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#sorry if this is a bit out of character
canisalbus · 11 months
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✦ I'm not sick but I'm not well ✦
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mjulmjul · 2 years
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OUT OF TIME
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starcurtain · 9 days
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Female Guidance in Aventurine's Life
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One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).
Under the read more cause it's longggg:
Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.
Now, with the most obvious out of the way:
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We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.
Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.
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It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.
It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.
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Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.
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Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.
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And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.
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Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.
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In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.
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(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)
In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.
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Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."
We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.
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Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:
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Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.
And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.
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Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.
Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.
In 2.0...
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And in 2.1.
Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.
His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.
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Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.
Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.
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Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.
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Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.
(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)
I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.
In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.
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This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.
For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.
Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.
(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)
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But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?
Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.
What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.
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Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.
But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.
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Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.
Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.
I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.
And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.
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But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)
Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.
Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.
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He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.
And then, of course, there's the note: "Do stay alive. I wish you the best of luck."
After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.
Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.
But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.
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Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.
Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.
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Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"
We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.
But he doesn't lie to Acheron.
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He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.
And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.
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He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.
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"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.
Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.
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She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.
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Ratio gave Aventurine a promise: Someone is waiting for you to come back.
But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?
She saved him, as women have been saving him all his life.
Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.
"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"
Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.
Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.
Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.
When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.
tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.
(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)
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accirax · 4 months
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🌟🍬🤖🎈Congrats to Wonderlands x Showtime for finishing their 4x4!🌟🍬🤖🎈
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starry-bi-sky · 3 months
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#dpxdc prompt#this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B#thanks for being my little stress ball danny#aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts#in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au#my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience#do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed#therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be#*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so#just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i#danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o#the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀
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kimbapisnotsushi · 7 months
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haikyuu is NOT realistic!!!! and it's not because of the underdog plotline or the insane athletic skill or funky character designs but because in the timeskip everyone gets a job that they are perfectly content with and more or less suits them to a tee and don't seem concerned for their futures whatsoever all before the age of thirty
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Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:
A house is a place with four walls and a floor,
with a ceiling above and a lovely front door.
There's a bed to cradle you safely at night,
and windows to bring in the morning sunlight.
Your house is a mirror of just who you are,
A reflection that tells you to never stray far.
Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).
ohhhh this. i like this...
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bonus og sketch! big ol eyes...
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& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!
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kyuhudraws · 2 months
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Xue Yang and A-Qing for @that-one-ao3-writer and @nekokenmacat c:
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sanjisboyfie · 8 months
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yandere zoro headcanons
male reader of course <3 also this is actually a very soft yandere zoro, nothing super duper hardcore...i think
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yandere ! zoro . . . just expects you to know that he likes you. it's so annoying. he does the bare minimum and genuinely thinks that's enough for you to know. he's held the door open for you one time and equated that to a love confession. because he's not gonna ever blatantly confess to you, so he does these other minuscule things to get your attention and make it "known" that he likes you.
yandere ! zoro . . . will be at your beck and call. he will do whatever you ask of him. he'll act like its annoying, but he is more than happy to do whatever you ask him. it's undeniably a really sweet gesture that he does, but sometimes he gets really pushy and aggressive with it. the reason why is because he wants you to completely rely on him, even for your own basic needs. he wants to be doing everything for you for the power-trip and control it gives him.
"give it to me," zoro gruffly said, taking the bags from your arms. you were more than capable in carrying the groceries, but zoro took them off your hands. he knew you could handle them, but he felt the need to aid you.
"i am more than capabl-"
"shut up, i'm doing you a favor," zoro rejected your want to carry the bags, shaking his head.
"fine, thanks, zoro." a flash of your gentle smile was enough to send him into a flustered, crimson red blushing state.
yandere ! zoro . . . kind of going hand in hand with ^ that one, zoro would easily kill for you. the amount of dead bodies you'd be responsible for would be uncountable. every single man or woman thats hit on you has - unknowing to you - have been murdered by zoro. he doesn't take people trying to take you away from him lightly. to him its serious enough he needs to take their life. and he has and he will continue to.
yandere ! zoro . . . is very pushy on affections. it may sound out of character, but zoro never thought he'd get lucky enough to find someone like you. so now he's found you, he's gonna be selfish about, as far as he can go.
zoro had a nasty habit of physically taking you away from conversations. it would be out of nowhere - when you're just playing games with chopper and then you're suddenly being thrown over zoro's shoulder. you could try fighting against him all you want, but he easily overpowers you.
and when you're finally dropped onto the crow's nests floor, you berate him, "what's your issue?! chopper and i were talking you know!"
