Tumgik
#so now it's past midnight
bobbinalong · 10 months
Text
Tumblr media
i need to go to bed and so does tim. i've missed this au.
977 notes · View notes
stealingpotatoes · 9 months
Text
Tumblr media
hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)
2K notes · View notes
ahbogman · 3 months
Text
Tumblr media
I won’t run away
737 notes · View notes
gutsfics · 5 months
Text
so. i just watched most of the new quintonreviews Sam & Cat video and for Reasons i looked up both Goomer and Frankini on ao3 and theres only One Single Fic thats tagged with Goomer/Frankini. fucking criminal.
double criminal for it being tagged as "past Frankini/Goomer" bc the actual relationship focused in the fic is fuCKING GOOMER/DICE. BITING AND KILLING.
463 notes · View notes
ganondoodle · 3 months
Text
Tumblr media
im 27 now
242 notes · View notes
onedragonaday · 4 months
Text
Tumblr media
1/1/24, toofis!!
Tumblr media
toofis is my 8ish yo toothless build a bear plush, who better to start the new year with?
187 notes · View notes
je9ngguk · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
A LOOK FOR THE HISTORY BOOKS. 
for ↪ @kookthief <3
772 notes · View notes
corpsoir · 1 year
Text
Tumblr media
Heritage Februabba 2023
Day 5: First kiss || Last kiss
@heritage-februabba
1K notes · View notes
crybaby-bkg · 5 months
Text
cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
168 notes · View notes
cashmere-caveman · 30 days
Text
read a post about there being next to no record abt the historic edward little again (we dont even know what he looked like!!!) and now im thinking a lot about how he died in uniform again.
hes far from the only character to die in uniform (the marines die in uniform! franklin dies in uniform!) and he isn't even the only lieutenant to do so (gore, under his slops, was in uniform; fairholme, too presumably; irving famously wore his coat that hickey steals later; george wore something that used to be his uniform when he got eaten but imo atp he did not wear it as A Uniform anymore that were just the clothes that he had on if that makes sense) but at the end, he is the only one where i still felt that it was an active choice to wear it.
almost everyone else sheds their layers along the way or turns into something else, but ned starts in uniform and he stays in uniform and that's it.
fitzjames famously sheds his vanity and dies in his shirtsleeves, without any of the pomp and pizzazz of his uniform.
jopson, another character who is to me really connected with a certain mindset of holding up appearances, dies in his shirtsleeves, believing himself abandoned by the very person that was his reason to even wear a uniform at all.
goodsir as a doctor/assistant surgeon doesn't really have a uniform in quite the same sense as many others but when he dresses himself before his suicide it is not as an affirmation of his role, or at least not a positive one. he has sworn to do no harm, but he was forced to do it anyway and now he will add a final evil to his toll of sins in the hopes to balance the scales at least somewhat and for that to work, he must wear his outfit as always. he ends up with all pretenses stripped bare anyway.
tozer, a man so proud of his uniform in the beginning, again, dies in his shirtsleeves, no rank left, betrayed by someone who had convinced him to give up everything and yet! reduced to nothing but an ordinary man, he tries again where before he had given up. he cooperates, he coordinates, he even calls crozier captain again, he tries very hard to do the right thing in what looks like a no win scenario from the get go!! and he fails, of course, but he tried.
almost everyone else also ends up either dressed down (bridgens, armitage, dundy, des voeux etc) or somehow transformed (blanky, to some extend silna with her patched and bloody furs) or in hickeys case, both (iconic underwear & greatcoat combo). little never changes. he sometimes has a little scarf, theres the bandage for his headwound for a bit, he sometimes wears the full parade uniform with epaulettes and sometimes just the regular one, there are at least two different uniform hats and ofc you can tell that he loses weight by the way his shape chages under all that wool but he is always. in. uniform.
and maybe this is just my mind making up dots to connect but i think he might even be the last character that crozier ever gives an order to in his official function as a captain (in the tuunbaq seduction/boss fight scene he has been stripped of his rank, at least according to e.c.).
before his final scene, all we get is little arguing over the orders they are given, and how to interpret them. and he is still wearing his uniform!!! wait hold on im not gonna check but maybe he might only wear a jumper in the tent where dundy lauches his soft mutiny actually, so maybe this whole post is crumbling like a domino line but!!! ignoring this. moving on. (even if it is a jumper i remember him wearing sth dark blue aka Uniform Colour so im claiming it doesnt even matter bc spiritually that hypothetical jumper still is a uniform. im not going to let anything like "accuracy" and "real details" fuck up my post smh 🙄. im joking. however! Moving On as i said) (edit: i rewatched the scene and it IS his uniform actually, just v rumpled. going insane btw)
he doesnt even dress up for carnivale! the only other characters that are not in costume are jopson and crozier and they were literally too busy keeping crozier from dying to even begin thinking about joining the communal arts and crafts session! little is atp the acting no2 of the expedition so u might say he was busy but fitzjames has the overall command and still finds time to have a little gender moment in private and the imperialism-approved version of it for the Big Crowd!! (u could ofc argue that fitzy Always has time for a gender moment and who would i be to argue but my point is: i have no doubt that man was fucking busy preparing carnivale & beginning to prepare the walkout and there still was time to Express Some Character!! so how come ned didn't do anything?)
