#so I drew a lot of animal people already in the 90s

[room-surprise]

How Old Is Thistle?

(EDIT: I've made a follow-up post to this one that goes deeper into the math and additional evidence that the 5:1 ratio is correct. You can read it here!)

I've seen people debating this and a lot of folks insisting that Thistle is a child, and since Thistle just debuted in the anime, I wanted to do a full write-up to help myself and others figure this out.

We don't know how old any of the Merini family members are exactly, so the best we can do is guess based on the information we have, but after carefully studying the manga, I think Thistle is at least a teenager, but much more likely a young adult, and definitely not a prepubescent child.

Here's what we know:

EDIT: Depending on what translation you read of some of the extra materials, Freinag implies that Thistle is the same age as some of his advisors.

Here's a detailed translation of this panel from my friend Fumi:

Elves age 5 times slower than tall-men.

16 year old tall-men in Dungeon Meshi's medieval time period are adults, they commonly join the military, get married, have children, etc.

An 80 year old elf is an adult. Pattadol is 82 and she's a lieutenant in a military unit. It's her first job and she's obviously a rookie, but Captain Flamela tells Pattadol to accomplish her mission or die trying.

Many fully adult elves look like what we might consider children or young teens, because they're short, petite, and have androgynous features.

An average elven adult is around 150-155cm tall (5 ft), meaning some are shorter than that, and some are taller. Thistle is 130 cm, which is short, but not unheard of.

Fleki is 130 (26) years old and she's 140 cm tall (4'7")

Otta is 137 (27) years old and she's 130 cm (4'5") tall, the same height as Thistle!

They are both women, but there's probably plenty of elven men in their height range.

Just so we can compare Thistle to some adult elven men, Mithrun and his brother are probably adults (or close to it) in the panel on the left.

Mithrun (in this image) is somewhere between 75 and 144 (probably in his 80's), and his brother is older than him (so he could be in his late 80s or 90s). As you can see, they don't look that different from Thistle, Otta or Fleki.

So, how old is Thistle?

(Spoilers below the cut)

Thistle was brought to the royal court as a child (found on the street, stolen or purchased, we don't know how they got him). At the absolute youngest I'd guess Thistle is 25 years old here (so about 5 years old for a tall-man.) He can already play the flute, and possibly the lute, and most children that aren't prodigies can't handle playing an instrument (physically or mentally) until they're around 5.

EDIT: We now know that Thistle is the same age as Freinag, the king that takes him in! So Thistle must be at least 25 years old in this comic, though realistically he could be anywhere from 25 to 40 based on how Kui drew Freinag.

He lived in the court for an unknown amount of time, Freinag hasn't changed much but Thistle appears to have aged a little, so let's say it's been 5 years and Thistle is 30 (6) when Delgal is born. More than 5 years could have passed, but I'm trying to keep the numbers low.

Delgal gets married and has a child. Delgal should be at least 15 at this point, but since he has a full mustache before his wedding, I think he's in his 20's, since teenagers tend to not be the best at growing robust facial hair.

(He has a full beard by the time Eodio's a young child.)

Thistle puts the kingdom inside the dungeon around this point, however, people are still aging: Delgal's grandson Yaad is born, and Eodio is clearly a young adult here, probably in his 20's. Therefore, there is NO REASON to assume Thistle stopped aging. "The dungeon lords don't age" is a common fan headcanon I've seen people spreading, but it has no clear canon basis.

Yaad ages until he looks about 13-15 years old, and at this point all of the people of the kingdom and Thistle appear to stop aging, and 1,000 years pass.

So, the youngest Thistle could possibly be, if he was 30 (6) when Delgal was born, if Delgal was 15 when he had Eodio, and Eodio was 15 when he had Yaad, and Yaad is 13 years old...

Is 73 years old, which would make Thistle about 14.6 years old by tall-man standards.

HOWEVER, I think it's VERY unlikely that all the characters are that young.

I think it's clear from Kui's drawings that Delgal and Eodio are not 15 years old when they become fathers, and that Freinag is at least 25 when he takes in Thistle.

If we assume Thistle was 30 when Delgal was born, and Delgal and Eodio were both at least 20 when they had children, even if Yaad is only 13 years old, that makes Thistle at least 83 years old (16.6), and makes him older than Pattadol, who is an adult at 82.

However, I think it's entirely possible that Thistle was anywhere from 40-50 when Delgal was born, and Delgal could have been anywhere from 20 to 30 when he had Eodio, and Eodio could have been anywhere from 20-25 when he had Yaad. If you use the maximum ages, and assume Yaad is 15, then Thistle could be as old as 120 (24).

I think a reasonable middle ground is assuming Thistle was 30 (6) when Delgal was born, Delgal had Eodio at 25, Eodio had Yaad at 20, and Yaad is 15... Which would make Thistle 90 (18) years old.

This of course says nothing about Thistle's emotional maturity or sanity, he's obviously stunted in some ways, but the point I want to make here is:

Thistle's age could be anywhere from 14.6 to 24 at the most extreme, but more realistically he's somewhere between 16.6 and 18.

And that's not even counting the thousand years that he's lived since then!

And that's all I've got to say about that 🙏🙏🙏🙏

(EDIT: Follow-up post with additional evidence here.) EDIT 2: I've seen a lot of people talking about the page Kui drew talking about elven earmuffs. It's considered just barely okay for Pattadol to wear them, but it's ok for Thistle to wear them... In which case I'd say Thistle could be any age younger than 83. That's handy as it knocks out some of the older ages!

So in that case Thistle's age is between 73 years old and 82, which makes him developmentally between 14.6 and 16.4!

#dungeon meshi #delicious in dungeon #dunmeshi #dungeon meshi spoilers #Thistle #Thistle Merini #thistle dungeon meshi #thistle delicious in dungeon #sissel #spoilers #theories

[catbountry]

It's been a year since the premiere of Trigun: Stampede. The series, despite the fears of the fans of the '98 anime, actually turned out really good; Yasuhiro Nightow is a big superhero comics nerd, and wanted to have this new anime adaption be an adaption similar to the adaptions of the MCU, back when those movies were consistently enjoyable, and I daresay a bunch of the people watched Trigun probably were either already anime fans, or they were nomad fans who may have been really into the MCU at one point.

I have a lot of thoughts on an American perspective on Vash the Stampede as a character, with a lot of comparisons to American comic book superheroes. And while Trigun wasn't my first anime, I was hooked on it, as someone who grew up around Batman and Spawn's 90's popularity. During my first Otakon in 2001, I must have seen a dozen Vash's and Wolfwoods. I remember the year there was a Wolfwood cosplayer whose Punisher gun was shaped like the Star of David instead of a cross, making him a rabbi. That shit was amazing. The larger point is that I've loved this character for more than half of my entire time being alive, and I haven't seen a lot of discussion of Trigun viewed from a more political lens, and why it resonates so much with Americans (or at least me, who is an American) in particular

Buckle up, kids, this is gonna be long and rambly.

There was a period of time where I watched nearly every single new MCU movie in the theater. It was exciting seeing adaptions of comic books that would have probably never gotten a movie before the success of The Avengers. And I don't think it's a mistake that the most comic book-y of the movies are usually the best; Guardians of the Galaxy and its sequel remain as probably my favorite MCU movies. Nightow was working directly with the studio making a new Trigun anime and reportedly got the crew to watch a bunch of Marvel movies to set the tone for the anime as an adaption; it's why Vash got a completely new redesign that freaked all us old fans the fuck out. Though it appears that once again, Trigun tried and failed to get that massive Japanese audience that most successful anime have. But boy, oh boy, do us westerners fucking love Trigun, especially us Americans. Nightow's love of superhero comics bled into Trigun, and it just so happened that he was incredibly influenced by Spawn, Hellboy and Batman as much as he was influenced by Akira Toriyama and mechanical art. McFarlane Toys released a Vash figure that is McFarlane'd the fuck up. Nightow loves all superhero comics but especially the Blade trilogy.

Just look at this and imagine being 13 years old and seeing this on a screen for the first time with the instrumental hard rock opening.

Also, I wouldn't actually get around to reading Spawn until I was an adult, but you know what? It's pretty good. The writing is definitely weaker than the art, but holy shit, that art goes hard and I still think that shit's cool as fuck.

As stated before, around the early 2000's Trigun was considered peak anime, though it's been more overlooked in recent years in favor of Cowboy Bebop, an anime that has aged gracefully by comparison. But while Bebop has that sort of timeless cool and level of quality that drew the attention of filmmakers like the Wachoski sisters, Trigun has that very specific kind of adolescent sense of coolness that comic book fans get, especially back in the 90's before this sort of thing would be smothered to death by MCU's Joss Whedoning of superheroes. Spawn, Hellboy and Batman are still cool. And Trigun also has a shitton of guns, obviously, given that Vash being an incredibly OP gunslinger in a world where everybody has guns.

And America loves guns.

I think the contrast of Vash's pacifism while still wielding a gun is extremely interesting because it's not something you see very much (I bet if I watched more westerns, I'd have a better idea if this is a trope in them at all). Batman does not use guns and doesn't kill people, which is why there's still discourse around Tim Burton's Batman films to this day still; I don't think Kevin Smith has budged on this. Other more morally grey superheroes will use guns (by this definition I'm counting The Punisher even if he doesn't have any superpowers, unless you count severe PTSD as a superpower). And a lot of them had huge surges in popularity in the 90's around the time Nightow was making Trigun. Vash posed like Batman or Spider-Man looking brooding (like the gif above) happens a lot in the earlier issues even though that's not really his character.

Several years ago, there was an attempt by a conservative thinktank to discredit a bunch of Hollywood actors saying that gun violence in America is a serious issue and contrasted their statements scenes of them shooting guns in movies, but if we're being real here, gunplay in movies can be really fucking cool. Again I invoke The Matrix, or movies by Robert Rodriguez and John Woo. Look at video games, and compare the decline in violent crime that's been happening here since the 70's and 80's, as culture warriors bemoan movies and video games for becoming more violent. Remember when Wayne LaPierre, vice president of the NRA, brought up fucking Splatterhouse as a reason why Sandy Hook happened? Do you know what Splatterhouse looks like?

It looks like this.

You know how these guys constantly say the only way to counter a bad guy with a gun is a good guy with a gun? Usually, the inference is that if the "good guy" with a gun shoots, he's shooting to kill. Deadpool and the Punisher would shoot to kill. But Vash is constantly trying to avoid it. And I remember as a teenager finding that really cool? And the manga and anime don't shy away from how impractical Vash's pacifism is. It's a bit more realistic than Steven Universe's ending, but also Steven Universe was made for children.

I know Avatar: The Last Airbender is often invoked when criticizing Steven Universe's philosophy, but I haven't really seen Vash's similar philosophy criticized in the same way, and I think a lot of that has to do with the presence of Wolfwood, who is the "I think we're gonna have to kill this guy" guy. I'm honestly surprised I haven't seen art of this yet. I may have to get on that. I already drew Vash horrified at the Trolley Problem.

Vash is a character designed with maximum coolness in mind, but also an overpowered being who is capable of killing millions, and in the anime, he somehow destroys July City without killing anyone directly, but the destruction of the city led to a bunch of people dying. He's so deeply committed to not wanting to kill anyone that he's probably killed more people than he would have if he just shot Knives. The best Batman stories acknowledge that Batman's refusal to kill Joker has similarly results in the deaths of people Batman could have prevented if he killed one guy, and this could also apply to Vash's relationship with his brother Knives, who was kind of destined to be a mass murderer with a name like that, let's be real.

Online, we tend to joke about bringing out the guillotines, or justify not feeling an sympathy for billionaires who die in a sub trying to view the Titanic. But if you were given a gun and a real human person begging for their life, what would you actually do? Do you honestly think that you would be the ethical Death Note user?

Vash has guns but he chooses not to kill people; he prefers to not even use them unless he has to, instead opting to run away and look cool doing it somehow.

He really, really doesn't want to kill people. He doesn't become numb to people dying. It hurts him every single time he watches someone get killed. In reality, most of us that aren't sociopaths would be distressed at the thought of killing someone. The only reason armies in real life work is that they become inoculated to the idea of violence and dehumanize the enemy. Vash is no soldier. He is idealistic, he is empathetic, and he sees every human being as a person worthy of life. Batman refuses to use guns, as that's how his parents were killed in front of him. Vash has to use guns in order to protect people from getting killed. He has the ethics of Superman but the tools of a comic book antihero. He's the logical conclusion of an shonen anime protagonist in a world that chews up anyone with that kind of optimism and hope and spits them out. And yet... he still keeps going. He remains committed. He's still cheery, goofy, lovable Vash.

Batman used to kill people, in the earliest comics. With the Comics Code Authority, no superheroes could kill people. In the 80's, comics were getting darker and edgier, taken more seriously. While Alan Moore's Watchmen delved into the moral complexities in a world with superheroes that was similar to ours, Frank Miller was keeping Batman consistent, even as Gotham got darker and uglier.

Batman is a vigilante. The police can be helpful or they can fuck up everything, depending on what's needed for the story. In Batman Year One, there's a scene where Batman crashes a party attended by the elites of Gotham, politicians and mobsters mingling.

Seeing this during the Bush presidency blew my mind. I don't want to get into just how perfectly the members of his administration seemed to resemble a rogue's gallery of sorts with the shared goals of making a lot of money and bombing the shit out of Iraq and Afghanistan. I was extremely anti-war even before the 2000 election as a very opinionated 14 year-old watching, Jon Stewart on The Daily Show and feeling relieved that a grown-up was able to see through all the bullshit; it helps when the guy who's against the war and killing people is funny. I remember writing in my diary at 12 years old after Columbine happened that I wanted to take all of the guns and melt them down in a pot, similarly to that scene in Superman IV where he throws the entire world's nuclear arsenal into the sun. But also that same year I would fall in love with The Matrix... and not long after that, Trigun.

Again, we come back to the idea of someone using a gun, a weapon designed to kill people, and using it in pursuit of the exact opposite. That resonated with me. I myself was very idealistic, and the political climate of my teenage years seemed to do almost everything to stamp that out of me. Things feel just as fraught two decades later, but in slightly different ways. Pacifism is looked down upon, as indicated by the backlash to the ending of Steven Universe, and how one crazy lady called Rebecca Sugar, a Jewish person, a Nazi for writing it that way. But for Steven, things worked out. For Vash? Well, he still has hope somehow, despite everything. I think the fact that he strives to protect human life, even when someone is a complete monster, is admirable in that it cuts to the very basic desire to not see people hurt. But we're also selfish, and scared, and sometimes it's hard to conceive of a solution to a problem that doesn't involve violence. Seeing dead bodies on TV or the internet upsets us, but we're often paralyzed by feeling like we can't do anything, and even if we tried, we'd likely perish in the attempt. We desire revenge, punishment for those who transgress by inflicting violence, and we can rationalize using it against the right targets. Vash the Stampede would have a fucking breakdown dealing with the state-backed violence that's been a part of geopolitics pretty much as long as there have been states and geopolitics. Vash would try and solve the bombings of Gaza with an impassioned plea for both sides to stop fighting before he would somehow wind up making things worse and it would eat away at him inside, no matter how brave a face he puts on as he tries to find some kind of hope in a hopeless situation. And... you know what? I kind of wish more people would be like that. Maybe if there were enough people like that, these sorts of things wouldn't happen in the first place. I wish more people could look at human suffering and feel compelled to try and stop it, not discriminating against one side or the other, trying to understand why people are doing what they do. Seeing anti-war protestors in Tel Aviv brings back memories of protests against the start of the War on Terror, and how hated America was internationally during those years, even when most Americans approved of the war. Michael Moore was booed at the Oscars for condemning George W. Bush and the War on Terror. It's terrifying that those in power want us killing each other and have conditioned us to support it. I want so badly for human beings to come together to just stop the violence, but it feels impossible, like we're destined for failure, like we might somehow make things worse or become worse versions of ourselves full of hatred and ugliness. But we should want to try, even if it's hard or unprofitable or we have no idea how to even do it. Somebody actually dedicating themselves to trying to fight our violent impulses out of love is appealing, and if they're more powerful than use, and can do more... well, I want the biblically accurate angel with every mental illness willing to martyr himself over and over again. But it is more fun when he's Bugs Bunny about it.

