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#sorry about that sir even though you are one of the main two characters i forgot to tag
moeblob · 1 year
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(inhales) I'm so sorry I love Schwarz von Lichtenstein Loengram. He's my son now and I'm terribly sorry but I love him so, so much.
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writer-komaru · 3 months
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Wild One’s Rodeo 𓃗
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Warning✧ [explicit] Grinding, no protection, dubcon.
Characters✧ Boothill
Words✧ 1464
Summary✧ As a waitress for one of the most popular bars in penacony, you’ve met your fair share of strange characters. A smug man adorned in exotic furs who tried making a bet with the bartender, a sparkling knight who gave every lady in the bar a rose without even staying for a drink, even an enigmatic woman carrying a purple katana with eyes like a serpent who sat alone at the end of the bar. But never have you met a man like Boothill. A man of steel and whiskey, tying you in hemp like you’re nothing but a naughty cow he’s gonna tame. Give him a rodeo he won’t forget.
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“Sorry for the wait, ma’am. Here’s your sundae,” you place a decked out desert in front of an impatient woman who snarls a crude thanks. You’d like to give her a good smack for making you fetch her four other deserts until she is finally satisfied but you had already been scolded two times already. You couldn’t afford to lose another job. Not in this “thriving” economy that had the lower class slaving away while the rich babbled over dozens of mugs of beer or road cars that sped down the busy streets like a comet streaking through the night sky.
You pushed away the unrealistic thoughts and got back to work. “What would ya like, sir?” “How can I help ya, ma’am?” “Would ya like a refill?” The thoughts buzzed and bounced around in your head like a hive of bees; it was beginning to drive ya mad. That was until they suddenly went dead silent.
You placed another tray of expensive alcohol (stuff you’d never dream of buying) onto the faded wooden counter when the doors of the bar flew open, almost splintering into pieces. A shot blasted out into the sky.
“YEEEEHAWW!! How’s all yall fiendin’ tonight?” He hollered out into the crowded bar catching everyone’s attention, including yours. Even though you’ve never seen this man before in your life, the guests erupted into cheers, some even standing up to greet him or share drinks. At Leary it gave you a few seconds to scope him out. He wore a tight, jet-black leather vest and pants, held up by a brown and heavy gold belt. Yet, that wasn’t the main thing that caught your eye. His vest appeared to be cut right above the nipples. But, strangely enough, he didn’t really have any. Instead, his entire upper body from the neck down to his feet and fingertips was entirely plated with titanium, or some similar shiny metal. Could he be some type of robo cowboy?
“Heyyyy little lady, whatcha doin’ on yer own?~” you gasped as he pushed you up against the counter, humming right against your ear with such a deep country accent you felt your legs tremble. He seemed to notice it too, his smirk stretching into a full on smile. “Oh my sweet darlin’, yer gonna fly away like a mayflower in May if ya keep trembling’ like that. Don’t worry babydoll, I got ya~” he chuckled with that rugged, sultry voice as he playfully stroked your hips, as if he was tinkering with some kind of machine, steadfast on fixing your loose legs. But his tinkering only wet your face ablaze.
Who even WAS this man?! You wanted to push him away and scold him but your hips were pinned so hard to the counter you could feel every inch he had. No, you can’t think such dirty thoughts about a guest, no matter how persuasive they were. And damn, was her persuasive.
“What’s with that look, darlin’? Scared I’ll bite?” Lets out a small laugh, “I might be gentle with it if ya say please, mister…~”
“P-please… mister.” you managed out breathlessly
“Awh, aren’t you a cute little lady~ why not we find out what these metal hands’a mine can do to those barrels yer hauling around, huh doll?~” his hands roamed up your body and gave your breasts a firm squeeze. That little move of his snapped you out of your lustful daze to deliver a fiery slap across his cheek.
He takes it like a champ and lets out a light whistle, “wow baby, you sting like hot iron~”
“Y-you can’t just jump on top of a stranger and have your way…” you cross your arms and turn around, peeking back at him to see his reaction. Any other waitress would have called the Bloodhounds of him. But you weren’t just any woman. You were dying for something actually interesting to your monotonous assembly-line ass job and this cowboy might be your ticket to freedom.
“Awwwhhh come on, doll face~ I ain’t mean no harm. When I saw yer curves dressed in that get up I knew I hadta show ya how to properly ride a bull~” he leans forward, taking your hand in his and kissing it with a flirtatious wink. He begins walking back to the door, your hand still in his, “if ya want some hands on learnin’, follow me, pretty thing.”
You immediately ripped off your stained waitress uniform and ran to his side, “Oh Boothill, I’ve been itching for this~”
“Have ya, now?~” he raised an eyebrow in amusement and pulled you into a nearby alleyway, “Well I know just the way to solve a pesky itch~”
“How will-“ before you could even finish your sentence he lifted both of your legs and swung them over his shoulders, your aching pussy pushed flush against his toned metallic abdomen. The hard surface sent electricity zapping through your wet folds; you were not sure if it was your desire or his robotic body sending out small shocks as if to warn you about the power it can showcase.
“Overwhelmed already?~ never been dicked down by a real man, have ya, darling?” He teases, stoking your flames.
“N-no, I have… m-many times…” you bluffed.
“You sure, babydoll? Cuz this cute little pussy down here’s singin’ a different tune and myyyy is it a sweeten’~” he bites his lip as he rubs his hips side to side, the hard as metal rod in his pants grinding against you so good you felt like cumming already and he wasn’t even inside yet.
“P-please….” You begged between gasps.
“Please what, doll?~” he smirked wickedly.
“P-please… p-ple… pl… ease….” You choked out each word, struggling to put them together.
“Two little words and I’ll stretch ya out so good your kitty’ll meow so loud they’ll call animal control,” he gave your chest another teasing squeeze.
“P-please… boothiiiiiilllll….” You cried out.
“That’s a good girl…~” his eyes narrowed with focus as he pushed aside your drenched panties and stroked your folds up and down.
“So sticky and wet… like a rich lil beehive overflowing with thick honey…” he once again rested his head on your shoulder as he aligned himself to your twitching pussy. Without so much as a warning, he rammed right inside, immediately hitting the deepest reaches of your womb, making you release an embarrassingly loud cry and a hot stream of cum all over his shiny abs. “Wowie…~ someone’s really been dying for a proper fucking, huh?” He gripped your hips tight and grunted as he attempted a deeper thrust, “I’ll milk this pretty hole for all its for.”
“Aaaaggh... nnnagggg… s-stop… n-no deep… we… aaACK!~” you choked out moan after moan, almost like you were a pent up teen again. No matter how much you begged, he only went faster and harder, with enough robotic accuracy and consistency you knew you’d be sore for days. It was like he filled each slap of skin with a silent promise to somehow, some way, get you pregnant.
He let out a particularly loud groan in your ear, “oh baby, if ya squeeze me like that… ohhhh doll…~ I just can’t take much more-a this.~ Ya ready? Ready for a real mess?”
“Y-yeah-ahh! Yeeaaaahhhh-Ahhh!” You cried out.
“Darn baby…. Oh… oh fu- f-fudge…. Hold on baby, I’m almost… oh darling, you’re perfect for me!~” with one last growl you feel a large burst of warm cum burst inside of you, dripping out onto the concrete of the secluded alleyway. But instead of giving himself even a moment’s rest, he bites his lip and shoves himself right back in, humping at you like a dog in heat.
“Shi-sugar baby, I just can’t stop breeding this pretty hole… And these massive tits here don’t make it any easier~” he gropes them a bit more before pinching your nipples with a naughty smile.
“A-aaagh!”
“Ohhh~ did someone like that~” he begins fucking you harder and licks your neck, “I didn’t know I had such a foxy lady under me~”
“P-pleasssseeeee boothill…”
“Don’t worry, sweetheart. I’ll get ya to that edge again…. And again and again and again, oh, you’ll have so much fun with me,” he laughed before delivering a cheeky bite to your neck. Your moans began to soften as your vision darkened, which he caught onto almost as fast as he’s drilling into you.
“I’ve got ya, doll… just let the darkness settle in.” He whispers with a soothing groan as he litters a series of bites along your neck and shoulder, each one fading your vision faster until it is purely black. When the morning comes, you’ll definitely get an ear full from your boss. That is…. If you choose to awake from this beautifully sexy daydream.
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Hellooo everyone, I’m so terribly sorry it’s been so long. My life’s gotten a whole lot busier and I haven’t had any inspiration to write in a very very long time. BUT!! Even though this ain’t much compared to my usual stuff, I hope it’s still enjoyable to you all. I love yall so much, looking back at all the kind comments and likes warms my heart more than anything. See yall soon! (I’d be down for a part two if yall like 👀)
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aspoonofsugar · 2 months
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do you think the song out for love says something about Camilla and veggie and to veggies character arc
Hi!
Yes, it does. I want to talk about Vaggie in other metas too, so in this analysis I will focus on her relationship with Carmilla, since this is what you are mainly asking about.
Before I start, though, I am gonna link to you this meta by @hamliet, where she talks about the main message of the song:
You're gonna fight without gloves And when that push comes to shove Yeah, you just might rise above Long as you're out for love
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If you love, you might rise above. So Vaggie, a fallen angel, regrows her wings by choosing love and protection over hate and revenge. The meaning is crystal clear. Love makes you worthy of Heaven. Just like in the finale Pentious ascends thanks to his selfless sacrifice.
This is the meaning of the song when it comes to theme and to the series as a whole.
At the same time it is not by chance this theme comes out so strongly in relation to Carmilla and Vaggie, as they are both tied to "love".
FAMILIAL LOVE AND ROMANTIC LOVE
Carmilla Carmine: So I, I'll be your keeper Do whatever it takes, I'll make the mistakes I'll keep you safe and keep this secret
Vaggie: So I, I'll be your armor Do whatever it takes, I'll make the mistakes I'll spend my life being your partner
Carmilla and Vaggie are set up as foils in episode 3, when they share the song Whatever It Takes. This ballad is a love song, but Carmilla and Vaggie express two different kinds of love:
Carmilla is singing to her daughters (familial)
Vaggie is singing to Charlie (romantic)
This is a pattern throughout the show:
There are two versions of More Than Anything - the first one is about a familial bond, whereas the second explores a romantic relationship
Sir Pentious gets redeemed after expressing his feelings for Cherri (romantic) and sacrificing himself for the Hotel Crew (familial)
So, Hazbin Hotel goes out of its way to celebrate all kinds of positive bonds: platonic, romantic, familial. All of these relationships are enriching and help people grow. Vaggie and Carmilla are two characters linked to this very concept, as they are ready to fight and suffer for their loved ones:
Both: Whatever we go through I know I~ (Carmilla: I'll be your keeper) (Vaggie: I'll be your armor) Whatever it takes (Carmilla: I'll make the mistakes) (Vaggie: I'll make the mistakes) Whatever it takes
They are both warriors, but fight for love. They are out for love. However, Whatever It Takes also highlights a major difference between them.
TRUST AND SELF-EXPRESSION
Scrambled Eggs is an episode about trust. This is true especially for Carmilla and Vaggie, who have opposite secrets:
Carmilla killed an angel
Vaggie is an angel
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Throughout the song the conflict between Heaven and Hell is mentioned by Carmilla and is present in subtext in Vaggie's stanza, as she looks at her old home.
Both are struggling under the pressure of these truths and are confronted by a loved one:
Zestial: Carmilla, what troubles thou? Losing thy composure is unlike thee. Carmilla Carmine: It's nothing, Zestial, really.
Charlie: Vaggie, don't say that! You do so much! It's- Vaggie: I'm sorry. I'd… I'd like to be alone for a minute.
