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#that I’m doing this right
garfeildfanpage · 4 months
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Hanako VS The World
Nuance and critical thinking are two things that are very important when it comes to analyzing a character, especially when they’re written to be and portrayed as morally ambiguous. Along with that, main relationships aren’t always good or healthy. Bias is always taken towards a main character or fan-favorite, and that can lead to a very big lack of the aforementioned nuance and critical thinking. What does that matter? Well I’ll tell you what!
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When it comes to fan bias no other character gets mischaracterized, excused, or completely misunderstood more than Hanako when it comes to the Tbhk fandom as a whole. And I think that it’s important to -I don’t know- understand the title character of the manga at least a little, because understanding him can really help with understanding everything else. So here’s that.
Selfishness
To start off, Hanako is very similar to the rest of the cast, in the sense that he is extremely selfish. Selfishness as a whole isn’t always malicious, in the cases of Kou and Yashiro that should be pretty obvious. With Aoi & Akane their selfishness manifests into parasitic and mutually destructive behaviors. And someone like Teru it’s selfishness caused by forced maturity and obligation, causing him to isolate and only trust himself and his ideals. Hanako comparatively is selfish for unidentified reasons, but it’s to be assumed it stems from Amane. Amane being depicted as lonely, self-interested, and generally antisocial, but all of this behavior isn’t dangerous is it? In the hands of someone like Amane, who is just a child, he can’t do anything outrageous (other than murder). Hanako on the other hand is capable of a lot, and with such capabilities, he does almost everything in his own self-interest and to the detriment of those around him.
Severance
Back to comparing characters, the fact that Teru and Akane’s interaction is shown right next to Nene and Hanako’s I think is a good point for comparing self interest. Teru throughout the boundary doesn’t tell Akane that Aoi isn’t returning, Aoi knows this (assumedly), Akane doesn’t, and Teru doesn’t tell him until they go past the point of no return. This isn’t entirely a selfish act on Teru’s part, Akane most likely would’ve died had he been told and stayed back, and Aoi didn’t say anything either. But it is still that, selfish. But see Hanako’s side in the same chapter, he doesn’t tell Nene anything either, he specifically doesn’t assure her that he isn’t disappearing permanently, he instead intentionally misleads her into thinking the opposite. And it’s not the first time he’s done something like this before either.
Everything for you for me
In the Picture Perfect arc, he forces Nene into a fake reality (along with Kou but he’s not important right now) and tries to make her stay. He pretends to not know what’s happening, and only breaks once he knows the illusion is fully broken, and then he just kidnaps her. If this really were an act of love or respect for Nene, He wouldn’t have been so forceful, he does everything in his power to make sure she doesn’t leave. And when he’s finally convinced, he switches to a different idea. When Nene said she wanted to live forever, Hanako instead of realizing Nene didn’t want unwanted help, he then went on to sacrifice her best friend so she could live. As he says himself, he values Nene over Aoi, which -and I can’t believe people think it is- is the most non romantic and messed up thing he could’ve done. He wants what he wants for Nene, not what she wants for herself, and that should show people that he does most everything in his own self interest.
Now, is he doing it maliciously or is he just doing what he thinks is best. Both, but that’s not exactly an excuse. He refuses to change, doing the same thing over and over again, always taking his beliefs seriously and disregarding what anyone else has to say because he thinks he knows best.
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This isn’t to say Hanako is a bad character, he’s incredibly well written and it does take a little stepping back to first realize his actions are flawed. But taking that step is incredibly important when it comes to understanding Tbhk as a whole. Every character is flawed, every character does good and bad things, and understanding and not justifying the bad just because you like them is baseline for liking a character completely. Tbhk is also a comedy! And I actually do enjoy a good chunk of Hanako outside the drama, he is the title character, so you kindof have to find some part of him to like so you don’t drop it completely. And just remember I’m not a genius and this all just me saying whatever shit I think, I’m not a foolproof source of toilet knowledge, I’m just a guy who reads sometimes.
Idk how to end this uuhhhh ninja out *kickflip
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littlemsterious · 10 months
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i was thinking about that post comparing Jessica Rabbit as an asexual to Barbie and an asexual and then i thought of the Neil Gaiman post (was it a post?) about Crowley and Aziraphale being asexual sexless and then this happened.
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anyways. thoughts?
sorry it took so long I meant to do this a week ago but my brain is full of rocks.