#political bullshit #trigun #comics #tl;dr #not fanfiction #I am high right now I hope this still makes sense when I'm sober

[jackie-sugarskull]

Today marks 7 years since the reawakening of my Captain Underpants hyperfixation, which had been asleep for a very, very long time.

I had first discovered the books much like any kid in the late 90s/early 2000s; at the Scholastic Book Fair. If I remember correctly, the first one I had found was the second book, Attack of the Talking Toilets. I remember thinking how silly the cover looked, and it drew my little elementary school self in like a moth to flame.

I had quickly read it and absolutely loved it, and like discovering a new favorite treat for the first time, I immediately wanted more.

I was able to find the first book in my school’s library so I was able to get the full story on the two best friends who pulled the ultimate prank by hypnotizing their grouch of a school principal, and how it immediately became the worst decision they ever made. And I loved every second of it.

As the years went on, I eagerly anticipated the Book Fair’s arrival at my school and would beg my mom for a few dollars extra, just so I get my hands on the newest adventure.

I devoured every single story I could find and bought as soon as I could, and each one was more entertaining than the last. From alien lunch ladies and zombie nerds, to a megalomaniac professor with an incredibly silly name in a giant robot with charts that you could use to give yourself a silly name (mine is “Poopsie Bananachunks” BTW), to an insane hypnotized woman with Medusa hair that gave atomic wedgies.

The more I read and reread these stories, the more I couldn’t help but think that it would make a pretty fun movie, or at least a tv show.

These stories had been with me through a lot of ups and downs in my life, the biggest being my parents’ divorce. They were there to remind me that even when times could be tough, you can make it through and still be able to laugh at even the silliest of things, no matter how old you got.

By the time I was 10, I got my hands on the latest book in the series, The Big Bad Battle of the Bionic Booger Boy Part 1. I loved it as always, but was shocked to see it ended on a cliffhanger. This had never happened before. I was anxious to see what would happen and how George and Harold would get out of this mess.

But… it would be some time before I got those answers.

Time went on, and my attention went to other things. I found new hyperfixations over the years, and while I didn’t have the 7th book at the time, I was eventually able to get answers thanks to the internet.

Eventually I entered middle school, and I found myself drawn to new book series that I grew to love, but Captain Underpants remained a big part of my childhood and some of its happiest memories. And for a while, I thought that was all it would be; memories to just fondly look back on.

But that all changed the winter of 2016.

It was the halfway point between Christmas and New Year’s, and I was gonna be 24 in less than a month. I was spending my downtime between holidays like any other bored 20-something year old; scrolling through Tumblr, of course. It was during that time that I stumbled across this post by @mondentertainment. It was photos of posters from a Licensing Expo, showcasing upcoming animated projects, be it films or series.

Among them were a few that sounded promising, others not so much.

But what caught my eye was this.

A poster from DreamWorks with a very familiar face on it.

I could barely believe what I was seeing, and from the comments and reblogs on the post, neither could a lot of other people.

It was like a door that had been long locked in the back of my brain finally burst open, and all those memories came flooding back, particularly of a reoccurring thought that ran through my young mind whenever I would look at those illustrations every time I turned the page.

Could it really be true? Was one of my favorite childhood books finally getting a chance to truly come to life on the big screen?

It had already happened once before after I read Coraline in middle school, so there might be a chance.

As you could probably imagine, I poured my thoughts of hope and excitement into the tags as I reblogged the post.

And when the trailer finally dropped three months later, it was like meeting that one childhood friend you never truly forgot all over again.

So much happened after seeing the movie on opening night, including meeting Dav Pilkey himself!

And all the great memories and friends I’ve made since rediscovering the fandom all lead back to that one moment on December 28th, 2016.

And I couldn’t be more grateful for that.

#captain underpants #captain underpants the first epic movie #captain underpants: the first epic movie #personal #personal ramblings

[centrally-unplanned]

Comic Box 1997 End of Evangelion Issue - Archive Scan

Comic Box was a magazine in Japan launched in, from what I can gather, 1982. It was a bit of an ‘alt” magazine - it has an imprint, Comic Box Jr, which focused on doujinshi for example - and would cover anything anime-adjacent, including western films. The October 1997 release of the magazine was dedicated to the release of the End of Evangelion film, and to answering the question “what was the phenomenon called Evangelion?”. Towards that end it features fan submissions, art, comics, essays, all talking about what Eva meant to them. Some are serious, some are fully comedic, way way more than I expected are erotic, and overall it is a time capsule of how the anime community was thinking about Evangelion when EoE came out. The magazine dissolved in 1998 from what I can tell, so this was one of its last releases - you can still see its absolutely vintage website here! Complete with dashing chibi cat gif.

I discovered this magazine through japanese anime/manga archivist-in-residence ehoba on twitter, who provided photos and rough summaries of some of the pages. They are just camera photos of an open magazine though, not scans, and not at all complete. I hunted around for a while to find a scanned version, messaged ehoba and a few others, posted on forums like Evageeks, and drew total blanks. I couldn’t find any listings of it online, so I set the quest aside...until I was placing another order for some artbooks for import and decide to check Yahoo Auctions Japan and lo and behold, there is was! It arrived this week.

So that image above is not one pulled from the internet - I have scanned the entire Evangelion segment of Comic Box - October 1997 issue. I am a neophyte scanner & image editor, these aren’t gonna be amazing or anything, but while I hope to make a more polished version I wanted to share the drafts now. I really aspire to translate it, but of course I don’t speak Japanese, so I am going to see how far working with some people I know and brute-forcing with AI would go. If you are interested or know someone who would be, definitely reach out! 100% would crowdsource this. If someone already scanned and translated this, also let me know, I would groan heavily and curse my google skills but i’d rather it be available and know, and not waste time.

Below will be some reduced-down PNG’s of the magazine to fit Tumblr image limits with Ehoba’s notes and a few of my own attached to them. A link to the full images as a singular PDF is on the Internet Archive [Here]

A reflection of a very known thing in this magazine is that, from my perspective, End of Evangelion is definitely Asuka’s moment to shine, but it didn’t matter because the 90′s Eva fandom *loved* Rei. She was the most popular by far, and I think dethroned Sailor Mercury on the ‘best girl’ polls in magazines of the era. Nowadays if you poll audiences - as the NHK did recently - Asuka is the most popular girl, but it was a different, proto-moe-boom time.

"Evangelion was fake. A fake made by one director, or by the staff. However, it was a very real fake. God, it was so good."

Watermelon Kaji absolute goat here; so cool indeed

How much Asuka is suffering in all these images vs god-salvation Rei is, again, saying alot about the waifu wars.

"I don't think episode 25 and 26 were professional work. I understand that the ADR script and previews with layout sheets are supposed to be avant-garde, but something is wrong with it." "TV show is not an individual's job, so I wanted them to deal with the schedule limitation."

90% sure this Asuka ‘escaped’ and I saw it on the internet in the early 2000′s - maybe the author published it elsewhere in a doujin, I assume a lot of this art would have been repurposed for other mediums.

Honestly the art is incredible for this magazine sometimes, the splash pages they have are filled with Evangelion’s anime-spiritual energy.

"Unit 02 has a mouth, which means it can give a blow job." "The biggest surprise is Rei in cowgirl position. The official content does that, so hentai authors have nothing to do."

(Gainax putting hard-working hentai doujin authors out of a job, what assholes!)

"My heated up feeling toward Evangelion was quick-freezed by episode 25 and 26. EoE defrosted it, but now I feel distant from Evangelion."

How much Episode 25-26 come up here is great evidence for how divisive they were - End of Eva is absolutely seen as commentary on, and opposition to, the TV ending. I think in the west the initial reception of the original ending is overall more positive? Certainly nowadays, would be curious how it is seen in Japan today.

OCR’ing this image will literally murder me, pls I can’t

"Bullshit plot, surficial information, shallow dialogues, inconsistent direction, story with tons of plot holes, the director's masturbation, the otaku's useless attempt to enlighten other otaku..." "BUT I LOVE IT."

10/10 take

"'Sincerity' of someone I don't like just confirms that I still don't like them. Anno apparently thought that honest depiction of himself can be depiction of otaku, but that's not wrong. Anno is exceptionally creepy."

God-tier Anno portrait here. I love how many of this art showcases “settings” from End of Eva and which ones hit the audience - re-using the movie theatre seats for Shinji, that is really cool!

Evangelion - Slayers edition! The artist names are in the black box panel on the page lining, I absolutely hope to track down a few of them and see what kind of works they made.

"I think each material of Evangelion was nothing new. In the early half, however, I was moved by their techniques of arranging and remixing those materials." "Creators' strong desire for expression supported this story, but I'm not sure."

"Adam and Eve in the Eden East" "I hope they will live happily after the ending."

"The theater was like a funeral after the screening. No, I should say it was a literal funeral. Evangelion ended, it died. In terms of entertainment, Evangelion was completely and brilliantly killed."

Kaworu’s insta-inclusion into the ranks of the kid cast is always amusing to me; he is in one episode of the show after all, barely in Eva! But he is all over the art immediately. The power of design - and also being one of the first gay characters on television (as opposed to OVA’s) in Japan.

Hopefully if I can make progress on translation I can have actual thoughts to add to the scan, certainly I will post results if I get them.

I value, way too deeply to be honest, the preservation of the other side of the ‘media mix’ - how people responded to the media in question and what it meant to them. It is way more likely to be lost than the media itself or documents from the production side. May this contribution to preserving a bit of that experience be of value to those out there who would be interested in the history of Evangelion, and anime more generally.

If you think you know anyone or your followers overall would be interested in translation help, I would appreciate the broadcasting!

#evangelion #anime archives #90's anime zeitgeist

[otakween]

Digimon Adventure 02 (manhua) - Vol. 1

Eurgh...I think this one is even worse than the first series. However, it is mercifully short (2 volumes), so at least it will be over quick. I think copies of this manhua in English are kind of a rare commodity so I'm just reading scans.

Ch. 1

-Back at it with the rushed adaptations as illustrated by Yuen Wong Yu. So far, the art in this is looking pretty good, but the writing is a mess, just like the previous series.

-This was a super condensed intro to 02. Veemon, Hawkmon, and Armadimon are all introduced simultaneously and the 01 kids don't even attempt to hide the Digiworld from the 02 kids. It bugged me that when Daisuke got his digivice he was like "so this means...!" How does he know what anything means?? He just got sucked into a computer with zero context.

-Charmingly lame translation. Daisuke says stuff like "mad skillz" and "dag yo." Honestly, he would. Sooo funny how they kinda-sorta incorporated the Japanese names. "I'm Daisuke, but my friends call me Davis." That's like saying "I'm Maxine, but my friends call me Meredith!" Just...a completely different name lol. (Then again, I guess East Asian people do choose "American" names, so maybe it's not so crazy).

Ch. 2

-I really wonder about the production of this manhua. 01 was 5 volumes, but for 02 we only get 2. The writer/artist must have known from the start that they would only get 2 volumes because of how blisteringly fast the pace is. Was this based on bad sales for the first manhua? Or maybe the fact that the second season of the anime wasn't as popular?

-This chapter starts with Koushiro saying "I found out why digivolution isn't working," but we never had a scene showing digivolution not working lol. We also see all of the armor digivolutions in this chapter...without any chapters of those getting introduced. So yeah, this is another adaptation that assumes you've seen the show so they skip all the exposition that would be helpful to a newcomer.

-Daisuke said "wiggedy wack"

Ch. 3

-Lol at Koushiro calling the 02 gang "kids" when he's like 2 years older than them. Middle schoolers do be like that tho...

-They just threw all the new digimon armor evolutions together in a way that I thought didn't really make sense. They find the digimentals and can't lift them up, but then later in the same chapter the digimentals just fly over to the kids and work? Why couldn't they pick them up the first time? Were the vibes off or something?

-I was sad to see they cut out the part where they make fun of Ken for calling himself the Digimon Emperor/Kaiser. I did enjoy Iori's "how does he do that with his hair?" bit tho lol

Ch. 4

-Wow, this one was laughably bad. Somehow we're already on Ken's redemption arc. The instant after Wormmon's sacrifice Taichi appears literally out of nowhere (he wasn't in the previous scenes at ALL) to be like "guys it's okay, Ken's brother died." WTF? How did he know that and where did he come from?? Clunkiest exposition ever. They could have at least thrown in a separate "Ken backstory" chapter to make this go down a lot smoother.

-Daisuke literally says "Dag. This thing got the bling bling" when he finds the miracle digimental loool. Why.

Ch. 5

-In horrible 90s/2000s slang news, in this chapter Daisuke calls Veemon "boo," randomly shouts "Extreme!" and says "that's straight." (I don't even remember that last one being a thing).

-I liked how they drew Stingmon. His face is a little more Wormmon-like than it was in the anime. I always prefer it when digivolutions bare a resemblance to their earlier forms instead of being totally random.

Ch. 6

-In this chapter, Daisuke calls Ken "homeslice." He's the only one they made talk "street" (or whatever you want to call it). The other characters are just like "Wtf?" lol. Of course, I'm sure none of this was in the original Chinese.

-Not gonna lie, going through this again is just reminding me how dull 02's story is :/ I think they kept presenting questions "who is this mysterious lady??" but then the answers we eventually got were underwhelming, so you were left feeling like "what was the point...?"

Ch. 7

-They mention the dark ocean, but it's completely without context because they didn't bother to adapt that episode lol. So much of this manga is out of context in general and would be a nightmare to read without prior knowledge.

-Weirdo dialogue when Hikari saves Miyako from falling off a cliff and says "I believe in you!" and Miyako's reaction is "wow! That was really nice, thank you!" As if Hikari was mean to her before...? Just awkward.

Onto the next! I bet it will be just as underwhelming (especially since the 2nd half of 02 isn't that great in the first place).

#digimon adventure 02 #manga #digimon #don't read this lol #manhua

[listen-to-the-inner-walrus]

okay so after i saw the announcement of a stranger things animated show, i looked into it just for more context and found out that this year, a stranger things stage show opens in london, and as a british theatre nerd, i may have fell down a rabbit hole.

to preface, i have not studied drama since i was 16. i did not pursue further it as much as i wish i had. i have, however, seen many many plays and musicals, both amateur and professional. i know at least a little more than the average person.

so if youre remotely interested in hearing amateur analysis of what we know of stranger things: the last shadow, welcome:

"take theatrical storytelling and stagecraft to a whole new dimension"

so in one article, i found this quote. i couldnt find who said it exactly, just someone associated with the play.

i'm hoping, this is just marketing; i really hope its just marketing. because this feels a bit insulting to uh, a lot of people who came before. such as augusto boal who founded theatre of the oppressed or konstantin stanislavski or bertolt brecht or antonin artaud who founded theatre of cruelty.

i mention artaud because im expecting some elements from theatre of cruelty. if you look up any artaud plays or theatre of cruelty plays on youtube, youll probably get why.

but anyway, as you might have gathered, this hasnt inspired confidence in me. and i already wasnt confident because it is very difficult to translate film or tv to theatre, and vice versa. look at phantom 2004. i dont believe the duffers would be able to do this; this isnt even a knock on their writing, i dont think most writers could do this without practice.

and so i went to their website to see who else was involved

now is probably a great time to mention how inaccessible their website is. in the background of their website, there are small flashing lights all over the screen. theres no warning for this.

it literally triggered a migraine in me and i had to take my strongest medication for it. fuck you website designer.

