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#support platform
triona-tribblescore · 2 months
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Husk went and bought some bike-safe clothes to cope with his adrenaline-junkie boyfriend uvu ✨
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bonefall · 5 months
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Anyway. Bi and Mspec Lesbians aren't a hotly "debated" topic or even new to queer culture, it's just the newest thing that bullies who REALLY want to be homophobic and even racist use to justify harassing gay people they don't like.
It's the thinnest possible veneer of progressive language wrapped around TERF and reactionary rhetoric so that they can feel righteous for forming an angry mob against vulnerable targets. If you're gullible enough to fall for the newest wave of bigotry within the queer community, and turn on your allies because they're "confusing" or "invading your spaces," the SAME way they turned on bi/pan labels, trans people, xenogenders, neopronouns, and aroace people before this, then get lost.
#No patience. Wither and rot.#These motherfuckers dogpiled the legend who leaked the no fly list because it identified as the wrong type of lesbian.#They will attack the people doing DIRECT ACTION over dumbfuck label discourse. Deeply unserious people.#Embarrassing to think that there are rubes out there who keep falling for this#For ALL our sakes I hope this is literally their first rodeos and they really haven't fallen for this bullshit twice.#But unfortunately I'm too old to be that hopeful.#I didn't get to see the big ''public block list'' made for us dirty queers who support or are bi/mspec lesbians but I hope I was on it#If a man is best judged by his enemies then exclusionists who echo terf rhetoric are the ones I WANT to have.#And ''public lesbian block list'' is in quotes because if you REALLY thought that such a thing wasn't a ''GO HARASS THESE PEOPLE'' charter-#--then you have a black mold where your brain used to be and it's rapidly eating into the bathroom tile you call a skull#Unironically you should not have a platform if you are THAT stupid or malicious to think it was anything BUT a harassment charter#I hope they're ashamed.#Context for those unaware: a flesh-eating amoeba created a public blocklist for people who supported bi lesbians#Minors and extremely small creators without big platforms were on that list#People got harassed but the most namely was Lockandkeyhyena who had people raiding his server with racial slurs and death threats.#I hope everyone involved sees who their ''allies'' are when they spread that sentiment.#A bunch of people ACTUALLY 'invading someone's space' to post the n-word and suicidebait.#THAT is who you appeal to. Sit with that.
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wildeyed-freecloud · 5 months
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onawhimsicot · 1 year
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i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.
But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.
Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.
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jagalart · 2 months
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Bounty Hunter
A tengu character I designed for the greatest @ WithTheFox, thank you again for trusting me with this 🖤 I'm back to comms tomorrow so you can expect updates soon 👁️
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zuzu-draws · 8 months
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Is it possible to love a character more than you already do? SOBBING because so many intricate details important for Sukuna's characterization gets lost in translation and lightning is an amazing person for bringing this to our attention (go follow them on their platforms ;_; They deserve it so much)
Sukuna's use of words are honestly so poetic and romantic, there is a certain grace and elegance with the way he presents himself, no doubt like a king. It may seem like he's a hot-headed maniac, but he's clever, cunning and intelligent. He knows when to let loose and when to reign himself in.
"You cleared my skies" I would literally melt at the spot, :') aaahhh I'm glad both of them ended up acknowledging one another, this really hits you right in the feels.
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suntails · 5 months
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💙 best friends 💛
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rotzaprachim · 7 months
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imho the left had just as much issue with philosemitism as Christian Zionists but in different ways and it’s become super obvious with the open season on the Jews. Like there’s been years of posts treating Judaism like the ultimate liberal self-help book rather than its own complex and varied set of traditions and cultures with their own cultural inter community complexities and problems (right wing tziyonut, the political actions of medinas yisrael, and colorism among others) as the oppositional Good Religion that was everything Christianity was not. Like people kept holding up Judaism as the Good Ones when it came to abortion, birth control, lgbt rights, trans rights, and so forth and it’s true many Jews (though not all) do hold progressive opinions on those topics including those who consider themselves religious but treating a whole group as either a moral positive or negative is so strange especially once after some Jews in a specific part of the world started doing something really bad, people everywhere have decided that Jews as a whole and Judaism as a whole are morally corrupt and impure and at the heart of the worlds problems
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genericpuff · 2 months
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CHAD ANON-
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Alright so I've been meaning to post about this for a couple days, but we gotta talk about what's been going on in the /r/webtoons subreddit the last couple days.