[Image ID a three sided venn diagram. the big circles show Margot Robbie's Barbie sitting in front of a mirror, Jessica and Roger Rabbit from the poster of Who Framed Roger Rabbit, and Aziraphale and Crowley from Good Omens standing back to back. Between Barbie and Jessica Rabbit it says "sexualised by society". Between Jessica Rabbit and Aziraphale and Crowley it says "Knows what sex is". Between Aziraphale and Crowley and Barbie it says "no reproductive system(?)". the center is the asexual flag. End ID]
Also i haven't seen the Barbie movie as of this edit so at least please tag your spoilers.
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eatyourdamnpears · 7 months
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I’ve been in such a funk since the concert. I’m not even sure I enjoyed myself that much. maybe I did. I don’t know
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elodieunderglass · 8 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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tariah23 · 2 months
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The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.
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robinsversion · 5 months
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How I sleep knowing I always cite my sources:
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(First image from the film Drip Dippy Donald (1948); second image from season 4, episode 3 of the Simpsons, “Homer the Heretic” (1992).)
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spderkid · 1 year
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OHHHHHHHHSFHDJFB GDARE YOU KIDDINGEMEEEEE
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bathroom-sand · 6 months
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paramount and spyglass are trying so hard right now to save face because jenna ortega rightfully left the scream franchise after they fired melissa for supprting palestine. nobody is dumb enough to believe the excuse that it’s a scheduling conflict hours after rumors she was trying to get out of her contract cause she was pissed. i’m very thankful that jenna is risking her career and using her position to do the right thing. she’s been outspoken about palestine for years now. i hope this begins a trend of zionist losing money for their support and complacency with an active genocide
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deadsetobsessions · 4 months
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Danny Fenton is so damn sick of rich fruit loops. It’s worse now, since he’s one of them.
It’s not Vlad that he’s with, thank the Ancients, but Danny isn’t sure that this is better.
Because he’s Timothy Drake, a baby, and he’s been reincarnated after the Ancient of Reincarnation accidentally drank too much wine.
He’s going to kick their ass so hard when he gets back.
Danny huffs. He rolls over, ignoring the silent manor. Sure, he’s read the comics. Sure, he laughed and imagined being adopted by Batman- come on, Danny had black hair and blue eyes even back then, he was totally adoption bait- when his parents gave him reason to lose trust in their love. But that’s it, that’s all he thought it was. A day dream, a wish for a universe that didn’t exist.
Danny hadn’t understood the reality of the whole Infinite Realms thing, a place he was now the King of. Batman? Real. Danny? Reincarnated. Hotel? Trivago.
Like, this wasn’t what he meant, dammit.
And now he’s stuck as Timothy Drake, and Ancients, he was starting to see parallels.
——
Danny tried photography. He really did. He wanted to at least stick to the source material. But that’s not who he is. Even with the shiny new brain that memorized, catalogued, and put together clues at the snap of his fingers, but Danny’s never been one to take photos. It’s a respectable art, for sure, but Danny preferred to live in the moment instead of capturing it to remember forever. It’s just-
He watched the Graysons fall. He watched Dick Grayson turn into Robin. And Danny can’t and won’t ever betray his Obsession like that, ever again. He can’t let Jason die for his “story” to begin. That’s not how Danny works.
He’s there to protect.
Danny hasn’t ever been just Tim. Danny was also Tim and the Ghost King without a haunt. But now? Gotham is his haunt. He, in lieu of an actual city spirit, is Gotham. He’s also a Drake. And Drakes were meant to hoard.
Batman and Robin? They are his.
He claimed them, as a Drake. But that claim is weak. So he claimed them as their city, and that is a claim that will never be able to be challenged.
Danny’ll be damned before he allows some lanky starved clown beat the life out of one of his Robins. So, for the first time in his nine years on this planet, Tim-Danny goes ghost and flies.
“Who- who. Are you?” Robin slurred from his place in Danny’s hold. He is broken, yes. But not dead. Danny infuses some of his vitality, his ecto, into Jason’s injuries to help them heal.
“Gotham.” Danny replied, layering his ghostly voice with those of the city.
“Goth’m?”
“Gotham. Sleep, little bird. Your city has got you.”