(also, just gonna mention it here, i do like the poster and some of the website design, ignoring the stupid lights, but i cannot find the artist ANYWHERE on the website, which as an artist, fuck you)

anyway, first thing i did was look at who is writing it, and im in two minds about it. there are four writers credited: kate trefry, duffer brother 1, duffer brother 2, and jack thorne.

if you recognise jack thornes name, its probably because he wrote the awful harry potter play.

HOWEVER, hes actually quite a competent writer like 90% of the time. his plays tend to get at least 3 out of 5 stars. looking through the reviews, his best regarded plays are bunny, hope, solid life of sugar water, and his adaptation of let the right one in

that last one is very promising because he drew both on the book and film in adaptation. jack thorne does know how to adapt media into different mediums. he has also won an adaption award for his adaption of a christmas carol. his adaptation of the film after life has also be commended for being a good adaption.

this is not to say his work isnt without criticism. i mean, he wrote cursed child. he also has been criticised for slow pacing, shallow writing and one of his more recent plays, sunday, apparently had a "hello fellow kids" vibe. he is now in his 40s afterall.

so a bit of a mixed bag, but a good sign in terms of it not being simply terrible due to lack of understanding of medium.

i also have to mention that jack thorne is disabled and is an advocate for disabled folks in the dramatic arts. when he wrote the solid life of sugar water, he dictated that one character should always be played by a deaf actor. he does also write many disabled stories. his impact is a net positive.

(hes also frank skinners brother-in-law which is fun)

now, the other three writers have never written for stage, which uh, yeah, no, that does the opposite of inspiring courage in me. it is a very different process than writing for films or tv, and none of them have any writing credits for stage work.

on the poster, kate trefry is credited as the main writer which could go either way. shes not written much for screen. she has at least written stranger things episodes so shes not going into it blind.

honestly, i just hope they use jack thorne and his expertise more than they need to. hes the wise old man in their group and i really hope they listen to him and dont just try and do it all themselves.

now onto the director: stephen daldry. ive never seen his work live, but when i was studying drama, i really wanted to.

to give you an idea as to why, when david hare was working on via dolorosa, he had daldry as a co-director and when daldry responded no to hare asking if something was over the top, hare said "your top is situated some hundred yards above everyone else. ive seen your productions."

do you get why i want to see one of his productions asdfdesd his work tends to be very expressionistic and vivid. his directing style has been described as consistent stylised helming. hes won a lot of awards and he tends to get 4/5 stars at the very least on his works.

hes also helped to adapt the billy elliot movie (which is both fantastic and directed by him) to stage and it was fantastic.

hes also gay <3

the set designer is miriam buether. ive never seen any of her work live so i cant speak for the atmosphere it creates, but her setwork looks fine. shes versatile and doesnt need to go over the top with spectacle for her sets to look good.

in particular, i really enjoy her sets for earthquakes in london. the colour work there is *chef's kiss*

unfortunately, theyve kept it all very under wraps as to the tone the stageshow is going to take so i dont know how either buethers set design of daldrys directing is going to translate.

by combining them, i would expect a very expressionistic, very brightly coloured show, which, theres some cognitive dissonance round the corner.

also the premise is about young!hopper, young!joyce, young!bob and henry creel, with some kind of mystery. id expect a more naturalistic approach with this premise, but daldry isnt exactly known for that. so im in two minds.

however, one of his best regarded shows is his adaption of an inspector calls. ive only seen a naturalistic version of that and it very much reads naturalistic. daldrys was the opposite, even going as far as swapping out the fancy dinner hall for the blitz. so if anyone is gonna make it work, it would be daldry.

in terms of light design, thats jon clark. once again, ive never seen any of his work in person so im going off of photos but oh my fucking god i love his work with shadows. hes won many awards and he fucking deserves them.

sound design is the same. ive never heard a paul arditti sound design show in person and bootlegs dont have the best audio. hes award-winning, however, so it seems like thats in good hands.

one thing i was very interested about was how they were going to translate the upside down and the monsters. the show relies on cgi which obviously, you cant really do cgi on a stage; it would just look kinda shit.

their solution seems to be hiring two illusion designers.

i couldnt find much on the first, chris fisher. hes a member of the magic circle and hes done a lot of work so he seems accomplished.

the second one, im honestly kind of excited about. the second is jamie harrison who is the co-artistic director for a company called vox motus WHO ARE SO FUCKING COOL.

there is no mention of his partner in vox motus, candice edmunds, but that could mean nothing.

instead of trying to explain what vox motus do, im just gonna copy two quotes from their website:

"ours is a theatre of story-telling visuals, transformational design, magic, comedy, music, physical performance, puppetry, multi-media and most importantly thrills."

"we are drawn to stories that explore extremes of behaviour and taboos in the contemporary world: often unbelievable true tales that delve into the bizarre, glorious, exhilarating and macabre."

look up their stuff, its so fucking cool. there is also definitely some elements of artaud in their work. it gives me a lot of confidence for the show being enjoyable even if the writing is bad, because spectacle can go a long way.

i genuinely kinda want to go see this show now because i really want to see their work, and id get a chance to see a daldry play.

so like a tl/dr for this part: im not confident in the writing but i dont necessarily think itll be bad. i think the worst itll be is sufficient and mediocre, if they listen to jack thorne. i do have a lot of confident in the visual aspects and spectacle; even if the writing is shit, it will look good.

now im going to be an annoying disabled person and point out some accessibility stuff:

as i mentioned before, the website has small flashing lights all over the background. theres no warning for this. it triggered a migraine for me which was the best three options considering they could have also triggered visual disturbances in my eyes (aka seeing things that arent there due to my iih) or epileptic symptoms due to brain damage.

the theatre itself does have wheelchair access at the side of the building it also has accessible toilets. there is no onsite parking which does make it more difficult for wheelchair users.

they have said they will present captioned, audio-described and british sign language performances, but the dates are not yet set. they instruct you to keep checking . im a little intrigued about this and a little concerned considering its currently may 9th and it opens 17th november.

if you need accessible tickets, you need to have atg access membership. this is a third party company. to have this, you have to show paperwork or documents to prove that you're disabled which is often not possible for many disabled folks. i dont have a written diagnosis for anything besides my adhd diagnosis because i was diagnosed in person or over the phone. luckily, i receive pip so i qualify but its a ridiculous standard.

in the faq, theres a question about being aware of any potential trigger warnings; the answer to this is copy and pasted from the question above which asked about age rating and parental guidance, apart from them adding that there will be flashing lights in the show.

and finally some extra details:

there is a £3.80 transaction charge on top of ticket purchases

you cannot book over the phone

they are all e-tickets

currently, you cannot buy group tickets or student tickets, and you can only purchase a max of 6 tickets.

they are planning a weekly-lottery for late-release tickets, and this will be announced closer to the first show

there is not a confirmed runtime

they have no current plans to move the show outside of london

the age rating is 12+. this means under 16s must be accompanied by adults and under 5s are just not allowed in. not entirely sure how it works if youre age 6 to 11.

the most common ticket price i saw was starting at £45 (about $57). the second most common was starting at £75 (about $95).

there were some tickets starting at £20 (about $25).

i might actually buy a ticket and see it. i would have to save for it but i could do it and then tell you if its shit or not lmao

#stranger things #stranger things the last shadow #long post #kai rambles

[reidandweep]

No Better Outcome

Spencer Reid x Reader (female)

A/N- I had a request for a Spencer imagine where the reader was held at gun point by the unsub and Spencer had to talk them down. I said it would be finished last week and posted, but to be honest, I hated how it was so I re-wrote the whole thing. I ca’t remember who requested it either.

Word Count- 2336 words

Warnings- Angst, Fluff, mentions of guns and murder.

“What do we know about this guy?”

Y/N glanced at Reid as she continued to drive to their destination. The team had been called to Baltimore on a case the morning before. Four couples had been found brutally murdered in their homes; located across the city. The team had quickly learnt that all the couples were newly engaged and had very healthy, happy relationships.

“Landon Reeves, aged 24. Garcia looked into each of the couples lives and found that Landon works at the local auto repair shop. Each of the males have visited the shop in the past three months, all complaining about the same problem with their cars; faulty breaks. Landon was the one that handled all the bookings.”

Y/N nodded her head as Reid spoke, taking in the information.

“So, we’ve got a 24-year-old, Caucasian, male who has fixed all four male victims’ vehicles in the last 90 days, which they all coincidentally needed the same job doing. Sounds like to me; Landon might have had his eye on them before they entered the shop. There’s too much coincidence between the couples for him not to have.”

Pulling up to a red light, Y/N turned her head to look at Spencer.

“The murders looked disorganised but were actually very meticulous. All the women were mutilated in the bathroom, but their bodies were tucked into the beds. They were covered and their arms crossed; showing signs of remorse. But the male victims were splayed and left out for all to be seen. He hid the women’s modesty and treated the men like animals.”

Honking drew Y/N from her thought process. Swivelling her body to face the wheel once more, she continued to drive.

Spencer comprehended Y/N’s words.

“Maybe he lost a fiancée or girlfriend? Left him for someone else or even cheated.”

Spencer shook his head.

“Usually, if an unsub targets woman that remind him of an unfaithful partner, the attack towards them would be messy, violent, and have shown forms of sexual assault. This hasn’t occurred here. The women were shot clean through the heart. No signs of sexual assault or torture. Garcia already looked into any past relationships of Landon’s. No spousal deaths or even any signs of a partner from his social media. Ever.”

Y/N pulled up on the curb outside their desired location. They had already checked to see if Landon was at work before they travelled to his home. Speaking to his co-workers at the garage, they were more than sure he was their unsub.

“Well, let’s go do our job Dr Reid. All we can do is question for now.”

Spencer chuckled as Y/N opened the SUV door, sliding out and adjusting her appearance; making sure her gun was secure in her holster. Shaking his head, Spencer stepped out and walked to her side.

Walking side by side as they walked up the steps of the house, the pair stopped at the door; Y/N stepped forward and knocked on the wood.

They waited for any sign of an answer. Spencer looked through the window to see a figure walking towards the door.

The pair stood straight as Landon opened the door.

“Landon Reeves?”

“Speaking?”

Y/N glanced at Spencer as he spoke.

“I’m Dr Spencer Reid and this is SSA Y/F/N Y/L/N. Were from the FBI. We just wanted to ask you some questions.

Landon begun to shift uncomfortably in his stance.

“About what?”

Y/N stepped slightly as she spoke, noticing the increased edge of his tone of voice.

“We just want to ask about a few of your customers. Of course, only if it isn’t a waste of your time.”

Landon stood silently for a while before he allowed them into the house.

Insisting Y/N to go first Spencer kept his eye on Landon, just in case he tried to run for it as they walked inside. He didn’t.

Shutting the door behind Spencer, Landon ushered them into the living room; offering them to take a seat on his sofa.

He gave of waves of discomfort. Fidgeting with his hands, biting his lip, and avoiding eye contact. He was guilty of something. But murder? Y/N wasn’t how sure. Something would have had to make him snap.

Y/N allowed Spencer to take the lead in questioning as she discreetly surveyed the room.

“Mr Reeves, on a weekly basis, how many customers do you have come into the workshop?”

Landon shrugged his shoulders.

“It depends. Some weeks are better than others.”

Spencer nodded his head.

“On average, according to the week, how many cars do you repair which the fault concerns the brakes?”

Landon shuffled in his chair as he uncrossed and re-crossed his arms.

“Only about one or two. We mostly get broken taillight or problem with the exhaust.”

Y/N’s eyes caught the pictures on the fireplace as she pretended to write down Landon’s answers. She knew Spencer would remember what he said word for word, so she had no worry but to focus on surveying the area for any information that could help.

Above the mantel piece sat an array of pictures showing Landon with multiple different people. Pulling out her phone, Y/N texted Garcia requesting details on Landon’s family. Not more than two minutes later, she got a reply.

From the information Garcia found, it seemed Landon had a good family. No problems concerning abuse, abandonment, gambling, nothing. But the description of the family didn’t coincide with two pictures. Landon and his family were all brunette. But he had two pictures on the mantle of him and a young blonde woman; who looked eerily like the victims.

“What does me fixing a few brakes and taillights have to do with the FBI?”

Y/N looked up at Landon at the sound of his agitated question.

Spencer went to answer his question, but before he could, Y/N interrupted the young genius.

“How long have you and your girlfriend been together? You’re a very cute couple.”

Landon looked in the direction that Y/N was pointing. His body became tense for a short moment; his hands clenching in fists. Spencer noticed the change in his demeanour.

“She’s not my girlfriend. We’re just best friends.”

Y/N nodded her head.

“What’s her name?”

Landon licked his lips as his nerves spiked.

“Celeste.”

“Well, I think you and Celeste would make a cute couple. You should ask her out?”

Y/N walked to stand slightly closer to Landon to gage his reaction.

Landon continued to tense up as Y/N carried on talking and walking closer.

“Or is she already taken? Because she looks an awful lot like three women who have been murdered in the following months. All whom were customers of yours.”

Spencer went to step forward.

“Y/N-“

“Does she not call you back anymore Landon? Cancels your plans? Or doesn’t even bother to make them herself?”

“Shut up.”

Y/N took another step closer.

“Is it because she doesn’t love you back?”

Before another step could be taken, Landon suddenly pulled a gun out from the cushion of his sofa, pointing it towards Y/N.

Spencer quickly drew his gun, aiming it at Landon. He could tell by the look on Y/N’s face that she knew he had a gun the whole time.

“Landon put the gun down.”

Through his earpiece, her heard Hotch’s voice.

“Reid, we’re on our way. Y/N’s mobile is called through to Garcia. We can hear everything, so stay calm.”

Spencer kept his focus on Landon in front of him.

“Landon put the gun down and we can talk, okay? She didn’t mean what she said.”

“Yes, she did!”

Y/N flinched at the sudden raised voice from the unsub. She knew the risk when she began to ask him questions. But there had been lives lost, and she did not want to walk away from this suspect, and another life be taken. She would risk herself always. Spencer knew this and he hated that she would always risk herself to save everyone else.

Spencer glanced at Y/N as he saw her flinch. Looking back at Landon, he saw the boys hand shaking. Keeping his own arm locked and in position, Spencer tried to defuse the situation.

“I know how it feel. To be love someone for so long and so deeply that it rips you apart to know they don’t feel the same way back.”

Landon looked away from Y/N and towards Spencer; tears of frustration falling down his face.

“But just because they don’t love you back the same way doesn’t mean they don’t care.”

Y/N couldn’t tear her eyes away from Spencer as he spoke.

Landon shook his head, the gun shaking in his grasp, as he repositions it in his sweaty grip.

“She was the best thing about this place. Everyone said we were meant to be together. Everyone! But she left with him. Moved to a whole different fucking state after knowing him for 2 months. We’ve known each other for 14 years. I’ve loved her for 14 years and she left me for someone she’s known for 2 months!”

Reid licked his lips, preparing himself for what he was about to say. He knew this could change things between him and Y/N, but he couldn’t risk the thought of her getting hurt. Or even worse, dying.

“I was 25 when I met her. I’ve been in love with her for over ten years. Watching her with other men, listening to her date stories, being there to help mend her broken heart, and so much more. We’ve been side by side nearly every day. Spending holidays together and birthdays, even when we didn’t need to. I thought for a while she liked me back. But I couldn’t put her through all the issues and problems that I come with.”

Y/N looked at Spencer in disbelief.

“I knew I loved her approximately four months after I had known her. I accepted she didn’t love me back after two years of hoping that she did.”

Spencer to a cautious step towards Landon; watching as the boy’s grip on the gun loosened as he recognised himself in Spencer’s story.

“But I would rather have her in my life every day, in any other way, than to not have her there at all. Because I would miss having someone to watch Doctor Who with when we both can’t sleep. I would miss the lunch trips to the food trucks when work was quiet. I would miss the good morning texts and goodnight messages. I would miss so much that I get in a friendship, that I wouldn’t in strangers of unreciprocated feelings.”

