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judes-hoe · 3 days

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Bitter rivals, sweet love

Parrings~ Lewis Hamilton x OC

Summary~She’s gonna be in f1 for her third year and goes to a team no one expects her to. She’s always got a cold expression and only those close to her know why. Shes been close one to many times to winning a championship and this year she’s gonna get it no matter what.

Warnings~ google translated Italian, mentioned crying,

A/N~ so doing the Japanese Grand Prix and then after that skipping to the Miami Grand Prix, just because I don’t wanna write every single race or this series will be soooo long. So the I’ll write the Japanese GP cause it’ll be the first time of many of having to share a hotel!!!! Next chapter will be in Miami btw we skipping china lol but I’ll mention who wins it lol!!

pt.1 pt.2 pt.3 pt.4

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Vanessa had just arrived at the hotel room she’ll be sharing with Lewis. She settled down and laid on the one bed scrolling on her phone watching edits that popped up of her. She loved when the fans made edits of her, let her know she was appreciated.

Around 20 minutes later she heard a knock and immediately rolled her eyes knowing it’s Lewis. She gets up as slow as possible before going to open the door, when she did she was met with the British man with his suitcase. She rolled her eyes and walked in the room. Lewis caught the door before it could close and walked in placing his stuff on the other bed.

“Good to see you too.” He smirked. “stai zitto.” She said to him before going back to her phone. “You know I know Italian right?” He smirked at her laying on his bed. “non me ne frega un cazzo.” She said rolling her eyes.

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It was a couple hours later, now in the paddock for media. She just sat on the couch for the interviews. She was with max, Lando, Charles, and Carlos.

About 20 minutes in she finally got asked a question, “hello Vanessa, you have 3 races, that includes this one, till your 1st home race as you have 2 through the season, how do you feel.” The man asked. “Well I can’t wait honestly, it’s always a different feeling racing in your country, and as my fans know if I win my home race I wanna be edit to the song ‘Viva La Vida’ same song every year.” Is he said with a smile. “Why that song?” He asked. “Well there’s nothing behind it, it’s just gives me winner vibes, but to my fans again if you wanna make a more calm edit do white Ferrari by frank ocean.” I said with another smile.

They then continue with the interview and she gets a few more questions before leaving the interview. “Nessa wanna come to lunch with us?” Carlos asked standing next to Lando, Max, and Charles. “Sure, got nothing else to do.” I shrugged going with them.

When we got to the place to eat Charles leans over a whispers. “I saw Lewis going into your room about 25 minutes after you, what’s that about?” He smirked when he asked. “Toto got mad at us after what happened in Australia so he talked to our managers and we have to share a room for the rest of the season and do “couples therapy” and if we don’t fix our rival by the end of the season we both lose our seats.” Vanessa said looking at Charles with an annoyed expression. “You and Lewis have to share a room!” He said a little to loud making the other 3 men look at the 2 with a smirk. “It’s not like that.” She groaned and explained the whole story again.

“You guys can’t tell anyone though.”she said with a serious expression. “If I hear someone talk about this that isn’t any of us, I’m killing you all.” She spoke before taking a bite of her food which made the guys nod their heads quickly before also eating their food.

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She walks into the hotel room after he lunch with Carlos, Charles, Lando, and max. She sees Lewis laying on his bed shirtless and his chest a little wet. “Your staring a little hard sweetheart, see something you like?” He smirks when he notices her. “No, and stop calling me sweetheart.” She said annoyed. “If you say that I’m gonna keep calling you it.” He said with a cocky smile.

Vanessa grabs her pajamas which was just a t-shirt her dad always wore, and some shorts. She then walks to the bathroom and closes the door and starts the shower. She gets in the shower and relaxes under the hot water.

Vanessa gets out the shower, and gets changed into the pajamas. She walks out back into the room, putting the dirty clothes away and sitting on her bed. “Who’s on the shirt?” Lewis asked her. “My dad’s favorite band.” She said not wanting to talk to him. “Then why are you wearing it?” He asked again. “Cause I can!” She raised her voice a little. “God you ask so many questions.” She said turning on her side so she doesn’t have to look at him.

“Didn’t have to yell was just wondering why you’re wearing the shirt and not him.” He said. Vanessa stops all her movements and just lays there, her mind going back to that night. “Because there’s a reason, now I’ll be back im going for a walk.” She said getting up and slamming the door before walking down the hallway knocking on a door.

