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inkskinned · 7 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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foone · 7 months

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why are printers so hated? it's simple:

computers are good at computering. they are not good at the real world.

the biggest problems in computers, the ones that have had to change the most over the time they've existed, are the parts that deal with the real world. The keyboard, the mouse, the screen. every computer needs these, but they involve interacting with the real world. that's a problem. that's why they get replaced so much.

now, printers: printers have some of the most complex real-world interaction. they need to deposit ink on paper in 2 dimensions, and that results in at least three ways it can go on right from the start. (this is why 3D printers are just 2D printers that can go wrong in another whole dimension)

scanners fall into many of the same problems printers have, but fewer people have scanners, and they're not as cost-optimized. But they are nearly as annoying.

This is also why you can make a printer better by cutting down on the number of moving elements: laser printers are better than inkjets, because they only need to move in one dimension, and their ink is a powder, not a liquid. and the best-behaved printers of all are thermal printers: no ink and the head doesn't move. That's why every receipt printer is a thermal printer, because they need that shit to work all the time so they can sell shit. And thermal is the most reliable way to do that.

But yeah, cost-optimization is also a big part of why printers are such finicky unreliable bastards: you don't want to pay much for them. Who is excited for all the printing they're gonna be doing? basically nobody. But people get forced to have a printer because they gotta print something, for school or work or the government or whatever. So they want the cheapest thing that'll work. They're not shopping on features and functionality and design, they want something that costs barely anything, and can fucking PRINT. anything else is an optional bonus.

And here's the thing: there's a fundamental limit of how much you can optimize an inkjet printer, and we got near to it in like the late 90s. Every printer since then has just been a tad smaller, a tad faster, and added some gimmicks like printing from WIFI or bluetooth instead of needing to plug in a cable.

And that's the worst place to be in, for a computer component. The "I don't care how fancy it is, just give me one that works" zone. This is why you can buy a keyboard for 20$ and a mouse for 10$ and they both work plenty fine for 90% of users. They're objectively shit compared to the ones in the 60-150$ range, but do they work? yep. So that's what people get.

Printers fell into that zone long, long ago, when people stopped getting excited about "desktop publishing". So with printers shoved into the "make them as cheap as possible" zone, they have gotten exponentially shittier. Can you cut costs by 5$ a printer by making them jam more often? good. make them only last a couple years to save a buck or two per unit? absolutely. Can you make the printer cost 10$ less and make that back on the proprietary ink cartridges? oh, they've been doing that since Billy Clinton was in office.

It's the same place floppy disks were in in about 2000. CD-burners were not yet cheap enough, USB flash drives didn't exist yet (but were coming), modems weren't fast enough yet to copy stuff over the internet, superfloppies hadn't taken over like some hoped, and memory cards were too expensive and not everyone had a drive for them. So we still needed floppy disks, but at the same time this was a technology that hadn't changed in nearly 20 years. So people were tired of paying out the nose for them... the only solution? cut corners. I have floppy disks from 1984 that read perfectly, but a shrinkwrapped box of disks from 1999 will have over half the disks failed. They cut corners on the material quality, the QA process, the cleaning cloth inside the disk, everything they could. And the disks were shit as a result.

So, printers are in that particular note of the death-spiral where they've reached the point of "no one likes or cares about this technology, but it's still required so it's gone to shit". That's why they are so annoying, so unreliable, so fucking crap.

So, here's the good news:

You can still buy a better printer, and it will work far better. Laser printers still exist, and LED printers work the same way but even cheaper. They're still more expensive than inkjets (especially if you need color), but if you have to print stuff, they're a godsend. Way more reliable.

This is not a stable equilibrium. Printers cannot limp along in this terrible state forever. You know why I brought up floppy disk there? (besides the fact I'm a giant floppy disk nerd) because floppy disks GOT REPLACED. Have you used one this decade? CD-Rs and USB drives and internet sharing came along and ate the lunch of floppy disks, so much so that it's been over a decade since any more have been made. The same will happen to (inkjet) printers, eventually. This kind of clearly-broken situation cannot hold. It'll push people to go paperless, for companies to build cheaper alternatives to take over from the inkjets, or someone will come up with a new, more reliable printer based on some new technology that's now cheap enough to use in printers. Yeah, it sucks right now, but it can't last.