Spencer took another step forward.

“You choose, Landon. But, if you drop your weapon, and let us take you in, Celeste will still see you as her best friend; who she loves dearly.”

Landon looked at Spencer with tears streaming down his cheeks; his lower lip wobbling. Slowly, he lowered his gun, letting Spencer take it from his hands.

Passing the gun behind him, Spencer focused on cuffing Landon as Y/N quietly stepped forward and grabbed the gun.

Just as he clicked the cuffs shut, the rest of the team walked through the door.

Hotch and Luke moved to take Landon from Spencer, as JJ and Tara moved to consult Y/N. Checking her over for any injuries, the women asked if she was okay. Y/N reassured the pair, but she could not waver her stare from Spencer as he watched Landon be escorted out and into the police vehicle.

Sensing the looming conversation, the team all walked outside, leaving Y/N and Spencer in the house alone.

Silence befell upon them.

Y/N walked towards Spencer, placing a hand on his shoulder as she spoke.

“Spencer I”

Spencer swivelled around in her grip.

Before Y/N could say anymore, Spencer pulled Y/N into a tight embrace. Quickly interlocking her arms around his neck, the pair basked in each other’s presence. Spencer was the first to pull apart.

“Never put yourself in a situation like that again. You realised he had a weapon and still antagonised him. What would you have done if he had fired? What do you think I would…”

Before Spencer could finish berating Y/N, she grabbed his face between her hands and pulled his lips against her own. Moving her hands to tangle into his hair, Y/N pushed her body flush against Spencer, gasping as his hands instantly moved to grip her hips. Pulling her impossibly closer, Spencer’s mouth moved against Y/N’s feverishly.

The pair slowly pulled apart as they both filled their lungs back with air. Spencer couldn’t help but blush under Y/N’s gaze.

Y/N giggled at the rising pink in his cheeks. Placing a quick peck on his lips, Y/N looked Spencer in the eyes.

“I love you Spence. I have for a really long time. That’s why those other guys never worked out because I was trying to get over you, and I couldn’t.”

Spencer couldn’t help but lean forward and kiss her again.

Once again pulling apart, Spencer rested his head against her own, and allowed for the smile to take over his face.

“I love you too. But please stop putting your life in danger.”

Y/N leaned back and laughed at Spencer’s words.

Glancing out the window, she could see the team almost ready to leave. Y/N pulled herself from Spencer’s embrace.

“Unfortunately, with the job we have, that’s one promise I can’t make.”

Spencer rolled his eyes with a smirk.

Y/N placed her hand in Spencer’s, interlocking the digits.

“Come on, Dr Reid. We got a case to officially close.”

The pair walked out the house hand in hand, as they walked towards their team. Giving Spencer’s hand a squeeze, she let his hand go and she continued to speak to Hotch and Luke, about the details of what occurred.

Spencer stood by her side, listening to her words and interjected when needed. While it wasn’t the exact outcome they expected the case to end with, it sure could not have ended any better.

A/N- I hope you enjoy. I have a few ideas that I’m going to write. One in particular is going to be a more personal one so stay tuned.

Taglist- @danielleslegacy​

#spencer reid #spencer reid imagines #spencer reid imagine #spencer reid x reader #Criminal Minds #criminal minds imagine #criminal minds x reader #Matthew Gray Gubler #matthew gray gubler imagine #matthew gray gubler x reader #matthew gray gubler imagines

[holycow99]

石田お寿司 18/9/21 stream summary Part 3

This is not the full translation of the stream. I only translated the parts I could understand & interpret or parts I found interesting/important. I’m still a beginner in Japanese, so the translations may not be accurate. If you want to repost, please repost at your own risk.

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(t/n: ** = translation may not be accurate, SY= Y****, TS= S******)

83. Ishida bad mouthed the assistant guy from the last stream, not realising that person was in the stream as well. He then asked whether the guy was able to wake up.

84. Someone mentioned Bleach’s author, Kubo sensei, as the one who could draw super fast. He said that being able to draw fast didn’t only include the pace you’re drawing the picture. The panels were also included. Even if you draw fast, if there’s 120 panels, it’d still gonna take time. On the other hand, if there’s only 70 panels, it’d take less time. Then there’s the art style as well. Those who use great amount of Kakeami would take a longer time. He then praised Kubo sensei’s drawing.

(t/n: Kakeami is a method of shading using only parallel lines.)

85. Takahashi Rumiko sensei, the author of Inuyasha was also mentioned as mangaka who drew fast. Ishida mentioned that she’s full of energy. He said young Takahashi Rumiko sensei was cute. She’s still cute now.

86. SY asked what kind of vehicle he wanted to ride. He said he’s scared of trucks. He also didn’t like riding buses. In conclusion, he didn’t wanna ride anything.

87. Ishida said it’s kinda hard to be motivated with digital drawing. He did want to draw on papers, but drawing digitally is infinitely better when he wants to fix or adjust things in his works. He often uses shortcuts as well.

88. He never really felt any sense of accomplishment, so he didn’t understand people who did. He did feel relief (?) when he completed something, but he didn’t understand the feeling of wanting to experience that sense of accomplishment again. He envied those who felt that way since he never felt it.

89. SY read TG manga for the first time the previous day. Ishida was surprised by it and asked him if he thought Ishida was just a streamer. People in the chat were also shocked by it, lol. There were people who only knew about JJ too. Ishida wondered how did SY come across his streams. Sy replied that he just thought Ishida was just someone who drew beautiful illustrations the first time he watched his stream. Ishida was grateful that he’s reading it. It didn’t really matter if he read it or not. When musicians told him that they read TG, he felt like they’re just trying to be considerate, but they probably did read it. It’s okay if they didn’t read it. He always thought that every time he met new people. He wasn’t being humble, it’s just that he preferred if people could just talk to him as usual.

90. Someone said that there were people who got shocked reading TG after they played JJ.  He said it’s because JJ was a combination between his sister & him. He also already through with TG, so the vibe was different. However, he once said in an interview that it was hard for him to get rid off TG vibes inside of him when doing JJ in the early stages. He was teased about that by everyone.  

91. He went to the bathroom for the 3rd time and someone guessed the correct flower.

92. He wants to invite Mr. Kunimitsu and Ms. Towada again.

93. He said 30,000 is quite a lot for a small fry youtuber like him. He’s amazed he could come this far just by his Animal Rap videos and his game streams.

94. He’s looking at the new illustration that Ms. Towada posted on her twitter. He said the illustration must’ve taken a lot of time. That kind of illustration was tough to draw. He said Ms. Towada seemed healthy when they talked recently.

95. It’s better to just have a conversation with Ms. Towada the next time she’s in the stream since he’d get distracted.

96. Takayuki Kondo, Takashina Sarafumi’s VA was streaming at the time and a fan commented that he was praising Ishida in the stream. Ishida wanted to know what he said about him so he asked the fan to record it.** Ishida was grateful about it.

97. A fan commented that Ms. Towada seemed knowledgeable about geography or local stuffs. Ishida told them it’s because she really liked to travel. She probably had gone to most prefectures in Japan. That’s why she’s very knowledgeable in local history.

98. He jokingly said that he already went to Kumamoto trip with 300 fans. He apologised to those who didn’t get invited.

99. SY commented something and Ishida asked him shouldn’t he be doing something at the moment. He hoped SY did something while listening to his stream. He wanted to think the viewers did that since he only talked about trivial stuffs.

100. A lot of people said they weren’t invited. Ishida said that the trip was only for old men. The trip was for those aged 40 years old and above.

101. He mentioned that he’s just gonna thank the viewers for 30,000 subscribers’ celebration, though he’s really grateful for it. He wanna aim for 40,000 as well.

102. Someone mentioned that Simon’s abilities were really cool to the point they wanted to try those abilities. Ishida also stated he wanted to try them.

103. A fan suggested Ishida going on a trip with 300 gals. He said it seemed tiring, but in actuality, he’d probably enjoy it.

104. A fan asked his opinion on anti-natalism. He wasn’t familiar with the term and searched for it. He wondered if the term was brought by Schopenhauer. He said Schopenhauer was just jealous of Hegel since Hegel was really famous. His books were full of criticism on Hegel.

(t/n: Anti-natalism is a principle that’s against reproduction. Anti-natalists believe that giving birth is wrong. Both Schopenhauer & Hegel were philosophers.)

105. His opinion on the subject was that it’s okay if anti-natalists exist. There are people who agree or disagree with the concept. If you don’t wanna have a baby, you don’t need to. If you want to have a baby, then you should go for it. He said recently, he finally understood why declining birth rate is a bad thing.

106. A fan suggested a stream where viewers could also participate to increase subscribers, so he asked what should they do together. People in the chat suggested games like tetris, bomberman, and Smash Bros. He didn’t wanna play Smash Bros cus he didn’t wanna get beaten again.

107. A fan said that a lot of people would be interested in having children if they had money. He said it’s better to provide support towards people who raise children.

108. Mashima Hiro sensei, Fairy Tail’s author, did an online signing session. He wondered how he did that.

109. A fan suggested playing Mario Kart with viewers, but he scared the same thing would happen to him, just like during Smash Bros.

*Ishida reading game recommendations.

101. A fan asked what kind of game should they play so he wouldn’t get his ass beaten. He said it depended on the players. It’s better to gather weak players, so he could be the strongest.

102. A fan suggested a correction session, where Ishida would look through everyone’s own manga and correct errors. But then, everyone had to draw a manga.

103. He’s still not over his Crazy Jump’s idea. He seriously wanted to publish the magazine, lol.

104. People asking him how many pages should they draw and he said just 2 panels.

105. He bought a lot of books about human history.

106. He drank a lot of proteins.

107. He said Hitman is fun if he plays it by himself. He becomes lazy when he streams it, so it feels boring.

108. He wanted to play Detroit again, but he wanted to finish Heavy Rain first. He wanted to play Heavy Rain but the game’s heavy.

109. He wanted to end the stream, but everyone asked him not to.

110. He’s probably gonna do his work or watch movies while trying to sleep after the stream ends.

111. He wanted to end the stream, but he’s really curious about Mama’s last illustration, so he continued playing Made in Wario for a bit. He fanboyed over Mama, Mona, and Penny. He wanted to get penny’s illustration, but he didn’t have enough money to buy items to increase Penny’s level.

112. He wanted to try go to a cabaret club. He wanted to try spending all his money on a cabaret girl. He wanted to go to a host club as well, but he thought he’d probably wasting the hosts’ time since they’d have to serve him.

113. In the end, he’s gonna take a look at Mama’s final illustration by himself. He fanboyed over her one last time.  

Part 1

#ishida sui #tokyo ghoul #jack jeanne #chojin x #choujin x #ishida sushi stream summary

[blushnik]

What kind of message would you give for beginners on drawing? Cause I'm getting frustrated how my work turn out.

Hi, hun!💙 I tried to sum it up but yeah... I’ve got a few things to say. So I drew pics cause who wants to read some long list with only text, right.

(small disclaimer: these are my own opinions and what works for me might not work for others, ALL of these are my tips from my own experience and is NOT a guide in any way. I’ve learned each one the hard way so I hope they help you.)

There are no shortcuts. Trying to take shortcuts will do more harm than good (i know this because I practiced gesture drawing for 2 years in the hope it will teach me how to draw bodies, spoiler alert: it did not. Anatomy does. Not gesture drawing)

What is it you want to draw the most? Faces? Do that. Don’t bother with human body, animals, perspective, landscape etc. When you feel like you’re decent in one, move onto the next topic (I’d suggest you don’t spend TOO much time on one though because you are gonna come back anyway. Learning these things is a circle, you only expand it over the time)

I am guilty of this one big time. I just wanted to jump right to the hard stuff but I can’t tell you enough HOW MUCH it’d make it easier & faster to improve if I already knew basics. I do recommend ProkoTV and their basics playlist on youtube (amazing channel, really and their podcast is MMM YES)

Please don’t be afraid to use references. EVERYONE uses reference pictures. Using reference pictures is NOT cheating, it’s the way you do it. How can you draw something if you don’t know how it looks like? Reference pictures not only make it easier for you but they make your art look better. Sure there are artists who just draw from their imagination on the fly but I guarantee, they are such master skill level already with such a wide visual library, they can afford it.

Reference pictures are your friends. Use reference pictures. Period.

References are great but they are gonna do you more harm than good IF you just copy the picture in front of you. Get multiple pictures of one thing. Observe how that object works, where the shadows are, how it changes depending on the angle. Don’t just draw. Think about what you draw.

Everyone makes mistakes. There are gonna be a lot of “bad” drawings before you do one good, just keep drawing. Don’t look at mistakes as a bad thing. Instead, try to learn from them. Which brings us to the next point:

If you create something and just dismiss it by “this looks like shit” and throw it away, you’ll never learn from your own mistakes. I suggest, you take a long hard look at it and pick ONE thing that bothers you the most, analyze why it happened and try to not repeat that mistake in the next drawing. You created something, be proud of yourself, accept the mistakes you did, work on them and don’t forget to pick something you really liked about the piece too!

Did you draw a portrait but you hate how lifeless it looks despite the fact you know how to draw faces? Good. You’ve spotted a mistake. Maybe give a little look at facial expressions and use that knowledge in your next piece.

Not everything you make has to be posted. Not everything needs to be a masterpiece. You should find time to simply experiment without high expectations. You may watch a lot of tutorials, you may create an entire “art plan” in your head but you’d be surprised how much stuff you’re gonna figure out by trial and error method. Free yourself and experiment. Even if it looks like someone took a big colorful dump on the paper, 90% of the time, you’ve learned something (a lot of times subconsciously too).

This one is hard. Like really hard. But inevitably, it will keep happening. For me, it’s once a month – 2 months. I feel pretty good with where my art is right now, I’m doing the best I can at the moment and then suddenly BAM. I draw like a kid in the kindergarten who has no freaking clue how to hold a pen. It usually takes a few days of trying (and crying) and then everything’s back online. Why the f-?

I saw a video and I don’t remember the name where they talked about this phenomenon. I was surprised how many people have it like this and they said it happens when you “level up” your art skill. When you “level up”, your brain thinks about the drawing differently, is more critical, knows the better way how to draw things but your hand simply isn’t catching up yet.

As much as drawing through these periods works most of the time, sometimes you feel like you just can’t. Like it physically and mentally hurts you to watch yourself fail over and over again. Take a step back, take a deep breath and go get some quality relax-time. Feel free to say “fuck drawing” for a day or two. Listen to some podcasts, watch some tutorials or art movies – that way you're still improving passively.

It’s 12:45 AM and you refuse to go to bed until you “fix that FKCING hand pose”. Please, go to bed. Chances are your brain is already offline from exhaustion and stress, you ain’t gonna solve any hands and any poses tonight. Go to sleep. Tomorrow, your mind will be clearer.

Learning to draw is already a hard long process. Don’t make it harder on yourself by ignoring your life and your needs in favor of improvement. Stay healthy my dude. It will reward you in the long run.

This is all I can think of for now, if anything comes to me, I’ll add it here. Always feel free to ask and thank you for asking me. 90% of the above was a reminder to myself too 💙 I hope this was helpful  💙 💙 💙

#art tutorial #art tips #tips for beginners #blushnik

[shirewalker]

ok hi veronica i need to ask you cause you’re the grishaverse tumblr on my dash but why do you ship nikolina? also why do people ship darklina and what’s the most popular ship in the shadow and bone (not including six of crows)? why nikolai and not darkling? i’m thinking of reading the books before the show cause i searched it up and it seem confusing without watching.

hello there, anon!

ok ok we got here a complex ask haha. 

let’s do this by separate questions! (also, please be aware that everything I’ll say will be spoilery on some level, including the links I send, I don’t know how much you know of the story, the ending, etc, so yeah ^^)

1.

gosh, I’ve shipped them for so long it now feels like a natural thing xD

but I guess the TL;DR could be: because he saw her as a whole person and treated her with the respect she deserved. whether he started out wanting just a political match or not, the thing is, nikolai always treated alina as... well. alina. not just as a weak childhood friend, not just as a powerful grisha. 

when interacting with him, alina was herself. she was snarky, she was clever, she was grumpy, she joked, she made her own decisions. being the sun summoner was part of being herself but it wasn’t the sole thing that ruled their interactions.