Carmilla chooses to open up to Zestial and tells her daughters how much she loves them. Vaggie instead closes herself off and refuses Charlie's attempt to talk. She is singing to Charlie, but Charlie herself isn't present to hear her out. Even when it comes to their respective secrets...
Carmilla says hers in the song:
Carmilla Carmine: I always thought that I would keep blood off my face But when that thing attacked, I had to act To cross that line and keep them safe But if anyone knew, then all of Hell would rise to war And who's to say who'd survive the fray? I might lose the ones that I was killing for
Vaggie only alludes to hers in the lyrics:
Vaggie: When I saw your face You made me feel like a stranger in a brand new place And it felt so good to be understood But there's so much I wished that I could say
Vaggie meets Charlie and feels like a stranger in a brand new place because at the time she is in fact a stranger in a brand new place:
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So, Carmilla is able to express herself, while Vaggie can't. This isn't surprising, as Vaggie is basically a child-soldier:
Adam: Do you really think I wouldn't recognize one of my top girls just cuz you're out of uniform? You were on the front lines, I wouldn't forget a bad bitch like you. It's why I named you after the best thing ever. Vaggie.
She is brought up in Adam's army and is taught that love is conditional. She is one of Adam's best fighters, but the moment she makes a "mistake", she is discarded:
Lute: Sinful filth like you has no place in heaven.
This is why she feels Charlie will love her only if she is useful and never messes up:
Vaggie: I'm supposed to make your dreams a reality. I'm supposed to protect you. I'm supposed to never fail you. (...) If I can't help you, what's the point of me?
This fear of abandonement and rejection is also at the root of Vaggie's inability to tell Charlie about her past:
Adam: I guess I'll just tell little miss butterflies and rainbows that she's been fucking someone who's killed-- thousands of her people. I'm sure your relationship will be fine.
Still, despite her communication issues, Vaggie's heart is in the right place:
Rosie: If there's anything I've learned, it's that words are cheap, but actions, they speak the truth. So, what have her actions said?
Vaggie is a person of few words. This may be why she has less songs than other characters. Still, she lets her actions speak, so she is given a ballet lesson by a very talented ballerina:
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DANCING THROUGH LIFE
Carmilla has a ballet motif, as her outfit resembles that of a ballerina and her two daughters are called after protagonists of famous ballets. So, it is only natural that she teaches Vaggie a new way to fight through dancing.
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Vaggie was taught to fight with hate and anger. So, her fighting style is aggressive and focused on attack:
Carmilla: You leave yourself open with every swing. You fight like someone unafraid of harm, and this is what you'll take advantage of. Angels wield no shields, little armor and fight with reckless abandon.
Carmilla tells her she should instead dedicate herself to love, protection and defense:
Fuel yourself with the fear of losin' That somebody who's your reason to live Harnеss your heart and you can't help choosin' To fight with all you can give
Vaggie shouldn't just fight. She should dance:
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She shouldn't hate:
I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this
She should love:
Out for love~ Love~ Think of who you care about Protect them and be out For love~ Love~
Vaggie listens to these teachings and applies them in the finale, in two ways.
She sings her love for Charlie in More Than Anything Reprise:
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Vaggie: You've already done so much So many lives you've changed So many souls you've touched And in the end, if it's only me you've saved Charlie and Vaggie: There's something that I've been dying to say More than anything, more than anything Need you to know I love you more than anything More than anything
As stated above, Vaggie doesn't sing much in season 1, but in the final episode she gets a short moment to express how she feels to Charlie. This is in contrast to Whatever It Takes, where she sends her girlfriend away before she starts singing. More Than Anything Reprise shows Vaggie's progress when it comes to self-expression.
She follows Carmilla's advices while fighting
On a practical level she covers herself up in a battle suit inspired by Carmilla's outfit, she wears a harness on her heart and ties her hair:
Vaggie: I'm not used to fighting with long hair.
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On a thematic level she reveals her wings and defeats Lute, when the exorcist threathens Charlie:
Lute: So, I'll spare you the pain of seeing your demon bitch die.
And Vaggie eventually chooses not to kill the other angel:
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Lute: Do it, then. Correct your mistake. Vaggie: Seriously, you're pathetic, you know that? Ready to die rather than accepting mercy? No, live. Live knowing that you only do because I let you, the failure.
Vaggie is asked to choose between her hate for Lute and her love for Charlie and she chooses the latter. This is why the scene ends with Vaggie leaving Lute and flying to help Charlie. She is given the chance to get revenge, but doesn't take it. She is given the chance to hate, but she loves:
I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love
This is important in two ways:
1- The macrochosm - Vaggie refuses Lute's ideals and defies her expectations. For Lute it is normal that Vaggie is going to kill her. After all, Vaggie is discarded because she shows pity to a sinner, which makes her weak. Still, Vaggie bests Lute in a fight, so she is now strong. It is only obvious then that Vaggie has snapped out of her foolery and is ready to kill. She can correct her mistake. She did not kill the cannibal child, but she can kill Lute. This is how Lute understands the world. And yet, Vaggie doesn't finish her off. By doing so, she moves away from the mentality Lute embodies. She is strong precisely because she can show mercy. Adam is wrong. Lute is wrong. Vaggie isn't out for blood. She is out for love.
2- The microchosm - Vaggie sparing Lute isn't just the morally correct choice, but it is Vaggie's first step into healing:
Husk: (To Vaggie) This one. Judges everyone and everything because she hates herself.
Vaggie hates everyone because she deep down hates herself. She despises Heaven and Angels because she can't forgive her involvement in the exterminations. So, Vaggie hurting Lute would be Vaggie hurting her past self. As a matter of fact Lute is Vaggie's dark mirror. She is who Vaggie might become if she gives in to hate.
A person who hurts others:
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And herself:
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Vaggie instead has to value her life, so that she can protect others. She must save others and heal herself. Only in this way she can be by Charlie's side. She needs to let go of self-hate to embrace a healthy love. Vaggie's arc is her learning self-love through her bond with the Princess of Hell.
Obviously this journey is just at the beginning and our Angel of Love has a long way to go. How will her story contiue? We can make some hypothesis, which once again stem from Vaggie and Carmilla's foiling. This is just a theory, so take it with a grain of salt, but Vaggie may have a secondary personal antagonist in Hell:
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Why is that so? It's because Scrambled Eggs sets Vaggie and Velvette up as foils.
RESPECT(LESS)
Velvette and Vaggie are opposites in their interactions with Carmilla. Both girls are younger than the Dancer Overlord and could learn a lot from her. However, Velvette refuses any kind of mentorship and shows no respect:
Velvette: Mad that I acted respectless? Well, it's cause no one could respect this! You're long past trending! Sorry, bae, but I ain't swiping right! You've lost your relevance-
Vaggie instead comes to respect Carmilla and learns from her:
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At the same time, both Velvette and Vaggie confront Carmilla about her secret:
Velvette: 'Oops!' Did I strike a nerve? 'Cause when I brought out the angel's head, couldn't help but observe, that your wrinkled face was turning red! And why are you avoiding war? That's what the guns you sell are for! Thanks to my being respectless, one thing I'm starting to suspect is You know why this angel's headless! Do you have a disclosure?
Vaggie: I know what you did on extermination day. We can talk about it inside, or I can yell about it out here.
They call Carmilla out on killing an angel and keeping this knowledge to herself. Not only that, but both argue that it is necessary to fight back to stop the exterminations:
Velvette: We found it during Extermination day. If these Holy Rollers can be killed, the game has changed. We can take the fight to them. The boys and I have come up with a full assault plan!
Vaggie: Miss Carmine, I'm here on appointment from the princess to enlist your aid in the defense of hell from the angelic extermination. We know an angel fell at your hands and we need to know how.
Still, Velvette fails to get through to Carmilla because she uses war rhetoric:
Velvette: Oh, I get it. So Grandpa is too pussy to fight, so I guess there's no point, right? Oh, what's the matter, Fossil? Too senile to make a real power grab...
She speaks of violence, strength and power.
Vaggie instead convinces Carmilla to help because she mentions the necessity to fight for loved ones:
Vaggie: We didn't pick this fight, but it's here now. And they aren't going to stop with us. You didn't see the look on their leader's face. With us out of the way, it's only a matter of time before they come for the rest of you. They won't stop until all of hell is wiped out, so you can help us make a stand here together, or you can stand alone tomorrow.
She speaks of protection, love and comraderie.
In short, Vaggie succeeds where Velvette fails. Of course, this is true for Charlie's group in general when it comes to the Vees:
Vox: My dear people! We at VoxTek Enterprises have always been at the forefront of innovation. And now, with this new oncoming threat, we are shifting our focus, to your protection. We are pleased to announce VoxTek Angelic Security is coming soon! Trust us, with YOUR safety.
Katie Killjoy: Breaking news - Extermination day is cancelled! Charlie Morningstar managed to fend off the angelic attack with more than just nice words.
The Vees make big declarations of how they are gonna protect the people of Hell, but in the end it is Charlie and her friends who fight for the sinners.
When it comes to Vaggie and Velvette specifically, it is going to be interesting if their foiling is expanded. If so, then I guess Velvette is gonna help Vaggie mature a little bit more, so that when our ex exorcist faces Lute (her nemesis) again, she is gonna be ready for it.
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hongcherry · 6 months
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webisode: two || j.jk
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Jungkook speaks to you for the first time, and the outcome shocks him.
📸 Pairing: spiderman!Jungkook x girlfriend!Reader(afab)
📸 Rating/Genres/AUs: PG-15; fluff, strangers to lovers, SBaFL au, Marvel au
📸 Warnings: Bullying
📸 Word Count: 1k
📸 Timeline: Before Tangled Thoughts, Jungkook is not Spidey yet c:
📸 Author’s Note: This has been a long time coming! I'll try to work on more high school-related fics of this couple since a lot of you guys have been asking for them thru my SBaFL survey. I greatly appreciate all the great feedback I've gotten, whether through the form or on here directly! 💖
SBaFL masterpost | bts masterlist | main masterlist
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“Jeon! You’re late!”
Jungkook scrambles to grab the camera bag from its cabinet. There’s a thin layer of sweat on his body from having run from the library.
“I-I’m sorry, Mr. Jay! I got caught up with ho—”
“I don’t want excuses, Jeon. I want pictures!” he exasperates while pointing to the door. “The play starts in seven minutes. You better haul it before they shut the doors.”
“Y-yes sir,” Jungkook exclaims before rushing out of the room.
Jungkook sprints through the halls, dodging students left and right. He wouldn’t consider himself completely non-athletic. He’s not as clumsy as he looks, and he can run a decent length without getting tired. However, he’s still grouped with the “weaker” students. He blames his narrow frame. 
Jungkook’s a few feet away from the auditorium doors when he suddenly trips over something. His body slides across the tiles, and there’s a small crack as his face collides with the ground. His vision is paired with an annoying new line now that his glasses lenses are cracked.
There’s laughter behind him as he staggers back up. He doesn’t need to look back to know his fall wasn’t accidental.
“Awh, even he’s falling for you, Flash,” one of the students chuckles.
Jungkook glares at them. He wants to scold them, but the play is about to start.
“Are you speechless over my looks too, Jungpoop?” Flash smirks.
Jungkook rolls his eyes as he turns to rush toward the now-closing doors. He doesn’t have time for a pointless argument.
“Wait! Please!” he calls out.
The doors keep closing.
Jungkook pumps his legs faster and shoves his foot in the small gap. He curses mentally as the door crushes his foot. Pain shoots up his leg and instincts make him want to cradle it. Though, he pushes past those feelings and shimmies his way in.
“Excuse me, thank you,” he mumbles hurriedly even though the student worker doesn’t help him or say anything. They simply stare at him blankly—bored and unbothered.