Every now and then, the heavens part and an anonymous creator will descend with their experiences with Webtoons. And they're almost never good. And that's good in the long run, because that means we have more ammunition to support Webtoons being an ass platform that benefits no one :))
Obviously the anons here are risking a lot posting this sort of stuff, so before I go ahead, let it be known that I'm gonna try and keep speculating to a minimum and just touch on what anon has provided. When it comes down to it, this post hasn't been verified in any way, so it might not even be 100% real, though there's a lot of evidence to suggest it is based on the responses from other users that validate many of the points anon makes.
I will also mention that any opinion I have regarding the contract outside of what's been provided by anon is from reading other accounts from creators who have spoken up and just generally being a community member for a long time who's been around the bend and heard a lot of shit from Originals creators. I am not an Originals creator and I have never been offered any of these contracts.
So let's get into this!
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The contract 'evolving' over time was definitely something that a lot of us were at least semi-aware of, as it seems that a lot has changed since 2020 as verified by many creators who have spoken up on their contracts (or at least said what they could in light of the NDA's that WT uses to prevent them from saying anything). But I had no idea the extent to how far WT was going with it, how much they were trying to get away with. Automatically having the ability to buy 100% of the creator's IP? That is a huge, massive no-no. I've had some creators heavily imply to me in the past that they've sold off portions of their IP, but WT being given the automatic pass to buy 100% is severely unethical.
For anyone out of the loop, IP means Intellectual Property. It means whatever content is being made, it belongs to the person making it. Lore Olympus is Rachel Smythe's IP. City of Blank is 66's IP. Of course, copyright law gets dicier when it comes to stuff like fair use, trademarking, etc. but for the sake of this topic, IP just means "if you made it, you own it". Webtoons typically buys digital print rights, meaning if you sign on as an Originals, that means you can only post that comic that you sold to the Originals section. It doesn't mean you can't use other platforms for other comics, just that for the comic you sold, you have to post exclusively to Webtoons.
Webtoons is essentially trying to take that from creators by going "if you sign on as an Originals creator, you don't just lose your distribution rights, you lose all of your rights." They might still be able to run Canvas comics separate from Originals, but whatever they sold to Originals is no longer theirs to own. And the kicker is that it's, of course, for a very low fee. Buying out 100% of someone's IP should NOT come cheap, but WT is undoubtedly offering pennies in the hope that someone bites for that 'exclusive' Originals offer.
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This. This is a big one. I'm not a lawyer, but I'm pretty sure this is massively ILLEGAL.
Just like with the IP rights, creators should not automatically have their printing rights taken from them by a digital publisher. They can make offers, sure, but they can't force creators into giving up their rights for physical publishing when they themselves are not a physical publishing house. Some series do get physical prints through other publishers like Random House (ex. LO) but a digital printing platform should NOT be able to restrict the printing rights of a creator who has only sold their series for the purpose of digital distribution. Especially because, again, printing rights are usually sold for massive gains for the person selling them - not a portion of month's rent for people living in a shitty New York apartment in 2024. That is what Webtoons thinks your printing rights are worth.
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This is one that I've been very certain of for the past little while, particularly due to my past discussions regarding LO's merch. Because let's face it... it isn't good.
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But I don't hold Rachel accountable for this shit because she's not the one making it, it's almost certainly some in-house designer at Webtoons or some other third party through Random House Worlds. Sure, it says "By Rachel Smythe" but that's more so just for marketing at this point, because no one wants to buy merch made by Chuck the Penguin House merch guy.
Remember when I said LO's partnership with Inklore / Random House Worlds was gonna be purely for cheap merchandise in the realm of cookbooks and card decks?
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Yeah.
Point is, it's clear a lot of creators who are part of Webtoons' merch program may not even have any say or choice in the matter. Of course, I don't know what Rachel's contracts specifically are like, so I won't speculate on that too much, but there's a lot of evidence to suggest that she may not own as much of LO as she used to. She was definitely a part of the older contracts from 2018 at one point that didn't have the more predatory tacked on bullshit like the Minimum Revenue Threshold, but... she's renewed her contract since then. So it begs the question of how much LO has suffered not just on her account of being bad at managing a team and writing a long-form story, but at the hands of Webtoons dipping too much of their hands into her work.
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Oh look, another highly unethical if not outright illegal thing! Digital print publishers can't be your agent! Repeat after me -digital print publishers CANNOT be your agent! As anon explains here, it would make it far too easy for publishers to steer their creators into directions that only benefit the company. Agents are like lawyers for artists, their job is to protect writers, actors, artists, anyone who's trying to enter some kind of media industry. Most publishing agencies won't take unsolicited manuscripts for publishing, which means writers need agents who are willing to vouch for them and help them connect with publishers. Webtoons being the publisher AND the agent for creators... seriously, that's fucked up. It means Webtoons can direct creators to do whatever benefits the company itself, not the creator. But hey, we already knew that was the case as soon as we saw "Webtoon would be able to automatically buy 100% of your IP" LOL But if you needed more to support the sheer predatory audacity of Webtoons as a company, there it is.