I love their banter and the way they can talk to each other so easily without either having to give in or keep parts of themselves secret. and well, they had two of the most romantic scenes in the trilogy so xD

ultimately I love the trope of royal x non-royal and how they could have easily gotten a slow burn romance with a marriage alliance for political sakes but slowly grew closer. you know, a slow burn aksldjalsjkd

linking a few posts (from me and others I agree with; they’re older so they also feel fresh on fandom feels and some salty opinions too haha xD) for further reading: one, two, three, four, five, six

-

2.

Most folks I know that ship alarkling (sorry, I cannot take serioulsy the other name, throws me back to 90s anime villains aslkdjalsd), ship it for similar reasons as I do: their dynamics, light and dark, hero and villain. they had really great scenes throughout the whole grisha trilogy, and they had an intriguing bond. more than that, you’d have to ask others, anon. I can only tell you what drew me in. These days I’m mostly nikolina, but in early tgt days I loved alarkling a lot and I still do love them, I just grew distant from them/the fandom for various reasons I’d rather not disclose.

-

3.

I honestly don’t know anymore what’s the most popular ship in the grisha trilogy fandom anon xD I don’t really interact with the general fandom xD But it was always alarkling or nikolina. if you go deep enough in the tgtedit tag, etc, you’ll start to see that.

-

4.

ok now your last question... I think it’s ultimately a matter of preference, of tropes you enjoy the most in your ships. Some people will give you x reasons why they prefer the darkling, others why they prefer nikolai, etc etc. Personally, I always leaned more towards nikolai, because for me, alarkling would only work once the darkling did some inner work. dude’s ancient, he’s got a lot to atone for and to deal with and also gotta learn how to be a person again xD and nikolai... well, like I said, he was the one who cared for alina as a whole. whether she had magic or not, it didn’t matter for him at the end of the day.

-

and regarding your plan to read the books before watching, I had already mentioned this in a pre-post but I’m not sure if you saw it so I’ll say it again ^^, I agree! I usually prefer to read a thing before watching the adaptation, even if it takes me time to watch the thing. I usually end up having a much better experience enjoying both mediums than if I did it the other way.

anyway!! this ask has gotten LONG so I hope it was worth the wait dear anon! and I hope I made enough sense with my rambling alskdjaklsd

thanks for sending this! <3

#Anonymous #Questions #nikolina #grisha #apologies for any typos etc #this got long so alskdjasd #feel free to ask me more if you have more questions!

[soyouareandrewdobson]

Andy on Asian Animation or SYAC: The Master Review 2

Let’s talk a bit about anime and Dobson’s work relation with it.

I think we can all agree, that starting from the late 90s and early 2000s on, anime and manga became extremely popular in the western world. Sure, Japanese animation was nothing completely new to us (Speed Racer, Nadia-Secret of Blue Water, Samurai Pizza Cats, Sailor Moon, Kimba and Akira e.g. come to my mind as properties already known in the west before 1995) but it really was around this time that thanks to “mainstream” stuff like Dragon Ball and Pokemon people became aware of how different Japanese animation was from western. Eventually resulting in the really good shit (like Cowboy Bebop, Black Lagoon, Kenshin and Heat Guy J) coming over and enriching nerd culture for more than just a few people who knew of it as an obscurity at that point. Now, if you know anything about Dobson, you likely know that his relationship with anime is rather… complicated to say the least. Or, to let him explain it with his own words…

Dobson essentially likes silly and wacky 90s anime. But later on he hated anime in general, because it got too popular and a bad experience with an anime club in college soured his enjoyment of it. Furthermore, he put the blame on his lackluster art style and storytelling capabilities as seen in the likes of Formera, Patty and Alex ze Pirate, on anime in general, while also claiming that Disney pulling the plug on 2D animation is the result of the “anime inspired” Treasure Planet, meaning anime in a sense deprived him of his chance at working at his dream job and “ruining” western animation.

Which to me has always been ignorant as fuck. For starters, I can understand not liking certain stories or genres, either for objective or subjective reasons. But to hate on an entire nation’s form of entertainment (not just individual shows or genres), depriving yourself of the chance of potentially watching a lot of good stuff while also being rather insulting to these other works and people enjoying them? Especially when the stuff you can supposedly “stomach” has been rather simplistic compared to other things?

 Second, blaming Japan for “poisoning” your art style? What, did the ghost of Osamu Tezuka possess you and FORCE you to put sweatdrops on your characters forehead while also going for the rather simplistic character style of Rumiko Takahashi, as well as emulating the slapstick of the likes as Slayers and Ranma ½?

 Next, if he had emulated them successfully, I say he would have actually managed to tell decent enough stories worth to read online. Not create Uncle Peggy aka “Discount Happosai” or the bland proto-Isekai known as Formera.

I mean, let’s give some context here: There have been people who successfully managed to emulate certain anime and manga aesthetics into western animation and make it work. Otherwise we wouldn’t have gotten the likes of Avatar-The last Airbender, Samurai Jack, the Animatrix, Thundercats 2011, Super Robot Monkey Hyperforce Go, Kim Possible, W.I.T.C.H, Megas XLR and Wakfu. You know, shows that are actually awesome as hell.

Heck, Dobson’s favorite animated show of the last decade, Steven Universe, is heavily inspired by anime aesthetics to the point of being embarrassing.

 But Dobson… well, he emulated anime aesthetics in his work the same way as these crimes against animation did.

Combined with his general shortcomings as a storyteller it is no wonder his initial comics did not do well.

 Lastly, and sorry for digressing here a bit, but if the Wikipedia entry on Treasure Planet is something to go by, there was no real inspiration by anime involved in making this movie.

Supposedly the idea of making an animated Treasure Planet in outer space movie was already pitched by Ron Clements WAY BACK in 1985 but only came to be after Michael Eisner greenlighted stuff in the late 90s. Design wise the movie was supposed to look 70% traditional and 30% sci-fi inspired and people took inspiration for the art style by illustrators associated with the Brandywine School of Illustration. A western style of illustration established in the 19th century, that had a big impact on the illustration styles for many 19th and early 20th century adventure novels and short stories.

What, is anime supposed to be the only form of animation allowed to have sci fi elements or steampunk in it? Fucks sake, The Lion King and Atlantis, which came out one year earlier to Treasure Planet, were likely more inspired by anime. Don’t believe me? Watch Atlantis and then a certain anime by Studio Gainax called “Nadia-Secret of Blue Water”. Or read up on the controversy surrounding the two.

The truth is, it is not entirely clear what caused Disney to shut down 2D feature film animation in the early 2000s. In fact, if anything, most people put the blame on Michael Eisner and a certain change in the publics taste in movies in general, combined with Disney trying to turn almost every movie they had into a franchise via cheap follow up movies on video and DVD.

And even if Disney did not shut down, are we really supposed to believe that a certain guy with fedora would have made it big at Disney to the point Alex ze Pirate would have been made into a feature film?

But Dobson could never quite understand this and instead of “reinventing” himself properly, he would rant about anime and its fans in one form or another…

 And on the peak of his hissy fit create this little art piece he baptized Anime Sux. Alternatively “West vs East”. Or as I like to call it, slap a jap.

Now, the pic was done in 2008 and Dobson claimed sometimes in the last decade, that he no longer holds his old opinions. Unfortunately, by that point he would also more or less use the chance to vent in his webcomic about anime (or rather its fans), which brings us finally back to SYAC.

 While Dobson never outright thematized in more detail WHY he hates anime and manga in SYAC (likely cause if his comic reasoning was even slightly like his reasoning in his blogs, people would have torn him apart like a bag of paper) he did use the format to punch down on anime fans and their preferences.

 For example, for someone who has a 4chan story going around of having been rather arrogant towards others in college for not liking Ranma ½, Dobson has THIS little college related comic to show off, where he portrays an aspiring manga artist as a delusional jackass.

Then in this strip titled manga, his manga fan is essentially portrayed as a young woman dressing up like a very stereotypical high school anime girl, who is in the wrong for even just DARING to draw her comics in the direction manga are read.

On one hand, I get Dobson’s point. She could be at risk of alienating a market of readers as she is obviously drawing for a western audience. Then again, if she doesn’t draw a traditional western comic but a manga, why shouldn’t she? I mean, as long as she enjoys it, which I assume she does as she seems genuinely just happy when stating that she likes manga, why not let her? Plus, this comic was drawn in the late 2000s. I think by then most people kinda knew how to read from right to left, so Dobson’s claim she would alienate or confuse people is kinda redundant. If anything I find a) Dobson getting angry at her just very petty (just let her have fun) and b) portraying a western manga fan as someone who would be confused by the sheer idea of reading stuff from right to left is also in itself just really dumb and insulting. What is Dobson trying to imply? That anime fans are so stuck in the way they consume certain media, they can’t act according to “western standards” again?

Then there is this strip where yet another female anime fan is essentially portrayed as the embodiment of how “ignorant” manga fans are of the idea of different art styles...

Which becomes rather laughable once Dobson describes his style as a mixture of European, American and  Japanese. Why? Because he is the one oversimplifying things, rather than the anime fan.

You see while anime and manga of all sorts do share certain aesthetics (like the black and white art style, emphasize on the eyes of characters, the way hair is drawn, recurring tropes within certain genres and so on) style wise (both in art and storytelling) there can be severe differences, depending on the artist alone. Akira Toriyama’s style differentiates significantly from the likes of Eichiro Oda, Rumiko Takahashi, Kentaro Miura, Tezuka, Kaori Yuki and so forth.

The same also goes for many western artists. Herge had a significantly different style from Uderzo and Goscinny. Don Rosa has a different style in which he drew Scrooge McDuck than Carl Barks did. Rob Liefeld and Jim Lee draw mainstream superheroes differently compared to how Jack Kirby, George Perez and others did. Heck, Ethan Van Sciver and Jim Lee were closely associated with Green Lantern in the 2000s and look how they differentiate.

 Which btw is the kind of skill level Dobson would have needed to have, to make it in the mainstream industry

So when Dobson says “I draw in a combination of American, Western and Japanese” all I can think is the following: THAT DOESN’T NARROW IT DOWN! WHAT THE HECK HAVE YOU LEARNT IN COLLEGE ABOUT COMICS? WHICH ARTISTS, WORKS AND STORYTELLERS DO YOU TRY TO EITHER EMULATE OR HAVE BEEN INSPIRED BY?

Then there is this little thing…

Where do I even begin? How about the fact that Dobson’s hand in the last panel looks like he has lost a thumb? The fact that the little boy, anime fan or not, is aware of Sae Sawanoguchi, a character from a short lived OVA and anime series from the 90s, which considering his age, I kinda doubt he would be aware off. Unlike Dobson, who got into anime in the 90s and admits in fact within the posts I loaded up earlier, that he had watched the anime in particular, known in the west as Magic User Club.

Then there is the implication by Dobson, that anime is so “corruptive” as a medium, little kids don’t even know the most basic characters in western animation because of it. I expect in a next panel, that all of sudden some 50s PSA guy comes along and lectures me that if I want this kind of thing not to happen at MY convention, I need to teach little kids more about the GOOD western animation, instead of the BAD eastern one. Then there is this rather unflattering portrayal of a shonen ai/shojou ai fangirl…

 Which makes me laugh cause honestly, even some of the worst shonen ai and shojou ai can do better in portraying a “realistic” gay relationship than Patty if you ask me.

Also, as much as I think fangirls can be extremely thirsty (I have read my fair share of extremely stupid yaoi and yuri fanfics) I think that in hindsight Dobson is really not anyone to complain about shipping obsession and sex when he himself has KorraSami, the Ladybug fandom and a certain rat pirate under his floppy belt.

As you can imagine, Dobson would get heat for those comics, considering how he himself has been greatly inspired by anime and manga for his major comics. And while I don’t have any explicit deviantart posts of him reacting to criticism in that regard, I do have this comic which addresses it directly.

 And yeah, if I were schoolgirl number 4, I would just sigh and walk away after telling Dobson that his mistakes and shortcomings are not related to having consumed anime, but rather by what sort of anime (and other stories) he had consumed and the amount of effort he had put in creating his stories instead of emulating just something more popular. Plus, if you really want people to draw more from life, how about drawing more from life yourself down the line? And no, tracing Star Wars movie frames does not count.

Finally, Dobson, considering how very little most people think of your work, I say mission accomplished: People have learnt from your mistakes and know not to be a Dobson.

And at last, there is this comic, which kinda wraps up Dobson’s “vendetta” with anime and manga fans within the pages of SYAC.

By trying to mock anime fans and make them look just as shallow as he is. I at least suppose. Honestly, the message of this comic is rather muddled. On one hand, I would say the strawman accusing Dobson hates anime just because it is popular is very simplified. After all, Dobson has made his reasons for not liking anime clear in a few more details. It’s just that the details in and on themselves in real life are still rather shallow and boil down to a lot of personal bias rather than an objective criticism of actual flaws. Which I think is worth pointing out.

But frankly, what is Dobson trying to say or point out here? That the strawman is not so different or even dumber than him, because he hates Justin Bieber for “shallow” and superficial reasons too?

Okay, this doesn’t quite work as well as Dobson wants. First, the argument Dobson’s strawman makes is in huge parts based on some verified statements Dobson made for not liking anime. Second, he just says a name and that triggers the guy to express his hatred for Bieber. We don’t know why the guy hates Bieber and you could make in fact the case, that he hates him not because he is popular, but because he has a genuine issue with the artist, his work or his behavior as a human being. Third, if you want to make yourself look like the better person Dobson, try to argue with the guy and make solid arguments why you don’t like anime. Instead you just deflect the criticism by changing the subject and then try to make yourself look like the “smarter” person in the room by mocking your critic in the most condescending manner.

Which as I think about it, sounds like your modus operandi on twitter and tumblr.

Weirdly enough, that more or less marks the “end” of Dobson tackling anime fans and the beef he has with them within the pages of SYAC. Despite how much Dobson’s negative reputation especially in early years was build around him hating on anime and belittling its fans, he didn’t really do more afterwards in the Dobson focused pages of SYAC. And mind you, those strips were also separated by other strips in-between, focused on Dobson just being at conventions.

Unfortunately for him, the strips didn’t really help in any way to diminish that negative reputation and instead just confirmed for many, that Dobson can’t handle criticism about his flawed opinion on anime. If anything, it just made people think even less of Dobson, as the strips just painted him as someone who would rather portray his critics as strawman he can be “rightfully” annoyed at, instead of fellow humans with slightly different tastes in entertainment, who are still worth listening to.

So, now that we have the anime fan related “annoyances” out of the way, what other sort of silly problems in making webcomics would Dobson cover in his strips and are “relatable” to everyone?

Lets see some of these examples in the next part.

#anime / manga #manga #Andrew Dobson #fuck you Tom Preston #Tom Preston #syac #so...you are a cartoonist #so you are a cartoonist #review #webcomic #comic #adobsonsartwork #adobsoncomic #adobsonartworks

[beneaththetangles]

Tangles Writers Do Not Dream of Bunny Girl Senpai, Arc 2: To Drop or Not to Drop

Greetings, Tangles readers!

Yesterday, Twwk posted an excellent article to kick off our deep dive into the Bunny Girl Senpai series. Twwk’s article focused largely on Sakuta’s character: his selfless, genuine love for Mai and his transparent, authentic self. But of course, Sakuta’s character isn’t all sunshine. As Twwk points out, he tends to dance on the line of commitment to Mai throughout the show, and often gets himself into trouble with his speech and conduct.