Must be working for extra credit or something.
Jungkook takes a seat in the back while he pulls out the camera. He messes with the settings for a bit before taking a test shot. However, he fails to remember the flash is on due to the dark setting.
Heads turn to glare at him at the sudden burst of light.
“Sorry! Sorry!” he whispers loudly and quickly turns the flash off.
“Dammit,” he huffs to himself as he readjusts his settings.
The house lights dim and music begins to play over the speakers.
Looks like he made it just in time.
He puts his student worker lanyard and the camera’s strap around his neck. Time to get to work.
He carefully descends the aisle, getting closer to the stage.
“Stop right there!”
Jungkook halts in his movements, glancing around to see who said that. Then he realizes it was someone from the play.
Jungkook’s gaze drifts to the stage and his heart stops.
It’s you.
Yn.
You’re the lead?
Jungkook watches you perform, amazed by your talent. You’re embodying your character well.
He had no idea you were going to be on stage.
He mainly knows you from class, but he’s also seen you in the halls occasionally. Your bright personality caught his attention, along with others. You’re not the most popular, but you’re definitely not a shadow either.
He’s never talked to you and doubts you even know who he is.
Jungkook has always thought you were pretty. Though, not only that, you were also top of the class. Brains and beauty.
And now, you’re a great actress? He wonders what you can’t do.
Once Jungkook finally snaps out of his surprise, he begins capturing photos. He moves to and fro of the stage, getting different angles. He finds a spot that provides a good view and makes a home there. He watches the play with rapt attention, taking a few pictures during interesting scenes.
Before he knows it, the play is over and everyone is taking a bow.
The house lights turn on and people start filing out of the auditorium.
Jungkook grabs his belongings and then follows the stream of others. He spots you in the corner surrounded by a handful of people.
People you seem unfamiliar with come and praise you, and as always, you give them your dashing smile.
Jungkook adjusts his camera settings and after a deep breath, makes his way toward you.
“Excuse me, Yn,” Jungkook hesitantly calls out.
You turn from your group of supporters. Your eyes shine so brightly that Jungkook feels his breath get stuck in his throat.
“Yes?” you respond politely.
Jungkook blinks rapidly. “I-I’m with the school’s newspaper. Can I get a p-photo of you?”
You smile and nod, then point to the flowers in your hands. “Should I give these to someone?”
Jungkook shakes his head quickly. “No, it’s okay. You look pretty with them.”
You raise an eyebrow at his comment, and it’s then Jungkook registers what he has said.
“I-I mean they look pretty! They’re nice flowers,” he corrects hurriedly.
You giggle. “They are.”
Jungkook nods but doesn’t say anything.
“Where should I stand?” you ask after a few awkward silent seconds.
“Oh! Over here is fine,” Jungkook points to a blank wall.
You move to stand in front of the wall and hold up the flowers. Tilting your head, you smile at Jungkook.
Jungkook’s heart is beating quickly as he snaps a few pictures. He just hoped his hands were stable enough; Mr. Jay will be more mad at him if his pictures turn out to be crap.
“Thank you,” Jungkook says.
You start walking slowly backward toward your friends and family.
“Anytime… Jungkook, right?” you question.
Jungkook nearly drops the camera at his name from your mouth. You know his name?”
“Y-yeah. You k-know me?” he stutters pathetically.
You smile kindly. “Of course. You’re the awesome photographer for our school’s paper,” you gesture to the camera.
“And,” you continue, “you’re in my chemistry class. You always get the questions correct.”
“R-right.”
Jungkook’s too stunned to say anything. He didn’t expect you to remember his name. After all, he’s never really spoken to you, let alone told you his name directly.
“I hope you liked the show. I’ll see you Monday,” you say with a wave, then turn away.
Jungkook’s delayed wave goes unnoticed, but he’s too amazed you know his name to care.
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A/N: Has anyone seen/played the new Spidey game? It's so amazing!!! I loved it so much! I'm also a big Venom fan 🤭
©️hongcherry // DO NOT REPOST OR MODIFY Please consider reblogging if you liked this work to show your support. Feedback/commentary is always welcomed.
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calliope-does-things · 4 months
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Little Alastor Character Analysis
(Also sorry there's no visuals to further my point, I only have prime on my TV and I don't have the time to get it from the internet as of now (Though I may get some later when I get the chance!))
Okay so a lot of people are comparing Alastor to Val after that one scene in episode 5.
But like it's stupid to compare those two in even the slightest way, let me explain why before you start attacking me.
Alastor is someone who we know dislikes physical contact, at least when it's not initiated by him. Because of this he's obviously not going to like physically fighting people, at least not close range.
Proof of this when he fights Sir Pentious, he always keeps his distance.
[The only time we see him NOT keep a distance while fighting is when he's defending the hotel, which is a project he's put a lot of time and effort into keeping upright. Not to mention he said himself he wanted to blow off some steam (Though while I don't belive he was nessisarily lying, I don't think that was the complete truth) It's also worth mentioning that even during this fight he's somewhat keeping his distance and the only reason he's doing this is to example his strength so he can, and I quote, "...show everyone not to mess with the Radio Demon!" ]
More proof of this is the fact that he LOVES verbally fighting people. Like in litterally every song he's in he butts into another person's song and tries to be the one to finish the song.
He clearly does this with Vox, and obviously attempts with Lucifer (Though he was interupted by the raid)
While he and Vox were fighting [ I'd like to think that Vox spent all of those 7 years coming up with those insults to try and get to Al ] he very clearly is improving his comebacks, and quite well might I add!
Did you see his expressions when he could tell he was getting to Vox and clearly winning?
That man was enjoying it. He loved being able to one up people on a whim.
And while he struggled a bit more with Lucifer (Mostly because Lucifer wasn't nessicarily trying to retaliate to Al but trying to interupt him and basically drown him out, which Al isn't used to people doing and dislikes it, mainly because I imagine he sees it as improper and impolite) He clearly liked pushing Luci's buttons. [ We can see that at the 'call me Dad' jab ]
SO (sorry kinda went off on a tangent (though it's still evidence so it kinda works)) BACK TO WHAT I WAS SAYING
Alastor enjoys verbally fighting people. And he enjoys watching peoples reactions to the situations he puts them in. [ *cough cough* the pilot episode towards Husk*cough cough* ]
He obviously going to let a lot of 'disrespect' towards him slide, because that's the reaction he wanted.
There are a few reasons I think he attacked Husk like that.
Number one being the fact that he was already irritated with Lucifer from beforhand when Luci kept interupting him and being impolite/improper.
Number two being the fact that Husk kinda said some things to Al without Alastor himself initiating the conflict.
I mean yes he definately was pushing all of Husk's wrong buttons after Husk 'questioned his judgement'.
Not to mention he's not used to people being able to find out what pushes his own buttons as he's usually the one to do that to other people.
Just to be clear I am not defending Alator's actions in any way! No one should react to anything in that way, buttons pushed or not.
Back to why I even started this in the first place! Alastor and Val aren't alike at all!
One of the main things about Val's abuse is it's mainly physical. He often assaults and harrases his employees and overall enjoys more physical means of doing things. [ ex: him wanting to go to the Hotel in person to 'teach them a lesson' (albeit with a mid-long ranged weapon) ]
But Val enjoys watching people be in pain because of what he's done to them. Almost all of the ways he abuses Angel is physical, even in episode 6. He doesn't so much as say anything harmful ( Yes I'm aware that sometimes he does, but we're looking at what he mostly uses in his abuse) so much as tell Angel that there will be physical consequences to his actions the next day. He's threatening him with future physical abuse, not really finding ways to emotionally abuse him (other than the fact that he knows Angel dislikes and fears the physical abuse)
In conclusion, Alastor and Valentino are vastly different characters and the only thing they have in common is the fact that they're abusive to their, for lack of a better word, employees. Though it is still worth mentioning that they differ even in the ways that they abuse them!
They are both abusive in their own prefered ways and I hate them for it. And I should! That's good writing right there! You should dislike a character for being horrible to other people, dispite their reasons behind it. While yes some characters in other medias are horrible, I almost never agree with there actions nor aprove of them, though I do understand their reasons for taking those actions (ex: often they were abused themselves when they were younger, or they think that behaviour is okay because of how they were raised, or they feel forced, etc...)
Thank you for coming to my TedTalk :)
- xXCALLIOPEXx <3
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disastress-i-guess · 1 month
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Ranking the Psichikers based on drawability instead of doing my homework. By drawability I mean how closely I can draw them to canon design btw. Criteria is:
1. Do I need a reference to draw this character?
If I do not need a reference = +1
Sometimes I need it= 0.5
If I do need a reference = 0
2. Are they fun to draw?
Yes = +1
Some parts are fun = +0.5
Not at all = 0
3. Do I want to draw them often?
ALL THE TIME = +1
Frequently = +0.75
Sometimes = +0.5
Not very much = +0.25
Never I only draw them when I have to = 0
4. Can I be creative with this character?
Yes = +1
Sometimes= 0.5
No = 0
That is four questions! Exactly the number of PSIkickers, what a coincidence! Totally not planned at all!
Ranking begins:
4. Reita Toritsuka (1.75/4)
Sorry tori. I need a reference for his hair pretty much everytime I draw him, which to be fair is so far like 4 times in total. Honestly I have a love-hate relationship with his headband because on the one hand, it's kinda iconic, on the other it's fucking horrendous I'm sorry.
Moving on from the hair, the most fun I have with drawing him would be his uniform (I like the rosary beads and Geta) and his face since he's an expressive character so I get to do a lot of fun stuff with that ( this technically does not count since it's not a part of the design but his points are already kinda low, I felt generous).
Lastly, no, I don't really have many "creative" ideas with him, I had maybe 3 but I never really felt passionate enough to finish them I'm sorry.
2. Mikoto Aiura (2/4)
This feels way too low but I can't really break the rules.
I do need to use references to draw her everytime I do ( which I think is...1 time? That is criminally low what the fuck am I doing) mainly due to her hair, speaking of which, I LOVE HER HAIR I LOVE HER NAILS I LOVE HER EYES I LOVE HER!!!! She is so fun to draw and it's so fucking nice to have a character with some fucking MELANIN OMG HER SKIN I AJDBDJ SHADING TANNED/DARK SKIN IS SO FUN WHY DONT I DO IT MORE OFTEN. This doesn't count since it's supposed to be about their canon design but there are so many outfits you can put her in it's crazy!!! I think it's mainly because she's kinda the only one with an aesthetic idk.
I WANNA DRAW HER ALL THE TIME I JUST DONT FOR SOME REASON WHAT IS WRONG WITH ME!??? Off topic I do not draw any of the female characters that often even though I regularly lose my mind thinking about them what's up with that?
Do I get to be creative with her? Not really but that's not her fault that's on me, she's perf I'm just uncreative that's all.
So sadly this is her rank. ATM anyway I'll draw her so often after this trust.
2. Saiki Kusuo (2/4)
He scored 0.5 on everything... How!??? Last I checked he is not Satoru Hiroshi.
Main reason I need a reference is due to the hair which for the most part is a bunch of zig zags and so I don't need it that often.
He is fun to draw, mainly his eyes they are very pretty. I do want to draw him often, I doodle him a lot. I think it's the limiters and glasses. I don't have to worry about him looking accurate cuz if you throw the limiters and glasses on it immediately looks like saiki so Im not that scared about drawing him.
Fun fact a lot of times when I'm drawing him he ends up looking like Kuboyasu. Until I put limiters on. Then all of a sudden it's saiki! Amazing! Chouno Uryoku who?