The door opened to reveal Daniel in a shirt and shorts. “What are you doing here it’s 7pm?” He asked when he saw her. “Can I just come in.” She asked softly. He nodded and let her in and she sat on the edge of his bed. “Me and Lewis have to share a hotel room for the rest of the season as punishment by Toto and by the end of the season if our rival isn’t fixed and put aside for the team we lost our seats, and he just asked me about this shirt and I told him and he asked why am I wearing it and not my dad.” She rambles to Daniel and starts to tear up when she stops.

Daniel now knows why she came here, cause she felt herself going to cry and knows she’s only comfortable crying around him. “It’s ok, it’s ok darling.” He said pulling her in a hug and petting her hair. “He probably doesn’t know, a lot of people on the grid don’t know.” He said kissing the top of her head. “Stay with me for a little we can watch a movie and then you can go back to your room.” He said pulling her away and wiped her tears away. “Ok.” She said going to say in his bed.

He got his computer and logged in giving it to her to play a movie. Vanessa picked the first avatar movie cause it’s one of her favorites.

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After the movie she said by to Daniel before going back to her hotel room. She did have a key so she knocked on the door. The door opened shortly after to reveal Lewis, she rolled her eyes at him and went and laid in her bed. Plugged her phone in and laid on her side away from Lewis going to sleep.

Lewis knew something was wrong and said something to upset her which he didn’t like. He stayed up an hour after she went to sleeping try to think about it before falling asleep.

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Vanessa woke up, not to her alarm, but to grunt like noises. She looked at her phone and saw 6am on it. She still had 45 minutes till she woke up. She turned on her side and saw Lewis on the floor doing push ups.

“It’s six in the morning why are you up?” She asked mildly angry. “Had to get my morning work out in.” Lewis said stopping a sitting back on his knees with a little shrug. “Well now you share a room respect people who trying to still sleep!” She let out a huff and got out the bed going into the bathroom.

Vanessa walks out the bathroom and now sees Lewis getting ready to take a shower. He walked into the bathroom when she walked out. When she heard the shower turn on she started to undress and get dressed for the day, because no chance she’s going back to sleep.

After she changes it’s around 8am now. She left the hotel and to her car to head to the paddock. Before she headed to the garage she walked around the paddock and ran into Charles.

“Charles.” She said with a little excitement in her voice. “Good luck this weekend I know it means something to you.” She said with a little smile giving him a hug when he leans in. “Thanks mon amor I appreciate it.” He said with a smile. “Well I’ll talk to you later need to head back to my garage.” He spoke. “Ok see ya later Charlie.” She says smiling before going to her own garage.

Vanessa walks in and sees him talking to Toto, but she walks in the opposite direction to Calvin. She talks to Calvin for a bit before getting ready for FP1.

In her drivers room she put on her fireproofs and then her suit. Grabbing her helmet and going to stand next I Calvin. “Ready?” Vanessa asked looking over his shoulder at the screen. “Yes put your helmet on!” He said patting her shoulder.