When Robin, Jason, settled with a sense of trust that tugs at Danny’s core, Danny carried him to Batman, whose eyes were wild and manic. He glared menacingly at the green and white ghost in front of him, who was holding his broken and beaten son-
Well, it’d be menacing if Danny hadn’t watched him eat bricks and mortar, crashing into a building while using his grappling gun.
“You-”
“I am Gotham.” Danny cut him off. Despite his wary nature and natural paranoia, Batman settled at his city’s gaze rested on him. Danny knew that Batman recognized his city. Batman’s head bowed, but his eyes stayed on Robin. “You were supposed to take care of Robin.”
“I- I know.” And that voice was all Bruce Wayne the Dad instead of Batman the Vigilante. Danny gently placed Robin in Batman’s arms, taking in the tremors as he held his son close.
“Go back, Bruce. And make sure Jason knows how much you love him.”
He laughed as Bruce whipped his head upwards. “I am your city. You are mine as much as I am yours. I’ve known of you before you were born.”
Technically? Not untrue. But Bruce will chalk it up to weird magic shit. It’s not like it’s a secret that Gotham’s kind of curse. Besides, this way, Danny will be able to help out more often. And Bruce won’t be able to connect Tim Drake to the “Spirit of Gotham.”
“Return, my knight. This is not your city. I can not protect you as well as I can in Gotham.”
“Thank you… Gotham.”
Danny sighed. He wondered when he’ll have to field questions from a John Constantine. He’s pretty sure Bruce will call in magical help, even if it was his own city he was investigating.
Batman’s lucky Danny liked him enough to allow it.
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lumikat · 2 years
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I think everyone should look at my silly cats
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hamable · 5 months
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I’m thinking about Mahito’s great great uncle maintaining and preserving a peaceful and beautiful thing in a way that to an outside observer looks tedious and unimportant, hoping to pass the duty off to a successor but ultimately he cannot find one and dies with it.
I’m thinking about the specificity of the blocks being made and handled with care, not with malice or ill intent.
I’m thinking about Hayao Miyazaki, a bastion of beautiful 2d hand drawn animation who refuses to retire.
I’m thinking about a world where animation is so rarely made with love over profit and efficiency.
I’m thinking about how, though the old man didn’t see it, the next generation still hangs onto a piece of that beautiful, tedious thing and takes it with them because it feels important.
I’m thinking about Mahito being told he should forget, but no. He shouldn’t.
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keferon · 3 months
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Ah mmmm well
You know how in mermaid stories, the mermaid is typically the dumber one? I present to you the "and they were both scientists" plot.
Basically the concept is that mermechs and regular mechs can't talk to each other. But luckily even if they speak different languages they still use the same math~
I discovered a bunch of simpatico mer-fics. So. I wanted to do something with this concept too haha. If some physicist happens to read this - feel free to laugh at me. I know nothing about science👍
I don’t know if I’ll continue this thing. Should I. Idk. It’s midnight I might be going crazy lol. I made that cover anyway bc I love making covers hehe
[Next]->
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bakudekublogblog · 16 days
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a twitter user pointed out that everyone is helping izuku forward but the only one he looked backward for was kacchan and the director was like “hehe you noticed” and I’m UN FUCKING WELL
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edit: clarification this is actually him just talking about kacchan pushing him forward but it’s still so cute 🥺🥺
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denkisauce · 2 years
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best genre of photo actually
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steviesbicrisis · 7 months
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A Barbie AU where the Kens decide, in order to get some recognition, to get individual names.
Steve, who’s just a Ken very good with kids, is having an identity crisis after his Barbie, journalist Barbie, broke up with him.
Not even picking a name as unique and special as Steve, so much different than Ken, managed to cheer him up.
Everyone keeps saying he should be happy about the change, and discover who he is outside of Barbie’s orbit, but he can’t see what was so wrong in their relationship. He loved waiting all day for Barbie to look at him, even if it was for a brief second.
As if going through an existential crisis wasn't enough, he has to do it under the constant mocking of his archnemesis, Ke- Eddie.
Eddie, with his long curly and annoyingly gorgeous hair, who has a sense of style he would give all of his rollerblades for, and who's always there to notice whenever Steve makes a mistake.
Eddie even has his Barbie still by his side, cheerleader Barbie, and every time Steve sees them together he gets a sick feeling in his stomach, like a tummy ache. Doctor Barbie visited him a couple of times and found nothing wrong with him, he imagines he's a little jealous of Eddie for being with a Barbie.