I guess I'm somewhat creative with him? I have a few ideas laying around, one or two animatics, maybe a fic and a couple crossover fanart ideas. Dunno if I'll ever get around to doing it though.
1. Akechi Touma (3/4)
I SO BADLY WANNA GIVE HIM A 4/4 MAN.
No I do not need a reference I drew him once and then his hair and face were ingrained into my long term memory for eternity in fact i remember it so well I subconsciously gave it to an OC.
Is he fun to draw? FUCK YEAH HE IS. Hair was the problem for all the other characters but not this one, no sir! because THIS MOTHERFUCKER HAS THE HAIR THAT GIVES ME GENDER EUPHORIA. It was my first 'boy' hair cut and I love how androgynous it made me look so looking at him gives me pure joy. And his eyes GOD I LOVE HIS BIG PURPLE EYES SJDIEBD.
I used to want to draw him all the time but I've drawn him too frequently so I need to take a small (miniscule really) break so I can continue liking it. Maybe that'll give me time to draw more Aiura. Anyways I gave him 0.75 on that part but that's entirely my fault for over drawing him. He did no wrong I take the blame.
Can I be creative with him? No not really since just drawing him covered in blood and/or eating sweets does not count as creative in this criteria. But I do have many ideas of just putting him in other universes and meeting my other favs and then the two of them ramble about an interest of choice and are just get to talk talk talk and talk I love them I love their yapping onjdhdiehd and I have a couple of animatic ideas I may never finish. GOD I LOVE HIM SO MUCH HE HAS A 4/4 IN MY HEART.
Oh god it's 1:22 am I should finish this homework.
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acourtofthought · 1 year
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Hi, how are you? Sorry, I'm popping in here to rant away a bit.
I just really don't get why people want to read a story about a rejected bond?? They find the mates trope boring - but the 3 sisters+3 brothers thing not? If the mates trope is not for you, maybe don't read SJM books? Because in her universe, mates are the ultimate HEA.
I certainly don't want to read about Lucien and Az going through the pain and suffering of their bond being rejected. It would be the most miserable book in existence.
But ofc, this is the only way that a certain ship would work, so they cling to that one scene where Feysand discussed the mating bond and call it foreshadowing. I personally don't think Sarah wrote that to foreshadow a bond rejection, certainly not for the main characters, but it was important to understand for the readers that even if there is a mating bond, there is still choice.
The mating bond did not force Feyre to give Rhys a chance and eventually fall for him, same with Nesta and Cassian. Even though the males were aware of the bond.
They-who-must-not-be-named are so loud advocating for Elain's choices, yet they still ship her with a male that wants to coddle her despite her wishes and speaks on her behalf. Oh and what about her choice of giving back the necklace? She never gave back Lucien's gifts or Graysen's ring. She basically rejected him and I really don't see Az seeking her out after this to f/ck secretly.
The thing about Elucien is, short of declaring publicly 'I reject you now good sir', in my opinion they pretty much doing the bond rejection right now. It's been two years - they made zero progress in getting to know each other, they live far away from each other, trying to do their own thing. Yes we see the longing on Lucien, as it is harder on the males, but he still respects Elain and tries to give her space. The bond clearly does not force them to be together. So if Elain decides she gives Lucien a chance eventually, that will be because she chooses to do so. And this is where the choice thing comes in with mates.
I also feel like the Vassien ship is a byproduct of that ship, because they know if A+E were to become a thing, Lucien will basically go into the trash. So they try to justify it with 'but look he is sooo into Vassa he spoke this 3 sentences about her!!' which for me is absolutely ridiculous.
Another point conveniently forgotten, that not just Elucien needs to reject their bond if they want their ship to work, but also Azriel and Gwyn his future mate, and based on what we know about Azriel so far, I really don't see that happening. He wants the mating bond like his brothers.
I'm also fed up about the claims how this forbidden love would be such an epic love story. Firstly, this is not even forbidden love, because it would only take like 2 conversations to resolve the whole situation. If Rhys would feel they genuinely want to be together, he would do everything in his power to sort things out. And if you take into consideration Az's past and traumas, forbidden love would be the most harmful thing for him. It would take a huge toll on his mental health. He has so many issues and love alone will not able to heal them. I think his journey will be a dark one, much like Nesta's.
So if part of this fandom thinks Az's book will be him and Elain dodging the IC left and right and f/ck secretly, they will be in for a surprise...
Thank you for coming to my TED talk, it was sponsored by annoying instagram comments.
TED talks are always welcome 😁
I have to agree. A bond rejection would be so pointless and uninspired.
"Lucien, I don't want to be with you and I'm freeing you of our bond".
"Alright, I will respect your wishes".
That would be it. Despite what E/riels try to force as the narrative, Lucien has never pushed Elain to make a decision about the bond. He respects that he believes she wants nothing to do with him and stays away as a result, only coming around on holidays or when Rhys and Feyre invite him (considering he does work for the NC).
A rejected Elucien bond would look a lot like it currently does so what was the point of making them mates in the first place? In a novel, there's no point in adding something to the story just to prove it's a possibility when it doesn't actually add to the plot. How does a rejected Elucien mating bond really add to the plot in a meaningful way especially when we've never seen them try to interact with one another to prove they are not well matched?
If Elain and Lucien were spending time together and we could see that he was mistreating her or that they were poorly matched then we could understand why their bond didn't work and that they at least gave it consideration. But you don't give two main characters a bond in book 2, set it up so Elain isn't over the fiancé that left her (so she's not ready to address the bond), set it up so her sisters prevented them from interacting (so she can't address the bond), set it up that Elain first decides to have a rebound (which is all it can be since Az confirms they don't talk or see one another and this creates yet another roadblock for her not to deal with the bond) only to never have her talk to Lucien about their bond and reject it outright. We know she still has trauma so that's just adding to why she's not ready to deal with her bond or have a real conversation with him or her to know him. Just because Rhys's parents weren't matched (which they only figured out after getting together and the reason for that was because he was a cold, vicious man while she was soft and fiery) doesn't mean Elucien won't be and they definitely won't know for sure unless they try. SJM set up a bond between two heterosexual (in this scenario) main characters which in the authors words is the pinnacle of romance (if it turns out to be a soul mated bond) and if she's not going to attempt to explore what exists between them, what was the point? There are so many emotions that anyone with a bond is going to be feeling and for it to fizzle out without having them interact seems like such a waste. There's no tension in that, no raw emotion. (I added the heterosexual aspect because if there is any chance that Mor, a main character, was given a bond with a male, there would be a valid reason for a bond rejection because it wouldn't matter how special of a connection it was, the male could never be her ideal of peak romance. Same sex mating bonds are a possibility but as it stands, we haven't gotten hints that Mor has a bond with a female).
The fact that she's kept them apart for so long should be a hint to readers that she's building up to something big for them and having Feyre suggest "why make them mates?" in ACOWAR seems like an obvious misdirection to keep us wondering if they will get together rather than having it be so obvious. SJM is creating tension and uncertainty and that all makes sense if you want to be a good storyteller.
SJM didn't have Rhys casually slip in that Mates will always feel drawn to one another even if they reject the bond for no reason and that fact trumps Feyre wondering how the mating system works (especially when we know she doesn't grasp who Elain is or what she wants. Her reasons in questioning E/riel is based on them sitting quietly together and "how handsome they'd be" which are extremely shallow reasons. Knowing that even if you end up with someone else but you'll always be thinking of "the other guy" isn't all that romantic in a romance series.
There is not 4 books of buildup for E/riel. There is 4 books of buildup for an Elucien "will they or won't they?" accept their bond which was one of the MAJOR reveals in book 2 (not Az smiling politely at Elain, talking about how he and Cassian can fly while he stared at Mor's back with hunger elsewhere in the series) that we have yet to address and we've never really seen Elucien interact on a consistent scale. SJM didn't drop that bomb on readers then create the tension between Elucien after multiple books just to have them shake hands and walk away and she definitely didn't continue drawing attention to their similarities, changing Lucien's father to the High Lord of Day when we know Elain needs "Sunshine" for them to continue ignoring one another and not eventually realize how well matched they are (and nothing like Rhys's parents).
And you remind us of a good point. If Elain and Az would get together, that means there's a chance he finds his own mate someday (possibly Gwyn) and that means two characters would be together while always feeling drawn to others. I'm fairly positive none of us would want to marry someone in real life knowing our spouse feels a stronger pull to another at times.
Like you said, Fated Mates is a trope and when an author writes that trope it shouldn't be that surprising when their main characters end up with what they have decreed as the greatest possible love someone can be given.
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Scar anon again I'm so sorry for sending consecutive asks but mashima really made the coolest dude + team ever (laxus n the raijinshuu in case it wasn't obvious) and then refused to elaborate like???good sir I would have paid for a full series of Them?? The raijinshuu are so criminally underutilised like I want to know their backstories!! I want to know how they came to join fairy tail!!! I start frothing at the mouth everytime I think about how mashima did the raijinshuu so dirty esp during the Tartarus arc ;- ; anyways sorry for the rant it's like 4 am and I'm having many Thoughts ok that's all from me for real this time 👍🏼 peace!
Everything after Tartarus is my villain origin story lol, not even joking. It's so messy.
Im not singing praises for everything before it ofc there was some jank from beginning to gmg but after tartarus' end the story and characterization really seemed to start coming apart at the seams and it really tanked everything even though at that stage mashima's art was 10/10. Which is a shame bcus tartarus really was a step in the right direction tonally but it just stopped right there. Copped a massive W then tossed it out for consecutive L's.
But yea man! Laxus and his squad! Laxus will forever be a sorta sore spot for me because of the dropped Dreyar family plot thread. The whole dealio with Ivan, Makarov sending Gajeel to spy on him, Laxus' lone adventures. It really could've culminated in either a small side arc or a B-plot of an already existing arc
(I personally would add it into Tenrou. Take Gajeel off tenrou to have him doin his spy gig, accidentally meet up with Laxus during that, plot details regarding the dreyar family happen all while the events of tenrou go down. The duo gets wind of Grimoire Heart heading to tenrou from Raven Tail due to all dark guilds sharing info. The duo head over to tenrou post haste and allowing gajeel to carry out the iconic gajevy moment where he saves her and justifying why Laxus ended up on Tenrou instead of just randomly showing up at the nick of time. But alas, details lol)
Thunder Legion's always been interesting to me though. I'll admit i dont think about them often but they are a pretty unique squad with varying personalities across the board that, on paper, you probs wouldn't expect em to be friends, let alone friends that close and loyal to one another.
Their magics are also a main point of interest because it really is so out there. Freed in essence has an upgraded solid script (plus those unused transformations the beast lookin one from fantasia and the more streamlined one from tenrou), Evergreen has the petrification magic (alongside her main magic with the energy attacks) and Bickslow? Soul manipulation? That can't be legal man. The magic system in FT is really underexplained and has a anything goes sorta deal (hello summoning gods) but man, i would've loved something there for these 3- power limits or drawbacks, how it works, whether its magic they naturally manifested or learned or both. Something along those lines.
And while i don't think a backstory would've been necessary for them per se, because at the end of the day they still are side characters so relevancy of the information learned throughout the story dictates how much is really needed to be known and this extends to learning about how they joined the guild as well (i personally think they all joined as adults tbh. I know a lotta peeps like to think of em as a teen friendship squad but i really prefer it they were an adult friend group. Having a friendship that strong forming in their 20s feels right to me), but i think even a one line or 2 regarding their pasts could come up in conversation for that information to come up naturally.