"i know," zoro says, not bothered one bit by your shouting.
"so?" you say expectingly, not enjoying how nonchalant he was being about the whole situation.
"if you're my boyfriend, don't i have the right to spend time with you?"
"i can still have friends though,"
zoro yawned, taking you into his lap and trapping you in hie arms, "come on, let's just sleep. we don't have to keep talking about stupid shit like this,"
"you can't just-"
a hand on the back of your head made you crash into his chest and effectively shut you up, his chest silencing you as you were smothered (suffocated) in it.
yandere ! zoro . . . has two sides of his personality - one he uses with you, and only with you, and then the side he shows everyone else. he never speaks as softly as he does with you as he does with other people. he's hyper aware that he looks intimidating to others, but he goes out of his way to be softer with you. it's sweet, honestly, but it's terrifying to see it happen in real time.
zoro had an arm drapped around your shoulder, simply following in whatever direction you took him to. whenever he saw something that he'd think you'd like, he pointed it out to you with a hidden smile.
"wait, look, do you like it?" zoro gently asked, picking up the ring and examining it in the natural light, "i can get it for you, if you want?"
"but it's pretty expensive-"
"don't worry about it, i can afford it," zoro shrugged, enjoying the way your eyes brightened. if only he could keep that for himself completely, hide you away from the rest of the world.
the two of them walked up to the vendor. zoro's soft smile was wiped away in an instant, looking gruff and annoyed at the man, "this one."
"what a lovely ring, you two are-"
"could you just hurry up? our crew might leave without us," zoro lied, already so annoyed with the innocent man who was just doing his job. you slapped him on the chest, shooting him a look.
seeing the disappointed expression on your face, he faltered in his glare a little bit. and an embarassed blush came onto his face, looking to the side and forcing himself to not glare at the vendor.
the man looked grateful for your intervention, quickly taking the exchange of beri and handing you the ring. a quick thank you left your lips before you walked out of there, zoro in tow.
"you're such an asshole," you murmured in annoyance, shrugging off his arm from your shoulder.
"babe, c'mon, don't-" but he shut up immediately when he saw the look you shot him, a warning look. it worked and he kept quiet the rest of the walk to sunny.
he practically grovelled for forgiveness the rest of the night, only gaining it back when he gently put the ring around your finger and peppered kisses on your face.
yandere ! zoro . . . is really only nice and doting to you - he doesn't give a shit about anyone else but you and makes it known. it earns him a scolding but he needs you to know that everyone that isn't you doesn't even cross his mind. you're the only person he thinks about and will continue to think about - everyone else isn't even worthy of being as important as you are in his head. you are the only thing he cares about, he devotes his entire strength in making it known he is at your disposal.
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lgbtlunaverse · 10 months
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See the thing about me is that I do care about characters' morality but it's more in the sense of wanting to understand their moral framework and why they take the actions they do. And because of that i'm always sympathetic to morally grey characters and try to look at things from their perspective, but I don't expect the other characters in the story- who unlike me are actually affected by each other's actions- to feel the same way.
For example, I care deeply about nie mingjue and the inherent tragedy of how he's been trapped by his own circumsances and his genuine will to do the right thing and can see how his reliance on punitive justice was created by the environment he's grown up in and the responsibility he holds towards his people and i don't think, in any stretch of the word, that he deserved to die or that it was in fact necessary to kill him.
However i do not expect jin guangyao, guy who was just kicked down the stairs, to see all the nuances here.
In the same sense, i can see how jgy's "self preservation above all else" mindset was forged by a world that expected him to die for their convenience how his avoidance of accounability for his actions was created out of necessity because any punishment levied against him would be disporportionate due to his heritage. How punishing him wouldn't actually make the world a better place or him a better person and how his violence is always reactive and that as long as he feels safe eneough to do so, the thing that he really wants to do is help people.
But I don't expect Huaisang, guy whose brother just got murdered, to give a fuck about any of that.
And I think this is why I'm annoyed with a lot of "is [insert character] a good/bad person" discourse because a lot of it gets framed as "If A is bad, the other characters in universe should hate them. If A is good, the other characters should be sympathetic to them, and if they're not then they're bad." And that is just... not how this works.