So, in conclusion: Printers suck, but this is both an innate problem caused by them having to deal with so much fucking Real World, and a local minimum of reliability that we're currently stuck in. Eventually we'll get out of this valley on the graph and printers will bother people a lot less.

Random fun facts about printing of the past and their local minimums:

in the hot metal type era, not only would the whole printing process expose you to lead, the most common method of printing text was the linotype, which could go wrong in a very fun way: if the next for a line wasn't properly justified (filling out the whole row), it could "squirt", and lead would escape through gaps in the type matrix. This would result in molten lead squirting out of the machine, possibly onto the operator. Anecdotally, linotype operators would sometimes recognize each other on the street because of the telltale spots on their forearms where they had white splotches where no hair grew, because they got bad lead burns. This type of printing remained in use until the 80s.

Another fun type of now-retired printers are drum printers, a type of line printer. These work something like a typewriter or dot-matrix printer, except the elements extend across the entire width of the paper. So instead of printing a character at time by smacking it into the paper, the whole line got smacked nearly at once. The problem is that if the paper jammed and the printer continued to try to print, that line of the paper would be repeatedly struck at high speed, creating a lot of heat. This worry created the now-infamous Linux error: "lp0 on fire". This was displayed when the error signals from a parallel printer didn't make sense... and it was a real worry. A high speed printer could definitely set the paper on fire, though this was rare.

So... one thing to be grateful about current shitty inkjet printers: they are very unlikely to burn anything, especially you.

(because before they could do that they'd have to work, at least a little, first, and that's very unlikely)

#printers #my writing

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walltowalltitties · 1 year

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Receiving death threats online is a horrible experience. But not a unique one.

In this day and age, damn near everyone gets them. It's awful, but it ain't just happening to you.

#I haven't received any so far #but that could very well change #(also I've had one offline in elementary school by a classmate)#(this was over 20 years ago and he couldn't have actually followed through on it so I keep forgetting about it for years at a time lol)

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kedreeva · 2 years

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When I was a kid, maybe 14 or so (which is, you know, 20+ years ago), I belonged to a Yahoo! mailing list for an anime called Gundam Wing. It was mostly populated by other teens, of varying ages, as it was started by a teen and her friends. Eventually it migrated, when Yahoo! groups started as forums, and even branched off into non-GW related stuff in a second forum.

One of the things I remember the most clearly is the oldest person in the group. Her name was Steelsong. She was a 40-something Dom with a sub whose name we knew even though we knew nothing else. She ran her own fanfic archive because the web was still handmade HTML and navigated in webrings and I’m pretty sure Google didn’t exist or was only barely, barely launched and not well known. She was kind and patient and we loved her. She treated everyone on the group with the respect given any adult, even though most of the rest of the world was still treating us like we were children. Not teenagers even, but children. She never once condescended to any of us, never made our youth a barrier to her respect, never treated us like we were incapable of being full people or like we were less than her because we were young.

I remember that she hosted our fanfiction, as absolutely terrible as it was (and I still have some of it, I am WELL aware of how cringingly terrible it is, just absolute nonsense garbage), right there alongside of other fic that was soul-achingly beautiful. Not a separate section for her friends or for kids, just right there like we were good enough to feature alongside other authors. I never once received crit from her that I didn’t ask for, only support. Only love. I am still writing today partly because Steel was so kind about our fic, fanfic and original.

I remember that when I started doing clay sculpture, she commissioned a tiny pair of dragons from me, to support me doing artwork. She sent a check my mom cashed for me, and my mom helped me mail it when it was finished. It broke in transit, and Steel assured me that she mended it and that it was still beautiful. It was a small gold dragon curled up with a small silver dragon.

I remember that her patience knew no bounds. I remember that she was there for us, regardless of reason. When we wanted to know silly things like what to do with a single AA battery, she answered. When we had serious questions about sex, she answered. When we had questions about writing, she taught us. When one of our group members, a young gay teen in Australia, ended up in the hospital and then stopped making posts, and we all knew what had happened, she let us talk to her about it because we couldn’t go to our own parents, even though we had just lost a friend.