Like for eg. Freed gives off rich kid energy, so perhaps he's a runaway rich kid like herself but not from Fiore, that could be revealed in a convo with Lucy at some point to strike common ground between the two. Evergreen feels like an orphaned soul turned away (i personally think she gives off Jessie from pokemon vibes) by others a lot so why not a kinship with her and Juvia or even Mirajane? Bickslow the wild card could spout jokes about his acrobatic skills he learned from being a street performer, just something. They're not perfect concepts no, but they're little ways the characters could've been given even a scrap of info to help learn more about em.
Also uhhhh, it always threw me off that they weren't all S-class wizards so i think it would've been cooler if they were a whole squad of s class wizards who attempted a guild coup instead of just 1 s class and his homies. Aight byeeeeee.
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oh i have been tagged in a thing. ty @yugonostalgia2019. time to overshare
3 ships: Hmmmm ok I gotta list Taylor x Lisa, their dynamic makes me go absolutely feral without fail. Honestly I don't even need them as a ship I just love how horrible and amazing they are for each other. I am limiting myself to one Worm ship here, despite how much it pains me, but I shall provide brief descriptions for the other ships for the people who don't know the non-worm stuff here. Marina x Pearl from Splatoon are so damn cute and I adore them. Nepotism baby punk soundcloud rapper x runaway genius former child soldier military engineer is honestly just 10/10, and they're just so good! I swear to god if the DLC doesn't have a 20 minute cutscene of lesbian cephalopod kissing I'll riot. Splatoon is my biggest fandom besides Worm which is kind of hilarious to me considering the sharp difference in tone. Third ship... hmmm, The Doctor x River Song. I just think it's genuinely such a sweet concept and wonderfully executed, two time travelers who are in love but keep meeting each other in the wrong order so their experiences and knowledge of the other don't match up is tragic and great and I nearly cried at their final episode. Honestly just been a River Song fan forever too, she's eternally my transition goals.
First ever ship: Ohhhhh gosh this one is lame. Back when I was a wee lass in middle school browsing FF.net endlessly, my main fandoms were Pokemon and Super Smash Bros. I flat out didn't realize that you could ship anything except a man and a woman because like, no one told me, and I kinda was just not a fan of romance because I thought it was always forced in stories (I was right about that tho). But then I read a Smash Bros fanfic that had Lucina and Palutena shipped and I was just like... damn, women can kiss? That sounds so cool. Shame I can never do that. And so I read the shockingly large number of fics shipping those two because it was the only wlw ship I knew existed.
Last song: I don't actually listen to music that much. Last song is uhhh... the Monster Sanctuary PVP Theme I guess due to playing Monster Sanctuary PVP. If we're talking actual music, I think my sister forced me to listen to some Taylor Swift song recently? Idk what it was but I think the album was called 1984.
Last movie: I also don't watch movies much! Uhhhhhhhhh I think it was Sharknado 3: Oh Hell No. Might have been a different one? The Sharknado movie that ends with them crashing down to Earth inside of a shark after fighting them off from a satellite and one of the characters gives birth while coming down inside the shark and the baby cuts its way out with a chainsaw before the mom gets crushed by falling debris. Sorry for spoiling, I know everyone was really looking forward to watching Sharknado 3.
Currently reading: Making my way through the Snapshots series of Splatoon fics which are so fucking good. For published stories though, Sir Gawain and the Green Knight for a class. Thinking about rereading Worm and posting about it but I gotta beat the Lakesbian copy allegations.
Currently watching: I'm don't really watch anything when I'm on my own, I prefer to read in almost all situations. When I go home though, I watch One Piece with my sister because it is nice to spend time with her and she's very passionate about the show.
Currently consuming: Nerds Gummy Clusters. I regret every bite but I bought this shitty bag of candy so I gotta finish it. Fuck these are terrible.
Currently craving: Mini Chewy Sweettarts. They're my favorite candy and I have a massive sweet tooth so I've been craving them, but I swear every single damn store in a mile radius stopped stocking them and is now selling "Sweettart gummies" or "Sweettart chewy fusions" or "Sweettart ropes" or "Sweettart rope bites" and that is not what I desire! Where is my delicious mouth hurting candy ;-;
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katatonicimpression · 2 months
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So, this web series has so far been one long storyline by Derek Landy (now, officially on the shit list), with a few different artists: Marcio Fiorito, Phillip Sevy & Davide Tinto. The colourists were Erick Arciniega at first, and then Fer Sifuentes-Sujo took over. The final chunk of this series is essentially alternating between Fiorito and Tinto.
So, lets talk about the art first.
You would not have guessed that the colourist was the same each week, given how Fiorito's Wanda looked a helluva lot whiter than Tinto's.
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Honestly Fiorito's art was just not great. Sorry but it had a lot of pretty rough moments:
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Although a few nicer bits here and there. I liked this Sam, for example:
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Honestly it feels like it was produced under rushed circumstances.
I actually made an edit of Sevy's Wanda, and yeah I think he did better than the other two.
But, by far the funniest part of the whole thing is how Fiorito would draw Sam clean shaven (which is, imo, correct for 616 Sam) and Tinto would draw him with a beard. And not even a good beard. So, Sam would be starting a conversation with no beard and ending it with one. Staggering. How does this happen? I'd like to imagine that both artists knew this was a thing but were each too stubborn to change.
The Plot:
I don't care it was fine whatever. Purple space aliens.
The Sam:
Early on in this saga, Sam gets the shit beaten out of him by one of the extra tough aliens (a Fear Teacher). This goes on for a really long time. Seriously, you're just scrolling and scrolling for pages watching him get brutalised.
Now, this is pretty bad. In general, I actually have a fairly high tolerance for violence in fiction, and, in general, I am often the one saying (or at least thinking) "stop complaining about bad things happening to characters you like. it's part of the story, it will lead somewhere" so hopefully it's clear that when I say this felt like too much, I really do mean something by it. The proportion of the comic taken up with this was way too high, even if it had paid off in some narrative way.
It didn't, though.
Both during the beatdown and a few times in the subsequent issues, we get dialogue about how Sam is a less formidable fighter than the other avengers. How he's just some guy and doesn't stack up to them. How he and t'challa can't breathe in space (and, like, neither can Tony but go off). It feels very deliberate and honestly kind of tiring, but you would think it was leading to something, right?
Why put this extensive beat down and all this dialogue about Sam's supposed inferiority into the comic if you're not building to something?
The obvious thing to think here is that this story is set in 616, so Sam is absolutely not just some human dude with no powers. He has telepathic powers. He is very much a special little guy. So, you might think that this was how this was going to pay off. That he'd use his abilities in some unexpected way, showing his worth even if he doesn't shoot lasers.
That doesn't happen, though. I don't think Landy knows that Sam isn't human.
The other option, and what I think (very charitably) Landy was trying to do, was show Sam being Mr Diplomat, and talking to the aliens and that's how he's useful. He gets healed in a magical space healing tube for a bit, then is the main guy who talks to the aliens throughout. There are two problems with this.
The first problem is that Landy's Sam just feels like Steve. And not even a good Steve, like, a very bland version of Steve. Sam's personality is not present when he's talking to the aliens. He's all "sir" and "ma'am" and this very formal "military guy being diplomatic" thing, and that is not 616 Sam. He's a talker, yes. He's empathetic and willing to hear people out, but he's not a soldier, he's not a politician or a diplomat or anything like that. And he's funnier, more brazen. He'd be willing to insult the aliens on purpose, is my point. Landy is hardly the first writer to deliver the blandest possible mischaracterisation of Sam, but it's annoying every time and I think we tolerate it too much.
The second problem, is that Landy does not seem willing to commit to actually having Sam succeed. Sam's job is to be the guy who talks politics to the aliens. Unless it's an important moment or a cool, righteous hero line, then Carol has to say it.
Seriously, that's what happens. Sam's function is to provide exposition, and to vaguely endanger himself in ways that have no consequence. Then, he steps aside to let Carol deliver any and all important dialogue including righteous political shit that surely, surely, you would give to the literal captain america character? No?
So, if the intent was to resolve this by saying Sam adds value through his "talking to people about politics and idealism" skills, then that intention never made it to the final page.
No, what we get is a story that emphasises how much the writer thinks Sam is useless and is worse than everyone else. He just says it over and over again and has an alien beat the shit out of him.
Right at the end of the penultimate issue, Sam comes face to face with a Fear Teacher (I believe the same one who nearly killed him). You would have thought that this would prompt a second fight between them, this time Sam wins, showing that he is, in fact, an impressive super hero in his own right. But no. Instead, in the final issue we cut to Sam already fleeing down a corridor away from the guy.
You guys I'm so mad about this and it's literally just a dumb online mini comic wtf
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sourlemonsz · 2 months
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Just finished Midnight Mass (Spoilers!) Be warned this is going to be a very long post sorry to the 2 people that read all of it :[]
And wowie that was definitely an experience to behold. I wanna say that I love the idea that a priest so deep in his faith (and selfishness) would take a damn vampire to his hometown to "save" them. I would say that slowburn would honestly be an understatement lol, that was probably one of the slowest shows I've ever seen, and that's not always a bad thing! Some things take longer to develop and I respect and love that, but if someone had warned me of the dialogue heaviness of each episode I probably wouldn't have started it lmao.
And coming from someone who is not religious in any sense of the word, I got really irritated by the god speak. I'll just say this, if you took a shot for everytime they said "god" in an episode, you'd be sent off to the hospital with alcohol poisoning, though I think that's more of me a problem more than anything. To my untrained ears all of the speeches and god talk went right through one ear and out the other, to my dad who grew up religious explained to me the complexities of what they were saying, and I realized I was just missing a lot of context.
Now, my main problem with the show was that it's marketed as a horror show, and that's what I came for, but all I got was sort of scary moments. While I do think the reveal of the "angel" Monsignor found was excellently done, one of my favorite scenes, just seeing his little bitty eyes in the darkness was wonderful. But the show just wasn't a horror show and I really wished it leaned heavier into the horror elements it did have. While the first two episodes had blink and you'll miss it moments, I wished it stayed just that, no sudden noise or music that'll tell people that they had missed something.
With the sleepy town surroundings, I wish the "angel" had no jumpscare noises, and to the people who would have caught it on their first watch, I think it would've been much creepier and scarier, and to those who wouldn't have caught it, I would hope they felt unnerved that they were being watched and didn't even realize it. I guess what I was looking for was that quiet horror, and I think it would've fit amazingly in this show, but it just didn't take the steps to be one.
Also Riley, the only foil of a character in the show, the only character who wasn't religious and said so, I miss you so much sir, I need you back because I'm scared of all these religious people ohmygof. I didn't love or hate Riley, he was just (to me at least) a foil to every single person on that island, and the scenes with him and Monsignor were pretty well written, I loved that.
Talking about things I loved was the way vampires were written here, all we really know about newly turned vampires is that they're super hungry, have glowing eyes, and can regenerate. AND my most favorite thing is the way they perceive light, the way it dances, you can see why they think it's god that gave them a miracle. From all I've seen I've never seen a vampire interpreted that way, and I love it I LOVE ORIGINAL IDEASSSS.
Also free my man Hassan????? My man's never got any help from anybody not even his son until the very end of the show. Hassan you will always be famous, I love and wish you got revenge, though I really didn't love his character all that much--it's about the principle.
And Beverly you deserve nothing but the worst I'm so happy that one of the last things she saw was Hassan and Ali praying, praying in the way she deemed wasn't right, I'm so happy her last moments were spent desperate and afraid. This is a Beverly hate post.
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I'll add on to this post if I have anymore thoughts, no one's going to read this but I just needed it to get out of my brain!!!
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fanficfish · 1 year
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Thomas ranch Au headcanons
main post
Currently about halfway done with the next fic chapter, so it's about time I get something out about one of the main players in this chapter....and unfortunately not my most liked character. Sorry Thomas, six year old me kinda cemented it when they saw you in a picture book with Rosie that made you two sound like a couple.