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tired-and-ticklish · 4 months
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Rough Day
Summary: Angel Dust's had a rough and long day at work, no pun intended. Niffty helps him unexpectedly relax.
TW: Tickling, Mentions of Valentino, Mentions of Angel's job, Swearing, Mentions of safewords being ignored.
I couldn't get this idea out of my mind after seeing this scene from the show.
Part Two
“Oh fuuuuuuuck!” Angel groaned as he entered the hotel, cracking his back as he did.
Today had not been a good day for him. First, Valentino wanted some ‘quality time’ with him, which always put Angel in a terrible mood and headspace. Then, that fucking moth had him work for what felt like an eternity. No rest, no food breaks, nothing. Everything felt sore, and the spider was just happy there was a shower at the studio. Otherwise, he’d have to wait till he got to the hotel to clean up.
He just wanted to face plant into the first soft object he found and pass out for the rest of the day.
“You look messy!” Nifty said, startling Angel as she hopped out of a potted plant. “What happened to you?”
“More like ‘who happened to me?’ and the answer? Everyone. Twice.” Angel groaned, beginning to head for the couch. “Val had me working sixteen hours on a fucking limb! The absolute dick-”
The spider demon’s rant was cut off, biting his lip slightly. He hadn’t noticed Niffty jump onto his back, until he felt her dusting him off, tickling him and causing him to freeze. Angel quickly reached his lower arms around and tried to pull her off before anyone could notice.
“I appreciate the help.” He told the maid “But I don’t need dusting.”
“But, you’re messy.” Niffty repeated, and as if to emphasize her point, trying to reach up to fix Angel’s hair.
“Yeah well, I’m not some piece of fucking furn-Ack!”
The maid was ignoring him, as Angel felt the feather duster now on his neck. This was bad, he realized as he bit his lip. Sure, he was the taller demon, but Niffty was faster, already out of range of his hands and back on his back. He needed to stay composed, as he noticed Husk, Charlie, and Vaggie watching him from the sidelines.
“N-Nihihihihift, c-come on, I think I’m c-clehehheeean now.” Angel tried to plead, a few giggles escaping as the duster left his neck and headed for his worst spot, his armpits. Having six arms was both a blessing, and curse, especially since the spider had kept his worst spots from when he was alive. There was no way he’d be able to keep it in if she got there.
“You’re clean when I say you’re clean.” The cyclops told him, and before Angel could attempt to plead any further, the feathers made contact.
He clamped his upper set of arms down as a small squeal came out of him. The spider demon felt an unintentional smile begin to form on his face, and despite his clamped arms, the duster was still moving.
“N-Nihihihihfty plehehehehease!” He couldn’t help it anymore, laughter was starting to pour out of him.
“Angel… Are you…Ticklish?” Charlie asked, and Angel could practically hear the smile in her voice. Though, considering the Princess of Hell, that was an easy thing to listen for.
“N-Noohohohoh, fuhuhuhuhck ohohohohoff!”
“Oh my Satan, he actually is.” Vaggie said, clearly enjoying the show as she chuckled.
“Niihihihihihffty plehehehehease!” Angel covered his face with one of his hands, trying to hide his smile.
It wasn’t that Angel hated being tickled, or wasn’t used to it. He hated when Valentino did it, or any of the clients Val gave him did it. ‘Safewords’ and ‘boundaries’ were not words in the Overlord’s vocabulary, and oftentimes, he and the clients would be too rough, making the spider demon cry out in pain more than pleasure. They made fun of him, and touched places he hated, especially his feet, especially when Valentino was in a bad mood.
But the gentle tickles of the feather duster? Niffty not staying in one spot too long as he felt her move it to his ribs? That was the kind of tickling Angel enjoyed, the softer side of it, and it was embarrassing. He was a pornstar, for fuck’s sake, he shouldn’t enjoy something like this! Or at least, if he did, it should have been in the kinky sense. 
And yet, he enjoyed it. He enjoyed the non-sexual aspect of it, how freeing it felt to just laugh and let himself go. Angel Dust liked being tickled, and the idea of his hotel companions finding out embarrassed him even more. Even so, Angel couldn’t find it in himself to throw the smaller sinner off him. Sometimes, Niffty reminded him of Molly in a way, and that tugged at the part of him that still cared about people.
“W-Waahahahait wahahahait shhihihit!” Angel’s knees buckled, him sliding to the floor as the maid continued dusting him off, though he heard her let out a small giggle, obviously knowing what she was doing.