She was not a replacement to my parents, but she was an extra parent, in some ways. A friend, certainly, but someone that had been through more life than we had and was willing to pass on knowledge if we asked for it. Someone older that we trusted with things that were too uncomfortable to go to our parents or teachers or whatever about, because we already knew she wasn’t going to judge us or something, and that we would get an honest answer.

I don’t know why I’m remembering this so hard tonight, and I’m not sure if there’s a point to sharing this, except that I know she’s gone now. She was ill the last time we spoke, and her site went down a long time ago, and I miss her. She was a huge influence on my life, then and now. She was hope, for me, that life as an adult didn’t have to be boring, it wouldn’t have to mean giving up the things I loved and Becoming Only Responsible With No Fun. Her presence meant I had hope I could still write and play with friends even when I wasn’t ‘a kid’ anymore. And she’s gone, and I miss her, and I wanted to share her from the perspective of youth, and the perspective over twenty years later has provided me.

And I think of her, when people go off about older folks being in fandom with younger folks. I’m an older folks now, or at least middle aged folks because there are certainly folks older than me still, but I wasn’t always. I’ve been here since i was a younger folks, and I know how much Steel’s presence and support meant to me, how much she helped not just me but everyone on that group. And I think of the people saying older folks don’t belong in fandom, and that they shouldn’t interact with younger folks at all, and I just think... I can’t agree. I needed that kind of solid presence in my life back then and even at the age I am now, I need the folks older than me to stay. I want them here.

So I guess, like, if you’re here and you’re 40 or 50 or 60 or 70 or 80 or whatever, I want you here in fandom with me, still. Your presence here is a comfort. It is hope. It is a reminder that life will continue to be fun, even as I get older, myself. And if you’re younger and you have this sort of elder in your groups, I hope that they are like Steel. I hope they are kind and patient and supportive, and that knowing them gives you hope for your own future. I hope in twenty years you look back and remember them fondly.

#steelsong #personal #stories about ked's life #dash stretcher #fandom #god she would have loved ao3 so much #i wish i could tell her about the good things that have become

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pathologicalreid · 6 months

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buried alive | S.R.

in which the BAU races against the clock to rescue you from a killer team

who? spencer reid x fem!BAU!reader

category: angsty

content warnings: kidnapping, case stuff (murder yk), suffocation, being buried alive, hospitals, blood, nausea, CPR, funerals, use of pet names, guns, and drugs. i think that's all.

word count: 2.9k

a/n: okay, so i've been reading so much spencer fanfic and i started writing it and yesterday i realized i have 20 fics written and they're doing no one any good just sitting on my computer. i decided to finally try posting one. i wrote fanfic in high school (so like seven years ago) but this is my first time writing for a TV show. i've also never really posted on tumblr so please bear with me while i try to figure out formatting. tysm for checking out my post.

part two part three

You walked into the conference room and dropped the file on the table, allowing it to land on the wood with a satisfying splat. “The unsub’s burying them alive,” you said, letting the rest of the team know the conclusion you had come to with the medical examiner. “The M.E. found metal shavings and satin threads under the nails of our last victim. The most common materials to make up a casket.”

“There’s no way someone could bury someone alive in a casket alone, we’ve got to be dealing with a team, at least three people,” Emily concluded, standing in front of the evidence board.

It was the team’s third day on a case in Nebraska, four women had been discovered dead. Asphyxiation by hypoxia. Carbon dioxide poisoning.

“Approximately 420 people in the United States die from accidental carbon dioxide poisoning every year,” Spencer said, grabbing the file off of the table and flipping through it, taking a few seconds to read through it.

Rossi looked over Reid’s shoulder to look at the file, “but there’s nothing accidental about these deaths. Who would have access to these caskets?”

You shook your head, placing a hand on the back of Spencer’s chair, “A funeral director seems most likely.” You looked around at the Omaha field office, different agents running about in an attempt to solve these very murders. “They’d have the most access, write it off as displays. It could be hard to match the materials since they’re so common.”

Hotch leaned over the table and pressed the conference phone, “What can I do you for?” Garcia’s bright voice rang through the speaker.