Steve talks about this with Polyglot Barbie, his best friend, annoying her to death.
"Why are we talking about Ken, again?" she interrupts Steve's retelling of his last encounter with Eddie.
"It's Eddie" Steve corrects her.
"Right," she nods. She's very supportive of their silly-name-thing (how most Barbies call it), but she still has trouble remembering all the names, "why are we still talking about him?"
They're hanging out at the park, sitting under a tree, Barbie's leg on top of his, and they're holding hands. It's nice. Steve is happy to have a best friend like Barbie.
Steve looks up, meeting Eddie's gaze. He's sitting at one of the picnic tables not far away from them, doing nothing besides glaring at Steve.
Barbie squeezes his hand to get his attention back, and Steve looks away.
"Because he keeps tormenting me! he's even glaring at me right now, I'm gonna get stress wrinkles!" Steve finally replies, in a distressed tone.
"You're being dramatic," she says, matter-of-factly, "Eddie isn't so bad with you. You know, he kinda treats you like his Barbie."
If Steve had a beating heart, it probably would've stopped right at this second.
"What?"
"You know, he's always looking for you, he is always giddy whenever you give him a crumble of attention. He hangs out where you hang out... why do you think he's sitting all alone at a picnic table, just staring at you?"
"Maybe he's waiting for his girlfriend" he suggests.
"Are you talking about Cheerleader Barbie?" she giggles, "she's not his girlfriend, trust me."
"But he picks on me! all the time! Like this morning, I tripped and he made a comment about my legs!" He gestures at his legs with his free hand.
Barbie tilts her head to the side "you mean this morning at the beach when he held you in his arms for ten minutes to prevent you from falling and Barbie had to tell him to let you go?"
"… yeah” he manages to say. He hadn’t realized how long Eddie held him in his arms, he was upset about almost falling in front of him, but he also liked the feeling of his arms around him.
Everything feels different now.
Barbie's look softens "How does this make you feel?"
"I don't know" he answers, honestly "I just can't stop thinking about him."
A loud noise at their right startles them off of their conversation. They turn around to see Eddie lying on the floor, a trash can at his feet.
Steve doesn't give himself the time to realize that Eddie has probably heard their entire conversation and has tripped on that trash can because of it, he just rushes to Eddie's side to help him out.
Eddie stammers while Steve pulls him back up, not making much sense.
Steve is used to see Eddie as an intimidating guy, someone to compete with for Barbie’s attention. He never realized how much he liked to have Eddie’s attention instead, nor how he loved to give that attention back in equal amount.
“Nice legs” he tells him, repeating the same words Eddie told him that morning.
Eddie stops his incoherent stream of words when he hears him “what?”
“You heard me” Steve says.
“I did” Eddie admits. He pulls the trash can back up, to have an excuse to not look at Steve when he asks “you can’t stop thinking about me?”
For some reason, that’s the easiest question Steve has ever had to answer to “yes, I can’t.”
Eddie jolts back up startling Steve, the trash can falling out of his hands and hitting the ground once again.
“Cool” he says, using all of his willpower to hide his excitement by keeping a relaxed face, failing miserably.
“I guess” Steve grins. Knowing he has that effect on Eddie is making him the most confident he has ever felt in his life.
“So, since you can’t stop thinking about me…” Eddie repeats, in a tone that Steve would’ve mistaken for a mocking one until few hours ago “…we could hang out on the beach later. I’ll bring my guitar.”
“I’ll bring mine too then” Steve replies immediately.
Eddie panics “We can’t both have a guitar!”
Steve crosses his arms on his chest “who says that?”
Eddie opens and closes his mouth a couple of times then mutters, defeated, “fine.”
“Great!” Steve takes a step forward and gives Eddie a peck on his cheek “I’ll see you later.”
Eddie, who makes a face again trying to hide his excitement, nods and turns away “cool.”
He walks away slowly, towards the park’s exit. Right by the gate, he throws himself into an hedge. Steve can clearly hear him when he screams words along the lines of “FINALLY”, “I HAVE A DATE” and “SUBLIME”.
Steve turns to Robin who has witnessed the whole thing, while Eddie is still screaming random words from the bushes.
“I think I’m in love.”
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otaku553 · 11 months
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Thoughts on being aroace
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