She quickly put on the balaclava, kissing the two names on her helmet. Then putting the helmet on and getting in the car.

~~~~~~~~~~~~~~skip to race day~~~~~~~~~~~~~~

Vanessa had done well in all FP, and managed to get a P3 in qualifying. Lewis in P2, max in P1. She had Charles and Lando behind her which he didn’t really care about.

They all lined up on the grid and the lights slowly flickered on.

“It’s lights out and away we go!”

She had tried to overtake Lewis on the first turn my didn’t mange keeping their gap close together, but also managing to get a gap between Lando.

A couple laps in, Lewis changed his tyres. Vanessa being able to take his spot and get a good 3 seconds gap while he was in the pit. Lewis getting out just in time to be in front on Charles.

A another few laps goes by and Lewis closed the gap, catching up to Vanessa. Max boxed so now she was P1 and Lewis P2.

The 45 lap is when Lewis manages to overtake Vanessa in P1 with DRS. Now she has to watch max behind her, just want she wants. “Gap between me and max?” She asked Calvin on the radio. “2 seconds.” He replied. “Good enough.” She says back to him which made him smile.

For the rest of the race she stayed in P2 having to defend from max a few times but built the gap back up, almost overtaking Lewis a few times too but just not enough.

So here they are standing on the podium now, P1 Lewis, P2 Vanessa, and P3 max. When they took the picture she made sure her a Lewis had some(a lot) of space between them with a half fake smile on her face.

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That next morning Vanessa left to go back to Monaco before the Chinese Grand Prix.

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A/N ~ watch out next chapter it might be a little heart breaking and sad😭

Taglist: @happy-golden-hour @tallrock35

#judes-hoe😚#lewis hamilton x you #lewis hamilton x oc #lewis hamilton x reader #lewis hamilton fanfic #lewis hamilton #mercedes amg f1 #f1 2024 #f1 x reader #f1 imagine #f1 x you #f1 fic #f1 fanfic #f1

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garkgatiss · 2 days

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{{esquivalience}}, The Auteur, and Doctor Who the TV Show

alright so this novella.

First, its provenance: I was googling the Twist at the End song last week because it's catchy as hell. I ended up on the Tardis wiki and realized that there was a song by the exact same name that appeared in a licensed DWU novella that was published April 9th. As in, last month. Which is weird. It's hard to say how weird, but given the timing, it either has to be a) pure coincidence (lol), b) someone who worked on the show abusing their advance knowledge of plot details for personal gain, or c) intentional coordination between showrunner and novella-writer, a la Joe Lidster writing John Watson’s blog for BBC Sherlock.

The likelihood of (a) is decreasing by the week. I feel like I have to entertain the idea of (b) happening, but it's hard to square why a DWU-writing supernerd who is also involved somehow with the production of the show would risk a lifetime of blackballing from DW for a bit of cheap promotion for their extended-universe tie-in novella. I am so sorry to be saying this, but I think (c) might actually have legs.

The novella's title is {{esquivalience}}, which is a fake word invented in real life by editors of the New Oxford American Dictionary. The invented word means "deliberate shirking of one's official duties", and it was added to the dictionary to protect the copyright of the electronic version. In S9, Face the Raven showed us a “trap street", i.e. a fake street drawn on a map by a mapmaker to identify any copyright infringement of said map -- a dictionary entry for a word made up by the dictionary editors operates similarly as a copy-trap. The definition is apt for a copy-trap as well, because anyone illicitly copying a dictionary is themselves shirking a job they ought to be doing themselves... it's clever, it's very fun, we're off to a great start.

THE STORY:

The unnamed protagonist applies for a custodial job at this library that serves basically as a databank for the history of everything in the universe. If a book about something is thrown away, that something ceases to have ever existed. Exhibit A: Protagonist works in the Dead & Dying Language Department. They throw away The Book of Belgian Dutch, and a) a couple coworkers with Belgian Dutch heritage either disappear or get completely different names/family trees, and also b) everyone quickly forgets that Belgian Dutch was ever a thing to begin with.

The librarians cover for this accidental deletion of reality by copying/fudging a new book on "Belgian Gerench", their name for what they replace Belgian Dutch with. They try to catch most of the people who were deleted, bring them back, and fit them into that new language/culture/ethnicity bucket they just made up.

(The narration explains that because both Belgian and Dutch still exist separately as concepts, there aren't too many knock-on effects in terms of loanwords in other languages that needed to be modified/recovered. It also explains that time-traveling back to make an exact copy of The Book of Belgian Dutch wouldn't work because of the universe's copyright laws or something.)

Protag then comes after the head of their department, the Head Dictionary Contributor, or Head DC. They find him in a hidden room called the Internal Reference Room. Instead of languages, the books here hold the life stories of every employee, which auto-update as the person lives their life, but can also be edited or destroyed to alter that person's reality. Protag sits down with the Head DC's lifebook and starts adding and erasing things.