“Garcia, I need you to look into funeral homes within the comfort zone. Look for a director who’s ordered more caskets than they’ve had funerals. Find anything, nothing is too small.” He told her.

“Absolutely, I’ll hit you back when I’ve got something,” she said, hanging up the phone.

There ended up being four funeral homes in the unsub’s comfort zone, so the team split up. You went with two locals to a family-owned business, Garcia had sent you all of the files you’d need on the location. “It looks like the Varn family has been in the funeral business since the seventeenth century,” you read aloud to the two agents you were in the car with.

“Does it mean they’re more or less likely to be the killers if they’ve been in business for so long?” One of the agents asked you, a younger man named Harrison.

You pursed your lips as you continued to look over the files, “I’m not seeing any glaringly obvious stressors before the murders started, but over the years I’ve learned that’s no reason to write someone off. Psychopaths can be tipped off by the slightest thing. Things none of us would bat an eye at.”

Harrison nodded in the passenger seat, looking over to his partner Jimmy, “You and your guy sure do make an interesting pair.”

“I’m going to take that as a compliment, so thank you.” You and Spencer never explicitly stated to the field office that you were dating, but you walked into the precinct this morning holding hands. The agents must have drawn their own conclusions.

The younger officer cleared his throat, “It is a compliment, ma’am. The two of you are very impressive, your whole team is.”

You smiled, “Thank you, Harrison.”

The funeral home was run by a mother and her two sons, you held up your credentials for the mother when you knocked on the door. “Are you Sheila Varn?” You asked her, raising your eyebrows.

“Yes, what’s this about?” She inquired. She didn’t really look the part of a serial killer, a middle-aged woman who was running her family business.

Pocketing your credentials, you spoke, “We’re investigating the recent murders in the area and we were wondering if you had samples of the materials your caskets are made out of. Might we be able to come in?” You asked, adding a charming smile for effect.

Something flashed across her face before she returned your smile, opening the door and welcoming the three of you inside. “Hold on, let me get my boys up here. They’re so much more versed in the goings on of the town than I am,” she said, opening the door and calling for her sons. Felix and Joss came up the stairs from the basement, now they definitely had the physique to load dead women into caskets and bury them alive.

“Why don’t you two men come with me? I’ll get you those samples,” Sheila said, motioning for the agents you were with to follow her. To your horror, they followed her around the corner. “Felix, Joss, show this young lady what you know,” she instructed.

You took a deep breath before you looked up at the two men.

They were tall, maybe Spencer’s height, but they were built like wrestlers. There was no way you could physically subdue them on your own.

You passed out before you even had the chance to pull your gun.

Hotch was in full Unit Chief mode, Spencer watched from the corner of the room as he separated people into groups and gave them specific instructions. JJ and Morgan walked into the precinct, “What’s going on?” JJ asked looking around the room.

“The Varn Family is the team; two agents were found drugged on the side of the road and when we went to the funeral home Y/N was missing. Her badge, gun, and phone were all there, covered in blood,” Spencer said morosely, watching as Hotch finished giving orders and called the rest of the team over.

Your picture was up on the evidence board with the word “missing” written in bold letters beneath it. All of your belongings had been put into evidence for the time being. “Reid?” Hotch said his name, causing his head to snap up. “Are you okay to keep working?”

Spencer nodded affirmatively, “Yes.”

“Good, I need you to estimate how much time we have, I want a clock on these screens,” he ordered.

Morgan turned to Reid, “What do you think she has, kid?”

“The tidal volume for the average adult is point five at rest. That ends up being about six liters per minute. The average casket is approximately 886 liters in total volume and the average volume of the human body is 66 liters, leaving 820 liters to be filled with air for her to breathe. If she’s been gone for half an hour already, I’d estimate she has less than five hours of breathable air left.” Spencer explained, doing all of the math in his head while Emily put a timer on the screen next to the evidence board.

After a moment, Hotch continued, “Rossi, JJ, go back to the funeral home. Tear it apart, there has to be something there we haven’t found yet. The rest of us will split the list of cemeteries in the comfort zone and search them.”

“That’s a lot of ground to cover, we don’t have anything else to go on?” Morgan asked, looking at the list of burial sites he had been handed.