He has a kind of sketchy employment history, not like that's strange on this ranch. Except he does actually know what he's doing because he grew up on a horse ranch himself. Edward is very thankful for this little fact when the next three permanent guys are near clueless.
He's the original Sir Topham Hatt's favorite, a position he kind of fell into. Partly because unlike Edward he's much more naive and people-pleasing. He's actually a bit of a pain for quite a while.
eventually he wisens up a lot more after the incident that spawns Henry's Tunnel and even joins in to a degree on the strike, enabling them while trying to pretend he knows nothing ong don't of the Fat Controller (as the ranchers have begun calling Topham Hatt 1)
He and James have a sort of brotherly friendship dynamic, teasing each other a lot. when they're not busy with work, sometimes they go racing, with Thomas on Annie and James on his own favourite mare, Black Beauty (named after the one in the book)
Speaking of which, Thomas had two mares that Topham 1 let's him basically own, Annie and Clarabel. They help him take tours into the hills and he uses them whenever he needs to take visitors somewhere or get around himself. He usually takes Annie, since Clarabel is a little less suited for riding. Though her saddle does come with saddlebags.
He and Percy have a bit of a rivalry, which Toby calls his "free entertiainemnt". They stop bickering to team up against other people though, and once they faced off in a table tennis match against Henry and Gordon when the later two got a bit too snotty about a documentary filmed on the ranch that showcased the two managing the Express.
Thomas and Percy won that one, by the way. Thomas got lucky and Percy was just good at table tennis.
Thomas is really into fishing, and he and Henry occasionally use their off days to go deep-sea fishing. It's a good bribe in Thoams' books, especially if he says he'll pay the fees for the both of them. Duck likes those days because he gets to make seafood for dinner, and he likes to hear their adventures.
Thoams also has a bit of a jealousy streak, which creeps up when it looks like someone might take his favored job of showing visitors around due ranching style. Ryan, Percy, Toby, "Diesel", Rosie, and Daisy have all been victims of the green-eyes Thomas, though by the time brothers Charlie and Billy come around it's simmered down a little (read: Charles Topham Hatt finally pulls him aside and gets it improperly into his head that no one's going to take his horses or his tour route, please stop antagonizing everyone you meet-)
He plays the sax, guitar, and trumpet. One of these is less appreciated then the others by the ranch hands
He had a prank war with Gordon back when Thomas was the ranch's cook (and stablehand because everyone was overworked and multitasking). It ended when Gordon pretended not to notice poor Thomas was in the back of a hay cart Gordon was pulling and Thomas panicked because he doesn't like going as fast as Gordon decided to take his pace. Another reason he prefers guided tours- much more manageable speeds!
and of course, piccrews (not my art)
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The second one is Donald and Douglas lugging him out after he flies into the wall of Simeon's house.
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I can't decide on his hair :/
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beantothemax · 6 months
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Onto Mirabelle! (And then I'm going to sleep it's like 2 am here-)
Mirabelle, to reflect what I said with Sif, IS the main character of this world. Chosen by the Change Divinity, being immune to time stop....just like you said in another ask! And it all makes for an interesting, if a little cliché character. It is something that I will be saying a lot in these analysis, because I believe the devs managed to make a believable rpg party while still putting their own stuff.
She is the chosen hero, but she really doesn't act like one. We need to remember that everything we see is in the context of the end of the journey: and so, it wouldn't be ridiculous to expect the characters to have grown into their roles. Yet, Belle is constantly unsure, and constantly downplaying her abilities. It's seen across the game: she panics and need to be reminded of battle strategies, is struggling to stay positive, and a simple lack of enthusiasm from sir "I constantly look like I just woke up and don't understand what's going on" Sif is enough for her to doubt herself. It's obvious that the fact that she wasn't supposed to be the chosen one is weighing on her.
In her relation to the others members, she feels like the most passive in the interactions (though were I am right now, it is slowly changing for the better: a book club project with Dile, venting her frustrations about book thieves and noisy roommates...). She still seems very close to everyone else, but rarely is the one in front of the situation, which I just thought about, is an interesting parallel with how Sif is the one leading the way instead of her, even though she's the classic RPG MC.
Beau and her have a relationship of uplifting each other: almost every time they talk, it's to support the other's ideas, or simply encourage them. It is apparent that they were the first two in the team (as implied in game I'm pretty sure, by the fact that she went directly to ask the guardians for help). Dile seems like she plays a big sister role to Belle, rather than the mom or grandma that the game describes. They have a few interests in common, and Dile loves learning while Belle loves talking about her beliefs. Belle is to Bonnie a big sister, and it's pretty apparent. She is kind and caring, while also being able to scold him and play the role of adult when need be. Finally, I already talked about Sif, but it would be unfair not to say that the supportive role he plays, she plays too. She is the one taking care of waking him up, reassuring them when their joke didn't work...it's a mutually beneficial relationship.
The fact that the dungeon we explore is the place where she lived her whole life makes for very important and interesting evolution to her character. At every turn, there is someone she knows, something she remembers. And so I believe we will see an evolution of the passive hero towards a more active personality, while keeping what makes her her.
Conclusion: pretty. Makes ding ding when she walks. She's the embodiment of cool noise appreciation.
And also I love her very much.
@jayandthejets THERE BE MORE
weh……… miribelli spaghetti………….
mirabelle is SUCH a character!!!!!! she always trying so hard to stay positive no matter what!!! her interactions with the others make me want to explode!!!!!! She [REDACTED] and doesn’t feel [EXPUNGED] AND [POURED APPLE JUICE ON MESSAGE SORRY :(] they all care so much about each other it hurts!!!!!!
ding ding indeed…
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honnojis · 2 years
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go forth friend. ramble about your favorites of the SV cast (w warnings where absolutely necessary ofc!!)
i wanna hear ur opinions of em !!!!
OUGH okay i will. put all of that under the cut bc i'm definitely going to talk about big spoilers AND IT'S GONNA BE LENGTHY BECAUSE I HAVE SO MANY THOUGHTS. SV may be a mess in some aspects but the story is the best it's been in many gens, if not the best story in any Pokémon game
i gotta talk about the two elephants in the room first; RIKA AND ARVEN.
For Rika; She's giving me gender envy bc like. god i wish that were me. But also I want to marry her because oh my god I love her and her design so much GAMEFREAK WHAT HAVE YOU DONE TO ME. Why do they always keep getting away with this shit EVERY GOD DAMN GEN that there's a character I end up being down bad for LOL... She's so chill!! But she's also so nice!!! And I'm ough. I really hope any future DLC will give her more screentime or at LEAST let me rematch her because why the fuck can i not fight the E4 again!!! sir!!! lemme see her!!!!!!!!!
Arven.............. he is my son now. That whole last stretch of the story in area zero really REALLY solidified him as my favourite of the main cast because man he's been through a lot and this guy can't catch a fucking break!!! Had to go years without seeing his parents only to find out that the one parent he remembers and saw only very occasionally as a kid died years prior to the game's events protecting the mirai/koraidon you've been traveling with all this time. And the whole thing about Mabosstiff!!! The titan questline had me tearing up on several occasions. im AUGh.... I'm so SO weak for characters like this who appear a bit standoffish at first but then open up to the player and they're just beans that have gone through a lot and are trying to help. And his own resolution to become a chef with the knowledge he now holds over the herba mystica to help others felt like the most logical course of action for him to take so i'm glad he found what he wants to strive for next!! anyways sorry not sorry if i end up drawing him a lot LMAO he lives in my brain rent free. son boy allowed
Then there's Nemona!!! She's so fucking head empty no thoughts and I love her. And if there's something in that head of hers it's just a brick with the only thought being violence and battle. And you know what? good for her! good for her. She's really funny and probably one of the most fun rivals we've had in recent history for pokemon. I like that she's not just super talented either, she literally explains to the trainer when you talk to her in postgame that she had to work hard to even get to this point. She really feels like a mirror to the player but she just took her journey of becoming a champion a year or two earlier than the player did. But also wow same lady ur just like me fr fr
Penny!! she's just a bean that cares for her friends!!! And the team Star story stuff really felt nicely done. Trying to help her friends that were painted as bullies because of a misunderstanding and mismanagement at the school while the team Star members aren't bad people at all. I also absolutely love her sass when traveling with her in Area Zero (and subsequently the dynamic between Penny, Nemona and Arven as a whole, they're best friends now your honor)
AND ALSO CAN I TALK ABOUT HER BATTLE THEME FOR A SECOND BECAUSE ?????????????????????
THEY PUT HARDCORE/HARDSTYLE IN MY POKEMON GAME
I genuinely was not expecting that but hearing the hardbass i was like wtf holy shit they went OFF with this track!!! The track is an absolute banger too but definitely felt unexpected for a character like Penny. Good for her though!! She's got one of the best themes in the game and im jamming
And then Turo! I played Violet but I'm aware that the same thing happens with Sada in Scarlet so it's easy to just replace names. Man... I could talk about this part of the story all fucking day. The professor is probably one of the most interesting "villains" in Pokémon as a whole and I'm SO GLAD that the series finally went down this route, because they absolutely nailed the story telling with this. Area Zero blew me out of the fucking water and was so unexpected!!! This whole segment has "REJUVENATION" written all over it!!! I was literally WAITING for Jan to get to this segment after completing the game, only for him to say the same exact shit LOL. I was not expecting this from a main series Pokémon game at ALL and frankly I'm so glad it did because this whole story segment with made Violet easily one of my favourite pokemon games in the series.
AI Turo stimulating the player from the background to find the herba mystica with arven and them becoming stronger but not really wanting to talk to Arven because-- just like his original counterpart-- he's too focused on the goal of the mission to care for the son of his original counterpart (though him being an AI also might hinder processing emotional attachment even MORE than the original Turo already had problems with). The reason why Turo hasn't visited Arven in years being that the original is dead and AI Turo literally cannot leave the crater due to him needing the power of the Tera crystals to stay functional. AI Turo, despite being the same in almost every possible way, realizing and coming to agree that there's no logic in the original Turo's decision to want to introduce future Pokémon into the ecosystem KNOWING that it'd destroy the old one, making him a better person than the original was-- and painting the original Turo as the villain in this situation due to that his obsession with the future as written in the Violet book drove him to ignore how wrong he was for what he was trying to do, even after death. AI Turo knowing that he himself is part of the security system and needs to be fought in order to put a stop to the time machine, hence why he stimulated the player to keep training and taking care of Miraidon. AI Turo realizing that he needed to go in order to put a total stop to the time machine because his very existence is keeping it active. He says "I want to see the future" and leaves the present day in order to stop the time machine, but there's some deeper implications here; in practice this is AI Turo taking a massive risk by sacrificing himself to save Paldea because on the chance he ends up outside of the crater, he'll cease functioning and will practically die. And you know? The revelation that he's an AI powered robot actually makes total sense if you paid attention to his animations and speech mannerisms; he's the only character that doesn't have a breathing animation (it's not even there in the first video transmission you see of him! and it's the same for Sada in Scarlet) and is constantly identifying the player & friends through student ID's and biometrics rather than acknowledging them as actual people. BUT ALSO THAT BATTLE WAS SO FUCKING COOL!! Genuinely challenging too since you had to figure out his mons' typings on the fly, AND HE'S GOT A BANGER BATTLE THEME. Toby Fox you've done it again you madman
honorable mention goes to Clavell and Grusha, the former because Clavell is fucking funny as hell and I'm so glad he ended up being more involved in the story than I expected. Sir you're a little behind with the times AND YOU ASKED ME WHAT CHEUGY MEANS WHICH KILLED ME but you're all the funnier for it. thank you. Grusha gets the mention because he caught me off guard by having the highest leveled gym team out of any of the gym leaders with having mons at level 47 while I strolled up with my mid-30's team and got my ass blasted. thank you sir. i will now never make the mistake of thinking you're a lower tier gym leader just because TPC advertised you early. good god
All that being said, I could go on about every other character but these really were the ones that stuck out the most in my mind. i have so many thoughts about this game and i swear the brainrot's going to be around for a LONG ASS TIME
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warwickroyals · 2 years
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XLV: FRATERNAL "BONDING"
Beginning | Previous | Next
Transcript under the cut - Click for HQ photos
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AUTHOR'S NOTE: You know how out of character it is for Phillip to hug someone? Poor, Alex, though I can't help but feel bad for him. Also Coraline? Natasha? Damn, it's been so long since those characters were even mentioned! I feel like
PS - Nick has a lot of anger towards Phillip that has been seething since he left. Being abandoned by another paternal figure could not be easy for him.