It turns out that Head DC knows how wrong editing these books can go from personal experience. Years ago, wanting to leave his mark on the universe, the Head DC chose to add his own copy-trap into The Book of Dutch -- the fake word "esquivalience". This action seemingly created the concept of cutting corners at your job, leading to the insufficient vetting of Protag for this job and therefore their subsequent hiring, which results in Head DC's eventual death.

Head DC pleads with Protag for his life, but Protag is undeterred. They finally tear out the final page in Head DC's book, which kills him. Protag then writes themselves in as Head DC. Settling into their new role, they turn their attention to The Book of English (8th to 25th Century). They first look up the dictionary entry for “esquivalience”, which says it came to English from Dutch, and then flips to the entries for “ravel" and “unravel”, described as contranyms from Dutch roots, both “meaning variably to tangle or to fray”.

This is the central story of the novella. There is also a Prelude and Postlude that describe the lives of two young men, first in a reality in which they never meet, and then in a reality in which they do meet and fall in love (their meeting is enabled by one of them skivving off work in time to make it to see the movie where they first meet -- esquivalience!)

Just before the Postlude, there is also printed the lyrics to a song (see below), and an excerpt from The Book of English, this volume covering the 4th to 5th billionth centuries of history. This excerpt again gives the definition of “unravel”, but refers the reader to an appendix for the full list of definition, and notes they are “largely in usage as reference to Unravel, The” and “N.B. to be used with extreme care and caution”.

NOVELLA-SHOW CONNECTIONS:

Mavity [Wild Blue Yonder]: Mavity happened all the way back in Wild Blue Yonder, so it's not necessarily surprising to see it in a novella published in April 9, 2024, but there's a whole scene establishing that the M has seemingly replaced the G in all Romance languages, while Domhantarraingt in Irish-Gaelic is unaffected.

Rope [The Church on Ruby Road]: We're all learning the vocabulary of rope now! The Unravel is what the novella calls the meta-historical revisions caused by making edits to the books. There are also rope/weaving metaphors everywhere. Again, the rope themes of the TV show predate the April 9 novella just far enough that in theory it would have been possible for the novella to have taken inspiration from the 2023 Christmas Special. Except. The wiki page for The Unravel credits ownership of the concept to Jamie H. Cowan, the author of the novella. Not just that, but The Unravel was used – with credit to Jamie – in a DWU short story collection published December 26, 2023 – the day after The Church on Ruby Road aired.

Dot and Bubble [Dot and Bubble] : At this point, “Dot and Bubble” is a contextless episode title to me, first announced on March 31. In the novella, we get this:

The Twist At The End [The Devil’s Chord] : Just before the novella's Postlude, there are the lyrics to a song called “The Twist At The End”. Just listed there, no context, like an azlyrics.com entry. They are not the same lyrics as the song in The Devil's Chord, but then, meta-historical revision would kind of be the point, wouldn't it? There's just this sentence to connect it to anything happening in the narration: "Somewhere, in the far distance, as ______ continued to erase, an old 1960s Earth tune began to play."

EDITED TO ADD: @corallapis has pointed out to me that not only did the existence of the song "Twist at the End" by John Smith and the Common Men leak, but the novella's author tweeted about it in December 2023.

The Chumerian languages of the planet B’llauit, for instance, needed much consideration. Particularly Krulvan. There was still a great deal of work to be done in compiling the post-technoweb aspects of Krulvan. Like how most emotional words and phrases contracted more and more, until finally, they were little more than abbreviations. The old dot-and-bubble effect.

A parent’s love was no longer expressed post-technoweb as “Kal-at lur amoi”, but instead as merely “KLA”. Which needed to be carefully distinguished in the relevant encyclopedia from another abbreviated Krulvan phrase “Kal’ati Lepr’en Acrumpsal” – which was something rather equivalent to the expletives of other languages like “D’Arvit”, or “Bleno”.

It's only a brief mention in the book, so it's possible in theory that it was added after the episode titles were released, or even after the novella’s publication (Amazon allows post-publication changes up to 10% of the text, and it’s not possible to track those changes). I’ve included the second paragraph because it’s interesting that the example they’ve given is the word for a parent’s love, which we can see as a running theme in this season of DW (though Moffat has said before that the only thing he writes about is a parent’s love, so who knows).

Not the strongest evidence of two-way coordination, but we may learn more when the episode airs.

Dutch [Space Babies, Boom]: Yeah, as in, the Dutch language. The words “spoor” & “smelt” both get a "oo, good word!" callout, spoor in Space Babies and smelt in Boom. These words both have Dutch roots. Splice, the daughter's name in Boom, is not only from a Dutch root, but also means the joining two pieces of rope. I read this novella just before Boom dropped on Disney+, so I can personally confirm that this is not a post-hoc addition to the novella. It hardly could have been anyway, this element is much more integral to the novella’s narrative than any of the other pieces.

The Auteur

This is where this all becomes relevant to the “Doctor Who is a TV Show” theory.