the one other scene we get where we can catch a small glimpse of characters out of their element before it all unravels (pre tuunbaq attack on the camp) is the scene at night when morfin gets shot. it shows lots of characters in various states of undress (silna big blanket burrito i love you) that allows us to see them differently, like their costumes at carnivale did, but in an entirely opposite direction. while carnivale was about putting on masks, this scene is about taking them off. and it drives me insane because i know that little must be there. he is somewhere in the crowd when morfin gets shot but so far i havent been able to make him out and i need to know what he is wearing so bad. it is actually for science (my own curiosity) ! i really need to know. and i cant help but feel that maybe it is intentional that he is just ~somewhere~ instead of In Front of the Fucking Camera because, well. that would be just ned little, wouldnt it? and we dont even know who that is.
96 notes · View notes
toffeebeantable · 7 months
Text
Tumblr media
Its been 2 years since I’ve joined this fandom. Thank you Mob Psycho for so much, and thank you Reigen for dragging my ass into this fandom
Alternate versions under the cut
Tumblr media Tumblr media Tumblr media
I really like him with lineless hair the most
152 notes · View notes
the-wizard-dipper · 1 month
Text
Tumblr media Tumblr media
Dipper's got a little more... bite in some of the early drafts of the AU, I've been seriously tempted to lean that way again as I've grown to better understand what kind of story I want to tell with him.
Thoughts bellow the cut...
He skipped a grade, he's got the best grades in his class, he's "the gifted kid who's going places". Finding out that magic is real is the ultimate wish fulfillment of this nerdy little kid and the proof for that little inside voice of his that he's not just smart, he's special.
He's a good kid, but one who's been told how smart and mature he is one too many times. Unlike Norman, he hasn't spent his entire life being told that he's wrong for being different; Dipper's got the confidence to demand answers when with faced with something he doesn't understand.
There's probably not a world where Dipper starts bullying Norman, Norman's too good at keeping his head down and would never confront Dipper. But Norman has something Dipper needs and there are the ingredients for a very unhealthy friendship, if Dipper doesn't lean to see Norman as an equal and Norman doesn't learn to stand up for himself.
Of course, that's what the rest of the story is for.
Enough of the heavy character stuff, since you read this far you've earned yourself some of that sweet sweet Parapines content that I know you're all here for.
Tumblr media
Art by @flipsidered
61 notes · View notes
sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
#and then like a year later they find out edgeworth's fine and if that happened to me i think i would kill him fr#WKSHDKAHDKS#lana skye#ema skye#miles edgeworth#the skye sisters' relationship with one dramatic depressed prosecutor is something that can be so personal...#ive literally never thought this much about lana or ema ever. they never occupy my thoughts but somehow.#everyone else: man edgeworth's vanishing must have had a real impact on franziska and phoenix. me: what about these 2 side characters who#technically only appeared once in the whole trilogy. in a dlc. what about them.#it's actually so interesting how much lana is set up to be important to edgeworth. phoenix even says she reminds him of mia and when i#first read that i was like ??? bc of the scarf? there's more to mia than a scard phoenix. but then you pay attention to how she interacts#with edgeworth and it's like oh. i see it now. and then she disappears forever.#mind you i dont think she or ema were like. destroyed by the news of edgeworth's supposed passing. not in the way phoenix was anyway.#for better or worse both lana and ema are shown to have a tight hold over themselves emotionally speaking. lana keeps a lid on them for#years and ema is told she might have killed neil by accident and is functional after a brief faint and recess. like those women are strong.#but i do think it would have had a deep impact regardless of how well they were able to cope. like i've said i dont see how it wouldnt.#anyway this concludes my rfta moment. time to go back to being unable to say a thing about susato-san even though she occupies my every#waking moment. if you read all this ily <3#it's also past midnight so if this is all a bit everywhere im sorry
109 notes · View notes
amngtheflowers · 1 year
Photo
Tumblr media Tumblr media
Swarm of Stars
391 notes · View notes
simcardiac-arrested · 7 months
Text
Tumblr media
day 29 - hot villain
…i get bonus points because it’s a woman
102 notes · View notes
skrunksthatwunk · 5 months
Text
thinking about when guts sent a bunch of his men directly into zodd's meat grinder without even knowing demons like him existed. and that moment after the fight where casca runs to griffith unconscious on the floor and tells guts it's all his fault. and the time gambino tells him he's bad luck and should have died instead. and about how he tells griffith he cares about his men, and how casca doesn't seem to see it. and the time guts is thinking about casca telling him it's all his fault (after he got griffith hurt) and then griffith comes to him and says (like it's nothing) do i need to give a reason every time i come to save you? or whatever. like he's worth it. like he's worth dying for, and like it can be a choice people make because they value you. like he's a good luck charm, like griffith needs him to reach his goals, his full potential. like griffith is not enough to make it without him. like griffith finds out when guts leaves. fuckin.g gnawing someone else's legs off because i still need mine to run into traffic
84 notes · View notes