And if you’re looking for a perfect example of these negative characteristics which Twwk discussed, look no further than Tomoe’s arc. In some ways, this arc presents Sakuta with no filter—authentic and honest, sure, but also hurtful and demeaning. Today, I’ll be writing about how episodes four through six of Bunny Girl Senpai almost compelled me to drop the show. I’ll reason through why I ultimately decided to stick around. And I’ll describe how my personal struggle with this arc of Bunny Girl Senpai finds its place not only in Tomoe’s story, but also, perhaps, in your own.

Got all that? Good. Let’s proceed.

Before we continue, enjoy a coffee break, sponsored by best girl Rio Futaba. (Look out for her article in a few days!)

I’ve always had a strained relationship with Bunny Girl Senpai. Let me be clear: I’m 90% into this anime for the cheeky banter between Sakuta and Mai. It’s fantastic. So I really liked the first three episodes of the show. Episode four, in contrast, presents the first signs of genuine conflict between the two, as Tomoe’s Adolescent-Syndrome-caused looping leads to a misunderstanding with not only Mai, but the whole school. Ultimately, Tomoe and Sakuta end up feigning a relationship for Tomoe’s sake: Her friends think that she’s dating Sakuta and she feels uncomfortable admitting their mistake.

Already, the flashing lights were going off in my head. Mai’s gone and Sakuta’s pretending to date someone else? It all seems foolish and immature and out-of-character. (And where’s my Mai dialogue?) Regardless, I was willing to forgive those minor setbacks to see how things would go in Tomoe’s story. But as things progressed, it became very clear that the dynamic between Sakuta and Tomoe was far different than that between Sakuta and Mai. In some ways, it was endearing. Sakuta’s sort of like a big brother to Tomoe, hanging out with her, bringing her food when she’s sick, and lending her an ear amidst her struggles.

But as many big brothers are wont to do, Sakuta pokes fun at Tomoe. And many times, it goes way too far. Now, I’m willing to admit that some of the discomfort I felt at Sakuta’s jokes might say more about my boundaries than the show itself.1 But much of what Sakuta says to Tomoe in this arc could genuinely be classified as sexual harassment, and there’s times when the jokes genuinely trouble Tomoe. It threw me off, to the point that I was ready to cast the show away out of sheer discomfort.

Amen, Tomoe. Amen

Why, then, did I decide to stick with the show?

Before I continue to answer that question, I’d like to clarify the tension I’m describing here a little. I don’t mean to imply that watching Bunny Girl Senpai violated my conscience. Stay away from shows like that—but I’m talking about something a little different. Bunny Girl Senpai doesn’t violate my conscience in these scenes; it violates my moral standards. These scenes don’t tempt me to sin; they portray sin as a good thing. They don’t inspire shame but anger: anger at wrongs going unpunished.

Maybe a few examples will help to clarify what I’m trying to say. When I think of problematic anime, I think of Made in Abyss, which contains several scenes that arguably sexualize minors. Miss Kobayashi’s Dragon Maid, one of my favorite shows, runs into the same issue with the relationship between Lucoa and Shouta. And The Melancholy of Haruhi Suzumiya, a fan favorite, has its own issues with sexual harassment as well. These are all shows which clearly contain scenes which violate moral standards in such a way that no one could be blamed for dropping them outright.

Of course, all the shows that I’ve listed, including Bunny Girl Senpai, are shows that I watched through to the end. So why didn’t I drop them? There’s a lot I could say here, but in short, it’s because each show, despite its flaws, had something worth staying for. Haruhi drew me in with its absurd yet hopeful celebration of the oddities of this world. Kobayashi reminded me that sometimes it only takes a dinner table to welcome those who share nothing in common with you. And Made in Abyss presented a stirring tale of adventure with its own moral quandaries to boot.

What about Bunny Girl Senpai, then? Well, if it’s Sakuta’s personality that turned me off, it’s the same personality that kept me coming back. Again, despite his flaws, Sakuta is abundantly authentic. At his best, he hates lies and misunderstandings; he doesn’t pull punches; he says exactly what he’s thinking. And for Tomoe, who’s struggling with fitting in and finding her own identity in the midst of the chaos of adolescent social interactions, Sakuta’s bluntness comes as a great reassurance. Regardless of how her friends treat her, she knows Sakuta will always treat her the same way he always has. He’ll always be there for her.

In fact, I have a theory. I think that Tomoe’s struggle to reconcile Sakuta’s good and bad sides isn’t too much different from my own. Even as she finds herself angered and frustrated by the things Sakuta says, she knows there isn’t genuine malice behind them, because she knows Sakuta is for her. His bluntness sets her on edge, but it also sets her at ease, because she knows he’s willing to tell her what she needs to hear, and to help her grow in the process. It’s because Sakuta is Sakuta that she knows that she’ll be loved no matter where she’s at. It gives her the confidence to move forward.2

And in the end, I think the moral tensions that I’ve described in this article aren’t too much different from the same tensions we experience in all our lives. It’s really easy for us as people to polarize reality. That artist or that book or that show is problematic, so anyone who supports them is problematic. Alternatively: that artist or that book or that show is good, so anyone who discredits them is wrong. But life is more complex than that. I should know: I find that complexity in my own heart, as I vacillate between good and bad intentions and desires and actions. Like Sakuta, I can issue a word of wisdom in one moment and a word of mockery in another.3 I need grace in every moment of my life. We all do.

So what if, instead of polarizing reality, we learned to live as children of grace? What if, when people hurt us, instead of responding in anger, we responded in gentle love? What if, when ideas harmed us, we wrestled with them rather than smacking them down? What if, when media unsettled us, we stopped to ponder intentions, rather than to assume them?

I don’t have answers to those questions. It’s certainly a hard task, to show the grace we’ve been given. But, at the very least, I hope I’ve shown that it’s okay to wrestle with these tensions rather than to find cheap answers. That is, after all, what Bunny Girl Senpai is about: learning to live in a world where there are no cheap answers, and demonstrating kindness and faithfulness in the meantime. Those are lessons worth learning—even if there are a few rough patches along the way.4

=====

Rascal Does Not Dream of Bunny Girl Senpai can be streamed on Funimation.

1 To be fair to the writers of the show, some of the worst jokes from the light novel source were toned down for the adaptation. The comments still make me deeply uncomfortable, though. 2 I want to be very careful here. I don’t mean to say that Tomoe shouldn’t feel angry at Sakuta for the things he says. I’m simply pointing out that she’s facing the same tension I am in deciding whether or not to stick with the show: the antithesis between affirming what is good and confronting what isn’t. 3 Again, in an abundance of caution, I’ll say that while both Sakuta and myself exhibit these sorts of moral tensions, that doesn’t reduce the weight of Sakuta’s sins. I’m not excusing Sakuta; I’m condemning both him and myself. 4 Much of what I said in this post was inspired by Alan Jacobs’ Breaking Bread with the Dead, which argues for reading classical literature because of its ability to confront our sensibilities and form us into better people. In some sense, I think his argument can be adapted into a case for watching anime in the same sort of way, and that’s what I’ve tried to do here.

#Anime #Rascal Does Not Dream of Bunny Girl Senpai #Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai #Grace #Sin #Articles #Author: sleepminusminus

[franeridart]

Anon said: How are you just like "Oh these are just some warm up sketches" and post a full finished piece, while I'm over here sketching a triangle person and calling it a finished piece.

I dunno if this was a legit question asking for a legit answer, but I do happen to have a legit answer so I might as well give it! If I wanted to go into detals with it it’d take me forever though, so allow me to separate it into two points to make it easier

I learnt how to be very fast in putting down my lines and trained myself into not overthinking every single dot I put down. This took about five or six years of drawing daily and a whole life of drawing occasionally before then, because to do so you need to reach a point where you’re drawing something you’ve drawn so many times that by now your hand sort of goes without you needing to think about it much, so it’s not a fast process, but boy is it worth it. Mostly learning how to not overthink it, overthinking it used to be 90% of my time spent on a drawing and dear god did it suck the joy out of everything I drew

I have two very distinctive ways of approaching a drawing, one where I actually put effort in it and the other where I just want to let the squiggles out of my pen, and warm ups are the second one - the lack of effort I’m putting in can have different forms and show in different ways, so a warm up could be a fully colored piece as it could be just a pencil doodle, depending on where and on what exactly I’m being lazy: it could be the type of tool I’m using that allows me to draw without having to line, it could be a very tiny canvas that lets me avoid a ton of details a big canvas would demand. I might be cutting the time I usually put in making sure my anatomy is correct, I might be using a shading technique that takes a tenth of the time my usual one would, I might be using a style that’s just easier and faster to draw, or drawing characters I’ve drawn a trillion times in extremely generic poses and clothes. There’s a lot of things that I can do to make things faster for me! It’s skills you gain as you draw a lot - you learn how to draw things the hard way, and then you realize that along the way you learnt how to do them the easy way too

hope this actually answers your question! If it was a question at all lol if it wasn’t then sorry for rambling, please pretend I didn’t say anything hahaha

Anon said: I love your newest comic!!! So adorable!! I noticed Bakugou's mom does the affectionate hair rustle thing to him in the manga/anime, do you think Bakugou subconsciously does the same to show affection cause of it? I love the way you draw faces and poses, it's so expressive!!

Ahhhhh thank you so much!!! And yeah, it might be! After all we do take a lot from the people we live with even without realizing, and he’s already so similar to his mom!

Anon said: I saw your bakushima comic from October 9th (2019) where Bakugo falls asleep studying and Kirishima sets him down on the table properly and it was so soft my heart is crying

;;;;; !!!!!!!! I’m glad you liked it!! <3<3

Anon said: If it not to much, could I possibly get a Ochamina doodle pls? I just love some sweet lesbeans 👉👈

Awww I’m not taking requests right now, but I’ll keep it in mind for next time I want to doodle and don’t know what!

Anon said: I love your art! I envy you.

Please don’t! There’s a lot of reasons why being me isn’t a lot of fun - if it’s just my skill you envy, then all you gotta do is draw a lot! 

Anon said: i just went through your entire kiribaku tag and omg it was beautiful seeing the progression in your art skills but still keeping the same funny/cute/heartwarming/etc traits you thought up for their dynamic!! i hope that makes sense haha !! love your art keep it up

It does make sense!!! Thank you so much both for looking through the whole tag and for thinking so, it means a lot to me!! ;;; <3<3

Anon said: Hey fran! I hope you're doing well(especially with quarantine and all)!! I really love your anatomy and how fluid and stylistic it can be! It's super fun to look at! I wanted to ask you if you ever did any in depth studies on anatomy? Like muscles and bones. I've heard a lot of artists mention the necessity of studying bones/muscles, i'd really like to know your opinion on the subject

Ahhh god thank you so much!! And... hmm let’s see if I can word this properly and have it make sense - always keeping in mind that this is just my opinion, of course!

If all you want to do is to draw, then all you need to do is to pick up your pencil and draw - it’s really that easy as far as I’m concerned. You don’t need to know anatomy in depth to just draw, everyone has seen a person, everyone knows how a person looks. That is, if all you want to do is to draw for the sake of drawing. If you want to draw an anatomically correct looking human being, though, you do need to know how anatomy works - and the deeper you’ll go into studying it the more correct your people will look. It’s kind how everyone can draw a bicycle, but if you want to draw a realistic bicycle you’re gonna need to look up references for it, you know? It’s all on the level at which you’re interested in drawing, the more technically skilled you want to be the more you’ll have to study

As for my personal experience with this, I hate studying with a passion. Studying puts a damper on my enjoyement of everything, and drawing isn’t excluded from this - you put a book in front of me expecting me to study it and suddenly I never want to pick up a pencil again. This means that I never sat down and studied anatomy in depth and all in one go just to learn how to draw a human being, but it doesn’t mean that I didn’t, slowly and now and again and in bits and pieces, study parts of the body to get a better understanding of it. I know better about the skeleton than I do about muscles, and I still have enough to learn about everything that anyone who’s studied anatomy properly would find a trillion mistakes in everything I draw, but my way of going about drawing has always been and always will be putting my enjoyement of it first and foremost, so I’m not interested in putting myself through a tour-de-force to learn everything there is to know about anatomy just to make my doodles look appealing to someone with a medical degree haha I’m just doing me, and when the mood is right I look up how to properly draw something, but until then I just do it as best as I can with my limited knowledge, being fully aware that what I’m producing is far from accurate but being willing to make that compromise for my own comfort

So that’s my opinion on it lol it all boils down to how important it is for you to know how to properly draw the human body - of course it’s gonna look more professional and better if you’ve studied it, but everyone has their own priorities, you know?

Anon said: Thank you for your hard work, seeing an upload from you is so nice, and the colors are so pretty

Thank you so muuuuccchhhhh!!!! TTATT <3<3<3

Anon said: Opinions on Tokoyami Fumikage 💕

One of my top faves in the whole manga, actually! I have a drawing in the making of him, I should get back to it..........

Anon said: HOLY SHIT FRAN THE TOES HOW YOU DRAW THE TOES SO WELL FEET ARE THE DEATH OF ME AND YOU’RE OVER HERE DRAWING TOES THEY’RE SO GOOD PLEASE TEACH ME YOUR WAYS!!! -❤️

Thank you!!!!!!!! So pretty much my way of learning this specific skill was being obsessed with elves when I was fifteen and wanting to draw them all the time  and also for whatever reason being convinced that they were not supposed to wear shoes so I just drew a lot of feet with references and tutorials and stuff till I could draw my elves properly. Which isn’t necessarily what you need to do to learn how to draw feet, but, I mean, it worked for me lol

Anon said: I love ur Bnha ships and all but what would u do if some of them didn’t become canon??

Oh, I actually don’t care about that at all? I don’t expect most of them to become canon anyway - like, ochadeku sounds reasonable and kamijirou seems to be getting there, but everything else I never even considered it as an actual possibilily. I don’t really ship because I want to see my ships become canon, I just like the potential in what I can make with them? If that makes sense? They’re just fun to think about and I like making fancontent, that’s all there is to it really haha honestly if I had my way no ship would ever be canon ever ha ha ha

Anon said: Slep is for the wek

No actually sleep is for Frans who want a chance at getting up tomorrow morning without an headache for once, so I should do that and go to sleep already lmao

#fran answers #a couple of long ones in this one !!!!! #feeling blabbery tonight

[marriael]

Be my Latibule? (Changbin x Reader)

@skzrequests​

Request: My pace 24 w changbin? uwu im a sucker for the idea of tattooist bin lmao I so vibed with this request, I love thinking about tattoist bin

Word count: 3717

a/n: part of the reason this took so long is I had to restart it twice :(

You walk into work at Insomnia Coffee Shop and your co-worker, Sohee, greets you.

“Anyone fun yet?” You ask. She's usually in when the store opens and often gets the most interesting customers.

“Not today. But yesterday a cute guy came in and ordered 3 americanos. Turns out it was for him and 2 friends. I tried to give them for free cause he looked half dead but he wouldn't let me. Who even does that?“

While she was talking you had slipped on the ugly orange apron and scowl when you noticed someone double knotted and didn't untie the strings.

You shake your head, “probably a college student pulling an all-nighter. What college student turns down free anything? Ugh, I wish some cute barista offered me free coffee, just, ever.”

Sohee turns and passes the drink over the counter. “For Jeno!”

A cute guy comes up to grab and winks at her before he turns to the door. Your jaw drops a little and you slap her shoulder.

“Is he a regular?” You ask.

“Nope. Said he got a recommendation from a friend and went out of his way to come. Weird day to do it though.”

You hum as the next customer comes in and you get thoroughly distracted. It isn’t until he comes up to the counter and speaks that you stop staring blankly.

“1 latte, 1 americano,” his voice is low and rough and he’s a little bit intimidating honestly. He’s got a small bit of a tattoo poking out one of the sleeves and you try and look at it before you have to turn around.

