that happens, creators will still worry about being displaced by ML systems trained on their works.)
We should learn from our recent history here. When sampling became a part of commercial hiphop music, some creators clamored for the right to control who could sample their work and to get paid when that happened. The musicians who sampled argued that inserting a few bars from a recording was akin to a jazz trumpeter who works a few bars of a popular song into a solo. They lost that argument, and today, anyone who wants to release a song commercially will be required — by radio stations, labels, and distributors — the clear that sample.
This change didn’t make musicians better off. The Big Three labels — Sony, Warners, and Universal, who control 70% of the world’s recorded music — now require musicians to sign away the rights to samples from their works. The labels also refuse to sell sampling licenses to musicians unless they are signed to one of the Big Three.
Thus, producing music with a sample requires that you take whatever terms the Big Three impose on you, including giving up the right to control sampling of your music. We gave the schoolkids more lunch money and the bullies took that, too.
https://locusmag.com/2020/03/cory-doctorow-a-lever-without-a-fulcrum-is-just-a-stick/
The monopolists who control the creative industries are already getting ahead of the curve on this one. Companies that hire voice actors are requiring those actors to sign away the (as yet nonexistant) right to train a machine-learning model with their voices:
https://www.vice.com/en/article/5d37za/voice-actors-sign-away-rights-to-artificial-intelligence
The National Association of Voice Actors is (quite rightly) advising its members not to sign contracts that make this outrageous demand, and they note that union actors are having success getting these clauses struck, even retroactively:
https://navavoices.org/synth-ai/
That’s not surprising — labor unions have a much better track record of getting artists’ paid than giving creators copyright and expecting them to bargain individually for the best deal they can get. But for non-union creators — the majority of us — getting this language struck is going to be a lot harder. Indeed, we already sign contracts full of absurd, unconscionable nonsense that our publishers, labels and studios refuse to negotiate:
https://doctorow.medium.com/reasonable-agreement-ea8600a89ed7
Some of the loudest calls for exclusive rights over ML training are coming not from workers, but from media and tech companies. We creative workers can’t afford to let corporations create this right — and not just because they will use it against us. These corporations also have a track record of creating new exclusive rights that bite them in the ass.
For decades, media companies stretched copyright to cover works that were similar to existing works, trying to merge the idea of “inspired by” and “copied from,” assuming that they would be the ones preventing others from making “similar” new works.
But they failed to anticipate the (utterly predictable) rise of copyright trolls, who launched a string of lawsuits arguing that popular songs copied tiny phrases (or just the “feel”) of their clients’ songs. Pharrell Williams and Robin Thicke’s got sued into radioactive rubble by Marvin Gaye’s estate over their song “Blurred Lines” — which didn’t copy any of Gaye’s words or melodies, but rather, took its “feel”:
https://www.rollingstone.com/music/music-news/robin-thicke-pharrell-lose-multi-million-dollar-blurred-lines-lawsuit-35975/
Today, every successful musician lives in dread of a multi-million-dollar lawsuit over incidental similarities to obscure tracks. Last spring, Ed Sheeran beat such a suit, but it was a hollow victory. As Sheeran said, with 60,000 new tracks being uploaded to Spotify every day, these similarities are inevitable:
https://twitter.com/edsheeran/status/1511631955238047751
The major labels are worried about this problem, too — but they are at a loss as to what to do about it. They are completely wedded to the idea that every part of music should be converted to property, so that they can expropriate it from creators and add it to their own bulging portfolios. Like a monkey trapped because it has reached through a hole into a hollow log to grab a banana that won’t fit back through the hole, the labels can’t bring themselves to let go.
https://pluralistic.net/2022/04/08/oh-why/#two-notes-and-running
That’s the curse of the monkey’s paw: the entertainment giants argued for everything to be converted to a tradeable exclusive right — and now the industry is being threatened by trolls and ML creeps who are bent on acquiring their own vast troves of pseudo-property.
There’s a better way. As NAVA president Tim Friedlander told Motherboard’s Joseph Cox, “NAVA is not anti-synthetic voices or anti-AI, we are pro voice actor. We want to ensure that voice actors are actively and equally involved in the evolution of our industry and don’t lose their agency or ability to be compensated fairly for their work and talent.”
This is as good a distillation of the true Luddite ethic as you could ask for. After all, the Luddites didn’t oppose textile automation: rather, they wanted a stake in its rollout and a fair share of its dividends:
https://locusmag.com/2022/01/cory-doctorow-science-fiction-is-a-luddite-literature/
Turning every part of the creative process into “IP” hasn’t made creators better off. All that’s it’s accomplished is to make it harder to create without taking terms from a giant corporation, whose terms inevitably include forcing you to trade all your IP away to them. That’s something that Spider Robinson prophesied in his Hugo-winning 1982 story, “Melancholy Elephants”:
http://www.spiderrobinson.com/melancholyelephants.html
This week (Feb 8–17), I’ll be in Australia, touring my book Chokepoint Capitalism with my co-author, Rebecca Giblin. We’re doing a remote event for NZ on Feb 13. Next are Melbourne (Feb 14), Sydney (Feb 15) and Canberra (Feb 16/17). I hope to see you!
Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
[Image ID: A poster for the 1933 movie ‘The Monkey’s Paw.’ The fainting ingenue has been replaced by the glaring red eye of HAL9000 from 2001: A Space Odyssey.]
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infizero · 4 months
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if "sonic x shadow generations" is actually real i will laugh my fucking ass off
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truth in advertising laws covering online store search results would do sooo much damage to enshittification
like if i search "gluten free" it should be illegal for walmart for instance to include items that are not gluten free in the results of that search
if it's super important to have "associated terms" or w/e included that could be an option for customers to opt into i guess but this thing where you HAVE TO pick through 5000 irrelevant items to find the 3 that actually meet the search criteria should be illegal
also if you sort by price and it does not actually sort by price (as none of the big shopping websites do anymore seems like) that should be illegal too.
thank you for coming to my old man yells at cloud talk but also i'm right.
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fantasiavii · 9 months
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Real tempted to make a badge that reads “Have You Ever Noticed Everyone Gets a Three Day Weekend for Labor Day Except the Labor” and wear it during my shifts this Saturday and Monday
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mrehkka · 3 months
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Dib meets one of the tallest in person and uh... is actually rather awed. He kinda gets it now. Zim is like "see?! the tallest are great!"
The story that goes with this is that Dib becomes ill, but oddly, with a somewhat rare Irken disease (stemming from a long term complication from when Zim's PAK attached to him way back when, it messed with something internally in Dib's body). So Zim takes Dib along with him to meet Red, to get Dib some Irken medicine/cure. Red has a huge crush on Zim so he tends to give him whatever he asks for (or gives him SOMETHING anyway, if he can't give him what he wants), and Zim knows this, although maybe a little in denial about the actual crush part.
aka: the "Dib gets to visit Irk and experience a bunch of Irken Culture" fic :D
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angel-cryptid · 2 months
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Just wanted to quote something my history teacher said once "Grown men are the ones who start wars, and the young face the consequences"
Stop romanticizing war, it's not epic. It's not "patriotic". It's a grown ass man's tantrum that ends up killing hundreds of young people and harming the whole population.
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lastoneout · 1 month
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"Have you tried pushing through the pain" idk bro have you tried living at a solid 6 every single day for several years?? Have you tried existing when even just cooking dinner can put you at a 10?? I've seen abled friends and family with severe muscle cramps break under the weight of their daily pain, and it only lasts a few weeks! I've had them look at me incredulously when they realize this is how I feel literally every single day of my life and I just continue on unblinking. I've said it before but chronic pain patients are living examples of exactly what the human body can put up with when survival is on the line. I don't think a lot of people realize that.
I truly doubt my doctors would last a fucking day living with the kind of pain that's my normal. I wish they could try though, maybe it would teach them some fucking compassion.
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fangirltothefullest · 9 months
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Went to a new doctor today. She's skinny. Of course she saw me and diagnosed me fat immediately. Mentioned cholesterol and diabetes and thyroid issues three times and ordered same day blood work. And on top of that she looked into my mouth and just decided to tell me that I should look into seeing a dentist. Like EXCUSE me??? You are not q dentist you have no right to shame me when my teeth are fine??? I don't understand why she felt the need to make me self conscious over something she has ABSOLUTELY NO EXPERTISE IN.
This is why I hate doctors but ESPECIALLY skinny doctors. They don't give two shits about you, they don't care how healthy you are they see weight that isn't stick figure, diagnose you with fat and won't hear any other problems you might have without telling you to lose weight first which is BULLSHIT and all the studies now are saying we have been thinking about weight wrong and the healthiness of your body is not weight-controlled.
Anyways I'm switching to a heavier doctor that my sister has whose nice and actually cares, but I spent an already anxiety-filled time at the doctor masking my fucking heart out and getting my blood drawn and having to on top of that come out feeling ugly and like I don't take care of myself.
To any of you who might be getting your doctor degrees or whatever, stop fucking treating fat people like we don't have feelings. Stop treating us like we are ugly horrible people. And for fucks sake mind your fucking business when it comes to information you know Jack Shit about. Stay in your own goddamned lane.
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uncanny-tranny · 8 months
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I was always enraged at the way capitalism has devalued some of the most important labour in human history, but now I'm even more angry since I have started getting more into crafts.
So many people are alienated from the world to such an extent they don't realize how fucking important textiles and construction and art and culinary labour is, because its all ubiquitous under capitalism: it is all profit, and if it isn't profit, then it is worthless. People don't realize just how revolutionary all of the labour was, how important it is, and was, to our survival. And that enrages me.
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hussyknee · 2 months
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Whenever Brits are like "tea is our national drink, our culture, our personality, our mental health" I think of our hill country blanketed in a patchwork quilt of human suffering and ongoing violent colonialism and want to smash all their tea cups. Your genocidal leaf juice is nothing to be proud of. The present day tea pluckers are the descendants of the Indians you enslaved and they still live in unthinkable poverty in the line houses you built to house them like cattle. The families whose farmlands you robbed have been starving for generations. Every sip of your leaf juice is soaked in blood and you drink it like vampires.
Tea will never belong to you. It's our legacy of grief, and your shame.
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Drink your tea and shut the fuck up.
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