PSS - I have been sitting on a huge spoiler for this entire arc, and I'm about to let it go next chapter. Get ready for tomorrow . . .
All likes, comments and reblogs are greatly appreciated! Thank you for the support 💜
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[NICHOLAS] All I’m saying is that it’s very ironic that you rushed all the way over here just to defend
him. I mean, you two are basically the same person if you really think about—
[ALEX] That’s literally just a lie, you’re just making shit up on top of that—
[NICHOLAS] Fuck. Stop talking when I’m talking, he’s just a forty-year-old brunette version of you.
[ALEX] No, I’m not! I mean, no offence, sir, but that’s literally not true.
[NICHOLAS] Stop saying “literally” like that! No shit, it’s not literally true, it’s a metaphor, genius.
[ALEX] See? You see what I mean? I can’t say anything without him just attacking me!
[PHILLIP] I’m not trying to take anyone’s side, Nicholas.
[NICHOLAS] Oh, really? That’s news to me. You’ve had a lot of things to say to me and comparatively little to him.
[ALEX] He doesn’t need to say anything to me!  I already know that I messed up. I’m sorry, what else do you want?
[NICHOLAS] You’re treating this like you flunked math or something. You can’t just “Oh, sorry, my bad” a baby away.
[ALEX] This is all so pointless. Kamryn won’t even talk to me anymore, her dad has her under, like, house arrest.
[NICHOLAS] Her funeral, I guess. Unlike you, Alex, I actually thought she was halfway intelligent.
[PHILLIP] Okay, guys, this is beginning to get unbearable. Both of you need to shut up for—
[ALEX] I can’t believe you. You’re jealous, just admit that—[NICHOLAS] Jealous of what, exactly? Of me, of us. You pretend to be so unbothered but you’re so Goddamn jealous that I have someone I care about. And you have no one.
[PHILLIP] Alex, what did I just say about shutting the fuck up?
[ALEX] Well, somebody needs to tell him. He doesn’t care about Mom or me or anyone but himself. Now he’s salty because he’s all alone. I mean, who else is there? Natasha? The girl would have dove off a cliff just to reach his bed and he somehow still managed to mess that up.
[PHILLIP] Okay, that’s enough. You’re brothers, your father is gone, supporting each other should be your main priority.
[NICHOLAS] Coming from you that statement is a joke. Save me whatever speech you’re about to give about fraternal love. Uncle: where have you been? This is the first time in like six months that we’ve even seen you. You’ve missed two Christmases. Last year you were in a psych ward for over two weeks and Sam only found out about it because one of his friends made a joke about you being at a halfway house. You want to talk about my priorities? What about yours?
[NICHOLAS] You’ve been trying to leave this family from the moment you were born. That’s the issue with you, with both of you. You just do and never think about the consequences. You can always leave if you fuck up too grossly. What about me? I can’t leave, you know, and it’s really funny that you bring up Dad—[ALEX] Man, you need to chill out—He’s not just gone, he’s dead. And unlike you he didn’t even have a choice. He didn’t leave willingly like you.
[PHILLIP] What . . . What exactly do you mean?
You know what I mean. It should have been you. You’re not exactly addicted to life, are you?
You’re a terrible person, Nick. There’s nothing you can say that will provoke me, all you’re doing is proving Alex right. Is that what you want?
[NICHOLAS scoffs]
[PHILLIP] Oh, that it’s funny now? You’re proud of that? You’re a manipulator, you’re cruel, and you take people for granted. You act this way and then wonder why you keep finding yourself alone. Yes, I’ve done the same, terrible things and you can resent me for that, but you’re supposed to be better. Okay? Act better. Do better.
[NICHOLAS] Whatever. I’m out of here. This is pointless.
[ALEX] Maybe he has a point. I mean, he’s wrong, but he’s right at the same time. I know I’ve messed up, I— I feel stuck. I don’t know what to do with myself and . . . it’s been like that for a very long time. And now it’s so much worse.
[ALEX] After Dad died, Nick told me that he would still choose to have our dad for the same amount of time over, like, another dad who would live forever. Because our dad was easily the best dad in the world. Back then I thought I agreed with him, but now I’m not sure. I—I—I can’t do this. Grandfather wants to send me to Scarborough and I really, really don’t know how to tell him no. I’ll be disappointing him all over again. I want to be there, I want to be a good dad, but if I get enlisted, I won’t be able to. Sorry, I’m kind of a mess right now.
[PHILLIP] Alex, you don’t have to apologize for anything, alright? I’ll talk to him, I’ll get him to change his mind.
[TEXT] Thanks for reaching out. Sorry for avoiding you, I didn’t know how to face you even after all this time. Now that we’ve graduated I think it’s best we go our separate ways. I wish things were different but they never will be. I’m sorry Nick, but I only want what’s best for us
[PHILLIP] It’s okay, you’ll be fine. And Nick does not have a point. He doesn’t know what he’s talking about.
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resowrites · 2 years
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Sherlock Holmes And The Book Of Rhymes - Part 4 (finale)
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Summary: When Cora Beauchamp begins receiving extracts from a book of nursery rhymes by post, the police dismiss her which leaves her only one way to turn. But with no clue as to the sender or the meaning behind them, will the case prove too bizarre even for Mr. Sherlock Holmes?
Characters: Sherlock Holmes (I envisioned Henry’s version but the story could apply to Rathbone right through to Cumberbatch), OC!Cora Beauchamp, Dr. Watson, Mrs. Hudson, OC characters.
Warnings: adult/dark themes such as adultery, occasional threat of violence/danger, some period misogyny/victorian attitudes, angsty, mention of underage relationship/adultery, mention of death/murder, lightly beta’d.
WC: 3300
Sorry about the delay in posting this, it was finished ages ago I just forgot to post it! Thanks for your patience ~ Reso x
My work must not be copied, reposted, or translated elsewhere. Likes, follows, reblogs and comments are thoroughly welcome and appreciated! No copyright infringement intended, gifs/pics not my own. I hope you all enjoy and thanks for visiting!
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Part 4 (finale):
Fortunately, the gardener's cottage was only a short walk from the main house. However, Mr. Holmes was surprised to see smoke coming from the chimney, on a day like today gardeners were normally very busy. The heat also precluded the use of a hearth. He walked up the stepping stones to the rickety front door and gave it several sharp whacks with his cane. He heard hushed voices from within but eventually the door creaked open and an older gentleman stepped onto the porch, not permitting him so much as a peek inside. "Can I help you, gentlemen?" Mr. Holmes smiled briefly.
"Yes, good afternoon. My name is Mr. Sherlock Holmes and this is my colleague Dr. Watson. We've come to speak to you regarding the disappearance of the housekeeper, Lorraine Hornbeck." He then thought he heard whimpering of some kind from within the cottage.
"I'm sorry sirs, I don't work up at the house, there's nothing I can tell you." He then hastily tried to shut the door, which Mr. Holmes caught with the edge of his boot.
"We won't be long Mr…?" The gardener sighed.
"Thornton." He resigned himself to opening the door and leading the two gentlemen inside. Mr. Holmes caught the footsteps of someone quickly running upstairs, though he couldn't make out who it was. The collage was very old indeed and he had to duck so as not to hit his head on the beams hung from the low ceiling. The living room was poorly lit, all its curtains were drawn and the fireplace roared loudly, making the room that much hotter. Dr. Watson pulled at his shirt collar, sweat already pooling at the back of his neck.
"Please take a seat, Mr. Thornton, we shan't be long. Leave the door open Watson, there's no one about to hear our discussion." Dr. Watson backed away from the front door he'd intended to close behind him and caught his friend eyeing the staircase to their left.
"Were we disturbing you, Mr. Thornton?" The gardener's eyes swept side to side suspiciously.
"Oh… no, that was just my daughter, Evie. I told her to go upstairs so we might have some privacy." Mr. Holmes smiled.
"Quite so. Forgive my saying so, but your age precludes you from having a young daughter… might I ask why she still lives at home?" The gardener didn't know quite how to respond.
"W-well, she's a bit simple you see… easily led. Her mother died young so I'm all she's got…" Mr. Holmes wiped his brow.
"I'm sorry for your loss Mr. Thornton. I'll keep my questions brief. Do you know what might have happened to Mrs. Hornbeck?" The gardener swallowed.
"No sirs, as I said, I don't work up at the main house so I've no clue as to what goes on there…" Mr. Holmes doubted that somehow.
"I see… well have you heard any rumours then? Particularly regarding the relationship between Mrs. Hornbeck and her husband?" The gardener looked as though he was about to say something before changing his mind. He was silent for several moments before speaking again.
"No sirs… nothing springs to mind." It was quite clear he was lying.
"I see… and what about last night, did you see or hear anything unusual?" The heat was really getting to Mr. Holmes now and his voice cracked his throat had become so dry.
"No sirs, I'm a heavy sleeper." Mr. Holmes rested on his cane uneasily. Dr. Watson was also struggling, his face was now dripping with sweat.
"I must say chap… why on earth have you a fire going at this hour?" Mr. Holmes bit back a smile, trust Dr. Watson to presume his next question. Although nothing was now visible in the fireplace, from the smell of the smoke, he believed paper had been burnt. It had a particularly acrid smell.
"Oh… I just had some garden waste to get rid of, I can't do it outside lest I cause a wildfire what with the grass being so burnt…" a good enough excuse but hardly likely thought Mr. Holmes.
"And what of your daughter Mr. Thornton, may we speak to her?" The gardener's eyes swiveled towards them wildly.
"No sirs, she won't be up to answering any of your questions… as I said, she's not quite right." Mr. Holmes wondered to what degree that was also true.
"Well then, did she mention any noises to you in the night?" The gardener shook his head, climbing to his feet as he did so.
"No, she was sound asleep. Now I really must ask you gentlemen to leave, I've got work to be getting on with…" Mr. Holmes agreed to his request, after all, there was little else he was going to find out from him.
"Quite so Mr. Thornton, thank you for your time." And with that, the detective practically ran from the room. By the time they were standing back outside, both men were perspiring heavily and had removed their coats.
"Damn fool… what on earth is he doing starting fires on a day like this?" Mr. Holmes chuckled lightly and fetched into his coat pocket for a looking glass. As he turned to head down to the riverbed, he noticed a figure in the top floor window of the cottage. It was Evie. She stared at him blankly, though even from his position, he could tell that she was distressed. Her eyes were red and puffy. Dr. Watson followed his friend's gaze and gasped when he saw her. Mr. Holmes then sniffed and continued his walk, the figure of Evie remaining where she stood. Dr. Watson stepped up closer to his friend. "What on earth was all that about Holmes?" The detective didn't look at him and kept his voice low, considering it likely Evie was still watching them.