Hotch looked at Spencer, but Spencer stayed silent. “That’s all we have right now,” Hotch responded, “hopefully we’ll come across leads as we go.”

It smelled like a garden around you. The memory reminded you of spring with your mother, tending to the vegetable garden.

The only difference was that instead of the sun beaming down on you, it was pitch black. The space surrounding you was so dark that you weren’t totally sure your eyes were open.

Your head was throbbing just above your right temple, and you observed your surroundings. Slowly, you lifted your arm until it hit a ceiling.

Not a ceiling. A lid. You were in a casket. You pressed one hand to your chest and tried to slow your breathing. Chances were that the casket was already buried beneath the surface of the earth, trying to open it could be catastrophic. You patted the pockets of your jeans, only to find your phone missing, so the team wouldn’t be able to trace the location.

Even if you had it, there likely wouldn’t be service six feet under.

Your team would find you. They had to find you.

They found Spencer, they found Emily, and they would find you.

Spencer shifted in the passenger seat of the SUV, “You know, carbon dioxide poisoning is a rather peaceful way to die.”

“Reid,” Morgan said, turning the vehicle onto the main road, they had just finished scouring over another cemetery with still no sign of you.

He sighed and stared at his hands, “No, it’s good. We see so many people killed in so many different ways that it’s good that she won’t be in pain when she runs out of air.” He tried to convince himself.

Morgan cleared his throat, “We aren’t out of time yet, kid. We can still find her. Y/N’s smart, I’m sure she found a way to make more air or something.”

But they were running out of time, less than an hour remained on the timer set on all of their phones.

They pulled into the next cemetery, “There’s some fresh dirt over there, what are the names on the graves of people who were actually recently buried?”

Spencer starts to recite the names, and the two of them start to comb through the cemetery.

You had done enough research on this case to understand what was going on. The light-headed feeling had started not long ago, but now you felt like you were spinning, despite the knowledge that you were stuck in place.

It was a high. Not unlike the good kids high. Except instead of trying to chase a feeling, you were dying.

The timer went off when they were still scouring graves, shovels in hand. Derek stopped in his tracks, but Spencer kept going.

“Wait,” Spencer called out, reading the name on the card next to the fresh grave he was standing at, he moved to start digging. “Essie Dunbar was a thirty-year-old woman who was mistakenly buried alive in 1915,” he said, digging. “This has to be it.”

Derek called Hotch, putting the call on speakerphone so he could help Spencer dig. “Hotch, we got her, but she’s buried.”

“We’re on our way, Omaha police have one of the brothers in custody,” Hotch told Emily to have an ambulance dispatched.

What Reid knew that Derek didn’t was that it could take four hours to dig a grave by hand. The soil had been overturned, so maybe call it three. Your odds were still negligible. He didn’t stop, he didn’t stop when a caretaker came running at them, and he didn’t stop when Derek told him to get his digging equipment out here now.

Derek flashed his FBI badge to get what they needed. He had to physically pull Spencer back from the grave so the backhoe could dig, only going until there was less than a foot between them and the casket.

Spencer crudely attached a chain to the casket and the caretaker's vehicle. Carefully, the caretaker dragged the white container out of the earth and up a slant they had dug. It was locked shut, “Reid, move,” Derek ordered.

He leaned back and Derek fired at the lock, taking it off and opening the casket. Spencer gasped, there was blood on the side of your head, dried and raked through your hair. He was vaguely aware of Hotch and Emily arriving as they pulled you out of your satin prison. You had no pulse, but you were still warm. Immediately, Spencer started CPR.

“Reid let me do it,” Derek insisted.

What he was trying to say is that he shouldn’t have to be the one to try to save your life.

Morgan repeated himself and Spencer pulled away, allowing the other agent to immediately take over. There was a siren in the background, an ambulance. More people showed up, Spencer heard their voices, but he just kept watching you. CPR was effective if it was done shortly after your heart stopped, and even then, permanent brain damage was likely.

It had been eight minutes since they pulled you out of the ground. Clinically, you were dead for eight minutes before you gasped.