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This is the sad reality for a lot of content creators. Comics aren't a new industry, but webcomics are and a lot of the people going into them are either extremely young or just never learned how to navigate the professional world. We talked about this issue last week and now here it is in action - a lot of creators don't even realize they're supposed to hire lawyers for contracts like these, and those who do... can't afford them.
And again, I'm very aware that this reddit post isn't exactly substantiated by anything beyond anon anecdote (such as a copy of the actual contract) but a couple other people in the thread who were offered contracts also came forward to express the similarities - and differences - between what they were offered and what OP was offered.
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(these responses are actually gone now but that's why we have the power of screenshotting as the thread was happening LMAO yay me)
This thread is also being discussed on Twitter:
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For those who are as old and falling apart as I am (/hj) and remember when Youtube was still coming into its own as a platform, what Webtoons is doing to webcomic creators is very similar to what businesses like MakerStudios did to Youtubers back in the day - signing creators into predatory contracts with the promise of fame and fortune, just to pull the rug out from under them with shit pay, shit management, and less perks than they had just doing it all on their own time and dime.
Webcomics, as a blooming industry, are now going through the same problem as Youtube did back in the late 2000's/early 2010's. No one knows how to navigate the industry. A lot of people and businesses don't even know how to profit off it, at least not sustainably (and for some platforms definitely not ethically). Very few people have come out of this industry with the money and fame they were seeking in the long-term, both because it's easy to burn out quickly but also because there is no long-term yet due to this being such a new industry... and those who have come out with those victories are often people who are still just pursuing the traditional comic publishing ways of glory, by seeking out agents, signing print deals, and doing everything that any other freelance or contracted comic creator would do, because it's safer and offers more structure than what webcomics are offering on their own. There are no regulations, no protections in place looking out for creators, it's basically just a free for all of young people looking to monetize their creations and businesses willing to take advantage of those people for a quick buck.
I don't think any of this means that webcomics have to be exclusively relegated to being a "stepping stone" for traditional print comics or grander media like film and television. They're a medium in and of themselves, a very accessible medium to boot, that welcomes anyone regardless of their status, technical skills, or background. They're wonderful for that and I think more people should be willing to give webcomics a try as a medium if they want to express themselves on their own terms.
But as I've talked about in the past time and time again, there's still going to be a separation between doing webcomics as a passion project or a hobby, and doing them as a profession. When it comes to the latter, you have to be willing to treat it professionally. You have to recognize that there will be those out there who will take advantage of you for money, because that's what the professional world is all about. This is unfortunately something a lot of creators just don't realize, because we're going through those same growing pains a lot of Youtubers have gone through (and still go through) - learning how to navigate our passion as a job, with all of the legal mess, dotted lines, and legal stipulations that come with it. And we're in the midst of that learning now, by seeing the actions of companies like Webtoons that only seek to exploit creators rather than foster them. It unfortunately will take more creators getting screwed over before anything changes. But we have to be willing to talk about it, every single time. We have to be willing to separate the creator and their own faults from the faults of the platform that's hosting them - a creator can be both lacking in their own skills as a creator as well as lacking in support which makes it impossible for them to hone those skills.
And yes, I say all of this because it concerns the criticisms I make of creators like Rachel Smythe. I think there are a lot of things she does that are indicative of her as a creator and her inability to act professionally in this industry, from LO's rampant misogyny and objectification of women to her own misfires when interacting with her fandom. But there are also just as many things that can be potentially traced back to the platform - it's hard to make better content when you're constantly being exploited and hung out to dry.
Like anon, I too hope that more creators will be willing to stand up and speak on behalf of themselves and their peers, to push back against these contracts. It's gonna suck. It's gonna be hard to want to make those moves when just about every creator is just trying to put food on the table. But for every anonymous creator who stands up and speaks, for every person who isn't willing to sign those contracts and talk about the reasons why, for every storyteller who uses their skills to spread the message, the power they have grows. We have to make it impossible for Webtoons to continue to ignore.