While the Protag is shredding the Head DC’s book, the Head DC is in the room, and what follows is an extremely meta narrative-aware pre-death monologue from the Head DC. He's pleading with Protag to stop changing things in his book, but he also refers to an "It" whose power surpasses them both.

He held eye contact with them as they looked up, “You didn’t pick up Belgian Dutch by chance. It’s how it plays. In weaving coincidences.”

“Just stop reading. Stop changing things. Stop, and we can be spared. Be free! If you keep going, then it will get what it wants. It is a happening [sic]. Out there, and in here in the basement. Everywhere. It will win if you keep going.”

“One day, you’ll make the same mistakes. Goddamn, you will. Because it’s all already written. It has already written it all. The paths, the choices. Rewrites, erasures, and even the contradictions. If you don't just... stop... it will... Unravel us all."

The "It" in question is presumably the author. Like an author writing a story, "It" plays by weaving coincidences, "It" gets what it wants when we keep reading, "It" has already written everything.

The Head DC mentions a special disposal chute, which had recently appeared as if by magic, which enabled Protag’s destruction of Belgian Dutch. Head DC’s references to this “It” suggest that his decision to create a word meaning cutting corners caused his eventual death, not by inventing the concept of cutting corners, but by creating a set-up that the Auteur, a godlike being that cares only for the rules of narrative, was compelled to write a satisfying follow-through for. The Auteur changed reality in order to weave a narratively-satisfying coincidence.

The Auteur is a character from the DW-spinoff series Faction Paradox. The creator of the Faction Paradox universe describes it as “on the surface an SF universe, but it works on the same principles as traditional folklore.”

I am but a humble Moffat scholar, so explaining the character of The Auteur is immediately getting into lore that I cannot even begin to decipher.

But it seems plausible that in the show we’re dealing with a godlike being, someone along the lines of Maestro or the Toymaker, but instead of caring only for the rules of play, cares only for the rules of narrative.

And this being, The Auteur, is altering reality and creating the narratively-satisfying coincidences in 14’s and 15’s timelines, possibly starting all the way back with the coincidence of 14 regenerating as David Tennant and immediately bumping into Donna Noble.

And it seems plausible that this season was created in cooperation with these DWU authors to whom concepts like The Auteur and The Unravel are licenced, and the novella is a tie-in text full of references to the current season to lead savvy superfans on a merry chase that foreshadows the season’s big bad.

Because I... don't really have another explanation for the existence of this novella at this point.

#doctor who #esquivalience #what to even tag this #dust off the old clown costume

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libraford · 22 hours

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Ok. I am making a separate post about the synesthesia drawings because that post is getting long.

Exercise 1 for illustrating what music does in my brain is making a sound map. (Example here is Cosmo Sheldrake's "Come Along." )

This gives the 2D sense of the shapes that the sounds make and its satisfying to get the song on paper, but it is not an accurate representation of the sound.

Exercise 2: dance it out. The sound makes a 3D shape, and I am a 3D shape in a 3D space- use my body to create 3D shapes that reflect the sound.

This is satisfying to get the sound out of my body, but it is still not accurate because the sound also creates COLOR.

Exercise 3: Long exposure photo with light sticks.

This is much closer! However my camera can only take 30 seconds of this without a remote trigger and it does not represent the whole song, just parts of it. I achieved this by putting one stick on color change and then the other stick on constant green- because the song is overall very green, but because its a complex song with lots of different instruments it needed more than one color.

There are also limitations with the light sticks because there are only 2 modes (color-change and constant single color.) In an idea representation, I would be able to program the light sticks to go with the music, but I don't have that kind of money.

Edit 1:

Layer the photos on top of each other.

Almost!

However, this doesn't sound like a song! It sounds like a sound. Specifically, it sounds like the horns in the song and it doesn't take up very much time. We lose the articulation of the chime sounds, the drums, and the syncopation that is present in his voice.

Edit 2:

Layer them on top of each other, then enhance the finer parts of the song with careful editing.

I cut out some of the constant horns so that there's room for the more gentle swoops of the song. You can more easily see the 'come come along' and the 'sound of the birdsong' and 'hesitant skeleton' in this one.

I also adjusted the colors because while the song is, indeed, VERY green- its more of a yellow-lime color and the reds and pinks of his voice are more peach-orange.

This is not perfect, but its a close approximation of what that song does inside the brain: a series of changing shape and color that moves through a 3-dimentional space.

And is why, when someone described synesthesia to me 10 years ago as an 'odd symptom' I was like ... 'that's not a symptom- everyone's brain does that.' And then someone said something about the way that I describe things and then it was like... hey now...

Anyways, that's the thing.

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