Spencer smoothed your hair back, away from your face, while you desperately tried to catch your breath. You weren’t moving, and Spencer started running through symptoms of hypoxia. His biggest fear was brain damage, that they had done more harm to you in bringing you back than they would have had you died.

The EMTs came running over to where everyone had gathered, dispersing the crowd, and placing an oxygen mask over your face. As they were loading you on the stretcher, you started trying to talk, reaching your arm out to your side. “Wait, what’s she saying?” JJ asked.

“Sometimes it’s hard to talk after CPR,” the male EMT said as they moved you closer to the ambulance. He listened to what you were saying, “It’s not coherent.”

Spencer didn’t move, all of the adrenaline that had been coursing through his body all day was leaving.

Aphasia. They were saying the lack of oxygen to your brain was causing aphasia. “No,” Emily said, realization dawning on her features as she strained to listen to you. You were whispering, rasping the same word over and over again. “She’s saying ‘Spence.’”

He stood quickly and looked at you, sure enough, you were reaching out your hand and whispering, “Spence, Spence.” Your voice no more than a whisper.

Grabbing your hand, Spencer squeezed it, “I’m here,” he answered. “It’s okay, it’s over,” he told you, moving your hair out of your face. Spencer secured your oxygen mask over your face as you tried to take it off, “You have to keep this on, angel.”

To his relief, you squeezed his hand back.

You had been instructed to get some rest, but you couldn’t close your eyes. You asked Spencer to go back to the hotel and change his clothes because he smelled like dirt, and it made you nauseous. Your head had been bandaged, you’d been run through an MRI, and you did an EEG, so far, the only brain damage that had been incurred seemed temporary.

According to the doctors, the nausea and fatigue should wear off, but they hadn’t been able to fully assess if any permanent damage was done. At this point, the worst of your injuries had been caused by being given CPR, resulting in cracked ribs.

Despite your headache, you kept most of the lights on in your hospital room, not quite ready to be left in the darkness again. “Hey,” a voice called from your doorway, Spencer stood, waiting to be invited in. He was wearing different clothes, a button-up with a green cardigan thrown over it, and clean pants. “How are you feeling?”

A nasal cannula slightly restricted your movement, but you were sat up in the hospital bed, “Better than I was, but not perfect.”

He shook his head, walking in and taking a seat next to you, “No one expects you to be perfect right now.” Gently, he reached out and took your hand, skimming the pad of his thumb over your knuckles. “They found the mother and the other son, and all three of them are going to go away for a long time,” he told you, speaking in the kind of hushed, reverent tones that are reserved for hospitals.

You sighed and tilted your head back, “Good,” you maundered. “That’s uh, good,” your voice was barely audible.

“So why do you look so worried?” He asked, leaning in closer to you.

In an attempt to dismiss his concern, you joked, “I think I owe Morgan some sort of life debt now.”

Spencer offered you a soft smile, “The two of you tend to trade those off, I’m sure you’ll find some way to make it up to him.” He inclined his head towards you as if to silently say, So what is it really?

You swallowed thickly, “I’m scared to close my eyes, Spence.”

His shoulders dropped, “oh, Angel,” he breathed. “Is there anything I can do for you?” He asked, looping a loose strand of your hair behind your ear. “Wait, what are you doing?” He asked, watching you as you lifted yourself, so you were on one side of the bed.

Shyly, you patted the new empty half of the bed, inviting him to sit next to you.

He had no choice but to comply, he had the hardest time saying no to you. Leaning the bed back slightly, Spencer kicked off his shoes before he laid down next to you, wrapping an arm around you as you set your cheek on his shoulder.

Your body relaxed into his and you sighed, “Spence?” You murmured.

He pressed a gentle kiss to the crown of your head, “Yes, angel?” He whispered back to you.

“Thanks for coming to save me,” you mumbled, slowly relaxing enough to fall asleep.

Spencer exhaled, “I’m always going to come to save you.”

part two

#spencer reid #spencer reid x reader #criminal minds #criminal minds fanfiction #aaron hotchner #emily prentiss #jennifer jareau #derek morgan #penelope garcia #spencer reid fanfic #criminal minds fanfic #spencer reid angst #spencer reid hurt/comfort #spencer reid x you #h writes (hypothetically)

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