“Is that a tattoo?” You ask him when you turn around.

He rolls the short sleeve up to his shoulder to expose the full tattoo and you stare at the simple beauty of the moon and stars.

“Woah, that’s cool!” Sohee must’ve seen him just in her peripheral… or she was staring like you. You nod emphatically in agreement.

He blushes a little and says “thanks. Couldn’t reach this part of my arm or else I would’ve done it myself, but I still drew it.”

“Do you work at a tattoo parlour then?”

“Yeah, I do a lot of the designs for our place,”

You gasp, “can I come look at them? Please?” You pout trying to convince him to accept your strange request. You just felt something pulling you towards these drawings and the man who made them.

He looks at you for a moment then says, “yeah, let me give you the address. When you come in just ask for Changbin.”

He pulls out a random business card, not his unfortunately, and writes down the address. He slides it over and covers his smile with a sip.

You turn back to the coffee machines as he walks out the door but Mina stops you.

“Changbin huh? He was pretty cute,” she smirks.

“Hush your mouth and get back to work, brat.”

“Nuh-uh! I get to leave now but if, no no not if when, you meet him we're talking about this later.”

The next day was Tuesday and, thankfully, it was mostly empty of things for you. So you pull out the piece of paper Changbin gave you and looked up the address.

It was just a couple blocks down from the coffee shop and you head out. The building is small and squished right between a bakery and a florist, basically some cheesy romance just waiting to happen.

You walked in and looked around. There were corkboards on either sidewall and they were filled with drawings pinned to them. The bottoms of them fluttered a little at the draft you brought with you.

When you looked at him the man behind the counter raised an eyebrow at you. Ah, so it was very obvious you wouldn't be in here often.

You let out a little nervous laugh, “hi, Changbin told me to come see him here?”

The man raised both eyebrows at that. You fiddled as he looked you over again then laughed a little. “Changbin!” He suddenly yelled.

From one of the closed side rooms comes a muffled voice “go away Chan, I’m busy!”

The man at the desk, Chan, turns back to you “sorry, he’s always like this. He’s probably just sketching a custom.”

“Oh, I can come back later if he’s busy.”

Chan doesn’t answer you and instead yells at Changbin again “I know you’re not actually busy. Your partner is here to see you!”

“Hey!” You protest but Chan just grins at you as you hear the door open.

“Chan what the hell are you-” Changbin cuts himself off and gently smiles when he sees you “hey, didn’t think you were actually gonna come.”

You smile back at him. He looks much softer when he’s smiling and you were briefly caught off guard.

“Tell me again about how you’re not dating or at least interested, “ Chan’s eyes flick between the shy but wide smiles on yours and Changbin’s faces.

Changbin rolls his eyes but inclines his head towards the door he was behind and you follow behind him. He closes the door most of the way behind you and then moves to sit at the desk in the far corner. There are more drawings in here and you assume all of them are his. It’s a wide variety of subjects, from small sketches of animals and plants to large and detailed fantasy creatures.

“Sorry about Chan, he’s always delighted in teasing anyone who’s younger than him,” Changbin shakes his head, probably at Chan even though he can’t see or hear in the room.

“Have you two known each other a long time then?” You ask and tilt your head a little.

“Ah, yeah,” Changbin looks at you again, “most of us met in high school and a couple joined right at the start of college. College was really when our whole group started getting close, too.”

“Sounds nice,” you were paying attention to him, promise, but with such wonderful drawings surrounding you, you really couldn’t help it if your attention drifted a bit.

Changbin notices and raises an eyebrow slightly, “interested in getting one?”

“What? Oh, no no, not right now at least. They’re just… really, really good.”

Changbin immediately looks down and smiles, and you could swear he was blushing a bit but when he looks back up it's gone.

“There’s a couple hidden ones in here that aren’t mine. Think you can spot ‘em?” He challenges.

You immediately head up to one of the boards and stand about 5 centimetres away. You push a couple of them up and out of the way, making sure to be careful. There really is all sorts of stuff, Changbin must be pretty busy. A rushing river done with such detail you can almost see it moving. Swirls that when you look just right suddenly snap into focus to make an abstract, soaring bird. Nature moulded with a person or item in such a seamless way that there is not a difference between them, they are simply one continuous sight.

You’re looking for hidden drawings, not ogling at Changbin’s skills. Right. When you move one more there is a small piece of paper. There is… something on it. Either Changbin drew this when he was about 5 years old or it was someone else.

“Hey, I found one. I don’t even know what this is though, it looks like a squiggle.”

Changbin laughs, “hold on.”

He comes and looks right over your shoulder. You can feel his hot breath on your ear and feel his chest move when he laughs at the drawing again. You quickly reign in the slight disappointment when he moves away.

“Yeah, that’s the thing Chan keeps trying to make our mascot. Felix and I won’t let him so until one of us breaks it’s two against one,” he shrugs and it doesn’t look like he feels bad at all.

“Do all your friends have a drawing stashed in here somewhere?”

“Well, I’ve seen at least 16 drawings put in here so yes they all have one. Some of them and Felix, Jisung’s special twin, has hidden at least 4. There’s probably more that he did when I wasn’t paying attention.”

“Ugh, how many friends do you even have. If it’s more than, like, 6 I might be genuinely angry.”

Changbin practically cackles, “well then get ready to be absolutely furious. There’s 9 of us, including myself and everyone I’ve already mentioned.”

“That’s not even fair! How have you all been friends for so long without someone murdering someone else.”

“Oh, believe me. Seungmin’s wanted to. Unfortunately, his best friends are some of our greatest problem children. Though sometimes I'm pretty sure he'll murder them first.”

“Any other possible murderers I should worry about seeing?” You flip a couple more pictures up, still passively looking for any other weird drawings.  

“Hm, Minho's murderous intentions are usually directed at Jisung. He'd do it for his cats too, though. He definitely fits in well.”

“Were there concerns about him not fitting in?”

“Yeah 'cause, he was the last one to join us, but he’s just as chaotic if not more. For Chan’s graduation night he insisted on using some mini firework things he found. Nearly lit himself and Jisung on fire with the very first one.”

Something clicks in your brain. You’ve heard this story before, from one of your random classmates. He was… interesting, to put it politely.

“Are you talking about Lee Minho? The smug bastard who tried to get everyone to call him Lee Know for like 5 months? And Han Jisung, my co-worker kind of, that I’m pretty sure hates me for some reason?”

“Wait, you know them? And why do you think Jisung hates you?”

“Yeah, Minho was my weird classmate. I’m like 90% sure Jisung hates me because he barely looks at me and gives one-word answers to all of my questions. I don’t really see him other than during shift switches but still!”

“I think Minho actually might have mentioned you before. And Jisung is just like that around people he doesn’t know. Trust me, he actually has the capacity to be the loudest person in the room. By far.”

“Huh, I wonder how many of your friends I actually know.”

"Well, we're hanging out on Thursday. Do you want to come with and meet some more of them?”

You hum thoughtfully, thinking of any possible commitments you had made lately, “I probably can but can I bring Sohee? Just so I know someone there?”

“Do I still not count as someone you know?” He whines and pouts a little for the extra effect.

“Not enough. If you all go off on some inside joke I need someone to be confused with.”

“Actually fair, because it might happen. I’ll let you know when and where we’re going later then.”

You pull out your phone and extend it to him, when he looks at it confused you raise an eyebrow, “unless you plan to send it by bird I recommend putting your number in my phone.”

He makes a surprised noise and keeps his eyes away from you and on your phone. It has not spread to his face but under his dark hair his bright red ears peek out just enough for you to see. Even when handing it back he doesn’t look at you and you smile at his bashfulness.

“See ya soon, Bin. I work again tomorrow.”

Directions are not always your strong suit. You’d like to believe they are and that’s how you end up like this, no map and unsure of what direction you should even look in.

“You look lost,” a voice comes from behind you.

You spin around. A tall puppy-like guy is standing behind you, he looks slightly amused and you’re betting it’s at your expense.

“Yeah, do you know where M.I.A Café is?”

“Oh,” he nods, “yeah I’m going there. Let’s go.”

It’s slightly awkward, walking this distance with someone you don’t know. You search your brain with how to start a conversation with someone.

“Are you… meeting someone at the café?” You ask, slightly awkward.

“Yeah, a couple of my friends.”

“Huh, so am I. Well, actually, it’s someone else’s friends and I’m just kinda tagging along,” you shrug, realizing how awkward this will probably be.

“Good luck with that,” he says as he holds the door for you.

You enter and scan the tables for Changbin’s face. You wave and slip into the chair opposite him. On the edge of the table thankfully, hopefully Sohee can recognize the back of your head. Someone sits next to you and you get a little shock seeing who it is.

He grins at you, “hey stranger.”

The guy you walked all that way with one of Changbin’s friends!

Changbin looks between you confusedly, “you know Seungmin?”

“He helped me get here. I might have gotten a little lost.”

“A little, ok. You had no idea where you were,” Seungmin snarks.

“Maybe so!”

“Well good to know you get along with another one of my friends already,” Changbin interjects.

Someone comes up and sits beside Changbin.

“Hey, I’m Hyunjin,” he greets you simply.

You give him a little wave. You don’t like judging people so fast but he’s a little intimidating.

You hear a little scrape of a chair beside and Sohee pops down at the end of the table.

“Sohee, you made it!”

“Yeah, no thanks to you,” she sticks out her tongue at you.

“I’ve seen you somewhere before,” Hyunjin speaks up and you whip your head towards him.

Sohee looks at him and squints for a moment. They start looking at each other for so long that you think they’re actually just having a staring contest. You think you recognize someone walking outside but when you actually look out the window you have no idea who any of them are. It’s still a nice day out, maybe you can go out somewhere after this.

“Oh! You’re the guy I thought was going to drink 3 americanos the other day!”

“Sohee~” you sing.

“What?” She looks at you, annoyed.

“You forgot an important detail that you told me about him.”

She looks genuinely confused for a moment before catching on and shaking her head, “shut up, nope nope nope.”

“You think he’s cute!” You cackle.

You, Changbin, and Seungmin make fun of Sohee and Hyunjin for a little while. It backfires when Sohee manages to sneakily turn the attention on you, well you and Changbin. Together, you being together.

“Yeah, and you stared at him for so long when he came in!” Sohee says.

“Sohee, kindly shut your mouth,” you reply, smiling the most pained and fake smile ever.

“Ok, please don’t pour your drink on me, I’m afraid. Also we work together so I’m coming for you.”

You just roll your eyes at her, you didn’t actually scare her and you both know that. She just likes to be some sort of annoying sister to you.

Hyunjin clears his throat and when you look at him his eyes are bright. He smiles sneakily and says, “you should hear about the time Changbin actually poured his drink on someone.”

“Hyunjin that was an accident and you know it!” Changbin exclaims, attempting to shoulder check a giggling Hyunjin.

You breeze into Blueprint Tattoos and Chan looks up in surprise.

“Hey there, didn’t know you were coming in today.”

You let out a single, unnatural ‘ha’, “I didn’t know either but uh, here I am.”

“Well, Changbin’s in his usual spot. I don’t think he has anything today.”

“Thanks,” you nod stiffly.

Looking around at the cork boards you can see some of them definitely done in Changbin’s style and a handful more you suspect would be his. You breathe out heavily and slouch a little before straightening and walking towards where Changbin should be, full of false confidence.

“Are you ok?” Chan asks and when you look over his eyebrows are furrowed and his forehead pinched down a little. The concern from someone you barely know is a little unusual but the warmth you get from it is welcoming.

“Yeah, just a little nervous you know?” You force a small laugh but you know it’s not convincing.

“Oh!” Chan exclaims, “well if this is what I think it is then good luck.”

Chan’s face is completely relaxed and you feel a little bit bad for making him worry so much. You’re not entirely sure what he thinks you’re doing but you smile at his kindness as you open Changbin’s door.

He has headphones in and doesn’t hear when you close the door behind you. You stand there for a minute, back against the door, just looking at him. Most people move to what they’re listening to but the only thing moving is his hand and it glides across the page. You have no idea what he’s doing but you just hope he’ll show it to you when he’s done.

You take a big breath in and out before approaching him. Tapping his shoulder gently you hope not to cause him to jerk his arm and ruin a line or anything. He stops completely and pulls his headphones out. He looks a little annoyed but then he looks up to see you and his face eases.

“Hi! I didn’t know you were coming today. Anything specific on the brain or did you just want to hang out with Best Friend Binnie?” He gives you an exaggerated and comical wink.

“Give me a tattoo?” You say, surprisingly calm for how jittery you actually feel.

“Wait, what? Are you sure? Like really sure?”

You roll your eyes like a stereotypical teenager would at their parents, that is to say, so far back it felt like they would disappear into your head, “no, Changbin, I’m not sure. I’ve really only been thinking about it basically since the first time I walked into this room.”

“That was only a week ago,” Changbin deadpans.

“Yeah, and?”

Changbin shakes his head, “I’m not going to give you a tattoo you’ll regret.”

You look around at the drawings. Feeling like that one action gave this decision away as way more spontaneous than it had originally seemed. Yes, you had been thinking about getting one and getting Changbin to do it for you but doing it today specifically was a complete impulse.

“I’m not going to regret it! Bin, please,” you pout at him.

Changbin tilts his head to look at the ceiling as if it will give him some guidance.

“What do you want?”

You clap your hands excitedly and then hesitate again.

“Well, I know I want a flower but… I want you to choose which one. I want it to be a flower with a good meaning behind it.”

Changbin nods and stands there considering your request. You take the time to look around his office again. Staring at all the intricate drawings on the walls you feel a bit dorky choosing to get a simple flower. Your eyes briefly catch on two stylized drawings of the word SpearB. One of them has a cute little ‘Binnie~’ under it and the other has a messy ‘Chanathan’ in English and Korean.

There are a couple of flowers scattered throughout the room so you’re a bit surprised when you hear Changbin ripping a page out of his sketchbook. His back is to you so you can’t see him cutting it down to a size to la and trace on your body. You can hear the gentle snips of scissors as you distract yourself with rows of flowers connected and individual petals with such detail you could believe them being real.

You watch as he gently traces the pattern onto your skin. You don’t recognize the flower right away but it looks delicate and beautiful. You think you catch him glancing up at you a few times but you’re pretty sure the clock is behind you and he’s looking at that.

You zone out almost entirely as he prepares. Well, it’s not exactly zoning out. You’d say it’s appreciation of an attractive man, your friends would say that you’re just checking him out.

Ok, so what if you are? Changbin’s shirt has no sleeves which means his arms are on full display which means that you can’t stop looking at the muscles flexing as he moves. Thankfully you’re conscious enough to look away when he turns back around.

The buzz of the gun wakes you up and Changbin is looking at you.

“All good?” He asks.

“Yeah, let’s do this.”

You watch for a moment as he starts going and the ink sinks permanently into your skin. It’s a strange thing to conceptualize, something being on your body forever. You catch a glimpse of Changbin’s concentrated face and you get completely distracted by him. If this is what he looks like everytime he gives a tattoo then you want to observe, even study, him.

His mouth is set in a firm line and eyebrows pinched slight inwards and downwards. His eyes are wide and focused and if you look closely enough you can see every slight movement of his irises following his hand around.

Neither of you say a word and you don’t dare move to try and look at the clock or your phone. Just watching and waiting in silence, but together. A shared silence is different than one had alone.

Silences by yourself can feel wrong sometimes but this kind of silence with Changbin feels so right that you almost never want it to end.

Good things often come quicker than they should and soon the buzzing stops. You can hear phantom buzzing still and suspect you will for quite a while. You lift your arm and look at it, it’s finished now but you’re still not sure what it is and certainly not what it means.

“What is it?” You ask.

“An almond blossom. It, uh, it means promise.”

“Promise, huh?” You grin and look at Changbin's pink-ish face.

You expect him to have some witty comment but instead, he just smiles goofily and breathlessly says, “yeah.”