“Just a few more spots, then you’re done!” She assured him, letting out another mischievous laugh as Angel squealed.
“P-Plehehehehease Iihihhihi cahahahaan’t tahhaahake- NOHOHOHOT THEHHRHERE!”
His lower set of armpits was attacked, for some reason, those ones were much worse than his upper arms. It was like the further down you went, the more sensitive Angel’s body became. And yet, he still wasn’t feeling any actual distress. Hell, the weirdest part about all of this was that it was helping him relax.
“NHIHIHIHIHIFFTY!”
As soon as it started, it was all over, Angel feeling the feathers being removed. He caught his breath, hugging himself in an attempt to get those phantom tickles away. Looking up, he spotted Husk, who had lifted Niffty off the spider demon.
“Hey, I think I saw some roaches on the other side of the hotel-” The cat demon began, and, as the mention of any sort of bug, the cyclops maid took off like a bullet. Husk shook his head a bit, before offering a hand to Angel. “You still alive, legs?”
“Yeah, yeah.” Angel said, waving one of his hands while another accepted Husk’s. The spider was pulled to his feet.
“How are you feeling?” Charlie asked, Angel’s cheeks turning a shade of pink as he realized they had all seen him lose it.
“I-I mean, it wasn’t… awful.” Angel said as casually as he could muster, trying not to let them know he enjoyed it. The Princess of Hell let out a small squeak, sparkles in her eyes.
“We could do that for trust exercises!”
“Do… what?”
“Tickling!”
“I think it’s a wonderful idea!” All four of them were suddenly startled by Alastor’s presence, the Radio Demon apparently having been watching from wherever he had been. “After all, you’re never fully dressed without a smile!”
“Well that sounds like a big fucking riot, but I’m going to pass.” Husk said, already starting to back away despite how calm his voice sounded.
“I-I think Niffty got me enough for the day.” Angel began, also backing away.
Charlie, Vaggie, and Alastor were looking at them with mischievous smiles, coming closer toward the spider and cat. Husk tried to remain casual, like he wasn’t trying to run up to his room, while Angel held up all four of his hands pleadingly, a nervous smile already stretching onto his face.
“Ten~” The Radio Demon began.
Both Angel and Husk took off like two bats out of Hell, hearing Charlie’s excited giggles and Vaggie’s threatening teases as they ran. Soon enough, Alastor’s countdown was finished, both girls running after their targets. The Radio Demon twirled his microphone cane, before casually following along.
‘What an interesting venture this hotel is turning out to be.’ Alastor thought with a chuckle.
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batbabydamian · 5 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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sysig · 19 days
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An eye for a life, unquestionably worth it (Patreon)
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shepards-folly · 4 months
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shout out to the fellas who can’t help but assume everyone is mad at them if they even sound slightly upset (it’s me i’m the fellas)
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hoofpeet · 4 months
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I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough
#sorry i'm going to be excited about this comic for the next month#nofna#okay having finished this now--#and sorry if this doesn't make sense to anyone who's completely unfamiliar with this comic in advance-#the 'popcorn ending' (printed version) is nice to see but i think the web version hits harder. if that makes sense#so i'm kinda tied on which ending i 'prefer'- i think both are good though#also considering i've read the web version a good 4-5 times and the printed version only once- i probably can't make that judgement yet#easy answer- i do like Nutsedge :] so it's nice to see the ending where nothing bad happens to her#but also- NT suddenly becoming a greenie-esque villain out of nowhere felt a little jarring#as well as SV suddenly turning a corner and becoming a 'good guy' (arguable)- considering the first three books are about#/him being too stubborn to change or accept any outside worldviews . Him suddenly coming to his senses felt out of place#<- probably biased because i like characters being bitter to the end and ultimately destroyed by their own hubris#the web version is probably‚ objectively‚ a bit better#but -#(spoilers- if you're planning to drop ~70 bucks on getting these books)#the conceit of SV actually perfecting his style‚ using it once‚ and then immediately getting tooth-brained- was pretty cool#assuming it's meant to parallel him spending months tormented by trying to perfect it while something's still missing-#and then dying before he can narrate it to the audience‚ so that we never know what he figured out.#hard to articulate these thoughts but tl;dr- popcorn ending also had a lot to think about
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dylanconrique · 10 days
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they really weren't kidding about the rom-com vibes in this season.
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