"I don't know, but her presence there suggests she wanted to be seen. I believe she knows what's going on Dr. Watson… and perhaps what happened to Mrs. Hornbeck." Dr. Watson stopped in his tracks.
"But then surely we should go back and demand to speak to her?" But the detective continued down to the riverbed, not stopping to consider the notion.
"No, her father won't permit it. Besides, most of the pieces have already fallen into place…" Dr. Watson hurried towards his friend who was now stooped low, examining the ground in front of him.
"They have? Well, do you care to enlighten me then? Because so far none of this nonsense makes any more sense than it did at the beginning…" by now Mr. Holmes would have rebuked the good doctor's claims but instead, let out an 'ah-ha' as he picked something out of the dirt. It was too muddy to see clearly but the look on the detective's face was triumphant.
"Come Watson, I believe our journey is at an end." He then turned on his heels and marched back towards the house. Dr. Watson let out an exasperated sigh but dutifully followed him.
As luck would have it, Inspector Lindsey was outside the entrance of the house, smoking a cigarette and chatting away casually with one of his officers. "Ah - Inspector Lindsey, just who I wanted to see. I'm afraid I have rather grim news. Instruct your men to start dredging the lake at once, I believe that is where we're likely to find Mrs. Hornbeck. And have Mr. Hornbeck arrested at once and bought to the drawing room, I believe our case is solved." The Inspector's mouth hung open so far, that his cigarette dropped to the ground.
"Er… right away Mr. Holmes! Well, you heard him lad, get to the lake. I'll see about finding our Mr. Hornbeck." The Inspector then dashed through the side entrance of the house, hoping to reach his suspect before anyone else did. And he was just in time, he caught Mr. Hornbeck creeping down the back staircase, a small suitcase in hand and a disturbed look on his face. "And where do you think you are off to sir?" Mr. Hornbeck didn't respond, instead, he made a mash dash for the same entrance the Inspector had come through, trying his absolute best to wriggle out of his grip. Luckily he had the foresight to blow his whistle, or Mr. Hornbeck could have got away completely. Mr. Holmes and Dr. Watson rushed to the scene and quickly apprehended the man. It wasn't long before he was bought to the drawing room handcuffed and looking rather forlorn indeed. Inspector Lindsey roughly pushed him down onto a chair, nodding to Mr. Holmes to begin his explanation.
"Well, as if this most recent display wasn't proof enough, I believe we've found Mrs. Hornbeck's killer…" Mr. Hornbeck began protesting loudly.
"Tosh! I haven't done anything to anyone, let me go this instant!" He was quickly pressed back into his seat by the Inspector.
"That's quite enough out of you Mr. Hornbeck, now pipe down or we'll have you gagged as well…" that shut him up fast enough. Mr. Holmes smiled and was about to continue his speech when Miss Beauchamp came bursting into the room.
"What on earth's going on here? I heard a terrible commotion… y-you've arrested Mr. Hornbeck? In God's name, why?" Dr. Watson hurried to her side and took her by the arm.
"Come, my dear, you best not be present for this…" but Mr. Holmes eyed them both carefully as he started packing his favourite pipe.
"Miss Beauchamp is welcome to stay if she so wishes, after all, someone will have to tell her eventually…" Cora eyed the detective suspiciously.
"Tell me what? Would someone please tell me what's happening!" Dr. Watson guided her to the sofa and stroked her hand, she was becoming hysterical and he tried to calm her nerves.
"Mr. Hornbeck murdered his wife Miss Beauchamp… the facts tell us a much." Cora gasped in shock and for a moment Dr. Watson was worried she'd faint. He quickly prepared some smelling salts just in case.
"N-no, no I'm alright doctor, really. How could you say such a thing, Mr. Holmes? Mr. and Mrs. Hornbeck have been with me for years, they've never put a foot wrong…" Mr. Holmes struck his match, the brightness of the flame stinging everyone's eyes.
"And yet you said yourself, Miss Beauchamp, their marital difficulties were well known." Mr. Hornbeck was about to respond when he caught the warning eye of the Inspector. "Those rumours of infidelity turned out to be true, and though I'm sure Mr. Hornbeck will correct me if I'm wrong, he had a tryst with Evie Thorton." Cora just stared at Mr. Holmes bewildered.
"The gardener's daughter? Is this true?" She turned towards Mr. Hornbeck, who now had his head in his hands.
"Allow me to go back to the beginning…" Mr. Holmes took a large toke of his pipe while everyone else listened intently, like children being read a bedtime story.
"I first suspected someone from the house was responsible for the excerpts sent to Miss Beauchamp, when she confirmed they were sent without an address. Any letters sent that way are typically discarded. However, I later sent a telegram to the local post office here, which confirmed they weren't in receipt of any blank envelopes this past month. The second clue was how Miss Beauchamp came across the excerpts. On the first two occasions, she simply found them amongst the rest of the post, indicating that they may not have been for her in the first place. Most of the rest of my findings require a bigger leap of faith though I encourage you all to listen carefully. Mr. Hornbeck's first mistake was to appear before us so disheveled, his appearance suggested a disturbed night and his newly dried hair spoke of either an early morning bath or a trip to the lake. Given the context of our current predicament, I'm inclined to believe the latter. When I searched his room later on, I found the bottle of laudanum he'd mentioned using to aid his sleep. He told me he got through a bottle a month, which wouldn't then explain why this bottle is less than half full only a week into our current month…" Mr. Holmes then placed the nearly empty bottle onto the coffee table nestled between them all.
"Good lord… he couldn't have taken all that in less than a week, he'd be a very sick man indeed!" Dr. Watson picked up the bottle and held it up to the light, alarmed at how little was left.
"Quite. But say this was a previous bottle, as could well be the case, my next job then was to find other clues that suggested Mr. Hornbeck was away from the house in the early hours of this morning. Besides his hastily made bed and thrown together outfit, I also came across a soaked uniform hidden underneath his bed. The smell of the lake on such clothes was quite unmistakable." Mr. Holmes sniffed, as though repulsed by the memory. "My search under the bed also turned up this…" he then threw a heavy object onto the coffee table with a thud.
"The book of rhymes…" Cora stared at the object for a few moments before quickly flipping through its pages, desperate to see if it was indeed the same book. When she came across the torn out pages, there was no mistaking it was the book in question.
"Good lord… are you suggesting Mr. Hornbeck sent the letters to Miss Beauchamp? Or whomever?" Mr. Holmes inhaled sharply, somewhat annoyed at the good doctor's sluggish mind.
"Not Mr. Hornbeck, his wife… she'd intended the letters for Evie Thornton. Either as a threat to end their association… or a warning that she intended to exact for revenge for a situation long past, I'm assuming the latter Mr. Hornbeck?" The man looked up sadly and nodded his head.
"Y-yes, yes you're quite right Mr. Holmes. What my Evie and I had… i-it ended long ago. Her father saw to that. But Mrs. Hornbeck couldn't let it go. She found out only recently though God knows how I warned Evie enough times not to say anything. I don't know what she intended to do… but, but I couldn't let her hurt my Evie!" He then burst into tears, surprising and embarrassing everyone in equal measure. Mr. Holmes scowled at the man.
"Yes… so like a coward, you confronted her, and I assume when she either denied any wrongdoing or refused to back down, you took matters into your own hands. Either you struck her last night before poisoning her for good measure, or you waited until she was asleep - which seems more likely given there was no sound or sight of a scuffle. You then carried her from the house and dumped her body in the lake. Not only did I find a man's footsteps down by the riverbank, but I also found this…" Mr. Holmes reached into his pocket and pulled out a muddy cigarette butt. "You stopped to smoke, most likely to calm your nerves, and then you made your way back into the house. If you'll check his jacket pocket Inspector Lindsey, I'm sure you'll find the keys he took from Mrs. Hornbeck before dumping her body." The Inspector quickly patted Mr. Hornbeck down and produced a large, brass set of keys from his inside pocket.
"By Jove… here they are." Mr. Holmes kept his eyes on Mr. Hornbeck, who was still sniffling despite not having confessed to his appalling crime.
"But Holmes, how did you know the Thornton girl was involved? The gardener told us nothing, he wouldn't even let us speak to her…" Mr. Holmes turned towards his friend and his expression softened considerably.
"Luckily he didn't have to Dr. Watson, we caught him at a most fortuitous time. Do you remember the acrid smoke coming from his fireplace? Only the acid in writing paper gives off such a distinctive smell when burned. Given that his daughter also hurried from the room but made her presence known at the window when we left… I assume Mr. Thorton was hastily burning his daughter's correspondence with Mr. Hornbeck. Isn't that right sir?" Mr. Hornbeck sighed and although his hands were cuffed, produced as best he could a bundle of letters from his other pocket.
"Yes, Mr. Holmes… I couldn't bring myself to burn my letters from her. Oh God… what a terrible mess. Please tell me she won't get in any trouble though? She's a simple girl and not to blame for any of this…" Mr. Holmes scoffed in contempt.
"Quite so. You've taken advantage of her youth and naivety long enough and as I'm assuming she was underaged when you began your affair, that too will be added to your list of crimes." Mr. Hornbeck let out a sob as the full weight of his situation bared down on him. Just then, Inspector Lindsey's officer burst into the room.
"We've found Mrs. Hornbeck sir, quite drowned, though otherwise there's not a mark on her…" Mr. Holmes sneered at the now cowering Mr. Hornbeck.
"You odious little fiend… you murdered your wife in cold blood over some letters which never even found their way to Miss Thornton in the first place…" it was then that Dr. Watson interjected.
"That's what I can't quite fathom Holmes… how did Mr. Hornbeck even realise what his wife was doing in the first place?" At this, Mr. Hornbeck replied without being prompted.
"I found her going through the book one afternoon, God knows where she got it… but she was cutting out the pages which seemed bizarre. My wife never clipped the paper or kept a scrapbook. She'd warned me recently that she knew all about Evie and that she was going to get her comeuppance. I figured I had to act before she did anything crazy…" Mr. Holmes sighed and got to his feet.
"And you will no doubt hang for your crimes Mr. Hornbeck. Come, Dr. Watson, our time here is at an end. I bid you farewell Miss Beauchamp… and all the luck in finding less deranged staff in the future."
On the train back to baker street.
Mr. Holmes and Dr. Watson sat across from each other in silence. The doctor didn't wish to bother his friend with too much conversation, as he knew how much the previous train journey bothered his stomach. He was however eager to give his friend his praise. "That was some marvellous work Holmes, with barely anything to go on, you managed to expose Mr. Hornbeck before he got away. Poor Miss Beauchamp… you know I had to sedate her before we left? She was really quite shaken up. I also seem to recall you saying that Mrs. Hornbeck did however deliver the last extract to Miss Beauchamp directly… you don't suppose she intended to threaten her? Or God forbid, remove her from the picture as well?" Dr. Watson shuddered at the thought.
"We can't quite be sure of the woman's thoughts towards the end of her absurd campaign towards her husband. All we can say for sure is that Miss Beauchamp is far better off without either of them in her employ."
"Quite right Holmes. Though I do worry about such a young woman being left all alone in that house… I hope she doesn't fall prey to any obscene threats again." Mr. Holmes couldn't help but smile at the serious look on his friend's face.
"Well if she does… I'm sure she can depend on you for any assistance doctor…" Dr. Watson pursed his lips at the detective's sarcasm but said nothing, grateful that at least for the time being, Miss Beauchamp was safe.
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A/N: Hi guys, as a huge Sherlock Holmes fan of both the original stories and the many series/films, it’s my pleasure to present this new short series. This is the final part! I hope you all enjoyed the ending and felt I captured something of the spirit of the original stories. Any feedback is appreciated and I hope you’ll continue to stick around and enjoy stories in the future!
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