#latibule: a hiding place #or place of safety and comfort #longest one yet once again! #stray kids fluff #stray kids imagine #stray kids scenarios #stray kids scenario #stray kids #changbin fluff #changbin imagine #changbin scenarios #changbin scenario #changbin #binnie baby #my writing #seo changbin #the set up for going to the tattoo parlor is so garbage #but i can't write this anymore #so this is what ya get #sorry

[badbadbucky]

WIP Wednesday 5/5/2021

Very happy to have a WIP Weds this week. It’s been a few weeks because I have really been struggling to make any sort of progress on my story that I could feel good about, but I am finally pointing in the right direction again and even though I am not writing as much as I have in the past, I am still making progress! 

In this section, the Restless are formulating a plan to avenge their dead brother Chuy, who died trying to figure out who killed their beloved preident, Dev, and so three of them have gone up into the hills to scout out where the rival werewolf motorcycle club the Lupes go during the change on the full moon. 

Eddie, Arno, and Greg laid their bikes down in a shallow ditch and put some branches over the top to hide them from view. Eddie had chosen a spot just beyond a sign that said the area was open range, so they’d be able to find the bikes again if they had to come out quick. They were deep in Lupe territory, they had to be very careful.

 Eddie had decided it would be best for a small group to scout out the place where the Lupes would undergo the change, make sure Dev’s info was still good. So, the three of them had left their cuts behind at a bar right on the border between Restless and Lupe territory, along with the rest of the Restless, and rode up into the hills. 

Moving silently, the three men picked their way through the woods. The terrain was rough, a lot of hills and valleys, thick with sagebrush, wiregrass, and juniper trees. If Dev’s information held true, then they were still a little over a mile out from the Lupe campsite. 

Arno sneezed, then sneezed again, and again, then a fourth fifth and sixth time. Greg and Eddie both stared at Arno. Arno smiled at them abashedly. “Fucking junipers man,” his voice barely a croak. 

As they walked, the smell was what hit Eddie first, faint at first but still unmistakeable, the smell of death, not the coppery richness of recent death, but the high sour rankness of rotting death. Eddie and Greg pulled out bandanas and tied them over their faces, Arno was apparently too stuffed with snot to smell anything. 

Eddie jerked his head and Arno and Greg split off, searching for the source of the smell, this operation was delicate and they couldn’t leave anything to chance. As Eddie moved forward, he saw Greg and Arno slipping between the trees, pulling ahead of him.

The three of them came back together to stand over the rotting carcass of a cow. The cow had been ripped apart by a werewolf. The clearest sign was that the meat was intact, left to rot. If it had been an actual wolf, a coyote, or a cougar then most of the carcass would have been eaten. Werewolves sometimes ate raw, but once you shifted back to human you could get sick from it, another downside to an uncontrolled change. If an animal had been killed by a werewolf, all the other animals left it alone. They were in the right place, or at least close to it. 

“Wow, mighty hunter, bringing down fuckin’ Ol’ Bess the cow,” Arno said. 

Eddie and Greg snickered. The Restless took hunting very seriously. In the 90’s a charter having a banner year riding the last of the cocaine wave and were even able to fund a hunting trip to Africa. The heads still hung up in the clubhouse. 

Their laughter was cut short by the sound of a rifle being cocked. Eddie’s head shot up and he saw two ranchers on horseback. One who looked to be around 70, though still very hale, a strong 70; the other looked like he was in his 40’s. Eddie grabbed his gun.

Eddie could blame not smelling the ranchers coming on the tremendous stink of the rotting carcass, but not hearing the rattle of the saddles and clop of the hooves couldn’t be blamed on anything except stupidity. 

Before Eddie could get his gun up, the older man said, “that’ll be the last mistake you ever make, boy.”

 Eddie kept his gun lowered, but he didn’t re-holster it, yet. 

Arno and Greg drew their guns up and leveled them at both men. 

The younger man gigged his horse forward a few steps, pointing the gun at Arno. “Hey!” he yelled.

“Put ‘em down,” the older man said. “Or I’ll put him down.” He gestured at Eddie with his gun. “And I know what it takes to make sure he stays down.”

Silver?

The older man must have seen the comprehension dawn in Eddie’s eyes, because he grinned at Eddie and said, “Goddamn werewolves. All the same. Got that werewolf mentality. Think you can take whatever you want from hardworking folks. Every month you pieces a’ shit come up here and kill my cattle, this time I got ya. Dead to rights, I got ya.”

“Put ‘em down,” Eddie said. He dropped his 9mm on the ground.

Greg lowered his gun, though he didn’t seem too happy about it, but he didn’t drop it.

Arno shook his head. “Uh-uh, no way.”

“Arno. Put it down,” Eddie said. 

“I’d listen to the Ese,” the older man said. “It’s not so easy to find silver bullets these days, but you still can, if you’re properly motivated.”

“Put it down, man,” Eddie said. “It’s a misunderstanding. I’m gonna explain it to them. It’ll be fine.”

The younger man looked doubtful. Arno did too, but he lowered the gun. Then, Greg and Arno threw both of their guns on the ground.

“Good choice,” the older man said. “Now, tell me where the rest of your pack are.”

“We ain’t who you think we are,” Eddie said.

“That right?” the older man said.

Eddie nodded. “We aren’t members of the Lupine Devil Pack.”

“Well, ain’t that convenient, we find you wandering around on our land, but you ain’t the fuckers we’re looking for,” the younger one said.

“I think we’re looking for the same people,” Eddie said. “We had intel that they were up here. We came to find ‘em.” The younger man spat tobacco juice on the ground inches from Eddie’s boot.  Arno looked prepared to rip the pinche guey’s head off over the slight, but Eddie shot him a look and continued talking. “They killed one of our brothers. We came to take care of those bitches while they were in heat.” 

The younger man snorted in amusement. 

“If you ain’t wolves, then what are ya?” the older man asked. 

Eddie pressed his hand to his chest. “Chupacabra,” he said, really playing up his Mexican accent. 

The younger man narrowed his eyes. “Ain’t ever seen no white chupacabras.”

“Just me,” Eddie said. “They’re Squatches from Portland.”

“Squatches don’t shift,” the younger man said. 

“Oh, you know a lot ‘a sasquatches do ya?” Arno demanded, playing up the righteous indignation perfectly. He’d said he’d done a play once in junior high, said he fucking loved it. “Guess you know all about sasquatches. Everybody thinks they’re a goddamn sasquatch expert.”

“Alright, alright! I’m sorry,” the younger one said. “Just a little weird is all. What are two bigfoots and a beaner doing hanging out together?”

Eddie ignored the insult. He could already tell that if he was going to get his guys through this he was going to have to eat a lot of shit. “Lupes killed someone we care about,” he said. “Mutual friend. We’re here to kill the one that killed him.” Dev had taught him that the best lies were basically the truth. 

“Don’t see why you think that information will improve your situation,” the older man said. “Don’t want chupacabras or sasquatches or unicorns on my goddamn property.”

“Enemy of my enemy is my friend,” Eddie said. “And we got the same enemy. We could help each other. I got numbers. You know these hills. We could--”

“Hold on. We ain’t amigos just yet,” the older man said. He very deliberately tilted his eyes down to his rifle, which was still pointed at Eddie’s head, as if Eddie could have forgotten. 

“Yeah, I’ve had better starts,” Eddie said. He allowed his most charming smile to creep across his face. “But I’ve had worse too. I’m Eddie,” Eddie said, pointing toward himself. “This is Arno.” 

Arno laughed abashedly. “Sorry about putin’ a gun in your face. And for calling you an old rat dick fuck.”

“You didn’t,” the older man said. 

Goddamnit Arno.

“I mean sorry for thinking it. You’re not. An old rat dick fuck. I mean you’re old, but not a rat dick fuck,” Arno said. “Sorry.”

“Shut up,” Eddie hissed. He looked up to gauge the old man’s reaction, and--to his relief--found a sort of wry amusement, he doubted there would have been any amusement on the old punta’s face if it had been Eddie or Diego making that crack, nah he didn’t think so. Eddie pointed at Greg. “That’s Greg.”

Greg lifted his hand in a half-hearted wave.

The old man lowered his gun, though the younger man kept his trained on Arno. “I’m Joseph.” He reached over and pushed down the barrel of the younger man’s rifle. “This is my boy, Randy.”

Randy lowered the gun to his side. 

“Nice to meet you,” Eddie said. “Now, how about we help each other out?”

#wip wednesday #writing #writblr #writeblr #horror #werewolves #one of the res #tw racism

[freudensteins-monster]

Live From My Bedroom! It’s Darcy Lewis!

Based on a fic prompt I received forever ago and have been working on ever since.

Images used in the fake youtube screenshots were sourced almost entirely from Kat Dennings and RDJ's social media accounts.

Please note that this has been written in a very basic script/video transcript format. And has not been beta'd. Fingers crossed it's still easy to read. xoxox

Chapter One: Whatever Happened to Darcy Lewis?

[Title Card: A cheap animated explosion solely using colours from the Lisa Frank colour wheel with the text “LIVE FROM MY BEDROOM! IT’S DARCY LEWIS!” in the middle.]

[Video opens on a cheerful woman in her 30’s sitting in what looks like a teenager’s bedroom from the 90’s. The walls are covered in band/movie posters and the shelves are full of books, Barbies, and other toys from the era. The woman has long wavy brown hair and she is wearing a dark blue t-shirt with a Grumpy Bear symbol on it.]

Hello world! It’s Darcy Lewis here, cashing in on the childhood nostalgia train by launching my very own youtube channel. [winning smile] So… Whatever Happened to Darcy Lewis? This was a question posed to me by a random stranger after she had been staring at me for a solid five minutes as I stood in the tampon aisle of my local grocery store trying to make a decision.

[Cut scene]

[Text on screen: *Dramatic recreation]

[Darcy, dressed in basic t-shirt, staring at shelf of tampons]

[notices someone watching her]

[turns head]

Darcy dressed up like a yoga mom, caught staring: OMG. I am so sorry. It’s just that you look just like that kid from that tv show.

Darcy, dressed in a basic t-shirt, holding two boxes of tampons: [deadpan voice] I get that all the time.

Yoga Mom!Darcy: [deep in thought] Whatever happened to that girl anyway?

Darcy: [still holding up two boxes of tampons] I heard she moved to Florida to breed alligators.

Yoga Mom!Darcy: [shocked face] Really?!

Darcy: [still holding up two boxes of tampons] …No.

[End cut scene]

So, yeah, I am that kid from that tv show. In 1990, at the age of five, I was cast in the sitcom Live from Suburbia! If you don’t remember it you were probably watching Full House. That, or you’re just too young. It’ll be thirty years this month since Live from Suburbia! first aired, and come December I am going to be thirty-five years old.

[video goes black and white, zooms in on a distraught Darcy’s face]

[Psycho shower scene music plays]

[Darcy shakes herself out of it and video returns to normal]

So, yeah, I forgive you if you haven’t seen it.

[Text flashes on screen: HEY NETFLIX! PICK IT UP ALREADY!]

My parents have probably never even seen an episode they weren’t on set for either. They were never really keen on the idea of me becoming a child actor. They’re both college professors – they were prepared for, like, mathletes or debate club, not driving me to auditions and having me take classes with a tutor in a trailer parked outside a soundstage. [laughs] But I was super obsessed with Drew Barrymore in E.T. and when my mom explained that E.T. wasn’t real, and that Drew was an actress, I decided that was what I wanted to do. So when I heard people talking about auditions being held at a local shopping mall, and that they were looking for a “precocious” 5-6 year old girl, I kind of demanded that my parents let me go. That audition was for a cereal commercial – I didn’t get it, but the casting director liked me so when they were starting the casting process for Live from Suburbia! they asked me to audition for the role of Siouxsie.

[Text appears on screen: *NOT SUSIE. SIOUXSIE. LIKE SIOUXSIE AND THE BANSHEES. #endthedebate]

Live from Suburbia! was about a wannabe rock star from LA, played by a pre-famous, pre-infamous, Tony Stark, who had to put his dreams on hold and move to the suburbs when he becomes the sole guardian of his two kids; Siouxsie and Hendrix, played by a pre-teen Clint Barton. You might recognise him too; his most recent album just went platinum.

[images of Clint Barton rocking out on stages around the world flash on screen]

The show was axed in 1994 and I pretty much went back to the real world for a few years and went back to school full time. My parents were pretty insistent on that. Towards the end of middle school they let me get back in contact with my agent and I soon got a recurring role as mean girl Kaitlyn on the Disney Channel show Total Drama Teens. And later on when I was a senior in high school I played Void, the goth hacker-slash-tech support to a brooding vigilante in one of the last great straight-to-video action duds of the Blockbuster era. 

[sudden dramatic close up] 

But we don’t talk about that. 

[zoom out]

After high school I went to Culver University and studied full time. My parents insisted I get a “real degree” so I ended up majoring in Political Science with a minor in Drama, instead of the other way around, and without the Political Science, like I wanted. After I graduated, despite my parents’ concerns, I moved to L.A. to try and become an actress full time. You might remember me from such unforgettable roles as the “kooky” comedic relief-slash-best friend in five different rom-coms from the mid-2000’s – four of which were called Jenny. I am not kidding. 

[Images of her characters appear on screen: Jenny, Jenny, Jennie, Madison, and Jenny.]

I’ve also had bit parts on every Law & Order and CSI series there is, and had recurring roles as the “kooky” girlfriend in about three different sitcoms over the past five years. 

[Darcy sighs]

[Text on screen: SIGHS IN TYPECAST]

Most recently I finished work on my first serious dramatic role in an indie movie called Bottled Lightning. It’s been entered in a few film festivals, I’ve gotten some good reviews for my performance, but as of last week it had still not secured a distribution deal. So, yeah… That one’s probably only going to be seen by a dozen film critics from three different film festivals and then sort of disappear into the unknown. [pouts] So here I am. Taking a break from the grind of auditioning. In my time capsule of a childhood bedroom. Housesitting for my parents while they’re drinking their way across Europe. 

[Darcy sighs again]

[Text on screen: SIGHS IN UNREALISED POTENTIAL]

My parents suggested I just give up on the whole acting thing altogether, move closer to them, get a “real job”… So I created a youtube channel instead. [cheeky smile] I’ve got a few ideas for upcoming episodes. Next week I’m going to be doing a reaction video to the pilot episode of Live from Suburbia! It’s been a good twenty-five years since I’ve seen it, but I’ve got the entire series on VHS. …just got to figure out how to get that digital so I can insert it into one of these videos…

[pensive music]

[Text on screen: COME ON NETFLIX! HELP A GIRL OUT!]

And then maybe a reaction to the first episode of Full House, or a review of the best child actor performances... Maybe if these videos get some traction I might even be able to do some interviews with other child actors – what do you think? Let me know in the comments. And I’m sure you know the drill already: Like, Subscribe, and Share. Thanks for dropping by! I’ll see you next week!

[Darcy blows a kiss to camera, screen fades to black]

NEXT VIDEO: Live from Suburbia! Pilot Episode Reaction (feat. Fizzgig)

*** ** ***

Notes: NEXT VIDEO is not indicative of what the next chapter is about but done simply to imply that Darcy has a whole lot of other videos on her channel that I haven’t written. Also, I named her parent’s cat Fizzgig for the 80s/90s kid vibes.

Tagging everyone who commented on the original tumblr fic prompt in case you wanted to see the end result. @zephrbabe @evieplease @endlesscalendar @lynnestra44 @founderofshield @oldenoughtobeyourmama  @typhoidmeri @phoenix-173 @suzieqsez @kiaraalexisklay @slytherinstarkravingmad​

#live from my bedroom! #it's darcy lewis #darcy lewis #steve rogers #tony stark #darcy lewis x steve rogers #whatever happened to darcy lewis #child actors #child actor au #actor au #youtuber au #freudensteins-fics