After all, it would be a real shame for more of these stories to come to light just as Webtoons is seeking an initial public offering in the stock market. Wouldn't that just be so unfortunate for them? :)
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personasintro · 9 months
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You might've noticed by now but I started reposting Mh. Rereading it after a while brings a lot of memories & I hope you guys can take this opportunity to reread the story until 58 is posted :) please give each part lots of love and support ♡
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paigestrap · 2 days
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nika i love you
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westwing19 · 3 months
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Do you do requests? Because if you do id like to See More DMKdad
Technically I do but I'm planning to phase out posting original art here, so the last requests I'm taking on this blog will be what's left in my inbox :]
In any case, excellent suggestion, have some sketchy dametadad doodles:
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year-of-the-rabid-dog · 6 months
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Palestinian Artists/Record Labels on Bandcamp
{ELECTRONIC}
00970
377
Bilna'es بالناقص
BOUNCYDUCK
BRUT_FORC.e/TRAUM.a
Cyber Witch
Double Dunks
Loris
NaJazz Project
Sea Level Records /تسجيلات سطح البحر 
Toumba
{EXPERIMENTAL}
Dirar Kalash
Dunums
Garden of Gethsemane
Irritable Syndrome
Mamzera
Maya Al-Khaldi
Never A Land Without People
Phonodelica
Raymond Haddad
{FOLK}
Akram Abdulfattah
Arhan Afndy
Gazelleband
Marwan Abado
Rim Banna
Samah Mustafa
Sounds of Palestine
{INDIE/ALTERNATIVE}
Bassam Beroumi
Discoverer
Eddie Violet
Haya Zaatry
Mafar
Maysa Daw
Shadi Zaqtan
{JAZZ/RNB}
Drink Sage
Majazz Project / Palestine Sound Archive
{METAL}
Bahal Amma
{RAP/HIP-HOP}
Asifeh
ERROR
Exist Records
Moody Kablawi
Shabab
{FUNDRAISER/SOLIDARITY PROJECTS}
"A Better Tomorrow for Palestine" by naru records; profits made will be donated to Medical Aid for Palestinians
"Archivio Futuro x Gaza" by Archivo Futuro; profits made will be donated to the Gaza Emergency Appeal by the UNRWA
"By the People, For the People" by House of Afandi Records; profits made will be donated to the Palestine Children's Relief Fund
Dunums & MANAS' Self-Titled EP; profits made will be donated to Medical Aid for Palestinians
"For Palestine" by Paralax Editions; profits made will be donated to Médecins Sans Frontières/Doctors Without Borders
"For Palestine" by Toumba; profits made will be donated to Médecins Sans Frontières/Doctors Without Borders
"For Those We Lost" by Lowlives Collective
IAFG - Vol. 1 by IAFG - International Artists For Gaza; profits made will be donated to Gaza Freestyle
"For All" by MidnightRoba; profits made will be donated to the Gaza Emergency Appeal by the UNRWA and Medical Aid for Palestinians
"ت​ر​و​ي​د​ة م​و​ل​ا​ل​ا​ة - ح​ر​ي​ة" by 1; profits made will be donated to Medical Aid for Palestinians
"Rap Across the Wall-Palestine" by Musicians Without Borders; profits go towards workshops organized by MWB to help platform lesser known Palestinian artists and provide music programs to Palestinian children (Bara’em Ghirass)
"RE-INSTITUTIONS" by BALLAMONA; profits made will be donated to Save the Children: Gaza Emergency Appeal
"Resist to Exist" by Avon Terror Corp x Exist Records; profits made will be donated to Medical Aid for Palestinians and the Palestinian Medical Relief Society
"The Olive Tree" by Turquoise Coconut; profits made will be donated to Medical Aid for Palestinians
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tethered-heartstrings · 2 months
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reposting content (especially art/creations) that isn't yours is theft. reposting content saying "not mine" without credit is still theft. saving content that isn't yours to your phone or computer or copy/pasting and making a post without credit is fucking theft. it isn't accidental. there were intentional steps involved. why is this difficult to comprehend. imagine how it would feel to have something you made (especially for free, often in the case of fandom) stolen and someone else taking credit for it or at the very least not giving you the credit you deserve for having made it in the first place
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syn0vial · 1 month
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the sheer amount of unhealthy parasocial attachment the watcher drama has revealed is honestly kind of frightening. "i won't go CRAWLING BACK to watcher now i know they only want me for my money!" girl what did you THINK they wanted you for? your personality? your glittering conversational skills? they don't know you, and you don't know them! "this whole time i was just a transaction to them 😭" yes??? that's how this works? they provide goods and/or services in exchange for currency?? THEY'RE A COMPANY???
like, i've got zero problem with people who don't want to subscribe to the new platform or are now wary of watcher bc of the legitimate concerns their initial decision brought up (potential loss of accessible content, lack of pricing awareness, lack of transparency leading up to the decision, potential lack of financial sustainability) but i am genuinely disturbed by the people reacting like they were broken up with over a company changing their monetization structure
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baldursyourgate · 3 months
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mod idea: bg3 lore accurate immersion lighting mod that turns everything pitch black when you go to the underdark and switch to a character who doesn't have darkvision (human, halfling, etc)
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