godddddd rereading the canton scene is so fucked up like robin is finally apologising to ramy about hermes with genuine understanding and regret. before that moment he couldn't reconcile babel's bloody foundations with his own enjoyment of it; couldn't grasp how everything he'd worked for had always been this death and exploitation until he saw it with his own eyes. how ramy knows that he's finally opening his eyes to something ramy had known his whole life; that he and robin are tragically, horrifically connected by that web of exploitation, not just through babel but through their own countries that are being forced to serve empire and destroy each other in the process!!! their countries and their lives are irreversibly undeniably caught up in the other's downfall, thrust together by no choice of their own, but by the systems of exploitation that ensure only the british can win. LIKE IS ROBINRAMY NOT THE MOST DOOMED TRAGIC FUCKED UP RELATIONSHIP IN EXISTENCE IM GOING TO THROW UP i just can't get over it i can't get over how robin and ramy as people and as cogs in the imperialist system were given no other choice but to cling to each other in britain, to help each other as the only other boys of colour around, but then to ultimately doom and work against each other and their countries for the crown. im srsly going to pass out and die
62 notes
·
View notes
Well. hrm. the way they all connect to each other. like it’s all starting to look like a circle of some sort. jess as rory’s mirror/reflection/narrative foil but also jess as he pertains to luke and jess as he pertains to lorelai. luke breaking the church bells luke who says he was troubled but they gave him a chance and just bc a kid has issues doesnt mean they don’t deserve that. luke who is a figure placed against the rest of the town, just in the sense that he is not like them, he does not hold their values, he doesn’t even sound like them. which is of course a result of scott patterson’s new york accent, but adds to this theme anyway. and they use jess to build this picture, because they walk the same and talk the same and they’re stubborn—independent to a near self-endangering degree—and emotionally repressed in the same way and luke himself admits that he spent more time working at his dad’s shop than he did at school, which jess also does. but jess and luke are also. very very different when you get past these similar values that are maybe ingrained into them through different circumstances and same genetic makeup. and in their differences you get a lot of jess and lorelai’s similarities. when it comes to their family dynamics and how it’s affected them in particular. it’s made them independent yes, but it’s also made them hypervigilant, almost paranoid in the way they are allergic to accepting help and especially accepting help from the people who hurt them. jess only goes to his mother’s wedding because luke asks him to, lorelai only asks her parents for money because rory needs it for school. and they, and this is where they differ from luke, don’t know how to trust people and so they don’t know how to talk to people. where luke’s particular brand of emotional constipation comes from a general cluelessness as to how to do it—which is why the tapes helped him so much—lorelai and jess’ come from emotional responses to the situations they grew up in. while it was different—lorelai growing up rich, jess growing up poor—the effect it had on them still resulted in something similar. lorelai with her overbearing manipulative mother and (emotionally) absent father, and jess with his neglecting manipulative mother and (in all senses of the word) absent father. the ways that, despite their effort to distance themselves, they still end up with similar mannerisms to the parent they have the most conflict with (lorelai and her controlling nature + that scene where they have the same nighttime routine, jess and his love for books + tendency to run away). and of course, their romanticism. their big confessions and period drama-esque speeches and, yeah, i do think in a way jess was asking rory to marry him in 4x21. come with me. let’s get married. luke and rory both being the most important people in their lives. literati+javajunkie where they are all melding into each other, and luke is rory and lorelai is jess but on the surface level dynamic luke is jess and lorelai is rory and they are all each other. on accident. by sheer nature of making jess as a character for the sole purpose of interfering with luke and lorelai’s relationship (which means he is important narratively to them both) and by making him rory’s love interest/foil (because ASP casted him before she even had the idea for the character) you have now made an accidental blending of them all together. he is like a skeleton key of a character. Okay. okay.
184 notes
·
View notes
at the request of absolutely nobody, i present my vaguely fleshed out steddie mummy au
sources: i still own the mummy on vhs
there’s a possibility that the whole story of hamunaptra could be tweaked a bit to fit the story of henry creel/vecna/one into imhotep’s story, but the actual nitty gritty doesn’t matter as much as the actual dynamics and relationships between stobin and eddie. the important part is that a man is cursed to be buried alive, immortal but destined to awaken only to take vengeance.
fast forward and eddie munson ends up drafted into the military. (rick is apart of the french foreign legion stationed in egypt, and i’m not entirely sure how he manages it but eddie munson is apparently a colonel). things happen and eddie finds himself running away from the battlefield, only to stumble upon the ruins of hamunaptra. except they aren’t really ruins and hamunaptra is a myth. so he runs, but when he gets back to the city, alone and half dead, eddie finds that in his rush to leave, he’s grabbed some sort of puzzle box.
at the same time, one robin buckley has dedicated her life to learning more about ancient egypt. her passion for languages led her down a rabbit hole, and she drags her brother steve to egypt with her for further study.
robin is set up with a job at a small museum, working as an archivist. unfortunately, it’s a lot more tedious than she anticipated. it would be a lot better if she could work with steve, but forgetting his glasses at home nearly everyday isn’t super helpful when it comes to trying to sort books.
so what is steve doing in egypt, you may ask? evie’s brother jonathan in the movie literally schlepped around egypt fucking around with his sister and figuring out his next get rich scheme. steve isn’t really the type to open up his own nightclub in shanghai (a la the mummy: tomb of the dragon emperor), but just like jonathan, steve happens to stumble across a cryptex containing a map of the lost city of hamunaptra.
as an aside: i see steve doing the same minimum wage jobs he did in hawkins, just in egypt. i think it would be funny and makes so much more sense to me than him kind of skulking around for news of possible treasure. (bonus: the party in egypt, and dustin coming up to steve with a “brand new discovery” and it’s eddie’s puzzle box that he’s swiped. (THOUGH NOTE: evie and jonathan’s family is Rich. Rich Loaded. Rich Loaded British. So honestly, he doesn’t even have to work)
either way, when robin opens the cryptex and finds the map, she’s astonished. this is what she’s dreamed of her whole life—being an explorer and discovering lost civilizations. so she gets steve to find out where the puzzle box came from. his search leads them to the prison, where eddie munson is destined for execution.
the two of them talk to eddie, and eddie tells robin he’s seen hamunaptra in person. he’s been there. he’s walked the same sand that pharaohs had and seen the ruins that no other have laid their hands on. but eddie refuses to tell them the location, but steve convinces (bribes) the warden to let him go.
so the three of them set off to the city of the dead.
the details of the trip would make this post way too long, but i’m thinking about dynamics rn…
eddie is a little standoffish at first, sure that these rich kids won’t be able to handle themselves, and he’ll be stuck carting around two spoiled brats. and robin and steve don’t necessarily trust him. robin is wide eyed and blinded by eddie’s knowledge of hamunaptra, but steve keeps trying to keep her in check.
at first, eddie thinks steve is cold to him because of some upstairs/downstairs prejudice or big brother protectiveness. and eddie flirts even harder with robin, delighted every time he sees a scowl on steve’s face. even if robin keeps rolling her eyes and ignoring him, he isn’t looking at her anyways. he’s too busy searching steve’s eyes for some spark of disapproval. he doesn’t see that though. he sees worry and concern and fear. and that’s when eddie starts warming up to them.
27 notes
·
View notes