I recently saw someone on YT talking about Zoro's past and while I agree that his flashback feels rushed within the story (which I think can be explained by how early it happens) what always surprises me is how unsettling it is for people. It's a simple but sharp reality in a fantasy world, quite similar to what happens in Usopp's past and perhaps not so common for the rest of the OP world, who have pasts more rooted in the rules of that universe. Kuina died after falling down the stairs. "In OP's world there are people who survive worse things..." they say. "It's absurd. She was trained and very strong." Yeah, sure, but Kuina died like that. Suddenly. Anticlimatically. She was as full of dreams and ambitions, fears and insecurities as everyone else. But she died in an accident. She died too soon. Without a reason. With no one to blame. Simple, cruel and real.
Y'know, I've seen this around a lot. especially in posts (on r/ddit and twt in my case) where people argue about zoro having a "mid" backstory or complain about wanting oda to give him a proper one. and ngl I feel like this pairs up with OP fandom's bad habit of powerscaling everything - even loss, trauma and grief.
Sure, if you compare kuina's death to all the other ones throughout OP it might not seem as "tragic", but this is one of those instances in which context and individual experiences matter most. kuina was just a kid who, despite her strength and training, was led to believe by her own father that her gender would become the reason she'd never achieve her dreams. and when she finally finds someone who believes in her, who sees her as an equal and a goal to strive towards to, who's willing fight against and alongside her - she dies. as you mention: she dies without reason, with no one to blame. that is plenty tragic to me, regardless of all other sad or abhorrent things that happen in the story's universe.
This is just me speculating but I've also wondered if the fact that zoro's relatively well-adjusted despite the hardships and losses he's lived through is part of what makes people downplay both kuina's death and the role it plays in zoro's backstory/motivations. because the thing is - zoro may not carry or express his losses and grief as outwardly as other characters do, but look at how he reacts when the people he loves are in danger and the kind of sacrifices he's willing to make so that they'll be safe. how he's usually always keeping an eye on and watching out for all of them some way or the other. look at how he cries (which iirc he's done on page only three times) when he loses the duel against mihawk.
Zoro, similarly to other straw hats, had his parents die due to pirates or bc of an illness, grew up as an orphan, and the only friend he had died in a manner he couldn't do anything to foresee or prevent as well; the latter of which has impacted his life all the way to adulthood. kuina's memory is one that's at the forefront of what he does, just like his promise to luffy. draw the parallel between this, how fiercely protective he is and how much he hates the idea of dying in circumstances out of his control (I'd argue it even terrifies him a little, judging by his reaction to the reaper in wano) and it's easy to see how much his experiences, and especially kuina's death, have shaped him as a character. just bc he's not crying, having breakdowns or generally brooding about it every time he appears on screen doesn't make his life story less important, sad or tragic than anyone else's. plus, the stability he provides to luffy and the crew is crucial, so he needs less narrative reasons to leave them, not more. zoro not having, for example, a centric rescue arc doesn't make him less of a straw hat member either.
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If you played the Pokemon DLC, what's your opinion on Kieran and Carmine :0
Absolutely love the both of them, kind of wild how my opinions swapped between them
At first I loved Kieran and really disliked Carmine but by the end of the teal mask I thought Kieran was becoming a little bitch (affectionate + positive) and I absolutely loved Carmine
Still do, I'd say Carmine is probably my favourite to come from scarvio, below Arven but above Drayton
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I hope you don't mind the influx of GG/Dorothy asks you've gotten because I really love your takes and your fics really touch upon a more vulnerable part of Dorothy that I feel was rarely fully explored but was very much present. I was watching recently an ep where Dorothy says she thought her father didn't like her or love her and Sophia cracked that he always talked her up ... to try and sell her to gypsies. Dorothy says "do you know how much that hurts me when you say things like that?". It's one of those lines that's never really followed up on or given a big moment but it stays with me.
Not at all!! I love hearing from you! <3 (and if you ever feel up to it, feel free to send me a dm as well! I'd love to hear more of your thoughts!)
Thank you so much :') I started writing Golden Girls fics precisely for that reason: Dorothy's vulnerability is left so underexplored in the show, even in the moments that (in my opinion, anyway!) presented the perfect opportunity to delve a little deeper into her feelings. I had to give her a moment to shine haha.
That line is the perfect example of what I'm talking about, actually! They throw in those really poignant lines or moments (or even just looks, at times) that hint at so much going on beneath the surface, but it's never expanded on. The only emotional moments she does get, that are fully followed up on, are those relating to Stan -- and even there I feel like a lot is glossed over (often by Dorothy herself, first and foremost).
I could probably write an essay on this but I'll spare you, but I think Sophia's often treated much the same -- if slightly differently -- in the show! And I mean, considering she raised Dorothy, I'm pretty sure she inadvertently ended up teaching Dorothy that covering up your vulnerability is the only way to deal with it. Sophia covers her feelings with quips and jokes, Dorothy does it through dismissal.
And because both of their methods for covering up are very convenient for a sitcom (I can drag Blanche into this as well, by the way. But I promised not to write an essay) it's *so easy* for the narrative to just. go along with their own dismissal of their feelings. Have Sophia distract from her feelings with a funny joke, and the audience is on the floor. Have Dorothy dismiss her feelings with a Look, and there's another opening for someone else to keep up the pace and move the scene along into lighter territory.
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